Episode 2 The Night Manager


Episode 2

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Transcript


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This programme contains some violent scenes

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# Plain gold ring on his finger he wore

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# It was where everyone could see

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# He belonged to someone

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# But not me

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# On his hand was a plain...

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# Gold band

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# Plain gold ring had a story to tell

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# It was one

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# That I knew too well

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# Plain gold ring on his finger he wore... #

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PHONE VIBRATES

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Mum? What do you want?

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I didn't think you'd pick up.

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Listen, you know the deal.

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I call you. You don't call me here.

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You're ashamed to talk to me?

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Listen, I don't have time to talk to you. I'm going out.

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-Where you going?

-It doesn't matter.

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Some... Somewhere on the island.

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How's the weather there? Just fine?

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How's Billy?

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As if you care.

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They say he doesn't even ask about you any more.

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There's more money coming at the end of the month.

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That's why you called me, right?

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I'm putting the phone down.

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Just remember one thing, honey.

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You're nothing but a dirty whore.

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KNOCK AT DOOR

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Just a minute...

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Come in.

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Oh!

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Danny. I thought you were your father.

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Dad says we need to go.

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I know, I'm coming.

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You just wait outside.

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OK.

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-How do I look?

-You look very pretty.

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Come on...

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Go!

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I misunderstood him.

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The fact remains, you and paella do not get on,

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to the point where basically we're out seven million,

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because Corky doesn't like paella.

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That's one version, Chief.

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What do you mean that's one version? That is THE version!

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It's a matter of record.

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You chaps better go on ahead, I think.

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-Truly is some of the most exquisite food...

-There you are!

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Starting to think you'd drowned in the bath.

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Baby, I have terrible news.

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I have a new date for tonight.

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He's young, and he's seriously hot.

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Well, I wouldn't put it past him.

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All right, come on. Let's go, I'm starving.

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-You going to come with me, Dans?

-OK. Are we taking the boats?

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Yes, we are, sir. You might even drive if you're lucky.

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Yes, you lot. Follow me.

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Whee!

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-Hello.

-Nice to see you!

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-For me too.

-Hi.

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-Jorge, how are you? Good to see you.

-Mr Roper, how are you?

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Very well, thank you. Are you still doing the shellfish soup?

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Yes, of course!

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The recipe lives on.

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We'll have that to start.

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All except for Major Corkoran, who will have the paella.

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Hi there, how are you?

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Very good to see you. Hi, darling, how are you?

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-Good to see you, are you well?

-Good to see you again.

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I think it is mad, no, I think it's actually hypocritical

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that if you like eating venison, you ought to be able to kill a stag.

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-I think if you're willing to kill a stag...

-Danny, want some of this?

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..you have to be willing to admit you just like killing stags.

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Thank you Jed, I now officially love you.

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Chief, is it OK to baptise the princeling in the ways of the grape?

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I think that's a yes. Isn't it?

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Dicky, will you please tell Jed I don't have blood lust? I don't!

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Beautiful, beautiful fizzy liquid. You've got so many lusts, Sandy.

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That's why we love you. Isn't it?

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-ROPER:

-Give the stag an M16, Sandy, then I'm interested.

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GIVE him an M16? Bollocks!

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Christ, SELL him.

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Oh, he likes it.

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What do you think, Daniel?

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He likes it.

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ROPER CHUCKLES

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-Oh, dear!

-See what you've done!

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What if he turns out like me, boss?

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I can see this as a...

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This is a dark, dark road you've embarked upon.

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Thank you, Corky(!)

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Yes. What do you want to do?

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-You want to...

-What do you think?

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-That is really good.

-Get on!

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All right, all right, all right.

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Go on, then.

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-Come on.

-Did you like the wine?

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Where we going?

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-It's a secret.

-Where are you going?

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You drink my wine, you steal my woman.

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Proud of you, Danny.

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Bring her back in one piece will you?

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-Lord Langbourne is a snob, basically.

-What?

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Three generations of Eton or you're not on the map.

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I'm only one generation, Sandy. So what does that make me?

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You're paying the bill, Dicky. Which means...

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you are the map.

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To Ricardo!

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Cheers. Good health.

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Slimy bloody arse-licking creep(!)

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MODERN FLAMENCO PLAYS

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Excuse me, small person, out of my way.

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May I have this dance?

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-Thank you so much.

-Of course.

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Right, let's see what you've got. OK, OK, that's fine,

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that's fine. And again, and round... Very good.

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Chief, I think she wants to dance.

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Go on, then, Corkoran.

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Right, come on, I'll do it.

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Tear it up, tear it up!

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Oh, yeah. Come on, baby!

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..and right, and left, that's it!

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It's time to put the children to bed.

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Oh, no, I hate children(!)

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Thank you, great dancing. Guys, goodnight, sleep well.

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Come on, ignore it.

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Dance with me!

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DRIVING GAME WHINES FAINTLY

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..if you had Chateaubriand every single day, there'd no point at which you'd go,

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"Oh, for God's sake..." I give up, were you born on sirloin?

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No.

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-Corky has smelt the...

-Nobody move! Nobody move!

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-SCREAMS

-This is a robbery.

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GUNS DOWN! GUNS DOWN!

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ON THE FLOOR! GUNS DOWN!

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Why do you got guns? You police?

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-You police?

-No, no, no, they're with me.

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Put the guns on the floor! On the floor.

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Roper, please, Goddamn it, Roper.

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Frisky, Tabby,

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do what he says.

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(On the floor!)

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And everyone stay very, very calm.

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We're going to do exactly what this gentleman wants us to do.

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And everything is going to be fine.

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You are a rich man.

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Yes, I am a rich man.

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I'm going to give you all the money we have,

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I'm going to give you wallets, jewellery.

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We'll give you anything in the restaurant till.

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And then, you're going to leave. Right?

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Jorge, will you check the till, please?

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Tell him no alarms.

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No alarms, Jorge.

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And slowly!

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Everybody stay very, very calm.

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-Dad!

-It's all right, just keep looking at me.

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Back off. Back off.

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Tabby, Tabby, Tabby, step back...

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He's your boy?

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Yes. He's my boy.

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Danny, it's fine, just keep looking at me. It's fine.

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Jewellery.

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-Wallets.

-Just give him everything we have.

-OK.

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In the bag!

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It's all right, Danny.

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That's all? Where is the real money?

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That's shit, man!

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Where is the rest?!

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We can send for some money.

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-How much do we have, Corks?

-About 100.

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There you are, 100,000.

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We can have it here in 15 minutes.

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All you have to do is let the boy go.

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It's all right, Danny. It's all right.

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HE SPEAKS OWN LANGUAGE

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We contact you. We contact you.

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You bring the money to us.

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We give you back the boy.

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-No, no, no, we will give you money.

-No, no, no!

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We will give you money! But you have to leave the boy here.

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-We contact you!

-No, no, no.

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On the floor, on the ground!

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-No. You take me instead!

-You don't have to do that!

-Back off!

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SHOUTING AND SCREAMING

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Down on the ground! Everybody on the ground!

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-Everybody on the ground!

-Daaaad!

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We contact you.

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ROBBER SPEAKS OWN LANGUAGE

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DANNY WAILS OTHERS SHOUT

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All right, all right, all right..

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Stay there or the boy dies.

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Dad! Daaaad!

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On the ground. On the ground.

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On the ground.

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Get down! Shut up!

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METAL CLANGING

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Who's in there? Who's in there?

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Good boy. Good boy.

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Good boy.

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Mr Burr always wanted to come to the Swiss Alps.

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He likes the peace and quiet, does Mr Burr.

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You don't?

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All this snow and silence makes me want to scream.

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HE CHUCKLES Don't worry, I'm not going to.

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OK.

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How long have you been together?

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20 years, come November.

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Wow! Congratulations.

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It's marriage, Jonathan. It's not a state of bliss.

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Any children?

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First and last.

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So there's no mention of Cairo on your professional CV. I checked.

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Yeah. I took it off after I left.

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Why?

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I had to.

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So if Roper checked with Meisters for a biography,

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Cairo wouldn't come up.

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No.

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What about Freddie Hamid?

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To him I was just a man in a uniform.

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He never knew my name.

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So just a little bit of airbrushing and you'd be clean?

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Clean.

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Do you handle cash in that hotel of yours?

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Yeah...

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Sometimes.

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Suppose you stole some of it? Or all of it?

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Would anyone notice straight away?

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Not if I was clever about it.

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Ah, well, luckily you are clever, Jonathan. Cos I checked.

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Did you?

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Course you did.

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Don't get many visitors here, do you?

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No.

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Oh, TE Lawrence...

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of Arabia.

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The lonely genius who wished only to be a number.

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Would you put that back, please?

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Whose initials are these?

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They're my father's. It's private.

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Oh, sorry. I didn't realise it meant that much to you.

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Yes, you did.

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He was undercover in Belfast, wasn't he, your father?

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Yes, he was.

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Same regiment as you.

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Yeah.

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I read that they had to put his uniform back on

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before they buried him.

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What do you want, Ms Burr?

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I want to make you an offer.

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Come and work for me...

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and afterwards when it's all over, I will look after you.

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Resettlement, new name, new identity,

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new life.

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An offer to do what?

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To bring down Richard Roper.

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I've spent ten years of my life going after that man.

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I've had microphones up his arse,

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I've had GCHQ tapping every bloody e-mail.

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I've had a thousand satellites overflying him

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and I can't get close to him.

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Do you know why?

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Because he's too smart.

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But that'll change.

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I want to put you inside his operation.

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I will give you a legend as thick as your arm.

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You will be in so deep, you'll worry that you'll never get out of it.

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There's not a scrap of you that won't get used,

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there's not an hour that will go by that you won't be scared.

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But you will nail him.

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You will nail him for Sophie Alekan.

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You will nail him for your country.

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And you will nail him for the man that owned that book.

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Or you can go back to the hotel of non-existence.

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It's up to you.

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I think he's going to do it.

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-What do you need?

-I need to give him a criminal history,

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something for Roper to find.

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It's got to be West Country and it needs to be real.

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I need the Home Office on board.

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And I need you to take out at least three Devon police officers,

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take them to lunch, get them to play the game.

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No half measures, then, eh?

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And not a word to the River House, Rex.

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Do you understand me? Not...a...word.

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I do hope I'm not about to regret the soft spot

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that I have for you, Angela.

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DISTANT CLUNK

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KNOCKING

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All right.

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This is Rob Singhal, my deputy.

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Hello.

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You up for it?

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You're sure, are you?

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Yeah.

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Right, well, sit down, have a cup of tea, for God's sake.

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You're making me feel nervous.

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Thanks.

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No.

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All you've said so far is yes.

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Do you want me to say no?

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Well, now would be the moment.

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Now, or forever hold your peace.

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Oh, you're too bloody perfect, Jonathan Pine, that's your trouble.

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I don't want you perfect. Go on, have a biscuit. Eat it.

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You are going to put on the performance of your life.

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There is half a psychopath lurking in there, Jonathan.

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I want you to find him and stick to him.

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Once you get down to Devon, you are the world's second worst man,

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first place already taken.

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There is no right or wrong for you down there.

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Do you hear me? It's all me, me, me.

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Don't give anyone an inch.

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Anyone pisses you off, you smack them.

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Anyone crosses you, God help them.

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I want you to scare the shit out of everyone,

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and that includes me!

0:18:390:18:40

Richard Roper must know that you're in the same league as him.

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Laws don't apply to him, and they don't apply to you, either.

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He sees that, we get him,

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he comes to the table, we get him over a barrel, we skewer him!

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Are you comfortable with that?

0:18:530:18:54

Yes.

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Right, this is our insurance.

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To say that you jumped, we didn't push you.

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WATER DRIPS, ECHOING

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Tell me what you saw when you got to the cottage.

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Er, the, the kitchen was a mess...

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..and there is blood on the...on the floor.

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Did he kill him?

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SHOP BELL TINKLES

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Hi.

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You all right?

0:20:160:20:18

I've, erm...

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taken Rosum's cottage.

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I was told to leave the rent here.

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I'll be here for a while.

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Is this your place?

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-Oh, no, it's my mum's. I'm just looking after it.

-Right.

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You're from up country?

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Yeah, that's right.

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What you doing down here?

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BABY GURGLES

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-He's a big lad.

-SHE CHUCKLES

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Is he yours?

0:20:460:20:48

Yeah.

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Well...

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What was the name?

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Jack Linden.

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MOTORBIKE REVS THEN DRIVES OFF

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A WOMAN GROANS

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SHE MOANS

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MOANING GROWS LOUDER

0:21:410:21:43

-Who are you?

-Get out.

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Nobody even lives here!

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Well, I do now.

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What do you want?

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Police, right?

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No.

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Whatever you are, get lost.

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-I've got an offer for you.

-Yeah, well, I'm not interested.

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You deaf? I told you to get lost.

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Now listen to me, OK.

0:23:160:23:17

I don't know who you're buying off, but things have changed.

0:23:170:23:21

I have a delivery coming in a few weeks' time.

0:23:210:23:23

You're buying off me now, OK?

0:23:230:23:25

Piss off.

0:23:250:23:26

HE GROANS

0:23:260:23:28

I would advise a different business language from now on.

0:23:280:23:32

HE GRUNTS

0:23:340:23:36

HE GASPS FOR BREATH

0:23:380:23:39

Try it.

0:23:390:23:41

Try it.

0:23:430:23:44

No!

0:23:450:23:46

Sh-sh-sh-sh.

0:23:480:23:50

Sh-sh-sh-sh.

0:23:500:23:52

HE PANTS AND GROANS

0:23:530:23:55

HE COUGHS AND SPLUTTERS

0:24:040:24:06

Who was that?

0:24:080:24:09

You OK?

0:24:100:24:12

ROPER: Let's try a little thought experiment here.

0:24:220:24:24

Take all the things you own, clothes, house, car,

0:24:260:24:29

and ask yourself what part of all that

0:24:290:24:31

did not depend on commerce and the free of movement of capital.

0:24:310:24:34

For the benefit of the hard of thinking in the room,

0:24:370:24:39

I'll give you the answer. The answer is none.

0:24:390:24:41

None!

0:24:410:24:43

My Safe Haven project for refugees

0:24:450:24:47

is not funded out of love, or a bleeding heart.

0:24:470:24:50

I do it because it benefits me

0:24:500:24:51

to have the communities in which I wish to operate

0:24:510:24:54

sympathetic to my interests.

0:24:540:24:56

And the truth, which no-one dares admit these days...

0:24:580:25:01

..is that only by freeing capital

0:25:020:25:05

do you free the world.

0:25:050:25:07

QUIET CHATTER

0:25:110:25:13

Hey.

0:25:190:25:21

Pint of Blue Anchor, please.

0:25:210:25:22

That's him.

0:25:230:25:24

Cheers.

0:25:260:25:27

-Hey.

-You all right?

0:26:080:26:09

Yeah.

0:26:100:26:11

My mother says you want mineral water.

0:26:110:26:13

I don't think so.

0:26:140:26:15

Oh.

0:26:170:26:18

Well, I've brought them now.

0:26:200:26:21

Coffee?

0:26:260:26:27

I wouldn't say no.

0:26:270:26:28

I googled you, Jack Linden.

0:26:350:26:39

HE CHUCKLES

0:26:390:26:40

And what did you find?

0:26:420:26:44

Bugger all.

0:26:440:26:46

So you like it here, do you, all on your own?

0:26:510:26:54

What do you do here all day?

0:26:560:26:58

Bit of cooking.

0:26:580:26:59

I can cook.

0:27:030:27:04

-Oh, yeah?

-Mmm.

0:27:040:27:05

I was good.

0:27:050:27:07

I won prizes. I was going to be a famous chef.

0:27:070:27:09

-Well, what happened?

-I stopped.

0:27:090:27:11

Why?

0:27:120:27:13

Cos I married a loser, had a brat, and screwed up my life.

0:27:130:27:16

Right...

0:27:180:27:19

Erm...

0:27:190:27:20

-And the father is...?

-No, he isn't.

0:27:200:27:22

He ain't been Charlie's father since he was three days old.

0:27:220:27:25

He came to the hospital with a box of Cadbury's milk chocolates

0:27:250:27:28

and tuckered all the nice ones.

0:27:280:27:29

He couldn't wait to flee.

0:27:290:27:31

Where to?

0:27:310:27:32

Don't ask me.

0:27:320:27:33

Is he abroad or...?

0:27:350:27:37

Tom Quince?!

0:27:370:27:38

Sorry, say again?

0:27:380:27:40

Tom Quince, it's Charlie's father's name.

0:27:400:27:43

Nah, he's never had a passport in his life.

0:27:440:27:46

He's probably somewhere round Bude,

0:27:470:27:49

smoking a ton of pot and trying to sleep with the weekend talent.

0:27:490:27:52

THEY CHUCKLE

0:27:520:27:53

It's... It's a great pleasure to introduce the Chief Officer

0:28:460:28:51

at the US Directorate of Defence Trade Controls,

0:28:510:28:55

Joel Steadman.

0:28:550:28:56

Firstly, gentlemen...

0:28:570:28:58

and lady...

0:28:580:29:00

-Sorry.

-..I want to thank you all for inviting me to London

0:29:000:29:03

to share a little of what I know about the global arms trade

0:29:030:29:05

in the 21st century and how to confront it.

0:29:050:29:07

Now, there's about 3,000 years of wisdom in this room

0:29:080:29:11

and I represent about six weeks of it.

0:29:110:29:12

CHUCKLING

0:29:120:29:13

But hell, those odds never stopped an American before.

0:29:130:29:16

Now there's two philosophies on how to confront

0:29:160:29:18

international arms smuggling.

0:29:180:29:20

You can exploit or you can enforce.

0:29:200:29:22

Now, I'm an enforcer, and I'll tell you why.

0:29:220:29:24

You go down the exploitation path, this is what happens.

0:29:240:29:26

You identify a bad guy,

0:29:260:29:28

you watch him,

0:29:280:29:29

get all kinds of dirt on him, and you approach him.

0:29:290:29:32

And then what do you do?

0:29:320:29:33

Well, then you recruit him.

0:29:330:29:35

You recruit him to get to the next guy, then you watch him,

0:29:350:29:38

and you recruit him, and so on, and so forth.

0:29:380:29:41

And pretty soon the lines get blurred,

0:29:410:29:42

your enemy becomes your friend,

0:29:420:29:44

and hey...the devil has all the best lines, right?

0:29:440:29:47

Now I'm an enforcer.

0:29:470:29:50

I go after someone...

0:29:500:29:51

and I bring 'em down,

0:29:510:29:53

and the reason why I'm here today

0:29:530:29:55

is to ask you folks for a little help.

0:29:550:29:58

-Joel.

-Mr Dromgoole.

0:30:020:30:04

-Excellent to see you.

-Thank you.

0:30:040:30:05

You know these guys?

0:30:050:30:07

-Palfrey.

-Nice to meet you. Nice to meet you.

0:30:070:30:09

I enjoyed your speech.

0:30:090:30:11

Well, let's keep the channels open at all times.

0:30:110:30:13

Absolutely. Particularly when it comes to the Middle East.

0:30:130:30:15

Anything you have at all.

0:30:150:30:17

I have money and people ready to work with you.

0:30:170:30:19

Sure will, Geoffrey.

0:30:190:30:20

-Speak to you later.

-Thank you.

0:30:200:30:22

-Joel.

-Ah!

0:30:350:30:37

-Good to have you with us.

-Nice to see you.

0:30:370:30:39

Angela.

0:30:410:30:42

Hello, Joel.

0:30:420:30:44

HE LAUGHS

0:30:470:30:48

What do you think of the ale?

0:30:530:30:55

Jury's out.

0:30:550:30:57

I see, erm, you're not drinking.

0:30:570:30:59

You didn't tell me you were flying in.

0:31:010:31:03

You didn't tell me something a lot more important than that.

0:31:030:31:05

Why were you in Madrid two weeks ago?

0:31:100:31:12

It's an operation called Limpet.

0:31:130:31:16

We're going after Richard Onslow Roper.

0:31:160:31:17

His people are meeting with a Spanish lawyer in Madrid.

0:31:170:31:20

-Juan Apostol.

-Yeah. Also known as Apo.

0:31:210:31:23

We think there's a new deal in the pipeline.

0:31:250:31:27

But you can't get close.

0:31:270:31:29

Can anyone?

0:31:290:31:31

They're phone records from the mobile phone of Lance Corkoran.

0:31:340:31:37

Roper's front man.

0:31:370:31:38

They show calls to London, Beirut and Madrid.

0:31:380:31:40

How the hell did you get this?

0:31:430:31:44

I've got a new asset.

0:31:450:31:48

I want to get him on the inside of Roper's set-up.

0:31:480:31:50

You got any idea how dangerous that is?

0:31:500:31:52

Does River House know about this?

0:31:540:31:55

It's got to be a church mouse operation.

0:31:560:31:58

Why did you call ME?

0:31:590:32:00

Cos I need your money.

0:32:020:32:03

Look...

0:32:050:32:07

Joel, I'm on my own in this, and I don't like it.

0:32:070:32:09

I'm doing something no-one else has done before and I'm scared shitless.

0:32:100:32:14

I need a friend.

0:32:140:32:15

I've got some more stuff coming on Tuesday night.

0:32:330:32:36

You got the money?

0:32:360:32:37

Good.

0:32:380:32:39

Hi.

0:33:080:33:09

Harlow.

0:33:090:33:10

Right.

0:33:110:33:13

From London.

0:33:150:33:16

Is that what you wanted?

0:33:210:33:23

Well...

0:33:240:33:25

..yeah.

0:33:300:33:31

It's a funny old gig, this one.

0:33:330:33:35

I shall expect a lavish funeral.

0:33:370:33:38

I'm sure they'll do what they can.

0:33:400:33:43

Well, then...

0:33:430:33:44

Tom Quince.

0:33:440:33:45

Are you ready?

0:33:470:33:48

We need to wait for the stuff.

0:34:030:34:04

It'll come and it'll all be OK.

0:34:040:34:06

Yeah.

0:34:090:34:10

-It'll be OK.

-It'll be OK.

0:34:100:34:11

It's going to be OK.

0:34:140:34:15

GLASS SMASHES

0:34:150:34:17

-Now get out!

-OK! OK! OK! OK!

0:34:310:34:33

MOTORBIKE REVS AND ZOOMS OFF

0:34:360:34:37

WHAT?

0:34:390:34:40

WATER DRIPS, ECHOING

0:35:150:35:17

Jack?

0:35:330:35:34

Jack?

0:35:390:35:40

Tell me what you saw when you got to the cottage.

0:35:580:36:00

The kitchen was a mess...

0:36:020:36:04

..and there is blood on the floor.

0:36:060:36:09

There you go.

0:36:090:36:10

Did he kill him?

0:36:120:36:13

The man he attacked in the pub?

0:36:180:36:20

Yes.

0:36:200:36:22

Why did you go to the cottage?

0:36:220:36:23

I was fetching empties.

0:36:230:36:25

Have you been there before?

0:36:250:36:27

Yeah. Once or twice.

0:36:270:36:29

-Why?

-To deliver for my mother. That's all.

0:36:300:36:32

Did he ever mention his previous life?

0:36:340:36:36

-No.

-Ever mention Switzerland?

0:36:370:36:39

No, why?

0:36:390:36:41

Did he say he was leaving?

0:36:410:36:43

-No.

-Name Jonathan Pine mean anything to you?

0:36:430:36:46

No!

0:36:460:36:47

So he never told you his real name?

0:36:470:36:49

No. He said his name was Linden.

0:36:490:36:51

Jack Linden.

0:36:520:36:53

He never told you who he was.

0:36:540:36:55

No, he never said who he was.

0:36:570:36:58

Who's in there? Who's in there?

0:37:150:37:17

Go. Go back to your mother.

0:37:360:37:38

Go.

0:37:400:37:41

Go!

0:37:420:37:43

LOUD SNAP, MAN GROANS

0:37:430:37:44

You bastard.

0:37:460:37:48

You were supposed not to hurt him!

0:37:480:37:50

It needed to look real.

0:37:500:37:51

HE GRUNTS

0:37:520:37:54

You want it real?

0:37:550:37:56

I'll show you real!

0:37:560:37:58

CLATTERING AND SHOUTS

0:37:580:38:00

We'll show you real!

0:38:080:38:10

-Oh, Jesus, Danny, Danny.

-Just one second. Just wait here.

0:38:190:38:21

-Let me just see what's going on.

-Come on, big man.

0:38:210:38:23

-Danny.

-He's all right.

-Oh, God, Danny!

0:38:230:38:26

DANNY CRIES

0:38:260:38:27

Are you all right?

0:38:280:38:30

What hap...what happened?

0:38:300:38:32

They ran off.

0:38:320:38:34

He scared them.

0:38:340:38:36

He saved me.

0:38:360:38:37

Who saved you? What...

0:38:370:38:38

Who is he? Where the hell's he come from?

0:38:380:38:40

He's our seasonal sous-chef from England.

0:38:400:38:42

He was working in that kitchen.

0:38:420:38:44

DANNY WHINES

0:38:440:38:45

We need to call the police.

0:38:460:38:47

Chief, we doing medical attention?

0:38:470:38:49

I know him.

0:38:520:38:53

What's his name?

0:38:540:38:56

Thomas Quince.

0:38:560:38:57

He is from Devon in England.

0:38:570:38:59

No, he's bloody not!

0:39:010:39:02

You're Pine, from Switzerland.

0:39:030:39:05

-What are you doing here?

-Sandy, we need to call the police.

0:39:070:39:09

No police.

0:39:090:39:10

No police.

0:39:130:39:14

No. Hold on, Jorge. Just hold on a second.

0:39:140:39:17

How's his pulse, Frisky?

0:39:200:39:21

Yeah, it's quite sporting, Chief, all things considered.

0:39:210:39:23

You hearing me, Pine?

0:39:250:39:26

We're going to get you out of here.

0:39:280:39:30

Corky, get the boats ready, will you?

0:39:300:39:33

-And call the hospital.

-Which one?

0:39:330:39:35

Well, our one, not the death trap on the main drag.

0:39:350:39:38

Tell them to get ready to operate,

0:39:380:39:40

-and get a hold of that Israeli fellow. What's...

-Dr Shimon?

0:39:400:39:42

Drag him away from whatever Russian party he's currently at.

0:39:420:39:45

You must have given them the fright of their lives.

0:39:470:39:49

No police.

0:39:500:39:51

No police.

0:39:520:39:53

Right, Jorge, I think we can keep this between us, can't we?

0:39:550:39:58

I'll pay for any damage done. Corky can sort the bill.

0:39:590:40:02

Anyone you want us to call?

0:40:030:40:04

A girlfriend? Family?

0:40:050:40:06

Still alone, are we?

0:40:110:40:13

Well...

0:40:140:40:15

..we're going to take care of you.

0:40:160:40:18

Thank you.

0:40:370:40:39

-Hey.

-Hey!

0:40:390:40:40

Any sign of him?

0:40:420:40:44

-What went wrong?

-Let me get this.

0:40:440:40:46

He went off script.

0:40:460:40:47

WAY off script.

0:40:470:40:49

Broke an agent's arm in three places.

0:40:490:40:51

What's he playing at?

0:40:510:40:53

He said he wanted it real. So they made it real.

0:40:530:40:55

They think they might have killed him.

0:40:550:40:57

What do you mean killed him?

0:40:570:40:58

Well, Roper didn't call the cops, so...we don't know where he is.

0:40:580:41:01

Goddamn it, Angela.

0:41:010:41:03

This thing was perfectly choreographed.

0:41:030:41:05

He knew exactly what we had to do.

0:41:050:41:07

Hector, do you remember Angela Burr from Baghdad?

0:41:140:41:17

Sure do. Welcome, ma'am.

0:41:170:41:18

You two still working together?

0:41:180:41:20

Yeah. No-one is more mystified by that than me.

0:41:200:41:22

Sir. You should hear this.

0:41:220:41:24

-Come on, sit down.

-Corkoran is calling a number in Gloucestershire

0:41:240:41:27

from his mobile phone.

0:41:270:41:28

Tony? Lance Corkoran here.

0:41:290:41:32

Pressing matter, I'm afraid.

0:41:320:41:34

Chief needs your good offices.

0:41:340:41:35

Got a pen?

0:41:360:41:37

The name is Pine, like the tree.

0:41:390:41:42

First name Jonathan.

0:41:430:41:45

Goes under the name of Thomas Quince,

0:41:470:41:49

like the fruit.

0:41:490:41:50

Head-to-toe background check, all avenues. All perfectly mum.

0:41:500:41:54

360 degrees.

0:41:540:41:56

Ta.

0:41:560:41:57

Well, he's alive. They wouldn't check on a dead man.

0:41:570:41:59

PHONE RINGS

0:42:110:42:13

Rob Singhal. IEA.

0:42:150:42:16

Rob. I want you to put his name out. Splash it large.

0:42:160:42:19

I want an international warrant for the arrest of Thomas Quince,

0:42:190:42:22

Jonathan Pine, Jack Linden.

0:42:220:42:24

Er... Murder, multiple theft, dope-running,

0:42:240:42:27

obtaining a false passport, and identity theft,

0:42:270:42:29

and whatever else you can think of.

0:42:290:42:31

All right? Do it now.

0:42:310:42:32

-He's crossed the bridge.

-Yeah.

0:42:330:42:35

Now we're burning it.

0:42:360:42:37

HAZY REGULAR BLEEPS

0:42:380:42:40

Thomas.

0:44:230:44:24

Thomas, I'm not sure if you can hear me.

0:44:260:44:28

They say your face is mending well.

0:44:290:44:32

You've also cracked several ribs.

0:44:320:44:34

You're so brave, but you're going to be fine.

0:44:340:44:37

Dr Shimon's the very best, otherwise Roper wouldn't use him.

0:44:370:44:40

Listen. Is there anyone you want us to call?

0:44:430:44:45

A loved one?

0:44:450:44:48

When you were sleeping, you mentioned someone called Sophie.

0:44:480:44:50

Should we call her?

0:44:500:44:51

Just raise your finger if you can't speak.

0:44:530:44:56

Roper is away on business,

0:44:590:45:01

but he'll be back soon and he can't wait to see you.

0:45:010:45:03

Where...am...I?

0:45:100:45:12

(Are you awake?)

0:45:150:45:16

(My father says I'm to thank you for saving my life.)

0:45:180:45:21

(I'm sorry I ran away from the table. I won't do it again.)

0:45:220:45:27

Do you want me to read to you about squid?

0:45:430:45:45

This slow-moving, alien-like squid

0:45:500:45:53

lives at depths of up to 200...

0:45:530:45:56

DOOR OPENS

0:46:040:46:05

Piss off, would you, Frisky, old love?

0:46:170:46:18

Well, that's a better colour.

0:46:240:46:25

Lovely deep purple.

0:46:250:46:28

Better than the blue baboon look of last week.

0:46:280:46:31

And sitting up!

0:46:310:46:32

Dare one hope we're on the mend?

0:46:320:46:34

Actually, I'd like to go soon, please.

0:46:350:46:37

Absolutely, old boy, soon as the Chief gets back.

0:46:370:46:40

What do I call you, by the way?

0:46:430:46:44

When I was doing the forms at the hospital, I had a conundrum.

0:46:460:46:49

"Well," I thought, "this is a bit rum.

0:46:490:46:51

"Is he a Thomas Quince,

0:46:510:46:54

"or is he a Jonathan Pine?"

0:46:540:46:56

So I put Mordechai Phillips.

0:46:570:46:58

-LAUGHING:

-To this day, I've no idea why.

0:46:580:47:01

Mind if I smoke?

0:47:010:47:02

Smoke ourselves, do we? In better times?

0:47:060:47:08

A bit.

0:47:080:47:10

Nothing like a fag when you're cooking.

0:47:130:47:16

Do you want one now?

0:47:170:47:19

No, thanks.

0:47:200:47:22

Bloody good grub at that place you were working.

0:47:230:47:25

Were those saucy mussels all your work?

0:47:250:47:29

Mmm?

0:47:290:47:31

Well, I am blown away.

0:47:310:47:33

And did you cook at that Swiss hotel? Or...

0:47:330:47:37

merely rob the place?

0:47:370:47:38

It's a tricky one, you see.

0:47:410:47:42

The Chief is a stickler for details,

0:47:420:47:45

so we called the Meisters Hotel to ask for a reference,

0:47:450:47:49

and it turns out you are nothing more than a common thief.

0:47:490:47:53

40,000 euros swiped from the safe,

0:47:530:47:56

the police called,

0:47:560:47:58

Herr Meister's positively seething.

0:47:580:48:01

No wonder the Chief has a few questions to ask.

0:48:020:48:05

But he says they can wait until you're better.

0:48:050:48:08

Although I'm not so sure we're quite as poorly as we're making out.

0:48:080:48:14

In fact,

0:48:160:48:17

I'm not sure at all about you, Pine.

0:48:170:48:20

I think you might be stringing us along.

0:48:230:48:25

Hmmm?

0:48:270:48:28

And if that's the case, when you're better,

0:48:290:48:32

I will hood you,

0:48:320:48:35

and hang you up by those lovely ankles

0:48:350:48:38

until the truth falls out of you

0:48:380:48:41

by gravity.

0:48:410:48:42

Toodle-oo.

0:48:460:48:48

Frisky, piss off back in again, would you?

0:48:480:48:51

Make sure our valued guest doesn't try and make a run for it.

0:48:510:48:55

You know the best way to make a bloke talk?

0:49:000:49:02

Fizzy drink treatment.

0:49:040:49:05

Up the nose.

0:49:060:49:08

Bung the mouth.

0:49:080:49:09

And if you've got a funnel handy...

0:49:100:49:12

Oh, it's even better.

0:49:120:49:13

Hits you right in the switchboard.

0:49:150:49:16

It's bloody diabolical.

0:49:170:49:19

Apo, how are you?

0:49:380:49:39

-Good to see you.

-Very good to see you.

0:49:390:49:41

-Have a seat.

-Thank you very much.

0:49:410:49:43

So have you eaten?

0:49:430:49:45

CAMERA CLICKS

0:49:450:49:46

You sure you know your lines?

0:50:130:50:15

HE LAUGHS

0:50:150:50:16

I'll do my best.

0:50:160:50:18

So, tell us about Limpet.

0:50:180:50:21

Well, Limpet's an ongoing anti-arms operation based in Washington.

0:50:210:50:24

Standard tracer op. It's been running about a year.

0:50:240:50:27

Who are you going after?

0:50:270:50:28

Richard Onslow Roper.

0:50:280:50:29

Director of Iron Last, and we think a lot more on the side.

0:50:290:50:32

That wouldn't surprise me.

0:50:320:50:34

I came here to see if there were opportunities

0:50:340:50:36

for mutual collaboration and intelligence sharing.

0:50:360:50:38

Angela was happy to come on board,

0:50:380:50:40

and I was hoping you folks would kind of do the same.

0:50:400:50:43

All right. Where are you at at the moment?

0:50:430:50:46

Well, it's been going pretty well,

0:50:460:50:48

-wouldn't you say?

-Yeah.

0:50:480:50:49

Erm, we have some photographs here of a meeting

0:50:490:50:51

that took place in Madrid, between an Alexander Langbourne,

0:50:510:50:54

Roper's money man, and a Spanish lawyer, Juan Apostol.

0:50:540:50:58

It's possible they were discussing a future arms deal.

0:50:580:51:00

Did you get any audio on that?

0:51:000:51:02

Unfortunately not, no.

0:51:020:51:03

So it's possible they were discussing

0:51:030:51:06

their children's Christmas parties!

0:51:060:51:08

What about on the ground?

0:51:100:51:12

Got anyone close to Roper?

0:51:120:51:14

Er, not right now, no...

0:51:140:51:16

In development?

0:51:160:51:18

You know, getting someone on the inside, Harry, that's a long game.

0:51:180:51:21

-What I want from you guys...

-Let me stop you there, Joel.

0:51:210:51:24

Angela runs her own modest enforcement agency

0:51:240:51:27

and she can do what she likes.

0:51:270:51:28

Roper is an obsession of hers,

0:51:280:51:30

he was when she was with us here at the River,

0:51:300:51:32

I suspect that he always will be,

0:51:320:51:34

but I hope you understand

0:51:340:51:35

that I can't spend the nation's intelligence budget

0:51:350:51:37

on an operation whose current status appears to be somewhat catatonic.

0:51:370:51:42

I would need a little more.

0:51:440:51:45

Right, that's, er,

0:51:450:51:46

that's disappointing.

0:51:460:51:48

Life's disappointing, Joel.

0:51:480:51:49

Just ask Angela.

0:51:500:51:52

Please, come back when you have something.

0:51:540:51:57

OK? Our door is always open.

0:51:570:51:59

-Was that dull enough for you?

-Oh, are you kidding me?

0:52:070:52:10

I never knew an American could sound so much like a total bloody loser.

0:52:100:52:13

LAUGHTER

0:52:130:52:15

How do you stand it, Angela? "Modest enforcement agency." God!

0:52:150:52:19

Well, he's not wrong, is he?

0:52:190:52:20

But they must never know about our boy, Joel.

0:52:200:52:23

No mention of him in comms, nothing written down, nothing at all, yeah?

0:52:230:52:26

We keep River House on the outside.

0:52:270:52:29

It's too dangerous.

0:52:290:52:30

DISTANT WHIRRING

0:52:490:52:51

-Oh, my goodness!

-Daddy! I caught a lobster!

0:53:120:53:15

-You caught that?

-Oh, yeah!

0:53:150:53:16

Javier helped me.

0:53:160:53:18

-Did he? Good for him.

-Yeah.

-Good for you.

0:53:180:53:20

-Hello, darling. How are you? Well done, Danny. Well done.

-Hi!

0:53:200:53:23

How is the patient?

0:53:260:53:27

You sleep now.

0:53:590:54:01

Tomorrow, we'll find out who you REALLY are.

0:54:010:54:03

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