
Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
It came to me deep in the night, as it so often does. | 0:00:40 | 0:00:44 | |
We shall be as a meadow! | 0:00:44 | 0:00:47 | |
Clara - the landing. | 0:00:47 | 0:00:50 | |
Denise - Haberdashery. | 0:00:50 | 0:00:52 | |
From Miss Audrey. | 0:01:05 | 0:01:06 | |
Inspiration came to her in the night. | 0:01:06 | 0:01:09 | |
Inspiration must be blind. | 0:01:09 | 0:01:11 | |
Like love! And justice. And worms. | 0:01:11 | 0:01:14 | |
Oh, I wish I could do that, though. Arrange things. Don't you? | 0:01:14 | 0:01:18 | |
These days, I think I could do anything I set my mind to. | 0:01:18 | 0:01:20 | |
Really? Anything? | 0:01:20 | 0:01:22 | |
What is there to stop me? | 0:01:22 | 0:01:24 | |
I know. She scares me, too. | 0:01:24 | 0:01:28 | |
Clara! | 0:01:28 | 0:01:31 | |
Sorry, Ma'am. Customer. | 0:01:31 | 0:01:33 | |
You weren't back. | 0:01:33 | 0:01:34 | |
Ladies, please take a seat. | 0:01:34 | 0:01:37 | |
Denise! Le salon d'essayage. | 0:01:37 | 0:01:42 | |
We have searched cellar to roof. | 0:02:06 | 0:02:08 | |
A female could get in and out and no-one any the wiser. | 0:02:08 | 0:02:11 | |
We are vulnerable. | 0:02:11 | 0:02:12 | |
My department has always adhered to the highest standards! | 0:02:12 | 0:02:15 | |
Miss Audrey, no one supposes this a reflection on you or your staff. | 0:02:15 | 0:02:19 | |
He belongs in the police station. | 0:02:19 | 0:02:20 | |
No. I don't want him at the police station. | 0:02:20 | 0:02:22 | |
I want him here. Dudley, you know infants. | 0:02:22 | 0:02:26 | |
When Alice was sick last winter and couldn't nurse the baby, | 0:02:26 | 0:02:29 | |
what did you do? | 0:02:29 | 0:02:30 | |
Mellin's Infant Food. Able's across the street will have it. | 0:02:30 | 0:02:33 | |
Arthur! | 0:02:33 | 0:02:35 | |
Infant food. Able's. Yes, sir! | 0:02:35 | 0:02:37 | |
Jonas, get a message to Peter Adler. | 0:02:37 | 0:02:40 | |
Tell him I wish to speak to him, on a matter of urgency. | 0:02:40 | 0:02:43 | |
Dudley - the newspapers. | 0:02:43 | 0:02:44 | |
Yesterday we were paying a guinea a line for advertising space, | 0:02:44 | 0:02:46 | |
tomorrow they'll give us the front pages for free. | 0:02:46 | 0:02:49 | |
But Mr Moray, sir. Who is to look after him? | 0:02:49 | 0:02:51 | |
Why - us. | 0:02:51 | 0:02:54 | |
The Paradise! | 0:02:54 | 0:02:56 | |
They wish to donate money for the baby. | 0:03:16 | 0:03:18 | |
If we had a box, or a tin? | 0:03:18 | 0:03:19 | |
Yes! Yes! I will see to it. But make haste. | 0:03:19 | 0:03:21 | |
The Misses Felmingham are asking for you. | 0:03:21 | 0:03:23 | |
Miss Audrey. My name is at the top of the list. | 0:03:23 | 0:03:25 | |
I see that, but they have asked for Denise. | 0:03:25 | 0:03:27 | |
All the morning customers have been asking for Denise! | 0:03:27 | 0:03:30 | |
Indeed. She is quite the cause celebre - | 0:03:30 | 0:03:32 | |
the girl who found the Paradise Baby. | 0:03:32 | 0:03:36 | |
I believe it will be a new sales record. | 0:03:36 | 0:03:37 | |
I shouldn't worry. | 0:03:45 | 0:03:46 | |
With all the fuss being made of this one, | 0:03:46 | 0:03:48 | |
we'll have every unwanted brat in the city dumped at our door. | 0:03:48 | 0:03:51 | |
Plenty of bastards to go round, then. | 0:03:54 | 0:03:56 | |
Oh, I know! What business have I? | 0:04:08 | 0:04:11 | |
But I heard and I had to see for myself. | 0:04:11 | 0:04:13 | |
Allow me to introduce Mr Peter Adler. | 0:04:13 | 0:04:16 | |
Peter, Miss Katherine Glendenning. | 0:04:16 | 0:04:19 | |
I see you have already met my other guest. | 0:04:19 | 0:04:22 | |
Oh, he is quite the most beautiful thing. | 0:04:22 | 0:04:24 | |
A heartbreaker, in the lair of a shameless opportunist. | 0:04:24 | 0:04:28 | |
Oh, come on, Adler! | 0:04:28 | 0:04:29 | |
This is an opportunity that may serve us both. | 0:04:29 | 0:04:32 | |
Poor Miss Glendenning must be wondering what devilish pact | 0:04:32 | 0:04:35 | |
we have in hand. | 0:04:35 | 0:04:37 | |
I am the patron of a Foundling Home, Miss Glendenning. | 0:04:37 | 0:04:40 | |
Moray is hoping we will be able to find room for his unexpected guest. | 0:04:40 | 0:04:44 | |
Though not quite yet. | 0:04:44 | 0:04:45 | |
I want him in my store a day or two longer. | 0:04:45 | 0:04:48 | |
A baby? Here? Moray, what can you be thinking of? | 0:04:48 | 0:04:51 | |
The publicity. | 0:04:51 | 0:04:52 | |
You wanted me, Mr Moray, sir? | 0:04:54 | 0:04:58 | |
Yes. Take him into the Paradise. | 0:04:58 | 0:05:04 | |
I want him seen. | 0:05:04 | 0:05:06 | |
I want him loved. | 0:05:06 | 0:05:08 | |
Understand? | 0:05:08 | 0:05:10 | |
Yes, sir! | 0:05:10 | 0:05:12 | |
Our friend has a reputation as a man of innovation and drive. | 0:05:14 | 0:05:19 | |
Perhaps he is also hoping to demonstrate | 0:05:19 | 0:05:22 | |
that there is a softer side to him - | 0:05:22 | 0:05:25 | |
the human face of the all-conquering capitalist. | 0:05:25 | 0:05:28 | |
Hmm, you have my measure. | 0:05:28 | 0:05:31 | |
Do I have your support? | 0:05:31 | 0:05:33 | |
We will take him. On one condition. | 0:05:33 | 0:05:36 | |
A donation? | 0:05:36 | 0:05:38 | |
And a visit. Our foundlings to your store. | 0:05:38 | 0:05:42 | |
We do our best to fit them for work, give them a future. | 0:05:42 | 0:05:45 | |
Well, who knows? | 0:05:45 | 0:05:47 | |
If one of them impresses, | 0:05:47 | 0:05:48 | |
you may even be moved to extend the offer of a job. | 0:05:48 | 0:05:51 | |
Supposing the press were still on hand to report the gesture. | 0:05:51 | 0:05:55 | |
Miss Glendenning. Moray. | 0:05:55 | 0:05:58 | |
Adler. | 0:05:58 | 0:06:00 | |
You must let me know when this visit is to take place. | 0:06:00 | 0:06:03 | |
Your Foundlings interest me, Mr Adler, | 0:06:03 | 0:06:06 | |
I should like very much to be here. | 0:06:06 | 0:06:07 | |
Of course. | 0:06:07 | 0:06:09 | |
Miss Glendenning. | 0:06:10 | 0:06:12 | |
You're wasting your time, you know. He's far too high-minded. | 0:06:21 | 0:06:24 | |
Now I wonder, is that meant as a warning or a challenge? | 0:06:24 | 0:06:29 | |
Seriously, watch your back, | 0:06:31 | 0:06:32 | |
she'd do anything for the kind of money you earned today. | 0:06:32 | 0:06:35 | |
Isn't that right, Sam? | 0:06:35 | 0:06:36 | |
Who - Clara? | 0:06:36 | 0:06:37 | |
Ay, she'd kill her own grandmother to get commission on the hide. | 0:06:37 | 0:06:42 | |
Oh! Can I hold him? Please can I hold him! | 0:06:43 | 0:06:45 | |
It won't last. People want to tell their friends | 0:06:45 | 0:06:47 | |
they bought something from the girl who found the Paradise baby. | 0:06:47 | 0:06:50 | |
But he isn't! He isn't the Paradise baby! | 0:06:50 | 0:06:54 | |
He wasn't born here - he was just dumped. | 0:06:54 | 0:06:56 | |
In Miss Audrey's stupid saloon! | 0:06:56 | 0:06:58 | |
-It's not funny! -No, come on, come here. They're just being childish. | 0:06:58 | 0:07:02 | |
Everywhere I've took him they've called him that - the Paradise baby. | 0:07:02 | 0:07:05 | |
But I was born here in the loading bays. | 0:07:05 | 0:07:06 | |
And when you're rich and famous, there'll be a plaque out there. | 0:07:06 | 0:07:09 | |
Saying what? | 0:07:09 | 0:07:11 | |
His mam was the drayman's tart. | 0:07:11 | 0:07:13 | |
She dropped him like a turd then fell down dead of the shame. | 0:07:13 | 0:07:15 | |
God, you're full of spite! Don't take it out on him. | 0:07:15 | 0:07:18 | |
What? I was just saying what I've heard. | 0:07:18 | 0:07:19 | |
What? What you heard? Where, from who? | 0:07:19 | 0:07:22 | |
Oh, you know - people. | 0:07:22 | 0:07:24 | |
Oh, come on! She's just got it wrong. | 0:07:24 | 0:07:27 | |
Your ma was the drayman's daughter, she died of a fever. | 0:07:27 | 0:07:30 | |
Your pa was lost at Sebastopol | 0:07:30 | 0:07:31 | |
and you were brought up by the men who worked in the bays. | 0:07:31 | 0:07:34 | |
You told me the story, yourself. | 0:07:34 | 0:07:35 | |
But what if that's all it is - a story? | 0:07:35 | 0:07:39 | |
Last week, Moray bestrode the narrow world like a colossus, | 0:07:50 | 0:07:54 | |
this week he's Florence Nightingale in pantaloons. | 0:07:54 | 0:07:57 | |
The man's a genius. | 0:07:57 | 0:07:58 | |
What do you know about a man called Peter Adler? | 0:07:58 | 0:08:01 | |
Apart from his market value. | 0:08:01 | 0:08:03 | |
His market value is not to be sniffed at. | 0:08:03 | 0:08:06 | |
They call him Saint Peter at the club. Rich as Croesus. | 0:08:06 | 0:08:09 | |
Full-time philanthropist. Why? | 0:08:09 | 0:08:11 | |
I thought I might invite him to dine. Would you object? | 0:08:12 | 0:08:15 | |
Not at all. | 0:08:15 | 0:08:17 | |
But I don't imagine it's my displeasure | 0:08:17 | 0:08:19 | |
you're hoping to provoke. | 0:08:19 | 0:08:20 | |
Every front page bar one! | 0:08:22 | 0:08:24 | |
"City foundling finds new, celestial home", | 0:08:24 | 0:08:27 | |
"An angel in Paradise", "Cherub among the chinaware". | 0:08:27 | 0:08:31 | |
We are paying for your front pages - | 0:08:31 | 0:08:34 | |
Adler's brats trooping through at any moment. | 0:08:34 | 0:08:36 | |
I doubt the wheels of commerce will grind to a halt because | 0:08:36 | 0:08:39 | |
a few children pay us a visit. | 0:08:39 | 0:08:40 | |
Not children - foundlings, begotten in sin, | 0:08:40 | 0:08:44 | |
abandoned while God looked the other way. | 0:08:44 | 0:08:46 | |
They remind us of everything that's foul in ourselves. | 0:08:46 | 0:08:50 | |
If ever I feel despondent, | 0:08:53 | 0:08:56 | |
I need only a minute in the company of Jonas and lo! | 0:08:56 | 0:08:59 | |
The clouds lift. | 0:08:59 | 0:09:01 | |
Where's the baby? | 0:09:01 | 0:09:02 | |
Haberdashery got hold of him yesterday and hasn't let go since. | 0:09:02 | 0:09:05 | |
Well, warn haberdashery not to become too attached. | 0:09:05 | 0:09:08 | |
We have him on loan only. | 0:09:08 | 0:09:09 | |
People are starting to speculate. | 0:09:12 | 0:09:14 | |
As to why the child was left here. | 0:09:14 | 0:09:16 | |
And? What do they conclude? | 0:09:16 | 0:09:19 | |
That he is yours. | 0:09:19 | 0:09:22 | |
You should read the editorial in the Chronicle, Dudley. | 0:09:22 | 0:09:25 | |
"Once, such a child would have been left on the church steps. | 0:09:25 | 0:09:29 | |
"Today, the populace puts its trust not in God, but in commerce." | 0:09:29 | 0:09:34 | |
We are the new church. I slipped once. 18 months ago. | 0:09:34 | 0:09:40 | |
I have not done so since. | 0:09:40 | 0:09:43 | |
It is not - could not be mine. | 0:09:43 | 0:09:47 | |
Mr Dudley, sir. | 0:09:47 | 0:09:49 | |
Mr Moray, Mr Dudley. | 0:10:04 | 0:10:06 | |
-It's private. -A list. | 0:10:07 | 0:10:09 | |
A list with only two names. | 0:10:09 | 0:10:12 | |
They worked here, when it was Emmerson's. | 0:10:14 | 0:10:17 | |
No-one else left who did. | 0:10:17 | 0:10:20 | |
They tell tales in the bays, about how I came to lose my arm. | 0:10:20 | 0:10:25 | |
Ever heard any? | 0:10:25 | 0:10:26 | |
-No. -A story for every day of the year, | 0:10:28 | 0:10:31 | |
most of them not fit to be repeated. | 0:10:31 | 0:10:34 | |
None of them even close to the truth. | 0:10:34 | 0:10:37 | |
Why don't you put them right? | 0:10:38 | 0:10:40 | |
Because the story can change all it likes. | 0:10:40 | 0:10:42 | |
This never will. | 0:10:42 | 0:10:44 | |
Arthur? | 0:10:51 | 0:10:53 | |
Good luck. | 0:10:54 | 0:10:55 | |
They're on their way! | 0:10:57 | 0:10:58 | |
Moray! You've shown us all the way. | 0:11:20 | 0:11:23 | |
Everybody trusts a man holding a baby! | 0:11:23 | 0:11:26 | |
I hear you're throwing your doors open too, very charitable. | 0:11:27 | 0:11:30 | |
Mr Adler! | 0:11:30 | 0:11:33 | |
Children. | 0:11:34 | 0:11:36 | |
Welcome to the Paradise. | 0:11:37 | 0:11:38 | |
Go on, Grace. | 0:11:41 | 0:11:43 | |
I'm holding a party later - destitutes, vagrants, | 0:11:44 | 0:11:48 | |
gentlemen of the press, all welcome! | 0:11:48 | 0:11:52 | |
Keep holding hands. | 0:11:52 | 0:11:54 | |
Thank you. | 0:11:54 | 0:11:55 | |
After you, Peter. | 0:11:57 | 0:11:59 | |
Hurry! Hurry! They are on their way. Remember, girls. | 0:12:17 | 0:12:21 | |
We must not judge. | 0:12:21 | 0:12:23 | |
Suffer the little children, as the good Lord said. | 0:12:23 | 0:12:25 | |
-Where are you going? -Er, stock room. | 0:12:25 | 0:12:27 | |
I can see the crawlers in their hair from here. Filthy little things! | 0:12:27 | 0:12:30 | |
Don't let them touch anything. | 0:12:30 | 0:12:32 | |
And this is the Ladieswear department, | 0:12:32 | 0:12:34 | |
in which Miss Audrey is Queen. | 0:12:34 | 0:12:37 | |
Nonsense. I am not. Ridiculous child! | 0:12:37 | 0:12:42 | |
Why, what a beautiful curtsey! | 0:12:46 | 0:12:49 | |
But you know, Mr Moray meant only that Miss Audrey is in charge here. | 0:12:49 | 0:12:52 | |
Indeed, she is very fearsome and awfully elegant, | 0:12:52 | 0:12:56 | |
sometimes I quite feel like curtseying to her myself. | 0:12:56 | 0:13:02 | |
Miss Audrey, | 0:13:04 | 0:13:05 | |
may I have your permission to show the girls the gowns? | 0:13:05 | 0:13:08 | |
I feel sure they would like to see them. | 0:13:08 | 0:13:11 | |
And maybe touch. | 0:13:11 | 0:13:12 | |
Just a little. | 0:13:14 | 0:13:15 | |
Perhaps I could help. | 0:13:17 | 0:13:18 | |
Our very finest gowns are so precious | 0:13:18 | 0:13:22 | |
that only Miss Audrey may touch them, | 0:13:22 | 0:13:25 | |
even Mr Moray is forbidden. | 0:13:25 | 0:13:27 | |
But if we may beg some silk samples from the Great Hall, | 0:13:27 | 0:13:32 | |
you could feel for yourselves | 0:13:32 | 0:13:33 | |
how taffeta is so stiff it almost stands up | 0:13:33 | 0:13:38 | |
on its own and chiffon so soft that it runs over your skin like water. | 0:13:38 | 0:13:44 | |
After which, Mr Moray has put on a luncheon for us. | 0:13:44 | 0:13:48 | |
Well, if you think you might be hungry. | 0:13:48 | 0:13:50 | |
Luncheon - splendid! | 0:13:50 | 0:13:52 | |
Shall we have a look around? | 0:13:52 | 0:13:55 | |
THE CHILDREN MURMUR: Yes! | 0:13:55 | 0:13:56 | |
Only, do you know - I was vain enough to put on new shoes | 0:14:00 | 0:14:04 | |
for this visit, they are pinching me horribly. | 0:14:04 | 0:14:06 | |
I think I may need some help with the stairs. | 0:14:06 | 0:14:08 | |
I've got new shoes too. | 0:14:08 | 0:14:10 | |
New to her. | 0:14:10 | 0:14:11 | |
She means new to her. | 0:14:11 | 0:14:12 | |
Come on, Grace. | 0:14:12 | 0:14:14 | |
It was kind of you, earlier - to take the trouble with Grace. | 0:14:28 | 0:14:31 | |
Such a taking little thing. | 0:14:31 | 0:14:33 | |
-Hmm. -What's her story? | 0:14:33 | 0:14:36 | |
Grace is one of our "wanted" children. | 0:14:36 | 0:14:38 | |
Her bed and board are paid for - probably by a parent, | 0:14:38 | 0:14:40 | |
who hopes to reclaim her when their circumstances change. | 0:14:40 | 0:14:43 | |
It means she cannot be put up for adoption. | 0:14:43 | 0:14:46 | |
I'm glad. Everyone needs to know they are wanted, | 0:14:46 | 0:14:50 | |
don't you think? | 0:14:50 | 0:14:52 | |
Just as everyone needs clothes and shoes that fit. | 0:14:54 | 0:14:58 | |
Moray! I have an idea. | 0:15:01 | 0:15:07 | |
40 foundlings to be clothed and shod at her expense? | 0:15:07 | 0:15:10 | |
It'll cost a fortune! | 0:15:10 | 0:15:11 | |
Lucky she has one. | 0:15:11 | 0:15:13 | |
She's just playing games. | 0:15:13 | 0:15:15 | |
Trying to make Moray jealous, by setting her cap at that Adler. | 0:15:15 | 0:15:18 | |
Anyone can see. | 0:15:18 | 0:15:20 | |
What would you know? You spent the whole time in the stock room. | 0:15:20 | 0:15:23 | |
Hey, think of the commission! Who do you think will get it? | 0:15:23 | 0:15:26 | |
"A store that expanded in stages, And paid all its staff paltry wages, | 0:15:34 | 0:15:38 | |
"Saw fit to employ A sweet baby boy, | 0:15:38 | 0:15:41 | |
"And got itself on the front pages!" What do you think? | 0:15:41 | 0:15:44 | |
-You won't leave that? -Why not? | 0:15:45 | 0:15:47 | |
It's funny. | 0:15:47 | 0:15:49 | |
He's laughing. | 0:15:49 | 0:15:51 | |
You mustn't. You can't! | 0:15:53 | 0:15:56 | |
Don't let him scare you, Denise. | 0:15:56 | 0:15:59 | |
He pays your wages, doesn't mean he owns you. | 0:15:59 | 0:16:01 | |
I'm not speaking for him! I'm speaking for myself. | 0:16:01 | 0:16:04 | |
And the only thing I'm scared of is the whole city finding out | 0:16:04 | 0:16:07 | |
-how childish you are. -"Childish"? | 0:16:07 | 0:16:09 | |
Denise. I often take a night cap at this time, in my private parlour. | 0:16:09 | 0:16:12 | |
I wonder, would you care to join me? | 0:16:12 | 0:16:14 | |
You like ratafia? | 0:16:25 | 0:16:27 | |
Yes. | 0:16:27 | 0:16:28 | |
Something else we have in common. | 0:16:33 | 0:16:36 | |
I saw it in your face today, with the child - | 0:16:38 | 0:16:42 | |
that a babe in your arms was not fulfilment. | 0:16:42 | 0:16:44 | |
There is too much else first. | 0:16:44 | 0:16:47 | |
Perhaps there will be too much else always. | 0:16:51 | 0:16:55 | |
I received several offers of marriage in my youth. | 0:16:58 | 0:17:03 | |
One in particular - we were fond, very fond. | 0:17:03 | 0:17:07 | |
But a married woman may not be employed in a shop. | 0:17:07 | 0:17:09 | |
And after every offer, I would return to my work, | 0:17:09 | 0:17:12 | |
and the answer would come to me | 0:17:12 | 0:17:13 | |
before I had even asked myself the question. | 0:17:13 | 0:17:15 | |
"I choose this, over him." | 0:17:15 | 0:17:20 | |
Over everything, I choose this. | 0:17:22 | 0:17:24 | |
I have never regretted my choice. | 0:17:24 | 0:17:27 | |
I have loved my work and cherished it | 0:17:27 | 0:17:30 | |
and forsaken all others to cleave to it. | 0:17:30 | 0:17:33 | |
I will never let it be taken from me. | 0:17:34 | 0:17:38 | |
Miss Audrey, | 0:17:39 | 0:17:40 | |
if you are seeking assurance that I will not take my ideas to Mr Moray. | 0:17:40 | 0:17:43 | |
Even if the ideas come from me, | 0:17:43 | 0:17:45 | |
he will know they are yours. | 0:17:45 | 0:17:48 | |
There is a difference in the order of our minds. | 0:17:49 | 0:17:51 | |
I see that, now. | 0:17:51 | 0:17:53 | |
My notions are small, insular. We shall be as a meadow. | 0:17:53 | 0:17:58 | |
Yours are as quick and as vital | 0:17:58 | 0:18:00 | |
as the world to which they are a response. | 0:18:00 | 0:18:03 | |
So. | 0:18:03 | 0:18:04 | |
I have decided. | 0:18:04 | 0:18:08 | |
There will be no more ideas. | 0:18:08 | 0:18:10 | |
No more thoughts. | 0:18:11 | 0:18:13 | |
I am to stop thinking? | 0:18:13 | 0:18:15 | |
If you wish to remain at the Paradise. | 0:18:17 | 0:18:20 | |
There are things, Denise, he will not tolerate, even from a favourite. | 0:18:21 | 0:18:26 | |
You must make certain you never stand accused of them. | 0:18:26 | 0:18:30 | |
Don't mistake me. I have no wish to lose you. | 0:18:32 | 0:18:35 | |
But I refuse to lose this. | 0:18:35 | 0:18:38 | |
Now... | 0:18:40 | 0:18:42 | |
Run along. | 0:18:42 | 0:18:44 | |
Between Pauline's snoring, the baby's crying | 0:18:44 | 0:18:47 | |
and embarrassment over your uncle's ridiculous antics, | 0:18:47 | 0:18:49 | |
you are like to have an unsettled night. | 0:18:49 | 0:18:52 | |
You say you don't regret your choice. | 0:19:02 | 0:19:05 | |
But what if you did not have to choose? | 0:19:05 | 0:19:08 | |
What if you could have had both? | 0:19:08 | 0:19:09 | |
No more thoughts, Denise. | 0:19:11 | 0:19:15 | |
No ideas, no questions, no what-ifs. | 0:19:15 | 0:19:19 | |
Just willing hands and an empty mind. | 0:19:19 | 0:19:21 | |
Will Peter Adler be accompanying Miss Glendenning today, | 0:19:55 | 0:19:58 | |
do you think? | 0:19:58 | 0:19:59 | |
How else would I be able to see them together? | 0:19:59 | 0:20:02 | |
I'm glad you take it so lightly. | 0:20:02 | 0:20:04 | |
She is playing a game, Dudley. A very old, very simple game. | 0:20:04 | 0:20:07 | |
It's called "the other man". | 0:20:07 | 0:20:10 | |
You know her better than I. | 0:20:10 | 0:20:11 | |
Well enough to know she'll have tired of Saint Peter and his foundlings | 0:20:11 | 0:20:14 | |
by the time the week's out. | 0:20:14 | 0:20:16 | |
If I had not been taken in by the bays, not known by the bays, | 0:20:17 | 0:20:20 | |
and not taken in by you when you turned Emmerson's into the Paradise, | 0:20:20 | 0:20:23 | |
I should be a foundling too. | 0:20:23 | 0:20:25 | |
My ma, she was the drayman's daughter, | 0:20:25 | 0:20:28 | |
she was unloading cloth with her father when her pains came on... | 0:20:28 | 0:20:32 | |
Arthur, Arthur! We know all this. | 0:20:32 | 0:20:35 | |
But how? How do you know it? | 0:20:35 | 0:20:38 | |
I mean, you weren't there, at the bays. | 0:20:38 | 0:20:42 | |
So, who told you the story? | 0:20:42 | 0:20:45 | |
-Helene. -Yes. | 0:20:45 | 0:20:47 | |
But she wasn't present. She heard it from Miss Audrey. | 0:20:49 | 0:20:55 | |
Girl! What are you doing in here? | 0:20:58 | 0:21:02 | |
Oh, erm, please, Miss Audrey, | 0:21:02 | 0:21:04 | |
I thought he would like to see the birds, | 0:21:04 | 0:21:08 | |
on the wallpaper, before the customers come. | 0:21:08 | 0:21:10 | |
Birds? Nonsense! Shoo! Go on! Shoo, shoo, shoo, shoo, shoo, shoo! | 0:21:10 | 0:21:15 | |
-Miss Audrey. -And you boy! Stop lurking! | 0:21:20 | 0:21:24 | |
No good ever came of a lurker. | 0:21:24 | 0:21:26 | |
Mr Adler, the velvet or the delaine wool? | 0:21:29 | 0:21:32 | |
Above all, I wish them to look like children, rather than foundlings. | 0:21:32 | 0:21:36 | |
The velvet is very popular with the better class of family. | 0:21:36 | 0:21:38 | |
But the wool is less formal, more comfortable. | 0:21:38 | 0:21:44 | |
-And considerably cheaper. -Then I say the wool has it. | 0:21:44 | 0:21:48 | |
Seconded! And now undergarments. | 0:21:48 | 0:21:52 | |
Well done. That's half a crown each you just cost us. | 0:21:58 | 0:22:01 | |
Don't you ever think about anything but money? | 0:22:01 | 0:22:03 | |
60 yards of the delaine wool and they're making their way | 0:22:05 | 0:22:07 | |
to ladieswear for undergarments. | 0:22:07 | 0:22:10 | |
Girl, you are having an idea. I have told you. | 0:22:17 | 0:22:19 | |
There will be no more. No more, I say! | 0:22:19 | 0:22:21 | |
Yes, Miss Audrey. I understand. | 0:22:21 | 0:22:23 | |
Miss Audrey, I fear we have quite stripped your shelves. | 0:22:36 | 0:22:39 | |
Stripped? Oh no! Not stripped. I assure you. Never, stripped. | 0:22:39 | 0:22:45 | |
The seamstresses are already hard at work on the wool. | 0:22:45 | 0:22:48 | |
Preliminary fittings this evening. | 0:22:48 | 0:22:50 | |
Denise and Clara will be on hand to assist. | 0:22:50 | 0:22:52 | |
The children will arrive, as soon as the store is closed. | 0:22:52 | 0:22:54 | |
I will pass on the message, myself. | 0:22:54 | 0:22:56 | |
Miss Audrey! I cannot help with the fittings this evening. | 0:23:09 | 0:23:12 | |
I have pains. Women's trouble. | 0:23:12 | 0:23:15 | |
Indeed? | 0:23:15 | 0:23:17 | |
Terrible cramps, ma'am. I can barely stand. | 0:23:17 | 0:23:20 | |
And yet you did so whilst there was commission to be had. | 0:23:20 | 0:23:22 | |
You will assist with the fittings, Clara, | 0:23:22 | 0:23:24 | |
or I will consider your job half-finished | 0:23:24 | 0:23:26 | |
-and your commission forfeit. -Miss Audrey! | 0:23:26 | 0:23:29 | |
Not now. And stop lurking! | 0:23:29 | 0:23:31 | |
Thank you. You have been most helpful. | 0:23:33 | 0:23:37 | |
Perhaps Mr Moray should think of opening a department for children. | 0:23:38 | 0:23:42 | |
So many of his customers are mothers. | 0:23:42 | 0:23:45 | |
And it would have made your task today so very much easier. | 0:23:45 | 0:23:47 | |
Don't you think? | 0:23:47 | 0:23:49 | |
We are grateful to Miss Glendenning, of course. Who could not be? | 0:23:51 | 0:23:56 | |
But my ambition is to make the home independent of anyone's generosity. | 0:23:56 | 0:24:02 | |
If my name is to be remembered at all, | 0:24:02 | 0:24:05 | |
I should like it to be as the man who made the home | 0:24:05 | 0:24:07 | |
autonomous of any benefactor. | 0:24:07 | 0:24:09 | |
Well, you may soon find yourself with a new benefactor. | 0:24:09 | 0:24:11 | |
The collection started | 0:24:11 | 0:24:13 | |
by our customers has grown beyond all expectation. | 0:24:13 | 0:24:17 | |
The baby comes with a dowry. | 0:24:17 | 0:24:20 | |
Then the fund requires proper administration. | 0:24:20 | 0:24:24 | |
A patron. Give a public face to the giving | 0:24:24 | 0:24:26 | |
and the people will give more. | 0:24:26 | 0:24:28 | |
You raise a sufficient amount, you invest it wisely | 0:24:28 | 0:24:30 | |
and then Adler's home | 0:24:30 | 0:24:32 | |
may yet achieve the independence he hopes for. | 0:24:32 | 0:24:36 | |
Why a patron? | 0:24:36 | 0:24:38 | |
Why not a patroness? | 0:24:38 | 0:24:40 | |
You offer yourself, Miss Glendenning? | 0:24:41 | 0:24:43 | |
-I do, Mr Adler. -And what a delightful figurehead you would make. | 0:24:46 | 0:24:50 | |
Though, perhaps, more for decoration than use. | 0:24:50 | 0:24:53 | |
-You doubt my capability? -You are, an exquisite confection of froth, | 0:24:53 | 0:24:58 | |
frivolity and fashion, who gives delight wherever she goes. | 0:24:58 | 0:25:03 | |
-Here, here. -And that is, that is your glory and your gift. | 0:25:03 | 0:25:07 | |
Why seek to stray into areas for which you are so wholly unfitted? | 0:25:07 | 0:25:11 | |
Judging by your profits, | 0:25:18 | 0:25:20 | |
your customers seem a pretty deep-pocketed lot, | 0:25:20 | 0:25:22 | |
why should their giving come as a surprise? | 0:25:22 | 0:25:25 | |
-It's the extent of it that's unexpected. -How so? | 0:25:25 | 0:25:29 | |
The majority of them are women - mothers. | 0:25:29 | 0:25:32 | |
An unwanted child touches something in them. | 0:25:32 | 0:25:34 | |
I would have thought that obvious. | 0:25:35 | 0:25:38 | |
You are quite the expert on my customers. | 0:25:38 | 0:25:41 | |
Hardly that, | 0:25:41 | 0:25:43 | |
but I do feel you are missing an opportunity. | 0:25:43 | 0:25:47 | |
Indeed? | 0:25:47 | 0:25:49 | |
Naturally, my own experience is of the froth and frivolity variety. | 0:25:51 | 0:25:55 | |
But having spent the day attempting to outfit 40 infants, | 0:25:55 | 0:26:00 | |
I can assure you, | 0:26:00 | 0:26:02 | |
a department supplying ready-made items for the young | 0:26:02 | 0:26:05 | |
would be a godsend for their carers | 0:26:05 | 0:26:08 | |
and a goldmine for you. | 0:26:08 | 0:26:10 | |
A children's department? | 0:26:14 | 0:26:17 | |
Splendid notion, Moray. | 0:26:19 | 0:26:21 | |
What can have brought it to mind? | 0:26:21 | 0:26:23 | |
Though, in good conscience, I can't claim credit for the idea. | 0:26:25 | 0:26:28 | |
One of your shop girls was talking about it. | 0:26:28 | 0:26:31 | |
I feel sure you would have caught up with her, | 0:26:31 | 0:26:34 | |
at some point. | 0:26:34 | 0:26:36 | |
Aren't you the pretty one? | 0:26:45 | 0:26:48 | |
Yes. | 0:26:48 | 0:26:50 | |
I bet there's not a princess in the land bonnier than you. | 0:26:51 | 0:26:54 | |
Well. That's another one done. | 0:27:06 | 0:27:08 | |
What are you doing? | 0:27:17 | 0:27:19 | |
Same as you, just clearing up. | 0:27:21 | 0:27:24 | |
All done. Goodnight. | 0:27:24 | 0:27:27 | |
Mr Adler! I thought you had gone. | 0:27:44 | 0:27:48 | |
Well, unfortunately, without this. Hence my return. | 0:27:48 | 0:27:52 | |
Would you share your thoughts for the customary penny? | 0:27:55 | 0:27:59 | |
Oh, they are not worth so much. | 0:28:01 | 0:28:04 | |
I was thinking about a dress. | 0:28:09 | 0:28:12 | |
Thus proving Moray right. | 0:28:12 | 0:28:14 | |
I think Moray likes to vex you. | 0:28:17 | 0:28:20 | |
And you him. | 0:28:20 | 0:28:22 | |
Was it a nice dress? | 0:28:25 | 0:28:26 | |
Exquisite. My first, truly grown-up gown. | 0:28:27 | 0:28:32 | |
Black silk crepe, buttoned high to the throat. | 0:28:32 | 0:28:35 | |
Black? You were in mourning? | 0:28:35 | 0:28:38 | |
For my mother. | 0:28:38 | 0:28:40 | |
They hadn't told me she would die. | 0:28:42 | 0:28:44 | |
I was... | 0:28:46 | 0:28:47 | |
..lost. | 0:28:49 | 0:28:50 | |
I could neither be what I had been before, | 0:28:53 | 0:28:56 | |
nor see what I must become. | 0:28:56 | 0:28:58 | |
And then they put the dress on me. | 0:29:00 | 0:29:02 | |
And I knew exactly who I was. | 0:29:04 | 0:29:06 | |
I was sorrow incarnate. | 0:29:09 | 0:29:12 | |
I was grief. | 0:29:12 | 0:29:14 | |
I was my father's solace. | 0:29:16 | 0:29:18 | |
Ever since then, | 0:29:22 | 0:29:24 | |
I have used clothes to declare who I am. | 0:29:24 | 0:29:27 | |
And if, on a particular day, who I am is not who I've a mind to be, | 0:29:27 | 0:29:31 | |
why, then, I use clothes to transform myself. | 0:29:31 | 0:29:35 | |
And these last days, in my company, | 0:29:36 | 0:29:41 | |
who have you been, then? | 0:29:41 | 0:29:43 | |
These last days... | 0:29:46 | 0:29:48 | |
..I have been... | 0:29:50 | 0:29:52 | |
..someone I rather liked... | 0:29:56 | 0:29:57 | |
..someone I would like to be more often. | 0:30:02 | 0:30:04 | |
Well. | 0:30:05 | 0:30:08 | |
I am glad that provoking Moray's jealousy has not been my only value. | 0:30:10 | 0:30:14 | |
Miss Glendenning. | 0:30:18 | 0:30:20 | |
Katherine. | 0:30:23 | 0:30:24 | |
I have seen your kindness, I know you would not wish me pain. | 0:30:26 | 0:30:29 | |
If my attentions would be unwelcome, | 0:30:31 | 0:30:35 | |
if your affections are already engaged. | 0:30:35 | 0:30:38 | |
I would ask you, in kindness, to speak now. | 0:30:40 | 0:30:46 | |
Thief! You thief! Give it back or I'll kill you. | 0:31:01 | 0:31:04 | |
I swear, I'll kill you. | 0:31:04 | 0:31:06 | |
BABY CRIES | 0:31:06 | 0:31:08 | |
It was a nightmare. Clara had a nightmare. | 0:31:18 | 0:31:21 | |
-It was the baby crying worked into her dream. -Yes. | 0:31:21 | 0:31:26 | |
I'm sorry for waking you, Miss Audrey. I'm all right now. | 0:31:26 | 0:31:30 | |
I don't know what it is you think I've taken. | 0:31:43 | 0:31:46 | |
The money! You saw me, you knew I had it. | 0:31:46 | 0:31:48 | |
-What money? -You knew I wouldn't be able to go to anyone. -What money? | 0:31:48 | 0:31:51 | |
From the collecting tin. | 0:31:54 | 0:31:56 | |
You stole money from the foundlings? | 0:31:56 | 0:31:58 | |
It was given for a child! What does it matter whose child? | 0:31:58 | 0:32:02 | |
She's yours. Isn't she? | 0:32:07 | 0:32:10 | |
That little girl, Grace. | 0:32:10 | 0:32:11 | |
She's yours. | 0:32:12 | 0:32:14 | |
I pay bed and board. | 0:32:21 | 0:32:26 | |
She can't be adopted if she's paid for. | 0:32:26 | 0:32:30 | |
But my commission's gone down since you came, and the money's due. | 0:32:30 | 0:32:33 | |
Clara, I swear to you. I didn't take it. | 0:32:33 | 0:32:35 | |
Then who did? | 0:32:35 | 0:32:36 | |
I don't know. | 0:32:36 | 0:32:37 | |
Well, then I've lost her. | 0:32:42 | 0:32:46 | |
I've lost her. | 0:32:48 | 0:32:50 | |
Denise. The collecting tin is full again. | 0:33:04 | 0:33:08 | |
When you have finished, take it down to the office. | 0:33:08 | 0:33:12 | |
Yes, Miss Audrey. | 0:33:12 | 0:33:14 | |
-Girl! -Miss Audrey. | 0:33:24 | 0:33:27 | |
You are dallying with a baby. | 0:33:27 | 0:33:30 | |
-Oh, he likes the pretty glass. -Enough! | 0:33:30 | 0:33:33 | |
I have had enough! | 0:33:33 | 0:33:34 | |
He cries, he disrupts. | 0:33:34 | 0:33:37 | |
There are nightmares and birds and glass. | 0:33:37 | 0:33:41 | |
It is not for us to understand what he likes, but the other way around! | 0:33:41 | 0:33:44 | |
Infants are as wax - to be imprinted with the proper way of things. | 0:33:44 | 0:33:50 | |
What is needed is method. | 0:33:50 | 0:33:52 | |
Now, then, master... | 0:34:01 | 0:34:05 | |
..baby. | 0:34:08 | 0:34:09 | |
Let us see. | 0:34:10 | 0:34:13 | |
Nine pounds, seven shillings and ten pence. | 0:34:35 | 0:34:39 | |
And still they give. | 0:34:39 | 0:34:41 | |
Bank it with the rest. | 0:34:41 | 0:34:44 | |
He has that effect on all of us. | 0:34:46 | 0:34:48 | |
I sometimes think if I were left alone with him too long, | 0:34:48 | 0:34:50 | |
I would find myself confessing to murder. | 0:34:50 | 0:34:52 | |
By the way, Mr Moray would like to see you. | 0:34:54 | 0:34:57 | |
Do you know why? | 0:34:57 | 0:34:58 | |
There is to be a public presentation. | 0:34:58 | 0:35:00 | |
Our baby and the money collected for him, | 0:35:00 | 0:35:02 | |
are to be given over the Foundling home. | 0:35:02 | 0:35:04 | |
I presume Mr Moray wants you to finish what you started. | 0:35:04 | 0:35:07 | |
A children's department, Denise? | 0:35:12 | 0:35:15 | |
How dare you? | 0:35:20 | 0:35:22 | |
How dare you move behind my back, using my connections, | 0:35:23 | 0:35:29 | |
laying me open to ridicule. | 0:35:29 | 0:35:31 | |
How dare you manipulate me! | 0:35:31 | 0:35:33 | |
-No, sir. I... -I gave you encouragement. | 0:35:33 | 0:35:37 | |
I gave you licence - | 0:35:37 | 0:35:39 | |
too much, it seems. | 0:35:39 | 0:35:42 | |
You may be clever, | 0:35:46 | 0:35:49 | |
but know this - | 0:35:49 | 0:35:51 | |
I am not to be played. | 0:35:54 | 0:35:55 | |
I am never to be played. | 0:35:57 | 0:35:59 | |
Do you understand? | 0:35:59 | 0:36:00 | |
KNOCK ON DOOR Yes? | 0:36:00 | 0:36:01 | |
Miss Glendenning. She asks for you. | 0:36:04 | 0:36:07 | |
Tell her... | 0:36:07 | 0:36:08 | |
..I am on my way. | 0:36:10 | 0:36:11 | |
I'm sorry. | 0:36:29 | 0:36:30 | |
Can we talk? | 0:36:48 | 0:36:50 | |
Not here. | 0:36:50 | 0:36:52 | |
Peter Adler wishes to pay court to me. | 0:36:57 | 0:37:00 | |
I told him that his attentions would not be unwelcome. | 0:37:06 | 0:37:09 | |
I see. | 0:37:12 | 0:37:14 | |
I wished you to hear it from me. | 0:37:18 | 0:37:21 | |
Well. | 0:37:22 | 0:37:23 | |
Why allow someone else the pleasure? | 0:37:23 | 0:37:26 | |
Oh, you are impossible! | 0:37:26 | 0:37:28 | |
I offer you honesty and you turn it into something - tainted. | 0:37:28 | 0:37:34 | |
You make me feel like something tainted. | 0:37:34 | 0:37:37 | |
And you wonder why I am choosing Adler over you. | 0:37:39 | 0:37:43 | |
(Hello, darling. Hello, baby.) | 0:38:03 | 0:38:07 | |
KNOCK ON DOOR | 0:38:09 | 0:38:11 | |
Miss Audrey! | 0:38:19 | 0:38:20 | |
Oh, Arthur. Lurking! Again! | 0:38:20 | 0:38:24 | |
I am not lurking. I'm waiting! | 0:38:24 | 0:38:26 | |
I've been waiting hours to talk to you - days! | 0:38:28 | 0:38:31 | |
When I was born, you told Mr Moray's wife. | 0:38:31 | 0:38:33 | |
But how did you know? | 0:38:33 | 0:38:35 | |
Know what? | 0:38:40 | 0:38:41 | |
About me! Were you there? | 0:38:41 | 0:38:45 | |
All I've got is a story! | 0:38:45 | 0:38:49 | |
I want to talk to someone who was actually there. | 0:38:49 | 0:38:52 | |
It's yours. | 0:39:05 | 0:39:06 | |
He must remember his mother's face, still. | 0:39:07 | 0:39:10 | |
But he will forget. | 0:39:10 | 0:39:12 | |
He will be like you. | 0:39:13 | 0:39:15 | |
I was not present at your birth. | 0:39:17 | 0:39:20 | |
I was told of it. | 0:39:20 | 0:39:23 | |
By someone who knew your grandfather. | 0:39:23 | 0:39:25 | |
Come! | 0:39:38 | 0:39:39 | |
-You were right. -Sorry? | 0:39:48 | 0:39:51 | |
Miss Glendenning and Adler. | 0:39:52 | 0:39:56 | |
And what are you going to do? | 0:39:56 | 0:39:59 | |
Nothing. Wish them well. | 0:39:59 | 0:40:01 | |
DUDLEY SIGHS | 0:40:01 | 0:40:03 | |
Oh, what would you... Pistols at dawn? | 0:40:03 | 0:40:07 | |
If she wants him, let her have him! | 0:40:07 | 0:40:10 | |
And if you are worrying about the effect | 0:40:10 | 0:40:12 | |
this will have on my relationship with her father... | 0:40:12 | 0:40:14 | |
I am worried about what effect it will have on you! | 0:40:14 | 0:40:18 | |
When I asked you, about the baby, | 0:40:18 | 0:40:20 | |
whether it could be yours, you said you had "slipped". | 0:40:20 | 0:40:24 | |
You knew that! I told you at the time. | 0:40:24 | 0:40:27 | |
"Slipped", Moray? | 0:40:27 | 0:40:29 | |
It is not a crime. | 0:40:30 | 0:40:31 | |
Why do you punish yourself for it? | 0:40:31 | 0:40:33 | |
Because... | 0:40:33 | 0:40:34 | |
..it...it felt like infidelity! | 0:40:36 | 0:40:39 | |
That time, with Clara. | 0:40:41 | 0:40:44 | |
It felt like infidelity. | 0:40:47 | 0:40:50 | |
And is it for the same reason that you refuse to fight for the comfort | 0:40:54 | 0:40:58 | |
and companionship of a woman | 0:40:58 | 0:40:59 | |
any man would feel proud to call his wife? | 0:40:59 | 0:41:02 | |
Helene is three years gone, Moray. | 0:41:06 | 0:41:08 | |
You are still here. | 0:41:08 | 0:41:10 | |
Clinging to your grief as if it were a lifeline. | 0:41:10 | 0:41:13 | |
And if Alice died? | 0:41:13 | 0:41:15 | |
Would you grieve? | 0:41:15 | 0:41:18 | |
Three years. It... | 0:41:18 | 0:41:21 | |
It is nothing! | 0:41:23 | 0:41:25 | |
It is yesterday. | 0:41:25 | 0:41:27 | |
It is not. | 0:41:27 | 0:41:28 | |
Forgive me, but... | 0:41:31 | 0:41:33 | |
I sometimes think you cleave to her memory with more passion | 0:41:33 | 0:41:36 | |
than you ever felt for her living. | 0:41:36 | 0:41:38 | |
A man who would so wed himself to the past, | 0:41:40 | 0:41:43 | |
is either ready for the grave himself, | 0:41:43 | 0:41:46 | |
or looking for a way to escape the pain of the present. | 0:41:46 | 0:41:51 | |
And I don't think you are ready for the grave. | 0:41:51 | 0:41:53 | |
What would you have me do? | 0:41:53 | 0:41:55 | |
I would have you be happy. | 0:41:57 | 0:41:59 | |
Mister Lovett knew my grandfather? | 0:42:13 | 0:42:14 | |
I'm sure your grandfather deserved better. | 0:42:14 | 0:42:17 | |
-But what should I do? -Ask. | 0:42:21 | 0:42:24 | |
It is time for you to take your turn. | 0:42:43 | 0:42:45 | |
BABY GURGLES | 0:42:54 | 0:42:56 | |
The longer one has been holding him, the emptier one's arms. | 0:42:57 | 0:43:01 | |
For this reason, if no other, do not give him back to Pauline. | 0:43:01 | 0:43:04 | |
'And I was taken in,' | 0:43:17 | 0:43:19 | |
by one of the yard-men's families and then another, | 0:43:19 | 0:43:22 | |
until Mister Moray turned Emmerson's into the Paradise | 0:43:22 | 0:43:25 | |
and gave me a place for life. | 0:43:25 | 0:43:26 | |
Well, the story had a happy ending then, didn't it? | 0:43:26 | 0:43:32 | |
But I want to know how it began! | 0:43:32 | 0:43:33 | |
My ma, she was the drayman's daughter. | 0:43:35 | 0:43:37 | |
-She was. -And she died in the epidemic, along with my grandad. | 0:43:37 | 0:43:41 | |
She did. | 0:43:41 | 0:43:43 | |
And my father, he was a soldier. | 0:43:43 | 0:43:46 | |
No. | 0:43:49 | 0:43:50 | |
He was a drayman. | 0:43:54 | 0:43:56 | |
But, if he wasn't killed, then why didn't he want to know me? | 0:43:59 | 0:44:05 | |
Well, there wasn't a lot left of him | 0:44:08 | 0:44:11 | |
when your grandfather had finished with him. | 0:44:11 | 0:44:13 | |
Big men, as a whole, draymen, all that lifting and shifting. | 0:44:15 | 0:44:18 | |
And your grandfather was the biggest. | 0:44:20 | 0:44:22 | |
It was on account of your mother being so young. | 0:44:28 | 0:44:32 | |
How old was she? | 0:44:35 | 0:44:36 | |
About the age you are now. Give or take. | 0:44:38 | 0:44:41 | |
And my pa? | 0:44:43 | 0:44:45 | |
Older. | 0:44:48 | 0:44:49 | |
She couldn't fight him off, you see. | 0:44:51 | 0:44:53 | |
He wanted to give you away, your grandfather. | 0:44:57 | 0:45:00 | |
But the lass was having none of it. | 0:45:00 | 0:45:02 | |
She said the situation was none of your doing. | 0:45:02 | 0:45:06 | |
Pretty little thing, she was. | 0:45:06 | 0:45:09 | |
You favour her, you know. | 0:45:09 | 0:45:11 | |
Anyone who'd seen her would know you belonged to her. | 0:45:11 | 0:45:14 | |
I heard a noise. I didn't know it was... | 0:45:32 | 0:45:35 | |
He sleeps when I hold him. | 0:45:35 | 0:45:38 | |
When I put him down, he wakes. | 0:45:38 | 0:45:41 | |
Sorry. | 0:45:45 | 0:45:46 | |
Denise! | 0:45:46 | 0:45:47 | |
Why a go-between? | 0:46:01 | 0:46:03 | |
Of all people, Miss Glendenning? | 0:46:03 | 0:46:06 | |
I told you to come to me. | 0:46:09 | 0:46:12 | |
I gave you licence - an invitation. | 0:46:12 | 0:46:14 | |
But Miss Audrey is my every day. | 0:46:14 | 0:46:17 | |
You are only my high days and holidays. | 0:46:18 | 0:46:20 | |
I think I see. | 0:46:22 | 0:46:23 | |
You find yourself in a difficult situation - | 0:46:26 | 0:46:29 | |
conflicting demands, loyalties, pulling you this way and that. | 0:46:29 | 0:46:34 | |
But, you are Denise. | 0:46:34 | 0:46:36 | |
You are resourceful. | 0:46:36 | 0:46:38 | |
You find a way and then | 0:46:38 | 0:46:40 | |
I crush you for it. | 0:46:40 | 0:46:42 | |
Yes? | 0:46:44 | 0:46:45 | |
Yes. | 0:46:50 | 0:46:51 | |
It must have seemed...very unfair. | 0:46:54 | 0:46:58 | |
I wish I had half your ingenuity to apply to my own predicaments. | 0:47:00 | 0:47:04 | |
I am sorry if you are troubled, sir. | 0:47:07 | 0:47:09 | |
My uncle always said, the only thing that matters, really matters, | 0:47:14 | 0:47:18 | |
is that you can meet your eyes in the mirror | 0:47:18 | 0:47:20 | |
each day and know you've been true to yourself. | 0:47:20 | 0:47:22 | |
Your uncle is a wise man | 0:47:25 | 0:47:27 | |
and a shockingly bad poet. | 0:47:27 | 0:47:29 | |
-Well. Good...goodnight. -Goodnight. | 0:47:56 | 0:47:59 | |
By the way... | 0:48:00 | 0:48:02 | |
..Adler has asked that we might name the baby. | 0:48:04 | 0:48:07 | |
Since they both share an early start in the Paradise, | 0:48:07 | 0:48:11 | |
I thought perhaps "Arthur". | 0:48:11 | 0:48:14 | |
What do you think? | 0:48:16 | 0:48:17 | |
Arthur. Yes. | 0:48:17 | 0:48:22 | |
Arthur, Arthur. Arthur. | 0:48:30 | 0:48:33 | |
Did you do something to Clara cos of what she said about your ma? | 0:48:36 | 0:48:40 | |
Did you take something from her? | 0:48:40 | 0:48:41 | |
You have to give it back. You know that, don't you? | 0:48:43 | 0:48:46 | |
I don't have it any more. | 0:48:46 | 0:48:49 | |
I only took it to pay her out. | 0:48:49 | 0:48:50 | |
I didn't want to keep it! | 0:48:50 | 0:48:53 | |
So, I put it in the tin - | 0:48:53 | 0:48:55 | |
for the foundlings. | 0:48:55 | 0:48:57 | |
Don't ask. | 0:49:24 | 0:49:27 | |
From the staff and customers of the Paradise, | 0:49:42 | 0:49:46 | |
with our best wishes, now and for the future. | 0:49:46 | 0:49:49 | |
APPLAUSE | 0:49:49 | 0:49:52 | |
Thank you very much. | 0:49:53 | 0:49:55 | |
I also wish to announce that as from next month, | 0:49:59 | 0:50:02 | |
the Paradise will be the first and only store in Europe | 0:50:02 | 0:50:05 | |
to provide its customers with a dedicated children's department. | 0:50:05 | 0:50:09 | |
An innovation for which I must thank | 0:50:14 | 0:50:16 | |
Miss Katherine Glendenning. | 0:50:16 | 0:50:18 | |
APPLAUSE | 0:50:18 | 0:50:22 | |
Arthur? | 0:50:24 | 0:50:27 | |
Bye, little Arthur. Be good. Don't forget us. | 0:50:27 | 0:50:31 | |
Thank you, Arthur. | 0:50:33 | 0:50:35 | |
APPLAUSE | 0:50:35 | 0:50:37 | |
Sir? We've all written things in it. | 0:50:49 | 0:50:52 | |
Things he might want to know - when he's older, about his time here. | 0:50:52 | 0:50:56 | |
Pauline, she's done ten pages! | 0:50:56 | 0:50:58 | |
But some of it's hard to read because of all the crying. | 0:50:58 | 0:51:01 | |
And if he ever does want to visit, could he ask for me? | 0:51:01 | 0:51:06 | |
I could show him where he was found! | 0:51:06 | 0:51:08 | |
Cos I'll still be here. I'll always be here. | 0:51:08 | 0:51:10 | |
I shall be sure to let him know, Arthur. Thank you. | 0:51:10 | 0:51:14 | |
Oh, dear, I'm afraid I'm finding this all a little heartbreaking. | 0:51:16 | 0:51:20 | |
Oh! Not on this little chap's account. | 0:51:20 | 0:51:23 | |
He won't be with us long. | 0:51:23 | 0:51:24 | |
We've already had enquiries. | 0:51:24 | 0:51:27 | |
No, break your heart for children like Grace. | 0:51:27 | 0:51:30 | |
We could have found her a loving home many times over, | 0:51:30 | 0:51:34 | |
were we free to do so. | 0:51:34 | 0:51:35 | |
But she is wanted! | 0:51:35 | 0:51:37 | |
You told me when circumstances change she will be reclaimed. | 0:51:37 | 0:51:40 | |
99 times out of 100, circumstances do not change. | 0:51:40 | 0:51:44 | |
And in the meantime, she is denied everything, | 0:51:44 | 0:51:47 | |
because someone, somewhere would rather hold to a fantasy | 0:51:47 | 0:51:51 | |
than look the truth in the face. | 0:51:51 | 0:51:54 | |
Filthy little things. | 0:51:54 | 0:51:57 | |
I saw you in the street earlier. | 0:52:27 | 0:52:30 | |
Standing at my door. | 0:52:30 | 0:52:31 | |
Gave me quite a turn. | 0:52:31 | 0:52:34 | |
Made me think that these last years were a dream. | 0:52:37 | 0:52:39 | |
That you had said "yes" that last time I asked you. | 0:52:41 | 0:52:45 | |
That you were my wife, | 0:52:45 | 0:52:46 | |
coming home with our children. | 0:52:46 | 0:52:50 | |
I came to tell you, | 0:52:51 | 0:52:52 | |
that if you've had enough of making yourself ridiculous | 0:52:52 | 0:52:55 | |
with your dolls and your verses, you can take them down now. | 0:52:55 | 0:52:58 | |
The child's gone to the foundling home. | 0:52:59 | 0:53:01 | |
It was only ever meant to be the joke of a moment. | 0:53:04 | 0:53:08 | |
It was Denise, the way she looked at me. | 0:53:09 | 0:53:14 | |
It made me realise where her heart lies, | 0:53:14 | 0:53:19 | |
even if she does not know it herself. | 0:53:19 | 0:53:21 | |
And it is not here. | 0:53:23 | 0:53:25 | |
It's for her I have fought on, only for her | 0:53:25 | 0:53:27 | |
-and now I don't know whether there's any fight left in me. -Enough! | 0:53:27 | 0:53:30 | |
Denise, Denise, Denise! | 0:53:32 | 0:53:33 | |
She cannot stop herself. | 0:53:35 | 0:53:37 | |
I see that now, ideas flow from her like water from a spring. | 0:53:37 | 0:53:41 | |
And the longer it goes on, | 0:53:41 | 0:53:42 | |
the more he will see the difference between us. | 0:53:42 | 0:53:45 | |
Your niece and her ideas will be the death of me, in the end. | 0:53:45 | 0:53:49 | |
But the end is not yet come, | 0:53:49 | 0:53:52 | |
for either of us. | 0:53:52 | 0:53:54 | |
Your standards are slipping. | 0:53:56 | 0:53:58 | |
I needed someone to keep me in line. | 0:53:58 | 0:54:00 | |
Someone I could write real verses for. | 0:54:03 | 0:54:06 | |
As I recall, you were prevented from versifying as you wished | 0:54:07 | 0:54:10 | |
by your inability to find anything other than the word "tawdry" | 0:54:10 | 0:54:13 | |
to rhyme with my name. | 0:54:13 | 0:54:15 | |
Don't delude yourself, Edmund. | 0:54:17 | 0:54:20 | |
We wouldn't have suited. | 0:54:20 | 0:54:22 | |
Well. | 0:54:25 | 0:54:27 | |
We'll never know now, will we? | 0:54:27 | 0:54:30 | |
Clara! | 0:55:25 | 0:55:27 | |
Where have you been? | 0:55:32 | 0:55:34 | |
Out. | 0:55:34 | 0:55:36 | |
What happened to the money? | 0:55:57 | 0:55:59 | |
Oh, a lot of drinks. A lot of friends. | 0:55:59 | 0:56:03 | |
I hate you. | 0:56:04 | 0:56:05 | |
Not just saying it cos I'm drunk. | 0:56:05 | 0:56:08 | |
I really, really hate you. | 0:56:09 | 0:56:14 | |
WOMAN SOBS | 0:56:36 | 0:56:42 | |
Miss Audrey? Are you unwell? You look afflicted. | 0:58:08 | 0:58:11 | |
Miss Audrey? | 0:58:11 | 0:58:12 | |
I'm so glad that we've come through the bad times and we can be friends. | 0:58:12 | 0:58:15 | |
I am glad, as well. | 0:58:15 | 0:58:16 | |
You'll make no effort to tempt Catherine back | 0:58:16 | 0:58:19 | |
into some sort of reconciliation. | 0:58:19 | 0:58:21 | |
Denise will be in charge until further notice. | 0:58:21 | 0:58:23 | |
I will not let you undermine me. | 0:58:23 | 0:58:25 | |
You will face who you are and what you do to people who love you. | 0:58:25 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:41 |