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This is the Seigneur's new wife. | 0:00:02 | 0:00:03 | |
What did Brandt get you for a wedding gift? | 0:00:03 | 0:00:05 | |
"Dear Sir, I have a house of nine rooms on a miniature scale. | 0:00:05 | 0:00:08 | |
"Thank you for the items I requested. | 0:00:08 | 0:00:10 | |
"However, I made no request for a cradle." | 0:00:10 | 0:00:12 | |
You look wonderful. | 0:00:12 | 0:00:13 | |
The feast. Was it his idea? | 0:00:13 | 0:00:14 | |
We agreed it was appropriate you should attend. | 0:00:14 | 0:00:17 | |
Go to bed. | 0:00:17 | 0:00:18 | |
I'm...not tired. | 0:00:18 | 0:00:20 | |
I think you'd better leave, before one of us | 0:00:20 | 0:00:22 | |
-says something we both regret. -No, Johannes, I know... | 0:00:22 | 0:00:24 | |
Go, get out! | 0:00:24 | 0:00:25 | |
What made you like this? | 0:00:25 | 0:00:27 | |
Nothing made me. | 0:00:27 | 0:00:28 | |
It was in my soul from the beginning. | 0:00:28 | 0:00:31 | |
Do you know what we saw? | 0:00:31 | 0:00:32 | |
How your husband takes his vile pleasures...with a boy. | 0:00:32 | 0:00:36 | |
You have to go. You have to leave now. | 0:00:36 | 0:00:38 | |
What is it? Marin... | 0:00:38 | 0:00:41 | |
No. Aaarh! | 0:00:41 | 0:00:43 | |
My God, Marin. What have you done? | 0:00:44 | 0:00:47 | |
What were you thinking, Marin? | 0:01:35 | 0:01:38 | |
A girl in Assendelft died trying to lose a baby with poison. | 0:01:38 | 0:01:41 | |
How far gone are you? | 0:01:53 | 0:01:55 | |
Six, seven months. | 0:01:55 | 0:01:59 | |
Perhaps more. | 0:01:59 | 0:02:01 | |
How did you hide it? | 0:02:03 | 0:02:05 | |
I let out my skirts and bound my breasts. | 0:02:05 | 0:02:10 | |
Soaked my rags in animal blood so Cornelia wouldn't suspect. | 0:02:10 | 0:02:14 | |
Tell me. Is it Frans's? | 0:02:21 | 0:02:25 | |
He was just angry about the sugar, Marin. | 0:02:26 | 0:02:28 | |
He loves you. Tell him about this. | 0:02:28 | 0:02:32 | |
Once he knows, he will not harm Johannes | 0:02:32 | 0:02:34 | |
because he knows it will endanger his child. | 0:02:34 | 0:02:36 | |
You don't understand. | 0:02:37 | 0:02:39 | |
If he survives, this child will be...stained. | 0:02:43 | 0:02:51 | |
With his mother's sin, with his father's sin. | 0:02:51 | 0:02:55 | |
SHE SOBS | 0:02:55 | 0:02:57 | |
It's a baby. Not a devil. | 0:03:00 | 0:03:03 | |
Animal blood on her rags to fool us. She always was clever. | 0:03:07 | 0:03:12 | |
The crib... | 0:03:16 | 0:03:19 | |
Did you know? | 0:03:19 | 0:03:21 | |
No, of course not. | 0:03:21 | 0:03:24 | |
Then why is the doll of Madame Marin carrying a child? | 0:03:24 | 0:03:27 | |
What are you talking about? | 0:03:29 | 0:03:31 | |
How could you betray us like this? You know how rumour spreads. | 0:03:33 | 0:03:37 | |
I didn't order it. It just came. | 0:03:37 | 0:03:39 | |
Then who is it that is spying on us? | 0:03:41 | 0:03:43 | |
-I don't think she's a spy. -She? | 0:03:43 | 0:03:45 | |
She sees our lives. | 0:03:49 | 0:03:51 | |
I think she's trying to help us, trying to warn us... | 0:03:51 | 0:03:53 | |
How has she helped us? The Seigneur is gone. Otto, too, | 0:03:53 | 0:03:58 | |
and now Marin carries the shame of the man who wishes to destroy us. | 0:03:58 | 0:04:01 | |
Look. | 0:04:01 | 0:04:02 | |
This was white when it arrived. | 0:04:02 | 0:04:05 | |
This is witchcraft. | 0:04:05 | 0:04:08 | |
She's not a witch. | 0:04:08 | 0:04:10 | |
How dare she send you things like this? | 0:04:10 | 0:04:12 | |
What else does she know? | 0:04:12 | 0:04:13 | |
KNOCKING ON DOOR | 0:04:13 | 0:04:16 | |
Open up! | 0:04:20 | 0:04:22 | |
It's the Militia. | 0:04:22 | 0:04:24 | |
Marin, they cannot see you like this. | 0:04:24 | 0:04:27 | |
Especially Frans. Cornelia! | 0:04:27 | 0:04:30 | |
KNOCKING ON DOOR | 0:04:30 | 0:04:31 | |
Open up! | 0:04:31 | 0:04:33 | |
We've come for Johannes Brandt. | 0:04:42 | 0:04:44 | |
He is not here, Seigneur. He's travelling. | 0:04:44 | 0:04:46 | |
Don't lie. We know he's here. | 0:04:46 | 0:04:47 | |
You don't want to make a fuss on your doorstep. | 0:04:47 | 0:04:50 | |
Good day. | 0:04:50 | 0:04:51 | |
Frans, tell them. | 0:04:52 | 0:04:54 | |
It's out of my hands. | 0:04:54 | 0:04:55 | |
We're here under the jurisdiction of Schout Slabbaert. | 0:04:55 | 0:04:57 | |
A young man has been attacked on the Eastern Islands | 0:04:57 | 0:04:59 | |
and there are witnesses to back it up. | 0:04:59 | 0:05:01 | |
-Now go and fetch your master. -I said, good day. | 0:05:01 | 0:05:04 | |
I told you. He's not here! | 0:05:04 | 0:05:05 | |
Frans, all of you. You are better than this. | 0:05:05 | 0:05:07 | |
Go and catch your thieves, your murderers. | 0:05:07 | 0:05:09 | |
My husband has helped make this republic great. | 0:05:09 | 0:05:11 | |
What he is, is a sodomite. | 0:05:11 | 0:05:13 | |
And all the money in Amsterdam won't save him. | 0:05:13 | 0:05:15 | |
Now get out of my way. Search the house. | 0:05:15 | 0:05:18 | |
-Frans. -Search every room! | 0:05:18 | 0:05:20 | |
Frans. | 0:05:20 | 0:05:22 | |
Frans, please. | 0:05:22 | 0:05:23 | |
Listen to me! | 0:05:25 | 0:05:26 | |
