
Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Ooh, Denise is in love! | 0:00:47 | 0:00:50 | |
I fear we will all fall in love, Sam. | 0:00:50 | 0:00:52 | |
It's not for me to say what you see, sir, but I see pastry. | 0:00:52 | 0:00:56 | |
I see gravy. | 0:00:56 | 0:00:57 | |
Sam, these birds have come a long way. | 0:00:57 | 0:00:59 | |
At great expense. | 0:00:59 | 0:01:01 | |
So we must treasure them. | 0:01:01 | 0:01:03 | |
What I thought was, we'll price them so that we sell very few. | 0:01:03 | 0:01:07 | |
Moray, whenever I think I know you, I find myself chasing shadows. | 0:01:07 | 0:01:11 | |
If they are too cheap they will be as common as finches, | 0:01:11 | 0:01:14 | |
sold on every street corner. | 0:01:14 | 0:01:15 | |
The idea is, we draw customers in simply to admire them. | 0:01:15 | 0:01:19 | |
What do you think? | 0:01:19 | 0:01:21 | |
I say these lovelies should have their own counter, to begin with. | 0:01:21 | 0:01:24 | |
What a splash they will make. | 0:01:24 | 0:01:25 | |
The birds are to have their own counter. | 0:01:34 | 0:01:36 | |
Do you think it would be foolish of me | 0:01:36 | 0:01:38 | |
to ask to be the lovebird assistant? | 0:01:38 | 0:01:40 | |
Not foolish, Denise. Marvellous. | 0:01:40 | 0:01:42 | |
When you have sold all of the birds you can take on glassware, | 0:01:42 | 0:01:45 | |
then menswear, then underwear and over-wear and in-wear and out-wear. | 0:01:45 | 0:01:49 | |
Pauline, has something upset you? | 0:01:49 | 0:01:51 | |
Oh, perhaps. | 0:01:51 | 0:01:52 | |
Who was it who helped you | 0:01:54 | 0:01:55 | |
when you first arrived here wearing your dirty shoes? | 0:01:55 | 0:01:58 | |
Now who is selling precious birds and who is selling buttons? | 0:01:58 | 0:02:01 | |
You want to have the birds? | 0:02:01 | 0:02:03 | |
Then you ought to speak to Mr Moray. | 0:02:03 | 0:02:06 | |
I would have to speak to Mr Moray | 0:02:06 | 0:02:08 | |
but whenever I do that my tongue gets tied. | 0:02:08 | 0:02:10 | |
Then you'll have to content yourself with buttons. | 0:02:10 | 0:02:13 | |
Oh, you're right. I will speak to him. | 0:02:13 | 0:02:17 | |
There he is now. | 0:02:17 | 0:02:19 | |
I must think what I am to say first. | 0:02:19 | 0:02:22 | |
Does he look different to you? | 0:02:22 | 0:02:23 | |
I think he only appears different in your eyes. | 0:02:24 | 0:02:28 | |
Perhaps now that Katherine Glendenning | 0:02:28 | 0:02:30 | |
is no longer to marry him you imagine you can catch him. | 0:02:30 | 0:02:34 | |
I could never think such a thing. | 0:02:34 | 0:02:36 | |
Do you imagine you can do to the rest of us | 0:02:58 | 0:03:00 | |
what you've done to Burroughs? | 0:03:00 | 0:03:02 | |
It'll take more than money to root me out. | 0:03:02 | 0:03:04 | |
Yes, that is true. | 0:03:04 | 0:03:06 | |
We should place the birds so they are visible | 0:03:09 | 0:03:11 | |
-as soon as the customers are walking through the door. -Yes. Perhaps. | 0:03:11 | 0:03:15 | |
We could hang some cages from the ceiling, | 0:03:15 | 0:03:17 | |
so they are looking down on us? | 0:03:17 | 0:03:19 | |
Moray, are you going to tell me what is troubling you? | 0:03:20 | 0:03:23 | |
Is it Burroughs? | 0:03:23 | 0:03:25 | |
It is Katherine. | 0:03:25 | 0:03:26 | |
There is some kind of reconciliation, | 0:03:27 | 0:03:30 | |
though I fear we play out the same cat and mouse game. | 0:03:30 | 0:03:33 | |
Then I suggest you put a stop to it. | 0:03:33 | 0:03:35 | |
You can, you know. Settle down. | 0:03:35 | 0:03:38 | |
Katherine had every opportunity to accept Peter Adler's overtures. | 0:03:38 | 0:03:41 | |
But she didn't. I wonder why! Moray, the woman loves you. | 0:03:41 | 0:03:46 | |
-Let that be enough. -Let that be enough! | 0:03:46 | 0:03:48 | |
Sir. Mr Moray, sir. The lovebirds, sir. | 0:03:50 | 0:03:53 | |
You like the birds, Pauline? | 0:03:54 | 0:03:56 | |
Sir, buttons is not fair. | 0:03:56 | 0:03:58 | |
Oh, you would like the bird counter? | 0:03:59 | 0:04:02 | |
I think it is a rather splendid idea. Moray? | 0:04:02 | 0:04:05 | |
Yes, yes. Why not? | 0:04:06 | 0:04:08 | |
Thank you, sir. I will not let you down. | 0:04:08 | 0:04:10 | |
I will sell every bird and more. | 0:04:10 | 0:04:12 | |
If there is to be more. | 0:04:12 | 0:04:14 | |
There was a time when birds flew freely. | 0:04:32 | 0:04:35 | |
Edmund, shall I tell you my miracle cure for everything that ails you? | 0:04:36 | 0:04:40 | |
I'd like to hear it, yeah. | 0:04:40 | 0:04:41 | |
Cheer up! | 0:04:41 | 0:04:43 | |
I'm sorry about Peter. | 0:04:48 | 0:04:52 | |
It must have been rather embarrassing for you. | 0:04:52 | 0:04:55 | |
Oh, to be the source of gossip adds a certain... | 0:04:55 | 0:04:58 | |
lustre to one's reputation, don't you think? | 0:04:58 | 0:05:00 | |
It was foolish of me. | 0:05:02 | 0:05:03 | |
I convinced myself you would put up more of a fight. | 0:05:03 | 0:05:07 | |
How could I expect to compete with a man | 0:05:07 | 0:05:09 | |
who established a home for foundlings? | 0:05:09 | 0:05:11 | |
Moray, everything I have done to show you that I love you... | 0:05:16 | 0:05:21 | |
..I see it now. It tells you that I cannot be trusted. | 0:05:23 | 0:05:27 | |
I chase you, or I run away from you. | 0:05:29 | 0:05:31 | |
Darling, if only I could show you... | 0:05:34 | 0:05:37 | |
..I am constant. | 0:05:39 | 0:05:40 | |
If I had the chance to prove to you... | 0:05:41 | 0:05:45 | |
I have spent most of my life with no mother. | 0:05:45 | 0:05:48 | |
I know how to take care of a man. | 0:05:48 | 0:05:51 | |
I will be your haven. | 0:05:52 | 0:05:56 | |
I promise you. | 0:05:56 | 0:05:58 | |
Could it be different between us? | 0:06:00 | 0:06:02 | |
Is that what you want? | 0:06:04 | 0:06:05 | |
I long for peace, to settle my soul... | 0:06:07 | 0:06:12 | |
Cheer up. | 0:06:42 | 0:06:43 | |
Arthur? | 0:06:45 | 0:06:47 | |
You are like the ghost of a dog sometimes, | 0:06:48 | 0:06:50 | |
-skulking in doorways without a sound. -Clara... | 0:06:50 | 0:06:55 | |
-do you like Sam? -Course I do. | 0:06:55 | 0:06:59 | |
Sam's his own fool, that's all. | 0:06:59 | 0:07:02 | |
-Do you like Mr Moray? -Arthur, why are you asking such questions? | 0:07:02 | 0:07:06 | |
-Do you like...Mr Jonas? -It's not so easy to like a shadow. | 0:07:06 | 0:07:13 | |
Look, I don't have time for prattle when I could be enjoying a drink. | 0:07:13 | 0:07:17 | |
KNOCK ON THE DOOR | 0:07:25 | 0:07:27 | |
DOOR OPENS | 0:07:27 | 0:07:28 | |
Papa, I will be fine by morning. | 0:07:30 | 0:07:33 | |
No, you won't. | 0:07:33 | 0:07:35 | |
I have watched you getting worse. | 0:07:37 | 0:07:40 | |
Katherine, what are we going to do about this? | 0:07:44 | 0:07:46 | |
I have tried with Peter. | 0:07:50 | 0:07:52 | |
Honestly, I tried my very best. | 0:07:52 | 0:07:55 | |
I know you did. | 0:07:55 | 0:07:57 | |
Papa... | 0:07:57 | 0:07:59 | |
..Moray is only shy of marriage | 0:08:01 | 0:08:03 | |
because of his need to be true to Helene. | 0:08:03 | 0:08:06 | |
It is a kind of honour in him. | 0:08:07 | 0:08:10 | |
I love him for it. | 0:08:10 | 0:08:11 | |
And it is beyond bearing for me. | 0:08:15 | 0:08:17 | |
I don't know that I can love any man after loving Moray. | 0:08:17 | 0:08:21 | |
He loves me, but... | 0:08:21 | 0:08:23 | |
..how long might it be before he is ready to marry? | 0:08:27 | 0:08:30 | |
Perhaps it will be sooner than you imagine, my darling. | 0:08:33 | 0:08:38 | |
No more tears. Sleep. | 0:08:40 | 0:08:43 | |
I want you to look your best tomorrow morning. | 0:08:45 | 0:08:48 | |
Denise, are you awake? I'm awake. | 0:09:04 | 0:09:08 | |
Oh, Pauline... | 0:09:08 | 0:09:11 | |
I'm awake. Now. | 0:09:11 | 0:09:14 | |
I can't sleep. | 0:09:14 | 0:09:15 | |
As soon as I close my eyes I see lovebirds. | 0:09:15 | 0:09:18 | |
What if I don't sell any? I might be back on buttons. | 0:09:18 | 0:09:22 | |
Or worse. Oh, I shan't sleep all night long now. | 0:09:22 | 0:09:25 | |
But will you talk all night long, Pauline? | 0:09:25 | 0:09:28 | |
I shall lie here until dawn thinking of birds. | 0:09:28 | 0:09:31 | |
Clara, captain the ship for half an hour. | 0:10:04 | 0:10:08 | |
Denise, accompany me, please. | 0:10:10 | 0:10:12 | |
What is it, Miss Audrey? What have I done? | 0:10:15 | 0:10:17 | |
Sit. | 0:10:20 | 0:10:21 | |
Tell me. | 0:10:28 | 0:10:29 | |
What am I to tell you, Miss Audrey? | 0:10:31 | 0:10:33 | |
I have supervised girls since before you were born. | 0:10:33 | 0:10:36 | |
I know love when I see it. It never fails to disturb me. | 0:10:36 | 0:10:39 | |
The girl is either floating on a cloud of giddy pink delight, | 0:10:39 | 0:10:43 | |
sadly, those are usually the ones who lose their position. | 0:10:43 | 0:10:46 | |
Or it comes as pain. | 0:10:46 | 0:10:49 | |
Who is he? | 0:10:51 | 0:10:52 | |
Ma'am, I promise, I am not... | 0:10:54 | 0:10:58 | |
I do not mean to be in love. | 0:11:01 | 0:11:02 | |
Oh, Lord. It is Mr Moray. | 0:11:02 | 0:11:04 | |
I truly do not wish to feel this way, Miss Audrey. | 0:11:04 | 0:11:08 | |
And every day I try to stop myself. | 0:11:08 | 0:11:11 | |
I tell myself it is hopeless. | 0:11:11 | 0:11:14 | |
I try to push away the feelings. | 0:11:14 | 0:11:17 | |
But they insist. | 0:11:17 | 0:11:19 | |
They will not be quieted. | 0:11:19 | 0:11:21 | |
Oh, Lord. | 0:11:23 | 0:11:24 | |
I want you to listen carefully, child. You are doomed. | 0:11:24 | 0:11:29 | |
Feelings are only feelings. | 0:11:29 | 0:11:31 | |
Feelings pass if we do not act on them. | 0:11:31 | 0:11:33 | |
If, however, you stray into that treacherous world of divulgence... | 0:11:33 | 0:11:37 | |
I would never dream of telling Mr Moray. | 0:11:37 | 0:11:39 | |
You would not be the first girl who found herself | 0:11:39 | 0:11:41 | |
overcome by the moment. | 0:11:41 | 0:11:43 | |
Let me speak most simply. | 0:11:44 | 0:11:46 | |
Whilst he is your employer you are free to be his pet, | 0:11:46 | 0:11:49 | |
his "little champion" and he will foster your advancement. | 0:11:49 | 0:11:53 | |
One kiss and you will be a woman to him. | 0:11:53 | 0:11:56 | |
You will be as Clara is, | 0:11:57 | 0:11:59 | |
permitted to remain but never to advance. | 0:11:59 | 0:12:04 | |
Any form of favour towards you would be tainted. | 0:12:04 | 0:12:07 | |
You have ambition. | 0:12:07 | 0:12:10 | |
I do not know what might become of such ambition in a woman, | 0:12:10 | 0:12:12 | |
but I do know a kiss will destroy it. | 0:12:12 | 0:12:15 | |
What should I do? | 0:12:15 | 0:12:17 | |
Devotion to a new cause. The mission of denial. | 0:12:17 | 0:12:22 | |
Can you do that? | 0:12:24 | 0:12:25 | |
Do you suppose it would be wrong for us to give them names, Pauline? | 0:12:30 | 0:12:33 | |
I have already named most of them, sir. This one's Bertie, | 0:12:33 | 0:12:37 | |
-and his mate's Sally. -Mr Dudley, I wonder if I might consult with you | 0:12:37 | 0:12:43 | |
-about a rather delicate matter? -Yes, of course. | 0:12:43 | 0:12:47 | |
For the first time in all my years here I wish I were a customer. | 0:12:47 | 0:12:51 | |
I would take Sally and Bertie home with me. | 0:12:51 | 0:12:54 | |
If I could afford them. | 0:12:54 | 0:12:56 | |
Sam, might I practise selling a bird to you? | 0:13:02 | 0:13:05 | |
I will try to persuade you to buy | 0:13:05 | 0:13:07 | |
-and you see if you are tempted or not tempted. -Right, go on then. | 0:13:07 | 0:13:11 | |
Right start at the door and walk in, go on. | 0:13:11 | 0:13:13 | |
Well, these birds, sir, are so pleasing that...to see them | 0:13:17 | 0:13:22 | |
every morning as you wake up, so happy together, | 0:13:22 | 0:13:26 | |
so lovely with their hopping about to delight each other. | 0:13:26 | 0:13:30 | |
These birds, sir, would make any heart glad to face the day. | 0:13:30 | 0:13:34 | |
-I'll take a pair. -Really? | 0:13:34 | 0:13:37 | |
No. | 0:13:38 | 0:13:39 | |
What do you think of Denise, Mr Dudley? | 0:13:42 | 0:13:44 | |
She's a fine girl. Keen to learn. Fine. | 0:13:44 | 0:13:48 | |
What I mean is what do you think of her...potential? | 0:13:48 | 0:13:53 | |
She'll do well. | 0:13:53 | 0:13:56 | |
Let me approach this another way. | 0:13:56 | 0:13:58 | |
When I was young I considered myself reasonably attractive. | 0:13:58 | 0:14:02 | |
-You still shine, Miss Audrey. -Oh, thank you, sir. | 0:14:02 | 0:14:06 | |
Pauline has a pleasing quality, Clara a seductive attraction. | 0:14:06 | 0:14:12 | |
But, Denise... | 0:14:12 | 0:14:13 | |
Is it my imagination | 0:14:15 | 0:14:16 | |
or does this girl posses something in her which..? | 0:14:16 | 0:14:18 | |
There is a quality about her. A kind of essence. | 0:14:18 | 0:14:22 | |
As I feared. As I so gravely feared. | 0:14:22 | 0:14:27 | |
-Denise? -Yes, sir? | 0:14:34 | 0:14:36 | |
-The lovebirds? -Yes, sir? | 0:14:36 | 0:14:38 | |
It occurred to me we might present goods for gentleman | 0:14:38 | 0:14:41 | |
on the ladies' counters, for example, cuff links on the perfume counter. | 0:14:41 | 0:14:45 | |
And on men's grooming, we might present some of those | 0:14:45 | 0:14:48 | |
hand-carved combs and silver purses for the ladies? | 0:14:48 | 0:14:52 | |
-Sir... -So that couples might shop together. What do you think? | 0:14:52 | 0:14:56 | |
-Why do you ask me, sir? -Well, because you are my little champion. | 0:14:56 | 0:15:01 | |
-We might decorate this store in the theme of love. -Love? | 0:15:01 | 0:15:06 | |
Perhaps on the stationery counter we might display romantic cards and... | 0:15:06 | 0:15:10 | |
..scented paper. | 0:15:12 | 0:15:14 | |
What is it, Denise? Has something upset you? | 0:15:14 | 0:15:18 | |
No, sir, I erm... | 0:15:18 | 0:15:19 | |
Only I had a falling out with one of the girls, about the bird counter. | 0:15:21 | 0:15:25 | |
Ah, yes. Pauline. She is rather keen to shine. | 0:15:26 | 0:15:31 | |
Mr Moray, sir? | 0:15:31 | 0:15:33 | |
Feathers. | 0:15:36 | 0:15:37 | |
-Feathers? -Yes, feathers. | 0:15:39 | 0:15:41 | |
They might be our theme for Ladieswear, | 0:15:41 | 0:15:44 | |
since those delightful little winged charmers | 0:15:44 | 0:15:46 | |
are attracting so much attention. | 0:15:46 | 0:15:48 | |
Ah, yes. Feathers. Of course. | 0:15:48 | 0:15:51 | |
Thank you, Miss Audrey. | 0:15:51 | 0:15:53 | |
Denise, perhaps you might help me | 0:15:53 | 0:15:55 | |
plan a resplendent display of plumes? Come along. | 0:15:55 | 0:15:58 | |
Now, you throw this into the first square. | 0:16:12 | 0:16:15 | |
This game was handed down to me by my father | 0:16:15 | 0:16:17 | |
and came from his father before him. | 0:16:17 | 0:16:19 | |
Now, you must land it inside the square. | 0:16:19 | 0:16:23 | |
Single squares, one foot. Double squares, two feet. | 0:16:28 | 0:16:31 | |
Off you go. | 0:16:32 | 0:16:33 | |
What is it, lad? When I were a boy I jumped like Billy-o. | 0:16:42 | 0:16:46 | |
If you sold your shop what would you do? | 0:16:46 | 0:16:49 | |
I'm not selling. Who said I was selling? | 0:16:49 | 0:16:50 | |
No-one did. But if you did, like Burroughs did... | 0:16:50 | 0:16:53 | |
I'm sot selling. Never selling. | 0:16:53 | 0:16:56 | |
Would you just leave? Never come back? Like Burroughs? | 0:16:56 | 0:16:59 | |
Why would I do that? This street is all I've ever known. | 0:16:59 | 0:17:03 | |
It's just I don't think Burroughs wanted... | 0:17:03 | 0:17:06 | |
What's Burroughs to do with a game of peevers? | 0:17:06 | 0:17:08 | |
Now, I've been told to cheer up and that I will. Watch. | 0:17:09 | 0:17:14 | |
Will you be joining us on the Sunday walk this week, Denise? | 0:17:23 | 0:17:27 | |
Best day there is for a walk, a Sunday. | 0:17:27 | 0:17:29 | |
That's mostly because we're at work every other day. | 0:17:29 | 0:17:31 | |
And it's a good way to get rid of a sore head. | 0:17:31 | 0:17:34 | |
Not that I ever have a sore head. | 0:17:34 | 0:17:36 | |
I sold a bird! | 0:17:36 | 0:17:38 | |
I said, "madam, these love-creatures will bring you such happiness. | 0:17:38 | 0:17:42 | |
"More than happiness. Joy. | 0:17:42 | 0:17:45 | |
"Every day of your life, madam." Mr Moray saw me. | 0:17:45 | 0:17:48 | |
"Every day will begin with a picture of heavenly joy." | 0:17:48 | 0:17:52 | |
Pauline, you are a triumph. | 0:17:52 | 0:17:53 | |
Have you sold Sally? Tell me you haven't sold Sally and Bertie. | 0:17:53 | 0:17:56 | |
Er, no, sir. Not Bertie nor Sally. I said they weren't the best ones. | 0:17:56 | 0:18:00 | |
I only became aware of this because he is a customer at the bank. | 0:18:07 | 0:18:11 | |
Conrad Jessop. | 0:18:11 | 0:18:13 | |
By Friday week he'll own the lease on every property on the street. | 0:18:13 | 0:18:17 | |
My buying the barber-shop has alerted him to my intentions, | 0:18:21 | 0:18:25 | |
so now I have to go to him if I wish to expand further down the street? | 0:18:25 | 0:18:30 | |
It's worse than that, Moray. | 0:18:31 | 0:18:33 | |
I'm breaking every principle of banking practice | 0:18:36 | 0:18:38 | |
by bringing this knowledge to you. | 0:18:38 | 0:18:40 | |
Jessop intends to buy up all the leases | 0:18:41 | 0:18:44 | |
on both sides of Tollgate Street. | 0:18:44 | 0:18:46 | |
-The Paradise? -He'll be your landlord. Once Jessop owns the Fee Simple, | 0:18:46 | 0:18:53 | |
he's not going to sell a single lease to you at any price. | 0:18:53 | 0:18:56 | |
He'll rent. On short terms. You will be at his mercy. | 0:18:56 | 0:19:03 | |
The more successful you are, the more he'll squeeze you. | 0:19:03 | 0:19:06 | |
As you grow, you'll dread his very name. | 0:19:06 | 0:19:10 | |
I am thankful that you have forewarned me, your Lordship. | 0:19:14 | 0:19:17 | |
Though I suspect you wished to do more than give me notice. | 0:19:17 | 0:19:21 | |
I could purchase those leases. | 0:19:23 | 0:19:27 | |
Is that your purpose? | 0:19:27 | 0:19:30 | |
My business is banking. | 0:19:30 | 0:19:32 | |
I have no wish to take on a property portfolio at my age. | 0:19:32 | 0:19:37 | |
Then I am left to deal with Conrad Jessop. | 0:19:37 | 0:19:39 | |
Suppose I were to increase your loan? | 0:19:43 | 0:19:47 | |
That way you might purchase the Fee Simple yourself. | 0:19:49 | 0:19:52 | |
You'd be landlord of the whole street. | 0:19:52 | 0:19:54 | |
When the leases on the smaller shops expire, | 0:19:56 | 0:19:58 | |
you can refuse to renew them. | 0:19:58 | 0:20:01 | |
It would have to be a substantial advance, your Lordship. | 0:20:04 | 0:20:08 | |
I see no other way to overcome this...impasse. | 0:20:08 | 0:20:12 | |
And you would be willing to do that? | 0:20:13 | 0:20:15 | |
For you. | 0:20:28 | 0:20:29 | |
New boots? For me, sir? | 0:20:29 | 0:20:33 | |
Why me, sir? | 0:20:37 | 0:20:39 | |
How old do you think I am, Arthur? | 0:20:39 | 0:20:41 | |
I don't know, sir. 100? | 0:20:41 | 0:20:43 | |
HE LAUGHS | 0:20:43 | 0:20:45 | |
Almost. I won't last for ever though, son. | 0:20:45 | 0:20:48 | |
I see you. You're not a counter-jumper like Sam. | 0:20:51 | 0:20:55 | |
You see things. Like I do. Mr Moray will need you. | 0:20:55 | 0:20:59 | |
Do you think you can do my job after I've gone, Arthur? | 0:21:02 | 0:21:05 | |
That would be a fine thing, sir. | 0:21:08 | 0:21:09 | |
I will tell you the things that I notice | 0:21:09 | 0:21:12 | |
and you can tell me the things that you notice. | 0:21:12 | 0:21:14 | |
Does that sound fair? | 0:21:14 | 0:21:16 | |
So what we have to do, Arthur, is notice | 0:21:18 | 0:21:20 | |
when a person has something on their mind. | 0:21:20 | 0:21:23 | |
Do you have something on your mind? | 0:21:23 | 0:21:26 | |
Nothing, sir. | 0:21:26 | 0:21:28 | |
Hold your hand up, son. Look at mine. Dead still. | 0:21:28 | 0:21:32 | |
A man with nothing to hide. | 0:21:33 | 0:21:35 | |
Show me your hand, son. | 0:21:36 | 0:21:38 | |
Do you have something on your mind, Arthur? | 0:21:41 | 0:21:43 | |
Yes, sir. | 0:21:48 | 0:21:50 | |
You want to tell me what it is? | 0:21:50 | 0:21:51 | |
Let me help you...is it Burroughs? | 0:21:51 | 0:21:55 | |
I saw him get into your carriage, sir, on the night he vanished away. | 0:21:55 | 0:22:00 | |
Good lad. Now, it's not so wise to spend your time with Edmund Lovett. | 0:22:05 | 0:22:13 | |
He's not Mr Moray's best pal, is he? | 0:22:13 | 0:22:15 | |
I owe you an apology, Moray. | 0:22:27 | 0:22:30 | |
Well, I can't imagine why, sir. | 0:22:30 | 0:22:32 | |
I stood in your way with Katherine. | 0:22:32 | 0:22:35 | |
From the beginning I have signalled my uncertainty, | 0:22:35 | 0:22:38 | |
issued warnings, "If you break her heart, I'll ruin you". | 0:22:38 | 0:22:42 | |
No wonder you hesitate. I was wrong. | 0:22:42 | 0:22:46 | |
I wish now to offer you my blessing, indeed, my encouragement, | 0:22:46 | 0:22:51 | |
to speak to Katherine. | 0:22:51 | 0:22:54 | |
Sir... | 0:22:54 | 0:22:55 | |
..why have you, er..? | 0:22:56 | 0:22:57 | |
You behaved quite admirably, Moray. | 0:23:00 | 0:23:03 | |
It all makes sense to me now. | 0:23:03 | 0:23:05 | |
I slept well last night for the first time in weeks. | 0:23:06 | 0:23:10 | |
Katherine is contrary, | 0:23:10 | 0:23:11 | |
but she clearly loves you and it is time her father respected that. | 0:23:11 | 0:23:17 | |
Besides, you and I, Moray, we're as good as partners now. | 0:23:18 | 0:23:22 | |
Once you've bought those leases, you've nothing to fear. | 0:23:22 | 0:23:26 | |
You can rest at ease, | 0:23:26 | 0:23:27 | |
knowing that nothing can threaten the existence of your business. | 0:23:27 | 0:23:30 | |
Gentlemen, I'll detain you no longer. | 0:23:32 | 0:23:35 | |
What did he want? | 0:23:38 | 0:23:39 | |
He gave me his blessing...to speak with Katherine. | 0:23:41 | 0:23:46 | |
That is no small thing, Moray. | 0:23:46 | 0:23:49 | |
If ever there was a forbidding father. | 0:23:49 | 0:23:51 | |
To have Glendenning's favour... | 0:23:52 | 0:23:54 | |
surely you can see what is right before you? | 0:23:54 | 0:23:56 | |
Every way you look at it, Moray, it is what you must do. | 0:23:56 | 0:24:00 | |
Wake up, man! Before it is too late. | 0:24:00 | 0:24:02 | |
Customers come through that door and here you are, Pauline. | 0:24:05 | 0:24:09 | |
I mean what could be better? | 0:24:09 | 0:24:11 | |
The birds do look pretty, but what I am learning is, | 0:24:11 | 0:24:13 | |
they're so clever. Sometimes I think they are cleverer than me. | 0:24:13 | 0:24:16 | |
The birds look at me now like they know me. | 0:24:16 | 0:24:18 | |
I've never seen you looking so happy. | 0:24:18 | 0:24:20 | |
I shall be on this counter until I marry. | 0:24:20 | 0:24:23 | |
I've heard tales of birds sitting on men's heads. | 0:24:26 | 0:24:29 | |
-Standing on their hands. -Wouldn't that be something? | 0:24:29 | 0:24:33 | |
If customers were to see me standing here with a bird on my head... | 0:24:33 | 0:24:36 | |
-I'd be careful, Pauline, I wouldn't do that. -I shall be the main attraction of The Paradise. | 0:24:36 | 0:24:39 | |
I...I wouldn't be... Oh, no! | 0:24:39 | 0:24:42 | |
Oh, Sam! | 0:24:42 | 0:24:43 | |
Oh, no! Oh, Sam! | 0:24:43 | 0:24:45 | |
-Oh, no! -Don't worry, I'm sure she's not gone far. -Sally?! | 0:24:45 | 0:24:50 | |
She might come back of her own accord. | 0:24:50 | 0:24:53 | |
Where's she gone? I can't see her. | 0:24:53 | 0:24:56 | |
We'll get her back, don't you worry. We'll get her back. | 0:24:57 | 0:25:00 | |
Oh, no. | 0:25:00 | 0:25:02 | |
I'm told those birds can live up to 15 years. | 0:25:02 | 0:25:05 | |
It seems such a shame, sir, to keep them in cages, | 0:25:05 | 0:25:07 | |
when I reckon they'd roast up a treat. | 0:25:07 | 0:25:09 | |
You have new boots, Arthur. | 0:25:09 | 0:25:11 | |
-From Mr Jonas, sir. -That is most kind of him. | 0:25:15 | 0:25:18 | |
He is teaching me to be like him, sir. | 0:25:19 | 0:25:21 | |
-He must think a lot of you. -Yes, sir. I suppose so, sir. | 0:25:21 | 0:25:25 | |
Only, I've never known Mr Jonas favour anyone before. | 0:25:25 | 0:25:29 | |
-Why would he favour you? -I don't know, sir. | 0:25:29 | 0:25:31 | |
You look so afraid. What is there to be scared of? | 0:25:32 | 0:25:34 | |
What has Mr Jonas said to you? | 0:25:34 | 0:25:36 | |
Can I go now, sir? | 0:25:39 | 0:25:41 | |
Arthur. | 0:25:41 | 0:25:42 | |
You can come to me at any time. | 0:25:45 | 0:25:47 | |
You can tell me what it is you are afraid of. You're safe with me. | 0:25:47 | 0:25:50 | |
Will I have to tell Mr Moray and Mr Dudley what has happened? | 0:25:53 | 0:25:56 | |
You cannot admit anything. They will have no choice but to dismiss you. | 0:25:56 | 0:25:59 | |
-That bird is worth five guineas. -What else is there? | 0:25:59 | 0:26:02 | |
We have to get the bird back. | 0:26:02 | 0:26:04 | |
It has vanished. It can fly. It might be miles away by now. | 0:26:04 | 0:26:07 | |
It will be somewhere. It has to be found. | 0:26:07 | 0:26:11 | |
-But they will see that it is gone. -We'll cover up the fact | 0:26:11 | 0:26:13 | |
that it is lost until we find it. | 0:26:13 | 0:26:15 | |
There will not be a day, not one single day, | 0:26:25 | 0:26:28 | |
when you regret this, darling. I will not permit it. | 0:26:28 | 0:26:31 | |
I will spoil you with love. | 0:26:34 | 0:26:36 | |
Dudley, I have some news. | 0:27:01 | 0:27:05 | |
You can claim all of the credit. | 0:27:07 | 0:27:09 | |
What are you doing here at this time of night? | 0:27:11 | 0:27:13 | |
I have been waiting to speak with you. | 0:27:13 | 0:27:14 | |
-What is it that's troubling you? -Young Arthur. He's afraid of Jonas. | 0:27:14 | 0:27:19 | |
Is that it? We are all afraid of Jonas. | 0:27:20 | 0:27:24 | |
He wears an air of menace like a shroud. | 0:27:24 | 0:27:27 | |
It is all part of his success. It's what makes him so useful to us. | 0:27:27 | 0:27:31 | |
He bought the lad some boots. Why does that disturb me? | 0:27:31 | 0:27:35 | |
It seems to signify something to me, and I can't quite grasp it. | 0:27:35 | 0:27:38 | |
Hmm. It is best to leave Jonas to me. | 0:27:38 | 0:27:42 | |
You two always manage to grate at one another. | 0:27:42 | 0:27:44 | |
Are you suggesting it is my personal sensitivity to the man? | 0:27:44 | 0:27:48 | |
Speak to Arthur yourself. See his fear with your own eyes. | 0:27:48 | 0:27:51 | |
I will speak with Jonas. Go home. You have a family. | 0:27:51 | 0:27:56 | |
I will deal with Jonas tonight. | 0:27:58 | 0:27:59 | |
What was your news? | 0:28:02 | 0:28:04 | |
Arthur saw Burroughs getting into a carriage with me | 0:28:08 | 0:28:11 | |
on the night that he vanished. | 0:28:11 | 0:28:13 | |
None of this was of your making, Mr Moray. It was his. | 0:28:13 | 0:28:17 | |
Burroughs. He was intent on ruining you. To tell his tale. | 0:28:17 | 0:28:23 | |
How he came into the store, Sunday morning. | 0:28:23 | 0:28:26 | |
How he found you standing over your wife's body. | 0:28:26 | 0:28:30 | |
She fell, by accident. | 0:28:31 | 0:28:35 | |
And what he heard you say. | 0:28:35 | 0:28:36 | |
What have I done? | 0:28:39 | 0:28:40 | |
Any man might say such a thing. | 0:28:43 | 0:28:45 | |
Helene fell. | 0:28:47 | 0:28:49 | |
I did not kill her. | 0:28:51 | 0:28:53 | |
-She...she fell. -I know that, sir. | 0:28:53 | 0:28:57 | |
But your innocence would not protect you from Burroughs' accusations. | 0:28:57 | 0:29:02 | |
If you gave him what he demanded, he would have wanted more, | 0:29:02 | 0:29:05 | |
he would have gone on, hounded you with slanders, | 0:29:05 | 0:29:09 | |
threats to ruin your reputation, destroy all that you have created. | 0:29:09 | 0:29:13 | |
Why should this man be permitted to feed on suspicion and gossip? | 0:29:15 | 0:29:19 | |
I know what they whisper about me. | 0:29:22 | 0:29:24 | |
-What if I deserve the things they say? -No, sir. | 0:29:24 | 0:29:28 | |
Why was he permitted to dishonour your wife's memory? | 0:29:29 | 0:29:32 | |
I am a fool to think that I could live again, | 0:29:35 | 0:29:38 | |
to believe that I could settle. | 0:29:38 | 0:29:40 | |
The boy does not appreciate the meaning of what he saw. | 0:29:42 | 0:29:44 | |
He has made a friend of Edmund Lovett, but he will say nothing. | 0:29:46 | 0:29:49 | |
This business will pass, sir. | 0:29:50 | 0:29:53 | |
HE BANGS ON THE DOOR | 0:30:20 | 0:30:22 | |
Is the world on fire? | 0:30:22 | 0:30:24 | |
-Mr Lovett. -What right have you to hammer on my door before dawn? | 0:30:27 | 0:30:31 | |
The chalk writings on the ground, outside of The Paradise. | 0:30:31 | 0:30:35 | |
What writing on the ground? What are you talking about? | 0:30:35 | 0:30:38 | |
When Mr Moray comes down he will see what you have scrawled on the ground | 0:30:38 | 0:30:42 | |
and this time I am sure he will fetch the constable. | 0:30:42 | 0:30:46 | |
You cannot make such a charge. Fetch the constable. Fetch him. | 0:30:46 | 0:30:50 | |
Who saw me do this, eh? No-one. I've done nothing. | 0:30:50 | 0:30:53 | |
What are you doing? You have no right. This is my shop. | 0:30:56 | 0:30:59 | |
What will your niece think of this? | 0:31:01 | 0:31:03 | |
What sort of madness is this? This is my shop. | 0:31:03 | 0:31:06 | |
You will leave now. | 0:31:06 | 0:31:08 | |
You cannot even provide work for her. The whole street knows it. | 0:31:08 | 0:31:13 | |
Denise knows it. Now you bring shame on her. | 0:31:13 | 0:31:18 | |
I'm so sorry. I don't know why I ... | 0:31:20 | 0:31:22 | |
I'm sorry. | 0:31:24 | 0:31:26 | |
You are a dangerous man, Mr Lovett. | 0:31:29 | 0:31:31 | |
Heavens, Mr Jonas! What has happened to you? | 0:31:47 | 0:31:50 | |
I am sorry to come to your door. | 0:31:50 | 0:31:52 | |
Will you assist me, Miss Audrey? | 0:31:54 | 0:31:56 | |
Who did this to you? | 0:32:11 | 0:32:12 | |
Edmund Lovett. | 0:32:13 | 0:32:15 | |
Why would Edmund...why would Mr Lovett do such a thing? | 0:32:15 | 0:32:20 | |
Miss Audrey, may I take you into my confidence? | 0:32:20 | 0:32:23 | |
You and Edmund Lovett were close once? | 0:32:24 | 0:32:26 | |
That was a long time ago. | 0:32:28 | 0:32:30 | |
Since his niece came here he has been a man crazed with anger. | 0:32:31 | 0:32:35 | |
A man who can lose all restraint. I fear for his sanity. | 0:32:36 | 0:32:41 | |
Do you see my point, Audrey? What might he become capable of? | 0:32:42 | 0:32:46 | |
Will you speak with him? | 0:32:48 | 0:32:49 | |
Can you...counsel him, how can I express it? | 0:32:49 | 0:32:54 | |
Encourage him to remove himself from the street? | 0:32:56 | 0:33:00 | |
For his own sake. | 0:33:00 | 0:33:02 | |
Why does he not bring the constable? I'm ruined. | 0:33:11 | 0:33:14 | |
No more than a criminal. | 0:33:14 | 0:33:16 | |
Why would you do such a thing? | 0:33:16 | 0:33:17 | |
He accused me of scrawling slanders on the ground. | 0:33:17 | 0:33:20 | |
Oh, Uncle, I feared something like this might happen. | 0:33:20 | 0:33:23 | |
But that is not why you took your fist to him, is it? | 0:33:23 | 0:33:25 | |
He said it was shameful...I could not provide work for my own niece. | 0:33:25 | 0:33:30 | |
I...I could speak to Mr Moray. Plead on your behalf? | 0:33:30 | 0:33:35 | |
No. Not that. Never that! | 0:33:35 | 0:33:37 | |
Oh, Edmund... | 0:33:37 | 0:33:38 | |
I will call on you this evening. | 0:33:40 | 0:33:42 | |
Come along, Denise, we must get back. | 0:33:43 | 0:33:46 | |
Why does he not bring the constable? | 0:33:46 | 0:33:48 | |
KNOCK ON THE DOOR | 0:33:54 | 0:33:55 | |
Yes? | 0:33:55 | 0:33:56 | |
Mr Jonas, sir, I would like to apologise. | 0:34:01 | 0:34:04 | |
My uncle has been anxious just lately. | 0:34:04 | 0:34:07 | |
But he promises me it was not him who made those marks on the ground. | 0:34:07 | 0:34:11 | |
Any man would deny it. | 0:34:11 | 0:34:13 | |
I believe my uncle, sir. | 0:34:14 | 0:34:16 | |
No man, not your uncle, | 0:34:16 | 0:34:18 | |
nor any man shall cast a shadow on that lady's grave. | 0:34:18 | 0:34:22 | |
You told me when I first came here, | 0:34:24 | 0:34:26 | |
that it was forbidden even to speak of Mrs Moray. | 0:34:26 | 0:34:29 | |
Sir, why is Mr Moray's grief so tender? | 0:34:32 | 0:34:35 | |
I came to this city having given up hope in other cities. | 0:34:36 | 0:34:40 | |
I heard there might be work here, at The Paradise. | 0:34:42 | 0:34:45 | |
I came to the tradesmen's entrance and they turned me away. | 0:34:45 | 0:34:48 | |
A man with only one arm is not considered much use to anyone. | 0:34:49 | 0:34:54 | |
Then, by chance, I met Mrs Moray on the street. | 0:34:54 | 0:34:59 | |
Wherever I called I was met with questions. Who are you? | 0:35:02 | 0:35:06 | |
Where are you from? Why are you here? | 0:35:06 | 0:35:09 | |
All leading to one question, how did you lose your arm? | 0:35:09 | 0:35:12 | |
Helene asked me nothing. | 0:35:12 | 0:35:16 | |
She saw my need and took pity. | 0:35:16 | 0:35:18 | |
Yet there was no pity in her face. | 0:35:19 | 0:35:21 | |
She asked me to help her with some parcels. | 0:35:23 | 0:35:26 | |
She asked me to help her... | 0:35:27 | 0:35:31 | |
..and the rest of the day is a fog to me. | 0:35:34 | 0:35:36 | |
She persuaded Mr Moray to give me work. | 0:35:36 | 0:35:39 | |
I was given a uniform and some rooms. | 0:35:39 | 0:35:41 | |
I barely saw her after that. | 0:35:41 | 0:35:44 | |
Three weeks later she was dead. | 0:35:44 | 0:35:46 | |
Oh. Mr Jonas, sir, I am so sorry. | 0:35:46 | 0:35:51 | |
I can understand why you would take offence at anyone... | 0:35:51 | 0:35:54 | |
Any man who stands against the memory of that woman, | 0:35:54 | 0:35:57 | |
stands against me. | 0:35:57 | 0:35:59 | |
Mr Dudley, sir, the blue satin we brought in two weeks ago, | 0:36:15 | 0:36:19 | |
it's not selling. I think it's over-priced. | 0:36:19 | 0:36:21 | |
Will you take a look at it for me, sir? | 0:36:21 | 0:36:23 | |
Just a minute, Sam. | 0:36:31 | 0:36:34 | |
Have you had an accident, Jonas? | 0:36:34 | 0:36:36 | |
It is rather unsightly, sir. | 0:36:36 | 0:36:38 | |
I will make my presence scarce so as not to disturb our customers. | 0:36:38 | 0:36:41 | |
How did you do such a thing? | 0:36:41 | 0:36:43 | |
Your concern is appreciated, sir. It will be well again soon enough. | 0:36:43 | 0:36:48 | |
Did you fall? | 0:36:48 | 0:36:49 | |
-As you know, sir, I never take a drink. -Jonas, I am your manager. | 0:36:49 | 0:36:54 | |
I am asking you how this came about. | 0:36:54 | 0:36:56 | |
I am here, sir, on the floor, fit for work. | 0:36:58 | 0:37:02 | |
Why do you refuse to respect my authority? | 0:37:02 | 0:37:05 | |
If I may? I do not doubt your authority, Mr Dudley. | 0:37:05 | 0:37:09 | |
Customers approach us, sir. | 0:37:09 | 0:37:11 | |
I will remove myself, as I promised I would. | 0:37:11 | 0:37:13 | |
You will tell me, do you understand? | 0:37:13 | 0:37:15 | |
You will tell me what the cause of this is. | 0:37:15 | 0:37:17 | |
I was attacked, by Edmund Lovett. | 0:37:19 | 0:37:22 | |
KNOCK ON THE DOOR | 0:37:25 | 0:37:26 | |
Yes...yes! | 0:37:26 | 0:37:29 | |
Mr Moray, sir, I would like to explain my uncle... | 0:37:30 | 0:37:33 | |
Mr Moray? | 0:37:35 | 0:37:37 | |
Sir, what is it? | 0:37:38 | 0:37:41 | |
I try to live in a world without feeling, Denise. | 0:37:43 | 0:37:47 | |
I wish to feel... | 0:37:49 | 0:37:53 | |
nothing. | 0:37:53 | 0:37:54 | |
Please do not punish yourself this way. | 0:37:55 | 0:37:58 | |
I have spent three years refusing love... | 0:37:58 | 0:38:01 | |
Until I find that all I can do is...pretend. | 0:38:03 | 0:38:07 | |
What have I done? | 0:38:11 | 0:38:13 | |
Please, Mr Moray. | 0:38:13 | 0:38:15 | |
Will you call me John? | 0:38:20 | 0:38:22 | |
I long to be called by my name. | 0:38:24 | 0:38:26 | |
John... | 0:38:30 | 0:38:32 | |
I love you, John. | 0:38:39 | 0:38:41 | |
I cannot help myself. I promised myself I'd never tell you. | 0:38:41 | 0:38:46 | |
But I love you. | 0:38:46 | 0:38:48 | |
I love you so that I cannot sleep and I cannot think | 0:38:48 | 0:38:51 | |
and I cannot remember my own name half the time. | 0:38:51 | 0:38:54 | |
KNOCK ON THE DOOR | 0:39:08 | 0:39:09 | |
Mr Moray, sir, Mr Jonas has been attacked, sir. | 0:39:09 | 0:39:12 | |
-Attacked? -Sir, Mr Dudley is shouting at Mr Jonas. | 0:39:12 | 0:39:16 | |
Please, sir, you ought to come. | 0:39:16 | 0:39:18 | |
Girls, ask yourselves, is every corner of Ladieswear sumptuous? | 0:39:33 | 0:39:37 | |
And if not, then ask yourselves, why is it not sumptuous? | 0:39:37 | 0:39:40 | |
Yes, Miss Audrey. | 0:39:40 | 0:39:42 | |
Clara, captain the ship for a short while. | 0:39:51 | 0:39:54 | |
Girl, you will contain yourself! | 0:40:06 | 0:40:08 | |
Edmund Lovett is as placid a man as I have ever known. | 0:40:10 | 0:40:13 | |
He has been railing against us for months. | 0:40:13 | 0:40:16 | |
Moray, ask yourself, what was Jonas doing in Lovett's shop at that hour? | 0:40:16 | 0:40:19 | |
Why do you have this blind spot for this man? | 0:40:19 | 0:40:21 | |
Jonas is beyond himself. Something is wrong, | 0:40:21 | 0:40:24 | |
and I intend to find out what it is. | 0:40:24 | 0:40:26 | |
Darling, have you told Dudley our news? | 0:40:26 | 0:40:29 | |
Katherine, this is not the moment. | 0:40:29 | 0:40:32 | |
-Good morning, Miss Glendenning. -We are hoping to announce it today. | 0:40:32 | 0:40:36 | |
Then let me be the first to congratulate you. | 0:40:36 | 0:40:39 | |
Thank you. Katherine, please, might I have a moment with Dudley? | 0:40:39 | 0:40:42 | |
Nonsense. If you will excuse me. | 0:40:42 | 0:40:45 | |
Your happiness is far more important than the business of the store. | 0:40:45 | 0:40:48 | |
All is not lost, I am sure of it. Clara has erred and remained. | 0:40:56 | 0:41:01 | |
You must as quickly as possible | 0:41:01 | 0:41:03 | |
show Mr Moray that you respect him as your employer. | 0:41:03 | 0:41:06 | |
Make clear to him that you know your place. | 0:41:06 | 0:41:09 | |
Miss Audrey, I believe that John feels as I do. | 0:41:09 | 0:41:12 | |
John? Who is John? | 0:41:12 | 0:41:15 | |
Mr Moray. | 0:41:15 | 0:41:16 | |
He looked at me in such a way... | 0:41:17 | 0:41:21 | |
I would never have imagined that such self-deception might | 0:41:21 | 0:41:24 | |
come from you. | 0:41:24 | 0:41:25 | |
You are a shop girl. | 0:41:26 | 0:41:29 | |
I know what I saw... please believe me? | 0:41:29 | 0:41:31 | |
Oh, child, I believe that you saw it. Love. Devotion. | 0:41:31 | 0:41:36 | |
A magical union beyond description. But that does not mean it was there. | 0:41:36 | 0:41:40 | |
This is the moment which will decide your life. | 0:41:41 | 0:41:43 | |
You can turn back now and do as I have suggested. | 0:41:45 | 0:41:48 | |
Or you can go on, along a path | 0:41:48 | 0:41:50 | |
that can only bring suffering and heartbreak. | 0:41:50 | 0:41:52 | |
It is for you to decide. | 0:41:52 | 0:41:54 | |
Arthur, where is Mr Jonas? | 0:42:00 | 0:42:02 | |
He's nowhere to be found, sir. I have looked and I have looked again. | 0:42:02 | 0:42:05 | |
Perhaps, Moray, if you will permit me | 0:42:13 | 0:42:15 | |
to take this opportunity to share your wonderful news? | 0:42:15 | 0:42:18 | |
Yes. Yes, of course. | 0:42:18 | 0:42:20 | |
Ladies and gentlemen, if I can have your attention, please? | 0:42:20 | 0:42:23 | |
Mr Moray and Miss Glendenning will today announce their engagement | 0:42:23 | 0:42:26 | |
to be married. I am sure you will all join me in wishing them | 0:42:26 | 0:42:29 | |
as much happiness as they can bear. | 0:42:29 | 0:42:32 | |
THEY APPLAUD | 0:42:32 | 0:42:33 | |
Miss Glendenning, let me be the first to congratulate you. | 0:42:38 | 0:42:41 | |
Thank you, Miss Audrey. | 0:42:41 | 0:42:43 | |
Sir... | 0:42:53 | 0:42:55 | |
..I've no right to ask you this, sir. | 0:42:56 | 0:42:59 | |
One night of holding you, I know it does not give me liberty to dare. | 0:42:59 | 0:43:03 | |
-But do you love her? -Clara... | 0:43:03 | 0:43:06 | |
Forgive me, sir, but as you stood beside her today, | 0:43:06 | 0:43:08 | |
I looked for it, I believe I wanted to see your happiness, | 0:43:08 | 0:43:11 | |
but I couldn't find it. Now if you tell me I am wrong... | 0:43:11 | 0:43:14 | |
What you say is true, Clara, you have no right to ask such a thing. | 0:43:14 | 0:43:18 | |
Denise, don't you want to wish Mr Moray well? | 0:43:18 | 0:43:22 | |
This is the happiest day of his life. | 0:43:22 | 0:43:26 | |
He told me so himself. Isn't that right, sir? | 0:43:26 | 0:43:30 | |
I am very glad for you, Mr Moray. | 0:43:30 | 0:43:33 | |
Mr Moray, sir, what are you doing in Ladieswear on a day like today? | 0:43:38 | 0:43:43 | |
I'm sure you have plans to make, celebrations to attend to. | 0:43:43 | 0:43:48 | |
Today is not a day for small matters. | 0:43:48 | 0:43:50 | |
You must go and be with your betrothed! Go, please, go! | 0:43:50 | 0:43:53 | |
KNOCK ON THE DOOR | 0:44:01 | 0:44:02 | |
Come in. | 0:44:02 | 0:44:03 | |
How are we to put an end to this, Clara? | 0:44:12 | 0:44:14 | |
Mr Moray told you? | 0:44:17 | 0:44:19 | |
You know I don't want to lose you from The Paradise, | 0:44:19 | 0:44:22 | |
and I believe you wish to remain. | 0:44:22 | 0:44:24 | |
Do you imagine I want to trick him into marrying me, | 0:44:24 | 0:44:26 | |
or some foolish fancy like that? | 0:44:26 | 0:44:29 | |
You fell pregnant once. | 0:44:29 | 0:44:30 | |
Huh... | 0:44:32 | 0:44:33 | |
Well, it's true what they say... | 0:44:35 | 0:44:37 | |
there are no secrets in The Paradise. | 0:44:37 | 0:44:40 | |
Can you see, Clara, I am only trying to find what is best for you? | 0:44:40 | 0:44:44 | |
Well, if I'd had a father like you | 0:44:44 | 0:44:46 | |
perhaps I wouldn't be the woman I am today. | 0:44:46 | 0:44:48 | |
Moray does not love you. He will never... | 0:44:48 | 0:44:50 | |
I know. I know. | 0:44:50 | 0:44:53 | |
Then you will cease from pursuing him. | 0:44:53 | 0:44:55 | |
I hope I am absolutely clear to you. No more. | 0:44:55 | 0:44:58 | |
Whatever happens, Clara, if you wish to keep your position here, | 0:44:58 | 0:45:01 | |
you will restrain yourself and you will not seek out Mr Moray. | 0:45:01 | 0:45:05 | |
Do you understand? | 0:45:05 | 0:45:08 | |
Do you understand? | 0:45:08 | 0:45:10 | |
You were the gentlest man I ever knew. | 0:45:20 | 0:45:22 | |
Too gentle for you own good. People took advantage of you. | 0:45:22 | 0:45:26 | |
-I often wonder if I took advantage of you. -Never. | 0:45:26 | 0:45:28 | |
Are you drinking, Edmund? | 0:45:30 | 0:45:31 | |
What a thing to say. Why would you say such a thing? | 0:45:31 | 0:45:34 | |
To do that to a man, something is wrong. | 0:45:34 | 0:45:36 | |
-Do you see? -Yes, something is wrong. The Paradise is wrong. | 0:45:36 | 0:45:40 | |
It is Moray that is wrong. | 0:45:40 | 0:45:42 | |
Look down the street, across the city. Who else behaves as you do? | 0:45:42 | 0:45:45 | |
Well, what am I to do? Lie down? Submit? Retreat? | 0:45:45 | 0:45:48 | |
Yes. Now. Now is the time for you to accept. | 0:45:48 | 0:45:53 | |
Before you destroy yourself. | 0:45:53 | 0:45:55 | |
Did he send you? Did Moray get you to persuade me? | 0:45:55 | 0:45:59 | |
No. Mr Moray did not send me. | 0:46:01 | 0:46:04 | |
You frighten me, Edmund. | 0:46:12 | 0:46:13 | |
I've learned my lesson. I will contain myself. | 0:46:14 | 0:46:18 | |
I will not let myself get too easily riled. | 0:46:18 | 0:46:20 | |
I know I'm defeated. | 0:46:21 | 0:46:23 | |
That's what makes it so unbearable. | 0:46:24 | 0:46:26 | |
I would sell but there would be no-one to buy but Moray. | 0:46:26 | 0:46:29 | |
I cannot do that. | 0:46:29 | 0:46:31 | |
Mr Moray is only a monster in your imagination. | 0:46:31 | 0:46:35 | |
Edmund, can you picture yourself set free from this daily battle? | 0:46:35 | 0:46:39 | |
If you continue, it will get worse. That is the only way it can go. | 0:46:40 | 0:46:44 | |
You are doing this to yourself, not Mr Moray. | 0:46:45 | 0:46:48 | |
Let it go, Edmund. Let it go. | 0:46:48 | 0:46:53 | |
I have decided, Mr Dudley, that I cannot remain at The Paradise. | 0:46:55 | 0:46:59 | |
But it may be determined, Denise, that this unfortunate business | 0:47:02 | 0:47:05 | |
was not of your uncle's making. | 0:47:05 | 0:47:08 | |
Your kindness is appreciated, Mr Dudley, | 0:47:08 | 0:47:10 | |
but, there will be other instances, I feel sure of it. | 0:47:10 | 0:47:16 | |
The situation is too fraught with difficulties. | 0:47:16 | 0:47:19 | |
If I were to speak to your uncle? | 0:47:19 | 0:47:22 | |
Sir, if I were to stay, every day I would be wondering | 0:47:22 | 0:47:26 | |
when this situation might inflame again. | 0:47:26 | 0:47:28 | |
I am sorry to leave. Truly. | 0:47:29 | 0:47:33 | |
But you said yourself your uncle's shop could not support you. | 0:47:39 | 0:47:42 | |
We'll find a way to survive. | 0:47:43 | 0:47:45 | |
But you're part of The Paradise now, Denise. | 0:47:45 | 0:47:48 | |
I'll still see you. I will just be across the street. | 0:47:51 | 0:47:55 | |
I promise. | 0:47:55 | 0:47:57 | |
It makes no sense to leave because of something your uncle's done. | 0:47:57 | 0:48:02 | |
Clara, can we be friends now? | 0:48:02 | 0:48:05 | |
Please. It would mean so much to me. | 0:48:05 | 0:48:10 | |
It was you that said that it is the chance of where you are born | 0:48:10 | 0:48:12 | |
that gives you a bond. Can that be our kinship? Shop girls. | 0:48:12 | 0:48:17 | |
I so dearly want to be your friend. | 0:48:19 | 0:48:21 | |
I suppose there will be a position in Ladieswear now. | 0:48:28 | 0:48:31 | |
Denise? What are you doing? | 0:48:41 | 0:48:43 | |
Denise? | 0:48:46 | 0:48:47 | |
We are together now, Uncle. Family. As you wished. | 0:48:50 | 0:48:54 | |
As I wish, too. | 0:48:54 | 0:48:56 | |
No, Sam. | 0:49:15 | 0:49:16 | |
Pauline, have you sold Sally? | 0:49:21 | 0:49:23 | |
Pauline, answer the question. | 0:49:24 | 0:49:26 | |
Not sold, sir. | 0:49:27 | 0:49:29 | |
-Then where is she? -Gone, sir. Flown away. | 0:49:30 | 0:49:34 | |
I opened the cage to stand her on my hand and the door was open | 0:49:34 | 0:49:36 | |
and she flew away. | 0:49:36 | 0:49:39 | |
It took courage to admit that. Let's see what we can do. | 0:49:43 | 0:49:48 | |
-Am I not dismissed, sir? -I spoke to a man up at the Old Moor, | 0:49:48 | 0:49:52 | |
he knows all there is to know about birds. I think we can get her back. | 0:49:52 | 0:49:55 | |
It's my doing, isn't it? | 0:50:04 | 0:50:06 | |
I am the reason you left, the reason you have no job, no money? | 0:50:06 | 0:50:10 | |
Uncle, I don't suppose you will understand, | 0:50:10 | 0:50:13 | |
but I promise you it is not so. I left The Paradise because... | 0:50:13 | 0:50:18 | |
Because it pained me to remain there. | 0:50:21 | 0:50:24 | |
If Bertie is pining, Sally will be too. | 0:50:26 | 0:50:30 | |
Sally! Sally! | 0:50:37 | 0:50:41 | |
Best not to call out, Pauline. You'll frighten her. | 0:50:41 | 0:50:43 | |
What do we do now then? | 0:50:43 | 0:50:44 | |
We wait. | 0:50:44 | 0:50:46 | |
It will be all right, Uncle. We will make a living. | 0:50:56 | 0:51:00 | |
It is not so easy now. | 0:51:00 | 0:51:02 | |
We will find ways to be different from The Paradise. | 0:51:05 | 0:51:09 | |
Look. | 0:51:19 | 0:51:20 | |
Stay quiet now, let's wait for her to come down. | 0:51:22 | 0:51:27 | |
I've noticed one or two men...some men... | 0:51:30 | 0:51:36 | |
there's a fashion for men to wear neckties instead of cravats. | 0:51:36 | 0:51:41 | |
I wonder... | 0:51:41 | 0:51:42 | |
You want me to make neckties? I'm a dressmaker. | 0:51:42 | 0:51:46 | |
How many dresses have you sold this week? This month? | 0:51:46 | 0:51:50 | |
You are the finest dressmaker in this city, as far as I can see. | 0:51:51 | 0:51:55 | |
But we need to earn a living. | 0:51:55 | 0:51:56 | |
People will be more willing to part with a small amount of money, | 0:51:56 | 0:52:02 | |
what they might have in their pockets. What they can afford | 0:52:02 | 0:52:06 | |
when the impulse takes them. | 0:52:06 | 0:52:07 | |
Neckties. | 0:52:07 | 0:52:09 | |
Well, I will make as splendid a job of making them as any man. | 0:52:09 | 0:52:11 | |
We could display them out on a table outside of the shop. | 0:52:11 | 0:52:15 | |
What, on the street? Isn't that no better than a market stall? | 0:52:15 | 0:52:19 | |
Perhaps. But it will put food in our bellies | 0:52:19 | 0:52:22 | |
and we might earn enough to paint the front of the shop | 0:52:22 | 0:52:24 | |
if we work at it. We could make pillow cases... | 0:52:24 | 0:52:27 | |
Pillow cases?! | 0:52:27 | 0:52:28 | |
Embroidered. | 0:52:28 | 0:52:30 | |
Uncle, will you trust me to steer things along for a little while? | 0:52:30 | 0:52:34 | |
I will. | 0:52:37 | 0:52:38 | |
Mr Dudley, I would like to go back to haberdashery. | 0:52:43 | 0:52:46 | |
But, you love the birds. | 0:52:46 | 0:52:49 | |
-Buttons don't fly away. -Birds are a passing fancy. | 0:52:49 | 0:52:52 | |
Ribbons and notions, they'll keep us in business for years to come. | 0:52:52 | 0:52:55 | |
She insisted. She would brook no reason nor imploring. | 0:53:04 | 0:53:08 | |
Thank you, Dudley. | 0:53:10 | 0:53:12 | |
Are we to take on a new girl, sir? | 0:53:13 | 0:53:15 | |
Yes. Of course. | 0:53:16 | 0:53:19 | |
I have a boxful of applications. | 0:53:23 | 0:53:25 | |
Perhaps we might wait a day or so. | 0:53:25 | 0:53:28 | |
As you wish, sir. | 0:53:29 | 0:53:30 | |
Jonas, if I might speak with you, please. | 0:53:38 | 0:53:41 | |
You did this, didn't you? You caused Edmund Lovett to attack you! | 0:53:48 | 0:53:53 | |
You said yourself you were fearful of what he might do | 0:53:53 | 0:53:56 | |
-to lash out at you. -I did not ask you to do this. | 0:53:56 | 0:53:58 | |
You did not need to ask, sir. | 0:53:58 | 0:53:59 | |
How dare you! You cannot do this to me, do you understand? | 0:53:59 | 0:54:04 | |
What makes you think you can take another man's life? | 0:54:04 | 0:54:06 | |
My duty, sir, is to protect you. It is what Helene would have wanted. | 0:54:08 | 0:54:12 | |
She is not here to be your guardian, sir. | 0:54:12 | 0:54:14 | |
So now it is my obligation to repay that good lady. | 0:54:14 | 0:54:17 | |
No more, do you hear me? | 0:54:18 | 0:54:22 | |
This has to stop. | 0:54:22 | 0:54:24 | |
It's not fair. It's not right. Denise was so good at her job. | 0:54:32 | 0:54:36 | |
Girls leave here all the time, for their different reasons. | 0:54:36 | 0:54:39 | |
I said I would help her, I said it would all be all right. | 0:54:39 | 0:54:41 | |
How can you make it all right? What business is it of yours, Sam? | 0:54:41 | 0:54:44 | |
-Because I want to be a friend to her. -We are all a friend to her. | 0:54:44 | 0:54:47 | |
She is gone and that's that. | 0:54:47 | 0:54:49 | |
I tried to persuade her to stay. | 0:54:53 | 0:54:56 | |
I am sure you did your very best, Mr Dudley. | 0:54:56 | 0:54:59 | |
We'll miss her. | 0:55:01 | 0:55:03 | |
We will. | 0:55:06 | 0:55:07 | |
Neckties? | 0:55:17 | 0:55:18 | |
Yes, sir. | 0:55:20 | 0:55:22 | |
What a good idea, Denise. | 0:55:22 | 0:55:23 | |
Thank you. | 0:55:26 | 0:55:28 | |
I don't know many men who wear neckties. | 0:55:28 | 0:55:31 | |
In fact, I am the only man I am aware of who prefers them. | 0:55:31 | 0:55:34 | |
I have seen...some men wearing them. | 0:55:35 | 0:55:38 | |
Oh, well, I am sure it will catch on. | 0:55:39 | 0:55:42 | |
-May I buy one? -Of course. | 0:55:42 | 0:55:44 | |
You did not have to leave, Denise. | 0:55:49 | 0:55:52 | |
I did not wish to remain. | 0:55:52 | 0:55:54 | |
Will you come back to me? | 0:55:56 | 0:55:58 | |
No, sir. Not now. | 0:55:59 | 0:56:01 | |
Suppose I were to implore you? | 0:56:01 | 0:56:05 | |
Why would you do that? | 0:56:05 | 0:56:06 | |
Because you are my little champion. | 0:56:06 | 0:56:09 | |
You let me make a fool of myself. | 0:56:09 | 0:56:11 | |
You let me kiss you when you are engaged to be married. | 0:56:13 | 0:56:16 | |
You let me say those things. | 0:56:16 | 0:56:18 | |
I had my reasons. I had my reasons for Katherine. | 0:56:20 | 0:56:23 | |
It all happened so...suddenly. | 0:56:24 | 0:56:27 | |
I cannot find the way to undo this, Denise. | 0:56:29 | 0:56:33 | |
When you kissed me... | 0:56:33 | 0:56:34 | |
You are to marry Katherine Glendenning | 0:56:34 | 0:56:37 | |
and that is all that matters. | 0:56:37 | 0:56:39 | |
Yes. | 0:56:39 | 0:56:41 | |
And I am sorry. That matters too. | 0:56:41 | 0:56:45 | |
Edmund. | 0:56:49 | 0:56:51 | |
I wish to offer my apologies, for the incident with Jonas. | 0:56:51 | 0:56:54 | |
What sort of trick is this? You apologising to me? | 0:56:54 | 0:56:58 | |
He had no call coming into your store at such an hour. | 0:56:58 | 0:57:01 | |
He had no call forcing an argument with you. I'm sorry. | 0:57:01 | 0:57:04 | |
Well, I am the one to be sorry. | 0:57:07 | 0:57:10 | |
I am the man who raised his fist. | 0:57:10 | 0:57:12 | |
I'm grateful there is no charge brought against me. | 0:57:12 | 0:57:15 | |
If it is success here that you want, then I shall give it to you. | 0:57:49 | 0:57:51 | |
Tollgate Street Traders. Competitively priced, | 0:57:51 | 0:57:55 | |
-tradition and quality. -I think I could sell you anything. | 0:57:55 | 0:57:58 | |
-Midnight Ink. -The perfect cloth, for my wedding dress. | 0:57:58 | 0:58:01 | |
I have an idea. There is a fabric called Midnight Ink. | 0:58:01 | 0:58:04 | |
She is selling my wedding dress. | 0:58:04 | 0:58:06 | |
Stop this! You cannot have everything your way. | 0:58:06 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:12 |