1991 The Missing


1991

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This programme contains some strong language.

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-I was just a boy when they came to my village.

-Who?

-Henry Reed.

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-With his army friend, a man called Stone.

-It's Brigadier now, Nadia.

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Sorry - force of habit.

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Do you know Mrs Herz?

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I have had the pleasure. Back in Iraq, she was a mess.

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Who was with you? Who was it, Mr Stone?

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Give me the name!

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IN GERMAN:

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He attacked me. He hurt me.

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He was confused.

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I found pictures, Kristian. Pictures of the girl.

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People need to know who you are.

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No-one here believes a word you say. What are you doing?

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I couldn't lie in a hospital, waiting for the devil to take me.

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What did you do to my sister? Go on!

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You got hurt. You have fractured ribs. Don't try and move.

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You should come down to the station and turn yourself in.

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For what you did to my dad.

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'You're lost.'

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I am not lost, Miss Stone. I know exactly where I am.

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I believe that finding out the truth of what happened all those years ago

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in Iraq, will help explain why Alice Webster was taken.

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And, more importantly, who it was that took her.

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I'll tell you what I know.

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This was us back then. Me, Henry Reed, Adrian Stone.

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Christ.

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I don't even remember this photo being taken.

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Why do you keep looking out there?

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Please. Keep talking.

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Tell me what happened with Adrian Stone and Henry Reed.

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Stone talked about "the three of us". Who did he mean?

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You know what I'm talking about. Don't you, Mrs Herz?

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I have a witness. Still in Iraq. Mirza Barzani.

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I can take this to the military courts.

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I can take it to the press.

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But...time is not on my side. And I want the truth.

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I've never told anyone this.

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Then, is it not time that you did?

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My time in the Gulf was...difficult.

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I was promoted too soon, younger than most people I was commanding.

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Drinking the days away, not sleeping, wired.

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Years later, I was diagnosed with Gulf War Syndrome.

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But at the time...

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At the time, I just shut my mouth, like a good soldier.

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Ma'am.

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-Captains Stone and Reed to see you, ma'am.

-Wait!

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Send them in.

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Captain Stone, the major will see you now.

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Yeah?

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Lieutenant Gettrick's been outside the wire four days now.

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We need to take some troops and look for him.

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He's gone walkabout.

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Isn't that what you're all doing? Going out and banging the locals

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before going home to your wives and girlfriends?

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-With respect...

-With respect, Adrian, he's a big boy.

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He knows we're being relieved in two days.

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He'll come back when he remembers that and realises

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just how many STDs he's racked up.

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Last thing I need is even more of you buggering off

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to indulge yourselves.

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Stay put. That's a bloody order, OK?

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But, ma'am...

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I don't remember asking for your opinion, Captain Stone.

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Get out.

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Reed and Stone came to me for help,

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looking for Adam, and I...

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..I told them no.

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I thought he was out having fun like the rest of them.

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If I'd had any idea...

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The war was over, but it was far from safe.

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But Adrian was always a reckless bastard.

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He took Henry Reed and went out to find Adam Gettrick,

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against my orders, with no back up and only each other for protection.

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Relax.

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Why?

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First we jump the wire, then we nick a translator's car to do it.

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-You medics worry too much.

-You don't worry enough.

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Do you even know where he went?

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It was a house he showed me on patrol.

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Girl he was seeing. We start there, find out what the girl knows.

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American? British?

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I'm Captain Stone. I'm looking for my friend of mine.

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Adam Gettrick.

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Leave it.

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I found him in bed with my daughter.

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You know how old my daughter?

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13. And I tell him get out. Just like I tell you.

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And he ran off.

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I tell him never come back.

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OK, then.

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Jesus.

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Did you see that tattoo on his hand?

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Republican Guard.

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So? The war's over.

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I'm just wondering.

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A guy like that finds Adam with his 13-year-old daughter

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and he just lets him go?

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13. Christ. Did you have any idea she was that young?

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-Of course I didn't!

-13's not much older than Eve.

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We can't take his word for it. Not someone like that.

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We need to get a look inside that house.

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For all we know, Adam could be shacked up with someone else.

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You saw how he acted back there. Do you really believe that?

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Look, if you're right,

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if that guy's done something with Adam,

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then...we're out on our own.

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Adam's one of us, Henry. If he's in trouble, he needs our help.

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I say we wait.

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Wait for our chance to get in.

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-How long?

-As long as it takes.

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# Oh, my love

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# We pray each day

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# May you come home

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# And be OK

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# For now we'll wait

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# For you, for you

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# To come home. #

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DOOR OPENS

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THEY ARGUE

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Maybe we should go after her. Ask her about Adam.

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(Hold on.)

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I say now's our chance to get in there.

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While he's still inside?

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Well, he's not going anywhere and we need to get in!

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If Adam had really been turned away,

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he would have come back to camp by now.

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This is wrong. This is all wrong.

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That's why we're here. To make whatever this is right.

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(Come on!)

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Reed.

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Get the hell out!

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Back off, Stone.

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(Reed. Here.)

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Jesus.

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Oh, Jesus.

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Bloody hell, Gettrick. Let's get you out of here, eh?

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He's barely breathing. We need to check the extent of his injuries.

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-Help me put him on his side.

-HE MOANS

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Can you hear me, Adam?

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-Stone?

-I'm here. Me and Reed. You're going to be OK.

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CLANGING

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-FOOTSTEPS

-Jesus Christ!

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MUMBLES: The key, he has it.

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He has it.

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-We need to get out of here.

-I know!

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Get him on his feet.

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No-one can know we were here.

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ADAM GROANS AND YELLS

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She was 13! What the hell was he thinking?!

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Leave off!

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SOBS: Where...where is the rest of the unit?

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We went to Nadia. She ordered us to stay put.

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Come on. We've got to go!

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I've been gone four days!

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That bitch has slept through the last week, why...

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why would she give an order like that?

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Did she want me to die out here? Four fucking days!

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She should have had people looking for me.

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-She was supposed to protect us!

-We have to get out of here!

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We decided it would be best

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not to let Command know what had happened to Adam.

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If they learned how I'd been running the camp,

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what a shit-show I'd made of it...

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I let them all run riot.

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And then when Adam Gettrick needed me, I didn't send help.

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Adam Gettrick.

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The third person Stone spoke of is Adam Gettrick.

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He got taken on my watch.

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That's all you know?

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What do you mean?

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Mirza, the boy they let escape, from Iraq.

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He told us everything he saw.

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The events that followed, after what happened in that house.

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And you should know the truth.

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BOY YELLS

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It's OK, it's OK.

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Stone, there's another girl in the house!

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-HE SOBS

-I'm sorry. I'm sorry.

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I'm so, so sorry.

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EXPLOSION

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We have to go. Now!

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What is your name? Your full name?

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-Mirza Barzani.

-Reed!

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HE YELLS

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How old was the little girl?

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Nine years old.

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But nobody believed it was done by English soldiers

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in the middle of the night.

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He was an imaginative child. The father, a drunk.

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It was thought to be an accident.

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They told me what had happened to Adam.

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They told me what they did to the man who hurt him.

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And I kept quiet.

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You knew they killed a man and you said nothing?

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Men had died.

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Better men than the one they killed - one of Saddam's.

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And like I say, I wasn't there.

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I mean, I was, but I was...

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I was in pain and I was numbing it with drink and pills.

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My mind had gone AWOL.

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If it got out, it'd undo everything we did out there.

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I gave them an alibi.

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But I...

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I had no idea...

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No idea about the girl. I swear.

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Tell me about Adam.

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He...he got injured in Afghanistan in 2001.

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They offered him a medical discharge,

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but he chose to stay with the Army.

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They moved him sideways. Ended up as press liaison.

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Have you ever had any sense of...

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..another side to him?

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His life?

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That he might be capable of taking someone?

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I don't understand.

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Taking who?

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Alice Webster and Sophie Giroux.

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But my husband...

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They found him guilty. It was...

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There were pictures on the camera. It was my husband.

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Your husband was a prominent figure in the community, yes?

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Did Adam Gettrick ever come to the shop?

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Er, yes. Sometimes, I suppose.

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He would have known your husband's hobby. Bird-watching.

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Most people did.

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So he knew your husband was often away.

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And it seems likely he bore a grudge against you,

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that he blamed you for what happened to him.

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You're saying he framed my husband?

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Well, that can't... That's impossible. It can't be true.

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Just because you're tortured, it doesn't mean...

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you abduct two little girls and keep them prisoner in your house.

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Of course not.

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Adam Gettrick was a monster long before he entered that basement.

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I've told you everything I know.

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Now get out of my house!

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I'm sorry to have upset you, Mrs Herz.

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You should know only that I believe your husband.

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And perhaps with luck,

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he will one day be a free man.

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I said get out!

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DOOR CLOSES

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SHE SOBS

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FOOTSTEPS

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I'm just going down the shops. Do you want anything?

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No.

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So, do you want me to leave the house or, you know...?

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I meant to show you this the other day, but...

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Well...

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Now look at that...

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..and tell me that I'm crazy.

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Where did you get this?

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Julien Baptiste and Jorn Lenhart...

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But it doesn't matter where it came from.

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Look at it.

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Look at that and tell me that that's not our daughter.

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That's our girl.

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-This girl sitting next to her, that could be anybody.

-No.

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No, Sam. That is Alice.

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And that girl came back to live here, in our house.

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That's an impostor.

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-You're just seeing what you want to see.

-And you're not?

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You know I'm right.

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You know I am, deep down you must do.

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And even if you didn't in the beginning,

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by the time she set fire to that shed, you knew.

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Why are you doing this to yourself?

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It's destroying you.

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I told Eve to keep the baby.

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Why?

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I don't understand. This is her decision.

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Why would you do that?

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This is your mess.

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It was an accident.

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Yeah. You didn't mean to get her pregnant.

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Sure. I know that.

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You didn't mean to have an affair right under my nose.

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But it happened.

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And there are consequences.

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You know how much I wanted another baby.

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Maybe if we'd got out of this place...

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I wasn't ready to leave.

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I don't know if we can come back from this...

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..but I want to try.

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I'm sorry.

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But it's too late.

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DOOR OPENS, SLAMS SHUT

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Matthew!

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What's wrong?

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I'm just tired. That's all.

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Who were you out with last night?

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-A friend.

-Yeah, but which friend?

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All of a sudden you give a shit?

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Hey. Hey!

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What's that? What happened?

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You done? Cos I'm tired.

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FOOTSTEPS

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Mr Baptiste.

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Please. Sit. We don't have long.

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-What?

-Take a seat, Mr Gettrick.

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You are not a stupid man, so I will not treat you as such.

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To do what you have done all these years - to pull the wool over

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the eyes of the world is no small feat.

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Why did you tell Sophie to pretend she was Alice Webster?

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-I'm sorry. I'm not sure...

-We do not have time for this.

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I need to know if the real Alice Webster is still alive.

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You've made a mistake, Mr Baptiste.

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Now...I only came down here as a courtesy...

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I know what happened back in 1991, in Iraq.

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I know your taste in women.

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Or girls, I should say.

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I know you had access to everything we did during this investigation.

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They arrived sooner than I'd anticipated.

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With respect, it sounds like you don't have a damn clue, Detective.

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Aren't you seeing things?

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Hallucinating.

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I heard what you did at the cookhouse.

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HE LAUGHS Yes!

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I am seeing things - clearly - for the first time in a long time.

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Your mind is more diseased than my own.

0:29:170:29:20

Tell me, what have you done with Alice?

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Why would you say such an awful thing to me?

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What gives you the right to accuse me?

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I know it was you.

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I'm coming, but I ask that you take this man into custody also.

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-On what grounds?

-On the grounds that he abducted Sophie Giroux

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and Alice Webster.

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I honestly have no idea what he's going on about.

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He asked to see me and then he's just started accusing me.

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Started calling me Kristian Herz,

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like he thinks I'm him or something.

0:29:540:29:56

You need to come with us. We need to ask you some questions.

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You're making a big mistake, Sergeant!

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It's not a request.

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I'm coming.

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Don't touch me!

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Staff Sergeant Stone has informed me you are not well,

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that you are seeing things that are not there,

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that there have been aggressive outbursts.

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I am of sound mind. Believe me.

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But this is a matter of some urgency.

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The abduction of Alice Webster - I don't believe Kristian Herz

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to be responsible.

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I believe it was another man - Adam Gettrick.

0:30:450:30:48

He is the press liaison for the garrison.

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Mr Baptiste, you went to speak with Adrian Stone last night?

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Listen, whatever it is you think...

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And you were ejected for aggravating him. He is in hospital now.

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His injuries are severe.

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-You cannot think me responsible...

-You are a detective.

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You tell me how this looks.

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You were the last to see him.

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You were found physically harassing him...

0:31:070:31:09

He attacked me! I was defending myself.

0:31:090:31:12

So that is your position, you were defending yourself?

0:31:120:31:14

I didn't put him in the hospital.

0:31:140:31:16

-He says you did.

-He is confused!

0:31:160:31:18

With respect, Mr Baptiste, so are you. Confused and angry.

0:31:180:31:23

You need to bring in Adam Gettrick.

0:31:230:31:25

Alice herself identified Herr Kristian Herz.

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It wouldn't be the first thing that girl lied about.

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Mr Baptiste, I have great respect

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for all the work you have done in your life.

0:31:330:31:35

And what happened last night, I do not believe it was intended.

0:31:350:31:38

But you are ill.

0:31:380:31:39

The courts will understand that.

0:31:410:31:43

But first you have to confess to what you have done.

0:31:430:31:45

Arrest me, or bring me a lawyer. Everything else is wasting time.

0:31:470:31:51

Very well, Mr Baptiste. Then you will be our guest this evening.

0:31:510:31:55

Vous faites perdre le temps de tout le monde, vous etes tout incapable!

0:31:550:32:00

Alter, kranker spinner.

0:32:000:32:02

Imbeciles!

0:32:020:32:03

DOOR CLOSES

0:32:050:32:07

RINGING TONE

0:32:200:32:22

Yeah, I need you to get me a number.

0:32:230:32:26

Celia Baptiste.

0:32:260:32:28

We don't have to do this.

0:32:420:32:44

They're being re-deployed tomorrow, Sam.

0:32:440:32:46

They're your men. You know we have to do this.

0:32:460:32:48

All right, then, we go in and we show our faces and then we leave.

0:32:480:32:51

No-one needs to know about us. All right?

0:32:510:32:54

Oi-oi!

0:32:570:32:58

Picked a great day for it, eh?

0:32:580:33:01

MUSIC PLAYING: Rock The Casbah by The Clash

0:33:010:33:03

MURMUR OF CONVERSATION

0:33:030:33:05

Sorry.

0:33:270:33:29

I didn't know you were going to be here.

0:33:480:33:50

Melissa and I are old friends.

0:33:500:33:52

-We were at Aldershot together.

-Right.

0:33:520:33:55

Yeah. So... I should probably just...

0:33:550:33:59

We're going to have to learn how to deal with each other, aren't we?

0:33:590:34:02

Especially when you start showing.

0:34:020:34:04

It shouldn't be too complicated, though, cos...

0:34:050:34:08

it's over between me and Sam, so...

0:34:080:34:13

Just so you know - that doesn't mean that me and Sam will...

0:34:150:34:18

I really don't care if it does, Eve.

0:34:180:34:21

Well, I do. And I'm sorry.

0:34:210:34:23

It sounds...

0:34:230:34:25

But...

0:34:270:34:28

I shouldn't have come.

0:34:350:34:38

My dad's lying in a hospital bed because a couple of nights ago,

0:34:380:34:41

someone came and beat him half to death at the care home.

0:34:410:34:44

Christ.

0:34:470:34:48

Do they know who did it?

0:34:520:34:53

I'm sorry.

0:34:570:34:58

Excuse me.

0:35:000:35:01

What's wrong, Lucy?

0:35:300:35:31

I left Mr Squibbles at home.

0:35:320:35:34

Because you made us leave so quickly.

0:35:340:35:37

Well, we can't go back.

0:35:370:35:39

We're going to the new house sooner than we thought.

0:35:390:35:41

-You'll like it there.

-I like Mr Squibbles.

0:35:410:35:45

-Well, we'll find you a new toy.

-It won't be the same.

0:35:450:35:48

It's the same if I say it's the same! OK?

0:35:480:35:51

Do you think she's OK?

0:35:550:35:57

She's fine.

0:36:010:36:02

MURMUR OF CONVERSATION

0:36:050:36:08

Sorry. Sam. Sam, can I have a word?

0:36:100:36:12

Yeah, sure.

0:36:120:36:14

What is it?

0:36:150:36:16

Brigadier Stone was attacked.

0:36:180:36:20

-Is he all right?

-Well, he's in hospital.

0:36:200:36:22

But on the same day, Julien Baptiste came by and told me that...

0:36:220:36:25

Well, he told me that he thought that Stone was involved

0:36:250:36:27

in Alice's abduction.

0:36:270:36:29

Why would he say that?

0:36:290:36:30

Matthew was there. He heard the whole thing,

0:36:300:36:32

and then he went storming off to go and see those Adler boys.

0:36:320:36:35

What, you think..?

0:36:350:36:37

(What are you saying?)

0:36:390:36:41

You know the reputation those Adler twins have got.

0:36:410:36:44

There are rumours that they put Nadia Herz in hospital.

0:36:440:36:46

You think Matthew assaulted him?

0:36:460:36:47

You think he could do something like that?

0:36:470:36:49

You know what he's like these days. You saw his hands.

0:36:490:36:51

And the way he went off, honestly, Sam, it does, it makes sense.

0:36:510:36:54

MUSIC PLAYS LOUDLY

0:36:580:37:00

Matthew!

0:37:190:37:21

Matthew!

0:37:220:37:24

MUSIC GETS QUIETER

0:37:240:37:25

What?

0:37:250:37:27

Can you come downstairs, please?

0:37:270:37:29

Now.

0:37:300:37:31

FOOTSTEPS DESCEND STAIRS

0:37:400:37:42

-Sit down.

-I'm fine here.

0:37:490:37:51

Sit down.

0:37:510:37:53

What's happened to you, Matthew?

0:37:550:37:57

What's happened to ME? Take a look at you both.

0:37:570:38:01

Those men you're hanging around with, the Adler twins...

0:38:010:38:04

They're my friends. And anyway, I'm an adult, I can...

0:38:040:38:06

You're an adult who lives in our house. And you're our son.

0:38:060:38:09

We're trying to help you and if you can't see that...

0:38:090:38:11

-All you're trying to do is find problems somewhere else...

-Stop it!

0:38:110:38:14

Christ.

0:38:150:38:16

Now what happened to your hand?

0:38:180:38:20

I cut it. Broke a pint glass.

0:38:220:38:25

Is that how you got the bruising on there?

0:38:250:38:27

You overheard Baptiste telling me that he thought Stone was involved

0:38:270:38:31

in Alice's disappearance. And then you stormed out,

0:38:310:38:34

and you went to the only place that you ever go to.

0:38:340:38:36

To see those Adler boys.

0:38:360:38:37

-So?

-So Brigadier Stone is in hospital now.

0:38:370:38:40

-What, and you think I had something to do with it?

-Well, did you?

0:38:420:38:45

This is it, isn't it?

0:38:470:38:49

This is who I am to you.

0:38:490:38:51

I'm just the monster that locked his sister in the shed to you, aren't I?

0:38:510:38:54

The one that goes around putting old men in hospital...

0:38:540:38:57

-Matthew...

-And what if what you said was right? Huh?

0:38:570:39:00

What if he did have something to do with Alice being taken?

0:39:000:39:03

And you're all sitting around doing nothing. What then?

0:39:030:39:07

I'm a hero, aren't I?

0:39:070:39:08

-So you admit it?

-You've been following orders all your life -

0:39:080:39:11

from the headmaster, from your superiors, walking the line,

0:39:110:39:15

ticking the boxes, and where has that got you?

0:39:150:39:18

-That's enough...

-You're miserable.

0:39:180:39:19

You're lying to each other.

0:39:210:39:23

You know he's screwing someone else, right?

0:39:270:39:30

So before you go round asking what's happened to me,

0:39:380:39:42

why don't you take a look at yourselves?

0:39:420:39:44

DOOR SLAMS

0:39:490:39:51

DOOR OPENS

0:39:590:40:01

Mr Baptiste.

0:40:010:40:03

Mr Baptiste!

0:40:040:40:05

You're free to leave.

0:40:070:40:09

You've kept me for...what?

0:40:090:40:11

So you might find evidence that does not exist?

0:40:120:40:16

Before you leave, there is somebody to see you.

0:40:160:40:19

If it's all the same to you...

0:40:190:40:20

Eve Stone called you.

0:40:510:40:52

Mm-hm.

0:40:520:40:54

She's worried about you.

0:40:550:40:57

IN FRENCH:

0:41:020:41:04

Don't.

0:41:040:41:05

If there is something you can solve, there is no use in worrying.

0:41:050:41:11

And if there is something you cannot fix,

0:41:110:41:13

there is still no use in worrying.

0:41:130:41:15

It won't help you.

0:41:170:41:18

How could you do this to us?

0:41:230:41:25

How could you walk away from that operation?

0:41:280:41:31

I wasn't walking away from anything.

0:41:310:41:34

I was walking towards something else.

0:41:340:41:37

Towards some kind of resolution for two little girls

0:41:370:41:40

whose lives were stolen from them.

0:41:400:41:43

I was walking towards something... I thought was bigger than myself.

0:41:430:41:49

You're a brilliant, loving man,

0:41:500:41:54

and an amazing detective

0:41:540:41:56

and you've achieved incredible things.

0:41:560:41:59

But right now?

0:42:000:42:02

You're a child, Julien.

0:42:020:42:04

A selfish child.

0:42:060:42:08

You'll storm into a building armed with a loaded gun,

0:42:090:42:14

risking your life to make an arrest,

0:42:140:42:16

but you won't take the same risk for the people who love you.

0:42:160:42:19

This...job.

0:42:210:42:23

This obsession.

0:42:230:42:24

This addiction.

0:42:260:42:27

You're no better than, than... Tony Hughes.

0:42:290:42:33

Getting lost in all the darkness that surrounds you.

0:42:340:42:38

Thinking you can fix everything and find the light switch.

0:42:380:42:41

It has to end.

0:42:450:42:47

You have to come home.

0:42:480:42:49

I am so close.

0:42:520:42:54

You're always so close.

0:42:540:42:56

But right now?

0:42:590:43:01

You're dying.

0:43:030:43:04

You're lost, my love,

0:43:060:43:09

and the tide is coming in.

0:43:090:43:11

Wait. Wait, come on. He's our son.

0:43:400:43:42

-This isn't right...

-You think I want to do this?

0:43:420:43:45

I've lost you. I've lost my daughter...

0:43:450:43:47

If I do this then I lose my son as well.

0:43:470:43:48

And if we do nothing, isn't he lost anyway?

0:43:480:43:50

If there's a chance this will save him...

0:43:520:43:54

By locking him up?

0:43:540:43:56

SIRENS

0:43:560:43:58

Do you know what I think?

0:43:580:44:00

Sometimes - and it's awful...

0:44:000:44:03

..but we were happier before she came back.

0:44:040:44:07

You know, we were grieving...

0:44:070:44:11

but we had her in common.

0:44:110:44:12

The three of us.

0:44:140:44:15

We have to save Matthew from himself.

0:44:220:44:24

Before he does something even worse.

0:44:260:44:29

Mr and Mrs Webster, I must talk with you.

0:44:410:44:43

-Get out of my way.

-Listen, I have found something.

0:44:430:44:45

This is on you, this is.

0:44:450:44:47

Coming here, filling our family's heads with crap,

0:44:470:44:49

telling us Alice is still alive.

0:44:490:44:51

Matthew has done what he's done because he overheard you

0:44:510:44:53

-with your stupid accusations.

-He's trying to help you!

0:44:530:44:56

Well, he hasn't. Cos ever since he turned up, bad things are happening.

0:44:560:44:58

Listen, there's nothing more in the world that I want

0:44:580:45:01

than for my husband to come home.

0:45:010:45:02

He's walked away from an operation that could help save his life

0:45:020:45:05

to come out here and find out what happened to your girl.

0:45:050:45:08

He's walked away from me, from his daughter.

0:45:080:45:11

And I'm telling you, there is no way he would have done all that

0:45:110:45:14

unless he thought it was worth it.

0:45:140:45:15

I have no problem with you.

0:45:150:45:17

But this - this is about my life and my family.

0:45:180:45:20

Listen, I have never lost hope that we might learn the truth

0:45:200:45:23

about your daughter and Sophie Giroux.

0:45:230:45:26

And now I have finally found the truth.

0:45:260:45:28

The man who abducted Sophie and Alice works right here in Eckhausen.

0:45:280:45:33

His name is Adam Gettrick.

0:45:340:45:36

Gettrick?

0:45:360:45:38

-You're serious?

-I spoke with him, before I was arrested.

0:45:400:45:43

I saw it.

0:45:430:45:45

In his eyes.

0:45:450:45:46

You saw it in his eyes?!

0:45:460:45:48

Jesus. Do you believe this?

0:45:480:45:51

HE SIGHS

0:45:520:45:54

-QUIETLY:

-What are we going to do about Matthew?

0:45:540:45:57

-He's what matters now.

-What if he's right?

0:45:570:45:59

My daughter died.

0:45:590:46:01

How many times do you want me to bury her?

0:46:020:46:04

I won't do this.

0:46:060:46:08

I can't do this.

0:46:090:46:11

So what do we do now?

0:46:310:46:33

Gettrick knows I suspect him.

0:46:330:46:35

We will have to move quickly.

0:46:360:46:38

-Did you tell the police?

-They don't believe me.

0:46:390:46:41

Jorn Lenhart would be an ally, but he is not answering.

0:46:410:46:44

As I see it, there is one option still open to us.

0:46:440:46:48

Gettrick's house.

0:46:490:46:50

No. If he's as dangerous as you say he is...

0:46:500:46:54

If I am right, he knows I have seen him for who he is

0:46:540:46:56

and he'll already be gone.

0:46:560:46:58

IN FRENCH:

0:46:590:47:00

Listen, that thing in your head?

0:47:000:47:04

You can't run away from it, Julien.

0:47:040:47:06

I know.

0:47:060:47:08

OK.

0:47:090:47:10

IN FRENCH:

0:47:100:47:12

CAR APPROACHES

0:48:020:48:04

DOORBELL RINGS

0:48:590:49:01

Are you sure you wish to do this?

0:49:330:49:36

Well, I'm here, aren't I?

0:49:360:49:37

Lucy. Lucy, wake up, darling.

0:53:060:53:10

There you go.

0:53:100:53:12

We'll find you something here, won't we?

0:53:130:53:16

Something to replace Mr Squibbles.

0:53:160:53:18

-What's wrong?

-It's just I've...

0:53:240:53:28

I must've left some cash at home. But it's fine.

0:53:280:53:30

It's fine. It doesn't matter.

0:53:300:53:31

Look at him. He's nice, isn't he?

0:53:360:53:39

DOOR OPENS, BELL TINKLES

0:53:450:53:47

-Mummy!

-Lucy!

0:53:570:53:59

I've missed you.

0:54:010:54:03

It's amazing. Us all here together.

0:54:100:54:13

It was worth it, wasn't it?

0:54:270:54:29

Every second.

0:54:290:54:30

Come on. You need to help me with everything in the car.

0:54:310:54:35

TAPS FOOT ON TILES

0:55:010:55:02

What is it?

0:55:120:55:14

Look at that.

0:55:150:55:16

Will you help me move these boxes, Mrs Webster?

0:55:190:55:22

Right.

0:55:470:55:49

That's the last of it.

0:55:490:55:51

Feels good, doesn't it?

0:55:540:55:56

-The air here...

-Shh.

0:55:560:55:58

She must be tired from the long journey.

0:56:010:56:03

What's in the bag?

0:56:030:56:04

She'll love it.

0:56:150:56:18

No, it's not for her.

0:56:180:56:19

She used to talk about one of these. Remember?

0:56:270:56:29

The one her brother used to keep trying to steal from her.

0:56:290:56:33

KEYS JANGLE

0:56:330:56:34

Back in the day.

0:56:340:56:37

Back when she behaved.

0:56:370:56:39

She was very good in the car, though.

0:56:410:56:43

I didn't hear a sound from the boot the entire journey.

0:56:430:56:46

So I thought I'd give her a present...

0:56:460:56:49

for being such a good girl.

0:56:490:56:51

You can have this...

0:56:580:57:00

if you're good.

0:57:000:57:02

Stay.

0:57:100:57:11

You will be good,

0:57:150:57:18

won't you, Alice?

0:57:180:57:19

I'll be good.

0:57:210:57:23

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