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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
They're offering a swap - Kadir in exchange for George. | 0:00:06 | 0:00:08 | |
We don't talk to terrorists. | 0:00:08 | 0:00:10 | |
I took a look at your story, poor Valerie Cotton. | 0:00:10 | 0:00:13 | |
You're a pregnant woman, you don't know what you're saying. | 0:00:13 | 0:00:16 | |
You're the one making me have these babies! | 0:00:16 | 0:00:18 | |
I'm here to see Martha Franklin. | 0:00:18 | 0:00:20 | |
I'm Captain Martin's wife. | 0:00:20 | 0:00:22 | |
So this is not a friendly visit? | 0:00:22 | 0:00:25 | |
No, I love him. | 0:00:25 | 0:00:26 | |
I don't want you to have anything to do with this, Armstrong. | 0:00:26 | 0:00:28 | |
You won't pull this off without me. | 0:00:28 | 0:00:30 | |
Tony. | 0:00:30 | 0:00:31 | |
One woman and a child, in exchange for your great leader. | 0:00:31 | 0:00:35 | |
Mummy! Daddy! | 0:00:35 | 0:00:36 | |
Captain Martin, I'm placing you under arrest, | 0:00:39 | 0:00:41 | |
for allowing the escape from lawful custody of a prisoner of war. | 0:00:41 | 0:00:45 | |
CRASHING AND BANGING | 0:00:49 | 0:00:51 | |
Open. | 0:01:15 | 0:01:17 | |
DOOR SLAMS Legs apart. | 0:01:36 | 0:01:39 | |
What are you looking for? | 0:01:43 | 0:01:46 | |
Aden, where east meets west. | 0:01:58 | 0:02:01 | |
Vital as an oil refinery as well as a Gulf trade route. | 0:02:01 | 0:02:04 | |
The beach here at Aden is lovely. | 0:02:06 | 0:02:09 | |
The sun is warm and the sharks are not always hungry. | 0:02:09 | 0:02:13 | |
The occasional outbreaks of violence are caused by what are officially | 0:02:19 | 0:02:22 | |
called dissident tribesmen. | 0:02:22 | 0:02:24 | |
As long as there's trouble, there must be troops. | 0:02:26 | 0:02:29 | |
The Queen has full confidence in Aden's future, describing it as | 0:02:30 | 0:02:34 | |
the perfect example of colonial rule. | 0:02:34 | 0:02:37 | |
What are you doing? | 0:02:43 | 0:02:45 | |
Cover for me. | 0:02:45 | 0:02:47 | |
Where are you going? | 0:02:47 | 0:02:48 | |
Look, the NLF will kill Yusra for what she did. | 0:02:48 | 0:02:51 | |
And we're letting it happen. I'm not having that. | 0:02:51 | 0:02:54 | |
Please, please. | 0:02:57 | 0:03:00 | |
Corporal Armstrong. | 0:03:30 | 0:03:32 | |
Where is he? | 0:03:34 | 0:03:37 | |
On patrol, sir. | 0:03:37 | 0:03:39 | |
-Get him back. -Erm, there's no radio contact, sir. | 0:03:44 | 0:03:47 | |
It's a problem up in Radfan. | 0:03:47 | 0:03:51 | |
-Bang! Bang! -I see. -Bang! Bang! Bang! -Yes. | 0:03:54 | 0:03:57 | |
Bang. Bang! Bang! Bang! Bang! Bang! Bang! Bang! | 0:03:57 | 0:04:01 | |
-That's settled, then. Ten o'clock tomorrow. Goodbye. -Bang! Bang! | 0:04:01 | 0:04:06 | |
Bit quieter, darling, Daddy can't hear himself think. | 0:04:06 | 0:04:09 | |
Where's Yusra? | 0:04:09 | 0:04:11 | |
Go and play in your bedroom, George. | 0:04:15 | 0:04:18 | |
Well, they've taken a statement from me, | 0:04:24 | 0:04:26 | |
-which means I have to give evidence. -In court? Against Joe? | 0:04:26 | 0:04:29 | |
It's not "against" him, Mary, it's just the facts. | 0:04:29 | 0:04:32 | |
I gave the order, he disobeyed it. | 0:04:32 | 0:04:34 | |
He saved George! | 0:04:34 | 0:04:36 | |
-Mary... -I don't understand. He'd be dead if it weren't for Joe Martin. | 0:04:36 | 0:04:39 | |
An order is an order, there's nothing I can do for him. | 0:04:39 | 0:04:42 | |
You're part of the prosecution case against the man | 0:04:42 | 0:04:45 | |
who saved our son's life. | 0:04:45 | 0:04:47 | |
He saved me from the bad men. | 0:04:47 | 0:04:48 | |
Yes. | 0:04:48 | 0:04:50 | |
So why is he in prison? | 0:04:50 | 0:04:52 | |
Will they shoot him, Daddy? | 0:04:55 | 0:04:57 | |
Joe saw all of these. | 0:05:23 | 0:05:27 | |
He was there. | 0:05:27 | 0:05:29 | |
And was asked to deny that it had ever happened. | 0:05:29 | 0:05:32 | |
But he kept the film. | 0:05:32 | 0:05:34 | |
Yeah, you know a good man by what he does under pressure. | 0:05:34 | 0:05:37 | |
Do the British want these photographs destroyed | 0:05:38 | 0:05:42 | |
because they're embarrassing? | 0:05:42 | 0:05:46 | |
Yes. | 0:05:46 | 0:05:48 | |
Because they tell a story that isn't the official account | 0:05:48 | 0:05:52 | |
of what is happening here? | 0:05:52 | 0:05:55 | |
Sure. Do the families of these men deserve to see them? | 0:05:57 | 0:06:00 | |
I think so. | 0:06:00 | 0:06:02 | |
I should go to him. | 0:06:02 | 0:06:04 | |
Honor. The little man has to lose. | 0:06:04 | 0:06:08 | |
You do know that? | 0:06:08 | 0:06:09 | |
Every time. | 0:06:09 | 0:06:12 | |
What was it? | 0:06:18 | 0:06:20 | |
You know what the order was. | 0:06:20 | 0:06:21 | |
I can make this so hard for you. | 0:06:37 | 0:06:39 | |
Eczema. | 0:06:52 | 0:06:55 | |
The heat makes it almost intolerable. | 0:06:55 | 0:06:58 | |
He never gets through an interview without a good scratch. | 0:06:58 | 0:07:01 | |
Maybe this time. | 0:07:03 | 0:07:05 | |
The order was to escort a prisoner. | 0:07:09 | 0:07:12 | |
Who gave you the order? | 0:07:17 | 0:07:19 | |
Major Markham. | 0:07:19 | 0:07:21 | |
Did you obey it? | 0:07:21 | 0:07:23 | |
No. | 0:07:23 | 0:07:25 | |
Do you know what it means to disobey an order? | 0:07:25 | 0:07:29 | |
Yes. | 0:07:33 | 0:07:35 | |
Sit down. | 0:07:39 | 0:07:40 | |
I had a choice. A child with his whole life ahead of him... | 0:08:00 | 0:08:04 | |
Who do you think you are? | 0:08:04 | 0:08:07 | |
I want you to listen carefully, | 0:08:07 | 0:08:10 | |
because this is the most important thing you will ever hear. | 0:08:10 | 0:08:13 | |
The whole of High Command know who you are, | 0:08:13 | 0:08:18 | |
they're taking a real interest in Captain Babyface. | 0:08:18 | 0:08:21 | |
If you decide to fight us, we will expose you. | 0:08:21 | 0:08:26 | |
Does your new wife know about your sordid past? | 0:08:26 | 0:08:30 | |
What do you want? | 0:08:30 | 0:08:31 | |
Help me. | 0:08:34 | 0:08:35 | |
Help yourself. | 0:08:38 | 0:08:39 | |
Yusra! Yusra? | 0:08:56 | 0:08:59 | |
The NLF don't like it when you help the enemy. | 0:09:11 | 0:09:14 | |
The family. | 0:09:14 | 0:09:16 | |
Locked inside, burnt to death. | 0:09:16 | 0:09:18 | |
But not Yusra. | 0:09:22 | 0:09:24 | |
Where is she? | 0:09:25 | 0:09:27 | |
I know where she is, but you need to go. | 0:09:27 | 0:09:30 | |
Where is she?! Where is she?! | 0:09:30 | 0:09:33 | |
Where is she? Where is she?! | 0:09:33 | 0:09:35 | |
-Where is she?! -You should go. | 0:09:35 | 0:09:37 | |
You need to go now. Go now. | 0:09:37 | 0:09:39 | |
-Yusra! -Go! You should go! You should go! | 0:09:39 | 0:09:41 | |
You should go, go! | 0:09:41 | 0:09:43 | |
HORN BLARES | 0:09:43 | 0:09:45 | |
MUSIC PLAYS ON RADIO | 0:09:45 | 0:09:46 | |
Cucumber. | 0:10:17 | 0:10:19 | |
Thank you. | 0:10:19 | 0:10:21 | |
I want an abortion. | 0:10:31 | 0:10:34 | |
That's against the law. | 0:10:34 | 0:10:36 | |
Yes. I'm asking you to help me. | 0:10:36 | 0:10:40 | |
Why do you feel you want to do this? | 0:10:48 | 0:10:50 | |
Why do you feel you can ask? | 0:10:54 | 0:10:58 | |
I'm a doctor. I can't just... | 0:10:58 | 0:10:59 | |
Really? Why not? | 0:10:59 | 0:11:02 | |
You know better than me what I want? | 0:11:05 | 0:11:07 | |
I didn't ask you here for moral guidance. | 0:11:11 | 0:11:15 | |
It's my duty... | 0:11:15 | 0:11:16 | |
It's none of your business! | 0:11:16 | 0:11:17 | |
I would do it myself if I could, but I can't. | 0:11:20 | 0:11:23 | |
Please. | 0:11:31 | 0:11:33 | |
What does your husband say? | 0:11:44 | 0:11:45 | |
SHE SOBS | 0:11:51 | 0:11:52 | |
Joe... | 0:12:17 | 0:12:20 | |
I'm sorry. I wasn't thinking of you. I should have been. | 0:12:26 | 0:12:29 | |
No. No, you were just being brave. | 0:12:29 | 0:12:32 | |
I'll be discharged from the army and I... It'll be years, Honor... | 0:12:34 | 0:12:41 | |
..and when I get out... | 0:12:44 | 0:12:47 | |
don't wait for me. Find a new life. | 0:12:47 | 0:12:53 | |
-Take the handcuffs off. -I can't do that. | 0:13:08 | 0:13:11 | |
He's in a cell in the most secure building in Aden | 0:13:11 | 0:13:13 | |
with the British Army guarding him and you need to keep his hands tied | 0:13:13 | 0:13:16 | |
so he can't hug his wife?! | 0:13:16 | 0:13:19 | |
What kind of man are you? | 0:13:19 | 0:13:21 | |
Just tell the truth and everything will be all right. | 0:13:55 | 0:13:59 | |
There. That's what I loved about you. | 0:13:59 | 0:14:03 | |
Such uncomplicated innocence. | 0:14:04 | 0:14:10 | |
Here's Honor, as she is, as she always will be. | 0:14:10 | 0:14:14 | |
Loved? You said "loved". | 0:14:14 | 0:14:19 | |
-Love. -Then that's enough. Everything's unpicked by love | 0:14:19 | 0:14:24 | |
and the truth isn't frightened of anything or anyone. | 0:14:24 | 0:14:29 | |
It's not that simple, | 0:14:30 | 0:14:32 | |
I'm not that simple. | 0:14:32 | 0:14:36 | |
There's something you don't know about my past, Honor... | 0:14:38 | 0:14:40 | |
Shhh. Not now, hmm? | 0:14:40 | 0:14:43 | |
I brought the film to Martha. I've seen the photographs. | 0:14:46 | 0:14:49 | |
Honor... Why didn't you destroy it? | 0:14:52 | 0:14:54 | |
I think it's because deep down, you don't think | 0:14:55 | 0:14:57 | |
that concealing the truth can ever be right. | 0:14:57 | 0:14:59 | |
-BANGING ON DOOR -Time's up! | 0:14:59 | 0:15:02 | |
When my mother fell asleep on the chair on a Sunday, | 0:15:13 | 0:15:16 | |
my father would steal in and allow himself to go back | 0:15:16 | 0:15:20 | |
to their beginnings and whispered to her, "When you are old and grey | 0:15:20 | 0:15:26 | |
"and full of sleep, and nodding by the fire, | 0:15:26 | 0:15:31 | |
"take down this book, and slowly read, | 0:15:31 | 0:15:35 | |
"and dream of the soft look your eyes had once, | 0:15:35 | 0:15:38 | |
"and of their shadows deep. | 0:15:38 | 0:15:42 | |
"How many loved your moments of glad grace, | 0:15:42 | 0:15:47 | |
"and loved your beauty with love false and true, | 0:15:47 | 0:15:53 | |
"but one man loved the pilgrim soul in you." | 0:15:53 | 0:15:56 | |
Look at me. | 0:16:03 | 0:16:05 | |
Hold on to love for dear life, Joe. | 0:16:10 | 0:16:12 | |
When you have it. | 0:16:14 | 0:16:16 | |
So an accused is, erm, well, he's allowed someone alongside him | 0:16:58 | 0:17:04 | |
to talk to, to take advice from, to cross examine witnesses for, | 0:17:04 | 0:17:10 | |
as a kind of pal, you know, | 0:17:10 | 0:17:12 | |
so, well, they call it an officer's friend. | 0:17:12 | 0:17:14 | |
Did you know that? | 0:17:18 | 0:17:20 | |
I did what I did and I'd do it again. | 0:17:20 | 0:17:22 | |
There's no advice to give. | 0:17:22 | 0:17:24 | |
Do you know you almost sound as if you think you deserve to be | 0:17:24 | 0:17:26 | |
punished for this? | 0:17:26 | 0:17:28 | |
It's very nice of you to offer to be my... What's it called? | 0:17:28 | 0:17:31 | |
My friend. I don't really need your help... | 0:17:31 | 0:17:33 | |
Yeah, well, you don't have a choice, I'm afraid, | 0:17:33 | 0:17:36 | |
cos you saved my life. | 0:17:36 | 0:17:37 | |
Yeah, a life for a life. | 0:17:37 | 0:17:39 | |
I was dead, Joe. I was dead on that road. | 0:17:39 | 0:17:42 | |
They told me at the hospital. | 0:17:42 | 0:17:44 | |
I had minutes left to live when you came for me. | 0:17:44 | 0:17:46 | |
You dragged me back from the edge. | 0:17:46 | 0:17:48 | |
I can't imagine where you got the courage and the strength. | 0:17:48 | 0:17:51 | |
-So where's your fight now? -I have to plead guilty. | 0:17:51 | 0:17:54 | |
What about Honor? | 0:17:56 | 0:17:58 | |
Well, do you feel guilty? | 0:18:02 | 0:18:05 | |
Because if you don't, and you plead guilty, | 0:18:05 | 0:18:07 | |
then you'll wake up the morning after you've been sentenced | 0:18:07 | 0:18:10 | |
you're going to look at the wall of your cell and you'll | 0:18:10 | 0:18:12 | |
know that there is nothing you can do in the rest of your life that | 0:18:12 | 0:18:16 | |
will correct the mistake you made in not being honest with yourself. | 0:18:16 | 0:18:20 | |
I'm not sure you'll survive, Joe. | 0:18:26 | 0:18:28 | |
There's no defence, is there? | 0:18:36 | 0:18:38 | |
Why don't we trust in the moral high ground being a good place | 0:18:38 | 0:18:42 | |
to defend oneself? | 0:18:42 | 0:18:44 | |
Bang! Bang! You're dead. I've got you now. You... | 0:18:46 | 0:18:52 | |
What would happen if you said no? | 0:18:54 | 0:18:56 | |
What if you told them you wouldn't give evidence? | 0:18:56 | 0:19:00 | |
Then my career would be over. | 0:19:03 | 0:19:04 | |
I see. | 0:19:08 | 0:19:10 | |
Bang! Bang! You're dead, you're dead, you're dead! | 0:19:11 | 0:19:15 | |
You can't stay with me. | 0:20:47 | 0:20:49 | |
It's not safe. | 0:20:52 | 0:20:54 | |
I saw your house. | 0:20:58 | 0:21:00 | |
Your whole family. | 0:21:04 | 0:21:07 | |
I thought you were dead. | 0:21:12 | 0:21:14 | |
I wanted to die. | 0:21:18 | 0:21:22 | |
I thought I'd never see you again, I... | 0:21:22 | 0:21:25 | |
I'm never leaving you. | 0:21:26 | 0:21:28 | |
Jesus Christ. | 0:22:09 | 0:22:10 | |
Sorry. Hello. I, I was just... | 0:22:10 | 0:22:13 | |
The door was open? | 0:22:13 | 0:22:15 | |
-Yes. -Were the lights on? | 0:22:15 | 0:22:18 | |
What? I think so. | 0:22:18 | 0:22:21 | |
And the fan? Did you turn that on? | 0:22:21 | 0:22:24 | |
No. | 0:22:24 | 0:22:26 | |
-I'm sure... -KNOCKING AT DOOR | 0:22:28 | 0:22:30 | |
Laundry. | 0:22:30 | 0:22:33 | |
I didn't send any. | 0:22:33 | 0:22:35 | |
Shall I put it away? | 0:22:35 | 0:22:36 | |
Just leave it! Thanks. | 0:22:36 | 0:22:39 | |
Last time I was here, I saw Harvey Tilbrook. | 0:22:51 | 0:22:55 | |
He lied to me. | 0:22:55 | 0:22:57 | |
-What about? -Seeing you. | 0:22:58 | 0:23:00 | |
Why would he do that? | 0:23:02 | 0:23:03 | |
I don't know. | 0:23:03 | 0:23:06 | |
But I saw him talking to a man in the hotel lobby. | 0:23:06 | 0:23:08 | |
Who? | 0:23:10 | 0:23:13 | |
There's nothing to worry about. Prosecution have got it all in hand. | 0:23:20 | 0:23:23 | |
I'll have the glass, you have the bottle. | 0:23:43 | 0:23:46 | |
Other way round, maybe, sir? | 0:23:46 | 0:23:48 | |
It's court in the morning. | 0:23:49 | 0:23:51 | |
So, why are you here? | 0:23:57 | 0:24:00 | |
If your job were one thing... | 0:24:10 | 0:24:12 | |
..if being a sergeant in the British Army boiled down to one thing...? | 0:24:15 | 0:24:18 | |
Knowing my officers and my men better than they know themselves. | 0:24:20 | 0:24:24 | |
-Captain Martin? -Is a good man. | 0:24:29 | 0:24:32 | |
Major Markham? | 0:24:40 | 0:24:42 | |
Doesn't need to ask his sergeant what to do. | 0:24:42 | 0:24:44 | |
HE SIGHS | 0:24:54 | 0:24:56 | |
DOOR OPENS | 0:25:28 | 0:25:29 | |
Hut! | 0:25:53 | 0:25:54 | |
Hut! | 0:26:08 | 0:26:11 | |
Hut! | 0:26:11 | 0:26:13 | |
All sit. | 0:26:19 | 0:26:21 | |
Remove head dress. | 0:26:23 | 0:26:27 | |
Yes, Mr Bishop. | 0:26:27 | 0:26:29 | |
I swear by Almighty God that the evidence | 0:26:35 | 0:26:39 | |
I give shall be the truth, the whole truth, and nothing but the truth. | 0:26:39 | 0:26:44 | |
Who gave Captain Martin the order to escort Kadir? | 0:26:49 | 0:26:53 | |
-I did. -Personally? Directly? | 0:26:53 | 0:26:56 | |
Yes. | 0:26:56 | 0:26:57 | |
Did you later discover whether the order had been carried out? | 0:26:57 | 0:27:01 | |
Yes. | 0:27:01 | 0:27:03 | |
And had it? | 0:27:03 | 0:27:05 | |
Was the order carried out, Major Markham? | 0:27:06 | 0:27:10 | |
No. | 0:27:15 | 0:27:17 | |
What would you have done? | 0:27:23 | 0:27:25 | |
If you had been in Captain Martin's shoes? | 0:27:25 | 0:27:27 | |
What if it was his son that was being held hostage, | 0:27:27 | 0:27:31 | |
sentenced to die, clock ticking down and you had the chance to save him, | 0:27:31 | 0:27:36 | |
what would you do? Your duty? | 0:27:36 | 0:27:39 | |
His child? | 0:27:41 | 0:27:43 | |
My duty. | 0:27:46 | 0:27:49 | |
Thank you, Major. | 0:27:49 | 0:27:51 | |
And if it were your own child? | 0:27:51 | 0:27:53 | |
Abraham was prepared to kill his own son | 0:27:53 | 0:27:55 | |
because God demanded it of him and what about you, sir? | 0:27:55 | 0:27:58 | |
If the Army demanded it of you, would it be the right thing? | 0:27:58 | 0:28:03 | |
Erm... | 0:28:05 | 0:28:07 | |
No, it wouldn't. I'm sorry. | 0:28:10 | 0:28:11 | |
This is all hypothetical. | 0:28:11 | 0:28:13 | |
Well, if this officer, whom everyone describes as the best, the most | 0:28:13 | 0:28:17 | |
upstanding of men, tells us that there are circumstances in which it | 0:28:17 | 0:28:21 | |
is right to disobey an order, then it proves the possibility exists. | 0:28:21 | 0:28:26 | |
A principle is starting to be established. | 0:28:26 | 0:28:29 | |
Disobeying an order can be the right thing to do. | 0:28:29 | 0:28:32 | |
I don't agree. Law and morality are the same thing. | 0:28:32 | 0:28:35 | |
-What, in Nazi Germany? -This is not Nazi Germany. | 0:28:35 | 0:28:38 | |
Or at Amritsar. | 0:28:38 | 0:28:39 | |
Would you have shot those 600 defenceless men, women and children | 0:28:39 | 0:28:43 | |
because your commanding officer asked you to do it, Brigadier? | 0:28:43 | 0:28:47 | |
The question's not a rhetorical one, sir. | 0:28:47 | 0:28:49 | |
It is impertinent! | 0:28:49 | 0:28:51 | |
If my CO's moral map has room in it for conscience, | 0:28:51 | 0:28:54 | |
then this is not a strict liability offence. | 0:28:54 | 0:28:57 | |
I, I'd like to say something. | 0:28:57 | 0:28:59 | |
When I gave the order to Captain Martin, | 0:29:01 | 0:29:05 | |
my son was missing. | 0:29:05 | 0:29:07 | |
I believed then that he was certain to die. | 0:29:09 | 0:29:13 | |
And the end of his life felt like the end of my life. | 0:29:17 | 0:29:20 | |
Every decision I have made as a commanding officer, | 0:29:20 | 0:29:23 | |
every order I have given has been done so with the deep care | 0:29:23 | 0:29:26 | |
that the privilege of commanding the best soldiers in the world asks for. | 0:29:26 | 0:29:33 | |
-Major... -However, when I gave that order to Captain Martin... | 0:29:34 | 0:29:38 | |
..I was not fit to do so. | 0:29:44 | 0:29:46 | |
I was unfit to command my men. I'm sorry. | 0:29:46 | 0:29:51 | |
In interview, you were asked if you disobeyed an order? Did you? | 0:30:37 | 0:30:43 | |
Yes, morally it was the only choice. | 0:30:43 | 0:30:46 | |
Ah, yes, the moral man. | 0:30:46 | 0:30:49 | |
Where were you on the afternoon of Christmas Day? | 0:30:50 | 0:30:54 | |
I had work to see to. | 0:30:54 | 0:30:55 | |
What kind of work? | 0:30:55 | 0:30:57 | |
An interview. | 0:30:57 | 0:30:58 | |
On Christmas Day? | 0:30:58 | 0:31:00 | |
-Yes. -Who were you interviewing? | 0:31:00 | 0:31:02 | |
-A reporter. -Name? | 0:31:02 | 0:31:05 | |
Martha Franklin. | 0:31:05 | 0:31:07 | |
In the office? | 0:31:07 | 0:31:08 | |
-No. -Somewhere else on the base? | 0:31:09 | 0:31:11 | |
In a bar. | 0:31:16 | 0:31:17 | |
On Christmas day? | 0:31:17 | 0:31:20 | |
Yes. | 0:31:20 | 0:31:22 | |
Did you tell your wife that you were going off to meet a woman in a bar? | 0:31:22 | 0:31:25 | |
-Not exactly. -Well, yes or no? | 0:31:26 | 0:31:29 | |
Not exactly. | 0:31:29 | 0:31:30 | |
You're going to have to explain that answer for those of us | 0:31:30 | 0:31:33 | |
who believe the truth to be a simple concept. | 0:31:33 | 0:31:36 | |
What the truth is or appears to be always depends | 0:31:36 | 0:31:39 | |
on who's looking at it, wouldn't you say? | 0:31:39 | 0:31:41 | |
Did you tell your wife where you were going? Yes or no. | 0:31:41 | 0:31:44 | |
No. | 0:31:46 | 0:31:48 | |
When did you next see Martha Franklin? | 0:31:48 | 0:31:51 | |
The next day. | 0:31:51 | 0:31:52 | |
-Boxing day? -Yes. | 0:31:52 | 0:31:54 | |
Same bar? | 0:31:54 | 0:31:55 | |
-No. -Where? | 0:31:55 | 0:31:59 | |
The Gordon Hotel. | 0:31:59 | 0:32:01 | |
In the lobby? | 0:32:01 | 0:32:03 | |
-No. -In the bar? | 0:32:03 | 0:32:05 | |
I wanted to explain... | 0:32:07 | 0:32:08 | |
No, no, where did you meet for your interview, Captain Martin? | 0:32:08 | 0:32:13 | |
In her room. | 0:32:16 | 0:32:18 | |
INDISCTINCT MURMURING | 0:32:18 | 0:32:20 | |
Are you a moral man, Captain Martin? | 0:32:24 | 0:32:28 | |
It's over, isn't it? I'm going down. | 0:32:38 | 0:32:41 | |
Honor. | 0:32:41 | 0:32:44 | |
What? | 0:32:44 | 0:32:45 | |
I want them to hear her talk about you. | 0:32:45 | 0:32:50 | |
I'm not going to put her through that. | 0:32:50 | 0:32:52 | |
That'd be up to her. | 0:32:52 | 0:32:54 | |
It's fine. | 0:34:14 | 0:34:16 | |
I can hide. | 0:34:16 | 0:34:18 | |
But with a British soldier beside me, it's not possible. | 0:34:18 | 0:34:22 | |
You must go. | 0:34:22 | 0:34:24 | |
No. | 0:34:24 | 0:34:26 | |
If you love me, if you want me to be safe, you have to go. | 0:34:27 | 0:34:32 | |
Coca-Cola, please. Ice, no lemon. | 0:34:48 | 0:34:51 | |
It's up to you what I drink? | 0:35:00 | 0:35:02 | |
You're a guest. | 0:35:02 | 0:35:04 | |
-Sometimes you forget, you people. -The interview has to be in English. | 0:35:06 | 0:35:12 | |
Kadir's English is better than my Arabic. | 0:35:12 | 0:35:15 | |
You don't make the conditions. | 0:35:15 | 0:35:18 | |
If it's not in English, I won't agree to it. | 0:35:18 | 0:35:20 | |
So, you see, I do. | 0:35:20 | 0:35:22 | |
Western arrogance. | 0:35:22 | 0:35:24 | |
No. A reporter's rules. | 0:35:24 | 0:35:27 | |
How do we know we can trust you? | 0:35:27 | 0:35:29 | |
You don't. I'll write whatever I like. | 0:35:29 | 0:35:32 | |
I mean, how do we know we can trust you, | 0:35:32 | 0:35:35 | |
not to bring the British Army with you? | 0:35:35 | 0:35:36 | |
Well, you don't know that either. | 0:35:36 | 0:35:38 | |
Except it would go against everything | 0:35:39 | 0:35:42 | |
I believe in as a reporter. | 0:35:42 | 0:35:43 | |
These are just words. | 0:35:46 | 0:35:48 | |
What else is there? | 0:35:48 | 0:35:51 | |
He did the right thing, for honest reasons. | 0:36:05 | 0:36:07 | |
My husband's a good man. I know he is. | 0:36:08 | 0:36:12 | |
Thank you. | 0:36:15 | 0:36:16 | |
How long have you been married? | 0:36:24 | 0:36:26 | |
Nine weeks. | 0:36:26 | 0:36:27 | |
And before you were married, how long had you known him? | 0:36:27 | 0:36:30 | |
Not long. We, erm, we met on Valentine's day. | 0:36:30 | 0:36:33 | |
-How romantic. -Yes. | 0:36:33 | 0:36:35 | |
How much do you know about his life before he met you? | 0:36:36 | 0:36:43 | |
Does the name Valerie Cotton mean anything to you? | 0:36:43 | 0:36:47 | |
No. | 0:36:49 | 0:36:50 | |
Really? Nothing? | 0:36:50 | 0:36:53 | |
She drowned herself a week after writing a letter to your husband. | 0:36:53 | 0:37:00 | |
Oh, my goodness. | 0:37:00 | 0:37:01 | |
The letter says, "I love you. | 0:37:02 | 0:37:08 | |
"I will leave my husband and my children | 0:37:08 | 0:37:11 | |
"if you promise to be with me. | 0:37:11 | 0:37:13 | |
"If you don't make the promise, I cannot live." | 0:37:13 | 0:37:17 | |
She received no reply. | 0:37:17 | 0:37:20 | |
You really don't know about this, do you? | 0:37:20 | 0:37:22 | |
-FAINTLY: -The date of the letter? The second of February 1964. | 0:37:26 | 0:37:31 | |
One year and 12 days before the Valentine's Day | 0:37:33 | 0:37:35 | |
on which you met Joe Martin. | 0:37:35 | 0:37:37 | |
Was it a dance? | 0:37:39 | 0:37:41 | |
Sorry? | 0:37:43 | 0:37:45 | |
Did you meet him at a dance? | 0:37:45 | 0:37:47 | |
Yes. | 0:37:49 | 0:37:51 | |
Is he a good dancer? | 0:37:51 | 0:37:53 | |
Erm... Yes. | 0:37:54 | 0:37:57 | |
That's about all you can say, isn't it? | 0:37:57 | 0:37:59 | |
Concerning the character of your husband? "He's a good dancer." | 0:37:59 | 0:38:04 | |
Thank you, Mr Bishop, | 0:38:07 | 0:38:09 | |
court will resume at ten o'clock tomorrow morning. | 0:38:09 | 0:38:12 | |
SHE SCREAMS | 0:38:25 | 0:38:27 | |
BRAKES SCREECH | 0:38:32 | 0:38:34 | |
Martha? | 0:38:52 | 0:38:53 | |
SHE SOBS | 0:39:40 | 0:39:43 | |
Coca-Cola - ice, no lemon. | 0:40:07 | 0:40:11 | |
-Shall we begin? -Yusra's family. | 0:40:19 | 0:40:24 | |
-Was that you? -We kill people who betray us. | 0:40:24 | 0:40:29 | |
You cannot win - militarily. | 0:40:29 | 0:40:32 | |
You see, Britain, | 0:40:33 | 0:40:36 | |
deep down, is very ashamed of Empire. | 0:40:36 | 0:40:40 | |
She doesn't want to be seen talking of her shame, | 0:40:40 | 0:40:45 | |
-but she feels it nonetheless. -Are you talking to them? -Yes. | 0:40:45 | 0:40:51 | |
If that were true, you wouldn't tell me. | 0:40:53 | 0:40:55 | |
Go on. | 0:40:58 | 0:41:00 | |
Why not carry on negotiations? | 0:41:00 | 0:41:04 | |
Why wreck it all by telling a journalist? | 0:41:04 | 0:41:07 | |
It's very simple - true independence is not given away, | 0:41:07 | 0:41:14 | |
it's taken. | 0:41:14 | 0:41:16 | |
You want me to write a story about secret talks? | 0:41:17 | 0:41:20 | |
People in Britain need to confront their shame. | 0:41:22 | 0:41:26 | |
I'm thinking about Great Britain as well as Aden. | 0:41:26 | 0:41:29 | |
The benevolent terrorist. | 0:41:30 | 0:41:33 | |
Oh, now, Miss Franklin. | 0:41:33 | 0:41:36 | |
What is this word? Is Mandela a terrorist? | 0:41:36 | 0:41:41 | |
Kenyatta? Nehru? | 0:41:42 | 0:41:45 | |
And, anyway, the British government, they don't talk to terrorists. | 0:41:45 | 0:41:51 | |
Most certainly not about handing over of power to them. | 0:41:53 | 0:41:57 | |
You're using me to expose the hypocrisy. | 0:41:57 | 0:42:01 | |
Absolutely. | 0:42:01 | 0:42:02 | |
Who have you met with? | 0:42:02 | 0:42:04 | |
A very distinguished and rare old bird. | 0:42:04 | 0:42:08 | |
The Minister for Colonies. | 0:42:12 | 0:42:14 | |
How can I verify this? | 0:42:17 | 0:42:19 | |
Your laundry is back in your drawer, your fan is off, | 0:42:19 | 0:42:24 | |
the light on your desk is off, and the photographs destroyed. | 0:42:24 | 0:42:28 | |
You've been spying on me. | 0:42:28 | 0:42:30 | |
Not us. | 0:42:36 | 0:42:38 | |
What are you doing here? | 0:42:51 | 0:42:54 | |
I don't have time to talk. | 0:42:56 | 0:42:59 | |
I have to write a story and it has to be now. | 0:42:59 | 0:43:03 | |
You look terrible. | 0:43:08 | 0:43:09 | |
Joe has a past I didn't know about. | 0:43:09 | 0:43:11 | |
You found out? | 0:43:13 | 0:43:15 | |
In court. | 0:43:15 | 0:43:17 | |
Barristers are bullies. | 0:43:26 | 0:43:29 | |
We all have secrets, Honor. | 0:43:34 | 0:43:37 | |
Apart from you. | 0:43:39 | 0:43:41 | |
They think that by telling me something I don't know about Joe, | 0:43:43 | 0:43:46 | |
they'll turn me away from him. | 0:43:46 | 0:43:48 | |
They're wrong. I love him and I don't know him, | 0:43:49 | 0:43:53 | |
but both things can be true. | 0:43:53 | 0:43:57 | |
Right? | 0:43:57 | 0:43:58 | |
It's the first one that matters. | 0:44:00 | 0:44:02 | |
-I thought you might be dead. -Ha! Why? | 0:44:10 | 0:44:13 | |
Well, because without the photographs, it all depends on you. | 0:44:13 | 0:44:16 | |
I have a story to write. It's the biggest of my career. | 0:44:16 | 0:44:21 | |
Then Joe will go to prison. | 0:44:21 | 0:44:23 | |
What is it that you said? | 0:44:27 | 0:44:29 | |
The...the little man has to pay the price - every time. | 0:44:29 | 0:44:32 | |
What are you doing? | 0:44:43 | 0:44:45 | |
Whitehall, London, please. | 0:44:52 | 0:44:54 | |
Martha Franklin, Washington Post. | 0:44:58 | 0:45:00 | |
Can you put me through to the Minister of Colonies? | 0:45:00 | 0:45:03 | |
Oh, just a few questions. | 0:45:03 | 0:45:06 | |
He's... He's overseas? | 0:45:06 | 0:45:11 | |
Oh, he's in London. | 0:45:11 | 0:45:14 | |
Thanks. | 0:45:15 | 0:45:17 | |
This is the man you saw talking to Tilbrook. | 0:45:32 | 0:45:35 | |
Officially, he's not here. | 0:45:36 | 0:45:37 | |
You know what they say at Sandhurst? | 0:45:51 | 0:45:53 | |
If you can't see your face in your shoes, they're not ready. | 0:45:53 | 0:45:56 | |
And can you? | 0:45:59 | 0:46:01 | |
HE SIGHS | 0:46:01 | 0:46:02 | |
Sir. | 0:46:47 | 0:46:48 | |
Something for you. | 0:46:48 | 0:46:51 | |
Sir. What is it? | 0:46:51 | 0:46:54 | |
Redemption. | 0:46:54 | 0:46:55 | |
What about the German cars? DOOR CLOSES | 0:47:04 | 0:47:07 | |
-You're home early. -I thought I could take George swimming. | 0:47:11 | 0:47:15 | |
Yay! Swimming! | 0:47:15 | 0:47:18 | |
-Colin Calvert. Cabinet Minister. -Yes, that's him. | 0:47:23 | 0:47:27 | |
That's the man I was taking to The Gordon Hotel. | 0:47:27 | 0:47:31 | |
His code name's Owl. | 0:47:31 | 0:47:33 | |
There, Owl. Date, time. | 0:47:33 | 0:47:36 | |
Pick up 12:55 hours, delivery 13:30. | 0:47:36 | 0:47:40 | |
Co-ordinates eight, eight, four, triple one. | 0:47:40 | 0:47:43 | |
No. That can't be right. | 0:47:43 | 0:47:46 | |
Triple one? | 0:47:46 | 0:47:48 | |
I remember that. That's where I was taking Kadir. | 0:47:49 | 0:47:52 | |
Starfish. | 0:47:52 | 0:47:54 | |
Starfish and Owl. | 0:47:54 | 0:47:57 | |
The Minister was here to meet with the terrorists. | 0:47:57 | 0:48:00 | |
The Government have been talking to the men | 0:48:00 | 0:48:02 | |
who would have killed George Markham. | 0:48:02 | 0:48:04 | |
DOOR OPENS | 0:48:04 | 0:48:06 | |
I know you've been talking with Kadir. | 0:48:10 | 0:48:12 | |
I know the distinguished Cabinet Minister is in Aden to hold | 0:48:13 | 0:48:17 | |
secret talks with the leader of a terrorist organization | 0:48:17 | 0:48:21 | |
who kidnap small children. | 0:48:21 | 0:48:23 | |
I know his people in London are lying about his whereabouts. | 0:48:23 | 0:48:28 | |
I know all this, because there is a military logbook that verifies it. | 0:48:28 | 0:48:32 | |
And I know just how embarrassing all this would be | 0:48:32 | 0:48:36 | |
if I were to publish it. | 0:48:36 | 0:48:39 | |
What would the headlines be? | 0:48:39 | 0:48:41 | |
There'd be no story. | 0:48:43 | 0:48:46 | |
You'd give up your story. | 0:48:47 | 0:48:49 | |
Mr Bishop. | 0:49:10 | 0:49:12 | |
After much careful consideration, the Crown has taken the view that | 0:49:14 | 0:49:17 | |
there are now compelling reasons why it is not in the interests | 0:49:17 | 0:49:20 | |
of justice or the national interest to pursue this prosecution further. | 0:49:20 | 0:49:25 | |
GASPS AND INDISTINCT MURMURING | 0:49:25 | 0:49:27 | |
What's he saying? | 0:49:27 | 0:49:29 | |
He's saying you're a free man. | 0:49:30 | 0:49:33 | |
All rise. | 0:49:41 | 0:49:43 | |
THEY LAUGH | 0:50:56 | 0:50:58 | |
THEY KISS | 0:51:09 | 0:51:11 | |
SHE SPEAKS IN HER OWN LANGUAGE | 0:51:55 | 0:51:57 | |
What? | 0:51:58 | 0:51:59 | |
Kiss. | 0:51:59 | 0:52:01 | |
Oh. | 0:52:01 | 0:52:03 | |
Well... | 0:52:33 | 0:52:34 | |
I've done everything I can. | 0:52:36 | 0:52:38 | |
There's just one more thing. | 0:52:41 | 0:52:44 | |
No, two. | 0:52:44 | 0:52:46 | |
What? | 0:52:46 | 0:52:48 | |
I'm thinking about leaving the Army. I don't think it helps us | 0:52:53 | 0:52:55 | |
to be fighting all the rules all the time... | 0:52:55 | 0:52:57 | |
It helps them. | 0:52:57 | 0:52:59 | |
What? | 0:53:01 | 0:53:03 | |
The Army. | 0:53:03 | 0:53:05 | |
It's good for the British Army to have you in it. | 0:53:05 | 0:53:08 | |
It's what you were doing in court - | 0:53:10 | 0:53:15 | |
saving Joe Martin, | 0:53:15 | 0:53:16 | |
and making them think very hard about what they should be. | 0:53:16 | 0:53:19 | |
They need you. | 0:53:21 | 0:53:23 | |
What was the second thing? | 0:53:27 | 0:53:29 | |
No. | 0:53:32 | 0:53:34 | |
Ed. | 0:53:35 | 0:53:37 | |
Nothing. | 0:53:41 | 0:53:44 | |
What? | 0:53:44 | 0:53:46 | |
I'd leave you. | 0:53:49 | 0:53:50 | |
If it would make you happier... | 0:53:52 | 0:53:54 | |
..I'd go. | 0:53:56 | 0:53:59 | |
SHE SIGHS | 0:53:59 | 0:54:01 | |
How do I look? | 0:54:09 | 0:54:11 | |
You look terrible, awful. | 0:54:18 | 0:54:20 | |
Thank you, darling. | 0:54:20 | 0:54:22 | |
I love it when you call me darling. | 0:54:25 | 0:54:27 | |
What do you mean "terrible"? | 0:54:57 | 0:54:59 | |
-SHE SCREAMS -No! -Come here! | 0:55:02 | 0:55:05 | |
THEY LAUGH I've got you! | 0:55:05 | 0:55:08 | |
They lied to us. | 0:55:10 | 0:55:12 | |
They lied and they lied, | 0:55:13 | 0:55:18 | |
the world upside down. | 0:55:18 | 0:55:21 | |
And then you did the right thing, Harry. | 0:55:28 | 0:55:32 | |
And the world righted itself. | 0:55:32 | 0:55:35 | |
Go out there, inspect your men. | 0:55:37 | 0:55:40 | |
Tony! Come! The sun is going down. | 0:56:01 | 0:56:04 | |
-Quick! -Yeah, wait, Yusra! | 0:56:04 | 0:56:06 | |
Quick, come! | 0:56:06 | 0:56:08 | |
GUNSHOT | 0:56:15 | 0:56:17 | |
No, no. Yusra! Yusra! No, Yusra! | 0:56:21 | 0:56:25 | |
No, no, no, no, no, Yusra! | 0:56:27 | 0:56:31 | |
No, Yusra, no, stay with me! Stay with me! | 0:56:33 | 0:56:38 | |
Can you hear me?! | 0:56:38 | 0:56:40 | |
No, no, no. | 0:56:44 | 0:56:47 | |
Where are you?! Where are you?! | 0:56:51 | 0:56:55 | |
Show yourselves! | 0:56:56 | 0:56:57 | |
Shoot me! | 0:56:57 | 0:57:00 | |
Come on, kill me! | 0:57:00 | 0:57:02 | |
Kill me! Shoot me! | 0:57:02 | 0:57:04 | |
Show yourself, you fucking coward! | 0:57:04 | 0:57:06 | |
Shoot me! Kill me! | 0:57:06 | 0:57:09 | |
HE SOBS | 0:57:09 | 0:57:12 | |
Shoot me! | 0:57:12 | 0:57:14 | |
Kill me! | 0:57:17 | 0:57:18 | |
Shoot me! | 0:57:21 | 0:57:22 | |
When you join this regiment, you commit yourself to working | 0:57:31 | 0:57:35 | |
and fighting for Queen and Country. | 0:57:35 | 0:57:37 | |
But these are nothing, compared with the deep understanding that | 0:57:39 | 0:57:43 | |
when we stand together, as we do today, it is with the certain | 0:57:43 | 0:57:49 | |
knowledge that the man you stand next to will die for you, | 0:57:49 | 0:57:53 | |
and that you will die for him - | 0:57:53 | 0:57:56 | |
and that is the promise by which we all live. | 0:57:56 | 0:57:59 | |
Squad, by the left! | 0:57:59 | 0:58:02 | |
Dismiss! | 0:58:03 | 0:58:05 | |
Come on, Armstrong. | 0:58:19 | 0:58:21 |