Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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-ALL: -# Happy birthday to you | 0:00:51 | 0:00:55 | |
# Happy birthday to you | 0:00:55 | 0:00:59 | |
# Happy birthday, dear Elena | 0:00:59 | 0:01:04 | |
# Happy birthday to you. # | 0:01:04 | 0:01:08 | |
CHEERING AND APPLAUSE | 0:01:08 | 0:01:10 | |
My darling daughter! The most beautiful girl in the world! | 0:01:10 | 0:01:16 | |
CHEERING | 0:01:16 | 0:01:18 | |
-A marvellous necklace from Paris! -ALL: -Ooh! | 0:01:22 | 0:01:25 | |
The most expensive necklace! | 0:01:25 | 0:01:29 | |
ALL CHANT IN SPANISH | 0:01:29 | 0:01:31 | |
JUAN IN SPANISH | 0:01:33 | 0:01:35 | |
ALL CHANT IN SPANISH | 0:01:35 | 0:01:37 | |
CHEERING AND APPLAUSE | 0:01:37 | 0:01:39 | |
Enjoy the party! | 0:01:39 | 0:01:41 | |
CHEERING | 0:01:41 | 0:01:43 | |
LATIN DANCE MUSIC | 0:01:44 | 0:01:46 | |
CORKY LAUGHS | 0:01:53 | 0:01:54 | |
Thank you. | 0:01:56 | 0:01:58 | |
What about austerity, Apo? | 0:01:58 | 0:02:00 | |
This is austerity. You should have seen our country five years ago. | 0:02:00 | 0:02:05 | |
-Tomorrow's business... -Uh-huh? | 0:02:05 | 0:02:07 | |
By the way, my Arab friend | 0:02:07 | 0:02:09 | |
is concerned you can't deliver the merchandise you promised. | 0:02:09 | 0:02:12 | |
-I wouldn't worry about that, Apo, it'll be fine. -I hope so. | 0:02:12 | 0:02:16 | |
-Ah, Mr Barghati. -Sandy. -How good to see you. | 0:02:16 | 0:02:19 | |
LATIN DANCE MUSIC | 0:02:19 | 0:02:21 | |
SHE WHIMPERS | 0:02:28 | 0:02:29 | |
Oh, my goodness! Oh, Lord! | 0:02:29 | 0:02:31 | |
Oh, Lord! What's happening here? | 0:02:31 | 0:02:33 | |
MAID SOBS | 0:02:38 | 0:02:40 | |
SHE WHIMPERS, JUAN SPEAKS SPANISH | 0:02:40 | 0:02:43 | |
-Que pasa? -SHE SOBS | 0:02:47 | 0:02:49 | |
MAID SOBS | 0:02:51 | 0:02:53 | |
LATIN DANCE MUSIC | 0:02:59 | 0:03:01 | |
-Jesus! -Help her! Help me, please! | 0:03:03 | 0:03:06 | |
Elena! Elena! | 0:03:14 | 0:03:17 | |
Elena! Elena! ELENA! | 0:03:17 | 0:03:20 | |
She must've been in so much pain. | 0:03:27 | 0:03:30 | |
Yeah, well, she's caused a lot of other people pain, too. | 0:03:30 | 0:03:33 | |
We had to reschedule that meeting. | 0:03:33 | 0:03:35 | |
Still, the canapes were good. | 0:03:40 | 0:03:43 | |
What do you want to do about our Arab chum? Bring him out to the villa? | 0:03:43 | 0:03:46 | |
I don't much like that, | 0:03:46 | 0:03:47 | |
it's too risky if someone's got a watch on him. | 0:03:47 | 0:03:50 | |
Invite him to the children's party. | 0:03:51 | 0:03:54 | |
There'll be lots of people there, you can do your magic tricks. | 0:03:54 | 0:03:58 | |
Try and get them right. | 0:03:58 | 0:04:00 | |
-Fix it up, will you? -OK. | 0:04:01 | 0:04:04 | |
Sorry, darling, I don't know what I was thinking, | 0:04:04 | 0:04:06 | |
it was a crass thing to say. | 0:04:06 | 0:04:08 | |
OK... | 0:04:22 | 0:04:24 | |
let's go, dream boy. | 0:04:24 | 0:04:25 | |
Huh! | 0:04:35 | 0:04:36 | |
Come on. | 0:04:40 | 0:04:41 | |
Go left. | 0:04:53 | 0:04:55 | |
Up the stairs. | 0:05:09 | 0:05:10 | |
So the silly sod is insisting on 10% and he is digging his heels in. | 0:05:10 | 0:05:15 | |
All right, we'll let him enjoy that for a week, | 0:05:15 | 0:05:17 | |
and then we'll take it away from him. | 0:05:17 | 0:05:20 | |
I'm happy to go with that. | 0:05:20 | 0:05:22 | |
Ah, there he is. | 0:05:23 | 0:05:25 | |
Dans, you're on. | 0:05:28 | 0:05:30 | |
Thank you very much, sir, | 0:05:35 | 0:05:37 | |
for rescuing me. | 0:05:37 | 0:05:39 | |
I hope you're feeling better. | 0:05:39 | 0:05:41 | |
You're very welcome. | 0:05:44 | 0:05:47 | |
All right, now scram. See if you can catch us some mackerel for supper. | 0:05:47 | 0:05:51 | |
And take the dogs, will you? | 0:05:51 | 0:05:53 | |
Go on, Shirley. Go on, you foul-smelling creature. | 0:05:53 | 0:05:57 | |
-You'll call him, will you? -Yep. Leave it with me, I'll deal with it. | 0:05:57 | 0:06:00 | |
Don't waste any energy trying to sweet-talk him, | 0:06:00 | 0:06:02 | |
-just lay it out, let him sweat. -All right. | 0:06:02 | 0:06:05 | |
All right, Frisky, no more interruptions, | 0:06:11 | 0:06:14 | |
-no-one on the terrace. -BUZZING | 0:06:14 | 0:06:16 | |
-What the hell is that noise? -Oh, Javier is blowing leaves. | 0:06:16 | 0:06:19 | |
Well, tell him to knock it off, will you? Cease and desist. | 0:06:19 | 0:06:23 | |
How's the face? | 0:06:38 | 0:06:40 | |
-It's fine. -We'll be all right. | 0:06:42 | 0:06:44 | |
-So, what do you want? -I'd like to... | 0:06:47 | 0:06:49 | |
to go back to the restaurant, if that's all right. | 0:06:49 | 0:06:52 | |
That's not what I meant. | 0:06:52 | 0:06:54 | |
What do you want...from the world? | 0:06:54 | 0:06:57 | |
LEAF BLOWER STOPS I don't know. | 0:06:59 | 0:07:01 | |
-I haven't got a plan. I'm taking some time out. -Don't believe you. | 0:07:01 | 0:07:05 | |
You've never relaxed in your life. | 0:07:06 | 0:07:08 | |
If you say so. | 0:07:10 | 0:07:12 | |
Just sit down. | 0:07:12 | 0:07:13 | |
ROPER SIGHS | 0:07:13 | 0:07:16 | |
Everyone assumes that I was born with a silver spoon in my mouth. | 0:07:16 | 0:07:20 | |
It's balls. | 0:07:20 | 0:07:22 | |
My father was an Oxfordshire auctioneer, | 0:07:22 | 0:07:24 | |
taught me the price of everything, | 0:07:24 | 0:07:27 | |
but the drive to create all of this, | 0:07:27 | 0:07:29 | |
that comes from me and me alone. | 0:07:29 | 0:07:32 | |
Where does it come from in you? | 0:07:32 | 0:07:34 | |
I'm not sure I have what you describe. | 0:07:34 | 0:07:37 | |
OK, you patched me up, I'm very grateful for that, | 0:07:37 | 0:07:41 | |
-and now I'd like to go. -Corky can't make you out, you see. | 0:07:41 | 0:07:45 | |
Suspicious chap, Corks. | 0:07:45 | 0:07:47 | |
He's got bad vibes about you. | 0:07:47 | 0:07:49 | |
Why did you kill that fellow in Devon? | 0:07:51 | 0:07:53 | |
It's all over the wire. | 0:07:53 | 0:07:56 | |
We had to call the police, no choice. | 0:07:56 | 0:07:58 | |
They'll be here any minute. | 0:07:58 | 0:08:00 | |
You are a cool cucumber, aren't you? | 0:08:04 | 0:08:07 | |
He cheated me. | 0:08:09 | 0:08:11 | |
And you didn't like that? | 0:08:11 | 0:08:12 | |
-No, I didn't. -Quite right. | 0:08:12 | 0:08:15 | |
The MacArthurs have confirmed for dinner, so... | 0:08:19 | 0:08:23 | |
that makes 12 tonight. | 0:08:23 | 0:08:25 | |
Or 13. | 0:08:25 | 0:08:27 | |
Come and tell us why you think this one's a bad apple, Corky? | 0:08:28 | 0:08:32 | |
Well, his references aren't too clever. | 0:08:32 | 0:08:34 | |
Luckily for you, old Jorge was so desperate for a sous chef, | 0:08:34 | 0:08:37 | |
he didn't bother to check them. | 0:08:37 | 0:08:40 | |
You faked them, Pine? | 0:08:40 | 0:08:42 | |
I needed the job. | 0:08:42 | 0:08:44 | |
I needed it fast, I didn't have time for formalities. | 0:08:44 | 0:08:47 | |
Where'd you get the passport? | 0:08:47 | 0:08:49 | |
I met a girl...in Devon. | 0:08:49 | 0:08:51 | |
Didn't we all. | 0:08:51 | 0:08:53 | |
Pretty little thing. | 0:08:55 | 0:08:56 | |
Who's Quince? | 0:08:56 | 0:08:58 | |
Her ex. | 0:09:01 | 0:09:02 | |
He'd never been abroad, he'd never had a passport, so I took his name. | 0:09:03 | 0:09:07 | |
You've taken a lot of names, haven't you? | 0:09:07 | 0:09:10 | |
It makes a man wonder who you really are. | 0:09:10 | 0:09:13 | |
So, father killed in Belfast, | 0:09:14 | 0:09:17 | |
no close relationship with mother, | 0:09:17 | 0:09:19 | |
married once for six months, we can assume not a triumph. | 0:09:19 | 0:09:23 | |
Two tours in Iraq, distinguished service. | 0:09:24 | 0:09:27 | |
And on return, what? Despair, depression, | 0:09:27 | 0:09:30 | |
and then five years as a night owl in the hotel business. | 0:09:30 | 0:09:33 | |
What was that? Hibernation? | 0:09:33 | 0:09:36 | |
Burying yourself alive? | 0:09:36 | 0:09:37 | |
And then a sudden moment of madness. | 0:09:38 | 0:09:41 | |
Thieving, narcotics... | 0:09:41 | 0:09:44 | |
murder. | 0:09:44 | 0:09:46 | |
ROPER CHUCKLES SOFTLY | 0:09:46 | 0:09:47 | |
This is bloody chaos, Jonathan. | 0:09:47 | 0:09:50 | |
Do you even know who you are? | 0:09:50 | 0:09:52 | |
Those two chaps you smashed up in the restaurant, did you know them? | 0:09:55 | 0:09:59 | |
-No. -They hadn't eaten there before? | 0:09:59 | 0:10:02 | |
Did they look like they'd eaten there before? | 0:10:02 | 0:10:04 | |
-Ever sailed a boat for them? -Is this some kind of interrogation? | 0:10:04 | 0:10:06 | |
-Let's pretend it is. Did you cook for them? -No. | 0:10:06 | 0:10:09 | |
-The mussels were marvellous, by the way. -You weren't the lookout guy? | 0:10:09 | 0:10:12 | |
-You didn't switch roles halfway through? -No. | 0:10:12 | 0:10:14 | |
That's another of Corky's theories. | 0:10:14 | 0:10:16 | |
Listen, I haven't asked for anything, all right? | 0:10:16 | 0:10:18 | |
I don't expect a reward, | 0:10:18 | 0:10:20 | |
I certainly don't appreciate this investigation into my personal life. | 0:10:20 | 0:10:23 | |
And, frankly, I'm bored of your hospitality. | 0:10:23 | 0:10:27 | |
Maybe I'm not squeaky-clean, | 0:10:27 | 0:10:29 | |
but nor, I suspect, are you and your little friend here, | 0:10:29 | 0:10:32 | |
so maybe we just leave it at that. | 0:10:32 | 0:10:34 | |
-Little friend! -I know! Charmant! | 0:10:38 | 0:10:42 | |
-Where are you going? -I'm leaving. | 0:10:42 | 0:10:44 | |
What are you going to do for a passport ? | 0:10:44 | 0:10:47 | |
I have a passport in the name of Thomas Quince. Where is it? | 0:10:47 | 0:10:51 | |
Corky, sock him the bad news. | 0:10:51 | 0:10:55 | |
The passport's gone, old love. | 0:10:55 | 0:10:57 | |
Thomas Quince had to be shredded. | 0:10:57 | 0:10:59 | |
-What are you talking about? -It's no good getting in a panic, my dear. | 0:10:59 | 0:11:02 | |
Your cover's blown sky-high. | 0:11:02 | 0:11:04 | |
Tom Quince is on every wanted list on God's earth. | 0:11:04 | 0:11:08 | |
Murder, theft, sadly not buggery, but we'll work on that. | 0:11:08 | 0:11:12 | |
That was my passport. That was mine! | 0:11:12 | 0:11:15 | |
Well, you're going to have to learn to be someone else, aren't you? | 0:11:15 | 0:11:18 | |
DOOR OPENS | 0:11:18 | 0:11:19 | |
I said no-one in here! | 0:11:19 | 0:11:22 | |
Sorry, baby, I didn't know. Jesus! | 0:11:22 | 0:11:25 | |
Sorry, my darling, I didn't know it was you. | 0:11:25 | 0:11:27 | |
It's actually good news - Thomas is going to be staying for a while, | 0:11:27 | 0:11:31 | |
-till he's fighting fit again. -Oh. | 0:11:31 | 0:11:34 | |
That's great. | 0:11:34 | 0:11:37 | |
You want to come for a swim? | 0:11:37 | 0:11:39 | |
Go on. Corky can lend you some Speedos. | 0:11:40 | 0:11:43 | |
-I'd like to. -SHE LAUGHS | 0:11:43 | 0:11:46 | |
Corky, why don't you put him | 0:11:46 | 0:11:48 | |
in the fisherman's cottage at the end of the estate, | 0:11:48 | 0:11:51 | |
-while we work out what to do with you. -All right, boss. | 0:11:51 | 0:11:54 | |
And what am I supposed to do until then? | 0:11:54 | 0:11:56 | |
Well, you can keep Dans company. | 0:11:56 | 0:11:58 | |
We were supposed to have a school friend here for the holiday, | 0:11:58 | 0:12:00 | |
but the bugger stood him up. | 0:12:00 | 0:12:02 | |
His mother doesn't approve of me. | 0:12:02 | 0:12:04 | |
One more thing... | 0:12:05 | 0:12:07 | |
..I run a tight ship here. | 0:12:08 | 0:12:10 | |
You're right, we do a little swashbuckling every now and then, | 0:12:10 | 0:12:14 | |
but we play straight with each other. | 0:12:14 | 0:12:16 | |
Now, you saved my boy and I'm grateful, | 0:12:16 | 0:12:20 | |
but if you step out of line... | 0:12:20 | 0:12:23 | |
we'll make you howl for your mother. | 0:12:23 | 0:12:25 | |
What size feet have you got? | 0:12:29 | 0:12:31 | |
-12. -Hmm. | 0:12:34 | 0:12:36 | |
Now, house rules. | 0:12:40 | 0:12:42 | |
No phones, no postcards to Devon dumplings. | 0:12:42 | 0:12:46 | |
No messages in a bottle. | 0:12:46 | 0:12:49 | |
The chief values privacy... as do we all. | 0:12:49 | 0:12:53 | |
All the way down to the beach, | 0:12:56 | 0:12:58 | |
as far as you can go, and it's on the right. | 0:12:58 | 0:13:02 | |
Alternatively, fill your pockets with stones, | 0:13:02 | 0:13:06 | |
walk into the sea... | 0:13:06 | 0:13:08 | |
and keep going. | 0:13:08 | 0:13:10 | |
Anything? | 0:13:31 | 0:13:33 | |
-No. -SHE SIGHS | 0:13:33 | 0:13:35 | |
Bloody hell! I hate this bit. | 0:13:35 | 0:13:37 | |
Off every tree you may freely eat - | 0:14:24 | 0:14:28 | |
maids, serving wenches, cooks, | 0:14:28 | 0:14:31 | |
typists, masseuses, | 0:14:31 | 0:14:32 | |
even the lady who comes to clip the canary's claws. | 0:14:32 | 0:14:36 | |
But if you lay one hand on that precious fruit, | 0:14:38 | 0:14:41 | |
then like the Belgians in the Congo, | 0:14:41 | 0:14:44 | |
we'll chop it off. | 0:14:44 | 0:14:46 | |
And I don't mean the hand. | 0:14:48 | 0:14:49 | |
Senor Roper. | 0:15:16 | 0:15:17 | |
Morning. | 0:15:25 | 0:15:27 | |
I was wondering if I might take Danny into town? | 0:15:27 | 0:15:31 | |
What for? | 0:15:31 | 0:15:33 | |
A change. | 0:15:35 | 0:15:36 | |
-He likes you, doesn't he? -I hope so. | 0:15:41 | 0:15:44 | |
I like him. | 0:15:44 | 0:15:45 | |
Frisky and Tabby will go with you. | 0:15:48 | 0:15:49 | |
Pine... | 0:15:52 | 0:15:54 | |
..thank you. | 0:15:59 | 0:16:00 | |
It's me. They're on the move. | 0:16:18 | 0:16:20 | |
BIRDSONG | 0:16:38 | 0:16:40 | |
Do you always have this much company, Danny? | 0:17:01 | 0:17:04 | |
Since the restaurant. | 0:17:05 | 0:17:08 | |
-It's a bit boring, isn't it? -Yeah. | 0:17:08 | 0:17:10 | |
Oi! DANNY GASPS | 0:17:11 | 0:17:14 | |
It's OK. It's all right. | 0:17:14 | 0:17:16 | |
DANNY LAUGHS | 0:17:18 | 0:17:19 | |
-Danny? -Yeah. -What do you say... | 0:17:23 | 0:17:26 | |
to an ice cream? | 0:17:26 | 0:17:28 | |
-Yeah? -Yeah. -Great. | 0:17:28 | 0:17:30 | |
Actually... | 0:17:30 | 0:17:32 | |
JONATHAN GRUNTS | 0:17:32 | 0:17:33 | |
..why don't you ask Frisky and Tabby | 0:17:33 | 0:17:36 | |
-if they want an ice cream as well, huh? -OK. | 0:17:36 | 0:17:40 | |
Would you like an ice cream? | 0:17:40 | 0:17:41 | |
-No. -Really? Would you? -No. | 0:17:41 | 0:17:44 | |
-They didn't want one. -They don't want one? -No. | 0:17:48 | 0:17:51 | |
They are very strange, aren't they, those two? | 0:17:51 | 0:17:53 | |
Yeah, especially on a day like this, | 0:17:53 | 0:17:56 | |
who wouldn't want an ice cream?! | 0:17:56 | 0:17:58 | |
What's your favourite flavour, Danny? | 0:17:58 | 0:18:00 | |
-Pistachio. -JONATHAN ORDERS IN SPANISH | 0:18:00 | 0:18:03 | |
MAN REPLIES IN SPANISH | 0:18:03 | 0:18:05 | |
-Danny? -Yeah? | 0:18:09 | 0:18:12 | |
Do you know who's...coming to the party on Sunday? | 0:18:12 | 0:18:16 | |
It's a select group, around 25. | 0:18:16 | 0:18:19 | |
ANGELA SPEAKS SPANISH | 0:18:19 | 0:18:21 | |
Sorry, I need to hear the complete list, | 0:18:21 | 0:18:23 | |
all the names of all your ice creams. | 0:18:23 | 0:18:26 | |
Oh, gracias. Sorry. | 0:18:26 | 0:18:29 | |
That's all right. | 0:18:30 | 0:18:32 | |
I think Sandy and Caroline will probably be there, won't they? | 0:18:32 | 0:18:36 | |
I don't know who's coming. | 0:18:38 | 0:18:40 | |
You see, I've got this problem, | 0:18:42 | 0:18:44 | |
it's Major Corcoran. | 0:18:44 | 0:18:46 | |
-I don't think he likes me very much. -Why not? -I don't know. | 0:18:47 | 0:18:51 | |
But he's trying to find out everything he can about me. | 0:18:53 | 0:18:57 | |
All the way back to the time of the ancient Egyptians. | 0:18:59 | 0:19:02 | |
THEY LAUGH | 0:19:02 | 0:19:03 | |
Mmm. Muchos gracias. | 0:19:04 | 0:19:07 | |
Right, waiting's over. | 0:19:22 | 0:19:24 | |
We've got a spot of work to do, thank God. | 0:19:24 | 0:19:27 | |
-So, how often do you come here? -Only in the summer. | 0:19:32 | 0:19:36 | |
It must be nice to see Dad, though? | 0:19:36 | 0:19:39 | |
Do you play tennis with him? | 0:19:39 | 0:19:41 | |
I have lessons with Lewis. | 0:19:41 | 0:19:43 | |
-Roper's not here much. -Well, I expect he works hard, eh? | 0:19:44 | 0:19:48 | |
-That's why he has such a big house. -I bet you've counted the rooms. -23. | 0:19:48 | 0:19:53 | |
There's three kitchens and a big office by the pool. | 0:19:53 | 0:19:57 | |
And there's Roper's secret study in his bedroom, | 0:19:57 | 0:20:00 | |
but no-one's allowed in there. | 0:20:00 | 0:20:02 | |
-Except you? Special guest? -I'm not. | 0:20:04 | 0:20:07 | |
He calls it The Citadel. | 0:20:07 | 0:20:09 | |
And there's one key... | 0:20:09 | 0:20:10 | |
and he hides it. | 0:20:10 | 0:20:13 | |
-Do you know what's inside? -He says it's full of peppermints. | 0:20:13 | 0:20:17 | |
Well, I'd lock it up too if I were him. | 0:20:17 | 0:20:20 | |
THEY LAUGH | 0:20:20 | 0:20:22 | |
Plus, there's an alarm. | 0:20:24 | 0:20:26 | |
They test it every day at 11. | 0:20:26 | 0:20:28 | |
You have to be really careful. | 0:20:28 | 0:20:31 | |
-Why? -This is where I cut my foot last year. | 0:20:31 | 0:20:35 | |
Roper made me stand in the sea for about half an hour, | 0:20:35 | 0:20:39 | |
because of the salt. | 0:20:39 | 0:20:40 | |
CHURCH BELL CHIMES | 0:20:43 | 0:20:45 | |
Ever since his daughter killed herself, he comes here every day. | 0:20:50 | 0:20:54 | |
And that's not all. Yesterday afternoon, | 0:20:54 | 0:20:57 | |
he calls the hotline of the Madrid Public Prosecutor's Office, | 0:20:57 | 0:20:59 | |
says he has information regarding a world-class illegal arms deal. | 0:20:59 | 0:21:03 | |
Operator asks his name, he hangs up. | 0:21:03 | 0:21:06 | |
Assumption, a priest's advice only goes so far. | 0:21:06 | 0:21:09 | |
PRIEST SPEAKS SPANISH | 0:21:20 | 0:21:23 | |
-Gracias, padre. -Gracias. | 0:21:23 | 0:21:25 | |
Mr Apostol? | 0:21:26 | 0:21:28 | |
Who are you? | 0:21:28 | 0:21:29 | |
I'm your guardian angel, Mr Apostol. | 0:21:29 | 0:21:32 | |
I can't sleep. | 0:21:36 | 0:21:38 | |
Every night... | 0:21:38 | 0:21:40 | |
I ask myself the same question. | 0:21:40 | 0:21:42 | |
What I could have done? | 0:21:44 | 0:21:46 | |
HE SOBS | 0:21:46 | 0:21:48 | |
Now you're having a child... | 0:21:52 | 0:21:54 | |
..you can understand how I feel. | 0:21:55 | 0:21:59 | |
I can, Juan. | 0:21:59 | 0:22:00 | |
When you called the Madrid office, | 0:22:01 | 0:22:04 | |
you had blood on your hands. | 0:22:04 | 0:22:06 | |
And I'm here to wash it off. | 0:22:08 | 0:22:10 | |
How? | 0:22:11 | 0:22:14 | |
-You know Richard Roper? -Yes. | 0:22:14 | 0:22:16 | |
-He's a friend. -Juan, he's not a friend. | 0:22:17 | 0:22:20 | |
He dragged you down and he dragged your daughter down too. | 0:22:22 | 0:22:26 | |
If Roper wasn't in your life, I think she'd still be alive today. | 0:22:27 | 0:22:30 | |
Sorry. | 0:22:30 | 0:22:31 | |
Now, God knows how you bear it, I...I don't think I could. | 0:22:33 | 0:22:37 | |
Listen, I'm on the side of the angels. | 0:22:40 | 0:22:44 | |
We're good people, | 0:22:44 | 0:22:46 | |
we play it straight and we keep our promises. | 0:22:46 | 0:22:49 | |
OK? | 0:22:49 | 0:22:51 | |
But I need your help. | 0:22:51 | 0:22:52 | |
Do you know Lance Corcoran? | 0:22:55 | 0:22:57 | |
Yes. | 0:22:57 | 0:22:59 | |
He's Roper's right-hand man. | 0:23:00 | 0:23:02 | |
Right, well, that's what needs to change. | 0:23:04 | 0:23:06 | |
Are you pink? | 0:23:18 | 0:23:20 | |
Socialist, left-wing, march of history, that sort of thing? | 0:23:23 | 0:23:26 | |
It wouldn't bother me if you were, | 0:23:27 | 0:23:29 | |
it's another one of Corky's bugbears. | 0:23:29 | 0:23:31 | |
He seems to have a few. | 0:23:32 | 0:23:33 | |
Yeah. | 0:23:35 | 0:23:36 | |
Been in a lot of foxholes, me and Corky. | 0:23:36 | 0:23:39 | |
Once spent a week together in a police cell in Delhi. | 0:23:40 | 0:23:43 | |
I don't think I've ever laughed so much in my whole life. | 0:23:43 | 0:23:46 | |
Was he drinking then? | 0:23:47 | 0:23:49 | |
Well, now, that is a deeply odd thing to say. | 0:23:51 | 0:23:54 | |
What business is it of yours how much he drinks? | 0:23:54 | 0:23:57 | |
When my father was serving in Belfast... | 0:23:57 | 0:24:00 | |
..a sergeant in his platoon got drunk one night, | 0:24:02 | 0:24:04 | |
told a local girl what the next day's operation was. | 0:24:04 | 0:24:07 | |
The man I loved most in the world | 0:24:07 | 0:24:10 | |
was dead for five pints of lager and the promise of a quickie. | 0:24:10 | 0:24:13 | |
Right, so you don't drink and you're not pink, what are you? | 0:24:16 | 0:24:19 | |
Me, I'm a free man. | 0:24:21 | 0:24:23 | |
Free to think, free to work, | 0:24:24 | 0:24:27 | |
free to climb a mountain or lie in bed all day eating peppermint creams | 0:24:27 | 0:24:30 | |
without any bugger telling me how. | 0:24:30 | 0:24:32 | |
Then I'm a free man. | 0:24:34 | 0:24:36 | |
Oh, that's the free part, the man part's a little different. | 0:24:36 | 0:24:39 | |
See, children grow up thinking the adult world | 0:24:39 | 0:24:41 | |
is ordered, rational, fit for purpose. | 0:24:41 | 0:24:45 | |
It's crap. Becoming a man is realising...that it's all rotten. | 0:24:46 | 0:24:52 | |
Realising how to celebrate that rottenness, that's freedom. | 0:24:53 | 0:24:57 | |
-SANDY: -Here we are. | 0:25:10 | 0:25:12 | |
-WOMAN: -Out we go. | 0:25:12 | 0:25:14 | |
SANDY GROANS | 0:25:14 | 0:25:16 | |
Come on. Chop chop. Let's go. | 0:25:16 | 0:25:19 | |
-Mademoiselle. -SHE GIGGLES | 0:25:19 | 0:25:23 | |
-Merci, monsieur. -OK. | 0:25:23 | 0:25:25 | |
Senor? The bags, please. Thank you so much. | 0:25:25 | 0:25:29 | |
Thank you so much for coming. Have a wonderful day. | 0:25:36 | 0:25:39 | |
Caro, divine as ever. | 0:25:39 | 0:25:42 | |
Sandy, sort of acceptable. | 0:25:42 | 0:25:44 | |
There you go. | 0:25:44 | 0:25:46 | |
Apo, my dear old friend. | 0:25:46 | 0:25:49 | |
-I'm so terribly sorry for your loss. -Thanks. | 0:25:49 | 0:25:52 | |
How are you? I can't even imagine. | 0:25:52 | 0:25:54 | |
Mr Barghati, thank you so much for coming. | 0:25:54 | 0:25:57 | |
Please come inside. | 0:25:57 | 0:25:58 | |
Let's see if we can feed and sustain you before we get down to business. | 0:25:58 | 0:26:03 | |
And did you get the sweater? | 0:26:29 | 0:26:30 | |
Great. | 0:26:35 | 0:26:37 | |
Does it fit? | 0:26:37 | 0:26:40 | |
Mmm. | 0:26:40 | 0:26:41 | |
Uh-huh. | 0:26:41 | 0:26:43 | |
OK. | 0:26:44 | 0:26:46 | |
Love you. Bye, honey. | 0:26:46 | 0:26:47 | |
SHE SOBS | 0:26:54 | 0:26:58 | |
KNOCK AT DOOR, SHE GASPS | 0:27:06 | 0:27:08 | |
I'm so sorry to interrupt. | 0:27:10 | 0:27:12 | |
The guests are arriving and the party's going to start soon. | 0:27:12 | 0:27:16 | |
The story begins in Egypt 4,500 years ago. | 0:27:25 | 0:27:30 | |
The ancient Egyptians invented this game. | 0:27:30 | 0:27:32 | |
It is literally the oldest trick in the book. | 0:27:32 | 0:27:35 | |
Now, you start with a ball. | 0:27:35 | 0:27:38 | |
We have one, two, three cups. | 0:27:38 | 0:27:41 | |
You lay one cup like that, one cup like that, one cup like that... | 0:27:41 | 0:27:45 | |
All right? | 0:27:45 | 0:27:47 | |
Now, I'm going to take the ball | 0:27:47 | 0:27:49 | |
and I'm going to place the ball in the cup. | 0:27:49 | 0:27:52 | |
Shake the cup. | 0:27:52 | 0:27:54 | |
Turn it over. | 0:27:54 | 0:27:55 | |
All right, now, you have to watch very closely. | 0:27:57 | 0:27:59 | |
You have to watch the cups. | 0:27:59 | 0:28:01 | |
I'm going to move these two round like that. | 0:28:01 | 0:28:03 | |
This one round like that. | 0:28:03 | 0:28:05 | |
Everybody clear on where the ball is now? Danny, where's the ball? | 0:28:05 | 0:28:08 | |
You think the ball's here? | 0:28:08 | 0:28:10 | |
-No, Danny, the ball's in the middle! -LAUGHTER | 0:28:10 | 0:28:12 | |
You're not watching the cups, Danny. | 0:28:12 | 0:28:14 | |
Thomas is watching the cups, aren't you, Thomas? | 0:28:16 | 0:28:19 | |
You're a gym bunny, aren't you? Aren't you? | 0:28:20 | 0:28:24 | |
A little cold gym bunny... | 0:28:24 | 0:28:26 | |
He can't stop his mouth - in every way. | 0:28:27 | 0:28:31 | |
Corky can get a little overexcited when he's drunk. | 0:28:31 | 0:28:34 | |
-Yes, that is what Mr Barghati is worried about. -That little smile... | 0:28:34 | 0:28:39 | |
-Oh, hello! -According to our friend, he has been shooting his mouth off - | 0:28:39 | 0:28:42 | |
talking about things he should not. | 0:28:42 | 0:28:44 | |
Barghati doesn't want him involved - condition of the deal. | 0:28:44 | 0:28:47 | |
-Thanks for that, Apo. -Spit. Yeah! CORKY LAUGHS | 0:28:47 | 0:28:50 | |
Come... Come with me... | 0:28:52 | 0:28:54 | |
And it's a funny thing, isn't it? | 0:28:54 | 0:28:56 | |
If you want to piss... | 0:28:56 | 0:28:57 | |
I am so sorry to interrupt, | 0:28:57 | 0:28:59 | |
-but can I just borrow the old man for a second? -Oh, of course. | 0:28:59 | 0:29:01 | |
-Thank you. -Excuse me. -Bye. Bye. Bye. | 0:29:01 | 0:29:05 | |
I have just spoken to Apo, and he has a... | 0:29:05 | 0:29:07 | |
There you go, Danny. | 0:29:07 | 0:29:09 | |
Thomas. | 0:29:16 | 0:29:18 | |
-ROPER: -For God's sake... | 0:29:18 | 0:29:21 | |
Roper, Thomas and I are going to go for a little stroll. | 0:29:21 | 0:29:25 | |
All right, darling. | 0:29:25 | 0:29:26 | |
Frisky, Major Corkoran is here with some friends of Dorothy | 0:29:31 | 0:29:35 | |
that I would like to have escorted from the premises. | 0:29:35 | 0:29:39 | |
You and Tabby can make as much noise as you like. All right? | 0:29:39 | 0:29:41 | |
A pleasure. Tabbs. | 0:29:41 | 0:29:43 | |
CORKY: If you need to relieve yourself, | 0:29:43 | 0:29:45 | |
it's good to do it into a suitable perspective. | 0:29:45 | 0:29:49 | |
It's better than a urinal, isn't it? | 0:29:49 | 0:29:51 | |
-God's urinal, I call this. -You've got to break it up. | 0:29:51 | 0:29:53 | |
You're giving the boss indigestion with your buddies here. | 0:29:53 | 0:29:56 | |
-Come on, lads. The party's over. -Frisky, go pee-pee. | 0:29:56 | 0:29:58 | |
Leave your drinks here. | 0:29:58 | 0:30:00 | |
Frisky, don't be too rough. | 0:30:00 | 0:30:01 | |
WATER SPLASHES | 0:30:15 | 0:30:17 | |
Who are all these people? | 0:30:17 | 0:30:20 | |
How should I know? | 0:30:20 | 0:30:21 | |
You're not curious? | 0:30:23 | 0:30:25 | |
Why should I be? It's business. | 0:30:25 | 0:30:27 | |
Which is what? | 0:30:27 | 0:30:29 | |
Buying and selling agricultural equipment. | 0:30:30 | 0:30:34 | |
Caro says Sandy tells her everything. | 0:30:35 | 0:30:38 | |
That would drive me insane. | 0:30:38 | 0:30:40 | |
You shouldn't have seen me like that today, in my bedroom. | 0:30:42 | 0:30:45 | |
I'm sorry. | 0:30:45 | 0:30:47 | |
The door was open. I thought you were dressed. | 0:30:47 | 0:30:49 | |
That's not what I meant. | 0:30:49 | 0:30:51 | |
I don't care who sees me naked. | 0:30:51 | 0:30:54 | |
I do care who sees me crying. | 0:30:54 | 0:30:57 | |
You tell no-one you saw that, is that clear? | 0:30:57 | 0:31:00 | |
Of course. | 0:31:00 | 0:31:02 | |
I'm going swimming. | 0:31:04 | 0:31:05 | |
-Want to come? -Ah... | 0:31:09 | 0:31:12 | |
I don't think that would be wise. | 0:31:12 | 0:31:14 | |
There's no current. | 0:31:14 | 0:31:15 | |
DRESS UNZIPS | 0:31:15 | 0:31:18 | |
That's not quite what I meant. | 0:31:18 | 0:31:20 | |
I know it wasn't. | 0:31:20 | 0:31:21 | |
HE SIGHS | 0:31:32 | 0:31:35 | |
There she goes, | 0:31:40 | 0:31:42 | |
beyond the ha-ha! | 0:31:42 | 0:31:44 | |
One day, Thomas, you'll live a little. | 0:31:46 | 0:31:48 | |
HE EXHALES | 0:32:07 | 0:32:10 | |
HE BREATHES HEAVILY | 0:32:25 | 0:32:29 | |
HE EXHALES | 0:32:34 | 0:32:36 | |
INSECTS CHIRP | 0:32:48 | 0:32:50 | |
TRAFFIC RUMBLES | 0:32:54 | 0:32:57 | |
SIRENS WAIL | 0:32:57 | 0:32:59 | |
-KNOCK AT DOOR -Erm, come... | 0:33:02 | 0:33:06 | |
Rex, do you have a minute? | 0:33:07 | 0:33:09 | |
The Permanent Secretary would love to see you. | 0:33:09 | 0:33:12 | |
Erm, yes. | 0:33:12 | 0:33:14 | |
-Is that a yes or a no? -Mm-hmm. -WOMAN LAUGHS | 0:33:28 | 0:33:30 | |
-DOOR OPENS -Rex, come in. | 0:33:30 | 0:33:34 | |
You know Geoffrey Dromgoole, of course, | 0:33:36 | 0:33:38 | |
-and his team from the River. -Rex. | 0:33:38 | 0:33:39 | |
Barbara Vandon from the American Embassy. | 0:33:39 | 0:33:41 | |
Rex Mayhew, my undersecretary. | 0:33:41 | 0:33:43 | |
-Good to see you, Rex. -Barbara, how are you? | 0:33:43 | 0:33:45 | |
Rex, it's this Limpet thing. | 0:33:45 | 0:33:47 | |
Limpet? | 0:33:47 | 0:33:48 | |
The Joel Steadman enforcement operation | 0:33:48 | 0:33:50 | |
with Angela Burr on side-saddle. | 0:33:50 | 0:33:52 | |
Yes, I know what Limpet is - it's an enforcement case. | 0:33:52 | 0:33:54 | |
It's nothing to do with Langley... or River House. | 0:33:54 | 0:33:58 | |
Well, it's what Barbara feels we ought to be discussing. | 0:33:58 | 0:34:01 | |
Rex, Langley has been completely railroaded on this. | 0:34:01 | 0:34:04 | |
Currently, we have a joint operation on foreign soil | 0:34:04 | 0:34:07 | |
between two extremely fringe outfits. | 0:34:07 | 0:34:11 | |
They're chasing international arms in an area of the world | 0:34:11 | 0:34:15 | |
that is...way beyond their comprehension. | 0:34:15 | 0:34:19 | |
It's crazy. | 0:34:19 | 0:34:20 | |
I have to say, I agree. | 0:34:20 | 0:34:22 | |
You know, Limpet is operating in a highly incendiary region, | 0:34:22 | 0:34:25 | |
and I would hate to see that run out of control. | 0:34:25 | 0:34:28 | |
In my view, it should be placed under | 0:34:28 | 0:34:30 | |
a purely intelligence jurisdiction, | 0:34:30 | 0:34:33 | |
acting on a political brief, | 0:34:33 | 0:34:36 | |
-but it's not my decision. -SIRENS WAIL | 0:34:36 | 0:34:38 | |
No, it's not. | 0:34:38 | 0:34:41 | |
I'm sure I don't need to remind you or your team | 0:34:41 | 0:34:43 | |
that my recommendation, accepted by the Permanent Secretary, | 0:34:43 | 0:34:47 | |
was that River House was overextended, | 0:34:47 | 0:34:49 | |
and that enforcement agencies were urgently needed to prosecute | 0:34:49 | 0:34:52 | |
any areas of international criminal activity that were, | 0:34:52 | 0:34:55 | |
for whatever reason, slipping through the intelligence net. | 0:34:55 | 0:34:59 | |
In that context, I find the actions of River House somewhat inimical | 0:34:59 | 0:35:04 | |
to the new era of parliamentary accountability and transparency. | 0:35:04 | 0:35:08 | |
Does that answer your question? | 0:35:11 | 0:35:12 | |
-Why don't we leave it there for today? -Thank you. | 0:35:12 | 0:35:15 | |
DOOR OPENS AND SLAMS | 0:35:17 | 0:35:19 | |
Have you got a moment? | 0:35:26 | 0:35:28 | |
Not much more than that - Celia's cooking rabbit. | 0:35:28 | 0:35:31 | |
-That's all it will take. -HE SNIFFS | 0:35:31 | 0:35:34 | |
Good job in there. | 0:35:35 | 0:35:36 | |
You pressed all the right buttons - accountability, transparency... | 0:35:36 | 0:35:40 | |
I don't like being bullied, never have. | 0:35:40 | 0:35:43 | |
You see, the thing is, I'm not sure that Limpet's quite | 0:35:43 | 0:35:46 | |
the abject failure that Angela Burr would have us believe. | 0:35:46 | 0:35:49 | |
Really? | 0:35:49 | 0:35:50 | |
So, the day that the Limpet case is ours, | 0:35:50 | 0:35:54 | |
you get an uncle in Switzerland who has suffered an untimely death... | 0:35:54 | 0:35:59 | |
a rich uncle. | 0:35:59 | 0:36:01 | |
I'm going to pretend I didn't hear that. | 0:36:04 | 0:36:06 | |
-You're in over your head, Rex. -It's... | 0:36:06 | 0:36:09 | |
Don't answer now... | 0:36:09 | 0:36:12 | |
but think about it. | 0:36:12 | 0:36:14 | |
Enjoy the rabbit. | 0:36:14 | 0:36:15 | |
-Morning. -Hi. | 0:36:43 | 0:36:44 | |
-Are you not swimming? -I'm not in the mood. | 0:36:44 | 0:36:47 | |
I like you, Thomas - you see everything and say nothing. | 0:36:51 | 0:36:56 | |
-SHE SOBS -My husband is screwing our nanny. | 0:37:00 | 0:37:04 | |
What a cliche. | 0:37:05 | 0:37:08 | |
Jed said I should have hired an uglier girl | 0:37:08 | 0:37:11 | |
-but the agency only had stunners. -SHE SNIFFLES | 0:37:11 | 0:37:14 | |
Could you do my back? | 0:37:14 | 0:37:15 | |
Don't worry, I don't want to sleep with you. | 0:37:17 | 0:37:19 | |
-Why is he keeping you here? -I don't know. | 0:37:29 | 0:37:31 | |
Grooming you, is he? | 0:37:31 | 0:37:34 | |
For what? | 0:37:34 | 0:37:36 | |
You just be careful. | 0:37:38 | 0:37:40 | |
Roper's planning a big arms deal to Apo's Lebanese friend. | 0:37:46 | 0:37:50 | |
Weapons from seven British and American companies - | 0:37:51 | 0:37:53 | |
weapons no-one should be trading in. | 0:37:53 | 0:37:55 | |
Roper's using a company called TradePass to fence the deal. | 0:37:59 | 0:38:02 | |
He pretends it trades in agricultural equipment | 0:38:04 | 0:38:06 | |
and his investors pretend to believe him. | 0:38:06 | 0:38:09 | |
You can stop rubbing now. | 0:38:11 | 0:38:13 | |
Why are you telling me this? | 0:38:19 | 0:38:22 | |
I just want to be honest with someone in this world. | 0:38:22 | 0:38:24 | |
Does Jed know? | 0:38:27 | 0:38:29 | |
No, of course not! | 0:38:29 | 0:38:31 | |
Sandy screws everyone and tells me everything. | 0:38:31 | 0:38:34 | |
Roper is steadfastly faithful and tells Jed nothing. | 0:38:34 | 0:38:38 | |
Do you think I should tell her? | 0:38:42 | 0:38:43 | |
Maybe. | 0:38:46 | 0:38:48 | |
HE GRUNTS | 0:39:00 | 0:39:02 | |
If it's worry for your boy, forget it. | 0:39:04 | 0:39:06 | |
He knew what he was getting into. | 0:39:06 | 0:39:08 | |
Did he? | 0:39:09 | 0:39:10 | |
So, you and Mr Burr, | 0:39:15 | 0:39:17 | |
are you making a go of it? | 0:39:17 | 0:39:19 | |
Well, you know, like my mum says, "You make your bed - you die in it." | 0:39:19 | 0:39:23 | |
No, Gordon's a decent man. It's not his fault I'm not in love with him. | 0:39:25 | 0:39:28 | |
Listen... | 0:39:30 | 0:39:31 | |
Oh, Joel, let's not have that conversation, please? | 0:39:31 | 0:39:34 | |
Well, you can't deny the past. | 0:39:35 | 0:39:37 | |
-Past is all it is. -It doesn't have to be. | 0:39:37 | 0:39:40 | |
SHE SIGHS | 0:39:40 | 0:39:42 | |
Joel... | 0:39:42 | 0:39:45 | |
You silly sod. | 0:39:45 | 0:39:47 | |
JOEL CHUCKLES | 0:39:47 | 0:39:48 | |
BIRDS TWITTER | 0:39:52 | 0:39:55 | |
Hi, Corky. | 0:39:57 | 0:39:59 | |
Frisky. | 0:39:59 | 0:40:00 | |
Hey, Danny. | 0:40:01 | 0:40:03 | |
Thomas, have you seen my phone? | 0:40:04 | 0:40:07 | |
I haven't. Sorry. | 0:40:09 | 0:40:11 | |
Dad'll be cross. | 0:40:14 | 0:40:16 | |
Everyone's cross and Jed's not talking to Dad. | 0:40:16 | 0:40:20 | |
What's going on? | 0:40:21 | 0:40:22 | |
I don't know. | 0:40:24 | 0:40:25 | |
I'll tell you what, | 0:40:29 | 0:40:30 | |
why don't I come downstairs and read you a bedtime story, | 0:40:30 | 0:40:33 | |
-and we can look for your phone in the morning? -OK. | 0:40:33 | 0:40:35 | |
-Yeah? -Yeah. | 0:40:35 | 0:40:37 | |
What should we read? | 0:40:37 | 0:40:39 | |
I don't know. Which one's your favourite? | 0:40:39 | 0:40:43 | |
Three Little Pigs. | 0:40:43 | 0:40:44 | |
OK, the pigs? | 0:40:44 | 0:40:45 | |
I can give you the Thomas version - Two Little Pigs. | 0:40:45 | 0:40:49 | |
HE EXHALES | 0:41:08 | 0:41:10 | |
-COMPUTER BEEPS -What's that? | 0:41:24 | 0:41:27 | |
-That right there. Punch that up. Punch that up. -What is it? | 0:41:27 | 0:41:31 | |
It's your boy. | 0:41:31 | 0:41:33 | |
"Seven tractor firms" - seven armament manufacturers? | 0:41:33 | 0:41:37 | |
"Home sale with best friend" - that's the UK and the US. | 0:41:37 | 0:41:40 | |
"Buyer in Beirut via Worst Man". | 0:41:40 | 0:41:42 | |
Well, Worst Man is Roper - Roper's the middleman? | 0:41:42 | 0:41:44 | |
-What's TradePass? -I'm not sure, | 0:41:44 | 0:41:46 | |
must be a front organisation. | 0:41:46 | 0:41:47 | |
What I do know, though, | 0:41:47 | 0:41:48 | |
is Roper's pressed the green light. | 0:41:48 | 0:41:50 | |
All right. OK. Hey, guys... | 0:41:50 | 0:41:52 | |
OK, so, just put the cases by the taxi and then you can jump in. | 0:41:57 | 0:42:02 | |
Good girl. Pop in. Jump in. | 0:42:02 | 0:42:04 | |
OK, put your seatbelts on, guys. | 0:42:06 | 0:42:08 | |
CARO CRIES SOFTLY | 0:42:11 | 0:42:13 | |
OK... | 0:42:22 | 0:42:25 | |
-OK. Here we go. -ENGINE RUMBLES | 0:42:25 | 0:42:27 | |
WOMAN SOBS | 0:42:31 | 0:42:34 | |
Get in the taxi, you bloody whore! | 0:42:34 | 0:42:36 | |
-Caroline, for... -You bitch! | 0:42:36 | 0:42:37 | |
Caroline, for Christ's sake, she's going. | 0:42:37 | 0:42:39 | |
She's going. She's go... | 0:42:39 | 0:42:41 | |
Caro... | 0:42:41 | 0:42:42 | |
Bitch! Whore! | 0:42:42 | 0:42:44 | |
-Caroline. -Just shut up! -All right. | 0:42:44 | 0:42:46 | |
Just shut up, Sandy, you shit! | 0:42:46 | 0:42:48 | |
What, you like the show? | 0:42:52 | 0:42:53 | |
You like the show, Dicky? | 0:42:57 | 0:42:59 | |
Dicky Roper? | 0:43:00 | 0:43:02 | |
CAR ENGINE REVS | 0:43:06 | 0:43:10 | |
See you later, guys. | 0:43:10 | 0:43:11 | |
Jed, darling... | 0:43:25 | 0:43:26 | |
Don't even. | 0:43:26 | 0:43:28 | |
Where is everybody? | 0:43:50 | 0:43:52 | |
-Monaco. -Huh. -Two days of meetings. | 0:43:52 | 0:43:55 | |
Things are ramping up. | 0:43:55 | 0:43:57 | |
And you're not... | 0:43:57 | 0:43:59 | |
-You're not going too? -Not me, no. | 0:43:59 | 0:44:02 | |
The girl was supposed to go but she's blown him out. | 0:44:02 | 0:44:04 | |
I'm staying with her. | 0:44:04 | 0:44:05 | |
We're going riding instead. | 0:44:05 | 0:44:07 | |
Didn't she invite you? | 0:44:07 | 0:44:09 | |
-Oh, dear. -PINE CHUCKLES | 0:44:09 | 0:44:12 | |
Very good. Well, have a nice time. | 0:44:12 | 0:44:14 | |
CLOCK TICKS, INSECT BUZZES | 0:44:19 | 0:44:21 | |
HE BREATHES HEAVILY | 0:45:39 | 0:45:42 | |
ALARM BLARES | 0:45:42 | 0:45:47 | |
ALARM CONTINUES | 0:45:49 | 0:45:52 | |
ALARM STOPS, HE EXHALES | 0:46:56 | 0:46:58 | |
-JED: -I'll just be a minute. | 0:47:05 | 0:47:07 | |
What are you doing in here? | 0:47:21 | 0:47:22 | |
I brought you some flowers. | 0:47:24 | 0:47:26 | |
Why didn't you give them to the maids? | 0:47:27 | 0:47:29 | |
-I have to change. -Close the door. | 0:47:32 | 0:47:34 | |
You can't be in here. | 0:47:50 | 0:47:52 | |
This is our bedroom. | 0:47:54 | 0:47:55 | |
What is that? | 0:48:02 | 0:48:03 | |
I found it on the desktop. | 0:48:06 | 0:48:09 | |
You broke into his office and you spied on his papers. | 0:48:09 | 0:48:12 | |
You have to be more careful. | 0:48:15 | 0:48:16 | |
-CORKY: -Darling, Angel, Sweetie, everyone's starving... | 0:48:26 | 0:48:29 | |
-He can't see you. -Get rid of him. | 0:48:29 | 0:48:31 | |
Are you decent? | 0:48:33 | 0:48:35 | |
-What's going on? -Nothing. I'm coming. | 0:48:40 | 0:48:42 | |
How was your trip? | 0:49:30 | 0:49:31 | |
Noisy. I hitched a ride on a C-130. | 0:49:31 | 0:49:34 | |
Oh, fun. | 0:49:34 | 0:49:35 | |
How was yours? | 0:49:35 | 0:49:36 | |
Fine, thank you. | 0:49:36 | 0:49:37 | |
I'm not sure why we had to make it. | 0:49:37 | 0:49:39 | |
Is there a reason we're doing this in person? | 0:49:39 | 0:49:42 | |
Well, Halo is not too keen on intermediaries just now. | 0:49:42 | 0:49:46 | |
And yet he's sent you? | 0:49:46 | 0:49:48 | |
There's an enforcement operation called Limpet. | 0:49:48 | 0:49:51 | |
We have to keep our eyes on it. | 0:49:51 | 0:49:52 | |
Halo says you need to be careful. | 0:49:52 | 0:49:55 | |
I am always careful. | 0:49:55 | 0:49:57 | |
How far have they got? | 0:49:57 | 0:49:58 | |
They've drawn a line between Langbourne and Apostol. | 0:49:58 | 0:50:02 | |
-Jesus. -How did they manage that? | 0:50:02 | 0:50:04 | |
A photograph of a meeting. | 0:50:04 | 0:50:07 | |
Are they after buyers or sellers? | 0:50:07 | 0:50:09 | |
We don't know. We assume both. | 0:50:09 | 0:50:11 | |
You can assure Halo that we have taken every precaution. | 0:50:11 | 0:50:14 | |
We have received intelligence of our own. | 0:50:14 | 0:50:18 | |
We are changing the guard. | 0:50:18 | 0:50:21 | |
Good. | 0:50:21 | 0:50:22 | |
-JED: -'How was your meeting?' | 0:50:40 | 0:50:41 | |
It was fine. | 0:50:43 | 0:50:44 | |
It was fine? | 0:50:46 | 0:50:47 | |
Don't be so bloody childish! Look, Caro was upset. | 0:50:47 | 0:50:51 | |
She wanted to get back at Sandy so she started spreading manure. | 0:50:51 | 0:50:55 | |
That's it. End of story. | 0:50:55 | 0:50:56 | |
That's what it is - it's just a story? | 0:50:56 | 0:50:59 | |
Jesus, Jed, what the hell is the matter with you? | 0:50:59 | 0:51:01 | |
Tell me why I should believe you. | 0:51:01 | 0:51:03 | |
Why shouldn't you believe me? | 0:51:03 | 0:51:05 | |
When have I ever lied to you? | 0:51:05 | 0:51:07 | |
Oh, you...you don't lie to me. | 0:51:07 | 0:51:08 | |
You're much too clever for that. You just hide. | 0:51:08 | 0:51:11 | |
What? What do I hide? | 0:51:11 | 0:51:12 | |
The truth, Roper! | 0:51:12 | 0:51:14 | |
Well, what about your truth? | 0:51:14 | 0:51:15 | |
What about the things you hide from me? | 0:51:15 | 0:51:17 | |
I don't hide anything from you. | 0:51:17 | 0:51:18 | |
You have a child, Jed! You have a son. | 0:51:18 | 0:51:21 | |
Let's start with him. | 0:51:23 | 0:51:24 | |
Or don't you think he counts? | 0:51:25 | 0:51:27 | |
-How do you know? -We're not talking how, we're talking why. | 0:51:33 | 0:51:37 | |
Why would you hide that from me? | 0:51:37 | 0:51:38 | |
That was not included in the brochure. | 0:51:38 | 0:51:40 | |
Screw your brochure, Roper. | 0:51:40 | 0:51:43 | |
You don't own me. | 0:51:43 | 0:51:44 | |
No-one is entitled to know things about me | 0:51:44 | 0:51:46 | |
that I don't want them to know. | 0:51:46 | 0:51:48 | |
Oh, but you're entitled to spy on my life? | 0:51:48 | 0:51:50 | |
I can read a bloody bank statement. | 0:51:50 | 0:51:52 | |
I'm paying money to raise another man's kid. | 0:51:54 | 0:51:56 | |
I know that... | 0:51:56 | 0:51:57 | |
..and now anyone listening to this phone call knows it too. | 0:51:59 | 0:52:03 | |
Apart from that, how was your day? | 0:52:12 | 0:52:13 | |
PHONE BEEPS | 0:52:14 | 0:52:17 | |
COMPUTER BEEPS | 0:53:09 | 0:53:11 | |
-PEN CLATTERS TO FLOOR -On your feet, soldier. | 0:53:21 | 0:53:24 | |
HE GRUNTS | 0:53:26 | 0:53:29 | |
Where the hell did he get that? | 0:53:34 | 0:53:35 | |
-"Halo". -Yeah. | 0:53:42 | 0:53:44 | |
BIRDS TWITTER | 0:53:46 | 0:53:49 | |
They're back? | 0:53:56 | 0:53:57 | |
Apparently so. | 0:53:57 | 0:53:59 | |
The chief wants to see you. | 0:54:05 | 0:54:07 | |
Not you, him. | 0:54:07 | 0:54:10 | |
Present for you on the table. | 0:54:27 | 0:54:29 | |
Thank you. | 0:54:40 | 0:54:41 | |
I told them to put some visas in it and make it look scruffy. | 0:54:41 | 0:54:44 | |
Never trust a new passport, in my view. | 0:54:44 | 0:54:46 | |
Always go with the old 'uns - | 0:54:46 | 0:54:47 | |
like Third World taxi drivers, there's a reason they have survived. | 0:54:47 | 0:54:51 | |
"Andrew Birch"? | 0:54:55 | 0:54:56 | |
We like the tree thing - we thought we'd stick with that. | 0:54:56 | 0:55:00 | |
It's all official. You are reborn. | 0:55:00 | 0:55:02 | |
The visas are real. | 0:55:02 | 0:55:04 | |
If you want to renew, go to the consulate abroad - less risky. | 0:55:04 | 0:55:08 | |
PASSPORT CLATTERS TO GROUND | 0:55:08 | 0:55:10 | |
-What's up? -Erm, I thought that was my present. | 0:55:10 | 0:55:14 | |
Well, it can be, if you do something for me. | 0:55:14 | 0:55:19 | |
Right. | 0:55:19 | 0:55:20 | |
Sandy, papers. | 0:55:20 | 0:55:22 | |
Mm-hmm. | 0:55:22 | 0:55:24 | |
We're going to need a witness - | 0:55:24 | 0:55:26 | |
preferably Spanish so they can't actually read the bloody thing. | 0:55:26 | 0:55:28 | |
I'll get Carlos. | 0:55:28 | 0:55:31 | |
-Is he 18? -Yeah. | 0:55:31 | 0:55:32 | |
Wait, what is this? What am I signing? | 0:55:32 | 0:55:34 | |
Jesus, Pine, | 0:55:34 | 0:55:35 | |
for a murderer on the run, you're pretty bloody picky. | 0:55:35 | 0:55:38 | |
I am giving you your own company. | 0:55:38 | 0:55:41 | |
Erm... Look, I... Look, I really... | 0:55:45 | 0:55:47 | |
I don't know anything about running a company. | 0:55:47 | 0:55:50 | |
You don't have to. | 0:55:50 | 0:55:52 | |
All you have to do is sign as Andrew Birch. | 0:55:52 | 0:55:58 | |
Why don't you practise a few signatures? Get the feel of it. | 0:55:58 | 0:56:01 | |
HE CLEARS HIS THROAT | 0:56:04 | 0:56:05 | |
Andrew Birch. | 0:56:06 | 0:56:08 | |
B-I-R, | 0:56:08 | 0:56:10 | |
C for Charlie, | 0:56:10 | 0:56:11 | |
H for Hotel. | 0:56:11 | 0:56:13 | |
Go on. Manly one. Go for a manly one. | 0:56:16 | 0:56:18 | |
Andrew Birch in a hurry. | 0:56:18 | 0:56:20 | |
-ROPER GROWLS -Andrew Birch. One more. | 0:56:20 | 0:56:23 | |
That's more like it. | 0:56:27 | 0:56:28 | |
DOOR OPENS | 0:56:28 | 0:56:31 | |
Carlos, ven aqui. Necesito que firmes esto. | 0:56:31 | 0:56:35 | |
There and there and one more there. | 0:56:45 | 0:56:47 | |
Carlos, here, right at the bottom. | 0:56:59 | 0:57:01 | |
Good lad. | 0:57:04 | 0:57:06 | |
DOOR OPENS | 0:57:10 | 0:57:12 | |
DOOR CLOSES | 0:57:14 | 0:57:16 | |
Welcome to the family, Andrew. | 0:57:16 | 0:57:18 |