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This programme contains some strong language | 0:00:02 | 0:00:10 | |
Hello. | 0:01:05 | 0:01:06 | |
Johannes Brandt? | 0:01:20 | 0:01:22 | |
Are we to have a menagerie? | 0:01:26 | 0:01:28 | |
Er, his name is Peebo. | 0:01:30 | 0:01:33 | |
He's a parakeet. | 0:01:33 | 0:01:36 | |
I'm Nella. | 0:01:36 | 0:01:37 | |
Short for Petronella. | 0:01:37 | 0:01:40 | |
Are you the housekeeper? | 0:01:40 | 0:01:41 | |
MUFFLED LAUGH | 0:01:41 | 0:01:43 | |
Where is Johannes? | 0:01:46 | 0:01:47 | |
My brother is not at home. | 0:01:49 | 0:01:51 | |
Your brother? So you are... | 0:01:51 | 0:01:55 | |
Marin Brandt. | 0:01:55 | 0:01:57 | |
Otto! | 0:02:02 | 0:02:03 | |
For your feet. | 0:02:13 | 0:02:15 | |
Otto is my brother's manservant. | 0:02:23 | 0:02:26 | |
This is Cornelia, she is the maid. | 0:02:26 | 0:02:28 | |
They will look after you. This is Petronella. | 0:02:28 | 0:02:33 | |
She is the Seigneur's new wife. | 0:02:33 | 0:02:34 | |
I expect you'll want to see your bedroom. | 0:02:35 | 0:02:38 | |
To the kitchen. | 0:02:40 | 0:02:42 | |
Oh, he lives with, um... | 0:02:44 | 0:02:45 | |
Come on! | 0:02:54 | 0:02:56 | |
This used to be my room. | 0:03:08 | 0:03:10 | |
But it had the better view, so we gave it to you. | 0:03:10 | 0:03:14 | |
Oh, no, please, you must keep it. | 0:03:14 | 0:03:16 | |
No, you misunderstand. | 0:03:16 | 0:03:19 | |
The view is of you. | 0:03:19 | 0:03:22 | |
Amsterdammers must see that Johannes Brandt has a new wife. | 0:03:22 | 0:03:25 | |
The Oortmans' grand ancestral seat, is it warm and dry? | 0:03:29 | 0:03:35 | |
It's not that grand... | 0:03:37 | 0:03:39 | |
..and it's damp. | 0:03:39 | 0:03:40 | |
We couldn't afford to maintain the dykes. | 0:03:43 | 0:03:46 | |
Pedigree counts for nothing. | 0:03:46 | 0:03:49 | |
Nothing. | 0:03:49 | 0:03:50 | |
The dykes must be maintained or the waters will rise. | 0:03:53 | 0:03:56 | |
We sent the second-best barge. I hope you weren't offended. | 0:03:58 | 0:04:02 | |
Johannes was using the other one. | 0:04:02 | 0:04:04 | |
No, of course not. Did he know I was coming? | 0:04:04 | 0:04:10 | |
You must be hungry. | 0:04:11 | 0:04:13 | |
I'll have Cornelia bring you something to eat. | 0:04:13 | 0:04:16 | |
Oh, do you have any marzipan? | 0:04:17 | 0:04:19 | |
We do not keep sugar in the house. | 0:04:21 | 0:04:23 | |
The luxury of it sickens the soul. | 0:04:23 | 0:04:26 | |
Cornelia will bring you a herring. | 0:04:27 | 0:04:28 | |
Be still, girl! He'll be here any moment! | 0:04:57 | 0:04:59 | |
Now you listen to me, my girl. You need to marry him. | 0:05:01 | 0:05:05 | |
You need to make him want to marry you, otherwise we are ruined. | 0:05:05 | 0:05:09 | |
For myself, I don't care. | 0:05:09 | 0:05:10 | |
-But for your brother and sister... -He's coming! He's coming! | 0:05:10 | 0:05:13 | |
And this is Nella... | 0:05:17 | 0:05:20 | |
Petronella, I mean. | 0:05:20 | 0:05:23 | |
Your daughter is very beautiful, Madame Oortman. | 0:05:28 | 0:05:31 | |
-How bad are the debts, exactly? -The debts? | 0:05:35 | 0:05:38 | |
I know I was not the only one you wrote to. | 0:05:40 | 0:05:42 | |
You would not have done so had you not been desperate. | 0:05:42 | 0:05:44 | |
Did I mention she plays the lute? | 0:05:47 | 0:05:48 | |
Praise God, we are saved. He has asked for your hand. | 0:05:51 | 0:05:55 | |
Do you think you could love him? | 0:05:55 | 0:05:57 | |
-Does it make a difference? -No. But I want you to be happy. | 0:05:57 | 0:06:00 | |
I think perhaps I could. | 0:06:02 | 0:06:05 | |
I hear they eat chocolate wrapped in gold in Amsterdam! | 0:06:07 | 0:06:11 | |
Come, come. | 0:06:11 | 0:06:13 | |
DOOR SLAMS | 0:06:13 | 0:06:14 | |
DOG BARKS | 0:06:14 | 0:06:17 | |
She's here. | 0:06:49 | 0:06:51 | |
It would have looked better if you'd been here when she arrived. | 0:06:51 | 0:06:55 | |
Perhaps you should go and see her. | 0:07:00 | 0:07:01 | |
No, let her sleep. | 0:07:04 | 0:07:07 | |
-You have to understand... -I understand. | 0:07:07 | 0:07:08 | |
I have to work. Rzecki, come. | 0:07:11 | 0:07:14 | |
SHE INHALES | 0:07:21 | 0:07:23 | |
That's right, although, Hamburg's a good choice | 0:07:45 | 0:07:48 | |
And Marseilles... | 0:07:48 | 0:07:49 | |
Good morning! | 0:07:55 | 0:07:56 | |
Good morning. | 0:07:56 | 0:07:57 | |
Thank you for my dress. | 0:07:59 | 0:08:02 | |
There are more. | 0:08:02 | 0:08:04 | |
It's a little large. | 0:08:05 | 0:08:07 | |
Marin, don't you think? | 0:08:07 | 0:08:08 | |
Never mind, we'll have it altered. Come and eat something. | 0:08:11 | 0:08:14 | |
We are eating frugally today to demonstrate humility. | 0:08:31 | 0:08:34 | |
Privation as a thrill, you mean. Otto, get me some beer. | 0:08:34 | 0:08:38 | |
And Nella and Marin too. | 0:08:38 | 0:08:40 | |
It gives me indigestion. | 0:08:40 | 0:08:41 | |
Go on, be defiant! | 0:08:41 | 0:08:44 | |
Bravery is the rarest commodity in the city these days. | 0:08:44 | 0:08:47 | |
-How was the voyage? -Not much to tell. | 0:08:50 | 0:08:52 | |
-The Lombardy silk, who won the import rights? -I forget. | 0:08:52 | 0:08:56 | |
-Who? -Henry Field of London. | 0:08:56 | 0:08:59 | |
The English, always the English. Think of the commission, Johannes. | 0:08:59 | 0:09:02 | |
I know what I'm doing, Marin. This house is evidence enough, no? | 0:09:02 | 0:09:05 | |
Have you spoken to Frans Meermans yet about his wife's sugar? | 0:09:05 | 0:09:07 | |
So that's what this is about. | 0:09:07 | 0:09:09 | |
It's been sitting in the warehouse for a month. | 0:09:09 | 0:09:11 | |
You still haven't told them what you plan to do with it. | 0:09:11 | 0:09:13 | |
My sister thinks that sugar rots the soul, Nella, | 0:09:13 | 0:09:15 | |
but of all the things I might sell, she pushes this. | 0:09:15 | 0:09:18 | |
-What do you make of that? -Sell the sugar! | 0:09:18 | 0:09:20 | |
Don't tell me what to do! | 0:09:20 | 0:09:21 | |
-Where are you going? -To check on your damned sugar! | 0:09:29 | 0:09:31 | |
I don't believe you. | 0:09:31 | 0:09:33 | |
-PEEBO CHIRPS -Hello! | 0:09:43 | 0:09:45 | |
Did Johannes collect these on his travels? | 0:09:52 | 0:09:56 | |
The world in a set of plates. | 0:09:56 | 0:09:58 | |
Isn't he rich enough to have someone travel for him? | 0:09:58 | 0:10:00 | |
The Seigneur's spirit belongs on the seas. | 0:10:02 | 0:10:05 | |
He says the ocean is something the land can never be. | 0:10:05 | 0:10:08 | |
No patch ever stays the same. | 0:10:08 | 0:10:10 | |
What are you doing? | 0:10:11 | 0:10:12 | |
Only talking. | 0:10:14 | 0:10:15 | |
He's working. Can't you see? | 0:10:15 | 0:10:19 | |
Leave that. | 0:10:19 | 0:10:20 | |
There are scrolls you need to deliver. | 0:10:20 | 0:10:23 | |
Marin, I think Peebo misses me. | 0:10:30 | 0:10:33 | |
He needs fresh air and light. | 0:10:33 | 0:10:35 | |
His place is down here. | 0:10:35 | 0:10:38 | |
-But Johannes' dog... -Johannes is the Seigneur. | 0:10:38 | 0:10:40 | |
He may do as he pleases. | 0:10:40 | 0:10:42 | |
Is he away a great deal? | 0:10:43 | 0:10:45 | |
Nobody forced you to marry him. | 0:10:56 | 0:10:59 | |
DOOR SLAMS | 0:11:23 | 0:11:25 | |
DOG BARKS | 0:11:25 | 0:11:27 | |
Johannes... | 0:11:33 | 0:11:35 | |
I just wondered, | 0:11:36 | 0:11:38 | |
will I see you... | 0:11:38 | 0:11:41 | |
..later? | 0:11:44 | 0:11:45 | |
Tonight... | 0:11:50 | 0:11:51 | |
Tonight, I cannot. | 0:11:55 | 0:11:57 | |
Soon, then? | 0:12:03 | 0:12:05 | |
Nella... | 0:12:06 | 0:12:09 | |
..good night, sweet girl. | 0:12:17 | 0:12:20 | |
I have now been in Amsterdam for over a week. | 0:12:29 | 0:12:32 | |
The city is a glory, like nothing I have ever experienced. | 0:12:32 | 0:12:36 | |
My new home is beautiful, and I want for no material thing. | 0:12:36 | 0:12:40 | |
"He is like a man which built a house | 0:12:40 | 0:12:43 | |
"and laid the foundations upon a rock." | 0:12:43 | 0:12:46 | |
Johannes's sister Marin is very godly, | 0:12:46 | 0:12:50 | |
and takes great interest in our diet. | 0:12:50 | 0:12:53 | |
"..built his house upon the earth." | 0:12:53 | 0:12:55 | |
As for Johannes, | 0:13:01 | 0:13:03 | |
he treats me with great kindness, | 0:13:03 | 0:13:05 | |
but his work takes him away a great deal. | 0:13:05 | 0:13:09 | |
I look forward to spending more time with him. | 0:13:09 | 0:13:12 | |
I hope the dykes are holding. | 0:13:16 | 0:13:19 | |
Please send my love to little... | 0:13:19 | 0:13:21 | |
DOG BARKS | 0:13:21 | 0:13:24 | |
Be quiet! | 0:13:24 | 0:13:25 | |
My God, Johannes, what have you done? | 0:13:25 | 0:13:30 | |
-What? You told me to find a... -A what? | 0:13:30 | 0:13:34 | |
A wedding gift. For you. | 0:13:34 | 0:13:37 | |
A man at the docks had some cabinets left over. | 0:13:46 | 0:13:49 | |
I had it improved with tortoiseshell and pewter inlays. | 0:13:49 | 0:13:51 | |
But what is it? | 0:13:56 | 0:13:57 | |
A house. Your house. | 0:13:57 | 0:14:01 | |
This house. | 0:14:01 | 0:14:03 | |
-How much? -The frame was 2,000. | 0:14:05 | 0:14:07 | |
Curtains and furnishings brought it to three. | 0:14:07 | 0:14:10 | |
3,000 guilders? A family could live on that for years. | 0:14:10 | 0:14:15 | |
If you had money to spare, you should have given it to the Church. | 0:14:15 | 0:14:18 | |
Enough of your piety. DOG BARKS | 0:14:18 | 0:14:20 | |
Well, she doesn't like it. Neither do I. | 0:14:20 | 0:14:24 | |
That's a bitch's taste for you. | 0:14:26 | 0:14:28 | |
What about you? | 0:14:35 | 0:14:37 | |
I hoped you might like it. | 0:14:37 | 0:14:39 | |
What am I to do with it, exactly? | 0:14:39 | 0:14:44 | |
You'll think of something. | 0:14:44 | 0:14:45 | |
What are you doing? | 0:15:03 | 0:15:04 | |
Nothing. Your door was open. | 0:15:06 | 0:15:10 | |
I thought you'd prefer it closed. | 0:15:10 | 0:15:11 | |
Smit's List. | 0:15:19 | 0:15:21 | |
It's a register of all the crafts people and businesses in the city. | 0:15:21 | 0:15:25 | |
What for? | 0:15:26 | 0:15:28 | |
To decorate your house. | 0:15:28 | 0:15:30 | |
My brother will pay for everything. | 0:15:30 | 0:15:34 | |
I thought you said it was an extravagance. | 0:15:36 | 0:15:39 | |
The Devil finds work for idle hands. | 0:15:39 | 0:15:42 | |
Miniaturist. | 0:15:47 | 0:15:49 | |
Trained with the great Bruges clockmaker Lucas Windelbreke. | 0:15:49 | 0:15:52 | |
At the sign of the sun. | 0:15:52 | 0:15:54 | |
"Dear Sir, I have a house of nine rooms, on a miniature scale, | 0:15:54 | 0:15:58 | |
"that is to be displayed in a cabinet. | 0:15:58 | 0:16:00 | |
"I venture three requests to you and await your response. | 0:16:00 | 0:16:04 | |
"Item - one lute with strings. | 0:16:04 | 0:16:07 | |
"Item - one cage, suitable for a parakeet. | 0:16:07 | 0:16:11 | |
"Item - one box of marzipan." | 0:16:11 | 0:16:13 | |
How do I get to the Kalverstraat? | 0:16:14 | 0:16:16 | |
What do you want there? | 0:16:17 | 0:16:19 | |
Nothing. To leave a message for someone. | 0:16:19 | 0:16:23 | |
Who? | 0:16:23 | 0:16:24 | |
A craftsman, that's all. | 0:16:24 | 0:16:27 | |
I'll come with you, Madame. | 0:16:30 | 0:16:31 | |
There's no need. I have a good sense of direction. | 0:16:31 | 0:16:33 | |
Why didn't Otto come? | 0:16:41 | 0:16:43 | |
-It's not easy for him. -What do you mean? | 0:16:44 | 0:16:47 | |
He was on a Portuguese slave ship. 16 years old. | 0:16:48 | 0:16:54 | |
His parents were dead. | 0:16:54 | 0:16:56 | |
The Seigneur saw him and bought him. | 0:16:56 | 0:16:59 | |
You're saying he's a slave. | 0:16:59 | 0:17:01 | |
No. But he owes the Seigneur his life. | 0:17:01 | 0:17:04 | |
Oh, Marzipan! Do you think we can get some? | 0:17:09 | 0:17:12 | |
-Come on, Madame. -Cornflower! Where've you been? | 0:17:12 | 0:17:14 | |
Well, what you waiting for? Come in! | 0:17:16 | 0:17:18 | |
Please, Madame, have a look around. | 0:17:22 | 0:17:25 | |
The Meermans insisted the Seigneur distribute it. | 0:17:28 | 0:17:31 | |
They know he can get a better price abroad. | 0:17:31 | 0:17:33 | |
And Madame's all for it, even though she hates sugar. | 0:17:33 | 0:17:36 | |
Her and all the rest of the killjoys! | 0:17:36 | 0:17:38 | |
I heard a rumour they want to ban gingerbread men as papist - | 0:17:38 | 0:17:41 | |
can you believe that? | 0:17:41 | 0:17:42 | |
Madame, try anything you like. | 0:17:44 | 0:17:46 | |
Why not sell it here? | 0:17:48 | 0:17:50 | |
There's barely enough to go round. | 0:17:50 | 0:17:52 | |
I think there's more going on. | 0:17:52 | 0:17:54 | |
More? What do you mean...? | 0:17:54 | 0:17:56 | |
Hanna! What are you doing, woman? | 0:17:57 | 0:18:01 | |
I must go. I'll see you soon, Cornflower. | 0:18:01 | 0:18:03 | |
There it is. | 0:18:11 | 0:18:13 | |
The sign of the sun. | 0:18:14 | 0:18:16 | |
I've never noticed that before... | 0:18:16 | 0:18:18 | |
Hello? | 0:18:21 | 0:18:23 | |
Hello? | 0:18:24 | 0:18:26 | |
Madame! | 0:18:46 | 0:18:48 | |
I don't think there's anyone here, Madame. | 0:18:48 | 0:18:50 | |
What happened to the cabinet? | 0:19:09 | 0:19:10 | |
It couldn't stay in the hallway. | 0:19:26 | 0:19:28 | |
It was taking up all the light. | 0:19:28 | 0:19:30 | |
DOG BARKS | 0:19:50 | 0:19:53 | |
KNOCKING ON DOOR | 0:19:56 | 0:19:58 | |
Otto! Cornelia! The door. | 0:19:59 | 0:20:01 | |
KNOCKING CONTINUES | 0:20:01 | 0:20:04 | |
DOG BARKS | 0:20:04 | 0:20:07 | |
Hello. | 0:20:16 | 0:20:17 | |
What the hell are you doing here? | 0:20:20 | 0:20:22 | |
A package. For Nella Oortman. | 0:20:22 | 0:20:25 | |
So, this is your new wife? | 0:20:25 | 0:20:27 | |
Jack Philips, Madame. | 0:20:30 | 0:20:31 | |
Next time, use the lower entrance. | 0:20:33 | 0:20:35 | |
Who was it, Seigneur? | 0:20:38 | 0:20:40 | |
No-one, Otto. No-one. | 0:20:41 | 0:20:42 | |
A delivery, that's all. | 0:20:44 | 0:20:46 | |
What is it in the parcel? | 0:20:50 | 0:20:52 | |
Just some things for the cabinet you bought me. | 0:20:54 | 0:20:56 | |
"Every woman is the architect of her own fortune." | 0:21:15 | 0:21:18 | |
Item - one lute with strings. | 0:21:23 | 0:21:26 | |
Item - one cage, suitable for a parakeet. | 0:21:34 | 0:21:38 | |
Item - one box of marzipan. | 0:21:47 | 0:21:50 | |
"Sir, I thank you for the items I requested. | 0:23:04 | 0:23:07 | |
"Your craftsmanship is exceptional. | 0:23:07 | 0:23:09 | |
"However, I made no request for a cradle, | 0:23:09 | 0:23:11 | |
"nor do I understand why you would wish to send one. | 0:23:11 | 0:23:13 | |
"I must therefore curtail our transactions forthwith. | 0:23:13 | 0:23:16 | |
"Yours in good faith, Petronella Brandt." | 0:23:16 | 0:23:18 | |
For the craftsman again? | 0:23:27 | 0:23:29 | |
-Don't open it. -No, Madame. | 0:23:29 | 0:23:31 | |
There you are. But where on earth is Cornelia? | 0:23:38 | 0:23:40 | |
You need to start getting ready. | 0:23:40 | 0:23:42 | |
Ready? For what? | 0:23:42 | 0:23:44 | |
Johannes is taking you to a feast at the Guild of Silversmiths. | 0:23:44 | 0:23:46 | |
Why are the curtains closed? | 0:23:46 | 0:23:49 | |
The sunlight was too bright, that's all. | 0:23:49 | 0:23:52 | |
We keep them open during the daylight. | 0:23:52 | 0:23:54 | |
Otherwise people will think we have something to hide. | 0:23:59 | 0:24:02 | |
The feast. | 0:24:02 | 0:24:05 | |
Was it his idea? | 0:24:06 | 0:24:08 | |
We agreed it was appropriate you should attend. | 0:24:08 | 0:24:10 | |
You look wonderful. | 0:24:17 | 0:24:18 | |
See, Marin, all that money I spent on dresses was worth it after all. | 0:24:21 | 0:24:25 | |
Why aren't you coming? | 0:24:27 | 0:24:29 | |
I think it is better you're seen with your wife, don't you? | 0:24:29 | 0:24:33 | |
You must remember to invite the Meermans to dinner. | 0:24:33 | 0:24:35 | |
All right. Nella, let's go. | 0:24:35 | 0:24:37 | |
Thank you...for bringing me. | 0:24:49 | 0:24:53 | |
You don't have to thank me. | 0:24:55 | 0:24:58 | |
Then whom should I thank? | 0:24:58 | 0:25:01 | |
I mean, you're my wife. | 0:25:01 | 0:25:03 | |
You shouldn't have to thank me for taking you somewhere. | 0:25:03 | 0:25:06 | |
Will the Meermans be there? | 0:25:07 | 0:25:10 | |
Marin seems very keen for you to sell Frans Meermans' sugar. | 0:25:10 | 0:25:15 | |
It's not his. | 0:25:15 | 0:25:17 | |
It's his wife's. | 0:25:18 | 0:25:19 | |
She sees it as a passport to what she's always wanted - | 0:25:21 | 0:25:26 | |
the power and position Frans couldn't give her - | 0:25:26 | 0:25:28 | |
but Marin doesn't understand the complications. | 0:25:28 | 0:25:31 | |
Which are? | 0:25:33 | 0:25:34 | |
Exactly what he and Agnes will do with the power once they have it. | 0:25:35 | 0:25:39 | |
Turn around. | 0:25:49 | 0:25:50 | |
Close your eyes. | 0:26:00 | 0:26:01 | |
Smile, and don't say anything. | 0:26:17 | 0:26:19 | |
The Guilds have monopoly on trade, and set the prices. | 0:26:23 | 0:26:26 | |
The silversmiths' is one of the richest. | 0:26:30 | 0:26:32 | |
For a merchant like me, who works outside the guilds, | 0:26:32 | 0:26:35 | |
attendance is not simply a mark of respect, but a duty. | 0:26:35 | 0:26:38 | |
Here. | 0:26:48 | 0:26:50 | |
Did you ever think food is where we truly find ourselves? | 0:27:05 | 0:27:09 | |
You see this? | 0:27:12 | 0:27:13 | |
Cumin seeds studding a new cheese | 0:27:13 | 0:27:16 | |
remind me I am capable of delight. | 0:27:16 | 0:27:18 | |
Delft butter, so fine and creamy... | 0:27:23 | 0:27:27 | |
Figs... | 0:27:28 | 0:27:29 | |
..and sour cream, taking me back to childhood... | 0:27:34 | 0:27:39 | |
..only the taste of which I now remember. | 0:27:42 | 0:27:44 | |
You? | 0:27:49 | 0:27:51 | |
My mother used to make marzipan into rolls. | 0:27:52 | 0:27:56 | |
And the smell coming from the kitchen... | 0:27:57 | 0:28:00 | |
..it made my heart race. | 0:28:02 | 0:28:04 | |
Better than herrings. | 0:28:05 | 0:28:07 | |
What do you eat out at sea? | 0:28:09 | 0:28:10 | |
Other men. | 0:28:16 | 0:28:17 | |
BAH! | 0:28:17 | 0:28:20 | |
THEY LAUGH | 0:28:20 | 0:28:22 | |
Johannes! Over here! | 0:28:31 | 0:28:33 | |
Business. Won't be long. | 0:28:35 | 0:28:37 | |
I see Brandt keeps the same standard of wife as he does everything else. | 0:28:44 | 0:28:48 | |
Agnes Meermans. | 0:28:48 | 0:28:49 | |
Petronella, isn't it? | 0:28:49 | 0:28:52 | |
Now tell me, however did Marin find you? | 0:28:52 | 0:28:55 | |
Marin? What do you mean? | 0:28:55 | 0:28:59 | |
A bride for Johannes. She's been searching for so long. | 0:28:59 | 0:29:04 | |
They're so close, of course, brother and sister. | 0:29:04 | 0:29:08 | |
-Sometimes we wondered if... -Agnes, please... | 0:29:10 | 0:29:13 | |
Frans, this is Petronella Brandt. | 0:29:14 | 0:29:18 | |
Oh, I thought she was a silversmith. | 0:29:18 | 0:29:21 | |
Where's Johannes? I thought we were going to talk to him. | 0:29:22 | 0:29:24 | |
-Here he comes. -Madame Meermans. | 0:29:24 | 0:29:27 | |
Seigneur. I see you are working your usual magic this evening. | 0:29:27 | 0:29:31 | |
No magic, Madame. Just me. | 0:29:31 | 0:29:33 | |
-About the sugar, Johannes. -I have it in hand. | 0:29:33 | 0:29:37 | |
We never doubted. | 0:29:37 | 0:29:39 | |
Only, er, when will it sell, do you think? | 0:29:39 | 0:29:42 | |
To get the best price takes time. | 0:29:42 | 0:29:44 | |
What with the black markets in the east, | 0:29:44 | 0:29:46 | |
and the adulterers at home, people are craving good product. | 0:29:46 | 0:29:48 | |
But I will not take your sugar to the bourse. | 0:29:48 | 0:29:50 | |
The trading floor is a circus, the market rigged. | 0:29:50 | 0:29:52 | |
You intend to sell it abroad? | 0:29:52 | 0:29:55 | |
I sail to Venice shortly. | 0:29:55 | 0:29:57 | |
Papists? | 0:29:57 | 0:29:58 | |
Of course, if you prefer, we can dump it all here in Amsterdam, | 0:29:59 | 0:30:02 | |
flood the market, and realise only a quarter of its true value. The choice is entirely yours. | 0:30:02 | 0:30:05 | |
-You're the expert. -Yes, I am. | 0:30:05 | 0:30:09 | |
Come, Agnes. There's Slabbaert. | 0:30:09 | 0:30:12 | |
We should say hello. | 0:30:12 | 0:30:14 | |
God be with you. | 0:30:14 | 0:30:15 | |
And you. | 0:30:17 | 0:30:18 | |
Who are they? | 0:30:25 | 0:30:27 | |
Schout and Schepenbank. Judge and jury here in Amsterdam. | 0:30:27 | 0:30:32 | |
Why do they look at you like that? | 0:30:33 | 0:30:35 | |
Because they don't control me. | 0:30:35 | 0:30:38 | |
Do they want to? Control you? | 0:30:38 | 0:30:41 | |
No. | 0:30:42 | 0:30:45 | |
They want to destroy me. | 0:30:45 | 0:30:47 | |
You must be tired. Go to bed. | 0:30:58 | 0:31:00 | |
I'm... | 0:31:00 | 0:31:01 | |
..not tired, Johannes. | 0:31:01 | 0:31:04 | |
Still... | 0:31:08 | 0:31:09 | |
..I have to make notes on the men I met tonight. | 0:31:12 | 0:31:14 | |
What do you want? | 0:31:32 | 0:31:33 | |
What do you think I want, Johannes? | 0:31:33 | 0:31:35 | |
I want to be your wife. | 0:31:38 | 0:31:40 | |
You are my wife. | 0:31:40 | 0:31:43 | |
No. As far as I can tell I'm just... | 0:31:43 | 0:31:46 | |
..someone you own. | 0:31:48 | 0:31:49 | |
Someone who's useful to you for purposes I can only guess at. | 0:31:51 | 0:31:55 | |
Like a dog, like Otto. | 0:31:57 | 0:32:01 | |
-Nella, please... -I've been here 11 days, Johannes. | 0:32:01 | 0:32:04 | |
Longer than it took God to make the world. | 0:32:05 | 0:32:08 | |
Until tonight, you've barely spoken to me. | 0:32:10 | 0:32:14 | |
You're right. | 0:32:14 | 0:32:15 | |
I'm sorry. I'll make it up to you. | 0:32:17 | 0:32:20 | |
Come. | 0:32:23 | 0:32:25 | |
Do I disgust you that much? | 0:33:24 | 0:33:26 | |
You do not disgust me. | 0:33:26 | 0:33:28 | |
-You cannot bear me to touch you. -It's not that. | 0:33:28 | 0:33:31 | |
I have to share you with her. Is that it? | 0:33:33 | 0:33:37 | |
I think you'd better leave before one of us says something we both regret. | 0:33:42 | 0:33:45 | |
-No, no, Johannes, I know... -Go. Get out! | 0:33:45 | 0:33:48 | |
SHE SOBS | 0:33:48 | 0:33:50 | |
Oh, no. | 0:34:15 | 0:34:17 | |
Come on, Madame. You can't stay in bed all day. | 0:34:17 | 0:34:19 | |
Madame Marin wants us | 0:34:19 | 0:34:20 | |
all to go to church to hear Pastor Pellicorne preach. | 0:34:20 | 0:34:24 | |
And there's something for you. | 0:34:24 | 0:34:26 | |
It must be from the artisan. Whatever it was you ordered. | 0:34:26 | 0:34:30 | |
But I didn't order anything. | 0:34:30 | 0:34:32 | |
Well, then. All the more reason to find out what's inside. | 0:34:33 | 0:34:36 | |
Look! They brought the savage. | 0:36:02 | 0:36:06 | |
Seigneur, Madame Meermans. | 0:36:19 | 0:36:22 | |
Where is your brother? | 0:36:23 | 0:36:25 | |
Did Johannes invite you to dine with us? | 0:36:26 | 0:36:29 | |
No, he did not. | 0:36:30 | 0:36:32 | |
But you will come, won't you? | 0:36:32 | 0:36:34 | |
Shouldn't his wife be the one who issues the invitation? | 0:36:35 | 0:36:39 | |
Please, do come tomorrow. | 0:36:40 | 0:36:43 | |
We would be honoured. | 0:36:45 | 0:36:46 | |
Come, let us take our place. | 0:36:48 | 0:36:50 | |
Adultery! Usury! Fornication! | 0:36:58 | 0:37:03 | |
And fouler deeds, too degraded to name in God's house! | 0:37:03 | 0:37:09 | |
Do I talk of Sodom? Of Gomorrah? | 0:37:09 | 0:37:14 | |
No, I speak of Amsterdam! | 0:37:14 | 0:37:18 | |
A city of closed doors, through which no man can see. | 0:37:18 | 0:37:23 | |
Nella! Please! | 0:37:23 | 0:37:26 | |
But God sees! | 0:37:26 | 0:37:27 | |
For too long we have tolerated the iniquities of our fellow men. | 0:37:27 | 0:37:30 | |
But a storm is coming. | 0:37:30 | 0:37:34 | |
So... | 0:37:34 | 0:37:35 | |
..look now into your own hearts | 0:37:35 | 0:37:42 | |
and the hearts of your neighbours, | 0:37:42 | 0:37:46 | |
and consider how you have sinned. | 0:37:46 | 0:37:50 | |
Marin. Marin, are you quite well? | 0:37:51 | 0:37:54 | |
Husbands, love your wives. | 0:37:55 | 0:37:59 | |
Only two of them. | 0:39:19 | 0:39:20 | |
What are you doing? | 0:39:32 | 0:39:34 | |
Where did you get these? | 0:39:39 | 0:39:41 | |
A miniaturist. I don't know their name. | 0:39:41 | 0:39:44 | |
Marin gave me Smit's List. It was the only one in there. | 0:39:44 | 0:39:47 | |
-What did you tell them? -Nothing. | 0:39:47 | 0:39:50 | |
But you ordered these. | 0:39:50 | 0:39:51 | |
No. No, I didn't order these. | 0:39:51 | 0:39:54 | |
I only ordered the lute, the cage and the marzipan. | 0:39:54 | 0:39:57 | |
These just...came. | 0:39:57 | 0:39:59 | |
How did they know what to make? | 0:39:59 | 0:40:01 | |
I don't know. | 0:40:01 | 0:40:03 | |
No more. | 0:40:03 | 0:40:05 | |
No more, you understand? | 0:40:07 | 0:40:09 | |
I think you're forgetting your place. | 0:40:09 | 0:40:12 | |
What is that? | 0:40:14 | 0:40:16 | |
As a servant. | 0:40:16 | 0:40:17 | |
My place is to protect this house, and all in it, including you. | 0:40:17 | 0:40:21 | |
We stand or fall together. | 0:40:28 | 0:40:31 | |
A wonderful sermon from Pastor Pellicorne on Sunday, | 0:40:40 | 0:40:43 | |
don't you think? | 0:40:43 | 0:40:45 | |
Oh, but of course, you missed it, Johannes. | 0:40:45 | 0:40:49 | |
Let me guess. | 0:40:49 | 0:40:50 | |
He offers absolution for your own sins, | 0:40:51 | 0:40:53 | |
but only if you confess those of your neighbours. | 0:40:53 | 0:40:56 | |
Shall we try the sugar? | 0:40:56 | 0:41:00 | |
Cornelia? | 0:41:00 | 0:41:01 | |
Allow me. | 0:41:11 | 0:41:13 | |
Exquisite. | 0:41:40 | 0:41:42 | |
Cornelia, Otto, what do you think? | 0:41:49 | 0:41:52 | |
Very good, Seigneur. Delicious. | 0:42:04 | 0:42:06 | |
Mmm! | 0:42:14 | 0:42:15 | |
God be thanked, you're going to make our fortunes, Brandt! | 0:42:15 | 0:42:20 | |
When do you go to Venice? | 0:42:20 | 0:42:22 | |
I'll be gone within the month. | 0:42:22 | 0:42:23 | |
I have to know. | 0:42:23 | 0:42:26 | |
What did Brandt get you for a wedding gift? | 0:42:26 | 0:42:29 | |
-AGNES: -I want one of my own. | 0:42:29 | 0:42:31 | |
And I want mine to be better than hers. | 0:42:31 | 0:42:34 | |
Thank the Lord they've gone. Clear up in the morning. | 0:42:34 | 0:42:38 | |
MUFFLED SHOUTING | 0:42:45 | 0:42:48 | |
MARIN AND JOHANNES ARGUE | 0:43:25 | 0:43:28 | |
-If you had only consented... -Why should I... | 0:43:28 | 0:43:32 | |
"My darling, I love you like the ever-changing sea, | 0:45:07 | 0:45:11 | |
"always different, and always moving | 0:45:11 | 0:45:14 | |
"You are sunlight through a window which I stand in, warmed. | 0:45:14 | 0:45:17 | |
"One touch lasts a thousand hours. | 0:45:17 | 0:45:20 | |
"I love you from the bottom of my heart..." | 0:45:20 | 0:45:22 | |
Give it to me. | 0:45:22 | 0:45:23 | |
Marin, I'm sorry. | 0:45:25 | 0:45:28 | |
I said give it to me. | 0:45:29 | 0:45:31 | |
Marin, Marin, let go of me. | 0:45:32 | 0:45:35 | |
Marin, you're hurting me! | 0:45:35 | 0:45:37 | |
Get out! Johannes will hear of this! | 0:45:37 | 0:45:40 | |
Where is everyone? | 0:46:19 | 0:46:21 | |
Madame Marin is unwell. I took her her breakfast, but she... | 0:46:21 | 0:46:25 | |
And Johannes? | 0:46:25 | 0:46:26 | |
He left early for his office. | 0:46:26 | 0:46:29 | |
No! Tell me! Where did he go last night? | 0:46:29 | 0:46:32 | |
He didn't come back! And why is Marin so worried? | 0:46:34 | 0:46:37 | |
I told you. He went to his office. | 0:46:37 | 0:46:40 | |
No. No, you're lying to me. | 0:46:42 | 0:46:46 | |
Where are you going, Madame? It isn't even eight o'clock! | 0:46:46 | 0:46:50 | |
You should stay here. | 0:46:50 | 0:46:52 | |
I can go wherever I want. | 0:46:52 | 0:46:55 | |
Otto! Otto! | 0:46:57 | 0:47:00 | |
Johannes. | 0:47:49 | 0:47:51 | |
GASPING | 0:48:01 | 0:48:05 | |
Oh! | 0:48:11 | 0:48:13 | |
No, stop it, stop... | 0:48:28 | 0:48:31 | |
CHIRPING | 0:48:35 | 0:48:37 | |
I brought your creature. | 0:48:41 | 0:48:42 | |
There are rose water wafers with cinnamon and ginger. | 0:48:44 | 0:48:47 | |
Cornelia made them specially. | 0:48:47 | 0:48:49 | |
-You think you can bribe me? -You haven't eaten in three days. | 0:48:49 | 0:48:52 | |
-Because you drugged me. -You were beside yourself. | 0:48:52 | 0:48:56 | |
I will not be your prisoner. | 0:48:56 | 0:48:58 | |
Don't be ridiculous. Eat. And then we can talk. | 0:48:58 | 0:49:01 | |
Enough of your orders, Marin. I understand it all. | 0:49:01 | 0:49:04 | |
Your brother is... | 0:49:04 | 0:49:05 | |
..is a sodomite. | 0:49:07 | 0:49:09 | |
He is unlike most husbands, it's true. | 0:49:13 | 0:49:15 | |
You knew? | 0:49:18 | 0:49:19 | |
You all knew. | 0:49:24 | 0:49:25 | |
Dear God, I am your fool. | 0:49:25 | 0:49:28 | |
I have been a fool from the moment I arrived here. | 0:49:28 | 0:49:30 | |
We never laughed at you. Ever. | 0:49:32 | 0:49:34 | |
You knew he would never love me. | 0:49:34 | 0:49:36 | |
He likes you. | 0:49:36 | 0:49:38 | |
Like a pet. Like the dog, Rzecki, only less so. | 0:49:38 | 0:49:41 | |
It's true, isn't it? | 0:49:43 | 0:49:45 | |
He thinks less of me than his dog. | 0:49:45 | 0:49:48 | |
I cannot forgive this...trick. | 0:49:48 | 0:49:51 | |
You knew what this would be like for me. | 0:49:51 | 0:49:53 | |
How can I be happy with a man who is going to burn in Hell? | 0:49:53 | 0:49:56 | |
Your father left you paupers. | 0:49:56 | 0:49:57 | |
It was a kindness to bring you here. | 0:49:57 | 0:50:00 | |
You would have ended up a farmer's wife. | 0:50:00 | 0:50:01 | |
-Who might have loved me. -And in ten years, | 0:50:01 | 0:50:03 | |
when your hands are red raw with children squealing to be fed? | 0:50:03 | 0:50:06 | |
At least I would have been a proper woman. | 0:50:06 | 0:50:08 | |
You can be a proper woman without spawning brats. | 0:50:08 | 0:50:11 | |
What are you doing? | 0:50:13 | 0:50:15 | |
There's nothing for me here. There never was. | 0:50:15 | 0:50:17 | |
It was a mistake to come. | 0:50:17 | 0:50:19 | |
What will you tell them in Assendelft, Nella? Words are water. | 0:50:19 | 0:50:23 | |
One drop could drown us all. | 0:50:23 | 0:50:24 | |
I don't expect you to care about me, | 0:50:24 | 0:50:25 | |
but what will happen to Otto and Cornelia? | 0:50:25 | 0:50:27 | |
They are not my responsibility. | 0:50:27 | 0:50:29 | |
But you are mistress of this house. | 0:50:29 | 0:50:30 | |
Whose responsibility do you think they are? | 0:50:30 | 0:50:32 | |
Well, then perhaps I should just tell them the truth. | 0:50:32 | 0:50:35 | |
Do you know what they do to men like my brother? | 0:50:35 | 0:50:38 | |
They drown them. | 0:50:38 | 0:50:39 | |
The holy magistrate will tie weights around their necks | 0:50:39 | 0:50:42 | |
and push them in the water. | 0:50:42 | 0:50:43 | |
You would be signing his death warrant. | 0:50:43 | 0:50:45 | |
Is that what you want? | 0:50:45 | 0:50:46 | |
Go. Spread your wings! | 0:51:07 | 0:51:09 | |
Madame! | 0:51:13 | 0:51:15 | |
What are they going to do? | 0:51:22 | 0:51:26 | |
Throw me out? | 0:51:26 | 0:51:28 | |
This is your home now, Madame. | 0:51:28 | 0:51:30 | |
How can this house of secrets ever be called a home? | 0:51:30 | 0:51:33 | |
What is there for you in Assendelft? | 0:51:36 | 0:51:38 | |
From what I hear, there's more cows than there are people. | 0:51:39 | 0:51:42 | |
What do I have here? | 0:51:42 | 0:51:44 | |
You have a friend, Madame. | 0:51:47 | 0:51:50 | |
And more than just one. | 0:51:50 | 0:51:51 | |
Cornelia, did Marin love someone once? | 0:51:54 | 0:51:57 | |
Why do you think Agnes Meermans hates Marin so much? | 0:52:03 | 0:52:07 | |
Marin stole her husband's heart. | 0:52:09 | 0:52:11 | |
Frans? | 0:52:11 | 0:52:12 | |
Madame Marin was little more than a child when she first met him. | 0:52:15 | 0:52:18 | |
He was the Seigneur's friend, | 0:52:18 | 0:52:21 | |
perhaps 18, and Marin was 11 or so. | 0:52:21 | 0:52:24 | |
She first saw him at the Feast of St Nicholas. | 0:52:25 | 0:52:28 | |
She thought he was a prince, so handsome. | 0:52:28 | 0:52:31 | |
He eats too much now, but back then... | 0:52:31 | 0:52:34 | |
You were barely a child then! How do you know all of this? | 0:52:34 | 0:52:37 | |
Keyholes, Madame. | 0:52:37 | 0:52:39 | |
When she was 15, the Seigneur took his first ship out to Batavia. | 0:52:40 | 0:52:44 | |
Frans stayed here - he was seasick - but without a chaperone, | 0:52:44 | 0:52:49 | |
she couldn't meet him. | 0:52:49 | 0:52:50 | |
Then, when Marin was 20, and the Seigneur had returned a rich man, | 0:52:50 | 0:52:54 | |
Frans came to the house and asked for her hand in marriage. | 0:52:54 | 0:52:57 | |
And Johannes... | 0:52:58 | 0:53:00 | |
Refused him utterly. | 0:53:02 | 0:53:04 | |
But why? He loved her enough to wait five years. | 0:53:04 | 0:53:09 | |
Meermans was handsome enough, but he didn't have a good reputation. | 0:53:09 | 0:53:13 | |
Did Marin find out what Johannes had done? | 0:53:14 | 0:53:16 | |
Eventually. | 0:53:17 | 0:53:19 | |
But by then Frans had married Agnes. | 0:53:19 | 0:53:22 | |
So he's married to Agnes, but he still loves Marin? | 0:53:22 | 0:53:25 | |
He sends her gifts every St Nicholas Day, the day they met. | 0:53:28 | 0:53:33 | |
He never puts his name, but we all know they're from him. | 0:53:33 | 0:53:37 | |
Peebo. | 0:53:40 | 0:53:42 | |
Peebo, where are you? | 0:53:44 | 0:53:46 | |
Peebo. | 0:53:46 | 0:53:48 | |
Peebo where are... | 0:53:48 | 0:53:50 | |
No, no, no, no, no, no. | 0:53:57 | 0:53:59 | |
Peebo! | 0:54:10 | 0:54:12 | |
Peebo! | 0:54:14 | 0:54:16 | |
Hello? | 0:54:31 | 0:54:32 | |
Wait! | 0:54:32 | 0:54:34 | |
Wait! | 0:54:37 | 0:54:39 | |
Open up! St George's Militia. | 0:54:39 | 0:54:41 | |
Nothing, nothing at all. | 0:54:45 | 0:54:46 | |
No, there's nobody here. | 0:54:46 | 0:54:48 | |
I just want to talk to you. What are you doing? | 0:54:52 | 0:54:55 | |
Madame, you are needed back in the house. | 0:54:55 | 0:54:57 | |
What are you talking about? | 0:54:57 | 0:54:59 | |
We wondered where you had gone, Madame. Madame Marin was worried. | 0:54:59 | 0:55:02 | |
I was looking for Peebo. | 0:55:02 | 0:55:05 | |
We will help you find him. | 0:55:05 | 0:55:07 | |
"Blue periwinkle for early friends, Persicaria for restoration. | 0:55:27 | 0:55:30 | |
-"I would buy you a new bird but..." -It would pale in imitation. | 0:55:32 | 0:55:35 | |
Do you think I can be bought with a cabinet, or dresses, or flowers? | 0:55:36 | 0:55:41 | |
-I'm not trying to buy you. -No, because you already succeeded. | 0:55:43 | 0:55:46 | |
Did she know, my mother, when she sold me? | 0:55:48 | 0:55:51 | |
Nella, please. The fault is mine. Don't blame anyone else. | 0:55:51 | 0:55:56 | |
If they find out, they will drown you. | 0:55:56 | 0:56:00 | |
I've spent my entire life on the sea. | 0:56:00 | 0:56:02 | |
-I am not afraid of drowning. -And what about me? | 0:56:02 | 0:56:04 | |
You were drowning in Assendelft. Here you are safe, warm and dry. | 0:56:04 | 0:56:07 | |
I wanted love. Not safety. | 0:56:09 | 0:56:13 | |
As did I. | 0:56:13 | 0:56:15 | |
Always. You see? | 0:56:17 | 0:56:20 | |
The truth is... | 0:56:22 | 0:56:24 | |
..you and I, | 0:56:26 | 0:56:28 | |
we are more alike than we are different. | 0:56:28 | 0:56:32 | |
Marin, Cornelia, Otto, they wish for love, but value safety more. | 0:56:35 | 0:56:39 | |
You and I, our hearts are constructed differently. | 0:56:39 | 0:56:43 | |
What made you like this, do you think? | 0:56:49 | 0:56:53 | |
Nothing made me. | 0:56:55 | 0:56:57 | |
It was in my soul from the beginning. | 0:57:00 | 0:57:02 | |
They could cut me open from head to foot and still not get it out. | 0:57:05 | 0:57:09 | |
Here... | 0:57:18 | 0:57:20 | |
Please, they're yours. A peace offering, nothing more. | 0:57:20 | 0:57:22 | |
If you wish to leave, I will not stop you. | 0:57:28 | 0:57:31 | |
Otto will accompany you back to Assendelft, | 0:57:31 | 0:57:34 | |
with enough to settle your family's debts. | 0:57:34 | 0:57:36 | |
The marriage can be annulled. | 0:57:36 | 0:57:38 | |
You would be free to marry another. | 0:57:38 | 0:57:39 | |
What about the others? | 0:57:42 | 0:57:43 | |
They are not your concern. | 0:57:45 | 0:57:46 | |
And what about you? | 0:57:50 | 0:57:51 | |
I would like you to stay. | 0:57:59 | 0:58:00 | |
If I do, it will not be because you gave me flowers. | 0:58:10 | 0:58:16 | |
But because this is my home. | 0:58:19 | 0:58:21 | |
And because you swear to tell me the truth about everything from now on. | 0:58:24 | 0:58:29 | |
Everything, Johannes. | 0:58:30 | 0:58:32 | |
No more secrets. | 0:58:41 | 0:58:44 | |
You have my word. | 0:58:44 | 0:58:47 | |
Was it Jack who delivered this? | 0:58:49 | 0:58:51 | |
It was there when I went to wash the front steps. | 0:58:51 | 0:58:54 | |
What's in it? | 0:58:55 | 0:58:57 | |
Just some things for my cabinet. | 0:58:57 | 0:58:58 | |
You may go, Cornelia. | 0:59:02 | 0:59:04 | |
"Things can change." | 0:59:25 | 0:59:27 | |
Cornelia! You're sure you didn't see who delivered that package? | 1:00:13 | 1:00:18 | |
No, Madame. I told you. | 1:00:19 | 1:00:20 | |
It's November now! | 1:00:22 | 1:00:25 | |
By December it'll be too late. | 1:00:25 | 1:00:27 | |
