
Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
LADIES GIGGLE | 0:00:35 | 0:00:36 | |
-Where are you young ladies off to? -Wedding shopping. -Katherine... | 0:00:39 | 0:00:44 | |
It is just to be a quiet affair. | 0:00:44 | 0:00:46 | |
-Nothing too ostentatious. Don't worry, Papa. -Enjoy yourself. | 0:00:46 | 0:00:53 | |
I think you've chosen very well. Thank you for your custom, madam. | 0:01:03 | 0:01:07 | |
Good day. | 0:01:07 | 0:01:08 | |
Psst! Psst! | 0:01:08 | 0:01:12 | |
Here! | 0:01:16 | 0:01:17 | |
-Mr Chisholm? -Lovett? -Inside, sir. With a customer. -Business is brisk. | 0:01:17 | 0:01:25 | |
-There's been a small upturn. -Sufficient to justify an employee. A girl. | 0:01:25 | 0:01:29 | |
-Would that I knew his secret. -There's no secret, Mr Chisholm. | 0:01:29 | 0:01:33 | |
We're selling neckties. | 0:01:33 | 0:01:34 | |
-You're free to look. -Neckties? I see he did not hire you for your brains. | 0:01:34 | 0:01:38 | |
What good are neckties to me? I'm a milliner. | 0:01:38 | 0:01:41 | |
A milliner, girl. An artist, trained in the Quartier Sentier. | 0:01:41 | 0:01:47 | |
And now there's the ignominy of seeing my customers desert me | 0:01:47 | 0:01:51 | |
for the cheap thrill of a glued felt hat or a machine-stitched bonnet across the street. | 0:01:51 | 0:01:55 | |
You shall not find me peddling knick-knacks. | 0:01:55 | 0:01:58 | |
It is simply a case of seeking custom rather than waiting for it. | 0:01:58 | 0:02:02 | |
Not blaming The Paradise, | 0:02:02 | 0:02:04 | |
but using it as a reliable source of passing trade. | 0:02:04 | 0:02:07 | |
Which, with a little thought, might benefit all of us. | 0:02:07 | 0:02:11 | |
-Lovett said this? -Denise? We have customers. | 0:02:11 | 0:02:14 | |
There's no time for talking to him. | 0:02:14 | 0:02:16 | |
It's not the same, is it, without her? It definitely feels lonely. | 0:02:19 | 0:02:23 | |
-You know, strange. -Can you stop harking on about it? | 0:02:23 | 0:02:26 | |
-It's all I've had for a week now. -Even the room feels colder. | 0:02:26 | 0:02:28 | |
I could have sworn this morning there was more of a chill about the bed. | 0:02:28 | 0:02:32 | |
Denise this, Denise that. Like she was Saint Miss Perfect. | 0:02:32 | 0:02:36 | |
-She was no saint, believe me. -Even the counter. | 0:02:36 | 0:02:39 | |
-What's wrong with the counter? -It's too quiet. | 0:02:39 | 0:02:42 | |
-Denise used to drum her fingers on it just a touch. -Come on, Clara. | 0:02:42 | 0:02:46 | |
It's poetic. The pining of a true friend for her companion. | 0:02:46 | 0:02:50 | |
Seeing her absence in everything - a counter, a cold breeze, | 0:02:50 | 0:02:54 | |
a chamber pot. | 0:02:54 | 0:02:55 | |
-You see. If Denise had been here, she'd have stood up for me. -Oh, Lord. | 0:02:55 | 0:02:59 | |
-Heaven above! -Denise used to make me feel positive about any situation. | 0:02:59 | 0:03:02 | |
If it's positive you want, you see laughing boy over there? | 0:03:02 | 0:03:05 | |
With Denise out of the way, he's all yours for the taking. | 0:03:05 | 0:03:09 | |
Darling little glasses. We shall need a dozen at least. No, two. | 0:03:18 | 0:03:22 | |
And the same with the champagne flutes. | 0:03:22 | 0:03:26 | |
Look. The butter dishes are beautifully engraved. How adorable! | 0:03:26 | 0:03:32 | |
I shall take four and these darling butter knives. | 0:03:32 | 0:03:37 | |
-Katherine? -Don't look. | 0:03:37 | 0:03:38 | |
There are surprises here that you in particular should not see. | 0:03:38 | 0:03:41 | |
Everything we shall need for our wedding breakfast. | 0:03:41 | 0:03:45 | |
-Really? -I shall need an assistant. It's an awfully long list. | 0:03:45 | 0:03:49 | |
-Where is that girl, the clever one? Denise. -She has left the store. | 0:03:49 | 0:03:54 | |
-No scandal, I trust? -No. | 0:03:54 | 0:03:56 | |
She's gone to work for her uncle across the street. | 0:03:56 | 0:03:58 | |
-Emily, you have met my fiance? -Lady Fortescue. | 0:03:58 | 0:04:02 | |
He is in no way to be trusted. | 0:04:02 | 0:04:04 | |
Moray cannot bear to have things kept from him. | 0:04:04 | 0:04:07 | |
We must have these wrapped immediately. | 0:04:07 | 0:04:10 | |
Might I speak with you? | 0:04:10 | 0:04:11 | |
Throughout our courtship, you barely purchased | 0:04:14 | 0:04:16 | |
so much as a hatpin from my store. | 0:04:16 | 0:04:19 | |
Now this? With your friends accompanying? What new game is this? | 0:04:19 | 0:04:23 | |
Moray, why do you always assume that everything | 0:04:23 | 0:04:27 | |
I do has some kind of ulterior motive? | 0:04:27 | 0:04:32 | |
In the past, The Paradise has been all about you. Now it is about us. | 0:04:34 | 0:04:39 | |
You and me. | 0:04:40 | 0:04:42 | |
If it is success here that you want, then I shall give it to you, my love. | 0:04:42 | 0:04:46 | |
-You, girl. What is your name? -Pauline, ma'am. -Follow me. -Yes, ma'am. | 0:04:48 | 0:04:53 | |
-Uncle? I've had an idea. -Another one? -I'm still adjusting to the first. | 0:05:02 | 0:05:08 | |
We have to keep moving forward, keep evolving. | 0:05:08 | 0:05:11 | |
We can't afford to stand still. | 0:05:11 | 0:05:12 | |
Uncle, look at this street. | 0:05:14 | 0:05:16 | |
Not as pretty as it used to be. Milliner, dressmaker, shoemaker, canemaker. | 0:05:18 | 0:05:24 | |
They've all felt the heat. | 0:05:25 | 0:05:27 | |
Bear the scars. | 0:05:27 | 0:05:29 | |
If we can co-operate, we can offer our customers something unique. | 0:05:29 | 0:05:32 | |
Hat, dress, shoes, umbrella - a complete outfit. | 0:05:32 | 0:05:37 | |
Co-operate? You mean work together? | 0:05:37 | 0:05:39 | |
-Why not? -Denise, we're small businessmen. | 0:05:39 | 0:05:43 | |
Independence, self-reliance are at the core of our being. | 0:05:43 | 0:05:48 | |
Too much change, too fast. | 0:05:48 | 0:05:49 | |
Mr Chisholm approached me this morning. | 0:05:49 | 0:05:51 | |
There's another reason. What man would voluntarily work with him? | 0:05:51 | 0:05:55 | |
-It's already done. You've invited them to a meeting. -What? | 0:05:55 | 0:05:58 | |
A meeting. They're joining us this afternoon. I've written it all down. | 0:05:58 | 0:06:02 | |
Your speech. | 0:06:02 | 0:06:03 | |
I've told them this is your idea. | 0:06:03 | 0:06:06 | |
Uncle, you said it yourself, change is hard for them | 0:06:06 | 0:06:08 | |
and it would be harder still coming from a woman. | 0:06:08 | 0:06:11 | |
You've trusted me this far, and I've not let you down. | 0:06:11 | 0:06:13 | |
Please? | 0:06:13 | 0:06:16 | |
What do you think of this? | 0:06:16 | 0:06:18 | |
It's very nice, Miss Glendenning. Very. | 0:06:24 | 0:06:27 | |
They say a perfume only comes to life when worn on this skin. | 0:06:27 | 0:06:30 | |
The warmth of the human body gives it its heartbeat. | 0:06:30 | 0:06:33 | |
It reminds me of something... | 0:06:37 | 0:06:38 | |
-warm. -Apple pie. | 0:06:38 | 0:06:40 | |
-Yes, maybe. -Or a baby's head when they've bathed. | 0:06:42 | 0:06:46 | |
Otherwise, with the nursing, they reek. | 0:06:46 | 0:06:49 | |
I'm one of 11. You never forget the smell. Wet wool and cheesy milk. | 0:06:49 | 0:06:53 | |
SHE SNEEZES | 0:06:53 | 0:06:54 | |
Oh, sorry. | 0:06:54 | 0:06:57 | |
I'm sensitive. That's one of the reasons I'm stuck on buttons. | 0:06:57 | 0:06:59 | |
-How long have you worked here? -Ages. -And you like working for Mr Moray? | 0:06:59 | 0:07:03 | |
Oh, yes. Very much. | 0:07:03 | 0:07:05 | |
For a successful man, he's a kind man and he loves this place. | 0:07:05 | 0:07:09 | |
The only thing he loves more is his wife. | 0:07:09 | 0:07:12 | |
I mean his ex-wife... Dead wife. | 0:07:13 | 0:07:16 | |
That's the other reason I'm suck on buttons. | 0:07:16 | 0:07:20 | |
Sometimes it's hard to think as fast as I speak. | 0:07:20 | 0:07:23 | |
You'll make a very good Mrs Moray. An even better Mrs Moray, no doubt. | 0:07:25 | 0:07:30 | |
If only I had a ounce of your charm and elegance. | 0:07:30 | 0:07:34 | |
No wonder he fell for you. | 0:07:34 | 0:07:35 | |
But you have a wealth of elegance and charm, my dear. | 0:07:35 | 0:07:38 | |
And with your ability to flatter, I'm sure you could turn any boy's head. | 0:07:39 | 0:07:44 | |
We have much in common. | 0:07:51 | 0:07:53 | |
We are all purveyors of quality, master craftsmen. | 0:07:53 | 0:07:57 | |
We all trade on the same street. | 0:07:57 | 0:07:59 | |
Together, we would have dressed the customer from top to toe | 0:07:59 | 0:08:03 | |
before they'd even set foot in The Paradise | 0:08:03 | 0:08:06 | |
if we put our minds to it. | 0:08:06 | 0:08:07 | |
They can do that now, but I can hardly see them beating down the doors. | 0:08:07 | 0:08:12 | |
-That's a fair point. -More ale, Mr Chisholm? | 0:08:12 | 0:08:15 | |
I would rather wine. | 0:08:15 | 0:08:17 | |
SHE MOUTHS | 0:08:24 | 0:08:25 | |
There will be turnover. | 0:08:25 | 0:08:29 | |
Inventives... Incentives. Every customer will... | 0:08:32 | 0:08:39 | |
I'm sorry. I cannot do this. | 0:08:40 | 0:08:43 | |
I cannot sell what I do not believe in. | 0:08:43 | 0:08:46 | |
-It's not me. -If it isn't you, Edmund, why did you bring us here? | 0:08:46 | 0:08:50 | |
THEY MURMUR IN AGREEMENT | 0:08:50 | 0:08:52 | |
He did not. It was me. | 0:08:52 | 0:08:55 | |
I've wasted quite enough time. Gentlemen. | 0:08:56 | 0:09:00 | |
The customers will be given an incentive. | 0:09:00 | 0:09:02 | |
A discount. 10% of the sum total of all purchases. | 0:09:04 | 0:09:11 | |
We will advertise, decorate, make the shop fronts more attractive. | 0:09:11 | 0:09:14 | |
At whose cost? | 0:09:14 | 0:09:16 | |
I do wish women were as good at making money | 0:09:16 | 0:09:19 | |
-as they are at spending it. -LAUGHTER | 0:09:19 | 0:09:21 | |
All expenses will be recouped through increased sales. | 0:09:21 | 0:09:25 | |
Something I believe you all lack. | 0:09:25 | 0:09:28 | |
Gentlemen, ask yourselves honestly - | 0:09:28 | 0:09:31 | |
what poses the greater risk? | 0:09:31 | 0:09:34 | |
A small sum invested to attract custom | 0:09:34 | 0:09:37 | |
or continuing on the current path | 0:09:37 | 0:09:40 | |
of certain decline and eventual bankruptcy? | 0:09:40 | 0:09:43 | |
Tollgate Street Traders - competitively priced, | 0:09:45 | 0:09:50 | |
tradition and quality. | 0:09:50 | 0:09:52 | |
Not bad. | 0:09:52 | 0:09:54 | |
Although I fear that in the haze of girlish enthusiasm, | 0:09:54 | 0:09:58 | |
you've missed the point. | 0:09:58 | 0:10:01 | |
We are here to provide an alternative to The Paradise, | 0:10:01 | 0:10:04 | |
not to become a department store in miniature. | 0:10:04 | 0:10:07 | |
That is not what I meant. | 0:10:07 | 0:10:09 | |
Regardless, you shall not convince anyone | 0:10:09 | 0:10:13 | |
to invest in scheme your own uncle doesn't believe in. | 0:10:13 | 0:10:16 | |
Good day to you, gentlemen. | 0:10:19 | 0:10:20 | |
Good day. | 0:10:20 | 0:10:24 | |
May I offer you some assistance, ma'am? | 0:10:54 | 0:10:56 | |
Yes. It is heavier than I had imagined. | 0:11:00 | 0:11:04 | |
I hope to freshen Moray's office a little. | 0:11:08 | 0:11:10 | |
This painting of his wife is very dear to him. | 0:11:11 | 0:11:14 | |
Tell me your name. | 0:11:17 | 0:11:18 | |
Jonas Franks. | 0:11:19 | 0:11:21 | |
Well, Jonas, I must remind you to whom you are speaking. | 0:11:21 | 0:11:25 | |
I am soon to become Mrs Moray. | 0:11:27 | 0:11:29 | |
May I offer you my most sincere congratulations, ma'am? | 0:11:29 | 0:11:34 | |
Still, for now, Miss Glendenning, I do not think that is a wise move. | 0:11:34 | 0:11:37 | |
You realise there are 10, 20 men on that street right now | 0:11:40 | 0:11:45 | |
more willing and more able to do this job than you? | 0:11:45 | 0:11:47 | |
Value your position here and you shall alter the way you speak to me. | 0:11:49 | 0:11:53 | |
Yes, ma'am. | 0:11:55 | 0:11:56 | |
Thank you. | 0:11:58 | 0:12:00 | |
Madam, neckties? | 0:12:05 | 0:12:07 | |
Sir, very nice neckties. | 0:12:07 | 0:12:10 | |
HE KNOCKS AT THE DOOR | 0:12:25 | 0:12:27 | |
Jonas Franks - why on earth do you employ such a character? | 0:12:30 | 0:12:34 | |
-Maria has the final say on all staffing, Miss Glendenning. -Katherine, please. | 0:12:34 | 0:12:38 | |
But you are the manager. He cannot be good for business. He scares me. | 0:12:38 | 0:12:44 | |
He must surely scare the customers. | 0:12:44 | 0:12:46 | |
Mr Moray, sir. | 0:12:56 | 0:12:57 | |
I have something unfortunate to report of a personal nature. | 0:12:57 | 0:13:01 | |
-What is it, Jonas? -It is regarding Miss Glendenning, sir. | 0:13:01 | 0:13:05 | |
I found her in your office trying to move the portrait of Helene. | 0:13:05 | 0:13:09 | |
Rest assured, sir, I dealt with the matter as swiftly | 0:13:10 | 0:13:13 | |
and as firmly as I felt able. | 0:13:13 | 0:13:16 | |
I do not know which is more worrying - | 0:13:16 | 0:13:19 | |
your determination to overstep the line or your inability to see it? | 0:13:19 | 0:13:24 | |
Can you not understand that there are things that are private between people? | 0:13:24 | 0:13:28 | |
If that is too much for you, then you should stay out of my way. | 0:13:28 | 0:13:32 | |
-Thank you. -Sir. | 0:13:32 | 0:13:34 | |
Katherine, you must be quite exhausted. | 0:13:40 | 0:13:43 | |
In one day, you've managed to turn my store upside down. | 0:13:43 | 0:13:46 | |
Don't drop 'em. | 0:13:50 | 0:13:52 | |
-Uncle? -I...had a word. | 0:13:55 | 0:13:59 | |
Told them the truth, that if anybody can breathe life back into this street, it's you, Denise. | 0:14:01 | 0:14:06 | |
And despite our differences, we're willing to give it a go. | 0:14:06 | 0:14:10 | |
As you say, it's do or die. | 0:14:13 | 0:14:14 | |
Nothing to be gained by standing still in business. | 0:14:17 | 0:14:20 | |
Papa, you must try smiling. I have read it is good for the circulation. | 0:14:25 | 0:14:30 | |
The rest will be delivered to Belville Hall this evening. | 0:14:30 | 0:14:33 | |
There's more?! | 0:14:33 | 0:14:35 | |
It is that girl. | 0:14:39 | 0:14:40 | |
Really, Moray, you should fight to get her back. | 0:14:40 | 0:14:44 | |
The one you gave me today was no replacement. | 0:14:44 | 0:14:46 | |
Poor service will not do | 0:14:46 | 0:14:48 | |
now we are to cater for customers of a higher class. | 0:14:48 | 0:14:50 | |
My daughter does not care to do anything by halves. | 0:14:59 | 0:15:03 | |
Believe me, Moray, to ensure her happiness | 0:15:03 | 0:15:07 | |
will require a husband's undivided attention. | 0:15:07 | 0:15:10 | |
The mannequin will be placed outside beside your stalls, | 0:15:25 | 0:15:29 | |
each wearing a different ensemble. | 0:15:29 | 0:15:31 | |
Outside? You wish to place my hats on the street, | 0:15:31 | 0:15:34 | |
-expose them to the elements? -I believe that's what happens when they're worn on the head. | 0:15:34 | 0:15:38 | |
And there is always one of Mr Jackson's fine umbrellas | 0:15:38 | 0:15:42 | |
to be worked imaginatively into the display. | 0:15:42 | 0:15:45 | |
I fear you've missed a patch. | 0:15:54 | 0:15:56 | |
You're renovating... and you're not alone, I see. | 0:16:01 | 0:16:05 | |
Times are hard for the small store - we must adapt to survive. | 0:16:05 | 0:16:09 | |
You're marketing your products as an ensemble. | 0:16:09 | 0:16:13 | |
Yes. | 0:16:13 | 0:16:14 | |
With a discount? | 0:16:14 | 0:16:16 | |
10%. | 0:16:16 | 0:16:17 | |
Oh? It is most enterprising and the least I would expect. | 0:16:17 | 0:16:23 | |
Edmund will feel the benefit of your presence | 0:16:23 | 0:16:25 | |
almost as keenly as we feel the loss of it. | 0:16:25 | 0:16:27 | |
-You do? -Of course. | 0:16:27 | 0:16:30 | |
My little champion, I fear sales in Ladieswear shall plummet. | 0:16:30 | 0:16:35 | |
You should wear green more often. | 0:16:38 | 0:16:41 | |
It's most becoming. | 0:16:41 | 0:16:43 | |
Fraternising with the enemy? | 0:16:50 | 0:16:52 | |
Rest assured, Mr Chisholm, there is certainly no conspiracy between us. | 0:16:52 | 0:16:56 | |
Then, girl, | 0:16:56 | 0:17:00 | |
why does he raise such a blush? | 0:17:00 | 0:17:03 | |
From now on, Mr Chisholm, you will refer to me as Denise | 0:17:03 | 0:17:07 | |
or Miss Lovett. | 0:17:07 | 0:17:09 | |
Hello. | 0:17:18 | 0:17:20 | |
Mr Moray. | 0:17:20 | 0:17:21 | |
Miss Audrey. | 0:17:21 | 0:17:22 | |
I've been meaning to ask how you're coping in Ladieswear, | 0:17:22 | 0:17:25 | |
in the wake of recent departures. | 0:17:25 | 0:17:27 | |
Oh? | 0:17:27 | 0:17:29 | |
Denise? | 0:17:29 | 0:17:31 | |
Sir, you will find that all in Ladieswear | 0:17:33 | 0:17:35 | |
is just as it should be - a tightly run ship. | 0:17:35 | 0:17:38 | |
I pride myself on running a department | 0:17:38 | 0:17:41 | |
ready to weather any storm. | 0:17:41 | 0:17:43 | |
Yes, yes, of course. Thank you, Miss Audrey. | 0:17:43 | 0:17:45 | |
Losing an assistant was always bound to be more of a squall than a tempest, | 0:17:45 | 0:17:50 | |
no matter how special she seemed at the time. | 0:17:50 | 0:17:54 | |
You have eased my mind. | 0:17:54 | 0:17:57 | |
May I add, sir... | 0:17:59 | 0:18:01 | |
..how delighted we all are by your engagement | 0:18:02 | 0:18:05 | |
and that you've found happiness at last. | 0:18:05 | 0:18:08 | |
Ladies, I presume this seat's not taken. | 0:18:18 | 0:18:22 | |
I don't see what the fuss is about. Katherine Glendenning was born into it. | 0:18:22 | 0:18:25 | |
She hasn't actually done anything. | 0:18:25 | 0:18:27 | |
She's taught me plenty. | 0:18:27 | 0:18:29 | |
Sam, what gristly meat. | 0:18:29 | 0:18:32 | |
I should think the cook gave you that on account of your lovely teeth. | 0:18:32 | 0:18:34 | |
-Lovely teeth? -Not a rotten molar in sight. | 0:18:38 | 0:18:41 | |
Nearly. | 0:18:41 | 0:18:43 | |
Would you kindly excuse me? | 0:18:46 | 0:18:48 | |
Would you like to tell me what she's on about? | 0:18:52 | 0:18:54 | |
What do you think? | 0:18:54 | 0:18:55 | |
When are you going to put the poor girl out of her misery? | 0:18:55 | 0:18:58 | |
I was about to lock up. | 0:19:18 | 0:19:20 | |
There is no need. I will be here for a while. | 0:19:20 | 0:19:24 | |
I have some business to finish. | 0:19:24 | 0:19:26 | |
Perhaps you could help. | 0:19:28 | 0:19:30 | |
HE CHUCKLES | 0:19:31 | 0:19:35 | |
Always so easily shocked, Dudley. | 0:19:35 | 0:19:37 | |
I can't believe that even you | 0:19:37 | 0:19:39 | |
have not watched a man drink away his troubles. | 0:19:39 | 0:19:42 | |
I've watched many men try. | 0:19:42 | 0:19:45 | |
I believed you were teetotal. | 0:19:45 | 0:19:46 | |
What matter? I'm lost to this world. | 0:19:48 | 0:19:54 | |
All I have is this job, | 0:19:54 | 0:19:56 | |
and even that will soon be taken from me. | 0:19:56 | 0:19:58 | |
Katherine Glendenning. | 0:20:00 | 0:20:02 | |
The woman cares only for herself. She is a viper. | 0:20:03 | 0:20:05 | |
She poisoned Mr Moray against me. | 0:20:07 | 0:20:11 | |
Jonas, you must stop this. They are to be married. | 0:20:11 | 0:20:14 | |
Why can't you try and be happy for them? | 0:20:15 | 0:20:18 | |
She sees me as distasteful, a monster. | 0:20:18 | 0:20:22 | |
Such easy judgement | 0:20:25 | 0:20:27 | |
with so little knowledge of the beast she set out to slaughter. | 0:20:27 | 0:20:31 | |
Before this, I was a safety miner. | 0:20:33 | 0:20:35 | |
There was an explosion one day. | 0:20:37 | 0:20:40 | |
Eight men were trapped underground. They told us to leave them. | 0:20:40 | 0:20:44 | |
I refused, went back. | 0:20:44 | 0:20:48 | |
Before I could reach them, the shaft collapsed. | 0:20:48 | 0:20:52 | |
My arm crushed. | 0:20:53 | 0:20:54 | |
The others were not so fortunate. | 0:20:56 | 0:20:58 | |
When I signed on that morning, | 0:21:00 | 0:21:05 | |
just a wee lad of 12. | 0:21:05 | 0:21:07 | |
They gave me a certificate for bravery. | 0:21:16 | 0:21:19 | |
And the sack. | 0:21:19 | 0:21:21 | |
I was no longer suitable. | 0:21:21 | 0:21:24 | |
It was much the same everywhere until I came here. | 0:21:24 | 0:21:27 | |
Helene Moray asked me nothing. | 0:21:29 | 0:21:31 | |
Katherine Glendenning will attempt to usurp her memory, | 0:21:33 | 0:21:37 | |
by casting me back out again. | 0:21:37 | 0:21:39 | |
I'm sorry. | 0:21:43 | 0:21:45 | |
I need to talk to you about Katherine. | 0:22:16 | 0:22:18 | |
This show she's making of herself. | 0:22:19 | 0:22:23 | |
The endless shopping. | 0:22:23 | 0:22:25 | |
Well, she's certainly keeping us busy. | 0:22:25 | 0:22:28 | |
I've long been aware of my daughter's tendency towards obsession. | 0:22:30 | 0:22:35 | |
I blame myself. | 0:22:35 | 0:22:36 | |
After her mother died, I actively encouraged her...passions. | 0:22:37 | 0:22:44 | |
And my indulgence resulted instead | 0:22:44 | 0:22:46 | |
in a child both headstrong and stubborn. | 0:22:46 | 0:22:51 | |
Of course, her obsession now is you, Moray. | 0:22:53 | 0:22:57 | |
A desire to prove herself to you. | 0:22:57 | 0:23:01 | |
Once you're married, you'll have a different job. | 0:23:01 | 0:23:06 | |
The job of reining her in. | 0:23:06 | 0:23:08 | |
And I trust you will perform that role more successfully than I. | 0:23:10 | 0:23:16 | |
Denise, I've been working on something for a while. | 0:23:25 | 0:23:30 | |
I was going to save it for your birthday, but... | 0:23:30 | 0:23:33 | |
Thank you! | 0:23:40 | 0:23:41 | |
A dress befitting the businesswoman you have become. | 0:23:44 | 0:23:47 | |
The accounts for Ladieswear. | 0:24:13 | 0:24:15 | |
Thank you. | 0:24:15 | 0:24:18 | |
It's remarkable what she's doing. | 0:24:18 | 0:24:21 | |
I pass her every morning. A sore reminder of what we've lost. | 0:24:21 | 0:24:25 | |
Such determination. | 0:24:25 | 0:24:27 | |
I fear I should have fought harder to keep her on. | 0:24:27 | 0:24:30 | |
She made up her mind. Besides, this is Jonas's doing. | 0:24:30 | 0:24:35 | |
If he hadn't provoked her uncle. | 0:24:35 | 0:24:36 | |
I'm starting to believe you were right all along, Dudley. | 0:24:36 | 0:24:40 | |
This is music to my ears, | 0:24:40 | 0:24:43 | |
but what do you mean? | 0:24:43 | 0:24:45 | |
I warned him, but still he thinks it's his rightful place | 0:24:45 | 0:24:49 | |
to involve himself in my affairs. | 0:24:49 | 0:24:51 | |
I can no longer trust him. | 0:24:53 | 0:24:54 | |
Jonas is eager, | 0:24:58 | 0:25:00 | |
perhaps too much so at times... | 0:25:00 | 0:25:03 | |
..but we must not judge him too harshly. | 0:25:05 | 0:25:07 | |
We should give him another chance. | 0:25:10 | 0:25:12 | |
Hey up. | 0:25:14 | 0:25:16 | |
Ready? | 0:25:32 | 0:25:35 | |
Ready. | 0:25:35 | 0:25:37 | |
Hello, madam. How may I help you? | 0:25:37 | 0:25:40 | |
If it is the dress on Carruthers' stall, | 0:25:40 | 0:25:42 | |
I can also make it in a silk organza. | 0:25:42 | 0:25:45 | |
And Jackson's sell a very nice ebony-handled umbrella | 0:25:45 | 0:25:49 | |
which would look quite the part. | 0:25:49 | 0:25:51 | |
There you are. | 0:25:54 | 0:25:56 | |
Merci, and not goodbye, I trust, but au revoir. | 0:25:58 | 0:26:03 | |
And in the meantime, | 0:26:03 | 0:26:04 | |
perhaps you might like to sample the pleasures next door? | 0:26:04 | 0:26:07 | |
Off! | 0:26:09 | 0:26:11 | |
-Bye. -Bye. | 0:26:21 | 0:26:24 | |
Excuse me? | 0:26:24 | 0:26:25 | |
You are eligible for our discount, 10%. | 0:26:28 | 0:26:31 | |
That makes your total £4 and 17 shillings. | 0:26:31 | 0:26:34 | |
No, no, Samuel, it is all wrong. Have you not read the paper? | 0:26:35 | 0:26:41 | |
Miss Glendenning is visiting us today | 0:26:41 | 0:26:43 | |
to purchase her wedding gown, we must showcase our very finest. | 0:26:43 | 0:26:47 | |
And with the doors about to open. | 0:26:47 | 0:26:49 | |
This is too bright, too showy. Good Lord, Samuel, really! | 0:26:49 | 0:26:53 | |
Oh, people of true class have subtlety in their blood. | 0:26:53 | 0:26:57 | |
Here. Now stock up on it. | 0:26:57 | 0:26:59 | |
There's bound to be a run on whichever one she chooses. | 0:26:59 | 0:27:02 | |
Hurry, girls, hurry. There's a quite a throng forming. | 0:27:02 | 0:27:04 | |
See. It's Katherine Glendenning who's done this. | 0:27:04 | 0:27:08 | |
You'll like her more come bonus time. | 0:27:08 | 0:27:10 | |
Is that "Guillotine!" I hear them cry? | 0:27:10 | 0:27:12 | |
Oh, it's an ugly emotion, jealousy. | 0:27:12 | 0:27:15 | |
Me jealous? I've no reason to be. | 0:27:15 | 0:27:18 | |
I visited his rooms a couple of weeks back, | 0:27:18 | 0:27:20 | |
right before they got engaged. | 0:27:20 | 0:27:23 | |
She hasn't got anything I haven't had already. | 0:27:23 | 0:27:25 | |
It all seems to be going surprisingly well. | 0:27:46 | 0:27:49 | |
The advertisement you put in the paper is doing the trick. | 0:27:49 | 0:27:52 | |
You've never shied away from publicity before. | 0:27:57 | 0:27:59 | |
I thought you would have liked the article. | 0:27:59 | 0:28:01 | |
To be in the society pages and gossip columns? | 0:28:01 | 0:28:04 | |
The Paradise was referenced constantly. | 0:28:04 | 0:28:07 | |
You are marrying into the aristocracy. | 0:28:07 | 0:28:09 | |
"The wedding of the year"! | 0:28:09 | 0:28:10 | |
Glendenning will think I'm responsible for it. | 0:28:10 | 0:28:13 | |
It's an embarrassment. | 0:28:13 | 0:28:14 | |
The woman is taking over my store. | 0:28:14 | 0:28:16 | |
Now that's what I call a hat. | 0:28:26 | 0:28:30 | |
CROWD CHATTERS | 0:28:38 | 0:28:41 | |
Darling! I see you've brought quite a crowd along with you. | 0:29:15 | 0:29:18 | |
I trust they're not all your close acquaintances. | 0:29:18 | 0:29:21 | |
I should like to say it is good taste, | 0:29:21 | 0:29:24 | |
but I fear it is something more prurient that draws them in. | 0:29:24 | 0:29:26 | |
Or perhaps it's the article you put in the newspaper. | 0:29:26 | 0:29:29 | |
You liked it? | 0:29:29 | 0:29:31 | |
Do you know, I think I am beginning to understand. | 0:29:33 | 0:29:37 | |
This playing shops is quite an entertaining distraction. | 0:29:37 | 0:29:41 | |
Er, Katherine, we do not PLAY here. This is business. | 0:29:41 | 0:29:45 | |
You know, today, I think I could sell you anything. | 0:29:45 | 0:29:49 | |
One day of sales does not an expert in retail make. | 0:29:49 | 0:29:53 | |
No? Then choose something. | 0:29:53 | 0:29:55 | |
Don't you think you have proven yourself already? | 0:29:56 | 0:29:59 | |
Anything. | 0:29:59 | 0:30:01 | |
Let ME show you how it's done. | 0:30:01 | 0:30:03 | |
Very well. Sam. | 0:30:07 | 0:30:09 | |
Mr Moray, sir. | 0:30:09 | 0:30:10 | |
I am looking for a cloth. | 0:30:10 | 0:30:12 | |
Something...special, something...different. | 0:30:12 | 0:30:16 | |
Miss Audrey's put out what she deems to be our very finest silks. | 0:30:16 | 0:30:19 | |
No. No. Erm... | 0:30:19 | 0:30:22 | |
Sir, that's old lining satin. | 0:30:45 | 0:30:47 | |
Mmm. Its name? | 0:30:47 | 0:30:49 | |
I believe that's known as Midnight Ink. | 0:30:50 | 0:30:53 | |
Midnight Ink. | 0:31:03 | 0:31:04 | |
Six yards. Then take it up to Ladieswear. | 0:31:08 | 0:31:11 | |
It is the perfect cloth... | 0:31:11 | 0:31:13 | |
..the only cloth, for my wedding dress. | 0:31:14 | 0:31:17 | |
MURMURING | 0:31:17 | 0:31:18 | |
Midnight Ink. | 0:31:18 | 0:31:19 | |
Er, ma'am? | 0:31:25 | 0:31:27 | |
No. Your services shall not be needed today. | 0:31:27 | 0:31:29 | |
Oh, good. Er, I mean, very good, your honourable, ma'am! | 0:31:29 | 0:31:33 | |
One might use the lull to tidy a little, Mr Lovett. | 0:31:51 | 0:31:54 | |
You are sprawled halfway across my bench. | 0:31:54 | 0:31:58 | |
Chisholm, I spent all morning with your feathers batting my face. | 0:31:58 | 0:32:01 | |
My feathers do not bat. | 0:32:01 | 0:32:04 | |
And I do not sprawl. Certainly not over your bench! | 0:32:04 | 0:32:08 | |
Uncle? | 0:32:08 | 0:32:09 | |
I'll have that, | 0:32:18 | 0:32:19 | |
made in Midnight Ink. | 0:32:19 | 0:32:21 | |
If you step this way, I can measure you up. | 0:32:21 | 0:32:24 | |
Clara. | 0:32:24 | 0:32:25 | |
Clara. | 0:32:28 | 0:32:29 | |
Maybe not...you. | 0:32:32 | 0:32:33 | |
Miss Audrey, Katherine is with you? All is progressing? | 0:32:34 | 0:32:39 | |
Oh, yes, Mr Moray, sir, | 0:32:39 | 0:32:41 | |
but I'm afraid you cannot stay here! | 0:32:41 | 0:32:43 | |
The bride-to-be must have her privacy respected. | 0:32:43 | 0:32:46 | |
Very well. | 0:32:46 | 0:32:48 | |
DOOR OPENS | 0:33:01 | 0:33:02 | |
Jonas, are you waiting for Moray? | 0:33:05 | 0:33:08 | |
I did not sleep last night, for thinking of our conversation. | 0:33:16 | 0:33:20 | |
The fear that I have misjudged you, | 0:33:22 | 0:33:25 | |
not understanding the difficulties you have faced. | 0:33:25 | 0:33:29 | |
I should like your permission to talk with Moray. | 0:33:32 | 0:33:35 | |
If I could explain to him the importance The Paradise | 0:33:36 | 0:33:39 | |
holds for you, then, I am sure he will guarantee | 0:33:39 | 0:33:43 | |
your position here as safe. | 0:33:43 | 0:33:45 | |
He and I are old friends. | 0:33:47 | 0:33:49 | |
Let me reassure you. | 0:33:52 | 0:33:55 | |
Not a word of this shall be uttered to anyone else. | 0:33:55 | 0:33:57 | |
You overestimate your authority. | 0:33:59 | 0:34:02 | |
How do you know that I was telling you the truth? | 0:34:02 | 0:34:04 | |
You need to learn, Mr Dudley, you cannot trust anyone. | 0:34:05 | 0:34:10 | |
All around you, people utter lies and hold secrets that make men shudder. | 0:34:10 | 0:34:16 | |
Do not presume to know me or anyone else...even those closest to you. | 0:34:16 | 0:34:21 | |
It is Clara, did I hear her say? | 0:34:27 | 0:34:31 | |
Yes, ma'am. | 0:34:31 | 0:34:32 | |
I confess I am terrible with names and with so many staff... | 0:34:32 | 0:34:36 | |
I am trying to make an effort, for Moray. | 0:34:36 | 0:34:39 | |
Oh, I'm sure he will appreciate that, ma'am. | 0:34:39 | 0:34:42 | |
Mr Moray has always placed great emphasis on getting | 0:34:42 | 0:34:45 | |
to know his staff...individually. | 0:34:45 | 0:34:48 | |
Moray is a very modern man. | 0:34:49 | 0:34:51 | |
I should say. Although, it has its disadvantages, | 0:34:51 | 0:34:56 | |
being so involved. | 0:34:56 | 0:34:58 | |
He's miserable when some of them go. | 0:34:58 | 0:35:01 | |
Denise was a REAL favourite. | 0:35:01 | 0:35:03 | |
Really? | 0:35:05 | 0:35:06 | |
Oh, look at that! We're the same around the chest. | 0:35:06 | 0:35:10 | |
Clara. | 0:35:13 | 0:35:15 | |
Miss Glendenning, if I might humbly suggest an alternative fabric. | 0:35:19 | 0:35:23 | |
The satin you have selected is not one we would normally use | 0:35:23 | 0:35:27 | |
for a wedding dress - the quality, the colour. | 0:35:27 | 0:35:29 | |
The colour is appropriate for mourning, | 0:35:29 | 0:35:32 | |
as a mark of respect for Mr Moray's first wife. | 0:35:32 | 0:35:35 | |
SURPRISED SWOONS | 0:35:35 | 0:35:36 | |
It is the custom and one that I am willing to embrace. | 0:35:36 | 0:35:40 | |
As for the quality, it matters not. | 0:35:41 | 0:35:43 | |
My real dress is crafted | 0:35:43 | 0:35:45 | |
of snow-white Russian silk. | 0:35:45 | 0:35:48 | |
It is but a ruse, Miss Audrey. | 0:35:48 | 0:35:51 | |
A game. | 0:35:51 | 0:35:53 | |
Oh, I see. | 0:35:53 | 0:35:55 | |
Well, thank you for informing me. | 0:35:56 | 0:35:58 | |
Clara, take this to the seamstresses and have it made up immediately. | 0:36:04 | 0:36:08 | |
Miss Glendenning has graced us with her custom. | 0:36:08 | 0:36:11 | |
Let us thank her with our professionalism. | 0:36:11 | 0:36:14 | |
APPROVING SWOONS | 0:36:14 | 0:36:16 | |
One at a time, please, one at a time. | 0:36:16 | 0:36:18 | |
Yes, Midnight Ink - Encre de Minuit - | 0:36:18 | 0:36:23 | |
an exceedingly elegant fabric of singularly good taste. | 0:36:23 | 0:36:27 | |
The intensity is a product of the pigmentation process. | 0:36:27 | 0:36:31 | |
See, it's not the silk that's dyed, but the silkworm's feed. | 0:36:31 | 0:36:36 | |
The blend of dyes mixed to replicate exactly the sash | 0:36:36 | 0:36:40 | |
-on his first wife's wedding dress. -'Copper sulphate...' | 0:36:40 | 0:36:43 | |
..with just a pinch of ground sapphires thrown in. | 0:36:44 | 0:36:47 | |
They buried her in it. | 0:36:47 | 0:36:49 | |
She told you what? | 0:36:50 | 0:36:51 | |
Madam, I'm sorry, but someone's been telling your friends fibs. | 0:36:51 | 0:36:56 | |
The truth is, Mr Moray chose it. | 0:36:56 | 0:36:59 | |
The name reminds him of the hour in which he pens his courtship letters | 0:36:59 | 0:37:02 | |
to Miss Glendenning, so full of her that he cannot sleep. | 0:37:02 | 0:37:05 | |
Aw... | 0:37:05 | 0:37:07 | |
How many yards was it? | 0:37:07 | 0:37:09 | |
EXCITED CHATTER | 0:37:14 | 0:37:16 | |
Oh. | 0:37:31 | 0:37:33 | |
No point getting shop girl's feet. | 0:37:35 | 0:37:38 | |
KNOCKING | 0:37:47 | 0:37:49 | |
-I've missed you so much! Can I come in? -Of course! | 0:37:55 | 0:37:59 | |
She's in the store all day, all over him, cooing. | 0:37:59 | 0:38:02 | |
Pauline. We're very busy. Lots to do before the morning. | 0:38:02 | 0:38:06 | |
It's all right, I can talk standing. | 0:38:06 | 0:38:09 | |
-Mr Lovett. -Pauline. | 0:38:09 | 0:38:11 | |
She's changing everything in The Paradise. And I mean everything! | 0:38:11 | 0:38:15 | |
And what she's buying, everyone else is buying. | 0:38:15 | 0:38:18 | |
It's like, well, madness, really. For her wedding dress today, | 0:38:18 | 0:38:20 | |
she chose this horrible satin, Midnight Ink. Next thing you know, | 0:38:20 | 0:38:24 | |
we've as good as sold out. No wonder Mr Moray's swooning. | 0:38:24 | 0:38:27 | |
If she can shift stock like that, she's the perfect match for him. | 0:38:27 | 0:38:30 | |
Mind, that's nothing. Then there's what Clara told me. | 0:38:30 | 0:38:33 | |
-Pauline... -I'll burst if I don't tell someone. She...with Moray. | 0:38:33 | 0:38:38 | |
I don't know what exactly but something. | 0:38:38 | 0:38:41 | |
It was just before he got engaged to Katherine, when Miss Audrey was ill. | 0:38:41 | 0:38:45 | |
Of course. She'll win in the end - Katherine. | 0:38:45 | 0:38:47 | |
In fact, she's given me a few tips. | 0:38:47 | 0:38:49 | |
This morning, when I said hello to Sam, he smiled back at me | 0:38:49 | 0:38:51 | |
and told me to inspect his teeth. | 0:38:51 | 0:38:53 | |
Not that it did much good, | 0:38:53 | 0:38:55 | |
come to think of it. | 0:38:55 | 0:38:56 | |
That dress is lovely. But you want to get your uncle to loosen it a bit. | 0:38:56 | 0:39:00 | |
You're white as a sheep. | 0:39:00 | 0:39:01 | |
DOOR OPENS | 0:39:03 | 0:39:05 | |
Darling? | 0:39:07 | 0:39:08 | |
I hear the sales figures for today are extraordinary. | 0:39:10 | 0:39:13 | |
Isn't that wonderful? | 0:39:13 | 0:39:15 | |
After all I have done for you. | 0:39:21 | 0:39:23 | |
We are due to be married. | 0:39:26 | 0:39:29 | |
I do not think it is too much to ask. | 0:39:29 | 0:39:31 | |
Please... | 0:39:33 | 0:39:36 | |
take it down. | 0:39:36 | 0:39:37 | |
I want to be the only Mrs Moray. | 0:39:40 | 0:39:42 | |
Not yet. | 0:39:45 | 0:39:46 | |
She is there to remind me, Katherine... | 0:39:51 | 0:39:53 | |
..not just of who she was, | 0:39:55 | 0:39:57 | |
but... | 0:39:57 | 0:39:59 | |
of who I am. | 0:39:59 | 0:40:01 | |
In that case, I shall return home. | 0:40:06 | 0:40:08 | |
I am tired. | 0:40:10 | 0:40:12 | |
It is late. | 0:40:13 | 0:40:15 | |
We are a long way off making back our initial investment. | 0:40:27 | 0:40:30 | |
You cannot expect to get your money back after one day. | 0:40:30 | 0:40:32 | |
Just an observation, Edmund. There's no need to be so touchy. | 0:40:32 | 0:40:36 | |
I was merely stating fact, Charles. | 0:40:36 | 0:40:38 | |
A matter of opinion, surely? | 0:40:38 | 0:40:40 | |
I have an idea. | 0:40:41 | 0:40:43 | |
There is a fabric called Midnight Ink | 0:40:43 | 0:40:45 | |
that The Paradise have been trading on strongly. | 0:40:45 | 0:40:48 | |
We should order it. | 0:40:48 | 0:40:49 | |
The Paradise would simply order more, sell it more cheaply. | 0:40:49 | 0:40:54 | |
If my memory serves me correctly, | 0:40:54 | 0:40:56 | |
Midnight Ink is a discontinued satin | 0:40:56 | 0:40:58 | |
from a manufacturer that folded in January. | 0:40:58 | 0:41:01 | |
If there's any left, it will be limited stock. | 0:41:01 | 0:41:04 | |
We could buy the lot and be the only shop | 0:41:04 | 0:41:06 | |
able to offer the material | 0:41:06 | 0:41:08 | |
that Katherine Glendenning has chosen for her wedding outfit. | 0:41:08 | 0:41:12 | |
-Is that not a little underhand? -Would The Paradise do different? | 0:41:12 | 0:41:15 | |
MURMURS OF AGREEMENT | 0:41:15 | 0:41:17 | |
Your uncle underestimates you again. It is the best idea you've had yet. | 0:41:17 | 0:41:22 | |
I do have some meagre savings. Not much, my very last few pennies. | 0:41:22 | 0:41:29 | |
I might consider a loan, if you could offer me some guarantee. | 0:41:30 | 0:41:35 | |
I believe we will succeed. | 0:41:37 | 0:41:39 | |
Then I want 50% of all profits. | 0:41:39 | 0:41:43 | |
That's my offer. Take it or leave it. | 0:41:43 | 0:41:46 | |
Moray, from the suppliers. They have run out of Midnight Ink. | 0:42:16 | 0:42:20 | |
Someone placed an order for the remaining fabric minutes before ours came in. | 0:42:20 | 0:42:24 | |
-This is an outrage. An absolute outrage. -Katherine? | 0:42:24 | 0:42:26 | |
Hurry, come and look! The insolence! The cheek! | 0:42:26 | 0:42:30 | |
How dare she! She is selling my wedding dress. | 0:42:36 | 0:42:42 | |
Where are you going? | 0:42:43 | 0:42:45 | |
-Back to work. -But you must go and talk to her. | 0:42:45 | 0:42:47 | |
Stop her. | 0:42:47 | 0:42:49 | |
Well, if you won't, I shall do it myself. | 0:42:49 | 0:42:51 | |
I don't think that would be a good idea. | 0:42:51 | 0:42:53 | |
-That is my fabric. It is plagiarism. Theft. -No, Katherine, | 0:42:53 | 0:42:58 | |
the only thing they've done wrong is beating you at your own game. | 0:42:58 | 0:43:01 | |
You must stop this. You cannot have everything your way. | 0:43:01 | 0:43:06 | |
Dudley, will you see me to my carriage? | 0:43:08 | 0:43:10 | |
-Of course. -And deal with this. | 0:43:10 | 0:43:12 | |
-Madam. -Thank you. | 0:43:31 | 0:43:34 | |
How are you coping? | 0:43:34 | 0:43:35 | |
Fine. I'm not so sure about him. | 0:43:35 | 0:43:38 | |
Mesdames, messieurs, restrain yourselves. | 0:43:38 | 0:43:41 | |
Do not swarm and claw so. | 0:43:41 | 0:43:43 | |
Though your custom is most welcome, | 0:43:43 | 0:43:45 | |
these hats are pieces of artistry. | 0:43:45 | 0:43:49 | |
Do not finger the feathers. | 0:43:49 | 0:43:51 | |
Miss Glendenning, please do not be too upset. | 0:43:54 | 0:43:58 | |
Moray can forget himself when involved in matters of The Paradise. | 0:43:58 | 0:44:01 | |
Those closest to him often feel in competition with the shop. | 0:44:01 | 0:44:06 | |
It is never meant personally. | 0:44:06 | 0:44:08 | |
Thank you, Dudley. | 0:44:10 | 0:44:12 | |
Folding and tidying. | 0:44:44 | 0:44:46 | |
There is no point just dawdling there, girl. | 0:44:46 | 0:44:48 | |
You will put off any customers that we do have. | 0:44:48 | 0:44:51 | |
-But everything's already been folded. -Then do it again. | 0:44:51 | 0:44:53 | |
Mr Moray, sir. | 0:44:59 | 0:45:01 | |
Miss Audrey. You're quiet. | 0:45:01 | 0:45:03 | |
We are... | 0:45:03 | 0:45:04 | |
quiet. | 0:45:04 | 0:45:06 | |
It is the Midnight Ink. | 0:45:06 | 0:45:08 | |
I find myself tempted to tell customers | 0:45:08 | 0:45:12 | |
how poor the cloth really is. | 0:45:12 | 0:45:14 | |
But we cannot expose Miss Glendenning. | 0:45:14 | 0:45:16 | |
Indeed. Indeed. | 0:45:16 | 0:45:18 | |
It is hard not to be impressed by the way Denise has played her hand at this. | 0:45:18 | 0:45:23 | |
The girl always did exhibit a level of promise bordering on precocity. | 0:45:23 | 0:45:27 | |
You have known me for...quite some time, Miss Audrey. | 0:45:35 | 0:45:39 | |
I have, Mr Moray. | 0:45:39 | 0:45:40 | |
Hmm. How would you describe me? | 0:45:40 | 0:45:42 | |
-Tall... -No. | 0:45:43 | 0:45:45 | |
-Quite tall... -No, no. | 0:45:45 | 0:45:46 | |
Medium, strong strength... | 0:45:46 | 0:45:48 | |
No. Would you say I am honest? | 0:45:48 | 0:45:50 | |
Oh, very honest. You have always been very honest. Yes. | 0:45:50 | 0:45:54 | |
Would you say I've changed in any way? | 0:45:57 | 0:46:01 | |
You may be frank. | 0:46:01 | 0:46:02 | |
I would say that, with power and responsibility, we all change, | 0:46:04 | 0:46:08 | |
but the hearts of the most honourable remain true to their dreams. | 0:46:08 | 0:46:10 | |
It is why you inspire such loyalty and affection in your workforce. | 0:46:13 | 0:46:17 | |
Have confidence, Mr Moray. | 0:46:18 | 0:46:21 | |
Thessalonians, Chapter 3, Verse 11. | 0:46:31 | 0:46:33 | |
Yes, well. | 0:46:33 | 0:46:35 | |
Perhaps if you'd listened as intently in Bible class. | 0:46:35 | 0:46:39 | |
To work, girls! | 0:46:39 | 0:46:40 | |
Gentleman, to successful co-operation! | 0:46:42 | 0:46:47 | |
-ALL: -Successful co-operation. | 0:46:47 | 0:46:49 | |
And that is what it looks like. | 0:46:50 | 0:46:53 | |
A tidy sum, I believe. | 0:46:53 | 0:46:55 | |
There's no arguing with it. | 0:46:55 | 0:46:57 | |
You say that now. | 0:46:57 | 0:46:58 | |
If you had your way, we'd still be stood out there, peddling neckerchiefs. | 0:46:58 | 0:47:03 | |
-Neckties. -Scrabbling for tiddlers instead of bigger fish. | 0:47:03 | 0:47:06 | |
This is the difference between thrive and survive. On the Rue St Denis... | 0:47:06 | 0:47:11 | |
Are you saying I don't know how to run my business? | 0:47:11 | 0:47:13 | |
-On recent evidence, you have little eye for an opportunity. -Mr Chisholm! | 0:47:13 | 0:47:17 | |
-Last week, you were on your knees begging for my help! -Uncle! -Your help? | 0:47:17 | 0:47:21 | |
We are all aware that anything that ever has been achieved here | 0:47:21 | 0:47:24 | |
has been achieved by your niece. | 0:47:24 | 0:47:26 | |
Mr Chisholm! Please, gentlemen, | 0:47:26 | 0:47:29 | |
let us all calm down and talk of our next step. | 0:47:29 | 0:47:32 | |
We must decide how we shall reinvest these profits. | 0:47:32 | 0:47:35 | |
I think you mean MY profits. | 0:47:35 | 0:47:36 | |
-I knew it. -Let us be honest, none of this would have been possible | 0:47:36 | 0:47:40 | |
if it wasn't for my money. | 0:47:40 | 0:47:41 | |
I invested all my savings in this scheme. | 0:47:41 | 0:47:44 | |
Of all the self-serving, penny-pinching, manipulative... | 0:47:44 | 0:47:47 | |
So, I want him to thank me for it. | 0:47:47 | 0:47:50 | |
I want Lovett to recognise that he owes me for this. | 0:47:50 | 0:47:54 | |
Otherwise, I'll have it back, every penny. | 0:47:54 | 0:47:57 | |
With interest. | 0:47:57 | 0:47:59 | |
You cannot mean that. | 0:48:01 | 0:48:03 | |
Withdrawing your investment would fold the co-operative. | 0:48:03 | 0:48:06 | |
Our success has made even The Paradise sit up and take notice. | 0:48:06 | 0:48:10 | |
Really, Mr Chisholm, Uncle, | 0:48:10 | 0:48:13 | |
it is time we put an end to this pettiness. | 0:48:13 | 0:48:17 | |
If we can't see eye to eye in the good times, | 0:48:17 | 0:48:19 | |
how shall we fare in the bad? | 0:48:19 | 0:48:21 | |
What co-operative? | 0:48:34 | 0:48:36 | |
Tant pis! | 0:48:50 | 0:48:53 | |
Please! | 0:49:01 | 0:49:02 | |
Please, Mr Chisholm! | 0:49:03 | 0:49:05 | |
Mr Carruthers! Mr Jackson! | 0:49:08 | 0:49:11 | |
I'm sorry, Denise, but I tried to warn you. | 0:49:14 | 0:49:18 | |
We are cut from a very different cloth. | 0:49:18 | 0:49:20 | |
You too have run out of silk. | 0:49:27 | 0:49:30 | |
More than silk. | 0:49:30 | 0:49:32 | |
There's no more Tollgate Street Traders, no more co-operative. | 0:49:32 | 0:49:37 | |
We've run clean out of co-operation. | 0:49:37 | 0:49:39 | |
And...patience, it seems. | 0:49:46 | 0:49:49 | |
You have made me feel foolish. | 0:49:51 | 0:49:53 | |
Your sales have made me LOOK it! | 0:49:56 | 0:49:58 | |
It is pathetic. No matter how hard you try to explain, | 0:50:01 | 0:50:04 | |
there's no reasoning with them. | 0:50:04 | 0:50:05 | |
That is because they do not start from a position of logic. | 0:50:05 | 0:50:09 | |
I wish I could say that I was surprised, | 0:50:09 | 0:50:11 | |
but given your choice of partners... | 0:50:11 | 0:50:15 | |
Next time, you'll have to be more selective. | 0:50:15 | 0:50:17 | |
I don't know that there will be a next time. | 0:50:17 | 0:50:20 | |
Sometimes we must learn from our mistakes. | 0:50:20 | 0:50:23 | |
What matters is that we are never deterred from grasping opportunities, | 0:50:23 | 0:50:27 | |
even if it means we are making the greatest mistake of our lives. | 0:50:27 | 0:50:31 | |
My wife loved me wholeheartedly, without reservation. | 0:50:39 | 0:50:44 | |
But I did not give her the love that she...deserved. | 0:50:44 | 0:50:48 | |
I was driven by the need to expand the store. | 0:50:50 | 0:50:53 | |
She wanted us to go away for two months, | 0:50:54 | 0:50:58 | |
travel together... | 0:50:58 | 0:51:01 | |
start a family. | 0:51:01 | 0:51:02 | |
I...refused. | 0:51:04 | 0:51:06 | |
We argued, and... | 0:51:08 | 0:51:11 | |
I... | 0:51:11 | 0:51:13 | |
I said some things that were... | 0:51:13 | 0:51:17 | |
unforgivable. | 0:51:17 | 0:51:19 | |
She ran from me. | 0:51:21 | 0:51:23 | |
And now I will never know. | 0:51:23 | 0:51:27 | |
Did she fall or did she... | 0:51:29 | 0:51:31 | |
..with intention...? | 0:51:33 | 0:51:36 | |
Why am I telling you this? | 0:51:53 | 0:51:55 | |
Because what matters is that we learn from our mistakes. | 0:51:56 | 0:52:00 | |
I need you to know... | 0:52:07 | 0:52:08 | |
that you are my inspiration. | 0:52:08 | 0:52:12 | |
-Katherine? -I am considering taking it all back. | 0:52:39 | 0:52:42 | |
Much of it is of dubious quality. | 0:52:42 | 0:52:45 | |
Tell me what's happened. | 0:52:54 | 0:52:55 | |
It's nothing...a small exchange. | 0:52:55 | 0:53:00 | |
I...just don't understand. | 0:53:02 | 0:53:05 | |
After all I have done. | 0:53:07 | 0:53:08 | |
I tried to help him, and he mocked me for it, chastised me, | 0:53:10 | 0:53:15 | |
chose to defend some girl over his own future wife. | 0:53:15 | 0:53:18 | |
What girl? | 0:53:20 | 0:53:21 | |
The dressmaker's niece. | 0:53:21 | 0:53:23 | |
Opposite? | 0:53:24 | 0:53:25 | |
Why? | 0:53:25 | 0:53:27 | |
He has demonstrated a certain leniency towards this co-operative. | 0:53:29 | 0:53:33 | |
I wondered if there was reason behind it. That's all. | 0:53:33 | 0:53:37 | |
What do you mean? | 0:53:37 | 0:53:39 | |
Oh, nothing. | 0:53:39 | 0:53:40 | |
Nothing at all to worry about. | 0:53:40 | 0:53:43 | |
All lovers have the occasional squabble. | 0:53:44 | 0:53:49 | |
I mean, Moray is almost certainly feeling rather nervous. | 0:53:49 | 0:53:52 | |
HE CLEARS HIS THROAT | 0:53:52 | 0:53:54 | |
I think we should plan a trip for you both after the wedding. | 0:53:56 | 0:54:01 | |
A chance to escape these... distractions | 0:54:01 | 0:54:04 | |
and concentrate instead on each other. | 0:54:04 | 0:54:07 | |
Your shared future together. | 0:54:09 | 0:54:12 | |
Hmm? Italy? | 0:54:12 | 0:54:15 | |
Greece? | 0:54:16 | 0:54:18 | |
Both wonderful at this time of year. | 0:54:19 | 0:54:22 | |
It's at times like this a man needs to stand back, take stock. | 0:54:26 | 0:54:32 | |
As far as I can see, things are surprisingly good. | 0:54:32 | 0:54:36 | |
In fact, much as they were before all this co-operative stuff. | 0:54:36 | 0:54:40 | |
We've still got our business, | 0:54:41 | 0:54:43 | |
our skills, | 0:54:43 | 0:54:45 | |
some orders... | 0:54:45 | 0:54:46 | |
Unfortunately, Uncle, those orders were placed through the co-operative | 0:54:46 | 0:54:50 | |
at a discount that we can no longer honour. | 0:54:50 | 0:54:52 | |
Unless you want to sell at a loss. | 0:54:52 | 0:54:54 | |
I hadn't thought. | 0:54:54 | 0:54:56 | |
I often don't. | 0:54:56 | 0:54:58 | |
Denise, I'm sorry. | 0:55:00 | 0:55:02 | |
After all you've done. | 0:55:02 | 0:55:03 | |
Giving up your job... | 0:55:03 | 0:55:06 | |
The Paradise. | 0:55:06 | 0:55:07 | |
That's not true. I left The Paradise of my own accord. | 0:55:07 | 0:55:11 | |
It was childish. | 0:55:12 | 0:55:14 | |
A foolish impulse. | 0:55:14 | 0:55:16 | |
Still... | 0:55:16 | 0:55:17 | |
..I've been a pig-headed, arrogant oaf. | 0:55:19 | 0:55:22 | |
And stubborn as a mule. | 0:55:22 | 0:55:23 | |
What matters is that we learn from our mistakes, | 0:55:25 | 0:55:28 | |
not stand here licking our wounds. | 0:55:28 | 0:55:31 | |
We should have confidence. We've earnt it. | 0:55:31 | 0:55:32 | |
We've shown what we can do. | 0:55:32 | 0:55:34 | |
And now we must be ready for the next opportunity that comes our way. | 0:55:34 | 0:55:38 | |
And we will be, Uncle, we will. | 0:55:38 | 0:55:42 | |
KNOCKING | 0:55:47 | 0:55:48 | |
Darling? I have spoken to Papa, and he agrees. | 0:55:51 | 0:55:54 | |
We must put an end to this... circus. | 0:55:56 | 0:55:59 | |
Our wedding should be about love, | 0:56:00 | 0:56:02 | |
a meeting of two souls, not all this...endless planning. | 0:56:02 | 0:56:07 | |
We shall bring the date forward. | 0:56:09 | 0:56:10 | |
Arrange a small affair. Why not? | 0:56:10 | 0:56:14 | |
I cannot bear to wait. | 0:56:15 | 0:56:16 | |
And listen, Papa has offered us a wedding gift. | 0:56:17 | 0:56:21 | |
An extended honeymoon, just the two of us, alone, away from all of this. | 0:56:21 | 0:56:25 | |
Perhaps Europe? | 0:56:26 | 0:56:28 | |
I am sure Dudley will manage the store perfectly well in your absence. | 0:56:29 | 0:56:33 | |
The perfect start... | 0:56:38 | 0:56:40 | |
to a perfect marriage. | 0:56:40 | 0:56:43 | |
I suspect there are a few things you would have changed. | 0:57:08 | 0:57:13 | |
The draping of the fabric perhaps a little too...Miss Audrey? | 0:57:13 | 0:57:16 | |
DENISE LAUGHS | 0:57:16 | 0:57:18 | |
The overall display lacking a single focal point. | 0:57:18 | 0:57:22 | |
Oh, how we must suffer for the lack of perfection. | 0:57:22 | 0:57:26 | |
Denise, I, er... | 0:57:31 | 0:57:32 | |
No. No, there's no need. I do not want your apology. | 0:57:32 | 0:57:36 | |
There is too much of an air of finality about it. | 0:57:36 | 0:57:40 | |
I should like to remain friends, Mr Moray. | 0:57:40 | 0:57:43 | |
My dream is that I will make my own mark on the world, as you have. | 0:57:43 | 0:57:48 | |
I see that I have lost my little champion. | 0:57:51 | 0:57:55 | |
She has grown too great for me. | 0:57:55 | 0:57:58 | |
The man found in the river. It's Bradley Burroughs. | 0:58:03 | 0:58:06 | |
-JONAS: -'We must keep what we know to ourselves. | 0:58:06 | 0:58:08 | |
'They would use this to bring Mr Moray down.' | 0:58:08 | 0:58:09 | |
I come here knowing my place, ma'am. | 0:58:09 | 0:58:11 | |
So be it. You can start today. We are busy with wedding fever. | 0:58:11 | 0:58:15 | |
I hope you will toast to my future. | 0:58:15 | 0:58:17 | |
Is there anything in the world more romantic than a wedding veil? | 0:58:17 | 0:58:20 | |
-You're back. -Yes, ma'am. | 0:58:22 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |