
Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Have you been out, Denise? | 0:01:13 | 0:01:15 | |
Running an errand, sir, for Miss Audrey. | 0:01:15 | 0:01:17 | |
You seem to have run rather a few errands for Miss Audrey lately. | 0:01:17 | 0:01:20 | |
I don't mind, sir. | 0:01:20 | 0:01:21 | |
Gives me a chance to take a look at the other shops, | 0:01:21 | 0:01:24 | |
see what they're up to. | 0:01:24 | 0:01:25 | |
I think it's beginning to irk Miss Audrey that | 0:01:25 | 0:01:27 | |
I rather like the errands. | 0:01:27 | 0:01:30 | |
Let humility be your friend, Denise. | 0:01:30 | 0:01:32 | |
Miss Audrey can be forgiving, | 0:01:32 | 0:01:34 | |
she'll soon forget you were in charge of her department for a short while. | 0:01:34 | 0:01:39 | |
You may not see it yet, but she could be your greatest ally. | 0:01:39 | 0:01:44 | |
I do see that, sir. I would like for her to like me. | 0:01:44 | 0:01:48 | |
Thank you, sir. | 0:01:50 | 0:01:52 | |
Your Lordship? | 0:02:04 | 0:02:07 | |
The expansion, how is it proceeding? | 0:02:07 | 0:02:10 | |
The barber is proving a little difficult, sir. | 0:02:10 | 0:02:14 | |
But we need his premises to extend along the street. | 0:02:14 | 0:02:17 | |
We have made him a generous offer. | 0:02:17 | 0:02:19 | |
Well, clearly not generous enough. You have the funds, Moray. | 0:02:19 | 0:02:23 | |
If you are seen to stall it will look like impotence, | 0:02:23 | 0:02:27 | |
the little shops will appear to be ruling the roost. | 0:02:27 | 0:02:30 | |
The whole city knows I am backing you. | 0:02:30 | 0:02:33 | |
I'll be taken for a fool. | 0:02:33 | 0:02:35 | |
I assure you, sir, it will all be settled as soon as I... | 0:02:35 | 0:02:38 | |
Good. Because it must. | 0:02:38 | 0:02:40 | |
Take up the loan soon, Moray, or the funds will be withdrawn. | 0:02:40 | 0:02:44 | |
Your Lordship, may I say, | 0:02:47 | 0:02:49 | |
I did exactly as you bid me with Katherine. | 0:02:49 | 0:02:54 | |
I have made no approach, | 0:02:54 | 0:02:56 | |
I have not attempted to interfere with her and Peter Adler. | 0:02:56 | 0:03:00 | |
Good, however, | 0:03:00 | 0:03:03 | |
my daughter is no longer enjoying the company of Mr Adler. | 0:03:03 | 0:03:09 | |
I'm sorry. I, I didn't know that. | 0:03:11 | 0:03:16 | |
It appears you can win her even by leaving her alone. | 0:03:16 | 0:03:21 | |
Perhaps even more when you stay away from her. | 0:03:21 | 0:03:26 | |
She will contact you, I dare say. | 0:03:26 | 0:03:30 | |
I'll leave you to decide how you must respond. | 0:03:32 | 0:03:36 | |
Now there's something mighty puzzling to set your eyes on! | 0:04:42 | 0:04:46 | |
Why would she go shopping at them shops, | 0:04:46 | 0:04:48 | |
when she knows Mr Moray won't be happy about that? | 0:04:48 | 0:04:52 | |
Would he? | 0:04:52 | 0:04:54 | |
The funds from Glendenning are in place, | 0:05:00 | 0:05:02 | |
we must conclude the purchase quickly. | 0:05:02 | 0:05:05 | |
The barber is one of the few shops on the street still prospering, | 0:05:05 | 0:05:08 | |
so it will require a generous offer | 0:05:08 | 0:05:10 | |
to press him into a speedy agreement. | 0:05:10 | 0:05:12 | |
Have the papers ready. | 0:05:12 | 0:05:13 | |
Dudley, you look to me like a man in need of a close shave. | 0:05:13 | 0:05:17 | |
Put them by the door, girls. | 0:05:21 | 0:05:24 | |
I want to create a crush that spills out onto the street. | 0:05:24 | 0:05:27 | |
It is the little inspirations which keep us | 0:05:27 | 0:05:30 | |
ticking over till we find the next big idea to make us flourish. | 0:05:30 | 0:05:33 | |
DOOR OPENS | 0:05:43 | 0:05:45 | |
Madam? Miss Glendenning. | 0:05:50 | 0:05:54 | |
Do come in. Well... | 0:05:54 | 0:05:56 | |
What a charming little store you have, Mr Lovett. | 0:05:58 | 0:06:01 | |
Thank you, ma'am. Yes. | 0:06:01 | 0:06:02 | |
I am assured I can expect the finest stitching. | 0:06:02 | 0:06:05 | |
You wish me to...you would like me to? | 0:06:05 | 0:06:07 | |
My own dressmaker is indisposed. | 0:06:07 | 0:06:09 | |
I have taken a fancy to something particularly elegant. Simple. | 0:06:09 | 0:06:13 | |
Look at that velvet. | 0:06:15 | 0:06:18 | |
Heavens, and such organdy and taffeta. | 0:06:18 | 0:06:23 | |
I can see I will require more than one garment. | 0:06:23 | 0:06:26 | |
Miss Glendenning, ma'am, may I ask, | 0:06:26 | 0:06:29 | |
I'm very grateful you should come into my shop. | 0:06:29 | 0:06:32 | |
I am sure you could call on any store hereabouts. | 0:06:32 | 0:06:35 | |
I consider it my public duty to favour enterprises like yours, | 0:06:35 | 0:06:39 | |
the old craft shops that have served our community since I was a girl. | 0:06:39 | 0:06:43 | |
We do not want to lose you, do we? | 0:06:43 | 0:06:45 | |
And we mustn't let Mr Moray believe that he rules the world. | 0:06:45 | 0:06:50 | |
I can't begin to tell you, ma'am, what this means to me. | 0:06:50 | 0:06:54 | |
May I suggest we begin with the organdy? | 0:06:54 | 0:06:57 | |
What you are doing next door, Mr Moray, it's a marvel. | 0:06:59 | 0:07:04 | |
I said to myself, that man will own the whole street. | 0:07:04 | 0:07:08 | |
Nothing less than a true marvel. | 0:07:08 | 0:07:09 | |
Opportunity, sir, that's what this is for me. | 0:07:09 | 0:07:13 | |
-What are your plans, Bradley? -I'm going to take me apron off. | 0:07:13 | 0:07:15 | |
I've been listening to the same old stories | 0:07:15 | 0:07:18 | |
from the same old faces, day after day. | 0:07:18 | 0:07:20 | |
I want more. | 0:07:20 | 0:07:22 | |
Then I suggest we conclude our business swiftly. | 0:07:22 | 0:07:25 | |
That we will. | 0:07:25 | 0:07:27 | |
I was, erm, thinking, sir, perhaps, you know rather than | 0:07:27 | 0:07:32 | |
you just buying me shop, there might be another way. | 0:07:32 | 0:07:36 | |
Another way? | 0:07:36 | 0:07:39 | |
If I could come into The Paradise, a kind of partner in the business. | 0:07:39 | 0:07:43 | |
HE SNORTS | 0:07:43 | 0:07:45 | |
That is not possible. The Paradise is mine, alone. | 0:07:45 | 0:07:49 | |
No, no, I'm not saying I'll be your equal or nothing like that. No. | 0:07:49 | 0:07:54 | |
I just want to wear a suit every day. | 0:07:54 | 0:07:57 | |
I see you fellers, you get respect from...people. | 0:07:59 | 0:08:03 | |
Huh? | 0:08:03 | 0:08:05 | |
Bradley Burroughs, Junior Partner. | 0:08:05 | 0:08:08 | |
Hah? I might be admired as a man of the world. | 0:08:08 | 0:08:10 | |
Bradley, with an offer like this, you could set yourself up anywhere. | 0:08:14 | 0:08:18 | |
I stand in me shop every day, watching them coming and going, | 0:08:18 | 0:08:21 | |
walking right past me heading into The Paradise. | 0:08:21 | 0:08:24 | |
This is me chance, you see? | 0:08:24 | 0:08:26 | |
Those are my terms. | 0:08:29 | 0:08:31 | |
I think, what you need, Mr Burroughs, | 0:08:34 | 0:08:39 | |
is some time to reconsider your position. | 0:08:39 | 0:08:42 | |
I bid you good day. | 0:08:46 | 0:08:48 | |
If I do not get Burroughs to sell now, I will lose the funds. | 0:08:54 | 0:08:58 | |
I must have the barber-shop, it is the only way for us | 0:08:58 | 0:09:02 | |
to begin our development along the street. | 0:09:02 | 0:09:04 | |
Sir, if I may? Burroughs holds all the cards. | 0:09:04 | 0:09:08 | |
He could easily sit in his shop for years. | 0:09:08 | 0:09:11 | |
Perhaps you should give him what he wants. For now. | 0:09:11 | 0:09:14 | |
Once he is made partner, once he has signed papers, | 0:09:16 | 0:09:18 | |
do we really want to say The Paradise has a dolt like him | 0:09:18 | 0:09:21 | |
in a position of authority? | 0:09:21 | 0:09:23 | |
Let us just hear Jonas out, Dudley. | 0:09:23 | 0:09:26 | |
If I might suggest. Burroughs is little more than a child. | 0:09:26 | 0:09:30 | |
He sees The Paradise as a playground. | 0:09:30 | 0:09:34 | |
He has little business aspirations. | 0:09:34 | 0:09:37 | |
If you could bear it, sir, we'll keep him on the shop floor | 0:09:37 | 0:09:41 | |
and help him see how he's not made for The Paradise. | 0:09:41 | 0:09:46 | |
I have no other course. | 0:09:49 | 0:09:51 | |
Now is the moment to expand and I must grasp it. | 0:09:51 | 0:09:55 | |
So I will agree to Burroughs' terms, | 0:09:55 | 0:09:57 | |
but I need something that protects The Paradise. | 0:09:57 | 0:10:00 | |
Sir, we could quite simply insert a clause into his contract, | 0:10:00 | 0:10:03 | |
to say that as soon as Burroughs steps over the line | 0:10:03 | 0:10:07 | |
we will pay him what you promised and remove him. | 0:10:07 | 0:10:11 | |
Dudley, I need you to keep check on Burroughs. | 0:10:12 | 0:10:17 | |
And keep him away from me. | 0:10:17 | 0:10:20 | |
I always said, didn't I say? | 0:10:27 | 0:10:30 | |
If we hold on, the best of times will be with us. | 0:10:30 | 0:10:33 | |
An order like this, bespoke work and not cheap, Denise, | 0:10:33 | 0:10:37 | |
it will keep me going. | 0:10:37 | 0:10:40 | |
That's wonderful, Uncle. A true sign of faith. | 0:10:40 | 0:10:44 | |
Quality, see. People will always come back to quality. | 0:10:44 | 0:10:48 | |
Miss Glendenning told me, | 0:10:48 | 0:10:51 | |
if she is happy with her dress she has a mind to order more. | 0:10:51 | 0:10:54 | |
If she is a customer then, do you see what this means? | 0:10:54 | 0:10:57 | |
Yes. | 0:10:57 | 0:10:59 | |
I will admit, I let myself lose heart a little, | 0:10:59 | 0:11:03 | |
your own uncle unable to give you work. | 0:11:03 | 0:11:06 | |
I've let it torment me. But this order. | 0:11:06 | 0:11:10 | |
It's not just the money, Denise. Do you see? | 0:11:10 | 0:11:13 | |
This is a sign of things to come. | 0:11:13 | 0:11:16 | |
Yes. | 0:11:16 | 0:11:17 | |
The best of times. | 0:11:20 | 0:11:22 | |
The best of times. | 0:11:23 | 0:11:25 | |
Denise. | 0:11:30 | 0:11:32 | |
Oh. Mr Moray, sir. I was visiting my uncle. | 0:11:33 | 0:11:38 | |
I hope Edmund is well? | 0:11:38 | 0:11:40 | |
He is, sir. His spirits are greatly improved. Because he has work. | 0:11:40 | 0:11:44 | |
Orders from... | 0:11:44 | 0:11:45 | |
What is it you are trying to tell me, Denise? | 0:11:45 | 0:11:48 | |
She has been placing orders at the shops up and down the street, sir. | 0:11:48 | 0:11:51 | |
No-one knew if you were aware of it. | 0:11:51 | 0:11:53 | |
She has ordered a dress from my uncle. | 0:11:53 | 0:11:55 | |
Who has? | 0:11:55 | 0:11:57 | |
Miss Glendenning, sir. | 0:11:57 | 0:11:59 | |
She was going down the street, shop to shop. | 0:12:02 | 0:12:04 | |
She had her well-to-do friends with her. Dripping with furs. Dripping. | 0:12:04 | 0:12:08 | |
Why would Miss Glendenning do that? Mr Moray won't be, will he? Pleased. | 0:12:08 | 0:12:12 | |
Doesn't sound too smart, does it? | 0:12:12 | 0:12:15 | |
We're expanding The Paradise and she's taking her trade elsewhere. | 0:12:15 | 0:12:18 | |
Miss Audrey, I had a notion, for our department, | 0:12:22 | 0:12:25 | |
I was looking into the barber-shop window... | 0:12:25 | 0:12:27 | |
Gentlemen? | 0:12:29 | 0:12:31 | |
The idea is, ma'am, on the quietest afternoon of the week... | 0:12:31 | 0:12:34 | |
Gentlemen in Ladieswear? Have you lost your senses, girl? | 0:12:34 | 0:12:37 | |
There would be no ladies present, Miss Audrey. | 0:12:37 | 0:12:40 | |
We would open the department only to gentlemen, | 0:12:40 | 0:12:42 | |
so they might be assisted in finding gifts for their wives. | 0:12:42 | 0:12:45 | |
I cannot imagine anything more vulgar. | 0:12:45 | 0:12:47 | |
The lingerie, it was a considerable cost to import it, | 0:12:47 | 0:12:52 | |
it is intended to draw in refined ladies, we have not sold any yet. | 0:12:52 | 0:12:57 | |
We must think of ways to light up the quiet times. | 0:12:57 | 0:13:01 | |
Indeed, sir... | 0:13:02 | 0:13:04 | |
I do have a notion. | 0:13:05 | 0:13:08 | |
The Gentlemen's Afternoon. | 0:13:09 | 0:13:12 | |
Thursdays from 1.00, I thought we might banish the ladies | 0:13:12 | 0:13:16 | |
to let their husbands can come into the department | 0:13:16 | 0:13:19 | |
to browse for gifts for them. | 0:13:19 | 0:13:20 | |
Yes. Yes, that might be something different. | 0:13:22 | 0:13:25 | |
It is certainly worth a try. | 0:13:25 | 0:13:27 | |
Thank you, Mr Moray, sir. | 0:13:27 | 0:13:29 | |
Inspiration came to me deep in the night, as it so often does. | 0:13:29 | 0:13:33 | |
Let's try it out, tomorrow. | 0:13:33 | 0:13:35 | |
I will invite some men from The Club. | 0:13:35 | 0:13:37 | |
We must give the gentlemen a warm welcome, girls. | 0:13:37 | 0:13:40 | |
Oh, we will, sir. | 0:13:40 | 0:13:42 | |
Put them at their ease, recommend expensive trinkets to them. | 0:13:42 | 0:13:45 | |
Mr Moray, sir, | 0:13:49 | 0:13:51 | |
I believe Gentlemen's Afternoon is such a sorrowful notion. | 0:13:51 | 0:13:57 | |
And why is that, Clara? | 0:13:57 | 0:13:58 | |
Gentlemen need pleasures, too, sir. | 0:13:58 | 0:14:01 | |
They so often deny themselves comforts. | 0:14:01 | 0:14:04 | |
Why do you suppose that is? | 0:14:04 | 0:14:07 | |
Perhaps it is that some pleasures, Clara, leave the Devil to pay. | 0:14:08 | 0:14:13 | |
He will hardly look at me now. Since she turned up. | 0:14:16 | 0:14:21 | |
He wasn't looking at you anymore anyway. It was one night, Clara. | 0:14:21 | 0:14:25 | |