Not to mention the damp in the warehouse spoiling the sugar. | 1:00:28 | 1:00:32 | |
What about the damp in my bones, boat-hopping in that weather? | 1:00:32 | 1:00:35 | |
But you were the one who told them to sell it. | 1:00:35 | 1:00:37 | |
-Get someone else. -If you are even thinking... | 1:00:37 | 1:00:39 | |
Nella. Did you... Did you have any luck with your parakeet? | 1:00:42 | 1:00:46 | |
Where are you going? | 1:00:46 | 1:00:49 | |
Venice. To sell Agnes' sugar. | 1:00:51 | 1:00:55 | |
We thought it'd be best. | 1:00:55 | 1:00:57 | |
-For whom? -For all of us. | 1:00:57 | 1:01:00 | |
Do you have the sample loaves? | 1:01:12 | 1:01:14 | |
My word is enough. | 1:01:16 | 1:01:18 | |
Why don't you take her? | 1:01:18 | 1:01:21 | |
She'd only get in the way. | 1:01:21 | 1:01:24 | |
Look after her while I'm gone. | 1:01:28 | 1:01:30 | |
Goodbye. | 1:01:44 | 1:01:45 | |
You put the flowers in your hair. | 1:01:46 | 1:01:47 | |
For restoration. | 1:01:51 | 1:01:52 | |
Didn't you want to see Venice? | 1:02:10 | 1:02:12 | |
I've been, Madame. Once is enough to see the Doge's palace. | 1:02:12 | 1:02:16 | |
He could have taken me. | 1:02:20 | 1:02:21 | |
What are you trying to do to us? | 1:02:30 | 1:02:31 | |
Who have you told about us? | 1:02:34 | 1:02:35 | |
Nobody. No, you don't understand... | 1:02:37 | 1:02:40 | |
Dogs and furniture, I understand. | 1:02:40 | 1:02:43 | |
But Jack Philips? | 1:02:43 | 1:02:44 | |
What are you doing? Marin, no. | 1:02:44 | 1:02:47 | |
You shouldn't have done that. | 1:02:50 | 1:02:53 | |
Don't play with fire, Petronella. | 1:02:53 | 1:02:55 | |
Or you'll get burned along with the rest of us. | 1:02:55 | 1:02:57 | |
SOBBING | 1:03:23 | 1:03:26 | |
SOBBING CONTINUES | 1:03:33 | 1:03:37 | |
SHE GASPS | 1:03:43 | 1:03:46 | |
DOG BARKS | 1:05:00 | 1:05:03 | |
What are you doing here? | 1:05:21 | 1:05:23 | |
Get out. Get out! | 1:05:23 | 1:05:26 | |
Wait. Wait. | 1:05:26 | 1:05:28 | |
I'm back on deliveries. | 1:05:33 | 1:05:34 | |
I have something for you, Madame. | 1:05:36 | 1:05:38 | |
You have no right to be here. Johannes said... | 1:05:41 | 1:05:44 | |
You squeal like a mouse. I need to see him. | 1:05:44 | 1:05:49 | |
Is he back yet? Johannes! | 1:05:49 | 1:05:51 | |
He's not here. | 1:05:51 | 1:05:53 | |
You need to leave. | 1:05:53 | 1:05:55 | |
So, it's true. He's gone to Venice. | 1:05:55 | 1:05:59 | |
Well, don't tell me you believed him | 1:05:59 | 1:06:01 | |
-when he said he was going there to work. -How dare you! | 1:06:01 | 1:06:03 | |
I know him, Madame, better than you. | 1:06:03 | 1:06:07 | |
No-one works in Venice. | 1:06:07 | 1:06:10 | |
Milan, maybe. | 1:06:10 | 1:06:12 | |
But Venice is all dark canals and courtesans | 1:06:12 | 1:06:16 | |
and pretty little boys like moths, flying to the brightest flame. | 1:06:16 | 1:06:20 | |
What's happening? Why is the front door open? | 1:06:20 | 1:06:22 | |
Get out. | 1:06:24 | 1:06:26 | |
Get out! | 1:06:29 | 1:06:31 | |
How many times have I told you to keep away? | 1:06:33 | 1:06:36 | |
Clean that up. | 1:06:37 | 1:06:39 | |
Your brother would fuck a dog if the price was right. | 1:06:39 | 1:06:42 | |
I said clean it up. | 1:06:42 | 1:06:45 | |
They say he gives it to you, too - that he's the only man that will. | 1:06:45 | 1:06:49 | |
What a tired old insult. | 1:06:49 | 1:06:50 | |
DOG BARKS | 1:06:50 | 1:06:52 | |
How brave are you really, Jack? | 1:06:52 | 1:06:55 | |
Do you dare draw my blood? | 1:06:55 | 1:06:56 | |
Is that what you really want? | 1:06:59 | 1:07:01 | |
Bitch. He said I couldn't work for him any more. | 1:07:01 | 1:07:04 | |
And whose idea was that? | 1:07:04 | 1:07:06 | |
Oh, so that's what this is about? | 1:07:06 | 1:07:09 | |
You child! | 1:07:09 | 1:07:11 | |
Just tell me what it'll cost to get you to go away. | 1:07:11 | 1:07:14 | |
I don't want your money. | 1:07:14 | 1:07:15 | |
I'm here to show you what happens when you meddle. | 1:07:15 | 1:07:17 | |
Otto, he has a knife. | 1:07:17 | 1:07:18 | |
Go. | 1:07:22 | 1:07:23 | |
Before I kill you. | 1:07:23 | 1:07:25 | |
He dresses you up as a lord, but the truth is you're nothing | 1:07:26 | 1:07:30 | |
but a savage. | 1:07:30 | 1:07:32 | |
Do you know what he says about you? | 1:07:32 | 1:07:34 | |
He's going to get rid of you, savage. | 1:07:34 | 1:07:37 | |
Sell you to the highest bidder. | 1:07:37 | 1:07:40 | |
You're nothing to him, boy. | 1:07:40 | 1:07:44 | |
Now go. | 1:07:44 | 1:07:46 | |
Agh! | 1:07:46 | 1:07:47 | |
THEY GASP | 1:07:49 | 1:07:51 | |
JACK SCREAMS | 1:07:59 | 1:08:01 | |
God speed. | 1:08:23 | 1:08:25 | |
What if Jack reports what I did? | 1:08:50 | 1:08:52 | |
You heard what he said - attempted murder, | 1:08:54 | 1:08:56 | |
with a knife and a wound to prove it. | 1:08:56 | 1:08:58 | |
The Militia would arrest me. | 1:08:58 | 1:09:00 | |
When they ask Jack why he was here? | 1:09:01 | 1:09:03 | |
He'd be signing his own death warrant if he told them. | 1:09:03 | 1:09:06 | |
English, a sodomite... | 1:09:08 | 1:09:10 | |
..a former actor in the playhouses? | 1:09:11 | 1:09:14 | |
I can't think of three things the Burgomasters hate more. | 1:09:14 | 1:09:16 | |
He has no money, and he needs it. | 1:09:16 | 1:09:19 | |
A man may do anything when he is desperate. | 1:09:19 | 1:09:21 | |
The Seigneur saved me, he taught me everything. | 1:09:28 | 1:09:32 | |
And look how I've repaid him. | 1:09:32 | 1:09:35 | |
There was never any debt to pay. | 1:09:35 | 1:09:37 | |
Johannes bought you for his own amusement. | 1:09:38 | 1:09:41 | |
He employed me, Madame. | 1:09:41 | 1:09:42 | |
You haven't killed anyone. The boy's alive. | 1:09:45 | 1:09:48 | |
Johannes will be more worried about his dog than you. | 1:09:49 | 1:09:52 | |
I've endangered you. | 1:09:52 | 1:09:54 | |
I've endangered all of you. | 1:09:56 | 1:09:57 | |
Are you reading my mind now? | 1:10:22 | 1:10:23 | |
"Every woman is the architect of her own fortune." | 1:10:53 | 1:10:55 | |
"I fight to emerge." | 1:10:55 | 1:10:58 | |
"Things can change." | 1:10:58 | 1:11:01 | |
"The turnip cannot thrive in the tulip's patch of soil." | 1:11:01 | 1:11:04 | |
Enough of this. Who are you? | 1:11:08 | 1:11:10 | |
What do you want from me? | 1:11:10 | 1:11:12 | |
Are you a spy? | 1:11:12 | 1:11:13 | |
What is your business with Agnes Meermans? | 1:11:13 | 1:11:15 | |
I know you're in there. | 1:11:24 | 1:11:27 | |
You have to come out eventually. | 1:11:27 | 1:11:29 | |
I can wait. | 1:11:29 | 1:11:31 | |
There's no need to bellow. They can hear you in Antwerp. | 1:11:31 | 1:11:34 | |
I need to find the miniaturist. | 1:11:34 | 1:11:36 | |
The what? No-one's been in that building for over a week. | 1:11:36 | 1:11:39 | |
But only yesterday she... | 1:11:40 | 1:11:42 | |
What's your name? I might have something for you. | 1:11:45 | 1:11:49 | |
Petronella Brandt. | 1:11:50 | 1:11:51 | |
Left on that doorstep. | 1:11:58 | 1:11:59 | |
Cornelia. | 1:12:06 | 1:12:08 | |
"Don't let sweet weapons stray." | 1:12:22 | 1:12:25 | |
Madame! The Seigneur has returned. | 1:12:32 | 1:12:34 | |
He's already asking where Rzecki is. | 1:12:34 | 1:12:36 | |
You haven't told him? | 1:12:37 | 1:12:39 | |
Rzecki! | 1:12:39 | 1:12:40 | |
I couldn't do it. It has to be you. Please. | 1:12:40 | 1:12:44 | |
Rzecki! | 1:12:44 | 1:12:45 | |
Johannes. | 1:12:48 | 1:12:49 | |
You're home safe. | 1:12:49 | 1:12:52 | |
Was Venice enjoyable? | 1:12:54 | 1:12:56 | |
Venice was Venice. | 1:12:58 | 1:13:00 | |
The Venetians never shut up, and too much dancing for my knees. | 1:13:00 | 1:13:03 | |
It's good to see you. | 1:13:12 | 1:13:13 | |
Rzecki! | 1:13:15 | 1:13:17 | |
Why is there no fire in this room? The house is freezing. Otto! | 1:13:17 | 1:13:20 | |
Morning, Otto. | 1:13:22 | 1:13:23 | |
Something wrong? | 1:13:27 | 1:13:30 | |
How many loaves did you sell in Venice, brother? | 1:13:30 | 1:13:33 | |
It was slow. | 1:13:33 | 1:13:34 | |
I told you I should have waited until the New Year. | 1:13:34 | 1:13:37 | |
Then perhaps it would be better to build such a gigantic fire | 1:13:37 | 1:13:40 | |
once the sugar is actually sold. | 1:13:40 | 1:13:42 | |
Don't provoke me, Marin. | 1:13:42 | 1:13:43 | |
It was you who forced me | 1:13:43 | 1:13:45 | |
to go out on a ship to Italy in the dead of winter. | 1:13:45 | 1:13:47 | |
You are the provocateur, not me. | 1:13:47 | 1:13:49 | |
And stop talking about this household as if it's yours. | 1:13:49 | 1:13:51 | |
It belongs to Petronella now. | 1:13:51 | 1:13:52 | |
Then she can have it. | 1:14:00 | 1:14:02 | |
I have wasted enough of my life | 1:14:03 | 1:14:08 | |
keeping yours smooth. | 1:14:08 | 1:14:10 | |
We are all nothing but prisoners to your desire, all of us. | 1:14:11 | 1:14:16 | |
Otto, do you feel like a prisoner? | 1:14:18 | 1:14:20 | |
-No, Seigneur. -What do you expect him to say?! | 1:14:23 | 1:14:26 | |
Look around you, Marin! Amsterdam is closing down like a vice. | 1:14:26 | 1:14:30 | |
This house is the only place any of us are free. | 1:14:30 | 1:14:32 | |
You. You are free. | 1:14:32 | 1:14:35 | |
You think because you have some maps on your wall, some books | 1:14:35 | 1:14:37 | |
and a few animal skulls you know my business better than I do? | 1:14:37 | 1:14:40 | |
Stop! Stop! | 1:14:40 | 1:14:41 | |
All you had to do was marry. The one thing. | 1:14:41 | 1:14:43 | |
-Marry rich, marry well. -Both of you! -But no, you couldn't do that. | 1:14:43 | 1:14:46 | |
God knows we tried, | 1:14:46 | 1:14:47 | |
-but all the guilders in Amsterdam... -Rzecki is dead! | 1:14:47 | 1:14:49 | |
What? | 1:14:54 | 1:14:55 | |
Rzecki. She's dead, Johannes. | 1:14:57 | 1:15:02 | |
Is this true? | 1:15:04 | 1:15:05 | |
Oh, yes. And all your own fault. | 1:15:05 | 1:15:09 | |
Your Englishman came knocking yesterday. Your brothel moth. | 1:15:11 | 1:15:15 | |
He put a dagger through her head right here in your own hallway. | 1:15:16 | 1:15:22 | |
I warned you about him. Over and over. | 1:15:22 | 1:15:27 | |
If it hadn't been for Otto... | 1:15:27 | 1:15:29 | |
-What did you do to him? -I didn't mean to. | 1:15:32 | 1:15:35 | |
What did you do? | 1:15:37 | 1:15:39 | |
He showed mercy. | 1:15:39 | 1:15:41 | |
Your pretty little English whelp got up and walked away. | 1:15:41 | 1:15:44 | |
"Dear Seigneur Windelbreke, I am writing to | 1:15:58 | 1:16:00 | |
"enquire about an apprentice you once had. | 1:16:00 | 1:16:03 | |
"She is female, with a tall, fair-haired appearance, | 1:16:03 | 1:16:06 | |
"and stares at me as if she would look into my soul. | 1:16:06 | 1:16:08 | |
"She has crept into my life, Seigneur, | 1:16:11 | 1:16:13 | |
"and the miniatures she sends are becoming more unnerving. | 1:16:13 | 1:16:16 | |
"How did she come to you and why did she leave?" | 1:16:16 | 1:16:18 | |
Did you find him? | 1:16:23 | 1:16:25 | |
Who? | 1:16:25 | 1:16:26 | |
Please, Johannes. You swore. | 1:16:26 | 1:16:30 | |
No more lies, remember? | 1:16:30 | 1:16:32 | |
You went to find Jack, didn't you? | 1:16:32 | 1:16:35 | |
It's hard to tell the truth | 1:16:37 | 1:16:39 | |
when your whole life has been built on lies and silence. | 1:16:39 | 1:16:42 | |
Nobody has ever been much interested in hearing it, until now. | 1:16:42 | 1:16:45 | |
This is not the marriage you imagined for yourself, is it? | 1:16:51 | 1:16:54 | |
I was foolish to imagine anything. | 1:16:54 | 1:16:56 | |
Without imagination, what else is there? And you are no fool. | 1:16:56 | 1:17:01 | |
How much of the sugar did you manage to sell in Venice? | 1:17:01 | 1:17:04 | |
What is happening, Johannes? | 1:17:07 | 1:17:09 | |
Why will you not sell their sugar? | 1:17:09 | 1:17:11 | |
Look at me. The truth. | 1:17:11 | 1:17:14 | |
The truth? | 1:17:14 | 1:17:15 | |
Because Frans hates me and would like to destroy me. | 1:17:17 | 1:17:19 | |
And Agnes hates Marin. | 1:17:19 | 1:17:20 | |
While they had no inheritance, they had no power. | 1:17:20 | 1:17:23 | |
But once they have the money from the sugar, | 1:17:23 | 1:17:25 | |
there will be nothing in Amsterdam that will stop them. | 1:17:25 | 1:17:27 | |
Then why agree to sell it in the first place? | 1:17:27 | 1:17:29 | |
Because if I didn't, somebody else would. | 1:17:29 | 1:17:31 | |
You can't hold them at bay for ever. | 1:17:32 | 1:17:35 | |
I know. | 1:17:35 | 1:17:36 | |
The truth. | 1:17:43 | 1:17:44 | |
Now you have it. | 1:17:46 | 1:17:47 | |
You said something earlier that wasn't true. | 1:18:04 | 1:18:06 | |
What was that? | 1:18:08 | 1:18:10 | |
That our marriage was a lie. | 1:18:12 | 1:18:14 | |
Isn't it? | 1:18:16 | 1:18:18 | |
Not a lie. | 1:18:19 | 1:18:21 | |
Just different. | 1:18:23 | 1:18:25 | |
Tell me, Johannes. | 1:18:33 | 1:18:35 | |
How does this end? | 1:18:35 | 1:18:37 | |
I'll tell you how it ends. | 1:18:37 | 1:18:39 | |
Come January, I'll be gone again. | 1:18:41 | 1:18:43 | |
And this time I'll make their profit for them and all will be well. | 1:18:43 | 1:18:49 | |
My stock always sells when I want it to. I promise. | 1:18:51 | 1:18:54 | |
What about you? | 1:18:56 | 1:18:57 | |
I'll take the consequences. | 1:18:59 | 1:19:01 | |
There has to be another way. | 1:19:03 | 1:19:05 | |
Here... | 1:19:12 | 1:19:14 | |
..I've something to show you. | 1:19:15 | 1:19:18 | |
Rzecki. | 1:19:18 | 1:19:20 | |
I've never seen anything like it. | 1:19:25 | 1:19:27 | |
Who on earth could have made such a thing? | 1:19:29 | 1:19:32 | |
I've been asking myself that question for weeks. | 1:19:32 | 1:19:35 | |
DOOR OPENS AND SLAMS | 1:19:50 | 1:19:52 | |
Wake up, Madame, please! | 1:19:52 | 1:19:54 | |
What is it? Cornelia, what's wrong? | 1:19:54 | 1:19:56 | |
Is it Johannes? | 1:19:56 | 1:19:59 | |
No, Madame. It's Otto. | 1:19:59 | 1:20:01 | |
He's gone. | 1:20:01 | 1:20:02 | |
Why did he have to run like that? | 1:20:04 | 1:20:06 | |
I'll check the docks first. | 1:20:06 | 1:20:08 | |
And then the prisons, in case he was arrested. | 1:20:08 | 1:20:10 | |
Cornelia! | 1:20:13 | 1:20:15 | |
Cornelia! | 1:20:19 | 1:20:20 | |
I can't light the kindling. | 1:20:20 | 1:20:22 | |
I told him nothing would happen. | 1:20:26 | 1:20:27 | |
Why didn't he listen to me? | 1:20:27 | 1:20:29 | |
It's better that he's gone. By leaving here, he protected us. | 1:20:29 | 1:20:34 | |
Imagine what would happen to a man like Otto | 1:20:34 | 1:20:36 | |
if the Burgomasters got hold of him. | 1:20:36 | 1:20:39 | |
You knew he was going to leave, didn't you? | 1:20:39 | 1:20:43 | |
Let's just say he saw sense. | 1:20:43 | 1:20:45 | |
You sent him away, Madame? | 1:20:50 | 1:20:52 | |
I suggested it. | 1:20:53 | 1:20:55 | |
Yes, and we all know how your suggestions work. | 1:20:55 | 1:20:58 | |
BANGING ON DOOR | 1:21:00 | 1:21:01 | |
What if it's the Militia, come for Otto? | 1:21:03 | 1:21:06 | |
Well, they won't find him, will they? | 1:21:07 | 1:21:10 | |
BANGING ON DOOR | 1:21:13 | 1:21:14 | |
-Frans. -Where is Johannes? Johannes! | 1:21:23 | 1:21:27 | |
He'll be at the bourse. | 1:21:27 | 1:21:29 | |
No, I've been to the bourse, and the Company, and several taverns. | 1:21:29 | 1:21:32 | |
I am not my brother's keeper. | 1:21:32 | 1:21:34 | |
More's the pity for all of us. | 1:21:34 | 1:21:35 | |
Last night I went to the warehouse to see for myself how much | 1:21:36 | 1:21:39 | |
sugar had been sold. | 1:21:39 | 1:21:40 | |
Not a grain has been shifted. | 1:21:42 | 1:21:44 | |
Not a single blasted grain of all that sugar. | 1:21:44 | 1:21:47 | |
But it's worse than that. | 1:21:49 | 1:21:50 | |
Our fortune, our entire fortune, | 1:21:52 | 1:21:56 | |
is mouldering in the dark. | 1:21:56 | 1:21:59 | |
I touched it. Some of it was paste. | 1:21:59 | 1:22:02 | |
No, Frans. That's impossible. | 1:22:02 | 1:22:05 | |
Johannes would never permit that to happen. | 1:22:05 | 1:22:07 | |
I saw it with my own eyes. | 1:22:07 | 1:22:09 | |
God knows, that would be reason enough to ruin Johannes Brandt. | 1:22:09 | 1:22:12 | |
But there was worse to come. Far worse. | 1:22:12 | 1:22:15 | |
Do you know what we saw, | 1:22:19 | 1:22:21 | |
pressed up against the walls? | 1:22:21 | 1:22:23 | |
-We saw his devilry. -What are you talking about? | 1:22:27 | 1:22:30 | |
Oh, come on, Marin. You've always known it. | 1:22:30 | 1:22:33 | |
You must have. But you... Did you know it? | 1:22:33 | 1:22:36 | |
How he spends his time up against the warehouse walls? | 1:22:36 | 1:22:39 | |
Such a thing cannot be unseen. That's right. | 1:22:40 | 1:22:44 | |
Now you know, and soon the world will have to know, | 1:22:44 | 1:22:49 | |
how your husband takes his vile pleasures - with a boy. | 1:22:49 | 1:22:53 | |
And what's more... | 1:22:55 | 1:22:57 | |
What's more, the boy says he attacked him. | 1:22:58 | 1:23:03 | |
No, you've made a mistake, that's not possible. | 1:23:03 | 1:23:09 | |
Frans. | 1:23:09 | 1:23:10 | |
Frans, please...you're his friend. | 1:23:13 | 1:23:16 | |
Do not seek his punishment. | 1:23:18 | 1:23:20 | |
You know how it will end. | 1:23:22 | 1:23:24 | |
That friendship died years ago. | 1:23:24 | 1:23:25 | |
Our sugar is as abandoned as his soul. | 1:23:25 | 1:23:28 | |
Johannes Brandt is a worm in the fruit of the city. | 1:23:29 | 1:23:32 | |
And I must do my duty as a citizen. | 1:23:32 | 1:23:34 | |
Frans, you will ruin us. | 1:23:34 | 1:23:37 | |
Turn away from this. | 1:23:37 | 1:23:39 | |
Surely, we can... We can come to some arrangement. | 1:23:39 | 1:23:44 | |
-We will sell your sugar and let that be an end. -No. | 1:23:44 | 1:23:47 | |
I'm a different man now. | 1:23:49 | 1:23:51 | |
DOOR SLAMS | 1:24:01 | 1:24:04 | |
I don't believe... | 1:24:04 | 1:24:05 | |
It can't be true! | 1:24:07 | 1:24:08 | |
Surely, he can't have been such a fool! | 1:24:11 | 1:24:14 | |
Madame, calm, please | 1:24:14 | 1:24:15 | |
Did you not hear him? | 1:24:15 | 1:24:17 | |
He is going straight to the Burgomasters. | 1:24:17 | 1:24:19 | |
Then his arrogance is a gift. | 1:24:19 | 1:24:20 | |
Johannes still has a few hours to escape. | 1:24:20 | 1:24:23 | |
First Otto, now the Seigneur? | 1:24:23 | 1:24:25 | |
But we can't live here, just the three of us. | 1:24:25 | 1:24:28 | |
I don't know how, but we need to find a way to sell the sugar | 1:24:28 | 1:24:31 | |
and buy his silence. It can't all be rotten. | 1:24:31 | 1:24:33 | |
Nothing will keep his silence. | 1:24:33 | 1:24:35 | |
And what do you know of selling sugar? | 1:24:37 | 1:24:39 | |
I am searching for the light, Marin. | 1:24:39 | 1:24:41 | |
There must be some in all this darkness. | 1:24:41 | 1:24:44 | |
DOOR CLOSES | 1:25:01 | 1:25:03 | |
You have to go. You have to leave now. | 1:25:08 | 1:25:11 | |
Nella, what's wrong, what's happening? | 1:25:14 | 1:25:16 | |
Frans and Agnes saw you. | 1:25:17 | 1:25:19 | |
They saw you, Johannes. | 1:25:22 | 1:25:25 | |
At the warehouse, with a young man. | 1:25:27 | 1:25:28 | |
Was it Jack? | 1:25:29 | 1:25:30 | |
How could you, after the way he betrayed you? | 1:25:32 | 1:25:36 | |
It is not Jack Philips who has betrayed me, Nella. | 1:25:36 | 1:25:38 | |
It is this city. | 1:25:38 | 1:25:39 | |
Neighbours watching neighbours, twisting ropes to bind us all. | 1:25:41 | 1:25:45 | |
Well, they cannot bind you if you are not here. | 1:25:45 | 1:25:48 | |
Where will you go? | 1:25:55 | 1:25:57 | |
I have friends in many countries. | 1:25:57 | 1:26:00 | |
What does it open? | 1:26:00 | 1:26:02 | |
The warehouse. Here is the list that I've been working on. | 1:26:02 | 1:26:05 | |
People who may be interested in the sugar. | 1:26:05 | 1:26:08 | |
Give it to Marin. | 1:26:08 | 1:26:09 | |
She's always wanted to run my business and now she can. | 1:26:09 | 1:26:11 | |
But she'll find it's not as simple as she thinks. | 1:26:11 | 1:26:14 | |
Will you ever come back? | 1:26:17 | 1:26:19 | |
Amsterdam is a city like no other, but I have never called it home. | 1:26:19 | 1:26:22 | |
-Well, where is home? -Wherever comfort is. | 1:26:22 | 1:26:25 | |
But for a man like me, it can be hard to find. | 1:26:25 | 1:26:27 | |
I'll miss you. | 1:26:28 | 1:26:30 | |
I'll miss you, too. More than I ever expected. | 1:26:30 | 1:26:33 | |
Where is Marin? Marin! | 1:26:35 | 1:26:37 | |
She says she is too ill to come down. | 1:26:39 | 1:26:43 | |
Johannes! | 1:26:45 | 1:26:47 | |
Take me with you. | 1:26:49 | 1:26:50 | |
You're serious? | 1:26:52 | 1:26:53 | |
A man travelling with his wife doesn't attract a second glance. | 1:26:54 | 1:27:00 | |
They need you here, Nella. | 1:27:03 | 1:27:06 | |
Otto, Cornelia. | 1:27:06 | 1:27:08 | |
Even Marin, much more than you know. Here. | 1:27:08 | 1:27:13 | |
Promise me you'll come back. | 1:27:24 | 1:27:26 | |
No lies, remember? | 1:27:28 | 1:27:29 | |
I cannot change what I am... | 1:27:31 | 1:27:33 | |
One day, perhaps. | 1:27:34 | 1:27:35 | |
What happened? | 1:27:47 | 1:27:49 | |
The Militia came for her last night. | 1:27:49 | 1:27:51 | |
-You said she'd gone. -Then why are you here? | 1:27:51 | 1:27:53 | |
-I thought she might have returned. -So did they. | 1:27:55 | 1:27:58 | |
They left disappointed, but they cleared the place out. | 1:27:58 | 1:28:02 | |
Marin, would you happen to have... | 1:28:07 | 1:28:09 | |
SOBBING | 1:28:09 | 1:28:11 | |
-I'm coming in. -No, no, no please don't. | 1:28:11 | 1:28:14 | |
What, by all the angels...? | 1:28:15 | 1:28:17 | |
Go away. | 1:28:19 | 1:28:20 | |
What is that in your hand? | 1:28:23 | 1:28:25 | |
-I said go away. -What is it? Marin! | 1:28:25 | 1:28:27 | |
No! No! | 1:28:29 | 1:28:31 | |
You have no right. | 1:28:31 | 1:28:33 | |
You understand nothing! | 1:28:33 | 1:28:34 | |
I understand everything. Johannes will be safe. | 1:28:34 | 1:28:36 | |
And even if they catch him, I have a list of names. | 1:28:36 | 1:28:39 | |
We will sell the sugar and it will all be fine. | 1:28:39 | 1:28:42 | |
Oh, you stupid, stupid girl. | 1:28:43 | 1:28:47 | |
Don't you see? | 1:28:47 | 1:28:49 | |
It's not about him. | 1:28:52 | 1:28:54 | |
What don't I see? | 1:28:54 | 1:28:56 | |
Now do you see? | 1:29:02 | 1:29:04 | |
My God, Marin. | 1:29:04 | 1:29:06 | |
What have you done? | 1:29:07 | 1:29:08 |