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Sam, are you going out on Saturday night? | 0:00:31 | 0:00:34 | |
-Don't I always go out on Saturday night? -Dancing? | 0:00:34 | 0:00:36 | |
Don't I always go dancing? | 0:00:36 | 0:00:38 | |
Oh, if you can call it dancing. | 0:00:38 | 0:00:40 | |
Last time I saw you on the dance floor, | 0:00:40 | 0:00:42 | |
it looked like three frogs having a fight. | 0:00:42 | 0:00:45 | |
I am a fine dancer. | 0:00:45 | 0:00:48 | |
Perhaps I'd had a drink that night. | 0:00:48 | 0:00:50 | |
Sure. | 0:00:50 | 0:00:52 | |
I'll show you me steps and Denise can be the judge. | 0:00:52 | 0:00:55 | |
Go on, then. I can't wait to see this. | 0:00:55 | 0:00:59 | |
O-o-o-oh... | 0:00:59 | 0:01:01 | |
No, no, I can't! I can't dance without music. | 0:01:01 | 0:01:04 | |
HE HUMS A TUNE | 0:01:04 | 0:01:08 | |
If only youth knew... | 0:01:14 | 0:01:16 | |
..it does not last. | 0:01:19 | 0:01:21 | |
I say that Sam is a fine dancer. | 0:01:41 | 0:01:45 | |
APPLAUSE | 0:01:45 | 0:01:46 | |
It was better this time, I'll admit it - it was only two frogs fighting. | 0:01:46 | 0:01:51 | |
I do like Sam. | 0:01:53 | 0:01:55 | |
I mean, I say he's rascal and a worm because I want him to like me. | 0:01:55 | 0:01:59 | |
He does like you, Pauline. | 0:01:59 | 0:02:01 | |
He's such a fine dancer. | 0:02:01 | 0:02:03 | |
It was like a charm dancing with him. | 0:02:03 | 0:02:06 | |
He's so handsome. Do you think he's handsome? | 0:02:06 | 0:02:09 | |
-He's a fine lad. -If Sam's handsome, then I'm a sponge cake. | 0:02:09 | 0:02:14 | |
How do I get him to like me? | 0:02:14 | 0:02:17 | |
Do you think if I let my hair down? | 0:02:17 | 0:02:18 | |
You look lovely with your hair down. | 0:02:18 | 0:02:21 | |
We'll go out and have a few drinks - see if we can get him drunk. | 0:02:21 | 0:02:24 | |
-I think I will let my hair down. -Good! | 0:02:24 | 0:02:28 | |
Clara, did you really think I was a cleaner | 0:02:31 | 0:02:34 | |
when I first came here looking for a job? | 0:02:34 | 0:02:37 | |
Eh? The clothes you were wearing and your rat's-tail hair. | 0:02:37 | 0:02:41 | |
I thought you'd be lucky to get a position scrubbing the toilets! | 0:02:41 | 0:02:45 | |
Well, I'm so glad that we've come through the bad times and we can be friends. | 0:02:45 | 0:02:49 | |
I am glad as well - can you lend me two shillings? | 0:02:49 | 0:02:53 | |
I think you're so brave because... Well, you know... | 0:02:56 | 0:03:01 | |
Ay, you don't start with that. | 0:03:01 | 0:03:03 | |
Drink either makes me laugh or makes me cry. | 0:03:03 | 0:03:06 | |
And tonight, I am going to laugh. | 0:03:06 | 0:03:08 | |
Sam, Sam, Sam - show us your frog steps again. | 0:03:08 | 0:03:12 | |
THEY LAUGH | 0:03:12 | 0:03:14 | |
THEY HUM A TUNE | 0:03:14 | 0:03:17 | |
Come on! | 0:03:27 | 0:03:28 | |
Step to it. | 0:03:54 | 0:03:57 | |
A shawl makes a pleasing gift. | 0:03:57 | 0:04:00 | |
A silk shawl ALWAYS makes a pleasing gift. | 0:04:00 | 0:04:03 | |
Of course, Mrs Chesholm, it depends upon the nature of the celebration. | 0:04:03 | 0:04:07 | |
Our hand-carved combs would make the most perfect favour | 0:04:07 | 0:04:11 | |
for someone who, shall we say, had shown you kindness. | 0:04:11 | 0:04:14 | |
However, were the occasion an anniversary, | 0:04:14 | 0:04:18 | |
then I must direct you to our most glittering gift. | 0:04:18 | 0:04:21 | |
Though expensive, our engraved silver purses | 0:04:21 | 0:04:24 | |
would make any birthday an occasion to treasure. | 0:04:24 | 0:04:27 | |
Now... | 0:04:27 | 0:04:29 | |
Shall we leave you a moment or two to muse, or are you ready to decide? | 0:04:29 | 0:04:33 | |
MEN CHAT AMIABLY | 0:04:47 | 0:04:50 | |
None of us expected this to happen, | 0:04:54 | 0:04:56 | |
but perhaps we should all admit it's for the best, hmm? | 0:04:56 | 0:04:59 | |
I cherish reason. | 0:05:00 | 0:05:02 | |
The winning argument is like a fine wine - it gives me a feeling of wellbeing. | 0:05:02 | 0:05:06 | |
Yet I take great pleasure in shooting birds from the sky. | 0:05:07 | 0:05:10 | |
I accept there's no reason in that. | 0:05:10 | 0:05:13 | |
It is nothing more than the imposition of my will. | 0:05:13 | 0:05:15 | |
I'm a contradiction. We all are. | 0:05:15 | 0:05:18 | |
I've never seen Katherine so at ease with herself, | 0:05:21 | 0:05:23 | |
at ease with the world. | 0:05:23 | 0:05:26 | |
Never. I trust you're not going to interfere with this. | 0:05:26 | 0:05:30 | |
I told Katherine I was unable to marry at this time. | 0:05:32 | 0:05:35 | |
If she has a suitor, then the blame is mine. | 0:05:37 | 0:05:40 | |
You have a gift, Moray, for avoiding a question. | 0:05:40 | 0:05:43 | |
If it is a gift. | 0:05:43 | 0:05:44 | |
Let's be generous and call it an attribute. | 0:05:44 | 0:05:46 | |
Let me answer the question for you - | 0:05:46 | 0:05:49 | |
you will make no effort to tempt Katherine back | 0:05:49 | 0:05:52 | |
into some sort of reconciliation with you, hmm? | 0:05:52 | 0:05:55 | |
These are the days. | 0:06:01 | 0:06:02 | |
-See you later. -He's here. | 0:06:13 | 0:06:15 | |
I didn't imagine you as a shooting man, Moray. | 0:06:18 | 0:06:22 | |
I was very good at observing. | 0:06:22 | 0:06:24 | |
And - can I ask - | 0:06:25 | 0:06:26 | |
how are you enjoying being a patroness of a charity? | 0:06:26 | 0:06:29 | |
Oh, I'm not quite a patroness yet. | 0:06:29 | 0:06:31 | |
Peter and I are meeting this morning - | 0:06:31 | 0:06:34 | |
no doubt we will discuss it. | 0:06:34 | 0:06:35 | |
I wish you well. He is a good man. | 0:06:35 | 0:06:38 | |
You wish me well? | 0:06:38 | 0:06:40 | |
If I could find another way to say it, Katherine, I would. | 0:06:41 | 0:06:46 | |
Then I am grateful for your good wishes. | 0:06:49 | 0:06:52 | |
I have to ask... | 0:06:56 | 0:06:59 | |
Is it your wife? | 0:06:59 | 0:07:00 | |
Is she the reason you stand here and smile and wish me well | 0:07:02 | 0:07:05 | |
when you see me embarking on a relationship with another man? | 0:07:05 | 0:07:08 | |
Yes. | 0:07:08 | 0:07:09 | |
Yes, it is. | 0:07:11 | 0:07:12 | |
Are you so in love with your own grief that you cannot live? | 0:07:12 | 0:07:15 | |
How can you be so entwined with a woman three years gone? | 0:07:17 | 0:07:20 | |
Perhaps we must be thankful for Peter Adler... | 0:07:23 | 0:07:28 | |
He has saved you from becoming entwined. | 0:07:28 | 0:07:30 | |
Perfect in every way, a splendid choice, | 0:07:44 | 0:07:47 | |
and sure to please. | 0:07:47 | 0:07:49 | |
Girls! For those with so much youth, | 0:07:52 | 0:07:54 | |
I see very little in the way of vigour. | 0:07:54 | 0:07:57 | |
Step to it! There are shelves to sort. | 0:07:57 | 0:07:59 | |
Denise... | 0:08:07 | 0:08:08 | |
I'm grateful for how you were with, with Grace. | 0:08:10 | 0:08:14 | |
I mean...with me. | 0:08:14 | 0:08:16 | |
I shan't be so keen to share a bed with you next time. | 0:08:17 | 0:08:21 | |
You're all elbows! | 0:08:21 | 0:08:22 | |
Oh, Mr Moray, sir. | 0:08:23 | 0:08:26 | |
Miss Audrey, I, er... | 0:08:26 | 0:08:28 | |
Is it the display, sir? | 0:08:31 | 0:08:33 | |
No. I... | 0:08:33 | 0:08:36 | |
Yesterday's sales, perhaps? | 0:08:36 | 0:08:38 | |
Whatever it is, sir, I assure you without hesitation | 0:08:39 | 0:08:42 | |
that it will be rectified and remedied. | 0:08:42 | 0:08:46 | |
I did have something on my mind when I came in here... | 0:08:46 | 0:08:50 | |
If we have failed you in any way, Mr Moray...? | 0:08:51 | 0:08:55 | |
Has one of the girls spoken out of turn? | 0:08:55 | 0:08:58 | |
I keep a most tight rein on them, sir. Especially tight. We strive only to please you. | 0:08:58 | 0:09:02 | |
I cannot think what else it might be, sir. | 0:09:02 | 0:09:05 | |
Have I, in any way...? | 0:09:05 | 0:09:08 | |
Memory loss is for the aged, I... | 0:09:08 | 0:09:11 | |
I must have too much spinning around my mind. | 0:09:11 | 0:09:14 | |
-I'm sure it will come back to me. -I am certain of it, sir. | 0:09:14 | 0:09:18 | |
Denise. Your sales, once again - most impressive. Well done. | 0:09:20 | 0:09:24 | |
My little champion. | 0:09:24 | 0:09:26 | |
Don't you think so, Miss Audrey? | 0:09:26 | 0:09:28 | |
Oh, most certainly, sir. Denise is indeed outstripping all expectations | 0:09:30 | 0:09:34 | |
of such a seemingly timid girl. | 0:09:34 | 0:09:36 | |
One must commend the speed of her ascent. | 0:09:36 | 0:09:39 | |
She will outshine us all! | 0:09:39 | 0:09:42 | |
SHE STIFLES A COUGH | 0:09:42 | 0:09:44 | |
Peter? Isn't that something other people do? | 0:09:53 | 0:09:56 | |
There are no other people here. | 0:09:59 | 0:10:00 | |
I said I would have you home by this afternoon and so I will. | 0:10:02 | 0:10:07 | |
What we heard, sir, was that they were seen out together - | 0:10:12 | 0:10:15 | |
Miss Glendenning and Mr Adler - and they looked love-struck. | 0:10:15 | 0:10:18 | |
We all believed Mr Moray and Miss Glendenning were to be married, sir. | 0:10:18 | 0:10:21 | |
He did look agitated when we saw him today in Ladieswear. | 0:10:21 | 0:10:23 | |
Are they not to be wed, Mr Dudley? | 0:10:23 | 0:10:25 | |
Whether Mr Moray marries or not should have no effect on your work. | 0:10:25 | 0:10:29 | |
I know how you all like to gossip in the refectory - | 0:10:29 | 0:10:31 | |
just don't expect me to join in. | 0:10:31 | 0:10:33 | |
Is he heartbroke, sir? | 0:10:33 | 0:10:35 | |
Mr Moray's not a heartbroke sort of man. | 0:10:35 | 0:10:37 | |
Except for his wife. | 0:10:37 | 0:10:38 | |
I never believed he'd marry Katherine Glendenning. He'll never marry again. | 0:10:38 | 0:10:43 | |
Whilst you experts are picking over the bones of your employer's life, | 0:10:43 | 0:10:46 | |
I will apply myself to the business of the store. | 0:10:46 | 0:10:49 | |
Oh, now my food's cold. | 0:10:52 | 0:10:53 | |
The best sort of gossip does that to food. | 0:10:53 | 0:10:56 | |
"My little champion." | 0:10:58 | 0:11:00 | |
Lady Fern. | 0:11:10 | 0:11:11 | |
Our field geranium's lovely, isn't it? | 0:11:14 | 0:11:17 | |
Borage. | 0:11:21 | 0:11:23 | |
I don't believe you know every single plant. | 0:11:24 | 0:11:27 | |
You are pretending, in order to impress me. | 0:11:27 | 0:11:30 | |
It's a starflower - Borago officinalis. | 0:11:30 | 0:11:34 | |
Look at the shape. | 0:11:34 | 0:11:37 | |
Five perfect points. | 0:11:39 | 0:11:41 | |
How does nature do that? See how the blue dominates the white? | 0:11:41 | 0:11:45 | |
It tastes like honey. | 0:11:46 | 0:11:50 | |
You eat it? | 0:11:50 | 0:11:52 | |
Of course. It is medicine. | 0:11:52 | 0:11:53 | |
It will take away all kinds of fevers and...torments. | 0:11:53 | 0:11:57 | |
Why do you know them? | 0:12:02 | 0:12:04 | |
Why do you know how to fix a wheel? | 0:12:04 | 0:12:06 | |
I see the loveliness of a flower and I have to know its name, | 0:12:06 | 0:12:09 | |
know its history. | 0:12:09 | 0:12:11 | |
As a boy, if something was broken, | 0:12:11 | 0:12:13 | |
I would pester every adult I could lay my hands on | 0:12:13 | 0:12:16 | |
till I had found one that could show me how to fix it. | 0:12:16 | 0:12:19 | |
HE CLEARS HIS THROAT | 0:12:21 | 0:12:23 | |
Lady fern. | 0:12:23 | 0:12:25 | |
Mm-hm. | 0:12:25 | 0:12:26 | |
Field geranium. | 0:12:27 | 0:12:29 | |
Very good. | 0:12:29 | 0:12:31 | |
Borage. | 0:12:34 | 0:12:36 | |
Aren't you glad you know them better? | 0:12:36 | 0:12:38 | |
I am. | 0:12:38 | 0:12:39 | |
Oh... | 0:12:41 | 0:12:42 | |
It is nothing, I am sure, but have you detected in your department | 0:12:53 | 0:12:57 | |
a change of bearing in Mr Moray? | 0:12:57 | 0:12:59 | |
The talk is that Miss Glendenning is being courted - | 0:12:59 | 0:13:01 | |
seems Mr Moray has a rival. | 0:13:01 | 0:13:03 | |
That's enough to put any man off his stroke. | 0:13:03 | 0:13:06 | |
Yes, that must be it. | 0:13:06 | 0:13:07 | |
But it was not sorrow which he displayed, but misgiving. | 0:13:07 | 0:13:13 | |
Though he did find compliments and congratulations for... | 0:13:13 | 0:13:16 | |
-some others. -That would be Denise then, would it? | 0:13:16 | 0:13:19 | |
Is it so obvious? Does the whole...? | 0:13:19 | 0:13:21 | |
She is his favourite. Ahem! | 0:13:21 | 0:13:24 | |
-Miss Audrey, did you just lose your...? -Yes. My voice was lost for a moment. | 0:13:24 | 0:13:28 | |
It is nothing. Merely a sore throat. Nothing at all. | 0:13:29 | 0:13:33 | |
You must speak to no-one about this. Do you understand? | 0:13:33 | 0:13:36 | |
I require your... Utter... | 0:13:36 | 0:13:39 | |
But are you all right? | 0:13:39 | 0:13:41 | |
I am... | 0:13:41 | 0:13:44 | |
KNOCKING AT DOOR | 0:13:56 | 0:13:59 | |
HAMMERING AT DOOR | 0:13:59 | 0:14:02 | |
SHOP BELL RINGS | 0:14:07 | 0:14:08 | |
Audrey! Why, it's... It's night-time. | 0:14:08 | 0:14:12 | |
I must speak with you, Edmund. | 0:14:12 | 0:14:14 | |
I thought that consorting with males after dark was strictly forbidden. | 0:14:14 | 0:14:17 | |
Oh, don't tease me. I'm feeling quite frail. | 0:14:17 | 0:14:19 | |
Will you sit? Or would sitting be considered fraternising? | 0:14:19 | 0:14:24 | |
Do you remember the day you asked me to marry you? | 0:14:34 | 0:14:37 | |
It was a long time ago. | 0:14:37 | 0:14:39 | |
Do you recall what happened? | 0:14:39 | 0:14:41 | |
Yes. You said no. | 0:14:41 | 0:14:43 | |
What happened to me? | 0:14:43 | 0:14:46 | |
-You lost your voice. -Well, it is happening once... | 0:14:46 | 0:14:48 | |
-SHE CLEARS HER THROAT -Oh, but you're talking to me now. | 0:14:48 | 0:14:51 | |
It is going. | 0:14:51 | 0:14:54 | |
My point is... | 0:14:54 | 0:14:55 | |
..the last time (MOUTHS) left me altogether. | 0:14:57 | 0:15:00 | |
That cannot be allowed to happen again. | 0:15:00 | 0:15:02 | |
I must be present at work tomorrow. This is the most delicate of times. | 0:15:02 | 0:15:05 | |
Why is it? | 0:15:05 | 0:15:07 | |
Moray? What has he done? | 0:15:07 | 0:15:09 | |
Oh, it's not Moray. It's not only Moray. | 0:15:09 | 0:15:11 | |
Well, what, then? Who? | 0:15:11 | 0:15:13 | |
Some things cannot be stopped... | 0:15:15 | 0:15:17 | |
..no matter how we might try. | 0:15:19 | 0:15:21 | |
Do you not see what I am trying to tell you? | 0:15:22 | 0:15:24 | |
To tell you the truth, my head has been set spinning | 0:15:24 | 0:15:27 | |
by you sitting here at night. | 0:15:27 | 0:15:29 | |
My mind is not as sharp as it used to be. | 0:15:29 | 0:15:31 | |
I will sleep and all will be restored tomorrow. | 0:15:34 | 0:15:36 | |
SHE CLEARS HER THROAT I am sure of it. | 0:15:36 | 0:15:39 | |
-But... -DOOR LATCH CLICKS | 0:15:42 | 0:15:44 | |
SHE GASPS FOR BREATH | 0:16:00 | 0:16:03 | |
SHE CROAKS | 0:16:08 | 0:16:10 | |
SHE CROAKS | 0:16:13 | 0:16:15 | |
SHE CROAKS | 0:16:19 | 0:16:21 | |
-What is that look? -I've never seen you doing this before. | 0:16:31 | 0:16:35 | |
Nonsense. I love flowers. | 0:16:35 | 0:16:37 | |
My darling, you like looking at flowers. | 0:16:37 | 0:16:39 | |
But arranging them so beautifully? This is new. | 0:16:39 | 0:16:42 | |
They were so colourful, I couldn't resist them. | 0:16:42 | 0:16:44 | |
You picked them? | 0:16:44 | 0:16:47 | |
Papa, stop it. | 0:16:47 | 0:16:48 | |
You have a look like a puppy dog. What is the matter with you today? | 0:16:50 | 0:16:53 | |
You. You are the matter with me. | 0:16:53 | 0:16:56 | |
You are 17 again. I could clap my hands. | 0:16:56 | 0:16:59 | |
Well, don't. | 0:16:59 | 0:17:01 | |
You know perfectly well why I am moved to pick flowers. | 0:17:01 | 0:17:05 | |
What you see in my face, Katherine, is relief. | 0:17:06 | 0:17:10 | |
I must admit, I was rather concerned that your - What shall we call it? | 0:17:10 | 0:17:13 | |
Your...entanglement with Moray was... | 0:17:13 | 0:17:16 | |
You told me you liked Moray. Were you lying to me? | 0:17:16 | 0:17:19 | |
Not at all. | 0:17:19 | 0:17:21 | |
I find him charming and engaging. | 0:17:21 | 0:17:24 | |
I have great faith in his capabilities. | 0:17:24 | 0:17:26 | |
And I like him even more | 0:17:26 | 0:17:27 | |
now that your eyes are not so keenly fixed on him. | 0:17:27 | 0:17:30 | |
Katherine... | 0:17:30 | 0:17:32 | |
I'm sorry. | 0:17:33 | 0:17:35 | |
I thought you were weak. | 0:17:37 | 0:17:38 | |
I doubted you had the character to realise | 0:17:38 | 0:17:41 | |
that someone like Peter Adler | 0:17:41 | 0:17:44 | |
is where true happiness lies. | 0:17:44 | 0:17:46 | |
Well... | 0:17:49 | 0:17:51 | |
I shall forgive you for that, | 0:17:52 | 0:17:54 | |
because I doubted it, too. | 0:17:54 | 0:17:56 | |
Miss Audrey, where would you like us to display | 0:18:14 | 0:18:17 | |
the new delivery of parasols? | 0:18:17 | 0:18:19 | |
Miss Audrey? | 0:18:29 | 0:18:31 | |
My rather flustered visit yesterday... | 0:18:31 | 0:18:33 | |
I hope you will accept my apologies. | 0:18:33 | 0:18:35 | |
I don't know what you must have made of me. | 0:18:35 | 0:18:37 | |
I did recall my reason for coming here. | 0:18:37 | 0:18:40 | |
It was to inform you that on Friday | 0:18:40 | 0:18:42 | |
we are to expect a visit from Mr Fabian Eberhart, | 0:18:42 | 0:18:45 | |
famed proprietor of The Bohemian Cabaret. | 0:18:45 | 0:18:48 | |
He's planning to open a club here in our city | 0:18:48 | 0:18:51 | |
and wishes to consider our store as suppliers of dresses for his... | 0:18:51 | 0:18:55 | |
Miss Audrey? | 0:18:56 | 0:18:57 | |
Are you unwell? You look afflicted. | 0:18:57 | 0:19:00 | |
You cannot be expected to work in this condition. | 0:19:01 | 0:19:04 | |
-Miss Audrey?! -Miss Audrey! | 0:19:04 | 0:19:07 | |
SHE CLEARS HER THROAT | 0:19:07 | 0:19:09 | |
I don't understand why there must...fuss. | 0:19:09 | 0:19:12 | |
I lost my balance. That is all. | 0:19:12 | 0:19:14 | |
Miss Audrey, you have fevers and sweats. | 0:19:14 | 0:19:17 | |
It's a moment of giddiness. Good heavens, anyone... | 0:19:18 | 0:19:21 | |
..ill. | 0:19:22 | 0:19:24 | |
-The doctor says you have a sickness. -You have to stay in bed for a week. | 0:19:24 | 0:19:28 | |
A week? But that is seven days. | 0:19:28 | 0:19:31 | |
The doctor was hardly conclusive. | 0:19:31 | 0:19:33 | |
Perhaps it is something she has eaten. | 0:19:33 | 0:19:35 | |
Perhaps a mild bout of chicken pox. | 0:19:35 | 0:19:37 | |
We're in the wrong profession, Moray. | 0:19:37 | 0:19:40 | |
If we were as vague, we'd be out of business within a week. | 0:19:40 | 0:19:43 | |
I have never known Audrey to be ill. She has the constitution of an ox. | 0:19:43 | 0:19:47 | |
I have simply assumed she will always be there. | 0:19:47 | 0:19:50 | |
We must decide. | 0:19:50 | 0:19:52 | |
Erm, Mr Moray, sir. Mr Dudley, sir. | 0:19:52 | 0:19:55 | |
May I offer myself to take care of Ladieswear | 0:19:56 | 0:19:59 | |
while Miss Audrey is unable to work? | 0:19:59 | 0:20:01 | |
That is very conscientious of you, Clara. | 0:20:01 | 0:20:03 | |
But Dudley and I must discuss the matter first. | 0:20:03 | 0:20:06 | |
Gentlemen, have I not earned this chance? | 0:20:07 | 0:20:11 | |
I'm the senior girl, I have the most experience | 0:20:11 | 0:20:13 | |
and I'm certain it's what Miss Audrey would want. | 0:20:13 | 0:20:16 | |
If you were to let me take care of the department | 0:20:16 | 0:20:18 | |
then the whole store would see that you are employers | 0:20:18 | 0:20:21 | |
who behave fairly towards your staff. | 0:20:21 | 0:20:24 | |
Everything you say is true, Clara, | 0:20:24 | 0:20:26 | |
and, I assure you, will be taken into consideration. | 0:20:26 | 0:20:29 | |
Thank you, gentlemen. | 0:20:29 | 0:20:32 | |
AUDREY WHEEZES | 0:20:32 | 0:20:35 | |
She's right. We should consider how this will look to the staff. | 0:20:37 | 0:20:41 | |
Then we will give the position to Clara. | 0:20:41 | 0:20:44 | |
But you have something else on your mind, | 0:20:44 | 0:20:46 | |
otherwise you would have told Clara she was in charge. | 0:20:46 | 0:20:48 | |
Fabian Eberhart. | 0:20:48 | 0:20:50 | |
There is a chance he might put in an order for over 20 outfits. | 0:20:50 | 0:20:53 | |
Denise would, I am sure, charm and persuade him. | 0:20:53 | 0:20:57 | |
That has a logic to it. | 0:20:57 | 0:20:59 | |
Do you think I have other reasons for preferring Denise? | 0:20:59 | 0:21:03 | |
She is your "little champion". | 0:21:03 | 0:21:04 | |
Denise is different to the other girls. | 0:21:04 | 0:21:07 | |
There is something about her. | 0:21:07 | 0:21:09 | |
I would like to see how she deals with this situation. | 0:21:09 | 0:21:12 | |
It'll sting Clara. | 0:21:12 | 0:21:14 | |
It will be a test of her mettle, and ours. | 0:21:14 | 0:21:16 | |
I suspect it might be worth it. | 0:21:16 | 0:21:18 | |
We have reached the point where you ask me | 0:21:18 | 0:21:20 | |
to deliver the news to the girls, have we not? | 0:21:20 | 0:21:22 | |
We have. | 0:21:22 | 0:21:24 | |
Sam. | 0:21:29 | 0:21:31 | |
Sam? | 0:21:31 | 0:21:33 | |
Sam, can I ask you, how is Audrey? | 0:21:35 | 0:21:37 | |
Audrey? You mean Miss Audrey? She's been taken sick to her bed. | 0:21:37 | 0:21:40 | |
-Sick to her bed? -That's what I said. | 0:21:40 | 0:21:43 | |
-What's the matter with her? -I'm told she has a fever. -A fever? | 0:21:43 | 0:21:46 | |
Edmund, having a conversation with you is like talking to an echo. | 0:21:46 | 0:21:50 | |
Fever... | 0:21:50 | 0:21:51 | |
Why are you so concerned about Miss Audrey? | 0:21:51 | 0:21:54 | |
I pass the time of day with her sometimes. That's all. | 0:21:54 | 0:21:57 | |
All right. | 0:21:57 | 0:21:58 | |
A fever... | 0:21:58 | 0:22:00 | |
Carry on. | 0:22:05 | 0:22:08 | |
Peter, don't you ever sit down? | 0:22:09 | 0:22:10 | |
If you wish me to sit with you, Katherine, | 0:22:12 | 0:22:14 | |
I would be glad to oblige. | 0:22:14 | 0:22:16 | |
Not oblige, please. Oblige is such a wearisome word. | 0:22:16 | 0:22:20 | |
Oh. I have left my fan inside. | 0:22:20 | 0:22:23 | |
Would you be so kind as to fetch it for me? | 0:22:23 | 0:22:25 | |
Of course I will. | 0:22:25 | 0:22:27 | |
Heavens! Here it is beside me. | 0:22:31 | 0:22:34 | |
I'm sorry, Peter. | 0:22:34 | 0:22:36 | |
Would you like some lemonade? | 0:22:37 | 0:22:40 | |
You must go back to the game. You have disturbed the balance by leaving. | 0:22:40 | 0:22:44 | |
But wasn't I summoned to sit with you? | 0:22:44 | 0:22:47 | |
I feel I will go inside. It is too hot for me out here. | 0:22:47 | 0:22:50 | |
My book is so engaging and I long for the cool of the house. | 0:22:52 | 0:22:55 | |
My bones ache from sitting here. | 0:22:57 | 0:23:00 | |
Perhaps I need to walk for a while. | 0:23:00 | 0:23:02 | |
Would you like me to come with you? | 0:23:03 | 0:23:06 | |
Go back to your game, Peter. | 0:23:06 | 0:23:08 | |
First, Pauline is to be returned to Ladieswear for the time being, | 0:23:24 | 0:23:29 | |
to give assistance in these times of need. | 0:23:29 | 0:23:31 | |
What we are facing is a temporary difficulty. | 0:23:31 | 0:23:34 | |
There are a number of considerations | 0:23:34 | 0:23:36 | |
in deciding how we shall run this department in Miss Audrey's absence. | 0:23:36 | 0:23:39 | |
Mr Moray and I have given careful thought to the decision. | 0:23:39 | 0:23:42 | |
And what matters most is that you all support one another. | 0:23:42 | 0:23:46 | |
Denise will be in charge until further notice. | 0:23:48 | 0:23:50 | |
This may seem something of a surprise, | 0:23:50 | 0:23:52 | |
but the main thing is that we all want Miss Audrey | 0:23:52 | 0:23:55 | |
restored to her rightful position as soon as possible. | 0:23:55 | 0:23:57 | |
Mr Dudley, sir, there are other girls | 0:23:57 | 0:23:59 | |
that have been here longer than me. | 0:23:59 | 0:24:01 | |
We are to place all our efforts | 0:24:01 | 0:24:02 | |
into winning this order from Mr Eberhart. | 0:24:02 | 0:24:05 | |
A musical cabaret. | 0:24:05 | 0:24:06 | |
We are to suggest outfits for girls who entertain, sing, dance | 0:24:06 | 0:24:10 | |
and girls who serve champagne and entertain at tables. | 0:24:10 | 0:24:14 | |
It'll need some inspiration. | 0:24:14 | 0:24:16 | |
As Miss Audrey would say, | 0:24:16 | 0:24:18 | |
step to it. | 0:24:18 | 0:24:20 | |
That's good, isn't it? | 0:24:23 | 0:24:24 | |
Mr Dudley told us. | 0:24:30 | 0:24:32 | |
But it was Mr Moray's decision. We all know that. | 0:24:32 | 0:24:35 | |
Do you need anything, Miss Audrey? | 0:24:35 | 0:24:37 | |
A drink? A blanket? A blanket taking off? | 0:24:37 | 0:24:41 | |
Am I to follow her instructions? "Clara, fetch the order book!" | 0:24:41 | 0:24:44 | |
"Clara, attend to this customer!" | 0:24:44 | 0:24:47 | |
While she prances around as Queen of all she surveys? | 0:24:47 | 0:24:50 | |
I don't think Denise will play high and mighty. | 0:24:50 | 0:24:52 | |
She's just good at her job, that's all. She can't help it. | 0:24:52 | 0:24:55 | |
She's talented. Very talented. | 0:24:55 | 0:24:57 | |
-Gifted. -SHE SPLUTTERS | 0:24:57 | 0:25:00 | |
What is it, Miss Audrey? Heavens! You look worse than ever. | 0:25:00 | 0:25:03 | |
Your face is redder than a crimson cap. | 0:25:03 | 0:25:06 | |
Leave me, please. Leave me. | 0:25:06 | 0:25:10 | |
Sleep well. | 0:25:11 | 0:25:13 | |
Mr Moray, sir. | 0:25:24 | 0:25:26 | |
Denise. | 0:25:26 | 0:25:28 | |
I have not been here so long, sir. | 0:25:28 | 0:25:30 | |
I do not deserve this advancement over... | 0:25:32 | 0:25:35 | |
And what if I say you do deserve it? | 0:25:35 | 0:25:37 | |
What if I say the other girls see that, too? | 0:25:37 | 0:25:40 | |
Some of them may object, but you must learn to live with that. | 0:25:40 | 0:25:44 | |
There was a time when I stood right here... | 0:25:44 | 0:25:47 | |
A draper's lad, when this was no more than a small shop. | 0:25:48 | 0:25:51 | |
What is it, sir? | 0:25:55 | 0:25:56 | |
Everything I wished for then... | 0:25:58 | 0:26:00 | |
..I have it now. | 0:26:01 | 0:26:03 | |
Not everything you wished for. | 0:26:03 | 0:26:05 | |
No-one has everything. | 0:26:05 | 0:26:07 | |
In Peebles, when a man loses his sweetheart, he... | 0:26:09 | 0:26:14 | |
..gets drunk, has a fight and then looks for a new sweetheart. | 0:26:14 | 0:26:18 | |
Well, perhaps we should move the store there. | 0:26:20 | 0:26:22 | |
I don't think so, sir. | 0:26:22 | 0:26:23 | |
There's not much call for Parisian underwear in Peebles. | 0:26:23 | 0:26:26 | |
It's far too cold. | 0:26:26 | 0:26:28 | |
Is there talk in the refectory about Miss Glendenning? | 0:26:29 | 0:26:33 | |
Of course there is. | 0:26:33 | 0:26:35 | |
What are they saying? | 0:26:35 | 0:26:38 | |
Only that she... | 0:26:38 | 0:26:40 | |
That you and her have parted ways. | 0:26:40 | 0:26:43 | |
That's not all they're saying, | 0:26:45 | 0:26:46 | |
but it is kind of you to be so delicate. | 0:26:46 | 0:26:49 | |
You... | 0:26:49 | 0:26:50 | |
You've made me forget myself, Denise. | 0:26:50 | 0:26:53 | |
How did we start this conversation? | 0:26:53 | 0:26:55 | |
I was pleading with you | 0:26:55 | 0:26:58 | |
that I'm not ready for this advancement. | 0:26:58 | 0:27:00 | |
Oh, yes. | 0:27:00 | 0:27:02 | |
Yes. Miss Audrey is ill. | 0:27:02 | 0:27:04 | |
There is a chance for us to woo a valuable customer. | 0:27:04 | 0:27:08 | |
I need you to take care of the department. | 0:27:09 | 0:27:12 | |
Will you do that for me? | 0:27:14 | 0:27:16 | |
I will. | 0:27:17 | 0:27:19 | |
Then you need your sleep. | 0:27:19 | 0:27:20 | |
Night. | 0:27:22 | 0:27:25 | |
DICE ROLL | 0:27:29 | 0:27:31 | |
-Oh, you are going to win again. -You are going to let me win again. | 0:27:33 | 0:27:36 | |
-Peter? -Hmm? -Would I do such a thing? | 0:27:36 | 0:27:38 | |
Will you take me on a picnic again tomorrow? | 0:27:40 | 0:27:42 | |
Show me the flowers? | 0:27:42 | 0:27:44 | |
Perhaps we could do one of those hill walks you told me about? | 0:27:44 | 0:27:48 | |
You made it clear that you found hill walking arduous. | 0:27:48 | 0:27:50 | |
Oh, but I am fickle. | 0:27:50 | 0:27:52 | |
You have conjured such a picture in my mind | 0:27:52 | 0:27:54 | |
of looking out over the world from up there. | 0:27:54 | 0:27:57 | |
Katherine, would you walk to those hills to please yourself or to please me? | 0:27:57 | 0:28:01 | |
It pleases me to please you. | 0:28:01 | 0:28:03 | |
I can feel you trying. | 0:28:03 | 0:28:06 | |
I am grateful, but, please, you don't have to try. | 0:28:08 | 0:28:11 | |
Things between us will grow. | 0:28:11 | 0:28:13 | |
Or they won't. | 0:28:14 | 0:28:17 | |
I dearly hope that they will. | 0:28:17 | 0:28:19 | |
If not, I have a good life. | 0:28:20 | 0:28:23 | |
If that sounds uncaring, I apologise. | 0:28:25 | 0:28:27 | |
I do feel a deep attraction to you, | 0:28:27 | 0:28:31 | |
unlike any woman I have met. | 0:28:31 | 0:28:33 | |
But I have learned that life is kind and I always find a way through. | 0:28:33 | 0:28:37 | |
Do you think of Moray often? | 0:28:45 | 0:28:47 | |
Only every day. | 0:28:47 | 0:28:48 | |
Perhaps I should withdraw until you can resolve in your own heart | 0:28:53 | 0:28:55 | |
-how you feel about Moray. -Not at all. | 0:28:55 | 0:28:58 | |
I don't know. | 0:29:08 | 0:29:10 | |
You call this toast? | 0:29:41 | 0:29:43 | |
Toast is bread cooked. | 0:29:43 | 0:29:46 | |
This is bread threatened with a flame. | 0:29:46 | 0:29:48 | |
How many times do I have to say I want my bread toasted? | 0:29:54 | 0:29:57 | |
I am ignored. | 0:29:59 | 0:30:01 | |
I am disobeyed at will. | 0:30:01 | 0:30:03 | |
Perhaps you should go back to bed, Papa. | 0:30:04 | 0:30:07 | |
You are never at your best when you are tired. | 0:30:07 | 0:30:09 | |
It will take more than sleep to cure my ill temper. | 0:30:09 | 0:30:13 | |
Then perhaps I will take some rest to escape your sour mood. | 0:30:13 | 0:30:17 | |
Oh, it feels so much better coming down these stairs | 0:30:22 | 0:30:25 | |
knowing I am to be in Ladieswear. | 0:30:25 | 0:30:27 | |
Do you suppose if it all goes well I might keep my position? | 0:30:30 | 0:30:32 | |
Oh, shall we call you Miss Denise now? | 0:30:32 | 0:30:36 | |
Or would you prefer "sir"? Should we curtsey when we see you? | 0:30:36 | 0:30:40 | |
-Or bow at the knee? -Don't, Sam. Please. | 0:30:40 | 0:30:42 | |
I'm only teasing. I'm glad you've got your chance. | 0:30:42 | 0:30:45 | |
It means there's hope for all of us. | 0:30:45 | 0:30:48 | |
MEN SHOUT IN THE DISTANCE | 0:30:53 | 0:30:56 | |
Un-cock me! | 0:31:19 | 0:31:21 | |
Here, boy. | 0:31:29 | 0:31:30 | |
Billy! | 0:31:34 | 0:31:35 | |
MAN CRIES OUT | 0:31:38 | 0:31:40 | |
It was an accident. | 0:31:50 | 0:31:52 | |
You must not blame yourself, Papa. | 0:31:52 | 0:31:54 | |
Elliott will be fine. | 0:31:54 | 0:31:57 | |
The doctor assured me his leg will recover as though nothing happened. | 0:31:57 | 0:32:00 | |
But something did happen. I could have killed him. | 0:32:00 | 0:32:03 | |
Papa, stop it. You cannot punish yourself. | 0:32:03 | 0:32:06 | |
I will not permit it. | 0:32:06 | 0:32:08 | |
It's like a curse on us - you loving Moray. | 0:32:09 | 0:32:14 | |
I do not love him. | 0:32:16 | 0:32:18 | |
I do not love him. | 0:32:18 | 0:32:20 | |
I promise you. | 0:32:20 | 0:32:23 | |
I am fond of Peter. | 0:32:23 | 0:32:26 | |
I will show you. | 0:32:26 | 0:32:28 | |
I will show you that I am not weak. | 0:32:29 | 0:32:31 | |
Girls, can I have your attention? | 0:32:51 | 0:32:54 | |
Thank you, girls. | 0:33:01 | 0:33:03 | |
Mr Moray has asked us to prepare for the visit of Mr Fabian Eberhart. | 0:33:04 | 0:33:09 | |
Since we can presume that he is not to wear the dresses | 0:33:09 | 0:33:11 | |
we are to sell to him - | 0:33:11 | 0:33:13 | |
we might be as well to think purely of what a man sees. | 0:33:13 | 0:33:17 | |
We can all consider ourselves experts at that, can't we, girls? | 0:33:17 | 0:33:20 | |
A man does not know what a girl looks at her best wearing. | 0:33:20 | 0:33:25 | |
He thinks he does, but in this - as in so many other things - | 0:33:25 | 0:33:29 | |
we must lead him by the nose, | 0:33:29 | 0:33:31 | |
whilst letting him think that he is not being led. | 0:33:31 | 0:33:34 | |
Isn't that so? | 0:33:34 | 0:33:36 | |
What Mr Eberhart wants - though he does not know it - | 0:33:36 | 0:33:40 | |
is for us to make the choices. | 0:33:40 | 0:33:42 | |
What we must give him is confidence and certainty. | 0:33:42 | 0:33:46 | |
Not a range of offerings, but one clear decision. | 0:33:46 | 0:33:49 | |
Lace. Black lace, red silk. | 0:33:51 | 0:33:54 | |
We will order up the new crepe de Chine. | 0:33:54 | 0:33:56 | |
Thank you. | 0:34:16 | 0:34:18 | |
Thomas, I'd like to check the order for Ladieswear. | 0:34:25 | 0:34:28 | |
I want to be sure we've ordered the crepe de Chine. | 0:34:28 | 0:34:31 | |
Just a moment. | 0:34:31 | 0:34:32 | |
Ah! | 0:34:42 | 0:34:43 | |
Oh... What a nice gift. | 0:34:45 | 0:34:48 | |
Darling, I realise that you know the names of all the flowers, | 0:34:48 | 0:34:52 | |
but the book is so that you might teach me. | 0:34:52 | 0:34:56 | |
Katherine, I am here with you because... | 0:34:56 | 0:34:59 | |
If you loved Moray and he loved you, | 0:35:01 | 0:35:04 | |
then you would be with him now. | 0:35:04 | 0:35:06 | |
You would be wearing his ring. | 0:35:06 | 0:35:08 | |
Moray is an infatuation. | 0:35:09 | 0:35:12 | |
I have seen how you are with me. | 0:35:13 | 0:35:16 | |
I know I can make you happy. | 0:35:16 | 0:35:19 | |
Did Moray ever make you feel truly glad to be yourself? | 0:35:19 | 0:35:22 | |
I intend to stay, Katherine. | 0:35:24 | 0:35:28 | |
And trust that our feelings for one another will grow. | 0:35:28 | 0:35:33 | |
KNOCK AT DOOR Oh, please. Leave me be. | 0:35:45 | 0:35:48 | |
How did you get in here? | 0:35:50 | 0:35:53 | |
-You have your voice back, then. -SHE COUGHS | 0:35:53 | 0:35:56 | |
I am almost recovered. | 0:35:57 | 0:36:00 | |
You look terrible. | 0:36:00 | 0:36:02 | |
I mean, terribly sick. | 0:36:03 | 0:36:05 | |
You haven't recovered at all as far as I can see. | 0:36:05 | 0:36:08 | |
There's no use pretending otherwise. | 0:36:08 | 0:36:10 | |
So, this is you. This is your boudoir. | 0:36:10 | 0:36:13 | |
I can picture you now when I think of you. | 0:36:14 | 0:36:17 | |
Not like this, I hope. | 0:36:17 | 0:36:18 | |
What did the doctor say? | 0:36:20 | 0:36:22 | |
He assured me I would be able to return to work in a day or so. | 0:36:22 | 0:36:26 | |
-Did he now? -Hm. | 0:36:26 | 0:36:28 | |
And what did he say was the matter with you? | 0:36:28 | 0:36:30 | |
A pox of some description! | 0:36:30 | 0:36:33 | |
How dare he suggest I am afflicted by such a vulgar word! | 0:36:33 | 0:36:37 | |
I have banished him from returning. | 0:36:37 | 0:36:39 | |
I bought you these. | 0:36:43 | 0:36:46 | |
If you are discovered here, it will be the end of me. | 0:36:52 | 0:36:55 | |
You'll have to sack yourself. | 0:36:55 | 0:36:57 | |
It is not a matter for joking, Edmund. | 0:36:57 | 0:36:59 | |
I have my reputation to consider. | 0:36:59 | 0:37:00 | |
You always did. Look where it brought you! | 0:37:00 | 0:37:03 | |
Sorry. | 0:37:07 | 0:37:08 | |
It's more than 20 years since I bought you Lumps of Delight. | 0:37:14 | 0:37:18 | |
What is it that is troubling you, Audrey? There is no pox. | 0:37:23 | 0:37:27 | |
You do not know? | 0:37:27 | 0:37:29 | |
If I had an inkling, I'd not have to ask. | 0:37:29 | 0:37:31 | |
That mirror there - it tells me every day that I am growing older. | 0:37:33 | 0:37:39 | |
I don't like it. | 0:37:39 | 0:37:41 | |
That's just the way things are, Audrey. | 0:37:41 | 0:37:43 | |
If we fight getting older, | 0:37:43 | 0:37:45 | |
we are fighting time, fighting nature itself, and we cannot win. | 0:37:45 | 0:37:51 | |
At The Paradise, it is dangerous to grow old. | 0:37:51 | 0:37:54 | |
I am tired now. I must sleep. | 0:37:59 | 0:38:01 | |
Sleep is my one refuge. | 0:38:03 | 0:38:04 | |
Let me show you, sir. | 0:38:37 | 0:38:39 | |
We are certain we have exactly what you need. | 0:38:39 | 0:38:42 | |
Mr Eberhart, please imagine your girls in red silk. | 0:38:43 | 0:38:48 | |
Silk? Was? Bist du verruckt? | 0:38:48 | 0:38:52 | |
Es ist ausgeschlossen! | 0:38:52 | 0:38:55 | |
Trimmed with black lace. | 0:38:55 | 0:38:58 | |
This is not any silk, but crepe de Chine. | 0:39:00 | 0:39:05 | |
Your girls do not want a shiny lustre. | 0:39:06 | 0:39:10 | |
The crepe has a flecked feel to it, | 0:39:10 | 0:39:14 | |
so that it is made of tiny shadows, moving, like secrets. | 0:39:14 | 0:39:19 | |
Hmm. | 0:39:19 | 0:39:21 | |
Secrets? | 0:39:21 | 0:39:23 | |
I like it. Gut. | 0:39:25 | 0:39:27 | |
Clara. | 0:39:38 | 0:39:40 | |
I'm not the new girl any more. | 0:39:43 | 0:39:46 | |
I will not let you undermine me. | 0:39:46 | 0:39:48 | |
No, you are queen of Ladieswear - as you planned it when you came here. | 0:39:48 | 0:39:52 | |
I didn't ask for this advancement. | 0:39:52 | 0:39:54 | |
I didn't set out to hurt or harm you. | 0:39:54 | 0:39:57 | |
Did you go running to Mr Moray with your triumph? | 0:39:57 | 0:39:59 | |
"Haven't you done well, Denise! Aren't you a little wonder, Denise!" | 0:39:59 | 0:40:05 | |
Don't fool yourself. You cannot have him. You are a shop girl. | 0:40:05 | 0:40:10 | |
-If that was what he wanted... -I sold a hat. | 0:40:10 | 0:40:12 | |
Well, I almost sold a hat. | 0:40:12 | 0:40:13 | |
She said she liked it and she may come back tomorrow. So, that's good. | 0:40:13 | 0:40:16 | |
Because The Paradise is to expand, | 0:40:28 | 0:40:31 | |
the boss will need more buyers, assistant managers. | 0:40:31 | 0:40:33 | |
Perhaps not this year, but next year. I'm still young. | 0:40:33 | 0:40:36 | |
My point is, Mr Dudley was once a draper like me. | 0:40:36 | 0:40:39 | |
I know Mr Moray likes us, the customers like us. | 0:40:39 | 0:40:42 | |
I know my job. I watch Mr Dudley, so I know his job. | 0:40:42 | 0:40:45 | |
I shan't always be a counter-jumper, Denise. Do you see? | 0:40:45 | 0:40:49 | |
No, Sam, I don't see. | 0:40:49 | 0:40:51 | |
Perhaps I'm not tall enough. Is my face the wrong shape? | 0:40:51 | 0:40:55 | |
You have a fine face. | 0:40:55 | 0:40:57 | |
Sam, I don't want... | 0:40:57 | 0:40:59 | |
-Love? -A sweetheart. | 0:40:59 | 0:41:01 | |
There's plenty of girls in there, you know, most of them, I like. | 0:41:01 | 0:41:05 | |
Some I even find attractive. | 0:41:05 | 0:41:07 | |
-But you, Denise... -Sam, please, don't. | 0:41:07 | 0:41:10 | |
-Don't say it? -Don't think it. Don't feel it. | 0:41:10 | 0:41:14 | |
You must want some day to be in love. | 0:41:14 | 0:41:17 | |
Some day. I expect. I don't want to be... | 0:41:19 | 0:41:21 | |
Miss Audrey? | 0:41:21 | 0:41:24 | |
There is a woman, I read about her, | 0:41:24 | 0:41:26 | |
she has been granted a certificate to be a medical doctor. | 0:41:26 | 0:41:30 | |
Now you have lost me. You want to be a doctor? | 0:41:30 | 0:41:33 | |
Sam, don't tease me. | 0:41:33 | 0:41:35 | |
I want to be a woman with a calling. | 0:41:35 | 0:41:39 | |
You think it's not possible to be somebody and be in love. | 0:41:40 | 0:41:44 | |
I suppose I do think that, yes. | 0:41:46 | 0:41:48 | |
Well, your uncle likes us, and I consider that a good start. | 0:41:51 | 0:41:55 | |
-Uncle, what is it? -I've been a fool. | 0:42:07 | 0:42:11 | |
I've been blind and deaf, no more use than a dog with no nose. | 0:42:11 | 0:42:14 | |
What have you done? | 0:42:14 | 0:42:15 | |
Audrey. | 0:42:15 | 0:42:17 | |
I know what ails her. | 0:42:18 | 0:42:20 | |
What are you doing, Clara? | 0:42:31 | 0:42:33 | |
If I was to knock, I know you wouldn't let me in. | 0:42:33 | 0:42:36 | |
What happened between us does not mean that you are beyond... | 0:42:39 | 0:42:43 | |
That night, when I was here with you, | 0:42:43 | 0:42:45 | |
you spoke of your wife. | 0:42:45 | 0:42:47 | |
You spoke with such sorrow. I've never seen such pain. | 0:42:47 | 0:42:50 | |
I thought you might die of it. | 0:42:52 | 0:42:54 | |
I might...die of it. | 0:42:55 | 0:42:58 | |
That is how it feels, sometimes. | 0:43:00 | 0:43:03 | |
You know that I can soothe those feelings for you... | 0:43:05 | 0:43:08 | |
for one night. | 0:43:08 | 0:43:10 | |
You know that I can give you comfort. | 0:43:11 | 0:43:14 | |
I know you'll never love me... | 0:43:17 | 0:43:19 | |
..but I love it that you need me sometimes. | 0:43:20 | 0:43:25 | |
I've lost my child and you've lost your wife. | 0:43:30 | 0:43:34 | |
We'll always have this bond. | 0:43:36 | 0:43:39 | |
KNOCK AT DOOR | 0:44:19 | 0:44:21 | |
I need you to leave, Clara. | 0:44:46 | 0:44:48 | |
Do you hear me? | 0:44:50 | 0:44:51 | |
If you stay, I will never forgive you. | 0:44:51 | 0:44:54 | |
Go, before you lose everything. | 0:44:55 | 0:44:57 | |
SHE COUGHS | 0:45:14 | 0:45:16 | |
You are to stay in bed for as long as it takes, Audrey. | 0:45:19 | 0:45:23 | |
Do not concern yourself with Ladieswear. | 0:45:23 | 0:45:25 | |
Everything there is operating smoothly. | 0:45:25 | 0:45:28 | |
Since the doctor can't tell us exactly what ails you, | 0:45:29 | 0:45:32 | |
then we are not sure whether this is cause for us | 0:45:32 | 0:45:34 | |
to feel some relief, or more concern. | 0:45:34 | 0:45:36 | |
Perhaps you were just over tired. | 0:45:36 | 0:45:39 | |
We will call in to see you again tomorrow. | 0:45:41 | 0:45:44 | |
I am instructing you not to give a thought to the department. | 0:45:44 | 0:45:48 | |
The department... | 0:45:57 | 0:45:59 | |
You didn't say a word to her. | 0:45:59 | 0:46:01 | |
Didn't I? | 0:46:01 | 0:46:03 | |
Moray, I've been watching you and what I see is not Moray. | 0:46:03 | 0:46:06 | |
Oh, how you do like to exaggerate, Dudley. | 0:46:06 | 0:46:09 | |
I can diagnose you in two words: Peter and Adler. | 0:46:09 | 0:46:13 | |
Absolutely not. You know me better than that. | 0:46:13 | 0:46:16 | |
If anything, I feel...relief. | 0:46:16 | 0:46:19 | |
Ah - it must be relief that's making you so quiet, | 0:46:19 | 0:46:21 | |
so withdrawn, so distracted. My apologies. | 0:46:21 | 0:46:24 | |
I think we will call out another doctor. | 0:46:24 | 0:46:26 | |
-KNOCK AT DOOR -Yes! | 0:46:32 | 0:46:35 | |
What is it, Denise? | 0:46:38 | 0:46:41 | |
Sir. Tomorrow it is Miss Audrey's birthday. | 0:46:41 | 0:46:44 | |
Ah. | 0:46:47 | 0:46:49 | |
There we have it. | 0:46:49 | 0:46:51 | |
How do you know about this? | 0:46:53 | 0:46:55 | |
Would you allow me not to tell you that, sir? | 0:46:55 | 0:46:58 | |
Well, some things are better kept hidden. Even from me. | 0:46:58 | 0:47:02 | |
There's something else. Miss Audrey, her ailments... | 0:47:04 | 0:47:08 | |
I have heard that in the past they have been known to have been caused | 0:47:08 | 0:47:11 | |
by apprehension and distress. | 0:47:11 | 0:47:13 | |
Miss Audrey? Nervous? | 0:47:13 | 0:47:15 | |
I cannot help wondering if I am the cause of her troubled soul, | 0:47:15 | 0:47:19 | |
the way in which you favour me. | 0:47:19 | 0:47:21 | |
Jealous? No. | 0:47:21 | 0:47:23 | |
I will not believe it. | 0:47:23 | 0:47:25 | |
-I fear that by putting me in charge... -I've made things worse. | 0:47:25 | 0:47:29 | |
Oh, poor Audrey. | 0:47:30 | 0:47:34 | |
Of course, the more I praise you, the more she will feel threatened. | 0:47:34 | 0:47:38 | |
I must speak with Miss Audrey in the morning. | 0:47:38 | 0:47:41 | |
Oh, it is you. | 0:47:59 | 0:48:02 | |
-What a surprise. -Miss Glendenning. | 0:48:02 | 0:48:05 | |
I hope you will excuse me for calling upon you like this. | 0:48:05 | 0:48:08 | |
Has something happened? Is Moray... | 0:48:08 | 0:48:10 | |
Moray is... | 0:48:10 | 0:48:11 | |
I am here on Moray's behalf, so to speak. | 0:48:12 | 0:48:15 | |
If you are here to implore me then I must advise you that it is too late. | 0:48:15 | 0:48:18 | |
No, Ma'am. It is not too late. | 0:48:18 | 0:48:21 | |
I fear it was always too late with Moray. | 0:48:21 | 0:48:23 | |
He loves his wife still. | 0:48:23 | 0:48:25 | |
He would be a lesser man if he did not. | 0:48:25 | 0:48:28 | |
If you were the one who had married him | 0:48:28 | 0:48:31 | |
and - forgive the macabre turn, Miss Glendenning - if you had died, | 0:48:31 | 0:48:34 | |
what kind of man would that make him if he all-too-easily forsook you? | 0:48:34 | 0:48:38 | |
Helene rules him. | 0:48:38 | 0:48:39 | |
What I know is this - he is pining for you. | 0:48:39 | 0:48:42 | |
Then why are you here and not Moray? | 0:48:43 | 0:48:45 | |
Because he denies it. | 0:48:45 | 0:48:48 | |
He can hardly admit it to himself, let alone you. | 0:48:48 | 0:48:51 | |
Miss Glendenning, Moray is my greatest friend | 0:48:52 | 0:48:56 | |
-and I cannot bear to see him suffer. -You are a good friend to him. | 0:48:56 | 0:48:59 | |
I felt it my duty to tell you what I see in him. | 0:48:59 | 0:49:02 | |
And if you were to go to him, | 0:49:02 | 0:49:03 | |
I sense he would be ready to be more honest about his feelings for you. | 0:49:03 | 0:49:06 | |
It is no longer possible. | 0:49:06 | 0:49:09 | |
I have made a promise. | 0:49:09 | 0:49:11 | |
Then permit me to bid you good day, ma'am, | 0:49:13 | 0:49:15 | |
and forgive me if my visit was ill-timed. | 0:49:15 | 0:49:18 | |
KNOCK AT DOOR | 0:50:14 | 0:50:15 | |
May I come in? | 0:50:15 | 0:50:17 | |
Oh, Mr Moray. Just a moment. | 0:50:17 | 0:50:21 | |
Proceed. | 0:50:32 | 0:50:34 | |
How are you today? | 0:50:41 | 0:50:43 | |
Much improved, sir. | 0:50:43 | 0:50:45 | |
I am sorry that I've made you so ill. | 0:50:49 | 0:50:53 | |
Sir, I... What on earth?! | 0:50:53 | 0:50:56 | |
Why would you say such a thing? Heavens! | 0:50:56 | 0:50:59 | |
I have neglected you. | 0:50:59 | 0:51:01 | |
I have failed to cherish you as you deserve. | 0:51:01 | 0:51:04 | |
-Oh... -I shower praise on the younger girls - | 0:51:04 | 0:51:08 | |
only to encourage them, you understand - | 0:51:08 | 0:51:11 | |
but I have taken my leading lady for granted. | 0:51:11 | 0:51:14 | |
Sir, I assure you - I would not be so childish | 0:51:14 | 0:51:17 | |
as to require your affirmation at every turn. | 0:51:17 | 0:51:20 | |
May I? | 0:51:21 | 0:51:22 | |
Audrey... | 0:51:34 | 0:51:35 | |
-I need you. -SHE WHIMPERS | 0:51:36 | 0:51:39 | |
Ladieswear is like a flickering light without your leadership. | 0:51:39 | 0:51:44 | |
The younger girls burn brightly, | 0:51:44 | 0:51:48 | |
but we require authority, experience, maturity. | 0:51:48 | 0:51:54 | |
These are the qualities that I depend upon. | 0:51:54 | 0:51:57 | |
The Eberhart sale went well, | 0:51:57 | 0:52:00 | |
but the girls are bickering. | 0:52:00 | 0:52:02 | |
The place feels like an abandoned ship, to wit! | 0:52:02 | 0:52:06 | |
So I have decided my only option is to close down the department | 0:52:06 | 0:52:12 | |
until you are fit enough to return. | 0:52:12 | 0:52:14 | |
Oh, sir, it would be unthinkable | 0:52:16 | 0:52:20 | |
to the draw the curtains across Ladieswear - | 0:52:20 | 0:52:22 | |
we have our reputation to consider. | 0:52:22 | 0:52:25 | |
I will take my place in the morning. | 0:52:25 | 0:52:28 | |
Thank you. | 0:52:28 | 0:52:29 | |
I do not wish to take advantage of your good nature, | 0:52:31 | 0:52:35 | |
but might you feel well enough to come down into the store this evening? | 0:52:35 | 0:52:40 | |
There is a rather...delicate matter I wish you to cast your eyes over. | 0:52:40 | 0:52:44 | |
Sir, if I were to have something to eat first, | 0:52:44 | 0:52:47 | |
I might find the strength. | 0:52:47 | 0:52:49 | |
Perhaps... | 0:52:51 | 0:52:52 | |
..if you were to take my arm...? | 0:52:53 | 0:52:56 | |
SHE STIFLES A GIGGLE | 0:52:58 | 0:53:00 | |
You want me to be happy, don't you, Papa? | 0:53:00 | 0:53:03 | |
I have tried with Peter. | 0:53:05 | 0:53:07 | |
I like him... | 0:53:07 | 0:53:09 | |
but I cannot spend my life with a man I like. | 0:53:09 | 0:53:13 | |
I love Moray. | 0:53:14 | 0:53:16 | |
I love him. Don't make me sorry. | 0:53:17 | 0:53:21 | |
I want to be happy. | 0:53:23 | 0:53:25 | |
I know that if I go to him, if I tell him... | 0:53:25 | 0:53:28 | |
You will break us all... | 0:53:34 | 0:53:36 | |
..but it seems I cannot stop you. | 0:53:37 | 0:53:39 | |
PETER, OUTSIDE: Good evening. Here to see Miss Glendenning. | 0:53:41 | 0:53:44 | |
I can't. | 0:53:44 | 0:53:46 | |
Katherine, stay here. Sit down. | 0:53:46 | 0:53:50 | |
I will send Peter to you. You can tell him yourself. | 0:53:56 | 0:53:58 | |
No, you can't. Please, you mustn't make me. | 0:53:58 | 0:54:00 | |
You will face who you are... | 0:54:00 | 0:54:03 | |
..and what you do to people that love you. | 0:54:04 | 0:54:06 | |
I am sorry, Peter. | 0:54:24 | 0:54:27 | |
I am truly sorry that I let you grow fond of me... | 0:54:29 | 0:54:32 | |
..let you hope. | 0:54:33 | 0:54:35 | |
I only ever wanted Moray. | 0:54:35 | 0:54:38 | |
I only ever loved him. | 0:54:39 | 0:54:41 | |
I cannot help myself. | 0:54:43 | 0:54:45 | |
Is it Perfumes, sir? | 0:54:49 | 0:54:51 | |
I have always considered their displays to be rather shoddy, | 0:54:51 | 0:54:54 | |
though I felt it was not my place to say so. | 0:54:54 | 0:54:57 | |
No, it is not perfumes. | 0:54:57 | 0:54:59 | |
Haberdashery perhaps? The presentation is sprightly enough, | 0:54:59 | 0:55:03 | |
but one can't help but feel that so much more could be achieved | 0:55:03 | 0:55:06 | |
with ribbons and buttons. | 0:55:06 | 0:55:07 | |
-The Haberdashery will have to wait another day for your attentions. -Oh. | 0:55:07 | 0:55:12 | |
-ALL: -Happy Birthday, Miss Audrey! | 0:55:16 | 0:55:18 | |
APPLAUSE | 0:55:18 | 0:55:20 | |
Happy birthday, Audrey. | 0:55:23 | 0:55:25 | |
My leading lady. | 0:55:25 | 0:55:27 | |
Oh, sir, really. There was no call for such a profusion! | 0:55:27 | 0:55:32 | |
Miss Audrey, Happy birthday. | 0:55:36 | 0:55:39 | |
Oh... | 0:55:39 | 0:55:41 | |
Care for a drink, Miss Audrey? | 0:55:41 | 0:55:43 | |
Denise? | 0:56:04 | 0:56:06 | |
-Happy Birthday, Miss Audrey... -Yes, thank you. | 0:56:06 | 0:56:09 | |
It is most unexpected and exceedingly flattering. | 0:56:09 | 0:56:13 | |
Mr Moray has been most forthright in his generosity | 0:56:13 | 0:56:17 | |
and his appreciation of me. | 0:56:17 | 0:56:20 | |
-We all appreciate you, Ma'am. -He has experienced what happens | 0:56:20 | 0:56:24 | |
when responsibility is handed to those who may be full of vim, | 0:56:24 | 0:56:27 | |
but are found to be lacking when it comes to authority. | 0:56:27 | 0:56:31 | |
We are all glad to have you back, Miss Audrey. | 0:56:31 | 0:56:34 | |
And now that I am restored - fully restored, Denise - | 0:56:34 | 0:56:38 | |
I am sure it will be a great relief to you | 0:56:38 | 0:56:40 | |
to be returned to your proper place. | 0:56:40 | 0:56:42 | |
Mr Moray has assured me that I have complete command. | 0:56:42 | 0:56:47 | |
From now on, child, we must observe proper propriety - | 0:56:47 | 0:56:51 | |
should you have any more ideas, you will bring them to me. | 0:56:51 | 0:56:54 | |
I understand. | 0:56:55 | 0:56:56 | |
You will not approach Mr Moray. | 0:56:56 | 0:56:59 | |
You will not seek his opinion or his permission. Is that clear? | 0:56:59 | 0:57:04 | |
It is, Miss Audrey. | 0:57:04 | 0:57:06 | |
Audrey, would you be so kind as to dance with me? | 0:57:06 | 0:57:11 | |
Oh, Mr Moray... | 0:57:11 | 0:57:13 | |
Why, of course. | 0:57:13 | 0:57:14 | |
He will realise that he must devote himself to me. | 0:57:39 | 0:57:43 | |
-I must have the barber's shop. -Take up the loan soon, Moray. | 0:57:43 | 0:57:46 | |
-Or the funds will be withdrawn. -That man will own the whole street. | 0:57:46 | 0:57:50 | |
You toyed with him and now it's his turn to toy with you. | 0:57:50 | 0:57:53 | |
-I'm a partner here. -No. -He's too busy peering at the girls. | 0:57:53 | 0:57:56 | |
-I suggest you tread extremely carefully. -Let go of me! | 0:57:56 | 0:57:59 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:26 |