It's gone. So's my milk teeth and they're not coming back. | 0:14:25 | 0:14:28 | |
No. He was like a broken boy child in my arms. | 0:14:28 | 0:14:31 | |
That means something. It has to. | 0:14:31 | 0:14:34 | |
He was sobbing, Pauline, and whispering about his wife. | 0:14:34 | 0:14:37 | |
Clara. I don't like it when you talk about his wife. | 0:14:37 | 0:14:40 | |
It scares me. It is forbidden. | 0:14:40 | 0:14:41 | |
Did you see her? Miss Audrey. I can't believe it. | 0:14:41 | 0:14:46 | |
Everyone knows it was my idea and she stood there, smiling! | 0:14:46 | 0:14:50 | |
It is...dishonest! | 0:14:50 | 0:14:54 | |
-MIMICKING -But it is...dishonest! | 0:14:54 | 0:14:58 | |
She thinks we're no more that halfwits from Weebles. | 0:14:58 | 0:15:01 | |
Peeb. It's Peebles. Peeb. | 0:15:01 | 0:15:03 | |
Yeah, well, she plays the innocent, that's what. | 0:15:03 | 0:15:06 | |
She has her eyes set on Moray and I'm not going to let her steal him. | 0:15:06 | 0:15:08 | |
Oh, steal him from Miss Glendenning? | 0:15:08 | 0:15:10 | |
Steal him from me. | 0:15:10 | 0:15:11 | |
I saw Jonas Franks writing about her in that black book of his. | 0:15:11 | 0:15:14 | |
There will be something in there, I know it. | 0:15:14 | 0:15:17 | |
I can feel it. | 0:15:17 | 0:15:18 | |
Something shows she's not the little virgin cherub girl. | 0:15:18 | 0:15:21 | |
Clara. Why must you think like this? Denise is Denise. That's all. | 0:15:21 | 0:15:25 | |
I've talked to her and all she is, is Denise. | 0:15:25 | 0:15:28 | |
No, there'll be something in that book, then you'll all see. | 0:15:28 | 0:15:32 | |
Because Mr Moray is purchasing the barber-shop, | 0:15:36 | 0:15:39 | |
Bradley Burroughs will be working with us, in the store. | 0:15:39 | 0:15:42 | |
I'm depending on you both to help him along. | 0:15:42 | 0:15:45 | |
Yes, Mr Dudley, sir. So we are to like him? | 0:15:45 | 0:15:48 | |
It is all to enable Mr Moray to expand | 0:15:48 | 0:15:50 | |
The Paradise in a peaceful way. | 0:15:50 | 0:15:52 | |
So let us all tread carefully and all will be well with the world. | 0:15:52 | 0:15:55 | |
Sir. Might I say something? | 0:15:55 | 0:15:58 | |
He is a barber. | 0:15:58 | 0:16:00 | |
A barber in a suit is still a barber. | 0:16:02 | 0:16:05 | |
But we are to tread, Sam, carefully. | 0:16:05 | 0:16:09 | |
Bradley. Welcome. | 0:16:10 | 0:16:12 | |
Now, I was wondering, do I get my own office? | 0:16:12 | 0:16:15 | |
Ah. Office. We will get to that. | 0:16:15 | 0:16:18 | |
The challenge for a Junior Partner is to master the shop floor. | 0:16:18 | 0:16:22 | |
This is where the real work is done, | 0:16:22 | 0:16:23 | |
where the excitement and delight is to be found. | 0:16:23 | 0:16:25 | |
Ah, right, yeah, I see that now. | 0:16:25 | 0:16:28 | |
So, erm, when do I get to see Mr Moray? | 0:16:28 | 0:16:30 | |
As we are partners. | 0:16:30 | 0:16:32 | |
Soon. Soon enough. Soon. | 0:16:32 | 0:16:35 | |
Isn't this grand. | 0:16:35 | 0:16:37 | |
I have arranged for Sam here, to take you through the rudiments. | 0:16:37 | 0:16:40 | |
There is nothing about the subtle art of sales | 0:16:40 | 0:16:43 | |
that Sam doesn't know about. | 0:16:43 | 0:16:45 | |
We are about to embark, girls, your attention, if you please. | 0:16:49 | 0:16:54 | |
We are soon to commence | 0:16:54 | 0:16:56 | |
on what could be an historical day for Ladieswear. | 0:16:56 | 0:16:59 | |
Perhaps we will all look back | 0:16:59 | 0:17:01 | |
and remember the day that Gentlemen descended upon us. | 0:17:01 | 0:17:03 | |
It's almost time. Step to it. | 0:17:03 | 0:17:06 | |
Girls! No, no! Decorum! Decorum! | 0:17:06 | 0:17:12 | |
Gentlemen want seemliness and respectability. | 0:17:12 | 0:17:15 | |
Not the gentlemen I know. | 0:17:15 | 0:17:17 | |
Bosoms must not be accentuated. | 0:17:17 | 0:17:19 | |
All displays must be moderated. | 0:17:22 | 0:17:25 | |
There. There. | 0:17:28 | 0:17:30 | |
I'd like to clear up any misunderstandings there might be | 0:17:40 | 0:17:43 | |
about the Gentlemen's Afternoon, Denise. | 0:17:43 | 0:17:46 | |
What misunderstandings might there be, Miss Audrey? | 0:17:46 | 0:17:49 | |
What you must appreciate, Denise is that what truly matters is | 0:17:49 | 0:17:52 | |
that Ladieswear shines in Mr Moray's eyes. | 0:17:52 | 0:17:55 | |
Ma'am, you said the thought of gentlemen in ladieswear was vulgar. | 0:17:55 | 0:17:59 | |
Do not be impudent, girl. It was, as you presented it. | 0:17:59 | 0:18:02 | |
In my presentment all will be decorum. There. | 0:18:02 | 0:18:05 | |
The matter is settled. I am sure you will agree. | 0:18:05 | 0:18:09 | |
Yes, Miss Audrey. | 0:18:11 | 0:18:12 | |
Girls, remember, decorum. | 0:18:19 | 0:18:21 | |
Come this way, gentlemen, we'll show you our corsets. | 0:18:21 | 0:18:25 | |
Girls! | 0:18:25 | 0:18:26 | |
Girls! | 0:18:26 | 0:18:28 | |
Girls! | 0:18:28 | 0:18:29 | |
So, before we consider the customer, we must consider ourselves. | 0:18:30 | 0:18:35 | |
How is my appearance? | 0:18:35 | 0:18:36 | |
Well, to be honest, Sam, your shave is not the best I have ever seen. | 0:18:36 | 0:18:40 | |
When I say "my appearance" what I mean is YOUR appearance. | 0:18:40 | 0:18:46 | |
Oh. | 0:18:46 | 0:18:47 | |
Oh? Grand. | 0:18:47 | 0:18:49 | |
It's Pauline, isn't it? I've seen you passing me shop. | 0:18:53 | 0:18:58 | |
I seen you watching. | 0:18:58 | 0:19:00 | |
I'm here now. | 0:19:00 | 0:19:02 | |
What we have here is feathers and ribbons and all manner of notions. | 0:19:04 | 0:19:09 | |
You probably don't know what a notion is. It's everything. | 0:19:09 | 0:19:13 | |
Things that get attached to clothes, snaps and collar stays. | 0:19:13 | 0:19:18 | |
And buttons, of course and needles and notions. | 0:19:18 | 0:19:22 | |
And pins and seam rippers. There. | 0:19:22 | 0:19:25 | |
Excuse me, I have a sudden passion to sort buttons. | 0:19:25 | 0:19:29 | |
It suits you. Haberdashery. | 0:19:29 | 0:19:33 | |
Oh, a girl might swoon with such compliments(!) | 0:19:33 | 0:19:37 | |
Er, there's a dog fight tonight. I thought we might go, together. | 0:19:37 | 0:19:42 | |
Oh. Thank you so much. Let me consider your captivating proposal. | 0:19:42 | 0:19:48 | |
There, I have considered it. No, thank you. | 0:19:50 | 0:19:54 | |
Have you considered something like this? | 0:19:56 | 0:19:58 | |
Sir, if I may, your lucky lady will swoon, sir, | 0:20:07 | 0:20:14 | |
swoon, sir, | 0:20:14 | 0:20:16 | |
I promise you, if you were to spoil her with feathers. | 0:20:16 | 0:20:20 | |
THEY GASP | 0:20:20 | 0:20:22 | |
Miss Audrey! What is this? | 0:20:24 | 0:20:26 | |
We have heard those who say The Paradise is no more | 0:20:26 | 0:20:28 | |
than a Palace of Sin! | 0:20:28 | 0:20:30 | |
But we expected better of you! | 0:20:30 | 0:20:31 | |
Ladies, let me... | 0:20:31 | 0:20:32 | |
It is no wonder that you wish to keep us excluded. | 0:20:32 | 0:20:36 | |
But they have purchased many gifts. | 0:20:36 | 0:20:38 | |
For you! | 0:20:38 | 0:20:40 | |
If this is the sordid manner in which you conduct your business, | 0:20:40 | 0:20:43 | |
we must consider whether we wish to frequent your establishment. | 0:20:43 | 0:20:46 | |
What is Mr Moray going to suppose when he sees what a calamity | 0:20:50 | 0:20:55 | |
Gentlemen's Afternoon turned out to be? | 0:20:55 | 0:20:57 | |
I can't believe how much progress you have made, uncle. | 0:21:08 | 0:21:11 | |
Oh, yes. | 0:21:11 | 0:21:12 | |
There were times in the old days | 0:21:12 | 0:21:14 | |
when we had to produce a dress overnight. | 0:21:14 | 0:21:17 | |
The trick is to be fast and splendid. | 0:21:17 | 0:21:20 | |
It is more than splendid, it is beautiful. | 0:21:20 | 0:21:23 | |
A dressmaker, Denise, a real dressmaker, an artist, | 0:21:23 | 0:21:27 | |
he needs to know flawless stitching, how to cut finely, | 0:21:27 | 0:21:30 | |
has to have a delicate eye | 0:21:30 | 0:21:32 | |
but more than anything else, we need to know people. | 0:21:32 | 0:21:35 | |
A woman will love her dress | 0:21:35 | 0:21:37 | |
because it was made to fit her character , not just her body. | 0:21:37 | 0:21:41 | |
Now, some girls want to get lost in the crowd, to be pretty and no more. | 0:21:41 | 0:21:47 | |
There are certain types who want to attract only one man. | 0:21:47 | 0:21:51 | |
Their dress must have a secret, hidden beauty. | 0:21:51 | 0:21:54 | |
So, we need to study them all. | 0:21:54 | 0:21:58 | |
What about Katherine Glendenning? What does she want? | 0:21:58 | 0:22:01 | |
She needs to be adored. | 0:22:01 | 0:22:04 | |
Oh, tomorrow evening I have arranged for Miss Glendenning | 0:22:05 | 0:22:08 | |
to come for a fitting. | 0:22:08 | 0:22:09 | |
I am on my own now. I need a woman to do the fitting. | 0:22:09 | 0:22:12 | |
You will help me, won't you? | 0:22:12 | 0:22:13 | |
I'd like to but it is forbidden to take on work. | 0:22:13 | 0:22:16 | |
Denise, we are family, | 0:22:16 | 0:22:17 | |
you'd not wish to see me lose this opportunity to survive? | 0:22:17 | 0:22:21 | |
Girls are dismissed if they are caught. | 0:22:21 | 0:22:23 | |
And I might lose everything I have if you won't help me. | 0:22:23 | 0:22:27 | |
It was a disgrace. Those girls were flaunting themselves. | 0:22:30 | 0:22:35 | |
They were virtually canoodling. | 0:22:35 | 0:22:36 | |
The idea of it. Gentlemen in the proximity of... | 0:22:36 | 0:22:40 | |
Undergarments, in public. | 0:22:40 | 0:22:44 | |
One can't help but wonder if Moray has lost his touch. | 0:22:44 | 0:22:48 | |
Perhaps we should join you, Katherine, | 0:22:48 | 0:22:51 | |
in your rebuffing of The Paradise. | 0:22:51 | 0:22:53 | |
Yes. What are you doing, Katherine? | 0:22:53 | 0:22:56 | |
Oh, it is nothing. I am simply entertaining myself. | 0:22:56 | 0:22:59 | |
Hardly. It has the look of provocation. | 0:22:59 | 0:23:02 | |
Does it? I do hope so. | 0:23:02 | 0:23:04 | |
Why would you want to provoke Moray? | 0:23:06 | 0:23:08 | |
Perhaps I enjoy the joust. | 0:23:08 | 0:23:11 | |
There is such pleasure in seeing Moray riled. | 0:23:11 | 0:23:15 | |
We were expecting you to announce a date | 0:23:16 | 0:23:18 | |
for your engagement to Mr Adler. | 0:23:18 | 0:23:21 | |
And now you provoke Moray, by shopping along the street? | 0:23:21 | 0:23:25 | |
Oh, that is simply to get his attention. | 0:23:25 | 0:23:27 | |
My real weapon is much more powerful. | 0:23:27 | 0:23:31 | |
I am avoiding him, ignoring him, abandoning him. | 0:23:31 | 0:23:36 | |
The day will come soon | 0:23:36 | 0:23:39 | |
when he will realise that he must devote himself to me. | 0:23:39 | 0:23:43 | |
Katherine. Dear Katherine. Isn't there a hazard in your plan? | 0:23:43 | 0:23:49 | |
Oh. What is that? | 0:23:49 | 0:23:52 | |
What if Moray does not come? | 0:23:52 | 0:23:55 | |
Then I must provoke him some more. | 0:23:55 | 0:23:59 | |
THEY TITTER | 0:23:59 | 0:24:01 | |
Everyone's talking, sir, about Gentlemen's Afternoon, | 0:24:07 | 0:24:10 | |
how so many wives are complaining. | 0:24:10 | 0:24:13 | |
The whole city is laughing at us, so I hear. | 0:24:13 | 0:24:15 | |
It was rather unfortunate. | 0:24:15 | 0:24:17 | |
Poor Miss Audrey will be blamed but, it wasn't her making. | 0:24:17 | 0:24:20 | |
Sir, it was Denise. | 0:24:20 | 0:24:22 | |
That girl, sir, she's been here five minutes | 0:24:22 | 0:24:25 | |
and she behaves like she owns the place. | 0:24:25 | 0:24:27 | |
She plays the coy country girl, | 0:24:27 | 0:24:30 | |
but we all know she has her eyes set on Mr Moray. It's not gossip, sir. | 0:24:30 | 0:24:34 | |
If you don't believe me, it will be in Mr Jonas's book. | 0:24:34 | 0:24:38 | |
Ask him, sir. He puts everything in that book of his. | 0:24:38 | 0:24:40 | |
I do believe he does. Now, Clara, back to work. | 0:24:40 | 0:24:44 | |
Yes, sir. | 0:24:44 | 0:24:46 | |
Sir, erm, did Mr Jonas appear before Mr Moray's wife died, or after? | 0:24:46 | 0:24:53 | |
Before, just, not long before. | 0:24:53 | 0:24:57 | |
Do you suppose he wrote about Mrs Moray, her death in that book? | 0:24:58 | 0:25:04 | |
You are dallying, Clara. You know what Miss Audrey will say. | 0:25:04 | 0:25:07 | |
A sin, sir. | 0:25:07 | 0:25:08 | |
Hands as lovely as these. | 0:25:10 | 0:25:13 | |
Ah, they should not be hidden inside of gloves. | 0:25:13 | 0:25:16 | |
Fingers this delightful should be dangled for the world to see. | 0:25:19 | 0:25:22 | |
Excuse me, Madam. Mr Burroughs, may I speak with you? | 0:25:22 | 0:25:26 | |
What are you doing at the glove counter? | 0:25:27 | 0:25:30 | |
Well, I know all there is to know about men's grooming. | 0:25:30 | 0:25:32 | |
If you imagine you can touch a customer in this way | 0:25:32 | 0:25:34 | |
-I will take you off the shop floor. -I am a partner here. | 0:25:34 | 0:25:36 | |
No! You are a novice. | 0:25:36 | 0:25:38 | |
We work hard to maintain the best of standards. | 0:25:38 | 0:25:41 | |
And I will not let you put that at risk by man-handling... | 0:25:41 | 0:25:43 | |
I am a partner in this business. I have a contract that says so. | 0:25:43 | 0:25:48 | |
What are you a partner in? Huh? Nothing. | 0:25:48 | 0:25:51 | |
You. Fetch a cup of tea. | 0:25:54 | 0:25:56 | |
Yes, sir. | 0:25:56 | 0:25:58 | |
Pauline. | 0:25:59 | 0:26:01 | |
HE CLEARS THROAT | 0:26:01 | 0:26:02 | |
I realise, dog fights might not be a girl's idea of romance. | 0:26:02 | 0:26:05 | |
But er, I thought you might be grateful, | 0:26:05 | 0:26:08 | |
a young man asking you to walk out. | 0:26:08 | 0:26:10 | |
Why should I be grateful? | 0:26:10 | 0:26:12 | |
You're not exactly the prettiest girl in the shop, that's all. | 0:26:12 | 0:26:16 | |
Oh! Is that so? | 0:26:16 | 0:26:18 | |
Well, let me tell you what you are, a suit don't make a man. | 0:26:18 | 0:26:23 | |
Especially one that don't fit. Go to your dog fight. | 0:26:23 | 0:26:27 | |
Try some of your romancing on one of the dogs. | 0:26:27 | 0:26:30 | |
We must learn from our mistakes, | 0:26:36 | 0:26:39 | |
and Gentlemen's Afternoon was a mistake. | 0:26:39 | 0:26:44 | |
Mr Moray, sir, | 0:26:44 | 0:26:45 | |
I always said there was a danger that this event lacked decorum. | 0:26:45 | 0:26:48 | |
Let me apologise most humbly and gravely. | 0:26:48 | 0:26:51 | |
It should never have happened. | 0:26:51 | 0:26:52 | |
When I come to think about it, | 0:26:52 | 0:26:54 | |
I do believe one of the girls might have ventured this proposal to me. | 0:26:54 | 0:26:58 | |
I will look into who is to blame. | 0:26:58 | 0:27:00 | |
We've lost sight of what our purpose is here. | 0:27:01 | 0:27:04 | |
It is the ladies' desires we must appeal to. | 0:27:04 | 0:27:07 | |
Oh! You, you echo my thoughts exactly, sir. | 0:27:07 | 0:27:10 | |
I said as much to the girls this morning, | 0:27:10 | 0:27:13 | |
"We must stir the passions of the ladies. | 0:27:13 | 0:27:16 | |
"That is our one devotion." Didn't I say just that, girls? | 0:27:16 | 0:27:19 | |
We must do more than that. | 0:27:19 | 0:27:21 | |
We must put right what we have done wrong. | 0:27:21 | 0:27:24 | |
Our task is to make a gesture to the ladies, | 0:27:24 | 0:27:27 | |
to show them that it is their dreams which The Paradise caters for. | 0:27:27 | 0:27:33 | |
Let us conjure something tantalising for them. | 0:27:33 | 0:27:37 | |
Splendid! You have inspired us, Mr Moray, sir. | 0:27:37 | 0:27:42 | |
We are inspired. | 0:27:42 | 0:27:45 | |
So... What shall we do for them? | 0:27:45 | 0:27:48 | |
Anyone? | 0:27:52 | 0:27:54 | |
Rest assured, Mr Moray, | 0:27:58 | 0:28:00 | |
we will provide you with something irresistible. | 0:28:00 | 0:28:03 | |
Very good. Thank you, girls. | 0:28:03 | 0:28:06 | |
Denise. | 0:28:09 | 0:28:10 | |
What about you? Do you have any ideas? | 0:28:12 | 0:28:15 | |
No, sir. | 0:28:19 | 0:28:21 | |
Are you going to tell me what's troubling you, Moray? | 0:28:44 | 0:28:48 | |
I almost let Clara back into my rooms. | 0:28:50 | 0:28:54 | |
Back into your rooms? Is that what you call it? | 0:28:54 | 0:28:57 | |
I don't know what came over me. | 0:28:57 | 0:29:01 | |
I simply felt an overwhelming need to be in a woman's arms. | 0:29:01 | 0:29:06 | |
HE SIGHS | 0:29:08 | 0:29:09 | |
It is weakness. | 0:29:09 | 0:29:11 | |
If you carry on like this, it will only get worse. | 0:29:14 | 0:29:17 | |
You could put a stop to all of it, if you will settle down. | 0:29:18 | 0:29:22 | |
It's too late for that. | 0:29:23 | 0:29:25 | |
Your work is exceptional, Mr Lovett. | 0:29:31 | 0:29:34 | |
Thank you, ma'am. And your custom is valued indeed. | 0:29:34 | 0:29:39 | |
This material is so light. It doesn't feel like a dress at all. | 0:29:39 | 0:29:42 | |
I feel as though I might be wearing a night dress. | 0:29:42 | 0:29:45 | |
I took the liberty, ma'am, | 0:29:45 | 0:29:47 | |
the material is somewhat darker than the shade you chose, | 0:29:47 | 0:29:50 | |
but I felt it befits your complexion. | 0:29:50 | 0:29:52 | |
It does. | 0:29:52 | 0:29:54 | |
What do you think, Denise? | 0:29:54 | 0:29:56 | |
I think you look adorable, ma'am. | 0:29:56 | 0:29:59 | |
I expect you consider it rather odd that | 0:30:01 | 0:30:04 | |
I should come to your uncle for a dress? | 0:30:04 | 0:30:06 | |
He is a fine dressmaker, ma'am. | 0:30:06 | 0:30:08 | |
You know what I mean. With The Paradise right across the street. | 0:30:08 | 0:30:13 | |
It is not for me to say, ma'am. | 0:30:13 | 0:30:15 | |
And have the staff at The Paradise been talking? | 0:30:16 | 0:30:19 | |
It must have caused something of a stir. | 0:30:19 | 0:30:22 | |
Your work is so exquisite, Mr Lovett, a dress as fine as this, | 0:30:24 | 0:30:29 | |
it's a wonder you don't display it in your window, | 0:30:29 | 0:30:32 | |
for all the world to see. | 0:30:32 | 0:30:34 | |
Why, if this city could know that I had made a dress for you, | 0:30:34 | 0:30:37 | |
I mean, with your permission? | 0:30:37 | 0:30:40 | |
Denise, it is forbidden for employees of The Paradise | 0:30:54 | 0:30:59 | |
to seek sewing outside of the store. | 0:30:59 | 0:31:02 | |
Sir, I was helping my uncle, because... | 0:31:02 | 0:31:05 | |
On this occasion, I will not see you dismissed. | 0:31:10 | 0:31:14 | |
Thank you, Mr Jonas, sir. | 0:31:14 | 0:31:16 | |
Mr Moray expects loyalty. | 0:31:16 | 0:31:19 | |
Do you understand why that loyalty has to be total? | 0:31:20 | 0:31:24 | |
From all of us? If loyalty is not absolute, then it is nothing. | 0:31:24 | 0:31:29 | |
Bradley, Mr Burroughs, sir. | 0:31:56 | 0:31:59 | |
After the embarrassing incident at the glove counter it seems | 0:31:59 | 0:32:02 | |
clear to us that things might not work out for you here. | 0:32:02 | 0:32:05 | |
Might I suggest you permit Mr Moray to buy you out, | 0:32:05 | 0:32:09 | |
and for you to find some other...destiny? | 0:32:09 | 0:32:12 | |
I know what you and Dudley think of me. | 0:32:12 | 0:32:15 | |
I know what it is you whisper behind your hands. | 0:32:15 | 0:32:17 | |
"Well, now we have him. | 0:32:17 | 0:32:18 | |
"We'll use the incident with the gloves to be rid of him." | 0:32:18 | 0:32:21 | |
Is it time to throw your clause at me? | 0:32:21 | 0:32:24 | |
The one in the contract that says, "Any partner who brings The Paradise | 0:32:24 | 0:32:27 | |
"into disrepute forfeits all rights and all status as an associate." | 0:32:27 | 0:32:31 | |
Your contract doesn't scare me. | 0:32:32 | 0:32:33 | |
I know what a partner is and I know what a partner does | 0:32:33 | 0:32:36 | |
and I want to be treated as such. | 0:32:36 | 0:32:38 | |
That is for Mr Moray to decide. | 0:32:38 | 0:32:40 | |
You tell him this. | 0:32:40 | 0:32:41 | |
Now, I have lived next door a long old time. | 0:32:41 | 0:32:45 | |
I was next door when Helene so tragically and mysteriously died. | 0:32:45 | 0:32:49 | |
Mr Burroughs, | 0:32:52 | 0:32:54 | |
do I detect a suggestion of threat in your mention of Mr Moray's wife? | 0:32:54 | 0:32:58 | |
That Sunday when Moray brought his wife here, | 0:32:58 | 0:33:01 | |
when there was no-one else around, | 0:33:01 | 0:33:05 | |
I was right next door when she had a little...accident. | 0:33:05 | 0:33:09 | |
You tell him that and you see if he is still so keen to throw us out. | 0:33:11 | 0:33:16 | |
Might I suggest you tread extremely carefully | 0:33:16 | 0:33:19 | |
when making accusations against Mr Moray? | 0:33:19 | 0:33:22 | |
And might I suggest that you tell him I am here to stay? | 0:33:22 | 0:33:25 | |
Moray and I will be the best of friends. | 0:33:27 | 0:33:30 | |
Like I said, we should celebrate. | 0:33:30 | 0:33:32 | |
I heard that Burroughs was indiscrete with a customer, | 0:33:37 | 0:33:40 | |
how long before we can remove him? | 0:33:40 | 0:33:42 | |
Sir, if I may, Burroughs is a nuisance, | 0:33:42 | 0:33:45 | |
but let us not react too swiftly. | 0:33:45 | 0:33:47 | |
Do I have your permission to deal with him? | 0:33:47 | 0:33:50 | |
Yes, yes, deal with him. | 0:33:50 | 0:33:54 | |
Darling, you're here at last! I have missed you, Moray. | 0:34:00 | 0:34:03 | |
Katherine, I must speak with you. | 0:34:03 | 0:34:05 | |
Moray, I don't think you have met Charles and Margaret. | 0:34:05 | 0:34:08 | |
Come and say hello. | 0:34:08 | 0:34:09 | |
Your dress is in the window of Lovett's shop. | 0:34:09 | 0:34:12 | |
Oh, darling, you take everything so personally. | 0:34:12 | 0:34:15 | |
You haven't even got a refreshment. I am a disgrace. | 0:34:15 | 0:34:19 | |
You think you can waltz up and down the street, | 0:34:19 | 0:34:22 | |
half the city is talking about it! | 0:34:22 | 0:34:24 | |
Juliet, Moray wants me all to himself for a while. | 0:34:27 | 0:34:30 | |
I want you to leave. | 0:34:33 | 0:34:35 | |
You will leave now. | 0:34:35 | 0:34:38 | |
If you will not behave like a gentleman then... | 0:34:40 | 0:34:43 | |
It is cruel, what you are doing! | 0:34:43 | 0:34:46 | |
You toy with those shopkeepers, as you toy with everyone. | 0:34:46 | 0:34:51 | |
You use them to tease me. | 0:34:51 | 0:34:53 | |
You let them believe they might survive | 0:34:53 | 0:34:56 | |
when you know it is hopeless. | 0:34:56 | 0:34:59 | |
You are a spoilt child. You always will be. | 0:35:00 | 0:35:04 | |
I lost two customers because he said the stupidest things. | 0:35:29 | 0:35:32 | |
-His breath could clear the store. -He's too busy peering at the girls. | 0:35:32 | 0:35:35 | |
The matter is in hand. | 0:35:35 | 0:35:36 | |
Burroughs will not be with us for much longer. | 0:35:36 | 0:35:38 | |
He says he is a partner, sir. That can't be right. | 0:35:38 | 0:35:41 | |
So it must be wrong. | 0:35:41 | 0:35:42 | |
Such things are not your concern, Pauline. | 0:35:42 | 0:35:44 | |
There have been some dealings made necessary by Mr Moray | 0:35:44 | 0:35:47 | |
to expand the store. | 0:35:47 | 0:35:48 | |
Will there be new departments, sir? I do hope so. | 0:35:48 | 0:35:51 | |
Will I get a new counter, sir? | 0:35:51 | 0:35:53 | |
DOOR OPENS | 0:35:53 | 0:35:55 | |
Did you tell Burroughs? | 0:36:04 | 0:36:05 | |
It is not possible to remove him at this time. | 0:36:05 | 0:36:08 | |
Then we must make it possible. | 0:36:08 | 0:36:10 | |
I spoke to Mr Moray. | 0:36:10 | 0:36:12 | |
He has granted me authority to deal with Burroughs as I see fit. | 0:36:12 | 0:36:16 | |
What is going on? Why has that man suddenly become untouchable? | 0:36:18 | 0:36:23 | |
You know as well as I do, sir, expansion. | 0:36:23 | 0:36:27 | |
Now, if you'll excuse me? | 0:36:27 | 0:36:29 | |
I wish to pay you the full amount, Mr Lovett. | 0:36:36 | 0:36:38 | |
I have changed my mind. I no longer like the shade, the cut... | 0:36:38 | 0:36:41 | |
I won't be needing the dress. | 0:36:41 | 0:36:44 | |
You never wanted a garment from me, did you, ma'am? | 0:36:44 | 0:36:48 | |
I am sorry if I have caused you... | 0:36:48 | 0:36:50 | |
I do not wish to waste your time. There. The full amount. | 0:36:50 | 0:36:55 | |
Men like me, you can buy and sell at your pleasure. | 0:36:57 | 0:37:01 | |
You are paid in full. What more can you want? | 0:37:02 | 0:37:06 | |
Do you truly have no idea what this means? | 0:37:06 | 0:37:10 | |
Can you not even begin to see? A man's pride... | 0:37:10 | 0:37:15 | |
My whole life... It means nothing to you. | 0:37:16 | 0:37:20 | |
This is not about work. It's not money. It is love. | 0:37:22 | 0:37:28 | |
It is what I am. | 0:37:30 | 0:37:32 | |
I will take your money, Miss Glendenning. | 0:37:39 | 0:37:42 | |
But I will finish your order because I said I would. | 0:37:42 | 0:37:45 | |
And then I can look myself in the mirror | 0:37:45 | 0:37:48 | |
and know I am a man of my word. | 0:37:48 | 0:37:50 | |
Very well. | 0:37:53 | 0:37:55 | |
Gentlemen's Afternoon was your idea, wasn't it? | 0:37:55 | 0:37:59 | |
Yes, sir. It was, sir. | 0:37:59 | 0:38:02 | |
And you know why it wouldn't work, don't you? | 0:38:02 | 0:38:05 | |
I do now, sir. | 0:38:05 | 0:38:06 | |
And you have an idea how I might remedy my reputation | 0:38:06 | 0:38:10 | |
with the ladies. | 0:38:10 | 0:38:11 | |
Your loyalty is to me, not to Miss Audrey. Isn't it? | 0:38:15 | 0:38:20 | |
Yes, sir. | 0:38:21 | 0:38:23 | |
Then you must tell me. | 0:38:23 | 0:38:25 | |
The lingerie you brought from Paris, the garments are so beautiful. | 0:38:31 | 0:38:37 | |
So...seductive. | 0:38:37 | 0:38:39 | |
But the ladies find it discomfiting to be seen considering them. | 0:38:41 | 0:38:46 | |
If we were to make it fun, entertaining. | 0:38:46 | 0:38:50 | |
Sir, what I thought was... | 0:38:51 | 0:38:53 | |
Ladies After Dark. | 0:38:56 | 0:38:58 | |
Ladies After Dark? | 0:39:00 | 0:39:01 | |
After the store is closed, it would be by invitation only. | 0:39:01 | 0:39:04 | |
-Exclusive. -The ladies would have the store to themselves. | 0:39:04 | 0:39:06 | |
-We could decorate Ladieswear for them. -Yes, candles, low lamps. | 0:39:06 | 0:39:09 | |
So they can try on the lingerie. | 0:39:09 | 0:39:11 | |
Or have it modelled for them. We might make quite an event of it. | 0:39:11 | 0:39:14 | |
Because what women want is to be desired. | 0:39:14 | 0:39:17 | |
To be adored. | 0:39:17 | 0:39:18 | |
Ladies After Dark. | 0:39:23 | 0:39:25 | |
Denise, you are my little champion. | 0:39:27 | 0:39:31 | |
Mr Moray's not in his office, sir. He's not nowhere to be found. | 0:39:43 | 0:39:46 | |
He was here a while ago. He must have gone out. | 0:39:46 | 0:39:49 | |
