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This programme contains some strong language | 0:00:02 | 0:00:09 | |
Aside from the money wasted, | 0:00:52 | 0:00:53 | |
and the embarrassment to our American friends, | 0:00:53 | 0:00:57 | |
the debacle at the Turkish-Syrian border has put us back five years | 0:00:57 | 0:01:01 | |
in terms of intelligence sourcing with Syria and the Middle East. | 0:01:01 | 0:01:05 | |
I'm extending the meeting, so we can fully explore the reasons why | 0:01:05 | 0:01:08 | |
the operation went ahead with such poor and corrupted intelligence | 0:01:08 | 0:01:12 | |
and what lessons can be learnt to ensure this never happens again. | 0:01:12 | 0:01:16 | |
What led you to believe that British arms were being exported | 0:01:16 | 0:01:19 | |
under the counter through Tradepass? | 0:01:19 | 0:01:21 | |
I was shown fake MOD end user certificates for | 0:01:21 | 0:01:24 | |
seven different arms companies, UK and US. | 0:01:24 | 0:01:27 | |
Do you mean these? | 0:01:28 | 0:01:29 | |
Yes. | 0:01:37 | 0:01:39 | |
Those are genuine MOD export certificates | 0:01:39 | 0:01:42 | |
for Bulgaria and Italy. | 0:01:42 | 0:01:43 | |
That's not true. | 0:01:43 | 0:01:44 | |
I have signed letters from both Italian and Bulgarian governments | 0:01:44 | 0:01:48 | |
confirming the sales. | 0:01:48 | 0:01:49 | |
This is a cover-up. | 0:01:49 | 0:01:51 | |
Angela... | 0:01:51 | 0:01:52 | |
..are you accusing me of lying? | 0:01:53 | 0:01:55 | |
I spoke to Rex Mayhew during his handover, | 0:01:55 | 0:01:57 | |
before he joined the Royal Commission. | 0:01:57 | 0:01:59 | |
He said that you persuaded someone to leak | 0:01:59 | 0:02:01 | |
information from the River House. | 0:02:01 | 0:02:03 | |
Someone you referred to as the Boatman? | 0:02:03 | 0:02:06 | |
I've never heard of such a name. | 0:02:09 | 0:02:11 | |
Then how did you get hold of those certificates? | 0:02:11 | 0:02:14 | |
They're classified documents. | 0:02:14 | 0:02:16 | |
An angel gave them to me with a halo. | 0:02:16 | 0:02:19 | |
You do understand the seriousness of this enquiry, Ms Burr? | 0:02:22 | 0:02:25 | |
Let us now move on to the arms swoop itself. | 0:02:29 | 0:02:32 | |
Based on what we now know to be flawed intelligence, | 0:02:32 | 0:02:35 | |
you authorised through an American enforcement connection | 0:02:35 | 0:02:38 | |
and behind the FCO's back, a full US military raid on 20 aid trucks | 0:02:38 | 0:02:44 | |
crossing the Turkish-Syrian border. | 0:02:44 | 0:02:46 | |
Rex Mayhew authorised it, not me. | 0:02:46 | 0:02:48 | |
On his last day and on your cast-iron guarantee | 0:02:48 | 0:02:51 | |
that the intelligence was solid. | 0:02:51 | 0:02:53 | |
Where did you get this intelligence? | 0:02:55 | 0:02:57 | |
A source close to Tradepass and Richard Roper. | 0:02:59 | 0:03:01 | |
Can you be more specific? | 0:03:03 | 0:03:04 | |
To do so would be to put lives at risk. | 0:03:08 | 0:03:10 | |
No, I can't do that. | 0:03:10 | 0:03:12 | |
This is a behind closed doors enquiry, Ms Burr. | 0:03:12 | 0:03:14 | |
Names will be redacted from the records, so... | 0:03:14 | 0:03:17 | |
..why can't you tell us? | 0:03:18 | 0:03:20 | |
You know why. | 0:03:20 | 0:03:21 | |
You all know why. | 0:03:23 | 0:03:25 | |
They pulled out this morning. | 0:03:49 | 0:03:51 | |
Order from the Ministry. | 0:03:51 | 0:03:53 | |
So, it's just you and me again, then, is it? | 0:03:54 | 0:03:56 | |
Not even that, I'm afraid. | 0:03:56 | 0:03:58 | |
Two weeks and they close the office. | 0:03:58 | 0:04:01 | |
The International Enforcement Agency is officially mothballed. | 0:04:01 | 0:04:04 | |
Go home, Angela. Have your baby. | 0:04:05 | 0:04:08 | |
Be a teacher's wife. | 0:04:09 | 0:04:10 | |
You mean give up. What about Pine? | 0:04:11 | 0:04:14 | |
-Pine gave you false intelligence. -I don't believe that. | 0:04:14 | 0:04:16 | |
-Are you sure about that? -I went to him, I got him involved in this. | 0:04:16 | 0:04:19 | |
I can't leave him in there. | 0:04:19 | 0:04:21 | |
I don't see what choice you have. | 0:04:21 | 0:04:22 | |
Oh, didn't you hear? You don't work here any more. | 0:04:26 | 0:04:29 | |
-I just wanted to say thank you. -PHONE RINGS | 0:04:29 | 0:04:31 | |
And if you ever needed help in the future... | 0:04:31 | 0:04:33 | |
Ah, well, don't hold your breath. | 0:04:33 | 0:04:35 | |
Angela Burr. | 0:04:35 | 0:04:37 | |
Who is this? | 0:04:37 | 0:04:39 | |
PINE: 'Yes, is Sophie there, please?' | 0:04:39 | 0:04:41 | |
Sophie? No, there isn't a... | 0:04:41 | 0:04:43 | |
'Well, when she comes, could you tell her we're all here... | 0:04:43 | 0:04:47 | |
'..at the same hotel. | 0:04:47 | 0:04:48 | |
'Tell her we're all here.' | 0:04:49 | 0:04:51 | |
He's in Cairo. | 0:05:04 | 0:05:05 | |
Mr Roper, your courier has arrived. I'll send him up. | 0:05:13 | 0:05:17 | |
Thank you. | 0:05:17 | 0:05:18 | |
Thank you very much. | 0:05:32 | 0:05:34 | |
You been to Cairo before? | 0:05:50 | 0:05:52 | |
No, erm... | 0:05:52 | 0:05:54 | |
I spent some time in Morocco and Tunisia, | 0:05:54 | 0:05:56 | |
but this is my first time in Egypt. | 0:05:56 | 0:05:57 | |
Well, you should take advantage. | 0:05:57 | 0:05:59 | |
See the sights, while we're off down the Nile. | 0:05:59 | 0:06:02 | |
Andrew isn't coming with us? | 0:06:02 | 0:06:04 | |
Absolutely not. | 0:06:04 | 0:06:06 | |
You and I are going to be very busy. | 0:06:06 | 0:06:09 | |
Why, Richard Roper, I do declare... | 0:06:09 | 0:06:13 | |
Speaking of true love... | 0:06:20 | 0:06:22 | |
What's she doing here? | 0:06:24 | 0:06:26 | |
Thought you might want some female company. | 0:06:26 | 0:06:28 | |
Caroline. | 0:06:28 | 0:06:29 | |
Look who's back. | 0:06:32 | 0:06:33 | |
-Caro, lovely to see you. -Thank you. | 0:06:33 | 0:06:35 | |
-Morning, Sandy. -Morning. | 0:06:35 | 0:06:38 | |
Hello, darling. Great to see you. | 0:06:38 | 0:06:41 | |
Listen, I just need a few minutes with the young prince here, | 0:06:41 | 0:06:44 | |
so why don't you girls go and lay waste to the local bazaar? | 0:06:44 | 0:06:47 | |
Fine, baby. | 0:06:49 | 0:06:50 | |
Tabby, would you? | 0:06:53 | 0:06:55 | |
-See you later. -See you later. | 0:06:55 | 0:06:56 | |
Coffee? | 0:06:58 | 0:06:59 | |
Thank you. | 0:06:59 | 0:07:00 | |
You know what this reminds me of? | 0:07:06 | 0:07:08 | |
Winston Churchill and TE Lawrence in a Cairo Hotel | 0:07:08 | 0:07:11 | |
dividing up the Middle East over champagne and a cigar. | 0:07:11 | 0:07:14 | |
Drew a map on a napkin and shook hands. | 0:07:16 | 0:07:18 | |
Kings of Arabia. | 0:07:18 | 0:07:19 | |
I'm guessing that you're Churchill in this scenario. | 0:07:24 | 0:07:27 | |
If you insist. | 0:07:27 | 0:07:28 | |
Damn shame about Corky, though. | 0:07:32 | 0:07:34 | |
I feel as if... | 0:07:34 | 0:07:36 | |
If I'd known, I could probably have talked him round. | 0:07:36 | 0:07:39 | |
Could have explained that even traitors can be forgiven. | 0:07:39 | 0:07:42 | |
They can actually be pretty useful. | 0:07:44 | 0:07:46 | |
Keep tabs on the enemy, blow smoke in their face. | 0:07:46 | 0:07:49 | |
But they have to commit, that's the thing. | 0:07:49 | 0:07:51 | |
Have to make a decision. | 0:07:52 | 0:07:54 | |
I don't know why I'm telling you this. | 0:07:57 | 0:07:59 | |
You've already made your decision, haven't you? | 0:07:59 | 0:08:02 | |
Long time ago. | 0:08:02 | 0:08:03 | |
Kings of Arabia. | 0:08:05 | 0:08:06 | |
Freddie Hamid, how are you? | 0:08:10 | 0:08:12 | |
-Hello, sir. -Good to see you. | 0:08:12 | 0:08:14 | |
May I introduce Andrew Birch, our director. | 0:08:14 | 0:08:17 | |
Pleasure to meet you, Freddie. | 0:08:18 | 0:08:20 | |
Dicky's told me lots about you. | 0:08:20 | 0:08:22 | |
-Welcome to Cairo. -Thank you. | 0:08:24 | 0:08:26 | |
It's going to be fun. | 0:08:26 | 0:08:28 | |
Oh, I can't wait. | 0:08:28 | 0:08:29 | |
Well, shall we? | 0:08:30 | 0:08:32 | |
Ah, perfect. | 0:08:52 | 0:08:53 | |
Mr Kouyami. | 0:08:57 | 0:08:58 | |
"East is East and West is West. | 0:09:00 | 0:09:03 | |
"And never the twain shall meet." | 0:09:03 | 0:09:06 | |
Good to see you, Mr Roper. | 0:09:06 | 0:09:07 | |
After you. | 0:09:10 | 0:09:11 | |
So... | 0:09:18 | 0:09:19 | |
spec list - not changed? | 0:09:19 | 0:09:21 | |
It's all there, sir. | 0:09:21 | 0:09:23 | |
Our consignment is being held in a secure military zone | 0:09:23 | 0:09:25 | |
on the outskirts of the city ready for collection. | 0:09:25 | 0:09:28 | |
And the payment structure? | 0:09:28 | 0:09:30 | |
As discussed. Half now and half on exchange. | 0:09:30 | 0:09:33 | |
We'll meet again in 48 hours' time. | 0:09:33 | 0:09:35 | |
Then if all parties are satisfied, I suggest we sanction the first half | 0:09:38 | 0:09:43 | |
of the payment to be made to the Tradepass account. | 0:09:43 | 0:09:46 | |
Wait. | 0:09:55 | 0:09:56 | |
We had report of an incident involving | 0:09:56 | 0:09:58 | |
US military at the Syrian border. | 0:09:58 | 0:10:00 | |
I want your reassurance that there is no risk attached | 0:10:00 | 0:10:03 | |
to this transaction. | 0:10:03 | 0:10:04 | |
Can you give me this assurance, Mr Roper? | 0:10:05 | 0:10:07 | |
We had a minor issue. | 0:10:10 | 0:10:12 | |
Internal. | 0:10:12 | 0:10:14 | |
It's been investigated and addressed. | 0:10:14 | 0:10:17 | |
You have my word. | 0:10:17 | 0:10:18 | |
Let us proceed. | 0:10:26 | 0:10:27 | |
It's done. | 0:10:54 | 0:10:55 | |
Thanks. | 0:11:00 | 0:11:02 | |
-Congratulations. -Congratulations. | 0:11:02 | 0:11:04 | |
WOMAN SINGS | 0:11:04 | 0:11:05 | |
-Mm-hm. -Yeah, I think it might suit you. | 0:11:12 | 0:11:15 | |
Who needs another drink? | 0:11:15 | 0:11:17 | |
Not for me. | 0:11:19 | 0:11:20 | |
Smile at me, laugh. | 0:11:23 | 0:11:26 | |
Tell me a joke, then. | 0:11:26 | 0:11:27 | |
I can't do this any more, Jonathan. | 0:11:31 | 0:11:33 | |
I can't... I can't sleep with him another night. | 0:11:33 | 0:11:36 | |
You have to. | 0:11:36 | 0:11:37 | |
Why can't we go away just the two of us now? | 0:11:37 | 0:11:40 | |
It isn't just about you and me. | 0:11:40 | 0:11:42 | |
Funny, funny joke. | 0:11:46 | 0:11:48 | |
Courier came last night. | 0:11:51 | 0:11:53 | |
Delivered papers about the shipment. | 0:11:54 | 0:11:56 | |
They're in the safe. | 0:11:56 | 0:11:58 | |
Do you know the combination? | 0:11:58 | 0:11:59 | |
I'll get it for you. | 0:11:59 | 0:12:00 | |
Be careful. | 0:12:06 | 0:12:07 | |
Excuse me, sir, could I have a vodka martini, please? | 0:12:09 | 0:12:12 | |
CALL TO PRAYER | 0:12:18 | 0:12:20 | |
You're up early. | 0:13:01 | 0:13:02 | |
We're going shopping. | 0:13:02 | 0:13:04 | |
-You can't have too many rugs, apparently. -Right. | 0:13:04 | 0:13:07 | |
Look at you. | 0:13:07 | 0:13:09 | |
Quite the Roper acolyte. | 0:13:09 | 0:13:11 | |
How things change. | 0:13:11 | 0:13:13 | |
Yes, they do, don't they? | 0:13:14 | 0:13:16 | |
Me? Oh, I'm the prodigal wife brought to heel. | 0:13:16 | 0:13:19 | |
Didn't you hear? | 0:13:19 | 0:13:21 | |
-Brought to heel by what? -Roper made me an offer. | 0:13:21 | 0:13:24 | |
Let bygones be bygones and return to the fold. | 0:13:24 | 0:13:26 | |
Very... Very decent of him. | 0:13:26 | 0:13:28 | |
Maybe. | 0:13:28 | 0:13:30 | |
Or maybe he just wanted someone to spy on his girlfriend. | 0:13:30 | 0:13:34 | |
Careful, Caro. | 0:13:39 | 0:13:41 | |
The sun's hot out there. | 0:13:41 | 0:13:42 | |
Caro, is that true? | 0:13:44 | 0:13:46 | |
He said if I didn't agree, I'd never see the children again. | 0:13:50 | 0:13:54 | |
I hate him. | 0:13:56 | 0:13:57 | |
Message from London. | 0:14:05 | 0:14:06 | |
I didn't expect you to come. | 0:14:42 | 0:14:43 | |
Oh, ye of little faith. | 0:14:43 | 0:14:44 | |
Actually it was me that took some persuading. | 0:14:51 | 0:14:55 | |
-I don't know who you are. -Oh, sorry. | 0:14:55 | 0:14:56 | |
-Joel Steadman, American Enforcement Agency. -Pine. | 0:14:56 | 0:15:00 | |
And I think you might be playing both sides. | 0:15:00 | 0:15:02 | |
What are you talking about? What is this? | 0:15:02 | 0:15:04 | |
There was a leak. | 0:15:04 | 0:15:06 | |
The leak was at your end, not mine. | 0:15:06 | 0:15:08 | |
I killed a man to patch it. | 0:15:08 | 0:15:11 | |
Corkoran? | 0:15:11 | 0:15:12 | |
-Jonathan, if you want to get out now, I can get you out. -No. | 0:15:14 | 0:15:16 | |
-There's still time left. -You don't want that | 0:15:16 | 0:15:18 | |
-and nor do I, we're so close. -But I don't have an organisation any more. | 0:15:18 | 0:15:21 | |
I've got no recourse to troops, no international enforcement support. | 0:15:21 | 0:15:25 | |
Just a cowboy and a pregnant woman. That's your army. | 0:15:25 | 0:15:27 | |
Jonathan, if things go wrong, | 0:15:27 | 0:15:29 | |
I can't guarantee I can get you out. | 0:15:29 | 0:15:31 | |
I was living half a life when you met me. | 0:15:32 | 0:15:34 | |
I've got nothing to lose. | 0:15:34 | 0:15:37 | |
But I will need your help. | 0:15:37 | 0:15:38 | |
OK. | 0:15:45 | 0:15:46 | |
What can we do? | 0:15:46 | 0:15:47 | |
MAN SHOUTS FOOD ORDERS | 0:15:48 | 0:15:50 | |
One mixed salad! | 0:15:54 | 0:15:55 | |
I'm looking for someone called Youssuf. | 0:16:02 | 0:16:04 | |
That's me. | 0:16:08 | 0:16:09 | |
I hear you're a good man to speak to about a recipe for, um, tourli. | 0:16:09 | 0:16:13 | |
Tourli. | 0:16:13 | 0:16:15 | |
-Tourli, we can speak about that? -You want to speak about tourli? | 0:16:15 | 0:16:17 | |
Yes. | 0:16:17 | 0:16:18 | |
-OK. -OK? -OK. | 0:16:20 | 0:16:21 | |
Wait. | 0:16:26 | 0:16:27 | |
-How are you? -Jonathan, you look great. Look at you! | 0:16:43 | 0:16:45 | |
Oh, come on, look at you, Mr Head Chef. | 0:16:45 | 0:16:47 | |
You got the hat and everything. | 0:16:47 | 0:16:49 | |
-Are you serious, look at your watch! -Oh, come on. | 0:16:49 | 0:16:51 | |
-What is this, huh? -Come on, it's just a watch. | 0:16:51 | 0:16:53 | |
How are you? | 0:16:53 | 0:16:55 | |
What happened to you? You just disappeared. | 0:16:55 | 0:16:57 | |
I know, I know. | 0:16:57 | 0:16:58 | |
And how is your Arabic, eh? You remember everything I taught you? | 0:16:59 | 0:17:02 | |
It's a little rusty. I am practising. | 0:17:02 | 0:17:05 | |
Your brother, Ahmer. | 0:17:05 | 0:17:07 | |
He's well? He's still active? | 0:17:07 | 0:17:09 | |
What do you mean, still active? | 0:17:10 | 0:17:12 | |
Come on, you know what I mean. | 0:17:12 | 0:17:13 | |
His people had their moment and they screwed it up. | 0:17:13 | 0:17:16 | |
I need to talk to him. | 0:17:18 | 0:17:19 | |
OK. | 0:17:24 | 0:17:25 | |
How was shopping? Get me some of those curly slippers? | 0:17:25 | 0:17:29 | |
No, I tried. | 0:17:29 | 0:17:30 | |
Apparently Egyptian men have tiny little feet. | 0:17:31 | 0:17:34 | |
Well, you know what they say? | 0:17:34 | 0:17:35 | |
Tiny feet, tiny shoes. | 0:17:35 | 0:17:37 | |
It's good to have Caro back, though. She's fun. | 0:17:41 | 0:17:44 | |
Maybe she and Sandy should come to Luxor too. | 0:17:44 | 0:17:47 | |
Oh, no. | 0:17:47 | 0:17:48 | |
This is for ze lovers. | 0:17:48 | 0:17:50 | |
Baby, I got these new silver earrings at the souk. | 0:17:50 | 0:17:53 | |
Could you put them in the safe for me? | 0:17:53 | 0:17:55 | |
I don't feel comfortable leaving them out. | 0:17:55 | 0:17:57 | |
Not all Arabs are thieves, darling. | 0:17:57 | 0:17:59 | |
I didn't mean that. | 0:17:59 | 0:18:01 | |
-We always use the safe when we're... -I'm joking. | 0:18:01 | 0:18:04 | |
They are all thieves. Give them here. | 0:18:04 | 0:18:06 | |
Anything unusual happen today? | 0:18:26 | 0:18:27 | |
Oh, yes. | 0:18:27 | 0:18:29 | |
What? | 0:18:29 | 0:18:30 | |
I've never been to Cairo, Sandy. | 0:18:30 | 0:18:32 | |
I've never been to Egypt. It's all unusual. | 0:18:32 | 0:18:34 | |
You know what I mean. | 0:18:34 | 0:18:36 | |
Ah, Andrew. | 0:18:36 | 0:18:38 | |
Feeling lucky? | 0:18:38 | 0:18:40 | |
Very. | 0:18:40 | 0:18:41 | |
-Caro. -Dicky. | 0:18:41 | 0:18:42 | |
Right, well, let's go and roll some dice. | 0:18:49 | 0:18:52 | |
Jed meet with anybody? | 0:19:00 | 0:19:02 | |
Make a phone call? | 0:19:02 | 0:19:04 | |
Nothing at all. | 0:19:04 | 0:19:05 | |
I don't know why he's so suspicious. She's just a silly girl. | 0:19:05 | 0:19:08 | |
Except if she isn't just a silly girl, | 0:19:08 | 0:19:11 | |
that may be exactly how she wants to appear. | 0:19:11 | 0:19:13 | |
Did you think about that? | 0:19:13 | 0:19:15 | |
No. I don't have to think like that. That's your world. | 0:19:15 | 0:19:19 | |
My world pays for your world. | 0:19:19 | 0:19:22 | |
Don't you forget it. | 0:19:22 | 0:19:24 | |
You can keep Luxor, Dicky. This is a temple. | 0:19:33 | 0:19:36 | |
-You are an inspiration to us all, Sandy. -I am. | 0:19:36 | 0:19:38 | |
You married? | 0:19:58 | 0:19:59 | |
No. | 0:19:59 | 0:20:01 | |
-I am married. -Right. | 0:20:01 | 0:20:03 | |
You want me to sort a girl out for you? Easily done. | 0:20:03 | 0:20:05 | |
No, no, no, no, thank you. | 0:20:05 | 0:20:07 | |
It's fine, thank you for the offer. | 0:20:07 | 0:20:10 | |
I feel like we have met before. Is that possible? | 0:20:11 | 0:20:14 | |
Erm... | 0:20:16 | 0:20:17 | |
I don't think so. | 0:20:17 | 0:20:19 | |
It's unlikely. | 0:20:19 | 0:20:20 | |
Je suis gagneur! | 0:20:22 | 0:20:24 | |
I'm going to play some roulette. Anyone else? | 0:20:24 | 0:20:27 | |
Sure. | 0:20:27 | 0:20:28 | |
Good idea. See which of us is the lucky one. | 0:20:28 | 0:20:31 | |
This one. | 0:20:36 | 0:20:37 | |
Madam. | 0:20:39 | 0:20:40 | |
CROUPIER SPEAKS FRENCH | 0:20:44 | 0:20:46 | |
Good luck, darling. | 0:20:48 | 0:20:49 | |
Thank you. No more bets. | 0:21:04 | 0:21:06 | |
-Drink, Freddie? -Yes. Whisky. | 0:21:12 | 0:21:15 | |
Can I get a fresh whisky, please, sir? | 0:21:16 | 0:21:19 | |
He's got it. 2476. | 0:21:26 | 0:21:27 | |
All right. Well, I'll go. | 0:21:28 | 0:21:30 | |
No. I am a pregnant woman. Perfect cover. | 0:21:30 | 0:21:33 | |
Ange, that's not cover. You ARE a pregnant woman. | 0:21:33 | 0:21:36 | |
All right. | 0:21:39 | 0:21:40 | |
Well, if you are going to go, take this. | 0:21:40 | 0:21:42 | |
Bloody hell. Don't be silly, Joel. | 0:21:42 | 0:21:44 | |
I'm English. If there's a problem, I'll call you. | 0:21:44 | 0:21:46 | |
Ange, I'm not letting you walk out of that door without it. | 0:21:46 | 0:21:49 | |
Thank you. | 0:21:52 | 0:21:54 | |
-You do know how to use that thing, right? -Yes. | 0:21:55 | 0:21:57 | |
Right. Now. | 0:21:57 | 0:21:59 | |
How do I look? "You look great, Angela." | 0:21:59 | 0:22:01 | |
OK. If there's a problem, I'll call you. | 0:22:01 | 0:22:04 | |
You look great. | 0:22:07 | 0:22:09 | |
Oh, give over! | 0:22:09 | 0:22:10 | |
There we are, Freddie. | 0:22:21 | 0:22:22 | |
LIFT BELL RINGS | 0:23:25 | 0:23:26 | |
SWITCHES ON TV | 0:24:07 | 0:24:09 | |
PHONE RINGS | 0:24:35 | 0:24:37 | |
Yeah? | 0:24:41 | 0:24:43 | |
'Yeah. Hi, I'm in reception and I have an international package | 0:24:43 | 0:24:45 | |
'for Mr Richard Roper. I need a signature for that. | 0:24:45 | 0:24:48 | |
'I'm sorry, sir, I can't drop it in the lobby.' | 0:24:48 | 0:24:50 | |
I need a signature. | 0:24:50 | 0:24:51 | |
Thank you. | 0:24:53 | 0:24:54 | |
HE SIGHS | 0:24:57 | 0:24:58 | |
DOOR OPENS AND CLOSES | 0:25:02 | 0:25:05 | |
SHE PANTS | 0:25:32 | 0:25:34 | |
You should stop, Freddie. | 0:25:41 | 0:25:43 | |
Losing streak never ends until you cut it. | 0:25:43 | 0:25:45 | |
I'll stop when I want. | 0:25:45 | 0:25:46 | |
Ah. I am in this. | 0:25:49 | 0:25:50 | |
Losing in Daddy's casino, Freddie. | 0:25:53 | 0:25:54 | |
That's got to be a metaphor for something. | 0:25:54 | 0:25:57 | |
Let me get you a glass of champagne? | 0:25:58 | 0:26:01 | |
Yes. | 0:26:01 | 0:26:03 | |
Everybody happy? I never lose. | 0:26:03 | 0:26:05 | |
Up or down, Dicky? | 0:26:05 | 0:26:06 | |
Something's not right, Sandy. | 0:26:08 | 0:26:10 | |
She's trying too hard. | 0:26:10 | 0:26:12 | |
What did Caro say? | 0:26:13 | 0:26:15 | |
She hasn't seen anything. | 0:26:15 | 0:26:16 | |
He's watching me. I can tell. | 0:26:20 | 0:26:22 | |
Just keep calm. | 0:26:26 | 0:26:27 | |
Can I have two glasses of champagne, please? | 0:26:29 | 0:26:32 | |
Thank you. | 0:26:33 | 0:26:34 | |
I never lose. OK? | 0:26:36 | 0:26:38 | |
Freddie, you should stop. | 0:26:40 | 0:26:43 | |
-Whoa! -You are having fun? -I think it is time to go home now. | 0:26:43 | 0:26:45 | |
-I don't want to go home. -I think it's time to go home. | 0:26:45 | 0:26:48 | |
-I think so. -No. | 0:26:48 | 0:26:49 | |
-I think it's probably best. -We play over here. | 0:26:49 | 0:26:51 | |
Big day tomorrow. Go to bed. | 0:26:53 | 0:26:55 | |
-OK. -All right? | 0:26:58 | 0:27:00 | |
All right? Sorry, he's just had a bit too much to drink. | 0:27:00 | 0:27:02 | |
-Don't you worry, he'll be fine. -I like you. | 0:27:02 | 0:27:04 | |
-You want to come with me? -Come on, now, Freddie. Come on. -I like her. | 0:27:04 | 0:27:07 | |
-She can come with me. -This way. This way. | 0:27:07 | 0:27:09 | |
I think Sandy should go instead, no? | 0:27:18 | 0:27:20 | |
Watch your step now. | 0:27:26 | 0:27:28 | |
-Whoa! -Oh! | 0:27:28 | 0:27:29 | |
All right, I think I'll drive, eh? | 0:27:30 | 0:27:32 | |
In you get. There we go. | 0:27:35 | 0:27:38 | |
Easy, easy, Freddie. | 0:27:46 | 0:27:48 | |
Whoa, Freddie. | 0:27:50 | 0:27:52 | |
Now, what do you say we sit down? | 0:27:53 | 0:27:56 | |
-Sit down. -Sit down? Just here? | 0:27:56 | 0:27:59 | |
Where's your family, Freddie? | 0:28:03 | 0:28:05 | |
This isn't the family house. This one is for business and pleasure. | 0:28:05 | 0:28:09 | |
No maid? | 0:28:10 | 0:28:11 | |
No, they come in the day. | 0:28:11 | 0:28:13 | |
They come in the day. | 0:28:13 | 0:28:15 | |
Good. | 0:28:17 | 0:28:18 | |
-What do you say to a drink, Freddie? -Yes. | 0:28:18 | 0:28:21 | |
-Whisky? -Yes. | 0:28:21 | 0:28:22 | |
-Splash of water OK? -Yes. | 0:28:25 | 0:28:28 | |
There you go. | 0:28:40 | 0:28:42 | |
You know, Freddie, there's something I've been meaning to ask you. | 0:28:49 | 0:28:53 | |
It's been playing on my mind. | 0:28:54 | 0:28:57 | |
You had a girlfriend called Sophie Alekan... | 0:28:57 | 0:29:00 | |
..in the Nefertiti Hotel. | 0:29:01 | 0:29:03 | |
Do you remember her? | 0:29:04 | 0:29:05 | |
How do you know about her? | 0:29:07 | 0:29:09 | |
Do you remember her? | 0:29:09 | 0:29:11 | |
Did you kill her? | 0:29:11 | 0:29:12 | |
My God. | 0:29:18 | 0:29:20 | |
I know you. | 0:29:20 | 0:29:21 | |
The night manager. | 0:29:22 | 0:29:23 | |
Did you kill her? | 0:29:23 | 0:29:24 | |
What do you care? She was a whore. | 0:29:24 | 0:29:26 | |
Did you kill her? | 0:29:29 | 0:29:30 | |
No! No! I was there, but I didn't do it, I swear. | 0:29:30 | 0:29:35 | |
Who did? | 0:29:35 | 0:29:36 | |
One of Roper's men. | 0:29:36 | 0:29:38 | |
Roper said we couldn't trust her to stay quiet. | 0:29:38 | 0:29:41 | |
Was Roper there? | 0:29:41 | 0:29:42 | |
Was Roper there? | 0:29:43 | 0:29:45 | |
He wanted her to tell us who had helped her. | 0:29:45 | 0:29:49 | |
But she wouldn't say. | 0:29:52 | 0:29:53 | |
She didn't say a word. | 0:29:54 | 0:29:56 | |
Should not have kept her mouth closed, whore! | 0:29:59 | 0:30:01 | |
Excuse me. | 0:30:53 | 0:30:54 | |
Andrew Birch. | 0:30:54 | 0:30:55 | |
I believe you have an envelope for me. | 0:30:55 | 0:30:57 | |
-Yes, sir, from the lady in Room 2104. -Thank you. | 0:30:57 | 0:31:00 | |
Could you arrange a car for me tonight, please? | 0:31:07 | 0:31:09 | |
MAN SHOUTS | 0:31:22 | 0:31:24 | |
-Ahmer. Salaam alaikum. -Alaikum salaam. | 0:31:24 | 0:31:28 | |
Let's go. | 0:31:28 | 0:31:29 | |
Go on ahead. | 0:31:42 | 0:31:43 | |
Go on. | 0:31:45 | 0:31:46 | |
But when I went down to the foyer, there was no parcel. | 0:31:46 | 0:31:49 | |
-Check the hotel lists. Every guest. Get the names to me. -OK. | 0:31:49 | 0:31:53 | |
MEN SHOUT | 0:31:56 | 0:31:58 | |
Andrew Birch. Tradepass Limited. | 0:32:05 | 0:32:08 | |
I'd like to check the shipment that's leaving tomorrow, please. | 0:32:12 | 0:32:16 | |
GUARD SPEAKS HIS OWN LANGUAGE | 0:32:19 | 0:32:21 | |
Shokran. | 0:32:31 | 0:32:32 | |
OK, now, guys. Go, quick. | 0:33:03 | 0:33:05 | |
Go, go, go, go! | 0:33:07 | 0:33:09 | |
OK. So you know what to do? | 0:33:31 | 0:33:33 | |
This is the number. | 0:33:35 | 0:33:36 | |
You must memorise it | 0:33:36 | 0:33:38 | |
and you press connect and it will start the party. | 0:33:38 | 0:33:40 | |
-Thank you, Ahmer. -Any time. My pleasure. | 0:33:44 | 0:33:47 | |
This is because of Ms Alekan, right? | 0:33:50 | 0:33:52 | |
Yes... | 0:33:55 | 0:33:56 | |
..and no. | 0:33:58 | 0:34:00 | |
I will see you, brother. | 0:34:02 | 0:34:04 | |
You take care, brother. | 0:34:04 | 0:34:06 | |
KNOCK ON DOOR | 0:34:24 | 0:34:25 | |
-Breakfast, madam. Compliments of Mr Birch. -Thank you. | 0:34:31 | 0:34:36 | |
You're welcome. | 0:34:38 | 0:34:39 | |
DOOR CLOSES | 0:34:42 | 0:34:43 | |
BEEPING | 0:34:54 | 0:34:57 | |
SHE EXHALES DEEPLY | 0:35:03 | 0:35:04 | |
Oh, dear. | 0:35:06 | 0:35:07 | |
It's hard keeping a track of all those codes and PIN numbers, isn't it? | 0:35:09 | 0:35:13 | |
Have you tried your birthday? | 0:35:13 | 0:35:14 | |
-I just found this... -Oh, Jemima. | 0:35:16 | 0:35:18 | |
You let someone break in here and steal from me. | 0:35:21 | 0:35:24 | |
The question is... | 0:35:25 | 0:35:27 | |
who? | 0:35:27 | 0:35:28 | |
Please don't tell me it was Corky. Because I might not believe you. | 0:35:31 | 0:35:35 | |
Morning, Frisky. Would you mind stepping in here for a moment? | 0:35:41 | 0:35:45 | |
Yes, this is Andrew Birch. | 0:35:57 | 0:35:59 | |
Of course, sir. | 0:36:01 | 0:36:02 | |
HE SIGHS | 0:36:06 | 0:36:07 | |
GENTLE PIANO MUSIC PLAYS | 0:36:41 | 0:36:44 | |
Come on, darling. | 0:36:52 | 0:36:53 | |
Be a good girl. | 0:36:54 | 0:36:55 | |
JED STRAINS IN BACKGROUND | 0:36:57 | 0:36:59 | |
No point in thinking he's going to stop. | 0:36:59 | 0:37:02 | |
Frisky never stops. | 0:37:02 | 0:37:04 | |
JED GASPS | 0:37:07 | 0:37:09 | |
JED PANTS | 0:37:20 | 0:37:23 | |
You know, I never really thought you had it in you. | 0:37:28 | 0:37:32 | |
You know what I think? | 0:37:32 | 0:37:33 | |
I think you must care very deeply about the person you're protecting. | 0:37:34 | 0:37:38 | |
I saw you look at him | 0:37:40 | 0:37:42 | |
in the casino. | 0:37:42 | 0:37:44 | |
How close you are. | 0:37:44 | 0:37:45 | |
RINGING TONE | 0:38:02 | 0:38:04 | |
-'Dromgoole speaking.' -Did you get what I sent you? | 0:38:04 | 0:38:07 | |
'You know what I think, Geoffrey? | 0:38:08 | 0:38:10 | |
'When we open those crates tomorrow, | 0:38:10 | 0:38:12 | |
'I don't think we're going to find farm machinery inside... | 0:38:12 | 0:38:16 | |
'do you?' | 0:38:16 | 0:38:17 | |
It don't look good for you, Geoffrey. | 0:38:19 | 0:38:21 | |
What do you want? | 0:38:25 | 0:38:26 | |
Stay away from the Egyptian affairs. | 0:38:26 | 0:38:29 | |
If Roper tries to get in contact, cut him off. | 0:38:29 | 0:38:32 | |
'No safety net. You don't even take his call.' | 0:38:32 | 0:38:36 | |
What do I get? | 0:38:37 | 0:38:39 | |
You get to survive, Geoffrey. | 0:38:41 | 0:38:43 | |
Morning, Andrew. | 0:38:56 | 0:38:57 | |
You look spiffy. Ready to go? | 0:38:58 | 0:39:01 | |
When you are, sir. How was the casino? | 0:39:01 | 0:39:04 | |
A very successful night. I am a winner. | 0:39:04 | 0:39:07 | |
I can't get hold of Freddie. He should be here by now. | 0:39:08 | 0:39:11 | |
You put him to bed, didn't you? | 0:39:11 | 0:39:13 | |
-Left him sleeping like a baby, sir. -Never mind. His loss. | 0:39:13 | 0:39:17 | |
DOGS PANT | 0:39:42 | 0:39:44 | |
Hello, Mr Roper. The trucks are loaded. | 0:39:44 | 0:39:46 | |
-Everything is ready for you. -Thank you. | 0:39:46 | 0:39:49 | |
Dicky, | 0:40:10 | 0:40:11 | |
I've just been through the hotel lists of the medical delegation, | 0:40:11 | 0:40:14 | |
all name-check, except two. | 0:40:14 | 0:40:16 | |
They're in room 2104. | 0:40:16 | 0:40:18 | |
Call Frisky, get him to clean it up. | 0:40:19 | 0:40:22 | |
Andrew! | 0:40:24 | 0:40:25 | |
Let me show you the hospitality area. | 0:40:26 | 0:40:28 | |
It's me. | 0:40:30 | 0:40:31 | |
He's asked for room service in 2104. | 0:40:33 | 0:40:35 | |
Yeah? | 0:40:36 | 0:40:37 | |
OK. Understood. | 0:40:37 | 0:40:39 | |
Ah, well. | 0:40:43 | 0:40:45 | |
It seems... | 0:40:47 | 0:40:48 | |
that you and I have to go for a little walk. | 0:40:48 | 0:40:51 | |
When I tell you, you're going to get up, | 0:40:51 | 0:40:55 | |
we'll wash your face | 0:40:55 | 0:40:57 | |
and maybe get you dressed. | 0:40:57 | 0:40:58 | |
But you're going to be very quiet. | 0:40:58 | 0:41:01 | |
GET UP! | 0:41:03 | 0:41:05 | |
I'll take your phone if you don't mind. | 0:41:27 | 0:41:29 | |
Sure. | 0:41:31 | 0:41:32 | |
Search him for weapons, make sure he's not wearing a wire. | 0:41:44 | 0:41:47 | |
It's a very rare thing, Jonathan Pine... | 0:41:52 | 0:41:56 | |
for me to trust a person. | 0:41:56 | 0:41:58 | |
But you were special. | 0:41:58 | 0:42:00 | |
I knew it the first moment I saw you. | 0:42:00 | 0:42:03 | |
Saved my son, risked your life. | 0:42:03 | 0:42:05 | |
Should've known something was wrong. | 0:42:07 | 0:42:10 | |
I don't know what you're talking about. | 0:42:12 | 0:42:14 | |
Corky knew it, of course. | 0:42:14 | 0:42:16 | |
Tried to make me see. | 0:42:17 | 0:42:18 | |
Poor old Corks. | 0:42:19 | 0:42:21 | |
You killed him, I suppose. | 0:42:21 | 0:42:23 | |
To save your own skin. Yes? | 0:42:23 | 0:42:25 | |
He was a good man, Corks. Loyal man. | 0:42:28 | 0:42:30 | |
Now he's lying in a ditch on a Turkish mountain because of you. | 0:42:32 | 0:42:35 | |
Well, for his sake and for mine... | 0:42:36 | 0:42:38 | |
..I can promise you that your death | 0:42:40 | 0:42:41 | |
is going to be a hundred times worse. | 0:42:41 | 0:42:43 | |
Who are you working with? | 0:42:47 | 0:42:48 | |
No-one. | 0:42:52 | 0:42:53 | |
Well, that's not true for starters. | 0:42:53 | 0:42:55 | |
I know you're working with Jed. | 0:42:56 | 0:42:58 | |
That's a mistake, by the way. | 0:42:58 | 0:43:00 | |
Not the sort of thing a man does. | 0:43:02 | 0:43:03 | |
You sick fuck. | 0:43:11 | 0:43:12 | |
Ah-ah-ah-ah! | 0:43:18 | 0:43:19 | |
We need that pretty face for the buyers. | 0:43:19 | 0:43:22 | |
We can make sure nothing else happens to her... | 0:43:24 | 0:43:26 | |
if you cooperate. | 0:43:26 | 0:43:28 | |
Did you kill Freddie? | 0:43:31 | 0:43:33 | |
You would've killed me, obviously. | 0:43:35 | 0:43:38 | |
ROPER SIGHS | 0:43:40 | 0:43:41 | |
I got you so wrong. | 0:43:42 | 0:43:44 | |
CAR APPROACHES | 0:43:46 | 0:43:48 | |
Now listen, Jed is in a very bad way | 0:43:54 | 0:43:57 | |
and I'm not feeling particularly sentimental about her welfare. | 0:43:57 | 0:44:01 | |
Her life depends on the quality of your performance | 0:44:01 | 0:44:05 | |
in the next half hour. | 0:44:05 | 0:44:06 | |
So smile. | 0:44:08 | 0:44:09 | |
HE HUMS GENTLY | 0:44:13 | 0:44:16 | |
PHONE RINGS | 0:44:20 | 0:44:22 | |
-Joel? Where are you? -I'm outside the loading area. | 0:44:22 | 0:44:25 | |
CAMERA CLICKS | 0:44:27 | 0:44:28 | |
Oh, my God. Ange, get out of there. | 0:44:35 | 0:44:37 | |
'Pine's blown, so you're blown. Get out!' | 0:44:37 | 0:44:38 | |
-Can you see him? Is he all right? -Ange, listen to me! Pine is blown. | 0:44:38 | 0:44:41 | |
'Get the hell out of there!' | 0:44:41 | 0:44:43 | |
HE HUMS SOFTLY | 0:44:43 | 0:44:44 | |
Room service. | 0:44:49 | 0:44:50 | |
KNOCK ON DOOR | 0:44:50 | 0:44:52 | |
Room service. | 0:44:54 | 0:44:55 | |
JED PANTS | 0:44:55 | 0:44:57 | |
GUNSHOT AND FRISKY SCREAMS | 0:45:20 | 0:45:22 | |
Get out! Get out! Go on, go! | 0:45:22 | 0:45:24 | |
-You bitch! -Go, get out. Now! | 0:45:24 | 0:45:26 | |
You bloody bitch! | 0:45:29 | 0:45:30 | |
THEY CHAT QUIETLY | 0:45:33 | 0:45:35 | |
Mr Kouyami. Sorry to keep you. | 0:45:38 | 0:45:41 | |
-Are you well? -How are you? -Good, thank you. | 0:45:41 | 0:45:44 | |
Today marks the beginning of a new trade route, Mr Roper. | 0:45:44 | 0:45:48 | |
And the beginning of a beautiful friendship, to coin a phrase. | 0:45:48 | 0:45:51 | |
-Mr Birch. -Mr Barghati. -How are you? -Very well, thank you. | 0:45:51 | 0:45:55 | |
As you can see the trucks are loaded with the spec, as agreed. | 0:45:55 | 0:45:59 | |
The drivers are ready to take them to the destination of your choosing. | 0:45:59 | 0:46:02 | |
-Jasper. -Yes, sir? | 0:46:02 | 0:46:05 | |
-Get them rolling, will you? -Yes, sir. | 0:46:05 | 0:46:07 | |
Let's go! | 0:46:07 | 0:46:08 | |
ENGINE STARTS UP Where is, er, Mr Hamid? | 0:46:08 | 0:46:12 | |
I'm afraid Freddie was a little bit of a bad boy last night. | 0:46:12 | 0:46:16 | |
I think he might be paying the price this morning. | 0:46:16 | 0:46:18 | |
THEY LAUGH | 0:46:18 | 0:46:19 | |
We can make a start without him. If you're content, | 0:46:19 | 0:46:22 | |
I suggest we process the second half of the payment. | 0:46:22 | 0:46:24 | |
I'm entirely content. | 0:46:26 | 0:46:27 | |
Good. | 0:46:27 | 0:46:29 | |
Mr Barghati, after you. | 0:46:29 | 0:46:30 | |
Beautiful day for it. | 0:46:39 | 0:46:40 | |
The best. | 0:46:40 | 0:46:42 | |
-Please check. -Thank you. | 0:46:52 | 0:46:54 | |
Yes, good morning, it's Sandy Langbourne here. | 0:46:57 | 0:46:59 | |
Tradepass for authorisation. | 0:46:59 | 0:47:01 | |
Mr Birch will now complete the transaction. | 0:47:06 | 0:47:09 | |
Won't you, Mr Birch? | 0:47:11 | 0:47:12 | |
Don't mess it up, Andrew. | 0:47:16 | 0:47:18 | |
A lot of people depending on that beautiful little iris of yours. | 0:47:18 | 0:47:22 | |
Come on, Andrew. We haven't got all day. | 0:47:29 | 0:47:31 | |
THEY LAUGH | 0:47:31 | 0:47:33 | |
What's going on, Jasper? Why have they stopped? | 0:47:44 | 0:47:47 | |
I don't know, sir. | 0:47:47 | 0:47:48 | |
What? | 0:47:51 | 0:47:52 | |
Jesus... | 0:48:03 | 0:48:05 | |
HIGH PITCHED TONE | 0:48:20 | 0:48:21 | |
I want my money back, Mr Roper. | 0:48:28 | 0:48:30 | |
Mr Roper. | 0:48:39 | 0:48:40 | |
You, transfer my money right now. | 0:48:45 | 0:48:48 | |
Dicky... | 0:48:49 | 0:48:51 | |
where's the first payment? | 0:48:51 | 0:48:53 | |
There should be 300 million already in here. | 0:48:53 | 0:48:55 | |
Oh, you beauty. | 0:48:58 | 0:49:00 | |
Did you hear me, Mr Roper? I want my money. Now! | 0:49:02 | 0:49:05 | |
We'd better leave. We mustn't be seen. | 0:49:05 | 0:49:07 | |
I want the full amount returned to me. | 0:49:07 | 0:49:09 | |
Do you understand? | 0:49:09 | 0:49:12 | |
If you do not pay, there will be consequences. | 0:49:12 | 0:49:16 | |
Don't you dare threaten me! Who do you think did this? | 0:49:17 | 0:49:22 | |
Arab militia, little brown rats, like the rest of you. | 0:49:22 | 0:49:26 | |
You'll get your money when I'm good and ready! Understand? | 0:49:26 | 0:49:29 | |
We'd better leave. | 0:49:37 | 0:49:39 | |
-Gentlemen... -Let's go. -..let us reconvene in the Nefertiti | 0:49:40 | 0:49:44 | |
in one hour. | 0:49:44 | 0:49:45 | |
Our organisation is used to dealing with problems like this. | 0:49:45 | 0:49:48 | |
We can deal with it. Dicky, we need to go. | 0:49:48 | 0:49:50 | |
Pine! | 0:49:54 | 0:49:55 | |
Jed. You let Jed go, you get the money. | 0:49:56 | 0:49:58 | |
You'd buy that girl for 300 million? | 0:50:01 | 0:50:03 | |
Call the airfield. Tell them to have the jet ready in one hour. | 0:50:21 | 0:50:24 | |
Boss, maybe the back entrance. | 0:50:29 | 0:50:31 | |
Yes. | 0:50:31 | 0:50:32 | |
They come to the room, you transfer the money, | 0:50:50 | 0:50:53 | |
I let Jed go. Clear? | 0:50:53 | 0:50:55 | |
We've not been introduced. My name's Angela Burr. | 0:51:01 | 0:51:04 | |
Dicky Roper. | 0:51:06 | 0:51:08 | |
Where is Jed, if you don't mind me asking? | 0:51:10 | 0:51:13 | |
She's downstairs, Jonathan. | 0:51:13 | 0:51:14 | |
All yours... | 0:51:16 | 0:51:17 | |
..Dicky. | 0:51:18 | 0:51:19 | |
This is pathetic. | 0:51:22 | 0:51:23 | |
Who the hell are you? | 0:51:25 | 0:51:26 | |
-I'm Angela. -I know your name. | 0:51:26 | 0:51:29 | |
I mean, who are you really in the grand scheme of things? | 0:51:29 | 0:51:32 | |
Oh, in the grand scheme of things? | 0:51:32 | 0:51:34 | |
I don't know. I live in Bermondsey. | 0:51:34 | 0:51:36 | |
-'This is London.' -This is Dicky Roper. Get me Halo. | 0:51:36 | 0:51:40 | |
There is no Halo at this number, sir. | 0:51:44 | 0:51:46 | |
Don't be a tit. | 0:51:47 | 0:51:49 | |
Geoffrey Dromgoole gave me this number personally. | 0:51:49 | 0:51:51 | |
-I'm afraid I'm unable to help you. -PHONE CLICKS | 0:51:51 | 0:51:55 | |
Aw, no joy? | 0:52:03 | 0:52:05 | |
Must be a peculiar feeling, is it? | 0:52:05 | 0:52:08 | |
All those VIP rooms, five-star hotels. | 0:52:08 | 0:52:11 | |
You're now on the wrong side of the velvet rope. | 0:52:11 | 0:52:14 | |
Do you feel quite discombobulated? | 0:52:14 | 0:52:16 | |
I suppose you've been preparing this for a while. | 0:52:18 | 0:52:20 | |
Practising in front of the mirror, have we? | 0:52:21 | 0:52:23 | |
Yeah. | 0:52:23 | 0:52:25 | |
Since the sports day in Kurdistan. | 0:52:26 | 0:52:29 | |
I always thought those kids could do with more protection, | 0:52:29 | 0:52:32 | |
so that's what's happening now. | 0:52:32 | 0:52:33 | |
Me and Jonathan, we're protecting them. | 0:52:33 | 0:52:35 | |
Not the ones you've already killed, obviously, but the next ones. | 0:52:35 | 0:52:39 | |
Protecting from what? | 0:52:39 | 0:52:41 | |
From me? | 0:52:41 | 0:52:42 | |
I never killed anyone. | 0:52:43 | 0:52:44 | |
I never stole, never fiddled my taxes. | 0:52:44 | 0:52:48 | |
All I did was work for a company | 0:52:48 | 0:52:49 | |
owned and operated by your little Pinocchio. | 0:52:49 | 0:52:53 | |
I might get a 50-quid fine. | 0:52:53 | 0:52:55 | |
With a bit of luck, they'll let me pay in instalments. | 0:52:56 | 0:52:59 | |
Yeah, you're probably right. | 0:52:59 | 0:53:01 | |
Government lawyers, useless, aren't they? | 0:53:01 | 0:53:03 | |
I was one once. | 0:53:03 | 0:53:05 | |
-Right, so... -DOOR OPENS | 0:53:06 | 0:53:08 | |
Mr Roper. | 0:53:11 | 0:53:13 | |
The same. Not a painting. How can I help you? | 0:53:13 | 0:53:16 | |
These gentlemen are here to place you under arrest. | 0:53:16 | 0:53:19 | |
Really? For what? | 0:53:19 | 0:53:21 | |
Contravention of Egyptian import rules, conspiracy to murder... | 0:53:21 | 0:53:25 | |
Do these clowns have names? | 0:53:28 | 0:53:30 | |
Cos I'm sure Mr Hamid Senior would love to know what they are. | 0:53:30 | 0:53:33 | |
Mr Hamid is a very good chum of mine. Chum? | 0:53:33 | 0:53:37 | |
By this time tomorrow, I'm going to be back | 0:53:37 | 0:53:39 | |
in my humble croft in Majorca, sipping a 30-year-old Scotch. | 0:53:39 | 0:53:43 | |
It's a possibility. | 0:53:43 | 0:53:44 | |
-I hope not. -And by the way... | 0:53:44 | 0:53:47 | |
..good luck with the baby. | 0:53:48 | 0:53:50 | |
It's a wonderful thing to bring a child into this world. | 0:53:50 | 0:53:52 | |
HE BREATHES HEAVILY | 0:54:05 | 0:54:07 | |
Why'd you do it, Jonathan? | 0:54:25 | 0:54:27 | |
You have to commit. | 0:54:29 | 0:54:30 | |
You have to make a decision. | 0:54:33 | 0:54:35 | |
Couldn't just scratch my nose, could you? | 0:54:40 | 0:54:42 | |
See you in a few days. | 0:54:44 | 0:54:46 | |
MEN SHOUT | 0:55:00 | 0:55:02 | |
What the hell's going on here? | 0:55:06 | 0:55:08 | |
I've got no idea. | 0:55:08 | 0:55:10 | |
HE SHOUTS IN OWN LANGUAGE | 0:55:13 | 0:55:14 | |
-Hey, wait... Wait a minute! -DOOR SLAMS | 0:55:17 | 0:55:19 | |
Wait a minute! | 0:55:19 | 0:55:21 | |
Wait a second. CAR ENGINE STARTS | 0:55:24 | 0:55:27 | |
He deserves it. | 0:55:41 | 0:55:42 | |
-No! No! -HE STAMPS | 0:55:56 | 0:55:58 | |
No! No! | 0:55:58 | 0:56:00 | |
No! | 0:56:00 | 0:56:02 | |
What time do you land? | 0:56:29 | 0:56:30 | |
-6am, bright and early. -HE LAUGHS | 0:56:32 | 0:56:35 | |
There be someone there to meet you? | 0:56:40 | 0:56:43 | |
I think they'll all be there. | 0:56:43 | 0:56:44 | |
I keep thinking, "What if he doesn't recognise me?" | 0:56:50 | 0:56:54 | |
A son always recognises his mother. | 0:56:56 | 0:56:57 | |
And if he doesn't, I'll tell him. | 0:57:01 | 0:57:04 | |
SHE LAUGHS OK? | 0:57:04 | 0:57:06 | |
You can come visit soon. | 0:57:10 | 0:57:12 | |
I promise. | 0:57:15 | 0:57:16 | |
Be good. | 0:57:41 | 0:57:43 | |
You're a funny fish, Jonathan. | 0:57:47 | 0:57:49 | |
-I know. -Good. | 0:57:52 | 0:57:54 | |
Is there anything I can do for you, sir? | 0:58:34 | 0:58:36 | |
No, thank you. | 0:58:40 | 0:58:42 | |
Nothing at all. | 0:58:44 | 0:58:45 |