Sir! Sir! They found him! | 0:05:26 | 0:05:28 | |
-They found him! -Where? | 0:05:28 | 0:05:29 | |
On a ship by the docks, about to set sail. | 0:05:29 | 0:05:32 | |
They're taking him to the Stadhuis now! | 0:05:32 | 0:05:34 | |
To the Stadhuis. | 0:05:34 | 0:05:35 | |
Madame, Madame, you cannot! | 0:05:42 | 0:05:44 | |
Let go of me, Cornelia! | 0:05:44 | 0:05:46 | |
-No, I really... I will not hear of... -You need to stay. | 0:05:46 | 0:05:48 | |
You can't go, Madame, please! | 0:05:48 | 0:05:50 | |
Cornelia's right. | 0:05:50 | 0:05:52 | |
If you follow them, you'll be arrested as well. | 0:05:52 | 0:05:55 | |
Where is your heart, Marin? I would never abandon my brother. | 0:05:55 | 0:05:59 | |
To fight them in the open is to invite certain defeat. | 0:05:59 | 0:06:02 | |
Then I will find another way. | 0:06:06 | 0:06:08 | |
How do I look? | 0:06:14 | 0:06:16 | |
Like a serving girl on an errand. | 0:06:17 | 0:06:19 | |
You really think a disguise is necessary? | 0:06:19 | 0:06:22 | |
If the Burgomasters find out his wife is trying to deal in sugar, | 0:06:22 | 0:06:25 | |
who knows what they will do? | 0:06:25 | 0:06:26 | |
I still don't think you should go to the Eastern Islands alone. | 0:06:26 | 0:06:29 | |
Johannes is in a cell. | 0:06:29 | 0:06:31 | |
And you need to stay here with Marin. | 0:06:31 | 0:06:33 | |
We may be able to bribe Jack to change his story. | 0:06:33 | 0:06:35 | |
I will visit Johannes afterwards, if they let me in. | 0:06:39 | 0:06:42 | |
Is there a message you would like me to send? | 0:06:42 | 0:06:44 | |
There's nothing I can say. | 0:06:44 | 0:06:46 | |
Marin... | 0:06:46 | 0:06:47 | |
Hope is dangerous. | 0:06:48 | 0:06:49 | |
Hope is all we have. | 0:06:51 | 0:06:53 | |
Hope and sugar. | 0:06:53 | 0:06:55 | |
Bribing officials? | 0:08:28 | 0:08:31 | |
We need all the friends we can get. | 0:08:31 | 0:08:33 | |
Thank you. They seem to think food is an option here. | 0:08:37 | 0:08:41 | |
What have they done to you? | 0:08:44 | 0:08:45 | |
It's nothing. | 0:08:47 | 0:08:48 | |
Tell me, was it love? | 0:09:00 | 0:09:04 | |
I don't know. | 0:09:07 | 0:09:08 | |
By telling me lies, he made me see the truth. | 0:09:14 | 0:09:16 | |
The way sometimes a painting is more beautiful than the thing itself. | 0:09:19 | 0:09:23 | |
It was a painting of love. | 0:09:26 | 0:09:27 | |
But I couldn't tell the difference, nor did I care to. | 0:09:31 | 0:09:35 | |
You can fight this, Johannes. | 0:09:36 | 0:09:40 | |
You're powerful, rich. | 0:09:40 | 0:09:42 | |
You said it yourself, the Burgomasters cannot touch you. | 0:09:44 | 0:09:48 | |
They have a name for it. "The unmentionable sin." | 0:09:48 | 0:09:53 | |
Two men together, an act which only God has power to forgive. | 0:09:53 | 0:09:57 | |
To do nothing would be to condone it. | 0:09:57 | 0:09:59 | |
Then we make Frans Meermans change his mind. | 0:09:59 | 0:10:03 | |
I have let his anger stew, | 0:10:03 | 0:10:04 | |
-and now he is determined to take his revenge. -Jack, then. | 0:10:04 | 0:10:07 | |
Nella... | 0:10:07 | 0:10:08 | |
-I'll pay him off. -Nella! | 0:10:08 | 0:10:09 | |
It won't make any difference. | 0:10:12 | 0:10:14 | |
What if we had a child? | 0:10:23 | 0:10:25 | |
To prove the lie. | 0:10:27 | 0:10:28 | |
And where are we going to get one of those in a couple of weeks? | 0:10:29 | 0:10:33 | |
I'm glad you came, Nella. | 0:10:39 | 0:10:41 | |
I don't deserve you. | 0:10:44 | 0:10:45 | |
I wish I'd been enough. | 0:10:46 | 0:10:48 | |
You have been a miracle. | 0:10:50 | 0:10:51 | |
Rezecki. | 0:10:58 | 0:10:59 | |
I take her everywhere I go. | 0:11:01 | 0:11:02 | |
The red's gone. From the wound. | 0:11:07 | 0:11:10 | |
I don't understand. | 0:11:11 | 0:11:13 | |
Must have worn it off. | 0:11:16 | 0:11:17 | |
What on earth...? | 0:11:27 | 0:11:29 | |
Madame Marin ordered it. It came in a big crate today. | 0:11:30 | 0:11:34 | |
It's the same as the one the Miniaturist sent me. | 0:11:36 | 0:11:39 | |
I know. | 0:11:40 | 0:11:41 | |
DOOR OPENS | 0:11:44 | 0:11:45 | |
Marin, what were you thinking? | 0:11:45 | 0:11:49 | |
If any of the neighbours saw this arrive, what would they think? | 0:11:49 | 0:11:52 | |
The same as you. | 0:11:52 | 0:11:53 | |
I know you want this child for yourself. | 0:11:59 | 0:12:02 | |
Marin, that's not true. | 0:12:02 | 0:12:03 | |
But it would be convenient, no? | 0:12:05 | 0:12:07 | |
Well... | 0:12:08 | 0:12:09 | |
So what if we did pretend the child was mine? | 0:12:10 | 0:12:14 | |
Would that be so awful? | 0:12:14 | 0:12:16 | |
It would prove that Johannes has the same desires as other men. | 0:12:16 | 0:12:19 | |
Don't you want him to live? | 0:12:21 | 0:12:22 | |
This child will be far from convenient. | 0:12:22 | 0:12:26 | |
But no-one will take it away from me. No-one. | 0:12:26 | 0:12:30 | |
It's kicking me. | 0:12:34 | 0:12:36 | |
We'll need a midwife soon. | 0:12:38 | 0:12:39 | |
Do you know the law? | 0:12:41 | 0:12:42 | |
A midwife must write down the name of the father. | 0:12:44 | 0:12:48 | |
If we don't tell her she'll report that, too. | 0:12:49 | 0:12:52 | |
Talk to Frans, Marin. | 0:12:55 | 0:12:56 | |