No matter. Please tell him I called by and I will see him tonight. | 0:39:49 | 0:39:52 | |
Certainly, Miss Glendenning. | 0:39:52 | 0:39:53 | |
He was there, sir, but he said he wasn't there. | 0:39:57 | 0:40:00 | |
Back to work, Arthur. | 0:40:00 | 0:40:02 | |
Usually when we advertise an event, we do it with banners and trumpets. | 0:40:04 | 0:40:09 | |
Ladies After Dark will be different. There will be no posters. | 0:40:09 | 0:40:15 | |
There will be no announcements. | 0:40:15 | 0:40:18 | |
We must conjure up the idea that most of us are missing out | 0:40:18 | 0:40:22 | |
on something so seductive that it can only be done in secret. | 0:40:22 | 0:40:26 | |
Miss Audrey, I'd like you to draw up a list of ladies | 0:40:26 | 0:40:30 | |
we might present with exclusive invitations. | 0:40:30 | 0:40:33 | |
Sir, I shall personally see to it that | 0:40:33 | 0:40:35 | |
the personal invitations are...indeed personal. | 0:40:35 | 0:40:38 | |
We must create a sense of mystique and curiosity, | 0:40:39 | 0:40:42 | |
the whole occasion must be shrouded in tantalising secrecy. | 0:40:42 | 0:40:47 | |
If this event is a success, as it most surely will be, | 0:40:48 | 0:40:52 | |
it will become a regular feature. | 0:40:52 | 0:40:55 | |
It's Clara, isn't it? I've noticed you coming and going. | 0:41:02 | 0:41:07 | |
Suppose I, er, told you that I might fall for you? | 0:41:07 | 0:41:11 | |
I look at a pretty girl like you... | 0:41:13 | 0:41:15 | |
I just want my chance, you see, to take a girl out dancing. | 0:41:15 | 0:41:19 | |
Don't you realise? Isn't it obvious? | 0:41:21 | 0:41:24 | |
No girl in this store will ever walk out with you. | 0:41:24 | 0:41:27 | |
I have a position here. Partner. Moray's partner. | 0:41:27 | 0:41:31 | |
I have known him since he were married. | 0:41:31 | 0:41:35 | |
I know things that mean I won't be laughed at and humiliated. | 0:41:35 | 0:41:39 | |
Pauline. | 0:41:49 | 0:41:51 | |
If a man like Mr Moray, or Mr Dudley were to court you, | 0:41:53 | 0:41:56 | |
you would not wish to offend them, or spurn them. | 0:41:56 | 0:42:00 | |
They are gentlemen. You are a barber. | 0:42:00 | 0:42:03 | |
No, no, I'm not a barber. Not anymore. Look at this. | 0:42:03 | 0:42:07 | |
I'm wearing a suit. | 0:42:07 | 0:42:08 | |
Hey! Look will ya spurn me still? Will ya? Will ya? | 0:42:08 | 0:42:11 | |
-Let go of me. -Look, I'm not a barber! | 0:42:11 | 0:42:14 | |
Get off her! Leave her alone! | 0:42:14 | 0:42:16 | |
HE GROANS | 0:42:18 | 0:42:20 | |
It don't hurt that much, sir. Only most of the time. | 0:42:27 | 0:42:31 | |
Moray, you asked me to manage Burroughs, | 0:42:32 | 0:42:36 | |
you suggested it was vital I keep him in check, | 0:42:36 | 0:42:40 | |
but in no time I was left powerless. you gave all authority to Jonas. | 0:42:40 | 0:42:46 | |
When will you put a stop it? | 0:42:47 | 0:42:50 | |
Jonas, I want Burroughs dismissed immediately. | 0:42:50 | 0:42:53 | |
Arthur. You can go now. | 0:42:55 | 0:42:57 | |
Mr Moray, sir, if I may? | 0:43:06 | 0:43:08 | |
I have the distinct impression that Mr Burroughs would not take well | 0:43:08 | 0:43:12 | |
to being removed from The Paradise so quickly. | 0:43:12 | 0:43:15 | |
What does it matter what he feels? He is a danger to our business. | 0:43:15 | 0:43:19 | |
We have good cause. | 0:43:19 | 0:43:21 | |
What you say is true enough, gentlemen, but if I may? | 0:43:21 | 0:43:26 | |
Let us suppose we dispose of Burroughs. | 0:43:26 | 0:43:29 | |
He would most certainly take his tale of ill-treatment | 0:43:29 | 0:43:32 | |
up and down the street. | 0:43:32 | 0:43:34 | |
Next time you wish to purchase a property, Mr Moray, sir, | 0:43:34 | 0:43:38 | |
you would undoubtedly face suspicion and resistance. | 0:43:38 | 0:43:42 | |
What do you suggest, Jonas? | 0:43:44 | 0:43:46 | |
If you could permit me a few days with Burroughs, to work on him, | 0:43:48 | 0:43:52 | |
perhaps he might get to a place where he concludes of his own accord | 0:43:52 | 0:43:57 | |
that it is time for him to depart. | 0:43:57 | 0:43:59 | |
Papa. | 0:44:45 | 0:44:46 | |
Yes. I'm afraid it's your Papa. Moray isn't coming, Katherine. | 0:44:46 | 0:44:51 | |
You have toyed with him and now it is his turn to toy with you. | 0:44:51 | 0:44:55 | |
Not at all. We had no arrangements. | 0:44:55 | 0:44:57 | |
Moray will be busy with his store, that is all. | 0:44:57 | 0:45:00 | |
I find it puzzling, | 0:45:00 | 0:45:01 | |
why you should pursue a man who will have nothing to do with you. | 0:45:01 | 0:45:05 | |
I find it still more baffling why I should let you. | 0:45:05 | 0:45:09 | |
Because you can't stop me. | 0:45:09 | 0:45:11 | |
Now you are toying with me. | 0:45:13 | 0:45:14 | |
Denise. | 0:45:41 | 0:45:43 | |
What are you doing here? | 0:45:44 | 0:45:47 | |
I'm sorry, sir, | 0:45:47 | 0:45:48 | |
I know I shouldn't be in the store at this time, I'll go now. | 0:45:48 | 0:45:51 | |
Wait. | 0:45:51 | 0:45:53 | |
All the other girls have gone out for the evening, | 0:45:53 | 0:45:57 | |
you're here, at work. | 0:45:57 | 0:46:00 | |
It isn't work, sir. | 0:46:00 | 0:46:02 | |
You are a curiosity, Denise. | 0:46:05 | 0:46:08 | |
What brought you here? | 0:46:12 | 0:46:14 | |
Since I was a girl, living in a small town, it wasn't enough. | 0:46:17 | 0:46:24 | |
I always wanted...more. | 0:46:24 | 0:46:26 | |
It is a wonderful feeling, more. | 0:46:29 | 0:46:33 | |
I know it well. | 0:46:34 | 0:46:37 | |
I feel as though I belong in The Paradise. | 0:46:37 | 0:46:41 | |
I feel as though I am part of something, something so thrilling, | 0:46:41 | 0:46:48 | |
it's as though I can see the world changing before my eyes, | 0:46:48 | 0:46:52 | |
and I can touch it, I can...make it happen. | 0:46:52 | 0:46:56 | |
I shall have to keep my eye on you, Denise, | 0:47:02 | 0:47:04 | |
or you'll be the one who steals my throne from me. | 0:47:04 | 0:47:08 | |
Come on. | 0:47:08 | 0:47:10 | |
We must put Ladieswear back in proper order, | 0:47:10 | 0:47:12 | |
or you will be in terrible trouble with Miss Audrey in the morning. | 0:47:12 | 0:47:16 | |
All I said to him was "barber". | 0:47:25 | 0:47:27 | |
I thought he would strangle me. | 0:47:27 | 0:47:30 | |
His hands were on my neck like strangler's hands. | 0:47:31 | 0:47:35 | |
But he is still here in The Paradise, isn't he? | 0:47:35 | 0:47:40 | |
Why is that? | 0:47:40 | 0:47:42 | |
"I have known Moray since he's been married." That's what he said to me. | 0:47:42 | 0:47:47 | |
"I know things that mean I shan't be shifted from here." | 0:47:47 | 0:47:50 | |
What could he know? | 0:47:50 | 0:47:52 | |
Moray's wife, of course. | 0:47:52 | 0:47:55 | |
You're not going to ask him, are you? | 0:47:55 | 0:47:57 | |
Clara, he might strangle again. | 0:47:57 | 0:47:59 | |
Burroughs doesn't frighten me. | 0:47:59 | 0:48:01 | |
All you have to do is smile at him and he is a puppy dog. | 0:48:01 | 0:48:04 | |
Mr Jonas, sir. > | 0:48:17 | 0:48:18 | |
-There you go, sir. -Thank you, Arthur. | 0:48:36 | 0:48:39 | |
Clara. | 0:48:46 | 0:48:47 | |
Sir. I saw you'd left your book here. | 0:48:47 | 0:48:51 | |
I was about to fetch it to you. | 0:48:51 | 0:48:53 | |
Thank you. | 0:48:53 | 0:48:54 | |
Sir. I came to The Paradise after Mr Moray's wife died. | 0:48:57 | 0:49:02 | |
They talk of her like she was a saint. | 0:49:02 | 0:49:05 | |
You know it is forbidden to speak of her. | 0:49:05 | 0:49:07 | |
Allow me one question only, sir. Please. | 0:49:07 | 0:49:11 | |
Was Helene as tender-hearted as they say? | 0:49:11 | 0:49:15 | |
Peerless. | 0:49:15 | 0:49:17 | |
Inspiration came to me deep in the night, Madam, as it so often does. | 0:49:20 | 0:49:24 | |
I suddenly thought to myself, wouldn't it be wonderful | 0:49:24 | 0:49:28 | |
if the Ladies might consider lingerie in a, shall we say, | 0:49:28 | 0:49:32 | |
mischievous atmosphere? | 0:49:32 | 0:49:35 | |
Only those who have invitations know that they have invitations. | 0:49:36 | 0:49:42 | |
So we must ask you to keep word of the gathering | 0:49:42 | 0:49:47 | |
shrouded in the deepest mystery. | 0:49:47 | 0:49:49 | |
Mr Burroughs, has Mr Moray spoken to you? | 0:49:56 | 0:50:01 | |
Moray? Ah, no, no. What about? | 0:50:01 | 0:50:06 | |
He felt it more fitting to invite you himself, | 0:50:06 | 0:50:08 | |
but he must be engaged in urgent business. | 0:50:08 | 0:50:12 | |
-Invite me? -A party. | 0:50:12 | 0:50:14 | |
It is an occasion of a rather private nature, | 0:50:14 | 0:50:17 | |
so best keep knowledge of this to yourself. | 0:50:17 | 0:50:20 | |
Like, er, Ladies After Dark? | 0:50:21 | 0:50:25 | |
Like Ladies After Dark. | 0:50:25 | 0:50:28 | |
Mr Moray and some of his friends, once a month or so they... | 0:50:28 | 0:50:32 | |
It is a private club, where there is entertainment. | 0:50:34 | 0:50:37 | |
Girls? | 0:50:37 | 0:50:39 | |
We can travel in the same carriage. | 0:50:39 | 0:50:42 | |
Mr Burroughs, sir, it is vital | 0:50:42 | 0:50:44 | |
that you tell no-one where we are going tonight. | 0:50:44 | 0:50:47 | |
Mr Moray's reputation depends upon it. | 0:50:47 | 0:50:49 | |
Meet me in the alleyway at 8.00. | 0:50:51 | 0:50:53 | |
8.00. | 0:50:53 | 0:50:55 | |
Splendid. | 0:52:00 | 0:52:02 | |
Well done, girls. | 0:52:02 | 0:52:05 | |
I'm sorry, sir, I don't quite know how to say this. | 0:52:08 | 0:52:11 | |
You have my permission to say whatever you wish, Denise. | 0:52:11 | 0:52:16 | |
Sir, the ladies will be here soon. Gentlemen aren't allowed in here. | 0:52:16 | 0:52:20 | |
HE CHORTLES | 0:52:22 | 0:52:23 | |
Then I had best be on my way. | 0:52:23 | 0:52:25 | |
Good luck, ladies. | 0:52:32 | 0:52:34 | |
EXCITED CHATTERING | 0:52:49 | 0:52:51 | |
LOUD GASPS | 0:52:54 | 0:52:57 | |
If you should see anything that appeals, ladies, | 0:52:57 | 0:53:01 | |
simply speak privately with myself or one of the girls. | 0:53:01 | 0:53:06 | |
Confidentiality is totally assured. | 0:53:08 | 0:53:11 | |
THEY GASP | 0:53:16 | 0:53:18 | |
Don't you wish Mr Moray could be here to see your success? | 0:53:24 | 0:53:29 | |
You see it, Clara, perhaps that's enough for me this time. | 0:53:29 | 0:53:34 | |
I'm not sure my husband deserves such glamour, | 0:54:08 | 0:54:11 | |
but I do rather like the thought of wearing it. | 0:54:11 | 0:54:14 | |
At least your husband will notice. | 0:54:14 | 0:54:17 | |
Perhaps I will take the silk, as well as the lace. | 0:54:17 | 0:54:21 | |
Denise. | 0:54:29 | 0:54:31 | |
Two days, sir. He can't simply vanish. | 0:55:05 | 0:55:08 | |
We can't just leave the counter unattended. | 0:55:08 | 0:55:11 | |
I'll put Williams on Men's Grooming. | 0:55:11 | 0:55:13 | |
Mr Burroughs didn't say nothing to no-one, sir. | 0:55:13 | 0:55:15 | |
About going nowhere. Did he say something to you, Mr Dudley, sir? | 0:55:15 | 0:55:19 | |
Has Mr Moray fired him, sir? | 0:55:19 | 0:55:21 | |
Perhaps Bradley decided The Paradise wasn't for him after all. | 0:55:21 | 0:55:24 | |
Threats? | 0:55:31 | 0:55:32 | |
Explicit threats, sir. | 0:55:32 | 0:55:34 | |
What sort of threats? | 0:55:34 | 0:55:36 | |
I would go as far as to call it blackmail, sir. | 0:55:36 | 0:55:40 | |
Mr Burroughs insisted on staying here or | 0:55:40 | 0:55:43 | |
he would cause great harm to you personally. | 0:55:43 | 0:55:46 | |
Well, spit it out, Jonas. What trouble? | 0:55:46 | 0:55:50 | |
He alluded to living next door, sir. | 0:55:50 | 0:55:53 | |
He also alluded to your wife's death. | 0:55:54 | 0:55:58 | |
Burroughs told me. He heard screams. | 0:56:02 | 0:56:06 | |
He ran into The Paradise. | 0:56:06 | 0:56:09 | |
He saw you, sir, in particular distress, | 0:56:09 | 0:56:13 | |
looking down at where your wife lay and you said... | 0:56:13 | 0:56:17 | |
Why didn't you tell me about this? | 0:56:17 | 0:56:19 | |
Since I'm responsible for us letting Burroughs into the store, | 0:56:19 | 0:56:24 | |
I thought it might be better if I rectify the problem. | 0:56:24 | 0:56:28 | |
Where is he? | 0:56:30 | 0:56:32 | |
I'd rather you did not ask that, Mr Moray, sir. | 0:56:32 | 0:56:38 | |
Rest assured, Burroughs no longer presents a danger to you. | 0:56:38 | 0:56:43 | |
What have you done, Jonas? | 0:56:43 | 0:56:46 | |
Only my duty, sir. My loyalty to you is assured. | 0:56:48 | 0:56:55 | |
You may go now, Jonas. | 0:56:59 | 0:57:02 | |
DOOR OPENS AND CLOSES | 0:57:19 | 0:57:20 | |
Thank you, darling, for coming so quickly. | 0:57:27 | 0:57:31 | |
From your note, I thought perhaps you were ill. | 0:57:31 | 0:57:35 | |
I'm sorry, Moray. I want to stop this. | 0:57:38 | 0:57:42 | |
Stop hurting people, stop hurting you. | 0:57:44 | 0:57:47 | |
I just want to devote myself to loving you. | 0:57:49 | 0:57:52 | |
Will you let me do that? | 0:57:56 | 0:57:57 | |
You imagine you can do to the rest of us what you've done to Burroughs. | 0:58:11 | 0:58:15 | |
I saw him getting into your carriage, sir, | 0:58:15 | 0:58:17 | |
on the night he vanished. | 0:58:17 | 0:58:19 | |
Young Arthur is afraid of Jonas. | 0:58:19 | 0:58:20 | |
The boy does not know the meaning of what he saw. | 0:58:20 | 0:58:23 | |
Heavens! Mr Jonas. | 0:58:24 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |