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What's the Haven? | 0:00:56 | 0:00:58 | |
You were in the army, weren't you? | 0:00:59 | 0:01:01 | |
Iraq. | 0:01:02 | 0:01:04 | |
Well, then you should feel very much at home. | 0:01:04 | 0:01:07 | |
What's this? | 0:01:18 | 0:01:20 | |
That... | 0:01:20 | 0:01:21 | |
is a coded account summary of the entire operation. | 0:01:21 | 0:01:25 | |
A complete list of people cash flowing the deal. | 0:01:26 | 0:01:29 | |
A summary of expenses, | 0:01:31 | 0:01:33 | |
names of consultants, profit margins, | 0:01:33 | 0:01:36 | |
the whole shooting match. | 0:01:36 | 0:01:38 | |
Yet, somehow... | 0:01:38 | 0:01:40 | |
..this found its way into the hands of a British enforcement official | 0:01:41 | 0:01:45 | |
called Angela Burr. | 0:01:45 | 0:01:47 | |
Now, here's the problem. | 0:01:49 | 0:01:51 | |
There are only two people in the world | 0:01:51 | 0:01:53 | |
who have that list in their possession. | 0:01:53 | 0:01:56 | |
Sandy Langbourne | 0:01:56 | 0:01:57 | |
and me. | 0:01:57 | 0:01:58 | |
So, how did Angela Burr get it? | 0:02:01 | 0:02:03 | |
It's not Sandy. | 0:02:08 | 0:02:09 | |
He'd never betray you. | 0:02:11 | 0:02:13 | |
Anyone can betray anyone, Jonathan. | 0:02:14 | 0:02:16 | |
You should know that. | 0:02:17 | 0:02:19 | |
Whose handwriting is this? | 0:02:21 | 0:02:23 | |
Apostol, our Spanish lawyer friend. | 0:02:23 | 0:02:27 | |
That's why he's no longer with us. | 0:02:27 | 0:02:29 | |
You should call off the sale. | 0:02:31 | 0:02:33 | |
Oh, they would love that. | 0:02:33 | 0:02:35 | |
Whitehall pricks in the foyer. | 0:02:37 | 0:02:39 | |
I'm not going to give up that easy. | 0:02:42 | 0:02:44 | |
Just have to plug the leak. | 0:02:44 | 0:02:45 | |
It's Langbourne, Corkoran... | 0:02:47 | 0:02:50 | |
Jed... | 0:02:50 | 0:02:51 | |
..or you. | 0:02:54 | 0:02:55 | |
Is it you, Jonathan? | 0:02:59 | 0:03:01 | |
No. | 0:03:03 | 0:03:04 | |
Whoever it is... | 0:03:11 | 0:03:12 | |
..they are living on borrowed time. | 0:03:13 | 0:03:15 | |
Good trip, sir? | 0:03:34 | 0:03:35 | |
Very good, Jasper, thank you, yes. | 0:03:35 | 0:03:37 | |
May I introduce Mr Andrew Birch, director of Trade Pass. | 0:03:37 | 0:03:40 | |
We will be facilitating Mr Birch's sale. | 0:03:40 | 0:03:43 | |
Pleasure to meet you, Mr Birch. | 0:03:43 | 0:03:45 | |
I assume Mr Birch's merchandise got here safely? | 0:03:45 | 0:03:48 | |
The trucks arrived this morning. | 0:03:48 | 0:03:49 | |
You missed a hell of a storm last night, sir. | 0:03:49 | 0:03:52 | |
It is not a fair world. | 0:04:13 | 0:04:14 | |
No, it isn't. | 0:04:16 | 0:04:18 | |
Syrian border's 200 miles to the south. | 0:04:18 | 0:04:20 | |
Refugee camps are all around us here. | 0:04:20 | 0:04:23 | |
They come here with nothing, | 0:04:23 | 0:04:25 | |
lives ripped apart, homes destroyed. | 0:04:25 | 0:04:28 | |
Who are the taxis for? | 0:04:28 | 0:04:30 | |
The Western aid workers who can't get to the airport fast enough. | 0:04:30 | 0:04:34 | |
Still, we do our bit, don't we, Jasper? | 0:04:34 | 0:04:36 | |
Yes, sir. | 0:04:36 | 0:04:38 | |
This is our little contribution. | 0:04:38 | 0:04:39 | |
A safe haven for the wretched of the Earth. | 0:04:41 | 0:04:44 | |
Hello, hello. How are you? How are you? | 0:04:57 | 0:05:00 | |
Salaam Alaikum, Salaam Alaikum. | 0:05:00 | 0:05:02 | |
Hello, how are you? How are you? | 0:05:02 | 0:05:05 | |
Salaam Alaikum. Let's see what we have here. | 0:05:08 | 0:05:11 | |
There we go. | 0:05:12 | 0:05:13 | |
Oh, my goodness. See if we can get a picture. | 0:05:17 | 0:05:19 | |
Let's smile to the camera, shall we? | 0:05:19 | 0:05:22 | |
Excellent. | 0:05:22 | 0:05:23 | |
Can you carry a box all on your own? | 0:05:23 | 0:05:25 | |
You stay there and see if you can carry this all on your own. | 0:05:25 | 0:05:27 | |
There you go. | 0:05:27 | 0:05:29 | |
All right, very nice to see you. | 0:05:29 | 0:05:31 | |
Justifies us being here. | 0:05:40 | 0:05:41 | |
It means no-one asks any questions about our other activities. | 0:05:41 | 0:05:45 | |
Right, Tabby, collect all the phones. | 0:06:14 | 0:06:15 | |
No calls in or out. | 0:06:15 | 0:06:17 | |
Frisky, see if you can get Mr Birch some suitable gear. | 0:06:17 | 0:06:20 | |
Site been cleared? | 0:06:20 | 0:06:21 | |
Happening as we speak, sir. | 0:06:21 | 0:06:22 | |
Firework display. | 0:06:23 | 0:06:25 | |
You're in charge. Got a lot of homework to do. | 0:06:25 | 0:06:27 | |
Make sure you know what you are selling. | 0:06:27 | 0:06:29 | |
Sir, this way. | 0:06:29 | 0:06:30 | |
Welcome to the Haven. | 0:06:32 | 0:06:34 | |
KNOCKING ON DOOR | 0:07:02 | 0:07:03 | |
You asked to see me? | 0:07:05 | 0:07:06 | |
Rex. | 0:07:06 | 0:07:07 | |
The Royal Household have been in touch. | 0:07:11 | 0:07:14 | |
Informally, so don't go spreading it around. | 0:07:14 | 0:07:17 | |
The Palace do tend to get rather edgy about that sort of thing. | 0:07:17 | 0:07:20 | |
They're looking for a new private secretary. | 0:07:21 | 0:07:24 | |
Some rookie's made too many mistakes, so they want someone | 0:07:24 | 0:07:27 | |
with tact and experience to take over the position. | 0:07:27 | 0:07:31 | |
Tea with the Queen. | 0:07:33 | 0:07:34 | |
Nice work if you can get it. | 0:07:36 | 0:07:37 | |
And I'm going to get it, am I? | 0:07:38 | 0:07:40 | |
Well, only if you want it... | 0:07:42 | 0:07:44 | |
..of course. | 0:07:45 | 0:07:46 | |
PHONE RINGS | 0:07:48 | 0:07:49 | |
The private jet left Istanbul at 8.20am, | 0:07:49 | 0:07:52 | |
but we have no satellite information after that. | 0:07:52 | 0:07:54 | |
-Why not? -The Turks say they need a higher level request | 0:07:54 | 0:07:57 | |
-for all flight intel. -So, get me one. | 0:07:57 | 0:07:59 | |
I've tried, ma'am, they said no. | 0:07:59 | 0:08:01 | |
I've lost my boy and I need to know where he is! | 0:08:01 | 0:08:03 | |
Right, so this is what we know - | 0:08:03 | 0:08:05 | |
a British ship called the Leila Jane docked in Istanbul two days ago. | 0:08:05 | 0:08:09 | |
It's got no right to be anywhere near Istanbul. | 0:08:09 | 0:08:11 | |
It should be in the Azores and it should be full of crop sprayers. | 0:08:11 | 0:08:14 | |
Now it's gone again. | 0:08:14 | 0:08:15 | |
But a cargo was taken off in Istanbul and her cargo was this - | 0:08:15 | 0:08:19 | |
British and American arms. | 0:08:19 | 0:08:20 | |
Seven new deals in the last month. | 0:08:20 | 0:08:22 | |
Now, they're selling to a no-go customer | 0:08:22 | 0:08:24 | |
somewhere in the Middle East and the middleman is Richard Roper. | 0:08:24 | 0:08:27 | |
He is going to Turkey to meet the buyer at a place called the Haven. | 0:08:27 | 0:08:30 | |
I need more money, I need personnel on the ground and | 0:08:30 | 0:08:33 | |
I need somebody to tell me where the bloody hell my agent is! | 0:08:33 | 0:08:35 | |
Listen, listen. | 0:08:35 | 0:08:36 | |
The Permanent Secretary has requested that | 0:08:40 | 0:08:43 | |
I no longer manage Enforcement Agencies. | 0:08:43 | 0:08:46 | |
As of the end of this week... | 0:08:48 | 0:08:50 | |
I will be reassigned. | 0:08:50 | 0:08:52 | |
The Permanent Secretary leaked my intelligence to Dromgoole. | 0:08:53 | 0:08:57 | |
-She's part of it. -Her job is to preserve the status quo... | 0:08:57 | 0:09:00 | |
..whatever it takes. | 0:09:01 | 0:09:03 | |
When a continent enters into chaos, that's when opportunities open up. | 0:09:12 | 0:09:17 | |
The British knew that in China, | 0:09:17 | 0:09:19 | |
the Yanks in South America. | 0:09:19 | 0:09:20 | |
I'm doing the same here. | 0:09:20 | 0:09:23 | |
We can train armies to fight in deserts, mountains, | 0:09:23 | 0:09:25 | |
we can teach them anti-guerrilla tactics, | 0:09:25 | 0:09:27 | |
how to deal with political insurgency. | 0:09:27 | 0:09:29 | |
And for a small surcharge, | 0:09:29 | 0:09:32 | |
we can even send in teams of our own to deal with specific targets. | 0:09:32 | 0:09:35 | |
Assassinations, fake terror plots, even the odd coup. Can't we, Jasper? | 0:09:35 | 0:09:40 | |
Yes, sir. | 0:09:40 | 0:09:41 | |
Jasper looks like a teddy bear, but don't let him | 0:09:41 | 0:09:44 | |
near your neck on a bad day. | 0:09:44 | 0:09:46 | |
-Good to see you, sir. -How are you, Aiden? | 0:09:46 | 0:09:48 | |
Good. Looking forward to playing with the new toys. | 0:09:48 | 0:09:51 | |
Boys keeping fit? | 0:09:51 | 0:09:52 | |
Not a bad set-up, is it? | 0:09:52 | 0:09:54 | |
It's unbelievable. | 0:09:54 | 0:09:56 | |
He's got his own country. | 0:09:56 | 0:09:58 | |
Not just a country, old boy. | 0:09:58 | 0:10:00 | |
This is a kingdom. | 0:10:00 | 0:10:01 | |
ROCK MUSIC PLAYS | 0:10:06 | 0:10:07 | |
HUBBUB OF CHAT | 0:10:08 | 0:10:09 | |
Look sharp, Mr Roper on deck! | 0:10:14 | 0:10:16 | |
MUSIC STOPS | 0:10:16 | 0:10:17 | |
-Morning, sir! -Morning! | 0:10:17 | 0:10:18 | |
ALL SHOUT GREETING | 0:10:18 | 0:10:20 | |
All right. All right. All right. | 0:10:20 | 0:10:23 | |
You fellows been busy while I've been gone? | 0:10:23 | 0:10:25 | |
ALL: Yes! | 0:10:25 | 0:10:27 | |
All ready for you, chief. Spick and span. | 0:10:27 | 0:10:29 | |
Glad to hear it. Andrew, come here. | 0:10:29 | 0:10:31 | |
Because Mr Birch here | 0:10:31 | 0:10:33 | |
wants to put on a good show for our guests tonight. | 0:10:33 | 0:10:35 | |
So I want you to give him all the help he needs. | 0:10:35 | 0:10:38 | |
He has worn khaki himself, so don't feel you need to talk pretty. | 0:10:38 | 0:10:42 | |
LAUGHTER | 0:10:42 | 0:10:43 | |
Andrew Birch. Which regiment were you in? | 0:10:45 | 0:10:48 | |
1st Battalion, Fusiliers. | 0:10:48 | 0:10:50 | |
You lost two men in Basra. 2005. I was there. | 0:10:50 | 0:10:53 | |
Yes, sir. Good friends of mine. | 0:10:53 | 0:10:55 | |
Why'd you leave? | 0:10:55 | 0:10:56 | |
Same as you, I'd imagine. I'd done three tours. | 0:10:56 | 0:10:59 | |
Time to cash in the chips. | 0:10:59 | 0:11:01 | |
And become a mercenary. | 0:11:01 | 0:11:03 | |
Every soldier fights for money, Andrew, if he's got half a brain. | 0:11:03 | 0:11:06 | |
You were paid in Iraq, weren't you? | 0:11:06 | 0:11:09 | |
These men are selling their skills, same as anyone else. | 0:11:09 | 0:11:12 | |
MEN SHOUT AGREEMENT | 0:11:12 | 0:11:14 | |
Actually, no, not the same. | 0:11:14 | 0:11:15 | |
What you're looking at here is the real United Nations. | 0:11:15 | 0:11:17 | |
ALL: Yes! | 0:11:17 | 0:11:19 | |
You've got Americans, Russians, Ukrainians, Serbs, Croats, Angolans... | 0:11:19 | 0:11:24 | |
Latvian, come on! | 0:11:24 | 0:11:26 | |
One Latvian, but a very loud one. | 0:11:26 | 0:11:28 | |
All living, working together. | 0:11:28 | 0:11:31 | |
One big happy family. | 0:11:31 | 0:11:33 | |
Aye, but with no mum! | 0:11:37 | 0:11:39 | |
Well, in that case, I will be mother. | 0:11:41 | 0:11:44 | |
Don't be a tit, Sandy. | 0:11:44 | 0:11:46 | |
These men are about to operate some extremely heavy machinery. | 0:11:46 | 0:11:49 | |
Besides, that won't be anything like cold enough. | 0:11:51 | 0:11:53 | |
How have you been, Alexai, leg all right? | 0:11:56 | 0:11:59 | |
Good, glad to hear it. | 0:11:59 | 0:12:00 | |
Something's wrong. He's treating me like I just shot his mother. | 0:12:02 | 0:12:05 | |
He thinks there might be a rotten apple. | 0:12:08 | 0:12:11 | |
What do you mean? | 0:12:11 | 0:12:12 | |
Don't be ridiculous. | 0:12:14 | 0:12:15 | |
Mr Barghati, salaam alaikum. | 0:13:30 | 0:13:34 | |
Alaikum salaam, Mr Birch. | 0:13:34 | 0:13:35 | |
Just this way. Please have some tea. | 0:13:35 | 0:13:38 | |
OK, Jasper, let's start the show. | 0:13:39 | 0:13:41 | |
Yes, sir. | 0:13:41 | 0:13:43 | |
-Frisky, you're going to need these. -Cheers, Jaz. | 0:13:43 | 0:13:45 | |
-Mr Langbourne, sir. -Thank you. | 0:13:45 | 0:13:47 | |
-Mr Barghati, sir. -Thank you. Will it be loud? | 0:13:47 | 0:13:50 | |
I certainly hope so, sir. | 0:13:50 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:53 | |
This is Guy Fawkes. | 0:13:55 | 0:13:56 | |
All players, on the flare in ten. | 0:13:56 | 0:13:57 | |
'Copy, Guy Fawkes, on the flare in ten.' | 0:13:57 | 0:14:01 | |
Mr Barghati. Would you care to do the honours? | 0:14:01 | 0:14:03 | |
Why not? Thank you. | 0:14:03 | 0:14:06 | |
45 degrees straight into the sky, | 0:14:08 | 0:14:10 | |
it has a little bit of a bit of a kick. | 0:14:10 | 0:14:11 | |
GUNSHOT | 0:14:15 | 0:14:16 | |
Thank you, sir. | 0:14:22 | 0:14:24 | |
Ah. We appear to have a visitor. | 0:14:27 | 0:14:31 | |
VEHICLE APPROACHES | 0:14:31 | 0:14:33 | |
Friend of yours, Mr Barghati? | 0:14:33 | 0:14:35 | |
It's very hard to tell. | 0:14:35 | 0:14:38 | |
Unless biometric software identifies... | 0:14:38 | 0:14:41 | |
enemy contact. | 0:14:41 | 0:14:43 | |
EXPLOSION | 0:14:45 | 0:14:46 | |
The FGM Javelin light anti-tank missile. | 0:14:46 | 0:14:49 | |
A fire-and-forget system with an effective range of up to | 0:14:49 | 0:14:51 | |
2,500 metres. | 0:14:51 | 0:14:53 | |
Who was driving that car? | 0:14:53 | 0:14:55 | |
Don't worry, sir. Here he is. | 0:14:55 | 0:14:57 | |
And would you believe it, Mr Barghati, | 0:14:57 | 0:14:59 | |
he doesn't even have a driving licence? | 0:14:59 | 0:15:01 | |
It has a tandem warhead. Fitted with two shaped charges. | 0:15:03 | 0:15:07 | |
Guaranteed for penetration of surface and base reactive armour. | 0:15:07 | 0:15:11 | |
They're using four-to-one tracer for our benefit, Mr Barghati. | 0:15:16 | 0:15:19 | |
Of course, in reality, IR guidance would render that unnecessary. | 0:15:19 | 0:15:22 | |
Pretty, though. | 0:15:22 | 0:15:23 | |
WHOOSH OVERHEAD | 0:15:23 | 0:15:25 | |
FIM Stinger. | 0:15:28 | 0:15:29 | |
A man-portable surface-to-air missile, | 0:15:32 | 0:15:35 | |
weighing only 15kg. | 0:15:35 | 0:15:36 | |
The new 92F model contains a rollover sensor | 0:15:36 | 0:15:39 | |
and modified control software. | 0:15:39 | 0:15:41 | |
AUTOMATIC GUNFIRE | 0:15:41 | 0:15:43 | |
GUNFIRE AND EXPLOSIONS CONTINUE | 0:15:46 | 0:15:48 | |
You miss it, do you? | 0:15:57 | 0:15:58 | |
Being down there with burnt cork on your face, dagger in your teeth? | 0:15:58 | 0:16:02 | |
No, not at all. I'd much rather be up here watching. | 0:16:05 | 0:16:08 | |
Thank you. | 0:16:08 | 0:16:09 | |
Quite right, too. War as spectator sport. | 0:16:09 | 0:16:13 | |
We are Emperors of Rome, Andrew. | 0:16:14 | 0:16:16 | |
Blood and steel, the only elements that ever meant anything. | 0:16:16 | 0:16:21 | |
Now, Mr Barghati, we have taken the liberty | 0:16:26 | 0:16:28 | |
of assuming that neither you nor the other members | 0:16:28 | 0:16:31 | |
of your consortium are signatories to the Oslo Convention. | 0:16:31 | 0:16:34 | |
UN takes a rather dim view of cluster munitions on the basis that, | 0:16:35 | 0:16:39 | |
and I quote, they pose an "indiscriminate threat to the civilian population". | 0:16:39 | 0:16:44 | |
We prefer to use the term... democratic. | 0:16:45 | 0:16:48 | |
Do you agree with my definition? | 0:17:06 | 0:17:08 | |
-Yes. -Good. | 0:17:09 | 0:17:11 | |
Now, the grand finale. | 0:17:20 | 0:17:21 | |
Pay close attention. We cleared a whole village for this bit. | 0:17:23 | 0:17:26 | |
PLANE OVERHEAD | 0:17:26 | 0:17:27 | |
Nothing quite as pretty as napalm at night. | 0:17:55 | 0:17:58 | |
Hard to get hold of these days, of course, | 0:17:59 | 0:18:02 | |
but then that's why you come to us. | 0:18:02 | 0:18:04 | |
-Oh, you're very kind. Thank you. -Excellent. -Thank you. | 0:18:15 | 0:18:18 | |
Mr Barghati, safe journey. | 0:18:18 | 0:18:19 | |
Goodbye, Mr Birch. I will be singing your praises to my consortium. | 0:18:19 | 0:18:24 | |
Well, do send them my best wishes. | 0:18:24 | 0:18:25 | |
Where are you flying to, sir? | 0:18:26 | 0:18:28 | |
Ah, that's a question you do not ask. | 0:18:28 | 0:18:30 | |
Just as I do not ask where the goods came from. | 0:18:30 | 0:18:33 | |
This is a long and noble tradition. | 0:18:33 | 0:18:36 | |
The supplier is silent, the buyer is discreet. And business is done. | 0:18:36 | 0:18:40 | |
I went to London School of Economics. | 0:18:40 | 0:18:43 | |
I learnt everything I know in your capital city. | 0:18:43 | 0:18:45 | |
-Did you? -Do send it my best wishes. | 0:18:45 | 0:18:48 | |
-I will. -Mr Barghati, your carriage awaits. | 0:18:48 | 0:18:51 | |
Hope you have a very pleasant and safe journey. | 0:18:51 | 0:18:54 | |
My best to your family, of course. | 0:18:54 | 0:18:56 | |
Thank you. Thank you. | 0:18:56 | 0:18:57 | |
Do you know, I have, er, a couple of tickets for the French Open | 0:18:59 | 0:19:02 | |
later in the year if you're interested. | 0:19:02 | 0:19:04 | |
I don't know if that's something you would enjoy. | 0:19:04 | 0:19:06 | |
-That would be absolutely wonderful. -Splendid. -Wonderful. | 0:19:06 | 0:19:10 | |
All right, sir, have a safe journey. | 0:19:11 | 0:19:13 | |
I left Pearl with a small team in Istanbul, in case | 0:20:09 | 0:20:11 | |
our boy makes contact. | 0:20:11 | 0:20:13 | |
Yeah. What chance of that? | 0:20:13 | 0:20:14 | |
Joel's advised we burn our boy completely. | 0:20:14 | 0:20:17 | |
He thinks Roper's turned him. | 0:20:17 | 0:20:18 | |
What do you think? | 0:20:19 | 0:20:21 | |
Well, he attacked our own people. | 0:20:21 | 0:20:23 | |
Whether he wanted to or he had to, I don't know. | 0:20:23 | 0:20:25 | |
And I tried to get access to those bank accounts of the, er, | 0:20:25 | 0:20:29 | |
companies on the Tradepass list - every request blocked. | 0:20:29 | 0:20:33 | |
I need a sodding warrant and I can't get a warrant | 0:20:33 | 0:20:35 | |
because I don't have the authority. | 0:20:35 | 0:20:37 | |
And...I think I'm being followed. | 0:20:37 | 0:20:41 | |
When I left the house this morning, | 0:20:41 | 0:20:42 | |
there was a car at the end of the road. | 0:20:42 | 0:20:44 | |
Might you have imagined it? | 0:20:44 | 0:20:46 | |
I'm just saying. You're tired. | 0:20:46 | 0:20:48 | |
I'm tired. I'm pregnant. I'm emotional. I saw a car. | 0:20:48 | 0:20:51 | |
Yeah, all right! | 0:20:53 | 0:20:54 | |
PHONE SLAMS DOWN | 0:20:54 | 0:20:56 | |
What is it? | 0:20:58 | 0:20:59 | |
Limpet's been closed down. Funding withdrawn. | 0:21:00 | 0:21:03 | |
-Whose authority? -All I know is we're being mothballed. | 0:21:05 | 0:21:07 | |
I'm being called back to Washington this afternoon. Goddamn it. | 0:21:07 | 0:21:10 | |
Back to chasing Mexican gunrunners in Arizona. | 0:21:10 | 0:21:12 | |
Is there anything you can do about it? | 0:21:12 | 0:21:14 | |
Not a goddamn thing. I'm sorry. | 0:21:14 | 0:21:16 | |
There is just too many people who don't want us doing what we're doing. | 0:21:22 | 0:21:25 | |
When was the last time you got some rest? | 0:21:27 | 0:21:30 | |
Why don't you go home, get some sleep, huh? Come on. | 0:21:30 | 0:21:33 | |
It's OK. | 0:21:38 | 0:21:39 | |
VEHICLE APPROACHES | 0:21:51 | 0:21:52 | |
It's not like him to mix business and pleasure. | 0:22:20 | 0:22:23 | |
Jed, darling. How was your trip? | 0:22:41 | 0:22:44 | |
It was fine. | 0:22:44 | 0:22:45 | |
Not too bumpy? | 0:22:46 | 0:22:47 | |
You look gorgeous. | 0:22:47 | 0:22:49 | |
-Corky. -Sweetie. | 0:22:55 | 0:22:57 | |
Andrew, come and join us. | 0:23:08 | 0:23:10 | |
Having a drink to celebrate. | 0:23:10 | 0:23:12 | |
I have allowed Sandy to unleash the Moet '73. | 0:23:12 | 0:23:16 | |
The trucks are in the Turkish mountains should be | 0:23:16 | 0:23:18 | |
-at the Syrian border at 6pm tomorrow, give or take. -Great. | 0:23:18 | 0:23:21 | |
In the meantime, I suggest a toast. | 0:23:21 | 0:23:23 | |
To Tradepass, and all those who sale in her. | 0:23:23 | 0:23:26 | |
I think that is something we can all drink to. | 0:23:26 | 0:23:28 | |
CAN'T WE?! | 0:23:31 | 0:23:32 | |
Good Christ, what a miserable bunch. | 0:23:35 | 0:23:37 | |
We've just had a triumphant opening night. The reviews are in. | 0:23:37 | 0:23:40 | |
We're a big hit! Here's to us! | 0:23:40 | 0:23:41 | |
-Here's to us. -Tradepass. -Tradepass. -Tradepass. | 0:23:41 | 0:23:44 | |
Corky, why aren't you drinking? | 0:23:45 | 0:23:47 | |
I'm off it, chief. | 0:23:47 | 0:23:49 | |
-Off it? -Taking a break. | 0:23:49 | 0:23:51 | |
-Sandy. -Mm-hm. -I've been calling the brothers... | 0:23:53 | 0:23:56 | |
How are you, Andrew? | 0:24:00 | 0:24:02 | |
Fighting fit. Thank you. | 0:24:02 | 0:24:04 | |
You seem very at home here. | 0:24:06 | 0:24:07 | |
Do I? | 0:24:08 | 0:24:10 | |
Who can blame him, darling. All these uniforms. | 0:24:10 | 0:24:13 | |
Still, it's not as pretty as the seaside cottage, is it? | 0:24:13 | 0:24:17 | |
Not as romantic. | 0:24:19 | 0:24:20 | |
Did I say something untoward? | 0:24:27 | 0:24:29 | |
I should probably get some rest. | 0:24:40 | 0:24:42 | |
You can sleep when you're dead. | 0:24:42 | 0:24:45 | |
I don't know if it has occurred to you to why he brought her here? | 0:24:45 | 0:24:48 | |
I'm just an outside observer - you've made sure of that - | 0:24:48 | 0:24:51 | |
but from where I'm sitting, | 0:24:51 | 0:24:53 | |
it doesn't look very good. | 0:24:53 | 0:24:55 | |
It doesn't look very good at all. | 0:24:57 | 0:24:59 | |
HE SCOFFS | 0:25:02 | 0:25:04 | |
DOG BARKS | 0:25:12 | 0:25:13 | |
SHE YAWNS | 0:26:22 | 0:26:24 | |
PHONE RINGS | 0:26:24 | 0:26:25 | |
Angela Burr. | 0:26:29 | 0:26:31 | |
'Dromgoole here. I wondered if you were free for a tete-a-tete?' | 0:26:31 | 0:26:35 | |
Er, I'm asleep. | 0:26:35 | 0:26:37 | |
'You don't look asleep.' | 0:26:39 | 0:26:41 | |
'I'm alone.' | 0:26:48 | 0:26:49 | |
You going to let me in? | 0:27:16 | 0:27:18 | |
We can talk just fine here. | 0:27:18 | 0:27:20 | |
I like you, Angela. I admire your tenacity. | 0:27:20 | 0:27:23 | |
It was always a source of regret to me that we lost you from The River. | 0:27:25 | 0:27:29 | |
What do you want? | 0:27:29 | 0:27:31 | |
I wanted to ask where you got those papers? | 0:27:34 | 0:27:37 | |
What papers? | 0:27:38 | 0:27:39 | |
The ones you took to Apostol. | 0:27:39 | 0:27:41 | |
That resulted in some Arab cutting his neck open. | 0:27:41 | 0:27:44 | |
Oh, it was an Arab, was it? | 0:27:46 | 0:27:47 | |
They are doing business with Richard Roper, | 0:27:47 | 0:27:50 | |
and, well, they don't appreciate a lawyer they can't trust. | 0:27:50 | 0:27:54 | |
And you? Are you doing business with Richard Roper, too? | 0:27:55 | 0:27:57 | |
I'm looking after the strategic interests of my country, Angela. | 0:27:59 | 0:28:03 | |
And lining your pockets. | 0:28:03 | 0:28:05 | |
-Where did you get the papers? -I don't know what you're talking about. | 0:28:06 | 0:28:09 | |
You've been lying to me about Limpet. | 0:28:15 | 0:28:18 | |
You've had someone on the inside all along. | 0:28:18 | 0:28:21 | |
I need to know who. | 0:28:21 | 0:28:22 | |
This isn't just about me. | 0:28:24 | 0:28:26 | |
There is a whole system that keeps our country where we want it, | 0:28:26 | 0:28:30 | |
amongst the elites, punching above our weight. | 0:28:30 | 0:28:32 | |
It's a state of being. An ontology, if you like. | 0:28:32 | 0:28:37 | |
And it has to be maintained. | 0:28:37 | 0:28:39 | |
We need Richard Roper, | 0:28:42 | 0:28:45 | |
America needs Richard Roper. | 0:28:45 | 0:28:47 | |
Whether you like it or not. | 0:28:47 | 0:28:49 | |
For your own safety... | 0:28:51 | 0:28:52 | |
..do not get in the way. | 0:28:53 | 0:28:56 | |
Goodnight, Geoffrey. | 0:29:00 | 0:29:01 | |
I wouldn't close the door. | 0:29:01 | 0:29:03 | |
-Angela? -Yeah? | 0:29:09 | 0:29:11 | |
Who was that? | 0:29:12 | 0:29:14 | |
It's nothing, love. Go back to sleep. | 0:29:14 | 0:29:16 | |
MECHANICAL THUD | 0:29:27 | 0:29:28 | |
ELECTRICITY FIZZES | 0:29:28 | 0:29:29 | |
What happened to all the lights? | 0:29:41 | 0:29:42 | |
They'll fix it. It happens all the time. | 0:29:42 | 0:29:46 | |
Just relax. | 0:29:47 | 0:29:49 | |
How can I relax? I'm in a goddamn army base, Roper. | 0:29:49 | 0:29:52 | |
I'm the only woman here. Do you any idea how humiliating that is? | 0:29:52 | 0:29:57 | |
You see the way they all look at me? | 0:29:57 | 0:29:59 | |
I thought you might enjoy the attention. | 0:29:59 | 0:30:02 | |
Don't be stupid. Just tell me why I'm here. | 0:30:02 | 0:30:05 | |
You never bring me anywhere near your work. | 0:30:05 | 0:30:07 | |
But you wanted to come. | 0:30:09 | 0:30:10 | |
Didn't you? | 0:30:11 | 0:30:13 | |
Now that you are here, someone has been prying into my affairs. | 0:30:14 | 0:30:19 | |
Perhaps you can help me work out who. | 0:30:20 | 0:30:22 | |
I don't know what you're talking about. | 0:30:24 | 0:30:26 | |
Is it you? | 0:30:27 | 0:30:28 | |
SHE SCOFFS | 0:30:30 | 0:30:31 | |
Listen, I REALLY want to keep this between you and me. | 0:30:33 | 0:30:37 | |
Why don't you start by just telling me the truth? | 0:30:37 | 0:30:40 | |
What did you do with the list? | 0:30:44 | 0:30:46 | |
What list? | 0:30:50 | 0:30:51 | |
Who did you show it to? | 0:30:53 | 0:30:55 | |
I don't know what you're talking about, babe. | 0:30:57 | 0:30:59 | |
FOOTSTEPS | 0:30:59 | 0:31:00 | |
Excuse me, chief. | 0:31:00 | 0:31:01 | |
What?! | 0:31:01 | 0:31:03 | |
There's a problem with the genny. | 0:31:03 | 0:31:04 | |
I know there's a problem with the genny, FIX IT! | 0:31:04 | 0:31:07 | |
It looks deliberate, boss. | 0:31:07 | 0:31:08 | |
Stay exactly where you are. | 0:31:16 | 0:31:17 | |
Jed... Sh! OK. | 0:31:42 | 0:31:45 | |
Get me out of here, Jonathan. | 0:31:46 | 0:31:48 | |
I can't. Not now. | 0:31:48 | 0:31:49 | |
Tell me exactly who you are. | 0:31:49 | 0:31:51 | |
I was sent in by British Intelligence | 0:31:55 | 0:31:57 | |
to track Roper's arms operation. | 0:31:57 | 0:31:59 | |
No. But you saved Danny's life. | 0:32:02 | 0:32:04 | |
A set-up. | 0:32:04 | 0:32:05 | |
-No, you were injured. You almost died. -That was part of the plan. | 0:32:05 | 0:32:08 | |
And the list? | 0:32:10 | 0:32:11 | |
The list contains the names of every single person who has financially | 0:32:11 | 0:32:14 | |
invested in Roper's illegal deal of standard and chemical weapons. | 0:32:14 | 0:32:17 | |
That is what I was doing in his office. That's who I am. | 0:32:17 | 0:32:20 | |
What do you need me to do? | 0:32:22 | 0:32:23 | |
You let Corky take the hit. | 0:32:25 | 0:32:26 | |
I can't, Jonathan. Corky is my friend. | 0:32:26 | 0:32:28 | |
Corky is a trained killer. | 0:32:28 | 0:32:31 | |
I need money. As much as you have. Notes. | 0:32:32 | 0:32:35 | |
Doesn't matter which currency, dollars are best. | 0:32:35 | 0:32:37 | |
-That's all I have. -That's good. | 0:32:39 | 0:32:41 | |
-I'm sorry. -I am going to get you out of here. I promise. | 0:32:41 | 0:32:43 | |
I took a photograph of your list on my phone. | 0:33:27 | 0:33:30 | |
I'm sorry. | 0:33:33 | 0:33:35 | |
Why on earth did you do that? | 0:33:38 | 0:33:40 | |
Because I wanted to know what the man | 0:33:43 | 0:33:45 | |
I'm sleeping with does for a living. | 0:33:45 | 0:33:47 | |
Why didn't you ask me? | 0:33:50 | 0:33:51 | |
You never tell me the truth. | 0:33:51 | 0:33:53 | |
I thought I could find out on my own, so I took a photograph. | 0:33:54 | 0:33:58 | |
I was going to ask someone what it meant. | 0:33:58 | 0:34:00 | |
Who were you going to ask? | 0:34:00 | 0:34:02 | |
I don't know. | 0:34:04 | 0:34:05 | |
I didn't do anything, I promise. | 0:34:06 | 0:34:08 | |
I just deleted it. | 0:34:08 | 0:34:09 | |
How much later did you delete it? | 0:34:09 | 0:34:11 | |
A week? | 0:34:13 | 0:34:14 | |
You didn't show it to anyone? | 0:34:14 | 0:34:15 | |
No, no-one. | 0:34:15 | 0:34:16 | |
I always leave it lying around. | 0:34:19 | 0:34:20 | |
Corky told me not to leave it lying around. | 0:34:21 | 0:34:24 | |
What do you mean, Corky? | 0:34:24 | 0:34:26 | |
He found it, he gave it back to me. | 0:34:28 | 0:34:30 | |
I'm so sorry, I've caused you so much trouble. | 0:34:34 | 0:34:38 | |
It was so stupid of me. | 0:34:39 | 0:34:40 | |
It's all right. | 0:34:45 | 0:34:46 | |
It's nothing we can't solve. | 0:34:48 | 0:34:50 | |
But you must never ever do that to me again. | 0:34:52 | 0:34:55 | |
I never will. Ever. | 0:34:57 | 0:34:59 | |
Good. | 0:34:59 | 0:35:01 | |
Cos you know I love you very much. | 0:35:03 | 0:35:05 | |
I love you too. | 0:35:06 | 0:35:08 | |
WIRES CLINK | 0:35:39 | 0:35:40 | |
DOG BARKS | 0:35:43 | 0:35:44 | |
ANOTHER DOG BARKS | 0:35:45 | 0:35:47 | |
BARKS SUBSIDE | 0:35:49 | 0:35:51 | |
Who are you? | 0:36:25 | 0:36:26 | |
I work at the camp. Have you come across the border? | 0:36:27 | 0:36:29 | |
No. We are from the village. | 0:36:29 | 0:36:31 | |
Which village? | 0:36:31 | 0:36:32 | |
They bombed it. The British man said we had to leave. | 0:36:32 | 0:36:35 | |
Come and see. | 0:36:37 | 0:36:38 | |
She was too old to leave. | 0:36:45 | 0:36:47 | |
We are going to the camp. | 0:36:50 | 0:36:51 | |
I'm going to show her to the man who did this. | 0:36:51 | 0:36:54 | |
Don't. For your son's sake. Turn around. | 0:36:54 | 0:36:56 | |
Go back the way you came. | 0:36:56 | 0:36:57 | |
Airport? | 0:37:27 | 0:37:28 | |
It's a longer journey, I'm afraid. | 0:37:30 | 0:37:32 | |
Wait here for one minute, then drive directly to Istanbul. | 0:37:32 | 0:37:35 | |
At the Bosphorus Grand Hotel, | 0:37:35 | 0:37:37 | |
there'll be a woman waiting for you, room 314. | 0:37:37 | 0:37:41 | |
You give her this note. | 0:37:41 | 0:37:42 | |
200 dollars. | 0:37:44 | 0:37:45 | |
-There will be 200 waiting for you when you get there. -No problem. | 0:37:45 | 0:37:48 | |
ENGINE STARTS | 0:37:58 | 0:37:59 | |
INDISTINCT SHOUTS | 0:38:02 | 0:38:03 | |
CHILD SCREAMS | 0:38:03 | 0:38:05 | |
GUNSHOT | 0:38:07 | 0:38:09 | |
CHILD SCREAMS | 0:38:09 | 0:38:10 | |
GUNSHOT | 0:38:11 | 0:38:12 | |
SHE GASPS | 0:38:12 | 0:38:13 | |
Been bunking off again, old chap? | 0:38:27 | 0:38:29 | |
You can go to detention for that, you know. | 0:38:33 | 0:38:35 | |
It's your word against mine. | 0:38:40 | 0:38:42 | |
That's a risk I have to take. | 0:38:42 | 0:38:43 | |
I'm going to kill you now, understand? | 0:39:01 | 0:39:05 | |
I have been waiting for this moment. | 0:39:07 | 0:39:09 | |
-Get the light. -Who are you? | 0:39:30 | 0:39:32 | |
I caught him coming back through the fence. | 0:39:32 | 0:39:35 | |
Get the chief! We need him to talk. | 0:39:35 | 0:39:36 | |
CRUNCH | 0:39:40 | 0:39:42 | |
HE GASPS | 0:39:47 | 0:39:48 | |
Jesus! | 0:39:56 | 0:39:58 | |
-What the hell happened? -I found him at the fence. | 0:40:00 | 0:40:02 | |
I don't know how long he was outside. | 0:40:03 | 0:40:06 | |
He may have met someone. | 0:40:06 | 0:40:08 | |
Jeez. | 0:40:19 | 0:40:20 | |
We need to get him buried quick. | 0:40:22 | 0:40:24 | |
No-one can know he was here. All right? | 0:40:24 | 0:40:26 | |
Jesus, Corky, Corky. | 0:40:29 | 0:40:30 | |
Corky. Corky. | 0:40:30 | 0:40:33 | |
That was the smallest grave I've ever dug. | 0:40:52 | 0:40:54 | |
I could have got you in there, big boy. | 0:40:54 | 0:40:56 | |
HE CURSES | 0:40:56 | 0:40:57 | |
THEY CHUCKLE | 0:40:57 | 0:40:58 | |
Right, guys. | 0:40:58 | 0:41:00 | |
Who are you? | 0:41:54 | 0:41:55 | |
Madam, I drove all night. I am to give you this. | 0:41:55 | 0:41:58 | |
He said you would give me another 200 | 0:42:07 | 0:42:10 | |
if I got here by nine o'clock. | 0:42:10 | 0:42:11 | |
Yes, I think we can manage that. | 0:42:11 | 0:42:14 | |
Where is it? | 0:42:18 | 0:42:19 | |
Here. | 0:42:19 | 0:42:21 | |
Oh, my God. He did it. | 0:42:21 | 0:42:22 | |
Get me Mayhew on the phone. | 0:42:25 | 0:42:26 | |
It's South East Turkey. We think its somewhere near Kasimli. | 0:42:26 | 0:42:29 | |
The trucks are heading towards the Syrian border. | 0:42:29 | 0:42:31 | |
That's just over 200 miles. Rough country. | 0:42:31 | 0:42:33 | |
We can't reach Mayhew. | 0:42:33 | 0:42:34 | |
That gives us three hours to find the trucks and stop them before the border. | 0:42:34 | 0:42:37 | |
It's his last day. They're saying he's not available. | 0:42:37 | 0:42:40 | |
-I need to see Mayhew. -I'm afraid he is not available. | 0:42:51 | 0:42:54 | |
-He is for me. -Hey! Hey! I'm calling the police. | 0:42:54 | 0:42:57 | |
I AM the bloody police. | 0:42:57 | 0:42:58 | |
20 aid trucks. Going to the Syrian border. | 0:43:00 | 0:43:03 | |
All containing illegally exported US and UK arms. | 0:43:03 | 0:43:05 | |
Roper's fingerprints all over them. | 0:43:05 | 0:43:08 | |
This is real, Rex. This is what we need to take them down. All of them. | 0:43:08 | 0:43:11 | |
I told you. We can't do anything. | 0:43:13 | 0:43:16 | |
We have no allies. | 0:43:17 | 0:43:19 | |
I don't need allies. | 0:43:19 | 0:43:20 | |
I need a Foreign Office mandate confirming that an illegal | 0:43:20 | 0:43:22 | |
cache of these weapons is in those trucks. | 0:43:22 | 0:43:24 | |
I can take that to Joel Steadman, and he can deploy US troops at | 0:43:24 | 0:43:27 | |
the border to stop the convoy, | 0:43:27 | 0:43:29 | |
search the trucks and seize the weapons. | 0:43:29 | 0:43:31 | |
But I can't do that without FCO top brass confirmation. | 0:43:31 | 0:43:35 | |
One letter from you, Rex, representing the Permanent Secretary. | 0:43:35 | 0:43:38 | |
One signature. | 0:43:38 | 0:43:39 | |
Please, Rex. As of today you're still in position. | 0:43:41 | 0:43:44 | |
We will never get this chance again. | 0:43:44 | 0:43:46 | |
PHONE RINGS | 0:44:09 | 0:44:10 | |
-Steadman. -Joel, listen, I am going to fax something through to you now. | 0:44:16 | 0:44:20 | |
It's from our boy. Tell me what you can do with it. | 0:44:20 | 0:44:22 | |
And take it straight to the military. No Langley involvement. | 0:44:22 | 0:44:25 | |
Is that clear? | 0:44:25 | 0:44:26 | |
Sure. | 0:44:26 | 0:44:28 | |
OK. | 0:44:28 | 0:44:29 | |
PRINTER WHIRS | 0:44:30 | 0:44:32 | |
Get me Commander Nichols, please. | 0:44:45 | 0:44:47 | |
Thank you. | 0:44:58 | 0:44:59 | |
ETA? | 0:45:04 | 0:45:06 | |
The convoy should be through the border in one hour, sir. | 0:45:06 | 0:45:08 | |
We have their signal if you'd like to track them. | 0:45:08 | 0:45:10 | |
Yes, please. | 0:45:10 | 0:45:12 | |
BEEPING | 0:45:13 | 0:45:14 | |
Andrew? | 0:45:29 | 0:45:31 | |
Hi. | 0:45:31 | 0:45:32 | |
PHONE RINGS | 0:45:39 | 0:45:41 | |
-Yes? -'This is your American friend.' | 0:45:41 | 0:45:43 | |
What news? | 0:45:43 | 0:45:45 | |
Authorisation received by US military to seize and search | 0:45:45 | 0:45:48 | |
'the convoy of 20 aid trucks, | 0:45:48 | 0:45:50 | |
'1800 hours local time,' | 0:45:50 | 0:45:51 | |
at the Syrian border. | 0:45:51 | 0:45:53 | |
You're a good man, Joel. | 0:45:53 | 0:45:54 | |
Yeah, I know. The convoy has been identified | 0:45:54 | 0:45:57 | |
and is being tracked by US military satellites. You want a visual? | 0:45:57 | 0:46:00 | |
Course I do. Grace, visual is coming through | 0:46:00 | 0:46:02 | |
Yeah. | 0:46:02 | 0:46:03 | |
Tabby, would you go and fetch Jeds for me? Thank you. | 0:46:22 | 0:46:25 | |
ROPER WHISTLING | 0:46:47 | 0:46:48 | |
Hi, Jed. | 0:46:54 | 0:46:55 | |
Hi. | 0:46:55 | 0:46:56 | |
Darling. | 0:46:58 | 0:46:59 | |
You wanted to know what I do for a living. | 0:47:05 | 0:47:07 | |
Three minutes to the border. | 0:47:14 | 0:47:15 | |
Go get 'em. | 0:47:31 | 0:47:33 | |
They're at the border, sir. | 0:47:35 | 0:47:36 | |
Now, come on. Look inside. | 0:48:00 | 0:48:02 | |
I've got you. | 0:48:04 | 0:48:06 | |
PHONE RINGS | 0:48:09 | 0:48:12 | |
Hello. | 0:48:12 | 0:48:13 | |
US troops at the border, sir. | 0:48:16 | 0:48:17 | |
They're demanding to open the trucks. | 0:48:17 | 0:48:20 | |
INDISTINCT SHOUTS | 0:48:22 | 0:48:24 | |
You been practising your magic tricks, Andrew? | 0:48:42 | 0:48:45 | |
Well? | 0:49:30 | 0:49:32 | |
They're being let through. | 0:49:34 | 0:49:36 | |
I should think so too. | 0:49:37 | 0:49:39 | |
They're delaying a convoy carrying much-needed agricultural equipment. | 0:49:39 | 0:49:43 | |
It's an absolute scandal. | 0:49:43 | 0:49:45 | |
You are a very bad man. | 0:49:50 | 0:49:51 | |
They didn't watch the cups, you see. | 0:49:57 | 0:49:59 | |
The convoy is on the move, sir. | 0:50:02 | 0:50:04 | |
LAUGHTER | 0:50:04 | 0:50:05 | |
You are a genius. | 0:50:05 | 0:50:07 | |
ALL APPLAUD | 0:50:07 | 0:50:08 | |
Thanks to my mascot. You should come to work more often. | 0:50:11 | 0:50:15 | |
Where's Corky? | 0:50:17 | 0:50:18 | |
Never mind about Corky. | 0:50:20 | 0:50:22 | |
No, really, where is he? | 0:50:23 | 0:50:25 | |
Stomach bug. He had to fly home. | 0:50:27 | 0:50:29 | |
PHONE RINGS | 0:50:49 | 0:50:51 | |
What happened? | 0:50:52 | 0:50:53 | |
What happened? | 0:50:53 | 0:50:54 | |
I just licensed a full US military swoop on a bunch of combine | 0:50:54 | 0:50:57 | |
harvesters, that's what happened. | 0:50:57 | 0:50:59 | |
I don't believe it. | 0:50:59 | 0:51:00 | |
'Your intelligence was bullshit, Angela.' | 0:51:00 | 0:51:03 | |
That's not possible. | 0:51:03 | 0:51:04 | |
You never think your boy could be playing both sides? | 0:51:04 | 0:51:06 | |
'You never once think of that? | 0:51:06 | 0:51:07 | |
'You know what I think your boy is' | 0:51:07 | 0:51:09 | |
doing right now? I think he's toasting one hell of a piece of deception. | 0:51:09 | 0:51:12 | |
And what if he's not? What if Roper knows it was him? | 0:51:12 | 0:51:14 | |
Well, good luck to him. Because there's nothing we can do. | 0:51:14 | 0:51:17 | |
Oh, my God. | 0:51:56 | 0:51:58 | |
Oh, no. | 0:52:01 | 0:52:02 | |
Gordon? | 0:52:04 | 0:52:05 | |
Oh, my God! Oh, my God, Gordon. | 0:52:12 | 0:52:15 | |
I'm OK. Just a blow to the head. | 0:52:18 | 0:52:21 | |
Just wait there, love. OK. Just don't move. | 0:52:21 | 0:52:24 | |
Ambulance and police, please. 10 Cranston Avenue. | 0:52:26 | 0:52:30 | |
Quick as you can, there's been a burglary. | 0:52:30 | 0:52:33 | |
It's OK, someone's coming. They're coming. | 0:52:34 | 0:52:37 | |
They're on their way. | 0:52:37 | 0:52:38 | |
Oh, I'm so sorry. | 0:52:38 | 0:52:40 | |
It's OK, someone's coming. I'm sorry. | 0:52:40 | 0:52:43 | |
What's going on? | 0:52:59 | 0:53:01 | |
We're clearing out. | 0:53:01 | 0:53:03 | |
What happened here? | 0:53:03 | 0:53:04 | |
Some local issue. Had to be dealt with. Chief's orders. | 0:53:04 | 0:53:07 | |
He doesn't like to leave traces. | 0:53:07 | 0:53:08 | |
What do you mean "dealt with"? | 0:53:08 | 0:53:11 | |
Souvenir for you. I think its vintage. | 0:53:13 | 0:53:16 | |
Andrew! Get your stuff together. Time to go. | 0:53:28 | 0:53:32 | |
So, have you worked out how the trick was done? | 0:53:41 | 0:53:43 | |
The arms were never here. | 0:53:43 | 0:53:45 | |
Just enough for the fireworks display, a little amuse bouche. | 0:53:47 | 0:53:50 | |
But the main course... | 0:53:50 | 0:53:51 | |
Never left Istanbul. You knew British enforcement were on to you. | 0:53:51 | 0:53:55 | |
So you changed the method of delivery. | 0:53:55 | 0:53:57 | |
Left them on the boat. | 0:53:57 | 0:53:58 | |
Now the Yanks have pulled out and Limpet is dead and buried. | 0:53:58 | 0:54:02 | |
HORN TOOTS | 0:54:02 | 0:54:03 | |
So Corky was my Judas. | 0:54:04 | 0:54:07 | |
Who'd have thought it? | 0:54:08 | 0:54:09 | |
Come on, get them out of here. | 0:54:14 | 0:54:16 | |
Mr Hamid, please. | 0:54:16 | 0:54:18 | |
Richard Onslow Roper. He will take my call. | 0:54:19 | 0:54:22 | |
Freddie? It's Dickey. | 0:54:25 | 0:54:27 | |
I am on my way with my business associate. | 0:54:27 | 0:54:29 | |
See you soon. | 0:54:29 | 0:54:31 | |
Who was that? | 0:54:32 | 0:54:34 | |
Pal of mine. From Cairo. | 0:54:34 | 0:54:36 | |
Where are we staying? | 0:55:06 | 0:55:07 | |
Freddie is putting us up in one of his places. | 0:55:08 | 0:55:11 | |
Best in Cairo is what I hear. | 0:55:11 | 0:55:13 | |
Cheer up, darling, we're on holiday. | 0:55:15 | 0:55:18 | |
Time for a snooze amongst the pharaohs. | 0:56:15 | 0:56:17 | |
-Downstairs for drinks later? -Fabulous. | 0:56:17 | 0:56:20 |