
Browse content similar to Come Home. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
CHURCH BELL TOLLS | 0:00:02 | 0:00:06 | |
WHISTLE BLOWS | 0:00:22 | 0:00:24 | |
I still can't believe Dad didn't kill you for doing that. | 0:01:12 | 0:01:14 | |
Bloody hell, midget, you shouldn't creep up on people. | 0:01:14 | 0:01:17 | |
-Did it hurt? -Not really. | 0:01:18 | 0:01:21 | |
Can I have one? | 0:01:23 | 0:01:24 | |
Just go away. | 0:01:24 | 0:01:26 | |
Mum and Dad are going to go mental if you keep bunking off. | 0:01:26 | 0:01:28 | |
SHE GROANS | 0:03:05 | 0:03:06 | |
SHE PANTS | 0:03:15 | 0:03:16 | |
INDISTINCT SHOUTING | 0:03:27 | 0:03:28 | |
SIREN BLARES | 0:03:40 | 0:03:42 | |
Please, help me. | 0:03:51 | 0:03:53 | |
English? | 0:03:54 | 0:03:56 | |
Can you tell me your name, please, miss? | 0:03:56 | 0:03:59 | |
Is there someone we can call for you? | 0:04:01 | 0:04:03 | |
RAGGED BREATHING | 0:04:03 | 0:04:05 | |
Sophie...Giroux. | 0:04:05 | 0:04:08 | |
Sophie Giroux? Who is that? | 0:04:08 | 0:04:11 | |
Your mother? | 0:04:12 | 0:04:14 | |
Your sister? | 0:04:14 | 0:04:15 | |
Who is Sophie Giroux? | 0:04:18 | 0:04:19 | |
We will try and find her. | 0:04:22 | 0:04:24 | |
Can you please tell me your name? | 0:04:24 | 0:04:26 | |
SHE BREATHES DEEPLY | 0:04:26 | 0:04:27 | |
# Oh, my love | 0:04:37 | 0:04:40 | |
# We pray each day | 0:04:40 | 0:04:44 | |
# May you come home | 0:04:44 | 0:04:48 | |
# And be OK | 0:04:48 | 0:04:51 | |
# For now we'll wait | 0:04:58 | 0:05:01 | |
# For you | 0:05:01 | 0:05:03 | |
# For you to come home. # | 0:05:03 | 0:05:07 | |
-WOMAN: -Niemand ist hoffnungsloser versklavt als der, | 0:05:27 | 0:05:32 | |
der falschlich glaubt frei zu sein. | 0:05:32 | 0:05:35 | |
Would anybody like to hazard a translation? | 0:05:36 | 0:05:39 | |
None are more hopelessly enslaved | 0:05:41 | 0:05:44 | |
than those who falsely believe they are free. | 0:05:44 | 0:05:47 | |
Von Goethe's most famous work is Faust, | 0:05:52 | 0:05:55 | |
which is about a man who sells his soul to the devil | 0:05:55 | 0:05:58 | |
in search of power. | 0:05:58 | 0:05:59 | |
KNOCK ON DOOR | 0:06:04 | 0:06:05 | |
Turn your books to chapter three, please, and start reading. | 0:06:07 | 0:06:10 | |
What's the matter? | 0:06:14 | 0:06:16 | |
I'll finish your lesson, Gemma. Don't worry. | 0:06:16 | 0:06:18 | |
Mrs Webster, my name's Sergeant Eve Stone, | 0:06:21 | 0:06:24 | |
I'm with the military police, 5th Investigating Company. | 0:06:24 | 0:06:27 | |
My name is Jorn Lenhart, I'm with the German police. | 0:06:27 | 0:06:31 | |
I'm sorry, I'm not really sure how to say this. | 0:06:31 | 0:06:34 | |
Well, is it Sam? Is he OK? | 0:06:34 | 0:06:35 | |
A young woman walked into Eckhausen yesterday | 0:06:35 | 0:06:37 | |
and collapsed on Lindenstrasse. | 0:06:37 | 0:06:39 | |
She was taken to Hanover Hospital, where she was operated on overnight. | 0:06:39 | 0:06:42 | |
-She's stable now. -I don't... -She says her name | 0:06:42 | 0:06:45 | |
is Alice Webster. | 0:06:45 | 0:06:46 | |
What did you say? | 0:06:54 | 0:06:55 | |
INAUDIBLE | 0:07:05 | 0:07:06 | |
INAUDIBLE | 0:07:08 | 0:07:10 | |
INAUDIBLE | 0:07:12 | 0:07:14 | |
MAN BREATHES DEEPLY | 0:07:53 | 0:07:55 | |
MAN SPEAKS IN FRENCH ON TV: | 0:08:08 | 0:08:11 | |
If I can't give us honey, I can at least bring firewood. | 0:08:33 | 0:08:37 | |
Well, you tried, my love. | 0:08:38 | 0:08:40 | |
And failed. | 0:08:40 | 0:08:41 | |
So fail again, fail better... | 0:08:41 | 0:08:44 | |
Ay! | 0:08:44 | 0:08:46 | |
..or simply adapt. | 0:08:46 | 0:08:47 | |
IN FRENCH: | 0:08:48 | 0:08:50 | |
I will get the rest of the wood. | 0:08:58 | 0:09:00 | |
Well, it's been almost a year since Chalons du Bois, you know? | 0:09:07 | 0:09:10 | |
Sitting around here. | 0:09:10 | 0:09:11 | |
HE SIGHS | 0:09:29 | 0:09:31 | |
They performed surgery last night. | 0:09:38 | 0:09:39 | |
Another few hours without treatment, she would have died. | 0:09:39 | 0:09:42 | |
She had a ruptured appendix. | 0:09:45 | 0:09:47 | |
The surgery has left her tired. | 0:09:48 | 0:09:50 | |
She's still recovering from the anaesthetic. | 0:09:51 | 0:09:54 | |
SHE EXHALES | 0:10:45 | 0:10:46 | |
Dad...? | 0:10:48 | 0:10:50 | |
Look at you. | 0:10:54 | 0:10:56 | |
My little girl. | 0:10:58 | 0:11:00 | |
SHE EXHALES SHARPLY | 0:11:03 | 0:11:04 | |
-ALICE: -It's so bright in here. | 0:11:10 | 0:11:12 | |
ALICE GASPS | 0:11:14 | 0:11:15 | |
Alice, love. | 0:11:21 | 0:11:22 | |
Mum? | 0:11:26 | 0:11:28 | |
11 years, we've waited. | 0:11:31 | 0:11:32 | |
I can't believe it. | 0:11:36 | 0:11:37 | |
You haven't changed, Mum. | 0:11:41 | 0:11:43 | |
Neither of you. | 0:11:46 | 0:11:47 | |
I remember when you did that. | 0:11:53 | 0:11:54 | |
In your bedroom. | 0:11:55 | 0:11:57 | |
We were so angry, weren't we? | 0:11:57 | 0:11:59 | |
And then the next week, you weren't there any more. | 0:12:02 | 0:12:05 | |
And I kept thinking, | 0:12:05 | 0:12:08 | |
"What an awful waste of time, | 0:12:08 | 0:12:10 | |
"to argue over something so meaningless." | 0:12:10 | 0:12:13 | |
I'm sorry, I don't know what to say. | 0:12:18 | 0:12:21 | |
You don't have to say anything. | 0:12:21 | 0:12:22 | |
You're here now and that's all that matters, OK? | 0:12:24 | 0:12:27 | |
SIRENS BLARE IN DISTANCE | 0:12:29 | 0:12:31 | |
Hey, Alice. | 0:12:33 | 0:12:34 | |
Is that you, midget? | 0:12:39 | 0:12:41 | |
Not any more. | 0:12:43 | 0:12:45 | |
I'd like to be on my own now. | 0:12:55 | 0:12:57 | |
This is... | 0:13:00 | 0:13:02 | |
it's too much. | 0:13:02 | 0:13:03 | |
OK. | 0:13:07 | 0:13:08 | |
You don't have to talk if you don't want to. | 0:13:08 | 0:13:11 | |
We'll be right outside, OK? | 0:13:11 | 0:13:13 | |
We'll be just outside that door if you need anything. | 0:13:13 | 0:13:16 | |
What's happened to her, Sam? | 0:13:46 | 0:13:48 | |
Where the hell has she been? | 0:13:50 | 0:13:52 | |
PHONE RINGS | 0:14:13 | 0:14:15 | |
'Alors, oui?' | 0:14:15 | 0:14:16 | |
Hi, is that Julien Baptiste? | 0:14:16 | 0:14:18 | |
-Yes, it is. -'My name's Sergeant Eve Stone, | 0:14:18 | 0:14:20 | |
'I'm with the military police,' | 0:14:20 | 0:14:22 | |
stationed at the garrison at Eckhausen in Germany. | 0:14:22 | 0:14:25 | |
'Do you know the name Alice Webster?' | 0:14:25 | 0:14:26 | |
Er, the British girl? | 0:14:28 | 0:14:29 | |
She was abducted...2003, no? | 0:14:31 | 0:14:34 | |
Yesterday...she came back. | 0:14:34 | 0:14:38 | |
She walked right into the middle of the town square. | 0:14:38 | 0:14:41 | |
There's a name she mentioned | 0:14:41 | 0:14:43 | |
when the paramedics asked who they could call. | 0:14:43 | 0:14:45 | |
She said the name Sophie Giroux. | 0:14:45 | 0:14:47 | |
Excuse me? | 0:14:49 | 0:14:50 | |
Sophie Giroux? | 0:14:52 | 0:14:53 | |
I know this all happened 11, 12 years ago, | 0:14:53 | 0:14:55 | |
but you were the lead detective on her abduction. | 0:14:55 | 0:14:59 | |
We don't know how long it's going to be until she's well enough to talk, | 0:14:59 | 0:15:02 | |
so I was hoping, in the meantime, | 0:15:02 | 0:15:05 | |
maybe you might like to review original case files | 0:15:05 | 0:15:07 | |
and see if there was a link between the two girls. | 0:15:07 | 0:15:10 | |
Do you think the same person who took her also took Alice? | 0:15:10 | 0:15:13 | |
We think it's likely, yes. | 0:15:13 | 0:15:15 | |
Which would mean there is a chance we could find Sophie. | 0:15:15 | 0:15:18 | |
Look, I'm retired now, but I will help you. | 0:15:19 | 0:15:23 | |
Let me look at my files and see what I can learn. | 0:15:24 | 0:15:27 | |
'Thanks for your time, Monsieur Baptiste.' | 0:15:27 | 0:15:29 | |
And how is she, the girl? | 0:15:29 | 0:15:31 | |
Alive. | 0:15:36 | 0:15:37 | |
RAPID, RAGGED BREATHING | 0:15:46 | 0:15:49 | |
I think this is for me. | 0:17:14 | 0:17:16 | |
Mr Paptees? | 0:17:16 | 0:17:18 | |
No, it's Baptiste, but it's not important. You are? | 0:17:18 | 0:17:22 | |
-Bagir. -Bagir. | 0:17:22 | 0:17:23 | |
The car is this way, Mr Baptiste. | 0:17:23 | 0:17:25 | |
-How far to Kirkuk? -About one or two hours, maybe. | 0:17:27 | 0:17:30 | |
You must know, Kirkuk is no place for tourists. | 0:17:32 | 0:17:36 | |
I'm no tourist. | 0:17:36 | 0:17:37 | |
MEN CHATTER ON CAR RADIO | 0:17:44 | 0:17:47 | |
Sam? | 0:18:21 | 0:18:22 | |
Sam, it's nearly nine. | 0:18:24 | 0:18:26 | |
Yeah. | 0:18:30 | 0:18:32 | |
You can't be late. | 0:18:32 | 0:18:33 | |
I know. | 0:18:34 | 0:18:35 | |
Matthew's going to go and visit Alice this afternoon. | 0:18:37 | 0:18:39 | |
I thought maybe we could all go. | 0:18:39 | 0:18:41 | |
I'll try. | 0:18:43 | 0:18:45 | |
Oh, don't strain yourself(!) | 0:18:45 | 0:18:48 | |
CAR HORN | 0:18:54 | 0:18:56 | |
DISTANT, LOUD MUSIC | 0:19:06 | 0:19:09 | |
You should talk to him. | 0:19:19 | 0:19:21 | |
For all the good it will do. | 0:19:22 | 0:19:24 | |
LOUD MUSIC | 0:19:29 | 0:19:31 | |
And how are you sleeping? | 0:19:54 | 0:19:56 | |
Yeah, I'm fine. | 0:19:56 | 0:19:57 | |
I don't know what I'm expected to do. | 0:20:05 | 0:20:08 | |
You're not expected to do anything, Sam. | 0:20:08 | 0:20:10 | |
I am, though, aren't I? | 0:20:10 | 0:20:11 | |
Why else would you be with the head doctor? | 0:20:11 | 0:20:13 | |
You want me to talk about Alice and all that. | 0:20:13 | 0:20:16 | |
-Not unless you want to. -I shouldn't have done what I did, all right? | 0:20:17 | 0:20:19 | |
It was a mistake. But all this | 0:20:19 | 0:20:21 | |
modified assessment crap is just a waste of time. | 0:20:21 | 0:20:23 | |
Three days a week stuck behind a desk. | 0:20:23 | 0:20:26 | |
No. I need to be back with the regiment. | 0:20:26 | 0:20:27 | |
That's not going to happen, Sam, until I've cleared you. | 0:20:27 | 0:20:30 | |
You know that. | 0:20:30 | 0:20:31 | |
I don't want to talk about her. | 0:20:36 | 0:20:38 | |
Why not? | 0:20:40 | 0:20:41 | |
Monsieur Baptiste. | 0:21:02 | 0:21:03 | |
Mr Anderssen? | 0:21:05 | 0:21:06 | |
-Stefan's fine. -Well, then, call me, Julien, please. | 0:21:09 | 0:21:13 | |
Thank you for meeting me. | 0:21:14 | 0:21:16 | |
I'm not the one who travelled over 1,000 miles to be here. | 0:21:16 | 0:21:19 | |
-Monsieur Baptiste... -Julien. | 0:21:19 | 0:21:21 | |
Julien, I'm not quite sure why you wanted to meet me. | 0:21:21 | 0:21:24 | |
You didn't give much away in your e-mail. | 0:21:24 | 0:21:26 | |
Can we go inside? I am not used to the heat. | 0:21:26 | 0:21:29 | |
-JULIEN: -I'm looking for someone. | 0:21:36 | 0:21:37 | |
-What's this about? -Two girls kept prisoner in a basement | 0:21:42 | 0:21:45 | |
for more than ten years. | 0:21:45 | 0:21:46 | |
Sophie Giroux and Alice Webster. | 0:21:46 | 0:21:49 | |
I must find this man. I need to track him down. | 0:21:50 | 0:21:52 | |
So what's this got to do with me here? | 0:21:55 | 0:21:56 | |
I need to find someone to drive me from here to Azwai. | 0:21:58 | 0:22:00 | |
Crossing the border into Iraq | 0:22:00 | 0:22:02 | |
is a pretty good way to get yourself killed. | 0:22:02 | 0:22:05 | |
Says the man who's done it many times. | 0:22:05 | 0:22:07 | |
You have done your research. | 0:22:10 | 0:22:11 | |
Of course. I read your articles. | 0:22:11 | 0:22:13 | |
I admire your writing, and, uh...your courage. | 0:22:13 | 0:22:17 | |
Julien, please understand... | 0:22:17 | 0:22:18 | |
-I must find this man. -Look, I choose what risks I take. | 0:22:18 | 0:22:22 | |
I do not take them lightly but, when I do, they're mine alone. | 0:22:22 | 0:22:25 | |
You're married, right? You have a family? | 0:22:27 | 0:22:29 | |
Yes. | 0:22:29 | 0:22:31 | |
What do I tell them if you don't come back? | 0:22:34 | 0:22:36 | |
How do I explain that I risked taking someone | 0:22:37 | 0:22:40 | |
with no experience of the region, with no real planning, | 0:22:40 | 0:22:43 | |
into the Iraqi desert right between two groups of people | 0:22:43 | 0:22:46 | |
whose sole ambition in this life is to kill one another? | 0:22:46 | 0:22:50 | |
You could tell them you had two choices, | 0:22:53 | 0:22:55 | |
to do nothing, or to do something. | 0:22:55 | 0:22:57 | |
I could go home. You could go home. | 0:22:57 | 0:22:59 | |
The people involved in the conflict, | 0:22:59 | 0:23:01 | |
they could all decide to go home and forget their troubles, | 0:23:01 | 0:23:04 | |
but they don't. | 0:23:04 | 0:23:06 | |
They continue to walk towards the storm, | 0:23:06 | 0:23:07 | |
to plant apple trees, whilst the world burns down around them. | 0:23:07 | 0:23:10 | |
So...to do nothing, to do something? | 0:23:12 | 0:23:16 | |
What choice is that? | 0:23:16 | 0:23:18 | |
It's no choice at all. | 0:23:18 | 0:23:19 | |
I'm sorry. Contrary to what you might think about me, | 0:23:26 | 0:23:29 | |
risks are the last thing I want to take. | 0:23:29 | 0:23:31 | |
I really am sorry. | 0:23:33 | 0:23:35 | |
I'm going to Azwai. | 0:23:38 | 0:23:40 | |
With your help, or without it. | 0:23:40 | 0:23:42 | |
Thank you for your time. | 0:23:43 | 0:23:45 | |
Aram Askari. | 0:23:57 | 0:23:58 | |
I won't take you, but Askari is a fixer the Reuters guys swear by. | 0:23:59 | 0:24:03 | |
He runs a place called Sunshine Travel. | 0:24:03 | 0:24:06 | |
They have an office right by the citadel. | 0:24:06 | 0:24:08 | |
You can't miss it. I've never worked with him. | 0:24:08 | 0:24:11 | |
My guys are out of the country, so I can't vouch if he's any good myself. | 0:24:11 | 0:24:14 | |
-Aram Askari. -Mm-hm. | 0:24:15 | 0:24:17 | |
Thank you. | 0:24:20 | 0:24:21 | |
-Hello. -'Celia, mon amour. | 0:24:38 | 0:24:40 | |
'Celia?' | 0:24:43 | 0:24:45 | |
Are you calling to say that you've | 0:24:45 | 0:24:47 | |
made a mistake and you're getting back on that plane? | 0:24:47 | 0:24:49 | |
Je t'en pris, mon coeur, s'il te plait. | 0:24:49 | 0:24:52 | |
Are you? | 0:24:52 | 0:24:54 | |
I must see this through. I must find the man who took those girls. | 0:24:54 | 0:24:57 | |
'Tu sais combien c'est important pour moi.' | 0:24:57 | 0:24:59 | |
Then we don't have anything to talk about. | 0:24:59 | 0:25:02 | |
'Celia, please...' | 0:25:02 | 0:25:04 | |
HE KNOCKS ON THE DOOR | 0:25:22 | 0:25:24 | |
-Aram Askari? -Aram is out on a tour. | 0:25:24 | 0:25:27 | |
I'm Yardil. | 0:25:27 | 0:25:28 | |
I was told to ask for Mr Askari. | 0:25:28 | 0:25:30 | |
He's my brother. We own this place together. | 0:25:30 | 0:25:33 | |
Perhaps I can help. | 0:25:33 | 0:25:34 | |
I wish to travel to Azwai. | 0:25:43 | 0:25:45 | |
It is not safe. | 0:25:46 | 0:25:47 | |
But it can be done. | 0:25:49 | 0:25:50 | |
5,000. | 0:25:52 | 0:25:53 | |
-5,000? -This is non-negotiable. | 0:25:55 | 0:25:57 | |
I have only dinars. | 0:26:01 | 0:26:02 | |
The border guards will only look the other way for dollars. | 0:26:02 | 0:26:05 | |
There's a bank not far from here. | 0:26:09 | 0:26:11 | |
If you turn right, it's a few hundred metres down. | 0:26:11 | 0:26:13 | |
-When do we leave? -It is just you and I? | 0:26:15 | 0:26:18 | |
We can leave this afternoon. | 0:26:19 | 0:26:20 | |
GERMAN RAP MUSIC PLAYS | 0:26:25 | 0:26:29 | |
IN GERMAN: | 0:26:37 | 0:26:38 | |
Are you going to share that? | 0:26:40 | 0:26:43 | |
Sorry. | 0:26:43 | 0:26:44 | |
When's he coming? He's 15 minutes late. | 0:26:45 | 0:26:47 | |
Drug dealers do not keep to a schedule, Matty. | 0:26:49 | 0:26:51 | |
Jesus... | 0:26:55 | 0:26:56 | |
-FROM AFAR -Oi! | 0:27:02 | 0:27:04 | |
What do you think you're doing?! | 0:27:11 | 0:27:13 | |
Where you going? | 0:27:14 | 0:27:15 | |
Come on! Where you going? | 0:27:15 | 0:27:18 | |
Where the hell are you going? | 0:27:18 | 0:27:20 | |
Come on! Open the door! | 0:27:20 | 0:27:22 | |
Bitch! | 0:27:22 | 0:27:24 | |
PHONE RINGS | 0:27:30 | 0:27:32 | |
Hey, Matthew, it's just mum. | 0:27:51 | 0:27:53 | |
We were going to go and see your sister this afternoon. | 0:27:54 | 0:27:57 | |
And, uh...I know you usually go on your own, but... | 0:27:57 | 0:28:01 | |
..well, I thought it might be nice to all go together, if you... | 0:28:02 | 0:28:05 | |
Well, let me know what you think. | 0:28:07 | 0:28:08 | |
All right, bye. Bye. | 0:28:09 | 0:28:10 | |
After the van stopped, | 0:28:54 | 0:28:56 | |
he opened the door | 0:28:56 | 0:28:58 | |
and he put a bag over my head. | 0:28:58 | 0:29:01 | |
It was a... | 0:29:03 | 0:29:04 | |
..a dark plastic bag. | 0:29:06 | 0:29:09 | |
I couldn't see. | 0:29:11 | 0:29:12 | |
I couldn't breathe. | 0:29:13 | 0:29:14 | |
Every time I screamed, I sucked the... | 0:29:16 | 0:29:18 | |
..plastic into my throat. | 0:29:19 | 0:29:21 | |
He put me... | 0:29:25 | 0:29:27 | |
..over his shoulder and he carried me. | 0:29:28 | 0:29:30 | |
I felt him tie my hands behind my back. | 0:29:32 | 0:29:36 | |
He told me... | 0:29:39 | 0:29:40 | |
.."If you do what I say, I'll take you back to your mum and dad." | 0:29:42 | 0:29:46 | |
And this was the man who kept you? | 0:29:49 | 0:29:51 | |
And he spoke in English? | 0:29:52 | 0:29:53 | |
Did he have an accent? | 0:29:56 | 0:29:57 | |
Yes, he's German. | 0:30:02 | 0:30:03 | |
Did you ever see his face? | 0:30:05 | 0:30:06 | |
Can you describe him? | 0:30:08 | 0:30:09 | |
I said... | 0:30:10 | 0:30:12 | |
.."Please, take me home." | 0:30:12 | 0:30:14 | |
He told me to stop crying, but I couldn't. | 0:30:15 | 0:30:17 | |
So he hit me. | 0:30:20 | 0:30:22 | |
Love, you can stop this whenever you want. | 0:30:22 | 0:30:24 | |
He hit me twice. | 0:30:26 | 0:30:28 | |
And then he pulled down my skirt | 0:30:28 | 0:30:30 | |
and that was the first time that he raped me. | 0:30:30 | 0:30:33 | |
He hugged me after. | 0:30:37 | 0:30:39 | |
Just put both of his arms around me. | 0:30:42 | 0:30:44 | |
And he stroked my hair. | 0:30:46 | 0:30:48 | |
He told me he'd always be my first. | 0:30:50 | 0:30:53 | |
HE BANGS ON THE WALL | 0:31:17 | 0:31:19 | |
HE SOBS | 0:31:19 | 0:31:21 | |
Alice... | 0:31:35 | 0:31:37 | |
when the paramedics picked you up, you mentioned Sophie Giroux. | 0:31:37 | 0:31:40 | |
You were asking for her. | 0:31:43 | 0:31:44 | |
I don't remember. | 0:31:45 | 0:31:46 | |
Do you have any idea | 0:31:48 | 0:31:50 | |
where she might be right now? | 0:31:50 | 0:31:51 | |
She was so weak. | 0:31:57 | 0:31:59 | |
He hadn't fed her... | 0:32:00 | 0:32:02 | |
..in ages. | 0:32:03 | 0:32:04 | |
I promised that I'd come back for her. | 0:32:06 | 0:32:08 | |
Sophie... | 0:32:11 | 0:32:12 | |
-Guten morgen. Sprechen sie Englisch? -Mm-hm. | 0:32:51 | 0:32:54 | |
I'm looking for Alice Webster. | 0:32:55 | 0:32:57 | |
I have no patient in that name. | 0:33:02 | 0:33:04 | |
Please spell for me. | 0:33:04 | 0:33:05 | |
Um...I think I've made a mistake. | 0:33:08 | 0:33:11 | |
Forgive me. Thank you. | 0:33:11 | 0:33:13 | |
Sorry to intrude. This is Karla Becker. | 0:33:23 | 0:33:26 | |
She's a clinical psychologist here in Hanover. | 0:33:26 | 0:33:28 | |
The doctors contacted me when they heard the nature of this case. | 0:33:28 | 0:33:32 | |
I'll be providing the counselling your daughter will need. | 0:33:32 | 0:33:34 | |
I'll speak with her every day. | 0:33:36 | 0:33:38 | |
It will take time, we cannot rush such a thing. | 0:33:38 | 0:33:40 | |
But...there is something you should know. | 0:33:41 | 0:33:45 | |
The doctors performing the appendectomy, | 0:33:45 | 0:33:47 | |
they found stretch marks. | 0:33:47 | 0:33:48 | |
And there are other clear indications | 0:33:50 | 0:33:52 | |
that your daughter has given birth. | 0:33:52 | 0:33:54 | |
No! | 0:33:55 | 0:33:56 | |
No! No! | 0:33:57 | 0:33:58 | |
No! | 0:33:58 | 0:34:00 | |
HE PANTS | 0:34:47 | 0:34:50 | |
HE EXHALES HEAVILY | 0:34:52 | 0:34:53 | |
We'll head back to camp and brief the Brigadier. | 0:35:04 | 0:35:07 | |
We need to organise a thorough debrief later today. | 0:35:07 | 0:35:09 | |
Excuse me. Bonjour. | 0:35:10 | 0:35:13 | |
Are you Sergeant Stone? | 0:35:13 | 0:35:15 | |
Who's asking? | 0:35:15 | 0:35:16 | |
Julien Baptiste. | 0:35:18 | 0:35:19 | |
How far along are you? | 0:35:21 | 0:35:23 | |
Seven months, I would guess. | 0:35:23 | 0:35:25 | |
-Eight. -I think it's a girl. | 0:35:25 | 0:35:27 | |
No? | 0:35:27 | 0:35:28 | |
What are you doing here? I thought you were retired? | 0:35:30 | 0:35:34 | |
The receptionist had no record of Alice Webster. | 0:35:34 | 0:35:37 | |
And since I see no journalists, | 0:35:38 | 0:35:40 | |
I must presume the girl's return has been kept secret. | 0:35:40 | 0:35:43 | |
The last thing that girl needs is any more stress. | 0:35:44 | 0:35:46 | |
Of course. But there's only so long the flow of police | 0:35:46 | 0:35:49 | |
into this hospital can go unremarked upon. | 0:35:49 | 0:35:51 | |
Look, I wish nothing but peace for the girl. | 0:35:51 | 0:35:55 | |
I asked you to look into the Giroux case file, | 0:35:55 | 0:35:58 | |
not come out to Germany. | 0:35:58 | 0:36:00 | |
I'm only asking to speak with her. | 0:36:00 | 0:36:02 | |
She's too unwell to have more people questioning her. | 0:36:03 | 0:36:06 | |
But she has spoken, no? | 0:36:08 | 0:36:10 | |
She did confirm she was held captive with Sophie Giroux. | 0:36:12 | 0:36:16 | |
Sophie? | 0:36:16 | 0:36:17 | |
-Where were they kept? -They were moved around. | 0:36:18 | 0:36:21 | |
All Alice remembers is being in the forest. | 0:36:22 | 0:36:24 | |
She walked hours until she found the road. | 0:36:24 | 0:36:26 | |
Where, exactly, she's not sure. | 0:36:26 | 0:36:27 | |
Was there a yellow van mentioned in Alice's abduction? | 0:36:27 | 0:36:31 | |
That was the only clue we had in Sophie's case. | 0:36:31 | 0:36:33 | |
Baptiste, I've said enough already. | 0:36:33 | 0:36:35 | |
Look, I don't want to interfere with your investigation, | 0:36:35 | 0:36:39 | |
but I made the parents of Sophie Giroux a promise. | 0:36:39 | 0:36:42 | |
There is no-one who knows that case better than I. | 0:36:44 | 0:36:46 | |
You looked me up, Sergeant. | 0:36:49 | 0:36:51 | |
You know who I am and what I've done. Let me help. | 0:36:52 | 0:36:55 | |
I appreciate you making the trip, but it's not necessary. | 0:36:55 | 0:36:58 | |
Go home, Mr Baptiste. | 0:36:58 | 0:37:01 | |
4,700, | 0:37:10 | 0:37:11 | |
4,800, | 0:37:11 | 0:37:13 | |
4,900, | 0:37:13 | 0:37:14 | |
5,000. | 0:37:14 | 0:37:16 | |
-Thank you. -You're welcome. | 0:37:16 | 0:37:17 | |
Pardon. | 0:37:21 | 0:37:22 | |
DOOR CLOSES | 0:39:12 | 0:39:14 | |
Are we going, then? | 0:39:17 | 0:39:18 | |
Oh, well, great, you're coming. | 0:39:20 | 0:39:22 | |
-Dad isn't back yet. -So? | 0:39:22 | 0:39:25 | |
Well, I just thought we could all go together. | 0:39:26 | 0:39:28 | |
Do you want to go see Alice? I'm here. Let's go. | 0:39:28 | 0:39:31 | |
Well... | 0:39:32 | 0:39:33 | |
MOANING | 0:39:36 | 0:39:37 | |
I can't keep coming around. | 0:39:51 | 0:39:53 | |
Then, don't. | 0:39:53 | 0:39:54 | |
Maybe we should get a hotel next time. | 0:39:57 | 0:40:00 | |
-Sure. -You know, it'd just be easier, that's all. | 0:40:00 | 0:40:02 | |
PHONE VIBRATES | 0:40:07 | 0:40:08 | |
-You should go. -Yeah, I'm going to go shower first. | 0:40:13 | 0:40:16 | |
HE SPEAKS HIS OWN LANGUAGE | 0:42:25 | 0:42:28 | |
-So, you have the money? -I do. | 0:42:28 | 0:42:31 | |
But first, I want you to do something for me. | 0:42:31 | 0:42:33 | |
Pick up the phone and call your brother. | 0:42:33 | 0:42:35 | |
From what I can tell, he runs an honest business here. | 0:42:35 | 0:42:38 | |
You should apologise for muddying his good name by trying to rob me. | 0:42:38 | 0:42:41 | |
What are you talking about? | 0:42:41 | 0:42:43 | |
You send me to the bank to withdraw a large amount of money | 0:42:43 | 0:42:45 | |
and moments later I'm being followed? | 0:42:45 | 0:42:47 | |
You think all of us are thieves? | 0:42:47 | 0:42:48 | |
I'm simply saying things as I see them. | 0:42:48 | 0:42:51 | |
Take your money, take your damn money and get out of my office. | 0:42:52 | 0:42:55 | |
If you were followed, it wasn't by me or anybody I know. | 0:42:55 | 0:42:58 | |
So whatever you're mixed up in, I want no part of it. | 0:42:58 | 0:43:00 | |
Get out! Go! | 0:43:00 | 0:43:02 | |
Go! | 0:43:03 | 0:43:04 | |
Why aren't you coming down? | 0:43:35 | 0:43:36 | |
No. Sorry. | 0:43:38 | 0:43:39 | |
Do you see the way he looks at me? | 0:43:43 | 0:43:45 | |
He's still not forgiven me. | 0:43:46 | 0:43:47 | |
Well... | 0:43:48 | 0:43:50 | |
he hasn't forgiven himself. | 0:43:50 | 0:43:51 | |
Come on, Sam. | 0:43:52 | 0:43:54 | |
I'm sorry. | 0:43:56 | 0:43:57 | |
PHONE RINGS | 0:43:59 | 0:44:00 | |
-'Hey.' -Mrs Webster, I said I'd call when I arrived. | 0:44:12 | 0:44:15 | |
Do you really think you're going to find something out there? | 0:44:16 | 0:44:19 | |
Well, I wouldn't have come if I didn't. | 0:44:20 | 0:44:23 | |
'No, I know.' | 0:44:25 | 0:44:26 | |
Look, I want to believe you, it's just hard. | 0:44:26 | 0:44:28 | |
Are you still doing what I asked, with the photographs? | 0:44:31 | 0:44:33 | |
'Yeah, when I can.' | 0:44:33 | 0:44:35 | |
'If my family knew what I was doing, they'd think I'd lost my mind.' | 0:44:36 | 0:44:39 | |
-But, yeah, I am. -'You have not lost your mind, Mrs Webster.' | 0:44:40 | 0:44:43 | |
Do you ever feel like your family are just...slipping away from you? | 0:44:46 | 0:44:50 | |
All the time. | 0:44:50 | 0:44:52 | |
We feel that way only because we want to hold them so close. | 0:44:52 | 0:44:55 | |
I haven't forgotten, Alice. | 0:45:25 | 0:45:27 | |
I haven't forgotten what I promised you. | 0:45:29 | 0:45:32 | |
Monsieur Baptiste. | 0:45:43 | 0:45:45 | |
How did it go? | 0:45:54 | 0:45:55 | |
I was followed when I went to the bank. | 0:45:57 | 0:46:00 | |
Ah...! | 0:46:01 | 0:46:02 | |
Someone hoping to steal from me. | 0:46:03 | 0:46:05 | |
I thought, perhaps, I was set up, but now... | 0:46:08 | 0:46:11 | |
I'm not so sure. | 0:46:11 | 0:46:12 | |
I usually like to try and think the best of people. | 0:46:15 | 0:46:19 | |
The trouble is... | 0:46:19 | 0:46:21 | |
..people continue to disappoint me. | 0:46:22 | 0:46:24 | |
HE CHUCKLES | 0:46:24 | 0:46:26 | |
I'll do it. | 0:46:31 | 0:46:32 | |
I'll take you to Azwai. | 0:46:34 | 0:46:36 | |
What changed your mind? | 0:46:38 | 0:46:39 | |
I thought about what you said, and you were right. | 0:46:39 | 0:46:42 | |
I'm here to file stories, and you, Monsieur Baptiste, you have a... | 0:46:42 | 0:46:44 | |
..well, you have a habit of finding them. | 0:46:46 | 0:46:48 | |
If I didn't follow you, I wouldn't be doing my job. | 0:46:48 | 0:46:50 | |
Well, then, that's why I like to put my faith in people. | 0:46:51 | 0:46:55 | |
Good. Give me a couple of weeks to put it together. | 0:46:55 | 0:46:58 | |
It has to be sooner. | 0:46:59 | 0:47:01 | |
-How soon? -Tomorrow morning. | 0:47:01 | 0:47:03 | |
No, no, no, I need to... | 0:47:05 | 0:47:07 | |
I need to ask for the best route, find out where the troops are, | 0:47:07 | 0:47:10 | |
-get a good fixer... -I may not have weeks. | 0:47:10 | 0:47:12 | |
I have a brain tumour. | 0:47:14 | 0:47:15 | |
You're looking at a...dying man. | 0:47:16 | 0:47:19 | |
I'm sorry. | 0:47:23 | 0:47:24 | |
You have nothing to be sorry for. | 0:47:24 | 0:47:27 | |
You didn't put it there. | 0:47:27 | 0:47:28 | |
Can you take me tomorrow? | 0:47:30 | 0:47:31 | |
OK. Erm... | 0:47:33 | 0:47:35 | |
let me make some calls. | 0:47:35 | 0:47:36 | |
First, though, who exactly is this man we're looking for? | 0:47:37 | 0:47:40 | |
The former soldier, Daniel Reed. | 0:47:46 | 0:47:49 | |
Henry Reed was a soldier, yes... | 0:47:57 | 0:47:59 | |
..but a father first. | 0:48:00 | 0:48:01 | |
He leaves behind his son, Daniel, who followed him into the service. | 0:48:02 | 0:48:06 | |
We'll never know why Henry took his own life, | 0:48:07 | 0:48:10 | |
but we can remember the good he did. | 0:48:10 | 0:48:13 | |
We need to get her some clothes. She's coming home with us tonight. | 0:48:47 | 0:48:51 | |
Tonight? | 0:48:51 | 0:48:52 | |
Well, that's... | 0:48:53 | 0:48:55 | |
There's no rush, love. I mean... | 0:48:57 | 0:48:59 | |
we can stay here as long as you need. | 0:48:59 | 0:49:01 | |
What I need is to come home. | 0:49:01 | 0:49:03 | |
I've spoken to the doctors, it's fine. | 0:49:03 | 0:49:05 | |
It's just an appendix operation, routine, one night is easily enough. | 0:49:05 | 0:49:07 | |
Sam, she needs help. | 0:49:07 | 0:49:09 | |
Other help that we can't give her. | 0:49:09 | 0:49:11 | |
Shrinks will come to us every day. | 0:49:11 | 0:49:13 | |
You know, she's made up her mind. | 0:49:13 | 0:49:15 | |
She's given the police everything they need. | 0:49:15 | 0:49:17 | |
She needs to be somewhere safe. | 0:49:17 | 0:49:20 | |
She's been through enough. It's time she came home. | 0:49:20 | 0:49:22 | |
Where she belongs. | 0:49:22 | 0:49:24 | |
The Photofit is being sent to every single police station in Germany, | 0:49:26 | 0:49:30 | |
it will be with every newspaper by the evening edition. | 0:49:30 | 0:49:32 | |
And we're not issuing | 0:49:32 | 0:49:34 | |
Alice Webster's name along with it, are we? | 0:49:34 | 0:49:36 | |
What do you take us for, Major Gettrick? | 0:49:36 | 0:49:38 | |
If we're going to keep Alice Webster's identity withheld | 0:49:38 | 0:49:41 | |
as long as possible, we need a consistent strategy. | 0:49:41 | 0:49:43 | |
Your department deals with local politics, | 0:49:43 | 0:49:45 | |
community relations, not abductions. | 0:49:45 | 0:49:47 | |
Alice Webster's identity will break at some point, that's inevitable. | 0:49:47 | 0:49:50 | |
We can spare her and her family the intrusion for as long as possible | 0:49:50 | 0:49:54 | |
if we work together. | 0:49:54 | 0:49:56 | |
Now, this Photofit, | 0:49:56 | 0:49:58 | |
I have over 5,000 men and women in this garrison ready to help. | 0:49:58 | 0:50:02 | |
Thank you, Brigadier. I have support from Hanover, the matter is in hand. | 0:50:02 | 0:50:05 | |
You were here, weren't you? | 0:50:06 | 0:50:08 | |
-When the girl was taken, you were a detective on the case? -Yes. | 0:50:08 | 0:50:11 | |
Then you saw how it shook this whole damn place. | 0:50:11 | 0:50:13 | |
And I watched as Army and Polizei butted heads time and again | 0:50:13 | 0:50:17 | |
over who was bloody in charge. | 0:50:17 | 0:50:18 | |
Let us not forget that, while we argue, | 0:50:18 | 0:50:21 | |
Sophie Giroux is still out there somewhere. | 0:50:21 | 0:50:24 | |
And you and I, now, | 0:50:24 | 0:50:26 | |
we are in a position to do something about this. | 0:50:26 | 0:50:29 | |
You're right, Brigadier. You're right. | 0:50:33 | 0:50:35 | |
With your help, we can begin the search immediately. | 0:50:35 | 0:50:39 | |
OK, then. | 0:50:40 | 0:50:41 | |
You think he means it? About working together? | 0:50:43 | 0:50:46 | |
He can be a stubborn bastard, Engel, | 0:50:47 | 0:50:49 | |
but he's got his head screwed on. | 0:50:49 | 0:50:50 | |
He knows how important a case like this is. | 0:50:50 | 0:50:52 | |
You should really be on leave by now, | 0:50:52 | 0:50:55 | |
-not stuck in the middle of something like this. -I'm fine, Dad. -I know. | 0:50:55 | 0:50:58 | |
But your sister would have killed me for not at least saying it. | 0:50:58 | 0:51:01 | |
Have you told her? | 0:51:03 | 0:51:04 | |
-I will. -Dad...! | 0:51:06 | 0:51:08 | |
I will. | 0:51:08 | 0:51:09 | |
It's my job to worry about you, remember, not the other way around. | 0:51:10 | 0:51:14 | |
-Sophie! -Sophie! | 0:51:38 | 0:51:41 | |
Sophie! | 0:51:41 | 0:51:42 | |
I'll...I'll put the kettle on. | 0:53:06 | 0:53:08 | |
I understand...you don't want... | 0:53:18 | 0:53:21 | |
The doctor said... | 0:53:24 | 0:53:26 | |
Well, they said that there were signs that you'd had a baby. | 0:53:26 | 0:53:30 | |
I don't know what you're talking about. | 0:53:33 | 0:53:36 | |
Do you want something to eat, or...? | 0:53:42 | 0:53:44 | |
No, I'm tired. | 0:53:44 | 0:53:46 | |
Yeah, of course. | 0:53:49 | 0:53:50 | |
We kept all your things. | 0:54:29 | 0:54:31 | |
Every Christmas, we wrote you a letter, | 0:54:36 | 0:54:40 | |
to...well, wherever you were... | 0:54:40 | 0:54:42 | |
..letting you know what we were doing that year. | 0:54:45 | 0:54:48 | |
Well, they're here, if you want them. | 0:54:54 | 0:54:56 | |
Is it OK if I... | 0:54:59 | 0:55:01 | |
..if I give you a hug? | 0:55:02 | 0:55:04 | |
Of course you can. | 0:55:06 | 0:55:08 | |
Night, love. | 0:55:29 | 0:55:31 | |
Mum... | 0:55:36 | 0:55:38 | |
Yeah? | 0:55:38 | 0:55:39 | |
Night. | 0:55:42 | 0:55:44 | |
Night-night. | 0:55:47 | 0:55:49 | |
-JULIEN: -When Alice Webster returned, | 0:56:46 | 0:56:49 | |
I remember, people, they said, | 0:56:49 | 0:56:51 | |
"Finally, she is free." | 0:56:51 | 0:56:54 | |
"Free s a bird," you know? | 0:56:55 | 0:56:57 | |
I never understood that saying. | 0:56:59 | 0:57:01 | |
People think birds are these free creatures flying around | 0:57:02 | 0:57:05 | |
without a care in the world, and yet, | 0:57:05 | 0:57:08 | |
they build their nests high up in the trees | 0:57:08 | 0:57:11 | |
to protect themselves from predators. | 0:57:11 | 0:57:13 | |
Nobody is free in this world. | 0:57:15 | 0:57:17 | |
That girl who came back... | 0:57:28 | 0:57:30 | |
..after all those years kept in a basement... | 0:57:32 | 0:57:35 | |
..she wasn't free when she left that place. | 0:57:44 | 0:57:48 | |
She was still a prisoner. | 0:57:53 | 0:57:55 | |
But... | 0:58:01 | 0:58:02 | |
most importantly, I believe... | 0:58:02 | 0:58:04 | |
..that girl... | 0:58:09 | 0:58:11 | |
..was not Alice Webster. | 0:58:14 | 0:58:16 |