Tell him about his child. | 0:12:58 | 0:13:00 | |
You speak of things of which you know nothing. | 0:13:02 | 0:13:06 | |
Do you want to know the truth? | 0:13:06 | 0:13:08 | |
Johannes stopped my marriage. | 0:13:11 | 0:13:13 | |
But it wasn't his decision. | 0:13:13 | 0:13:15 | |
It was mine. I told him to. | 0:13:17 | 0:13:20 | |
You? | 0:13:21 | 0:13:23 | |
By the time I was a woman, I ran this household, | 0:13:23 | 0:13:26 | |
and with Johannes away, I was the head of it. | 0:13:26 | 0:13:28 | |
Was I supposed to give up my freedom for a man? | 0:13:30 | 0:13:33 | |
I thought it a kindness to let Frans believe I was forbidden | 0:13:35 | 0:13:39 | |
than to know I didn't love him enough to sacrifice my liberty. | 0:13:39 | 0:13:42 | |
I never meant it to twist this way. | 0:13:45 | 0:13:47 | |
It is his child you're carrying, though. | 0:13:59 | 0:14:02 | |
Isn't it? | 0:14:05 | 0:14:06 | |
I have taken things from my brother I was not meant to take. | 0:14:12 | 0:14:16 | |
Don't let sweet weapons stray. | 0:14:36 | 0:14:38 | |
Hannah! | 0:15:10 | 0:15:11 | |
Hannah! | 0:15:13 | 0:15:14 | |
I hadn't expected there to be so much. | 0:15:16 | 0:15:19 | |
Imagine it transformed into guilders. | 0:15:19 | 0:15:21 | |
Some of it is rotten. | 0:15:21 | 0:15:23 | |
Very little, Madame. A few were refined in Surinam. | 0:15:23 | 0:15:27 | |
But the rest were all refined here, in the city. | 0:15:27 | 0:15:32 | |
How much for the Amsterdam stock? | 0:15:35 | 0:15:37 | |
There are 750 loaves from the city. | 0:15:37 | 0:15:40 | |
At 40 guilders each... | 0:15:40 | 0:15:44 | |
30,000 guilders. | 0:15:44 | 0:15:45 | |
Impossible. | 0:15:45 | 0:15:47 | |
We are bakers of cakes, not sellers of sugar. | 0:15:47 | 0:15:50 | |
Its quality alone will guarantee it sells. | 0:15:50 | 0:15:53 | |
The craving for sugar shows no sign of abating. | 0:15:53 | 0:15:56 | |
The more the Burgomasters forbid it, the more people will yearn for it. | 0:15:56 | 0:16:00 | |
The prices will rise. | 0:16:00 | 0:16:02 | |
100 Amsterdam loaves for 900 guilders. | 0:16:02 | 0:16:04 | |
If it makes a profit, we'll be back for more. | 0:16:05 | 0:16:08 | |
3,500. | 0:16:10 | 0:16:12 | |
1,100. | 0:16:12 | 0:16:14 | |
2,000. | 0:16:14 | 0:16:15 | |
I have other buyers coming this afternoon. | 0:16:17 | 0:16:20 | |
1,500. | 0:16:21 | 0:16:23 | |
Done. | 0:16:25 | 0:16:26 | |
Madame, Johannes is to appear today! | 0:16:38 | 0:16:42 | |
CROWD MURMUR | 0:16:47 | 0:16:49 | |
Look. There's Agnes. | 0:17:02 | 0:17:03 | |
What's she fiddling with? | 0:17:05 | 0:17:06 | |
The sugar, Madame. | 0:17:12 | 0:17:14 | |
We've already promised half the loaves we took this morning. | 0:17:14 | 0:17:17 | |
Arnoud wants to send some to The Hague, where he has family. | 0:17:17 | 0:17:20 | |
I'm sure it won't be long before we come to you for more. | 0:17:20 | 0:17:23 | |
DOOR OPENS | 0:17:23 | 0:17:25 | |
Seigneur, Seigneur. | 0:17:27 | 0:17:30 | |
Good people of Amsterdam. | 0:17:34 | 0:17:37 | |
We have made success for our city. | 0:17:37 | 0:17:41 | |
But we have remained righteous. | 0:17:42 | 0:17:45 | |
We have not wasted ourselves in the surfeit of our fortune. | 0:17:45 | 0:17:51 | |
But here before you is a man who took another path. | 0:17:51 | 0:17:56 | |
He considered that he was above the family, above the city, | 0:17:58 | 0:18:04 | |
above the Church, | 0:18:04 | 0:18:07 | |
above the State. | 0:18:07 | 0:18:09 | |
Above God himself. | 0:18:10 | 0:18:12 | |
You accuse me, Sir. | 0:18:15 | 0:18:17 | |
But the truth of the accusation is yet to be tested. | 0:18:19 | 0:18:22 | |
You deny the charge? | 0:18:22 | 0:18:24 | |
If I am to defend myself I am entitled to know | 0:18:26 | 0:18:28 | |
the specifics of the accusation. | 0:18:28 | 0:18:30 | |
On Sunday the 4th of January, | 0:18:32 | 0:18:36 | |
Jack Philips says that you attacked and sodomized him... | 0:18:36 | 0:18:42 | |
CROWD GASP | 0:18:42 | 0:18:43 | |
..and left him so badly beaten that he could barely walk. | 0:18:43 | 0:18:48 | |
And then you tried to buy his silence. | 0:18:49 | 0:18:54 | |
Is that specific enough for you? | 0:18:54 | 0:18:56 | |
If any such thing happened, it was not me. | 0:18:59 | 0:19:03 | |
My conscience is clear. | 0:19:05 | 0:19:07 | |
Ha! | 0:19:07 | 0:19:09 | |
We have witnesses that are ready to | 0:19:09 | 0:19:11 | |
swear on the Holy Bible that they saw you. | 0:19:11 | 0:19:14 | |
Then they are lying. | 0:19:15 | 0:19:17 | |
-HE SCOFFS -You are married? | 0:19:17 | 0:19:19 | |
I am. | 0:19:20 | 0:19:22 | |
And what sort of a husband are you? | 0:19:23 | 0:19:26 | |
Well, I'm still in one piece. | 0:19:26 | 0:19:28 | |
LAUGHTER | 0:19:28 | 0:19:29 | |
Are you a good or a bad husband? | 0:19:29 | 0:19:32 | |
My wife is wealthy and secure. | 0:19:32 | 0:19:34 | |
To be wealthy does not mean to be content. | 0:19:35 | 0:19:39 | |
That is a rich man's answer. Try telling that to a poor man. | 0:19:39 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:44 | |
You have no children. Why not? | 0:19:44 | 0:19:47 | |
I have been married but four months. | 0:19:49 | 0:19:52 | |
How often do you lie with your wife? | 0:19:52 | 0:19:54 | |
That is between me and her. | 0:19:54 | 0:19:55 | |
You are late to marry. | 0:19:58 | 0:19:59 | |
She was worth the wait. | 0:20:03 | 0:20:05 | |
You have, over the years, employed many apprentices. | 0:20:05 | 0:20:12 | |
A preponderance of young men... | 0:20:12 | 0:20:15 | |
Are not all apprentices young men? | 0:20:15 | 0:20:18 | |
..more than any other senior member of the Company. | 0:20:18 | 0:20:21 | |
I have the figures here. | 0:20:21 | 0:20:23 | |
I have more money and more business than most of them. | 0:20:23 | 0:20:26 | |
But isn't that why I'm really here? | 0:20:26 | 0:20:28 | |
GASPS | 0:20:28 | 0:20:29 | |
Who will take my business if I drown? | 0:20:29 | 0:20:31 | |
Will it be you, Schout Slabbaert? Dividing it up? | 0:20:31 | 0:20:33 | |
Or will you lock it up in the Stadhuis coffers? | 0:20:33 | 0:20:35 | |
-CROWD MURMUR -Silence. | 0:20:35 | 0:20:37 | |
You insult the city of Amsterdam! | 0:20:37 | 0:20:40 | |
Bring in the plaintiff! | 0:20:42 | 0:20:44 | |
Are you Jack Philips, by trade a delivery boy and a stower? | 0:20:54 | 0:21:00 | |
I am. But by trade an actor. | 0:21:00 | 0:21:03 | |
The others, by necessity. | 0:21:03 | 0:21:05 | |
Hand him the Bible. | 0:21:05 | 0:21:06 | |
Do you swear to tell the truth for us today? | 0:21:08 | 0:21:12 | |
I swear. | 0:21:14 | 0:21:16 | |
And do you recognise this man? | 0:21:16 | 0:21:20 | |
Oh, look at him, boy! | 0:21:20 | 0:21:22 | |
Do you recognise him? | 0:21:26 | 0:21:28 | |
I do. | 0:21:30 | 0:21:31 | |
And what charges do you bring against him? | 0:21:32 | 0:21:36 | |
That he sodomized me against my will, stabbed me in the chest | 0:21:38 | 0:21:42 | |
when I resisted, and offered me money for my silence afterwards. | 0:21:42 | 0:21:46 | |
His attack produced the wound you that bear now? | 0:21:46 | 0:21:51 | |
He only just missed my heart. | 0:21:51 | 0:21:53 | |
And how did he behave before he...seized you? | 0:21:53 | 0:21:59 | |
He was in a frenzy, Sir. I pushed him away. | 0:21:59 | 0:22:02 | |
I told him to leave me alone. | 0:22:02 | 0:22:03 | |
But he took me by my coat sleeves and he pushed me | 0:22:03 | 0:22:06 | |
up against the walls of his warehouse. | 0:22:06 | 0:22:09 | |
And then? | 0:22:09 | 0:22:10 | |
He... | 0:22:10 | 0:22:12 | |
He...used me. | 0:22:15 | 0:22:17 | |
He sodomized you. | 0:22:17 | 0:22:19 | |
Lies, lies. This is all lies. | 0:22:19 | 0:22:22 | |
You said he wouldn't speak to me! | 0:22:22 | 0:22:24 | |
Silence, Brandt. You'll get your chance. | 0:22:24 | 0:22:27 | |
Now, lad, you are entirely sure, and you swear before God, | 0:22:28 | 0:22:35 | |
that the man who assaulted you was Johannes Brandt? | 0:22:35 | 0:22:39 | |
Answer me, boy! | 0:22:41 | 0:22:43 | |
Tell them the truth, Jack. | 0:22:45 | 0:22:48 | |
Tell them. | 0:22:48 | 0:22:49 | |
Enough. Take him away. | 0:22:57 | 0:23:00 | |
Wait! Wait! Show us the wound. | 0:23:00 | 0:23:03 | |
What? | 0:23:03 | 0:23:04 | |
He says this attack happened on the 4th of January. | 0:23:04 | 0:23:06 | |
What difference does it make? | 0:23:06 | 0:23:08 | |
-Six days ago. -What is your point, Brandt? | 0:23:08 | 0:23:11 | |
If he is telling the truth it will still be fresh. | 0:23:11 | 0:23:14 | |
But if he received it in a different place, at a different time, | 0:23:14 | 0:23:17 | |
a fortnight ago or more, say, it will have begun to heal. | 0:23:17 | 0:23:21 | |
So, show us, Jack. | 0:23:21 | 0:23:23 | |
Show us the wound. | 0:23:24 | 0:23:26 | |
Show us! | 0:23:30 | 0:23:32 | |
HE GASPS | 0:23:33 | 0:23:35 | |
Enough! Guards, get him out, take him away! | 0:23:35 | 0:23:38 | |
He cannot show us because he knows that it would prove he is lying. | 0:23:38 | 0:23:41 | |
Silence, Brandt! | 0:23:41 | 0:23:44 | |
You saw the boy. He's in no condition. | 0:23:44 | 0:23:49 | |
Court is adjourned till tomorrow, seven o'clock. | 0:23:49 | 0:23:55 | |
Go to Marin, make sure she's all right. | 0:24:03 | 0:24:06 | |
I have to talk to the Meermans. | 0:24:07 | 0:24:09 | |
So that's what you were playing with. | 0:24:30 | 0:24:32 | |
Seigneur! Please wait. | 0:24:35 | 0:24:39 | |
Johannes has sold your sugar. | 0:24:39 | 0:24:41 | |
Not all of it, but a substantial amount. | 0:24:41 | 0:24:43 | |
Where did you get that? Just put it away! | 0:24:46 | 0:24:48 | |
It's me, isn't it? | 0:24:48 | 0:24:50 | |
Did Agnes commission a cabinet of your home? | 0:24:50 | 0:24:52 | |
A cannonball would do less damage to my marriage | 0:24:52 | 0:24:54 | |
than those cursed miniatures. | 0:24:54 | 0:24:56 | |
What else did the Miniaturist send you? | 0:24:56 | 0:24:57 | |
Evil hints and vile mockery. | 0:24:57 | 0:25:00 | |
"It's the truth", Agnes kept saying. "It's the truth." | 0:25:00 | 0:25:04 | |
So, I had her cabinet burned, | 0:25:04 | 0:25:05 | |
and went to the Kalverstraat to have the Miniaturist arrested. | 0:25:05 | 0:25:08 | |
The spying little villain had fled. | 0:25:08 | 0:25:11 | |
1,000 guilders? | 0:25:12 | 0:25:15 | |
You think you can buy my silence with 1,000 guilders, | 0:25:15 | 0:25:17 | |
when hundreds of thousands could have been made? | 0:25:17 | 0:25:21 | |
Well, my future's been ruined because of your husband's neglect! | 0:25:21 | 0:25:24 | |
If he is released, he can sell more. | 0:25:24 | 0:25:26 | |
-There are ready buyers... -I need money. Not promises. | 0:25:26 | 0:25:30 | |
Seigneur, it is time for this to end. | 0:25:30 | 0:25:33 | |
We both know it's not about the money, or about the English boy. | 0:25:33 | 0:25:36 | |
You think Johannes ruined your life. | 0:25:36 | 0:25:39 | |
I know about you and Marin. | 0:25:39 | 0:25:40 | |
I understand your wife might be jealous but... | 0:25:40 | 0:25:42 | |
Be quiet, woman! You keep your vicious imagination to yourself! | 0:25:42 | 0:25:45 | |
It wasn't him. It wasn't his idea. | 0:25:45 | 0:25:47 | |
What do you mean? | 0:25:49 | 0:25:50 | |
It was not Johannes who refused you. | 0:25:52 | 0:25:54 | |
It was Marin's decision. | 0:25:54 | 0:25:56 | |
But she did not want to hurt you and so he agreed to take the blame. | 0:25:57 | 0:26:00 | |
You lie. You lie to save his neck! | 0:26:03 | 0:26:05 | |
If you don't believe me, ask her. | 0:26:05 | 0:26:08 | |
MARIN SCREAMS | 0:26:11 | 0:26:13 | |
Feel it. It's beating so fast. | 0:26:13 | 0:26:15 | |
Her waters. It's starting. | 0:26:15 | 0:26:18 | |
-We have to fetch a midwife. -No, no. | 0:26:18 | 0:26:20 | |
Marin, we can buy her silence. | 0:26:20 | 0:26:22 | |
We don't even have money for firewood. | 0:26:22 | 0:26:24 | |
We have enough. | 0:26:24 | 0:26:26 | |
I just need you and Cornelia. | 0:26:26 | 0:26:30 | |
I saw my brother and sister born. I think I know what we need. | 0:26:30 | 0:26:33 | |
Clean cloths, hot water, fresh sheets. | 0:26:33 | 0:26:35 | |
And a knife for the cord. | 0:26:35 | 0:26:36 | |
Marin. | 0:26:38 | 0:26:39 | |
Marin, when the pain was bad, my mother used to pace. | 0:26:39 | 0:26:42 | |
Now, please, I need you to stand. | 0:26:42 | 0:26:44 | |
SOBBING | 0:26:44 | 0:26:46 | |
It's coming! | 0:26:46 | 0:26:47 | |
Marin? | 0:26:51 | 0:26:54 | |
Cornelia! | 0:26:54 | 0:26:55 | |
-MOANING -No! | 0:26:55 | 0:26:58 | |
No... | 0:27:01 | 0:27:03 | |
I can see it. | 0:27:03 | 0:27:04 | |
Marin, it's time to push. | 0:27:04 | 0:27:06 | |
I can't, I can't. | 0:27:06 | 0:27:09 | |
Marin, please, one more try. | 0:27:09 | 0:27:11 | |
You're almost there. | 0:27:11 | 0:27:13 | |
GROANING | 0:27:13 | 0:27:15 | |
Oh, Marin, look. | 0:27:17 | 0:27:19 | |
You did it! | 0:27:21 | 0:27:23 | |
A little girl. It's a little girl. | 0:27:23 | 0:27:26 | |
You did it. You did it, Marin. | 0:27:26 | 0:27:30 | |
GASPING | 0:27:30 | 0:27:32 | |
What's wrong with it? | 0:27:41 | 0:27:43 | |
What's, what's wrong with... | 0:27:44 | 0:27:46 | |
BABY CRIES | 0:27:50 | 0:27:52 | |
Thea. Her name is Thea. | 0:28:09 | 0:28:12 | |
BELLS TOLL | 0:28:18 | 0:28:21 | |
Eight. Eight bells. | 0:28:31 | 0:28:33 | |
Johannes's trial started at seven. I have to go. | 0:28:35 | 0:28:38 | |
You can't leave me, Madame. I don't know what to do. | 0:28:38 | 0:28:41 | |
And Marin... | 0:28:41 | 0:28:42 | |
Find Smit's List. | 0:28:44 | 0:28:45 | |
Bring a midwife, a wet-nurse, | 0:28:45 | 0:28:47 | |
someone who understands what's happening here. | 0:28:47 | 0:28:49 | |
But, Madame, the child... | 0:28:49 | 0:28:51 | |
Give the woman whatever it takes to keep her quiet. | 0:28:51 | 0:28:53 | |
If there isn't enough in Johannes's chest, sell the silver. | 0:28:53 | 0:28:56 | |
Did Agnes Meermans testify? | 0:29:05 | 0:29:07 | |
About seven o'clock, Madame. Trembling and strange, she was. | 0:29:07 | 0:29:12 | |
The Schout grew angry when she would not tell him what he wanted. | 0:29:12 | 0:29:15 | |
Seigneur Meermans, | 0:29:20 | 0:29:23 | |
your wife's reluctance to enter into details is understandable. | 0:29:23 | 0:29:28 | |
But I must ask you to be more forthright. | 0:29:28 | 0:29:31 | |
Now, you have known Johannes Brandt for many years, is that correct? | 0:29:33 | 0:29:39 | |
We worked together as young men. | 0:29:39 | 0:29:42 | |
What kind of a man did you find him to be? | 0:29:42 | 0:29:45 | |
Astute enough. | 0:29:46 | 0:29:48 | |
But always too prone to admire his own philosophies | 0:29:48 | 0:29:50 | |
and disdain those of other men. | 0:29:50 | 0:29:52 | |
He was engaged in selling your stock of sugar. | 0:29:52 | 0:29:55 | |
Were you satisfied with his conduct of the business? | 0:29:57 | 0:30:00 | |
Yes, I was. | 0:30:04 | 0:30:05 | |
CROWD MURMUR | 0:30:05 | 0:30:06 | |
So, there's no reason for you to bear any animosity towards him? | 0:30:06 | 0:30:10 | |
None whatsoever. | 0:30:10 | 0:30:12 | |
So, you would say that, up till now, he has been a good merchant | 0:30:12 | 0:30:18 | |
and a good man. | 0:30:18 | 0:30:20 | |
You are under oath. | 0:30:21 | 0:30:23 | |
A good merchant, perhaps. | 0:30:23 | 0:30:25 | |
Johannes Brandt has always pursued his will with - | 0:30:25 | 0:30:28 | |
or I'd say his desires, - with unbending insistence. | 0:30:28 | 0:30:32 | |
But I did not realise the depth of his defiance, | 0:30:33 | 0:30:36 | |
the merchants he bribed, the debts he grew... | 0:30:36 | 0:30:39 | |
Who are these men? Show them to me! | 0:30:39 | 0:30:41 | |
You know full well who they are, Johannes. | 0:30:41 | 0:30:43 | |
It's for your soul I'm here today. | 0:30:43 | 0:30:46 | |
God has spoken to me. | 0:30:47 | 0:30:48 | |
He has told me my silence is no longer enough. | 0:30:48 | 0:30:52 | |
Seigneur Meermans, tell us what you witnessed | 0:30:52 | 0:30:57 | |
when you came to check your sugar. | 0:30:57 | 0:30:59 | |
As we walked towards the warehouse doors, we heard voices. | 0:31:00 | 0:31:05 | |
When we went around to the back, Seigneur Brandt had pushed | 0:31:05 | 0:31:10 | |
a young man against the side of the building. | 0:31:10 | 0:31:12 | |
The boy's face was up against the brickwork. | 0:31:14 | 0:31:17 | |
Both their breeches were round their ankles, their hats knocked off. | 0:31:17 | 0:31:21 | |
Is that young man in court now? | 0:31:21 | 0:31:23 | |
I could, erm... | 0:31:28 | 0:31:30 | |
I could see the lust in Brandt's eyes. | 0:31:31 | 0:31:33 | |
He, erm... | 0:31:35 | 0:31:36 | |
He scooped up his breeches as we approached and... | 0:31:39 | 0:31:42 | |
He beat him, didn't he? | 0:31:42 | 0:31:45 | |
Frans. You don't have to do this. | 0:31:45 | 0:31:46 | |
Rapidly. And ferociously. | 0:31:46 | 0:31:49 | |
Frans. | 0:31:49 | 0:31:50 | |
And he stabbed him, deep, close to the heart. | 0:31:50 | 0:31:53 | |
Just as the victim testified. Didn't he? | 0:31:53 | 0:31:57 | |
Didn't he? | 0:31:57 | 0:31:59 | |
Yes. | 0:32:03 | 0:32:04 | |
GASPS AND MURMURS | 0:32:04 | 0:32:06 | |
The witness has testified to the truth of the accusation. | 0:32:12 | 0:32:16 | |
The Schepenbank will now consider its verdict. | 0:32:17 | 0:32:21 | |
Surely I have a right to speak in my own defence? | 0:32:21 | 0:32:23 | |
Oh, come now, Brandt. What is there you could say? | 0:32:23 | 0:32:27 | |
Very well, then. | 0:32:40 | 0:32:42 | |
Am I the only sinner in this room? | 0:32:45 | 0:32:49 | |
Am I? | 0:32:53 | 0:32:55 | |
You put on that costume in the morning, Pieter Slabbaert, | 0:32:55 | 0:32:59 | |
as do you, Frans Meermans, and hope we will be | 0:32:59 | 0:33:02 | |
so dazzled by your robes we will overlook your own sins. | 0:33:02 | 0:33:06 | |
I will not apologise for who or what I am. | 0:33:06 | 0:33:11 | |
But the allegations against me are false. | 0:33:11 | 0:33:14 | |
Lies concocted out of envy, jealousy, bitterness. | 0:33:14 | 0:33:21 | |
Citizens of Amsterdam, we are better than this. | 0:33:26 | 0:33:32 | |
I have worked for this city from the moment I was old enough. | 0:33:32 | 0:33:37 | |
I've sailed to lands I never knew existed, not even in my dreams. | 0:33:37 | 0:33:42 | |
I've fought for, and seen men die for this republic | 0:33:42 | 0:33:47 | |
on hot beaches and high seas, | 0:33:47 | 0:33:49 | |
risking our lives for the glory of the land that gave us birth. | 0:33:49 | 0:33:52 | |
Striving, building, never once resting in complacency. | 0:33:52 | 0:33:57 | |
I rescued a slave boy from traders. | 0:33:59 | 0:34:03 | |
I took in an orphan girl. | 0:34:03 | 0:34:05 | |
I sponsored apprentice after apprentice, | 0:34:05 | 0:34:07 | |
but exploited no man's need. | 0:34:07 | 0:34:09 | |
I never perjured myself, or corrupted another with bribes. | 0:34:09 | 0:34:12 | |
I took a wife, and I tried to make her happy, as she made me. | 0:34:12 | 0:34:18 | |
And my reward...is this. | 0:34:20 | 0:34:26 | |
Well...enough. | 0:34:28 | 0:34:32 | |
The purpose of a trial is to discover the truth, | 0:34:34 | 0:34:38 | |
and you deserve no less. | 0:34:38 | 0:34:40 | |
So I will give it to you, in full. | 0:34:40 | 0:34:44 | |
Yes, I know Jack Philips. | 0:34:48 | 0:34:55 | |
Perhaps I even loved him. | 0:34:55 | 0:34:56 | |
GASPS | 0:34:56 | 0:34:58 | |
But I never hurt him, or offered any insult to his body. | 0:34:58 | 0:35:01 | |
Frans Meermans I once considered a friend. | 0:35:01 | 0:35:05 | |
But long ago I caused him great pain, | 0:35:05 | 0:35:08 | |
and he, perhaps rightly, has never forgiven. | 0:35:08 | 0:35:12 | |
If the story he has told here is his manner of revenge, | 0:35:12 | 0:35:16 | |
it does not make it true. | 0:35:16 | 0:35:17 | |
Nor does it prevent me from forgiving him. | 0:35:17 | 0:35:20 | |
CROWD MURMUR | 0:35:20 | 0:35:22 | |
Now that you have heard me... | 0:35:32 | 0:35:33 | |
..you may do with me what you will. | 0:35:37 | 0:35:39 | |
The court must retire to further consider its verdict. | 0:35:54 | 0:35:58 | |
Cornelia! Marin! They couldn't agree a verdict. | 0:36:05 | 0:36:09 | |
If we can get Frans to recant... | 0:36:09 | 0:36:10 | |
What is it? | 0:36:13 | 0:36:14 | |
Marin? | 0:36:17 | 0:36:18 | |
No. It's not possible. | 0:36:24 | 0:36:27 | |
There was nothing I could do. I'm Lysbeth Timmers. | 0:36:30 | 0:36:34 | |
Your maid found me in Smit's List. | 0:36:34 | 0:36:35 | |
You told me to, Madame. | 0:36:35 | 0:36:37 | |
She's a wet-nurse, not a midwife. | 0:36:37 | 0:36:39 | |
I birthed four children of my own. | 0:36:41 | 0:36:43 | |
BABY CRIES | 0:36:45 | 0:36:47 | |
She shouldn't be swaddled like this. | 0:36:47 | 0:36:49 | |
SHE SHUSHES | 0:36:53 | 0:36:55 | |
Dear God, what is this? | 0:36:57 | 0:37:00 | |
I didn't agree to this. | 0:37:01 | 0:37:03 | |
You will be amply rewarded for your help. | 0:37:20 | 0:37:23 | |
A guilder a day. | 0:37:23 | 0:37:25 | |
Four. | 0:37:25 | 0:37:26 | |
Two. | 0:37:26 | 0:37:28 | |
Three. Given the circumstances, I'm sure you'll agree. | 0:37:28 | 0:37:32 | |
We are going to keep Thea, aren't we? | 0:37:38 | 0:37:40 | |
We're already bribing new people to keep our latest secret. | 0:37:44 | 0:37:47 | |
Where will it ever stop? | 0:37:50 | 0:37:52 | |
I'll die before I let anything happen to that child. | 0:37:55 | 0:37:57 | |
Did you know? About Otto and Marin? | 0:38:00 | 0:38:03 | |
I wanted it to be Meerman's. | 0:38:06 | 0:38:08 | |
Why? | 0:38:08 | 0:38:10 | |
She looks peaceful, doesn't she? | 0:38:19 | 0:38:21 | |
A map. | 0:38:35 | 0:38:37 | |
For her travels. | 0:38:39 | 0:38:41 | |
I have come to report a death. | 0:38:49 | 0:38:51 | |
We have yet to announce a verdict. | 0:38:52 | 0:38:54 | |
Not Johannes. His sister, Marin. | 0:38:55 | 0:38:57 | |
Yesterday afternoon. | 0:38:58 | 0:38:59 | |
Oh. A godly woman, despite her brother. | 0:39:01 | 0:39:05 | |
How did it happen? | 0:39:07 | 0:39:08 | |
A fever. She'd been ill for some time. | 0:39:08 | 0:39:13 | |
I wondered why I hadn't seen her the last few weeks. | 0:39:13 | 0:39:16 | |
However, if you have come to bury her here, | 0:39:18 | 0:39:21 | |
I'm afraid that is impossible. | 0:39:21 | 0:39:22 | |
Why? A godly woman, you said so yourself. | 0:39:24 | 0:39:28 | |
You know why. | 0:39:28 | 0:39:29 | |
Johannes is innocent. But even if he were not... | 0:39:30 | 0:39:33 | |
The men at Sint Athonis will help you. I have no room. | 0:39:33 | 0:39:35 | |
I will not have her buried beyond the city walls. | 0:39:35 | 0:39:38 | |
She was a woman of Amsterdam. She worshipped here. | 0:39:40 | 0:39:42 | |
You have a duty to bury her. | 0:39:45 | 0:39:48 | |
Not for myself, you understand. | 0:40:08 | 0:40:10 | |
There is a small space in the east corner of the church. | 0:40:13 | 0:40:16 | |
Room for a modest slab, no more. | 0:40:18 | 0:40:21 | |
And the finest elm for the coffin. | 0:40:21 | 0:40:22 | |
On the slab, do you wish for an epitaph? | 0:40:24 | 0:40:26 | |
"Things can change." | 0:40:31 | 0:40:33 | |
Johannes Brandt, you are charged on three counts. | 0:40:36 | 0:40:42 | |
On the first, that of assault on the boy Jack Philips, | 0:40:42 | 0:40:47 | |
I, Pieter Slabbaert, Schout of Amsterdam | 0:40:47 | 0:40:53 | |
and these four members of the city Schepenbank, find you... | 0:40:53 | 0:40:59 | |
..not guilty. | 0:40:59 | 0:41:01 | |
And on the second count, attempted bribery, we find you... | 0:41:03 | 0:41:10 | |
..not guilty. | 0:41:10 | 0:41:11 | |
And finally, on the charge of sodomy, | 0:41:13 | 0:41:18 | |
the court finds you | 0:41:18 | 0:41:21 | |
guilty as charged. | 0:41:21 | 0:41:24 | |
CROWD MURMUR | 0:41:24 | 0:41:26 | |
Your punishment shall be to be weighted down at the neck | 0:41:29 | 0:41:35 | |
and to be drowned in the sea, this Sunday. | 0:41:35 | 0:41:39 | |
And may God have mercy on your sinning soul. | 0:41:39 | 0:41:43 | |
I mean you no harm, I just need to know. | 0:42:12 | 0:42:16 | |
I am done with you, do you hear? | 0:42:21 | 0:42:25 | |
I have had enough! | 0:42:25 | 0:42:27 | |
SHE WHIMPERS | 0:42:30 | 0:42:33 | |
-ECHOING VOICES: -Are you saying I shouldn't marry him? | 0:43:47 | 0:43:49 | |
My husband threatens to stop this, but then I cannot bear to live... | 0:43:49 | 0:43:52 | |
How did you know? I feel a madness creeping in... | 0:43:52 | 0:43:55 | |
Peebo! | 0:44:03 | 0:44:04 | |
He came in through the window. | 0:44:15 | 0:44:18 | |
I thought you were a ghost. | 0:44:18 | 0:44:20 | |
Or a sorceress. | 0:44:22 | 0:44:24 | |
You were angry with me. | 0:44:25 | 0:44:28 | |
I heard you downstairs. | 0:44:28 | 0:44:30 | |
Please. You have the answers. I know you do. | 0:44:30 | 0:44:32 | |
I have to save my husband. | 0:44:34 | 0:44:36 | |
How? | 0:44:38 | 0:44:39 | |
How do I save him from this? | 0:44:41 | 0:44:42 | |
I'll pay you. Whatever it takes. | 0:44:45 | 0:44:47 | |
This...is why I hide. | 0:44:47 | 0:44:49 | |
I don't understand. | 0:44:51 | 0:44:53 | |
Nobody does. | 0:44:53 | 0:44:55 | |
Everyone thinks I am the one who can tell them what to do. | 0:44:55 | 0:45:00 | |
That I have a third eye. | 0:45:00 | 0:45:02 | |
I am just a maker of small things. | 0:45:03 | 0:45:07 | |
No. Marin's baby. You knew. | 0:45:07 | 0:45:09 | |
I knew because I have eyes. | 0:45:09 | 0:45:11 | |
The woman, I saw how she walked. | 0:45:11 | 0:45:14 | |
How she bound her breasts. | 0:45:14 | 0:45:16 | |
The sugar in Agnes's hand. | 0:45:16 | 0:45:18 | |
It went black, just like the Meermans'. | 0:45:18 | 0:45:20 | |
Because it was real sugar. | 0:45:20 | 0:45:21 | |
The cradle. | 0:45:21 | 0:45:23 | |
There's no way you could have known what Marin would order. | 0:45:23 | 0:45:26 | |
Neither did she. | 0:45:26 | 0:45:27 | |
She saw what I had made, | 0:45:27 | 0:45:29 | |
and she liked it enough that she ordered a copy. | 0:45:29 | 0:45:32 | |
Rezecki, the dog. The wound. | 0:45:32 | 0:45:36 | |
There's no way you could have known. | 0:45:36 | 0:45:37 | |
There's no way anybody could have known. | 0:45:37 | 0:45:40 | |
Sometimes...things come into my head. | 0:45:44 | 0:45:50 | |
It's like a voice you hear carried on the wind that you can't make out. | 0:45:51 | 0:45:58 | |
It's just a word, here or there. | 0:45:59 | 0:46:01 | |
It's things, | 0:46:03 | 0:46:06 | |
people, | 0:46:06 | 0:46:09 | |
sometimes dogs. | 0:46:09 | 0:46:12 | |
Everyone wants answers. But I have none. | 0:46:15 | 0:46:20 | |
Sorry. | 0:46:20 | 0:46:21 | |
I know it is not what you want to hear. | 0:46:22 | 0:46:26 | |
You should take him back. | 0:46:26 | 0:46:27 | |
He would not like the journey to Bruges. | 0:46:27 | 0:46:29 | |
You're leaving? | 0:46:29 | 0:46:31 | |
Tonight. With my father. | 0:46:31 | 0:46:32 | |
You wrote me notes. | 0:46:34 | 0:46:37 | |
So many of them. | 0:46:37 | 0:46:39 | |
Please. | 0:46:39 | 0:46:40 | |
You have to help me. | 0:46:44 | 0:46:45 | |
My father tried to teach me to make clocks. | 0:46:48 | 0:46:53 | |
But the ones I made would never keep time. | 0:46:55 | 0:46:59 | |
They would either tick too slow or too fast. | 0:46:59 | 0:47:02 | |
I would take them to him, and he would make them perfect. | 0:47:03 | 0:47:07 | |
Eventually I said to him, "Please, I beg you, | 0:47:09 | 0:47:14 | |
"teach me what you do to make the clocks keep time." | 0:47:14 | 0:47:17 | |
He laughed and said, "I haven't done anything for months now. | 0:47:19 | 0:47:24 | |
"Your clocks keep better time than mine." | 0:47:25 | 0:47:28 | |
You had learned how to do it without even knowing it. | 0:47:31 | 0:47:33 | |
Things can change, yes. | 0:47:36 | 0:47:39 | |
But they have already changed because of things you've done. | 0:47:41 | 0:47:45 | |
HE WHIMPERS | 0:48:25 | 0:48:27 | |
Nella. | 0:48:27 | 0:48:28 | |
It's so good to see you. | 0:48:30 | 0:48:32 | |
But you wore your own clothes... | 0:48:35 | 0:48:37 | |
I am not ashamed to be here. | 0:48:38 | 0:48:39 | |
Nor can they make me ashamed of you. | 0:48:42 | 0:48:44 | |
Tell me, how are you? How's Marin? | 0:48:45 | 0:48:47 | |
Oh, you know... | 0:48:50 | 0:48:53 | |
Too many herring dinners? | 0:48:55 | 0:48:57 | |
Tell her not to come. | 0:48:59 | 0:49:01 | |
I don't think I could bear it. | 0:49:02 | 0:49:04 | |
SHE SOBS | 0:49:04 | 0:49:06 | |
Come now. | 0:49:06 | 0:49:08 | |
Don't drench me with your tears. | 0:49:10 | 0:49:14 | |
Did you bring my best clothes? | 0:49:14 | 0:49:15 | |
Nella. | 0:49:37 | 0:49:38 | |
I mean it. | 0:49:41 | 0:49:43 | |
Don't be sad. | 0:49:45 | 0:49:46 | |
The secret in life, as in business, is not to care too much. | 0:49:49 | 0:49:54 | |
Always be prepared to lose. | 0:49:56 | 0:49:57 | |
KEYS JANGLE | 0:49:57 | 0:49:59 | |
How much did you give him this time? | 0:50:06 | 0:50:08 | |
Five guilders. | 0:50:08 | 0:50:10 | |
To stay until dawn. | 0:50:13 | 0:50:17 | |
The Lord is my shepherd, I shall not want. | 0:50:47 | 0:50:52 | |
He maketh me to lie down in green pastures. | 0:50:52 | 0:50:55 | |
He leadeth me beside the still waters. | 0:50:55 | 0:50:59 | |
He restoreth my soul. | 0:50:59 | 0:51:02 | |
He leadeth me in the paths of righteousness for His name's sake. | 0:51:02 | 0:51:08 | |
Yea, though I walk through the valley of the shadow of death, | 0:51:08 | 0:51:11 | |
I will fear no evil, | 0:51:11 | 0:51:13 | |
for thou art with me, | 0:51:13 | 0:51:14 | |
thy rod and thy staff, they comfort me. | 0:51:14 | 0:51:18 | |
Thou preparest a table in front of me in the presence of mine enemies, | 0:51:18 | 0:51:22 | |
thou anointest my head with oil. My cup runneth over. | 0:51:22 | 0:51:26 | |
Surely goodness and mercy will follow me all the days of my life, | 0:51:27 | 0:51:31 | |
and I will dwell in the house of the Lord for ever. | 0:51:31 | 0:51:34 | |
CROWD GASP | 0:52:19 | 0:52:21 | |
He was one of our best merchants. | 0:52:28 | 0:52:30 | |
We're fools. | 0:52:30 | 0:52:32 | |
This will bring the Burgomasters no friends. | 0:52:32 | 0:52:34 | |
Otto! | 0:52:52 | 0:52:53 | |
He's gone. | 0:52:54 | 0:52:55 | |
He's really gone. | 0:52:58 | 0:52:59 | |
Let's go home. | 0:53:27 | 0:53:28 | |
Cornelia, I... I was going to write a... | 0:53:42 | 0:53:46 | |
BABY FUSSES | 0:53:46 | 0:53:48 | |
Cornelia, bring her down. | 0:53:53 | 0:53:55 | |
BABY CRIES | 0:53:56 | 0:53:58 | |
Sugar corn... | 0:54:28 | 0:54:29 | |
What's it called? | 0:54:33 | 0:54:36 | |
Her name is Thea. | 0:54:36 | 0:54:37 | |
Marin said it would be a boy. | 0:54:39 | 0:54:41 | |
Where is she? | 0:54:46 | 0:54:48 | |
Where is Marin? | 0:54:55 | 0:54:56 | |
I'm sorry, Otto. | 0:55:01 | 0:55:03 | |
Truly, I'm so sorry. | 0:55:06 | 0:55:08 | |
She worsened so quickly, there was nothing we could do. | 0:55:10 | 0:55:13 | |
But you saved the child. | 0:55:18 | 0:55:20 | |
She gave her life for this one. | 0:55:24 | 0:55:26 | |
That's why I had to come back, because I had to see what he... | 0:55:28 | 0:55:31 | |
..what she would be. | 0:55:33 | 0:55:36 | |
KNOCK ON DOOR | 0:55:36 | 0:55:38 | |
You can do this. | 0:58:00 | 0:58:02 |