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I've arranged for the bells to be rung at three o'clock on the great day. | 0:01:37 | 0:01:40 | |
Yes, yes. You've told me that already, Dudley. | 0:01:40 | 0:01:42 | |
You are taking your best man's duties rather earnestly! | 0:01:42 | 0:01:46 | |
As you did last time. | 0:01:46 | 0:01:48 | |
I've been informed that since there are to be four bridesmaids, | 0:01:48 | 0:01:51 | |
you'll need another groomsman. | 0:01:51 | 0:01:53 | |
-We'll ask Arthur. -Arthur?! | 0:01:53 | 0:01:55 | |
We can't have Arthur! Arthur is... | 0:01:55 | 0:01:57 | |
He was born in the holding bay! | 0:01:57 | 0:01:59 | |
I envy him. He was born here in The Paradise. | 0:01:59 | 0:02:03 | |
He's more part of this place than I am. | 0:02:03 | 0:02:05 | |
I love the lad as much as anyone, but you are to marry a Glendenning. | 0:02:05 | 0:02:09 | |
Arthur is an errand boy. | 0:02:09 | 0:02:11 | |
All the more reason why he should be here. | 0:02:11 | 0:02:13 | |
I never want to forget what I am. | 0:02:13 | 0:02:15 | |
-I'll have him fitted for a suit. -Dudley! | 0:02:15 | 0:02:18 | |
You were the same last time. | 0:02:18 | 0:02:21 | |
If you were as hesitant about business as you are with love, there would be no Paradise! | 0:02:21 | 0:02:25 | |
It is going to be a great day, my friend, and I am decided that you are going to enjoy it. | 0:02:26 | 0:02:31 | |
As I said, I've arranged for the bells to be rung at three o'clock. | 0:02:31 | 0:02:34 | |
You know, she'd come back to us, if we asked her. | 0:02:39 | 0:02:42 | |
She will not cross the street again. | 0:02:42 | 0:02:45 | |
What if she were to approach us? | 0:02:45 | 0:02:47 | |
She will not abandon her uncle after all that has happened. | 0:02:47 | 0:02:50 | |
We all know you want to come back, so why do you pretend you don't? | 0:02:58 | 0:03:02 | |
I never said I don't want to come back. | 0:03:02 | 0:03:05 | |
Your bed's still free. And I still snore! | 0:03:05 | 0:03:07 | |
Mr Moray would like nothing better than a defeated rival to knock at his door, looking for a job. | 0:03:07 | 0:03:12 | |
It makes him look all-conquering. | 0:03:12 | 0:03:14 | |
I think I will win this time, because you are my lucky charm, Sam. | 0:03:14 | 0:03:17 | |
You've lost the last ten hands already! What was I then? | 0:03:17 | 0:03:20 | |
But you dealt me these cards, so that is where my good fortune will come from. | 0:03:20 | 0:03:23 | |
Mr Moray likes you. | 0:03:25 | 0:03:27 | |
Your work. He's always favoured you. | 0:03:27 | 0:03:30 | |
Ask him while he's in good spirits. Wedding cheer all over the place. | 0:03:30 | 0:03:34 | |
I don't think I could do that to my uncle, after all we've been through. There's an end to it. | 0:03:34 | 0:03:38 | |
I've won! | 0:03:39 | 0:03:41 | |
You see, Sam? We make a pair! | 0:03:42 | 0:03:45 | |
-DUDLEY: -The whole street. How is that possible? | 0:03:45 | 0:03:49 | |
Lord Glendenning became aware of efforts to purchase the Tollgate Street freehold. | 0:03:49 | 0:03:54 | |
He alerted me and agreed to provide me with the funds to acquire it. | 0:03:54 | 0:03:58 | |
Funds? | 0:03:58 | 0:03:59 | |
-A loan. -Quite a loan. | 0:03:59 | 0:04:02 | |
It places us in an insurmountable position, Dudley. | 0:04:02 | 0:04:06 | |
We can move with absolute confidence now. | 0:04:06 | 0:04:09 | |
The street will be ours. | 0:04:11 | 0:04:13 | |
The Paradise will be mine, outright. The land as well as the building. | 0:04:13 | 0:04:16 | |
We can plan ahead for years. | 0:04:16 | 0:04:18 | |
Expand as we sense there is enough custom to warrant it. | 0:04:18 | 0:04:22 | |
If the man you owe money to is your father-in-law... | 0:04:26 | 0:04:29 | |
..I suppose the situation is hardly precarious. | 0:04:31 | 0:04:34 | |
Look out of the window. | 0:04:37 | 0:04:39 | |
It is ours to make happen what we imagined as boys. | 0:04:41 | 0:04:45 | |
-Will you do something for me? -Mm-hm. | 0:05:01 | 0:05:03 | |
What I am about to say, please, just accept it without argument. | 0:05:05 | 0:05:10 | |
You must go back to The Paradise. | 0:05:13 | 0:05:15 | |
It's where you belong. You're young. It's good work. They'll take you back. | 0:05:16 | 0:05:20 | |
-They're not fools. -Uncle... -You're not allowed to challenge me on this. | 0:05:20 | 0:05:24 | |
Give me that, please. | 0:05:24 | 0:05:27 | |
You tried to help me. | 0:05:27 | 0:05:29 | |
You tried. | 0:05:29 | 0:05:30 | |
My trouble is I spend so much time thinking about myself. | 0:05:30 | 0:05:34 | |
My own woes. | 0:05:34 | 0:05:36 | |
I looked at you stood on that street selling neck-ties without complaint | 0:05:37 | 0:05:41 | |
when I know you're the best at your job in that place. | 0:05:41 | 0:05:44 | |
My dear uncle. | 0:05:45 | 0:05:47 | |
I can see you love it there | 0:05:53 | 0:05:55 | |
and that is all that matters. | 0:05:55 | 0:05:57 | |
Denise! | 0:06:11 | 0:06:13 | |
Mr Jonas, sir. | 0:06:15 | 0:06:17 | |
-You must be wondering why I'm here. -I know why you're here. | 0:06:18 | 0:06:21 | |
Are you still working at this hour? | 0:06:25 | 0:06:26 | |
It's where I belong. | 0:06:26 | 0:06:28 | |
Don't you ever wish for some other life? | 0:06:29 | 0:06:32 | |
I mean, perhaps time to go walking or visit friends or go fishing? | 0:06:32 | 0:06:37 | |
No. | 0:06:38 | 0:06:39 | |
No. | 0:06:47 | 0:06:48 | |
HE HEARS SOUNDS OF SWIRLING WATER | 0:06:48 | 0:06:50 | |
What is it, sir? | 0:06:54 | 0:06:55 | |
It's nothing to worry about. | 0:06:57 | 0:07:00 | |
You'll find Miss Audrey in her room. | 0:07:00 | 0:07:03 | |
I was wondering when you might turn up at my door. | 0:07:22 | 0:07:25 | |
My uncle said that he would not object. | 0:07:25 | 0:07:27 | |
He would be obliging if I were to return to The Paradise. | 0:07:27 | 0:07:30 | |
Did he, now? | 0:07:30 | 0:07:32 | |
That is gracious of him. | 0:07:33 | 0:07:35 | |
-But your uncle is not what is troubling you, is it, Denise? -No, ma'am. | 0:07:37 | 0:07:41 | |
We must not be shy in declaring the obvious. | 0:07:42 | 0:07:45 | |
Mr Moray is to be married. There is a reason for that. It is rightful. | 0:07:45 | 0:07:51 | |
Your part in putting to rest any past indiscretions is simple. | 0:07:51 | 0:07:55 | |
You will make clear to Mr Moray that you know your place. | 0:07:55 | 0:07:59 | |
-You wish to be no more than an employee. -Yes, I see. | 0:07:59 | 0:08:03 | |
If you fear that you will not be able to survive here, then do not come back. | 0:08:07 | 0:08:11 | |
I believe you can. To the young, romantic feelings seem to be what the world is built on. | 0:08:11 | 0:08:16 | |
But they pass. | 0:08:16 | 0:08:18 | |
Trust that your longing will leave you, and that will give you the strength. | 0:08:18 | 0:08:23 | |
And I'm to escort the guests to their seats! | 0:08:25 | 0:08:27 | |
Ooh, Arthur, you might find a rich girl of your own! | 0:08:27 | 0:08:30 | |
Watch out for toff girls, Arthur. They can be trouble. | 0:08:30 | 0:08:33 | |
We're all trouble, Arthur. That's what makes us such fun! | 0:08:33 | 0:08:35 | |
I've never been to a wedding before. | 0:08:35 | 0:08:38 | |
Sam prefers girls like himself. Proper working class, no fancy nonsense. | 0:08:38 | 0:08:41 | |
Sam is considering being a monk, or propping up the bar in the pub for the rest of his life. | 0:08:41 | 0:08:45 | |
Take my advice, Arthur. Rich or poor, they'll break your heart. | 0:08:45 | 0:08:48 | |
-But they'll torment you first. -Don't listen to him, Arthur. | 0:08:48 | 0:08:51 | |
Boys will kiss you first, then betray you, then break your heart, then run away. | 0:08:51 | 0:08:55 | |
Aye, but they're the canny ones. The rest of us are just mugs. | 0:08:57 | 0:08:59 | |
Some days I feel there's not a boy in the world who understands girls. | 0:08:59 | 0:09:03 | |
-I've never seen a bride before. -The more talk I hear of weddings, the more my thirst is growing! Come on! | 0:09:03 | 0:09:08 | |
'Veils?' | 0:09:13 | 0:09:15 | |
Wedding veils. Festooned across the whole of ladies' wear. | 0:09:15 | 0:09:18 | |
Draped, hung, brandished, enticingly in all quarters. | 0:09:18 | 0:09:22 | |
Won't it look rather...curious? | 0:09:22 | 0:09:25 | |
Mysterious, sir. | 0:09:25 | 0:09:26 | |
The veil is the shroud itself beyond which lies Adam and Eve. | 0:09:26 | 0:09:32 | |
As a boy, I was told that the veil was to protect the bride. | 0:09:32 | 0:09:36 | |
Evil spirits are attracted to them. | 0:09:36 | 0:09:39 | |
So with her face covered, it would confuse them. | 0:09:41 | 0:09:44 | |
My own understanding is less diabolical than that. | 0:09:44 | 0:09:48 | |
The veil is to symbolise all that is purity, chastity and modesty. | 0:09:48 | 0:09:52 | |
Denise! | 0:09:54 | 0:09:55 | |
-How pleasant it is to see you. -And you, Mr Dudley, sir. | 0:09:55 | 0:09:59 | |
Miss Audrey. Mr Jonas. | 0:09:59 | 0:10:01 | |
I take it you haven't come to admire our displays? | 0:10:01 | 0:10:04 | |
I was hoping to ask... | 0:10:04 | 0:10:07 | |
-I realise you will have to speak to Mr Moray and... -We will restore you to ladies' wear, Denise. | 0:10:07 | 0:10:13 | |
Moray and I spoke about such a possibility recently | 0:10:13 | 0:10:16 | |
-and he will welcome you back. -Thank you, sir. | 0:10:16 | 0:10:19 | |
But, before we can even consider the matter, | 0:10:21 | 0:10:24 | |
we must seek Miss Audrey's approval. | 0:10:24 | 0:10:27 | |
A little humbling is no bad thing for a girl with aspirations. | 0:10:29 | 0:10:33 | |
I take it you feel humbled, Denise? | 0:10:34 | 0:10:37 | |
I come here knowing my place, ma'am. | 0:10:39 | 0:10:41 | |
And I'm grateful for your consideration. | 0:10:41 | 0:10:44 | |
So be it. You can start today. | 0:10:44 | 0:10:47 | |
We are busy with wedding fever. | 0:10:47 | 0:10:48 | |
Moray. | 0:10:55 | 0:10:56 | |
I wanted to tell you myself. | 0:10:56 | 0:10:58 | |
Denise has returned to the fold. | 0:10:58 | 0:11:00 | |
You don't object, do you? | 0:11:01 | 0:11:03 | |
We discussed it. Miss Audrey's given her approval. | 0:11:03 | 0:11:06 | |
Yes. Yes, of course. | 0:11:08 | 0:11:09 | |
That is good news. | 0:11:09 | 0:11:12 | |
Perhaps she might start next week. | 0:11:12 | 0:11:14 | |
I asked her to start today. I saw no reason to delay. | 0:11:14 | 0:11:16 | |
Yes. Yes, you're right. | 0:11:18 | 0:11:19 | |
Thank you. | 0:11:20 | 0:11:22 | |
Ah, the prodigal daughter returns! | 0:11:30 | 0:11:33 | |
Hello, Clara. | 0:11:33 | 0:11:35 | |
Denise. On time, I see, and presentable. | 0:11:37 | 0:11:40 | |
-Morning, Miss Audrey. -But standing still when there is work to be done... | 0:11:40 | 0:11:43 | |
-I was waiting... -Waiting is idleness. And idleness... | 0:11:43 | 0:11:46 | |
..is a sin. | 0:11:46 | 0:11:48 | |
-You haven't learned idleness while you were away, have you? -No, Miss Audrey. | 0:11:48 | 0:11:52 | |
Then step to it. | 0:11:52 | 0:11:54 | |
It was true - you're back! | 0:11:54 | 0:11:56 | |
Oh, Pauline. | 0:11:57 | 0:11:59 | |
Pauline, I sometimes think you're better suited to a circus than a department store. | 0:12:00 | 0:12:05 | |
Have mercy on us and learn to walk. | 0:12:05 | 0:12:08 | |
Yes, Miss Audrey! | 0:12:08 | 0:12:10 | |
I'm glad to be back here again with you, Clara. | 0:12:15 | 0:12:17 | |
-You never did say why you left. -My uncle. It was... | 0:12:17 | 0:12:20 | |
You don't expect me to believe that, do you? | 0:12:20 | 0:12:22 | |
Clara, | 0:12:24 | 0:12:25 | |
there's no cause for us to be at odds with one another. | 0:12:25 | 0:12:27 | |
-You were kind to me when I had troubles... -Cos I like you. | 0:12:27 | 0:12:30 | |
-I want us to be... -But there's something about you tells me it's not done yet. | 0:12:30 | 0:12:35 | |
Oh, girls, before the store opens this morning, | 0:12:35 | 0:12:39 | |
we are to gather in the great hall. Mr Moray wishes to address us as a body. | 0:12:39 | 0:12:44 | |
A congregation. | 0:12:44 | 0:12:46 | |
I wish I could invite every one of you to the wedding. | 0:13:08 | 0:13:12 | |
That is not possible. | 0:13:12 | 0:13:14 | |
I'm sure you appreciate the store must remain open | 0:13:15 | 0:13:18 | |
and so I need you here to take care of things for me in my absence. | 0:13:18 | 0:13:23 | |
You will be represented at the service by Dudley, | 0:13:29 | 0:13:32 | |
Miss Audrey | 0:13:32 | 0:13:34 | |
and Arthur, who I'm sure has told every one of you! | 0:13:34 | 0:13:37 | |
A dress suit and a favour! | 0:13:37 | 0:13:39 | |
But let no man call me cold-hearted. | 0:13:40 | 0:13:43 | |
You'll have your own celebration... | 0:13:48 | 0:13:51 | |
..on Saturday... | 0:13:53 | 0:13:55 | |
..On Saturday when the store closes, | 0:13:56 | 0:13:59 | |
there will be drinks and food for all. | 0:13:59 | 0:14:02 | |
I hope you will toast to my future. | 0:14:05 | 0:14:08 | |
'Splendid sentiment, sir.' | 0:14:31 | 0:14:33 | |
The staff will be delighted to have their own occasion. | 0:14:33 | 0:14:36 | |
And what a touching touch, sir, | 0:14:36 | 0:14:39 | |
to make Arthur your groomsman. | 0:14:39 | 0:14:41 | |
It's truly benevolent of you. | 0:14:41 | 0:14:43 | |
My own gown will reach for demureness, sir. | 0:14:43 | 0:14:47 | |
It is the bride who must shine. | 0:14:47 | 0:14:48 | |
I realise I am preambling, sir. | 0:14:48 | 0:14:51 | |
What I wish to say is... | 0:14:51 | 0:14:53 | |
Well done. | 0:14:53 | 0:14:55 | |
To see a man marry lifts the spirit. | 0:14:55 | 0:14:58 | |
Regret chokes the soul. | 0:14:59 | 0:15:01 | |
Not that I regret, no. I have nothing to lament. | 0:15:04 | 0:15:07 | |
Here I am, in true fulfilment. | 0:15:07 | 0:15:09 | |
Forgive me if my efforts at congratulations | 0:15:09 | 0:15:11 | |
took on a maudlin term, sir. | 0:15:11 | 0:15:13 | |
I did not mean to butter my words so thickly. | 0:15:13 | 0:15:15 | |
Weddings seem to bring out the philosopher in me! | 0:15:15 | 0:15:18 | |
Not at all, Miss Audrey. | 0:15:18 | 0:15:20 | |
Your words are most welcome. | 0:15:21 | 0:15:23 | |
-At least give me a hint. -Then it would not be a surprise. | 0:15:31 | 0:15:34 | |
-I'm unlikely to guess it correctly anyway. -Then what is the point of me giving you a clue? | 0:15:34 | 0:15:38 | |
Because it is such fun for me to occupy my mind of notions of where we might be going to. | 0:15:38 | 0:15:43 | |
Very well. | 0:15:43 | 0:15:45 | |
They make liquorice there. | 0:15:48 | 0:15:51 | |
You would not dare to take me to Pontefract for my honeymoon! Stop it! | 0:15:51 | 0:15:55 | |
Is there to be a lot of travel? A ship, perhaps? | 0:15:55 | 0:16:00 | |
I need to know how I should pack. | 0:16:01 | 0:16:03 | |
Your maid has her instructions. | 0:16:04 | 0:16:06 | |
The house feels different already, knowing that soon you will live here with us. | 0:16:08 | 0:16:13 | |
Look out on the street and there all tall boys and handsome boys and jolly boys. | 0:16:21 | 0:16:26 | |
There's hundreds of them. So why's it so hard to find one? | 0:16:26 | 0:16:28 | |
You'll find the right boy for you, Pauline. | 0:16:28 | 0:16:30 | |
Depends what you want the boy for. | 0:16:30 | 0:16:32 | |
If you want him to marry you, you have to set out to catch him. | 0:16:32 | 0:16:35 | |
And that takes cunning. | 0:16:35 | 0:16:37 | |
I used to think I wanted some fine gentleman to come into the store and carry me away. | 0:16:37 | 0:16:42 | |
But now if Arthur came knocking at the door, I'd say yes in half a wink! | 0:16:42 | 0:16:45 | |
-KNOCK AT DOOR -Come in. | 0:16:45 | 0:16:48 | |
I have a note for Denise. | 0:16:53 | 0:16:54 | |
Ooh, Denise! A note for you. | 0:16:54 | 0:16:56 | |
Who are you getting notes from, sent to your room? | 0:16:56 | 0:16:59 | |
It's from my uncle. I have to go across the street to see him. | 0:17:03 | 0:17:07 | |
Your uncle never sent you notes before. | 0:17:07 | 0:17:09 | |
Is it from Mr Lovett, Arthur? | 0:17:09 | 0:17:11 | |
-I'm just a delivery boy. -You can go now, Arthur. | 0:17:11 | 0:17:13 | |
Do you think it's a boy? | 0:17:19 | 0:17:22 | |
Not a boy, no. | 0:17:22 | 0:17:24 | |
Thank you for coming. | 0:17:43 | 0:17:45 | |
I... | 0:17:48 | 0:17:50 | |
I thought it best that we spoke somewhere... | 0:17:51 | 0:17:53 | |
..away from the store. | 0:17:55 | 0:17:57 | |
Sir, if you do not want me to return to The Paradise... | 0:17:57 | 0:18:00 | |
I cannot marry Katherine. | 0:18:01 | 0:18:02 | |
I've said it to myself 100 times. | 0:18:02 | 0:18:07 | |
But when I saw your face today... | 0:18:08 | 0:18:10 | |
..when I spoke, I... | 0:18:13 | 0:18:15 | |
You know why. | 0:18:15 | 0:18:17 | |
You see it every time I look at you. | 0:18:17 | 0:18:19 | |
Isn't that so? | 0:18:22 | 0:18:23 | |
Yes. | 0:18:24 | 0:18:26 | |
Yes, it is. | 0:18:27 | 0:18:29 | |
I've tried to deny it, but I... | 0:18:30 | 0:18:32 | |
I just can't make myself stop. | 0:18:33 | 0:18:36 | |
To hear you say those words, | 0:18:37 | 0:18:39 | |
I can barely believe it. | 0:18:39 | 0:18:41 | |
I have decided that I... I must face everyone. | 0:18:53 | 0:18:57 | |
And tell them the truth. | 0:18:58 | 0:19:00 | |
It is a terrible mess, but... | 0:19:02 | 0:19:04 | |
..it will be worse if I go on. | 0:19:05 | 0:19:07 | |
These moments that we have together... | 0:19:09 | 0:19:11 | |
..it's so easy between us. | 0:19:13 | 0:19:15 | |
If we let this moment pass, | 0:19:16 | 0:19:19 | |
we will live with such regret. | 0:19:19 | 0:19:22 | |
I cannot endure that. | 0:19:24 | 0:19:26 | |
I have been told that the feelings fade with time. | 0:19:28 | 0:19:31 | |
But I did not want to believe it. | 0:19:32 | 0:19:35 | |
I did not want to accept it. | 0:19:35 | 0:19:37 | |
I will tell Katherine. | 0:19:50 | 0:19:52 | |
There will be hell to pay, and scandal, no doubt. | 0:19:53 | 0:19:58 | |
But it will pass. | 0:19:58 | 0:20:00 | |
When all this settles down, | 0:20:02 | 0:20:04 | |
Katherine will see that this is for the best. | 0:20:04 | 0:20:08 | |
Oh, dear! | 0:20:34 | 0:20:36 | |
A kiss from you, my darling, | 0:20:36 | 0:20:38 | |
is almost always the preamble to a troubling conversation. | 0:20:38 | 0:20:41 | |
Well, this time it isn't. | 0:20:41 | 0:20:43 | |
It is a kiss. | 0:20:43 | 0:20:45 | |
For my dear, long-suffering papa. | 0:20:45 | 0:20:48 | |
Because you have made me happy. | 0:20:50 | 0:20:51 | |
Compliments, too! | 0:20:52 | 0:20:54 | |
Now I'm worried to my bones! | 0:20:55 | 0:20:57 | |
Oh, stop it. | 0:20:57 | 0:20:58 | |
Every friend I have spoken to tells me the days before the wedding | 0:20:58 | 0:21:01 | |
are fraught with all manner of crisis. | 0:21:01 | 0:21:03 | |
Our preparations are passing so smoothly | 0:21:03 | 0:21:07 | |
-I do believe the occasion must be blessed. -Money helps. | 0:21:07 | 0:21:10 | |
And a title! | 0:21:10 | 0:21:13 | |
Pa, affected cynicism does not become you. | 0:21:13 | 0:21:16 | |
I wish you wouldn't conceal what a romantic you truly are. | 0:21:16 | 0:21:20 | |
-I'm a banker! -A romantic banker! -An impossibility! | 0:21:20 | 0:21:24 | |
-PAULINE: -What I heard was, the body was half-eaten by the fishes. | 0:21:42 | 0:21:46 | |
-There's no flesh on them, then. -How awful, to lie in the water. | 0:21:46 | 0:21:50 | |
It happens all the time. Once or twice a year, a drunk's fallen in. | 0:21:50 | 0:21:53 | |
The thing to do is stay away from bridges when you've had too much beer. | 0:21:53 | 0:21:57 | |
Perhaps the thing to do is not get so very drunk! | 0:21:57 | 0:21:59 | |
You look different, Denise. | 0:21:59 | 0:22:01 | |
No. I'm the same. | 0:22:02 | 0:22:04 | |
Your face has changed. Why are you different? | 0:22:04 | 0:22:07 | |
It's Burrows. | 0:22:07 | 0:22:09 | |
-The man found in the river. -Burrows? | 0:22:09 | 0:22:11 | |
Bradley Burrows. | 0:22:11 | 0:22:13 | |
Arthur. | 0:22:34 | 0:22:36 | |
We're very proud of you, son. | 0:22:36 | 0:22:38 | |
You'll be there to carry all our best wishes to Mr Moray and his bride. | 0:22:38 | 0:22:42 | |
Quite a responsibility. | 0:22:43 | 0:22:45 | |
Mr Moray has chosen well. | 0:22:45 | 0:22:47 | |
Thank you, sir. | 0:22:49 | 0:22:50 | |
It's a terrible shock, to hear about Burrows. | 0:22:53 | 0:22:56 | |
Yes, it is, sir. | 0:22:59 | 0:23:01 | |
He was a drinker. He must have fallen into the river. | 0:23:01 | 0:23:05 | |
What you saw, Arthur, Burrows getting into my carriage - | 0:23:06 | 0:23:11 | |
you and me know that it means nothing. | 0:23:11 | 0:23:13 | |
What is it, sir? | 0:23:19 | 0:23:21 | |
We must keep what we know to ourselves. | 0:23:25 | 0:23:28 | |
There are people all too ready, all too keen, to misunderstand. | 0:23:28 | 0:23:32 | |
They would use this to bring Mr Moray down. | 0:23:33 | 0:23:36 | |
Then what would happen to you, Arthur? Eh? | 0:23:38 | 0:23:40 | |
What would become of Arthur? | 0:23:41 | 0:23:43 | |
I was wondering if someone were to send a note to the constable about Burrows. | 0:23:52 | 0:23:57 | |
Telling them to speak to Mr Jonas. | 0:23:57 | 0:24:00 | |
-Clara, you wouldn't. -Don't listen to her, Pauline. | 0:24:00 | 0:24:02 | |
I'm not saying I would. | 0:24:02 | 0:24:04 | |
And I'm not saying I wouldn't. | 0:24:04 | 0:24:06 | |
JONAS CLEARS HIS THROAT | 0:24:10 | 0:24:12 | |
I'm sure you're all as sad as I am to hear the news of Bradley Burrows. | 0:24:13 | 0:24:18 | |
I realise that he was not a friend to any one of us here, | 0:24:18 | 0:24:22 | |
but I hope that some of you may pay your respects at his funeral. | 0:24:22 | 0:24:27 | |
I spoke to the constable today, | 0:24:27 | 0:24:29 | |
to tell him about Burrows' time here at The Paradise. | 0:24:29 | 0:24:33 | |
He knew the man well enough. | 0:24:33 | 0:24:35 | |
He'd found Burrows drunk on the street more than once. | 0:24:35 | 0:24:40 | |
Constable Mellor is something of a friend of mine. | 0:24:40 | 0:24:43 | |
Is it true, sir, that they found stones in his pockets? | 0:24:43 | 0:24:48 | |
If it were, Clara, I'm sure the constable would have told me about it. | 0:24:51 | 0:24:55 | |
The tales you hear when a man dies, eh? | 0:24:55 | 0:24:57 | |
Tales you hear, indeed. | 0:24:59 | 0:25:01 | |
I'm sorry. | 0:25:08 | 0:25:10 | |
-Your Lordship! -Moray. Ah, you've missed her. | 0:25:15 | 0:25:18 | |
She's too excited to settle. | 0:25:18 | 0:25:20 | |
-Taken herself off on a shopping expedition, I expect. -Oh. I see. | 0:25:20 | 0:25:24 | |
My daughter tries to convince me that I'm a romantic. | 0:25:25 | 0:25:28 | |
But I can prove that I'm not. You see, for me, | 0:25:28 | 0:25:31 | |
the best part of any nuptial ceremony is the wedding breakfast. | 0:25:31 | 0:25:35 | |
Has Katherine gone to The Paradise? | 0:25:35 | 0:25:38 | |
Yes, you see, the service itself I find tedious and over-emotional. | 0:25:38 | 0:25:42 | |
Not to say thoroughly tense. | 0:25:42 | 0:25:45 | |
I mean, I love God, but hymns! They make me tense. Do they make you tense? | 0:25:45 | 0:25:50 | |
Hymns? | 0:25:50 | 0:25:51 | |
-Hmm. -No. | 0:25:51 | 0:25:53 | |
-No. -Perhaps it's the vows that do it to me. | 0:25:53 | 0:25:56 | |
All those promises. For richer, for poorer. | 0:25:56 | 0:25:59 | |
Honour and obey, and until death us do part. | 0:25:59 | 0:26:03 | |
They make it sound like the Sword of Damocles. | 0:26:04 | 0:26:06 | |
By the way, I bought the Fee Simple for Tollgate Street. | 0:26:06 | 0:26:09 | |
Kept me in the bank all hours yesterday. | 0:26:09 | 0:26:12 | |
Excuse me, sir, | 0:26:12 | 0:26:15 | |
but am I to understand that you have purchased the Tollgate Street freehold yourself? | 0:26:15 | 0:26:20 | |
-I have. -I see. | 0:26:20 | 0:26:22 | |
My understanding was that you were going to loan me the money | 0:26:22 | 0:26:26 | |
so that I might acquire them. | 0:26:26 | 0:26:28 | |
That is what we discussed, but I thought better of it. | 0:26:28 | 0:26:30 | |
But what use is the freehold to you? | 0:26:30 | 0:26:33 | |
Of course, you can do as you wish. | 0:26:34 | 0:26:37 | |
I'm only trying to grasp what... | 0:26:37 | 0:26:39 | |
-If I wish to expand, does that mean that... -Moray. | 0:26:41 | 0:26:46 | |
In a few days' time, you're going to marry my daughter. | 0:26:46 | 0:26:51 | |
What could be better? | 0:26:51 | 0:26:53 | |
Family. Katherine is utterly devoted to you. | 0:26:53 | 0:26:56 | |
And I'm convinced that you will make her happy. | 0:26:56 | 0:26:58 | |
Under the circumstances, what does it matter if it's my name on the document or yours? | 0:26:58 | 0:27:03 | |
I see. | 0:27:03 | 0:27:04 | |
Yes. | 0:27:04 | 0:27:06 | |
The wedding breakfast is where everyone relaxes. | 0:27:06 | 0:27:10 | |
The deed is done, and all that's left is to celebrate. | 0:27:10 | 0:27:15 | |
Do you ever wonder what you'd look like, wearing a veil? | 0:27:21 | 0:27:23 | |
I was told that if a girl looks at herself | 0:27:23 | 0:27:25 | |
in the mirror wearing a veil before the morning of her marriage, | 0:27:25 | 0:27:28 | |
then her husband would die on their wedding day. | 0:27:28 | 0:27:31 | |
Best not look in the mirror, then, Pauline. | 0:27:31 | 0:27:33 | |
Go on. I'd like to see how it suits you. | 0:27:34 | 0:27:37 | |
I just want to know what it feels like! | 0:27:39 | 0:27:41 | |
How do I look? | 0:27:42 | 0:27:43 | |
You look...like a bride. | 0:27:43 | 0:27:46 | |
Glorious and happy. | 0:27:46 | 0:27:48 | |
The world does feel different from in here. | 0:27:48 | 0:27:51 | |
Makes you feel sort of drunk, and I say things when I'm drunk! | 0:27:51 | 0:27:55 | |
I wish that Sam would love me. | 0:27:59 | 0:28:01 | |
If a boy like Sam could love me, then there would be happiness. | 0:28:01 | 0:28:04 | |
Why do we always have to love the ones that don't love us back, eh? | 0:28:04 | 0:28:07 | |
You try it, Clara. | 0:28:07 | 0:28:10 | |
I'm not going to make myself a fool, standing there wearing a veil. | 0:28:10 | 0:28:13 | |
Go on, then. | 0:28:16 | 0:28:18 | |
I'll tell you this. I will find a man to marry me, | 0:28:25 | 0:28:28 | |
if I have to put a rope round his neck! | 0:28:28 | 0:28:30 | |
Are you going to marry him or take his prisoner! | 0:28:30 | 0:28:32 | |
Aren't they both the same thing? | 0:28:32 | 0:28:34 | |
-Your turn, Denise. -No. | 0:28:34 | 0:28:36 | |
I know my luck. Miss Audrey will come back. | 0:28:36 | 0:28:38 | |
We did it. Go on. | 0:28:38 | 0:28:40 | |
Is there anything in the world more romantic than a wedding veil? | 0:28:42 | 0:28:45 | |
Yes. The wedding night! | 0:28:45 | 0:28:47 | |
I can't wait! | 0:28:47 | 0:28:48 | |
You're right, Pauline. It does feel different in here. | 0:28:48 | 0:28:52 | |
It feels heavenly. | 0:28:52 | 0:28:54 | |
I do. | 0:28:55 | 0:28:57 | |
Excuse me, Miss Glendenning. | 0:29:04 | 0:29:07 | |
We were just... | 0:29:07 | 0:29:09 | |
You're back. | 0:29:09 | 0:29:11 | |
Yes, ma'am. | 0:29:11 | 0:29:12 | |
What have we here? | 0:29:22 | 0:29:24 | |
Darling, might I speak with you? | 0:29:30 | 0:29:33 | |
-Shall we go inside? -No, I don't want to go back in there. | 0:29:36 | 0:29:38 | |
Tell me about Denise. | 0:29:45 | 0:29:47 | |
Denise? | 0:29:47 | 0:29:49 | |
She has returned to The Paradise. | 0:29:51 | 0:29:53 | |
Yes. Yes. She has, yes. | 0:29:54 | 0:29:57 | |
But didn't she stand against you? | 0:29:59 | 0:30:01 | |
I thought you might drive her from the street, but... | 0:30:01 | 0:30:04 | |
here she is. | 0:30:04 | 0:30:07 | |
Moray? | 0:30:08 | 0:30:10 | |
Katherine. | 0:30:11 | 0:30:13 | |
I must ask you to free me from the promise I made to you. | 0:30:15 | 0:30:19 | |
-Listen to me. -No, you cannot say any more. I can't bear to hear it. | 0:30:19 | 0:30:23 | |
-I need you to hear me. -You love me. You are mine. | 0:30:23 | 0:30:27 | |
Katherine. | 0:30:27 | 0:30:29 | |
A girl. | 0:30:30 | 0:30:31 | |
A shop girl? | 0:30:31 | 0:30:33 | |
No. | 0:30:33 | 0:30:34 | |
-No, no, no. I will not... -Would you rather I lied to you? -You are mine. | 0:30:34 | 0:30:39 | |
I want my wedding. | 0:30:41 | 0:30:42 | |
You cannot take that away from me | 0:30:42 | 0:30:44 | |
-to dabble with some plaything. -She is not that! -Oh, she is! | 0:30:44 | 0:30:48 | |
It must be. It has to be. | 0:30:48 | 0:30:50 | |
I promise you. | 0:30:50 | 0:30:52 | |
I have waited for you and I have loved you. | 0:30:52 | 0:30:55 | |
And I will not let you go. | 0:30:55 | 0:30:58 | |
Katherine, I am asking you to accept... | 0:30:59 | 0:31:01 | |
No, it is your turn to accept that we are bound now. We are one. | 0:31:01 | 0:31:06 | |
You are wriggling, that is all. That is what men do. | 0:31:10 | 0:31:14 | |
We will marry. | 0:31:20 | 0:31:21 | |
Listen to me. | 0:31:26 | 0:31:28 | |
I'm sorry, | 0:31:28 | 0:31:29 | |
but it is done. | 0:31:29 | 0:31:31 | |
There can be no wedding. | 0:31:31 | 0:31:33 | |
What's going on, Denise? | 0:31:42 | 0:31:43 | |
I saw the look on Katherine Glendenning's face. | 0:31:43 | 0:31:46 | |
-I was wearing a veil. She was obviously offended. -No, it was the way she looked at you. | 0:31:46 | 0:31:50 | |
Girls, is it not enough that you bring shame on my department with your escapades? | 0:31:50 | 0:31:54 | |
Now you are crouching in the corner like conspirators. What are you up to? | 0:31:54 | 0:31:58 | |
You'll have to ask Denise that, ma'am. | 0:31:58 | 0:32:00 | |
Denise, look at me. I can always see in your face when there is mischief. | 0:32:02 | 0:32:06 | |
Back to work. | 0:32:06 | 0:32:08 | |
Mr Moray, sir, if I may. | 0:32:12 | 0:32:14 | |
Sir... | 0:32:14 | 0:32:15 | |
Burrows has been found. | 0:32:15 | 0:32:17 | |
His body. It was in the river. | 0:32:20 | 0:32:23 | |
I'm sorry. | 0:32:23 | 0:32:24 | |
-Who knows that he has been found? -They identified him this morning. | 0:32:28 | 0:32:32 | |
Everyone knows it's him. | 0:32:32 | 0:32:34 | |
What are they saying? | 0:32:35 | 0:32:37 | |
I have no doubt there will be talk, sir. | 0:32:37 | 0:32:39 | |
But I can assure you that nothing of this will come to your door. | 0:32:39 | 0:32:43 | |
Such a pity about Bradley Burrows, eh? | 0:33:00 | 0:33:02 | |
You've gone quiet on us, Arthur. Why is that? | 0:33:08 | 0:33:10 | |
Arthur, | 0:33:15 | 0:33:16 | |
if you know something about Burrows or Mr Jonas, | 0:33:16 | 0:33:21 | |
and you say nothing... | 0:33:21 | 0:33:23 | |
..you put The Paradise at risk. Do you understand? | 0:33:25 | 0:33:27 | |
I've been doing it for Mr Moray, sir. | 0:33:32 | 0:33:35 | |
What do you mean? | 0:33:35 | 0:33:37 | |
You know me. I'm Moray's closest friend. | 0:33:40 | 0:33:44 | |
You cannot hide this for one more day. | 0:33:47 | 0:33:49 | |
It was the carriage. | 0:33:57 | 0:33:59 | |
What about the carriage? | 0:33:59 | 0:34:01 | |
Don't often see you out on the street at night, Mr Lovett. | 0:34:09 | 0:34:12 | |
I can't sleep for the thought of old Burrows face-down in the water. | 0:34:16 | 0:34:19 | |
A picture of that keeps a man awake. | 0:34:19 | 0:34:22 | |
What is it, Clara? | 0:34:24 | 0:34:25 | |
-Is it Burrows? -Oh, no. | 0:34:26 | 0:34:29 | |
Not nasty old Burrows. | 0:34:29 | 0:34:31 | |
But it might be a beautiful thing, to be out of it all. | 0:34:33 | 0:34:37 | |
Don't speak like that. | 0:34:37 | 0:34:39 | |
You're a young girl with everything to live for. | 0:34:39 | 0:34:41 | |
Why would you say such a thing? | 0:34:41 | 0:34:44 | |
Oh... | 0:34:44 | 0:34:45 | |
Weddings, death, love. | 0:34:47 | 0:34:49 | |
Drink. | 0:34:51 | 0:34:53 | |
It's only talk. It's only self-pity. | 0:34:54 | 0:34:57 | |
It'll be gone in the morning. | 0:35:02 | 0:35:03 | |
I'm surprised you let your Denise back in there, Mr Lovett. | 0:35:08 | 0:35:11 | |
She needs the work. She'll do well for herself. | 0:35:13 | 0:35:16 | |
I don't mean that. | 0:35:16 | 0:35:18 | |
I mean letting her go back in there when she's in love with Moray. | 0:35:18 | 0:35:22 | |
Surely you knew? | 0:35:25 | 0:35:27 | |
Did I say the wrong thing? | 0:35:29 | 0:35:31 | |
See, I tried to tell her how it was for me, | 0:35:33 | 0:35:36 | |
but she was beyond listening. | 0:35:36 | 0:35:37 | |
Tell me no more. | 0:35:37 | 0:35:39 | |
I hope I haven't said the wrong thing. | 0:35:43 | 0:35:45 | |
I saw them. | 0:35:52 | 0:35:53 | |
They left together, Burrows and Mr Jonas, in the carriage. | 0:35:54 | 0:35:58 | |
Tell Mr Moray what Mr Jonas said to you. | 0:35:58 | 0:36:00 | |
"Never mention this to anyone. | 0:36:04 | 0:36:05 | |
"It's a secret for Mr Moray." | 0:36:05 | 0:36:08 | |
Thank you, Arthur. | 0:36:09 | 0:36:11 | |
You have done the right thing. | 0:36:13 | 0:36:15 | |
What are we to do, Moray? | 0:36:27 | 0:36:29 | |
We must fetch the constable. | 0:36:29 | 0:36:31 | |
I have sensed for some time that something was wrong. | 0:36:31 | 0:36:33 | |
-That man is beyond conscience. -I knew. | 0:36:33 | 0:36:35 | |
Jonas told me. | 0:36:39 | 0:36:41 | |
Why did you say nothing? | 0:36:42 | 0:36:44 | |
Loyalty to Jonas, I suppose. | 0:36:45 | 0:36:47 | |
And now it is impossible to call a constable | 0:36:49 | 0:36:51 | |
because you are complicit. | 0:36:51 | 0:36:53 | |
He did it for me. To save me. | 0:36:53 | 0:36:57 | |
Burrows was intent on telling...wild tales | 0:36:57 | 0:37:03 | |
-about Helene's death. -Did you ask him to do this? | 0:37:03 | 0:37:05 | |
Did you want him to kill a man in your name? | 0:37:05 | 0:37:08 | |
-No! -Would you bring down the store and everyone who works here for one man? | 0:37:08 | 0:37:11 | |
We don't even know who he is or why he came here. | 0:37:11 | 0:37:14 | |
He came here because he needed somewhere to belong. | 0:37:14 | 0:37:16 | |
And look how he has rewarded you. | 0:37:16 | 0:37:18 | |
What matters is what we do now. | 0:37:28 | 0:37:31 | |
There is a body found. | 0:37:34 | 0:37:35 | |
Every day that he remains here, he is a danger to us - to you. | 0:37:35 | 0:37:39 | |
We must be rid of Jonas. | 0:37:41 | 0:37:43 | |
If you falter now, Moray, you will never have him off your back. | 0:37:43 | 0:37:47 | |
He will drag us all down into his mire. | 0:37:47 | 0:37:49 | |
Let me do it. | 0:37:51 | 0:37:53 | |
He'll be gone before the wedding. | 0:37:53 | 0:37:56 | |
SHOP BELL RINGS | 0:37:58 | 0:38:00 | |
Barley sugars. | 0:38:15 | 0:38:17 | |
I wanted to thank you, Edmund, for what you did for Denise. It can't have been easy for you. | 0:38:17 | 0:38:22 | |
It takes a strong man to do something so selfless. | 0:38:22 | 0:38:25 | |
And it takes a devious woman to betray a man to his very soul. | 0:38:25 | 0:38:28 | |
-Are we to forever harp back... -No, I'm talking about what you're doing to me now. | 0:38:29 | 0:38:33 | |
You knew, didn't you? | 0:38:35 | 0:38:37 | |
You knew my Denise had fallen for that devil. | 0:38:37 | 0:38:40 | |
Nothing will become of it. Moray is to marry. | 0:38:42 | 0:38:45 | |
They are nothing more than a young girl's immature feelings. It will pass. | 0:38:46 | 0:38:50 | |
Until the day comes when he preys on her weakness. | 0:38:50 | 0:38:53 | |
You knew. | 0:38:56 | 0:38:57 | |
And you hid it from me. | 0:38:57 | 0:38:59 | |
What do you call that, Audrey? | 0:39:01 | 0:39:03 | |
If you are forever looking for betrayal, | 0:39:06 | 0:39:08 | |
then you are sure to find it. | 0:39:08 | 0:39:10 | |
I must get back. | 0:39:13 | 0:39:15 | |
For years, Edmund, you have convinced yourself | 0:39:19 | 0:39:21 | |
that the reason I did not marry you was out there. | 0:39:21 | 0:39:24 | |
Did you never consider it is in here, in this room? | 0:39:24 | 0:39:27 | |
And it is here now. | 0:39:28 | 0:39:30 | |
Still. | 0:39:32 | 0:39:33 | |
DOOR CLOSES | 0:39:40 | 0:39:43 | |
Jonas. | 0:39:49 | 0:39:51 | |
Mr Dudley, sir. | 0:39:53 | 0:39:55 | |
-You were witnessed in a carriage with Burrows the very night... -If I may, sir, | 0:39:55 | 0:39:59 | |
-observed by who? -You know who. | 0:39:59 | 0:40:01 | |
If you attempt to cause any harm to Arthur... | 0:40:01 | 0:40:03 | |
No harm will ever come to Arthur while I'm here to prevent it. | 0:40:03 | 0:40:06 | |
Well, you will not be here, Jonas. You are finished. | 0:40:06 | 0:40:10 | |
I've spent time on the road, sir. | 0:40:12 | 0:40:15 | |
It is not a life I intend to go back to. | 0:40:15 | 0:40:18 | |
It took some time to find a place to belong. | 0:40:18 | 0:40:23 | |
Mrs Moray gave me that. | 0:40:23 | 0:40:25 | |
It is not up to you to take it away. | 0:40:25 | 0:40:28 | |
You are finished. | 0:40:29 | 0:40:31 | |
I will not believe that Mr Moray wishes me gone | 0:40:35 | 0:40:38 | |
until I hear it from his own mouth. | 0:40:38 | 0:40:39 | |
-He knows well enough my loyalty... -Go soon. | 0:40:39 | 0:40:43 | |
And go quietly. | 0:40:43 | 0:40:45 | |
Uncle? | 0:40:56 | 0:40:57 | |
I can hold my tongue no longer, Denise. | 0:40:59 | 0:41:01 | |
Is it true? | 0:41:01 | 0:41:02 | |
Is it true? Do you love him? | 0:41:02 | 0:41:05 | |
-Yes, Uncle. -You would do this to me? | 0:41:06 | 0:41:10 | |
I haven't done it to hurt you. You were in love once. | 0:41:10 | 0:41:14 | |
Tell me nothing's come of this. | 0:41:15 | 0:41:18 | |
-Let me hear you say there is nothing between you. -I cannot tell you that. | 0:41:18 | 0:41:22 | |
Uncle, I would not distress you for all the world. | 0:41:23 | 0:41:26 | |
You have been my family, | 0:41:26 | 0:41:29 | |
the kindest, all that I have. | 0:41:29 | 0:41:32 | |
What I feel for John, | 0:41:32 | 0:41:35 | |
I cannot deny it. | 0:41:35 | 0:41:37 | |
Well, it's some while since I've seen a look on your face quite as black as this. | 0:42:03 | 0:42:06 | |
She's back in the store. | 0:42:10 | 0:42:12 | |
The girl. | 0:42:14 | 0:42:16 | |
Denise. | 0:42:18 | 0:42:19 | |
And why should that matter so much, my darling? | 0:42:26 | 0:42:28 | |
She was wearing a veil. | 0:42:29 | 0:42:31 | |
A wedding veil. | 0:42:33 | 0:42:35 | |
As if to mock me. | 0:42:36 | 0:42:38 | |
And I could see... | 0:42:39 | 0:42:41 | |
..she wants to take him from me. | 0:42:43 | 0:42:45 | |
Katherine... | 0:42:49 | 0:42:50 | |
..the girl, the veil, | 0:42:51 | 0:42:53 | |
none of it would hurt you like this | 0:42:53 | 0:42:56 | |
if you truly believed that Moray loved you. | 0:42:56 | 0:43:00 | |
Moray loves me. | 0:43:00 | 0:43:02 | |
I have seen it. | 0:43:04 | 0:43:06 | |
Felt it. | 0:43:08 | 0:43:10 | |
She is a shop girl who imagines she can seduce her employer. | 0:43:13 | 0:43:17 | |
Have you spoken to Moray about it? Asked him about her? | 0:43:18 | 0:43:21 | |
I know what I must do. | 0:43:21 | 0:43:23 | |
If there is anything of her in his heart... | 0:43:24 | 0:43:27 | |
..I will dig it out. | 0:43:29 | 0:43:31 | |
Denise, another note. | 0:43:42 | 0:43:43 | |
I'm sorry, ma'am. | 0:44:12 | 0:44:14 | |
-I realise how terrible... -Do not speak to me as your equal. | 0:44:14 | 0:44:16 | |
You are a child. | 0:44:18 | 0:44:20 | |
My father always told me that I'm a child of God | 0:44:20 | 0:44:22 | |
and that makes me the same as any person on this earth. | 0:44:22 | 0:44:25 | |
I will not permit you to try to take Moray away from me. | 0:44:25 | 0:44:27 | |
-If that's what you believe, then you must speak to John. -I have spoken to Moray. | 0:44:27 | 0:44:32 | |
To John. | 0:44:34 | 0:44:36 | |
I can see how a girl like you might bewitch a man, | 0:44:40 | 0:44:43 | |
with your simple innocence and your clever-girl talk. | 0:44:43 | 0:44:48 | |
-I have seen how your ideas for the store beguile him. -I cannot make any man love me. | 0:44:49 | 0:44:53 | |
-Least of all John Moray! -I haven't come here to plead with you, nor to reason. | 0:44:53 | 0:44:57 | |
I can see what kind of creature I am faced with. | 0:44:57 | 0:45:01 | |
So I am clear how I must deal with you. | 0:45:01 | 0:45:03 | |
We own everything now. | 0:45:06 | 0:45:08 | |
The freehold to every property on this street belongs to my family. | 0:45:10 | 0:45:14 | |
Your uncle's shop, The Paradise, all of it. | 0:45:14 | 0:45:19 | |
Do you know what that means? | 0:45:19 | 0:45:20 | |
It means that we decide who will remain and who will lose everything. | 0:45:23 | 0:45:27 | |
Moray has built his Paradise from nothing. | 0:45:27 | 0:45:31 | |
-Would you take that away from him? -I'd not be the one who... | 0:45:31 | 0:45:34 | |
Oh, but you would. | 0:45:34 | 0:45:36 | |
You may tell yourself that you are the victim in this. | 0:45:37 | 0:45:40 | |
You may convince yourself of that now, today, with all of your heart. | 0:45:40 | 0:45:44 | |
But I know this. | 0:45:46 | 0:45:48 | |
If you persist... | 0:45:50 | 0:45:52 | |
..it will torment you. | 0:45:54 | 0:45:55 | |
I know Moray. | 0:45:59 | 0:46:01 | |
I have seen his ways. | 0:46:02 | 0:46:04 | |
He will be brave. | 0:46:06 | 0:46:08 | |
But The Paradise is his life, | 0:46:09 | 0:46:12 | |
his purpose. | 0:46:12 | 0:46:13 | |
Robbed of that and you will watch him wither and die | 0:46:14 | 0:46:17 | |
and every day you will know that you had the opportunity this moment now | 0:46:17 | 0:46:22 | |
to stop it. | 0:46:22 | 0:46:24 | |
And perhaps he may never turn on you, never blame you, | 0:46:24 | 0:46:27 | |
but you will blame yourself. | 0:46:27 | 0:46:29 | |
Because you will know that you had the power to stop it. | 0:46:29 | 0:46:33 | |
You will know that you are the true cause of his suffering. | 0:46:33 | 0:46:37 | |
Why... | 0:46:37 | 0:46:38 | |
Why would you want to marry a man who has told you that he does not love you? | 0:46:40 | 0:46:45 | |
Does no-one understand? | 0:46:47 | 0:46:49 | |
Can no-one see how simple it is? | 0:46:50 | 0:46:53 | |
I have taught him to love me once. | 0:46:57 | 0:46:59 | |
I can do it again. | 0:47:03 | 0:47:05 | |
Oh, Denise, mighty decision to make. Pay day tomorrow. | 0:48:01 | 0:48:04 | |
Now, do I pay the landlord of the pub what I owe him, | 0:48:04 | 0:48:06 | |
or do I go dancing? | 0:48:06 | 0:48:08 | |
I'll go dancing. | 0:48:11 | 0:48:12 | |
Denise, I'm in love! | 0:48:44 | 0:48:46 | |
I fell down and I fell in love. | 0:48:46 | 0:48:48 | |
He's a porter and his name's... Oh, I've forgotten his name! | 0:48:48 | 0:48:50 | |
He's been looking at me all week and I didn't even know it. | 0:48:50 | 0:48:53 | |
I'm going to tell Sam. | 0:48:53 | 0:48:55 | |
You can ruin me, Jonas. | 0:48:56 | 0:48:58 | |
I know that. | 0:49:00 | 0:49:01 | |
-I am complicit. -How can you imagine that I could do such a thing? | 0:49:03 | 0:49:06 | |
I can see it in your face. | 0:49:06 | 0:49:09 | |
-Have I not told you... -You stalk me. | 0:49:09 | 0:49:11 | |
What is it you want? | 0:49:14 | 0:49:17 | |
I wanted to speak with you, sir. | 0:49:19 | 0:49:21 | |
I wanted to tell you that I see there are whispers. | 0:49:22 | 0:49:27 | |
Talk. Suspicion. | 0:49:27 | 0:49:30 | |
The talk is all about me. | 0:49:30 | 0:49:32 | |
But if I go, then the talk goes with me. It is done. | 0:49:32 | 0:49:36 | |
There is no stain on your reputation. | 0:49:36 | 0:49:40 | |
-Thank you. -It is my fault, sir. I acted without your permission. | 0:49:45 | 0:49:49 | |
I thought I was doing good. | 0:49:51 | 0:49:53 | |
Perhaps I was wrong. | 0:49:54 | 0:49:55 | |
You have known Katherine. You were together for some time. | 0:50:54 | 0:50:59 | |
-Of course. But... -There must have been a reason for that. | 0:50:59 | 0:51:02 | |
There must have been something between you. | 0:51:02 | 0:51:05 | |
Denise, that was before I met you. | 0:51:06 | 0:51:10 | |
But you felt affection and attraction. | 0:51:10 | 0:51:13 | |
You mustn't doubt me on this, Denise. | 0:51:13 | 0:51:15 | |
To ask her to marry you... | 0:51:15 | 0:51:17 | |
..some part of you must have felt it was right. | 0:51:19 | 0:51:21 | |
You might feel that again. | 0:51:21 | 0:51:24 | |
No. | 0:51:26 | 0:51:28 | |
Not now. | 0:51:29 | 0:51:31 | |
What if you were to marry her? | 0:51:34 | 0:51:36 | |
How can you say that? | 0:51:36 | 0:51:38 | |
-She can give you a life that I cannot... -This is our life. | 0:51:38 | 0:51:42 | |
The Paradise. | 0:51:42 | 0:51:44 | |
What if there is no Paradise? | 0:51:44 | 0:51:47 | |
Tell me the truth. | 0:51:48 | 0:51:50 | |
Please. | 0:51:50 | 0:51:51 | |
Tell me about the Glendennings. | 0:51:51 | 0:51:53 | |
It is true. | 0:52:00 | 0:52:01 | |
I have debts. | 0:52:03 | 0:52:04 | |
Great debts that I owe Lord Glendenning. | 0:52:06 | 0:52:09 | |
And I have learned that he now owns the freehold to The Paradise. | 0:52:09 | 0:52:15 | |
But if they take this away from me, | 0:52:17 | 0:52:19 | |
I can start again. | 0:52:19 | 0:52:22 | |
I can see that you would do that for me. | 0:52:23 | 0:52:26 | |
But I cannot do that to you. | 0:52:28 | 0:52:30 | |
I can't do that to those people who work here, | 0:52:30 | 0:52:33 | |
-live here. -The store will manage without me. | 0:52:33 | 0:52:37 | |
They will put Dudley in charge. | 0:52:39 | 0:52:41 | |
Do you suppose Dudley would want that? | 0:52:41 | 0:52:43 | |
To see The Paradise taken away from you and him be part of that? | 0:52:43 | 0:52:48 | |
Him take your place? It would destroy him. | 0:52:48 | 0:52:50 | |
I cannot marry Katherine. | 0:52:56 | 0:52:58 | |
I say that you can. | 0:53:01 | 0:53:03 | |
You know that I love you. | 0:53:05 | 0:53:08 | |
I have seen that you would sacrifice everything. | 0:53:10 | 0:53:14 | |
Perhaps that means that you do not have to. | 0:53:15 | 0:53:18 | |
You will see my eyes looking at you. | 0:53:20 | 0:53:22 | |
Then you will know. | 0:53:22 | 0:53:24 | |
We will always know. | 0:53:26 | 0:53:28 | |
CHURCH BELLS PEAL OUT | 0:53:34 | 0:53:36 | |
What a picture! | 0:54:06 | 0:54:08 | |
A man's heart might stop! | 0:54:09 | 0:54:11 | |
-I don't want to go. -Oh, don't be silly! | 0:54:13 | 0:54:15 | |
You'll steal the show, as you always do! | 0:54:17 | 0:54:20 | |
I can't bear weddings. | 0:54:20 | 0:54:22 | |
I've never been to one. | 0:54:23 | 0:54:25 | |
Every time, I make an excuse. I say I'm unwell. | 0:54:27 | 0:54:30 | |
They terrify me, weddings! | 0:54:32 | 0:54:33 | |
Love terrifies me. | 0:54:34 | 0:54:37 | |
What have I done to you, Edmund? | 0:54:41 | 0:54:42 | |
Why did you choose a woman so afraid of love? | 0:54:45 | 0:54:48 | |
Can you ever forgive me? | 0:54:57 | 0:54:59 | |
When you love someone as I love you, | 0:55:01 | 0:55:03 | |
there is no room for blame. | 0:55:03 | 0:55:06 | |
The feelings never fade. | 0:55:26 | 0:55:28 | |
KNOCKING | 0:55:45 | 0:55:48 | |
No bride ever looked more radiant. | 0:55:52 | 0:55:54 | |
Papa. | 0:55:54 | 0:55:56 | |
You always find the perfect thing to say. | 0:55:56 | 0:55:59 | |
Are you ready? | 0:56:04 | 0:56:05 | |
Moray, we have to go. Are you ready? | 0:56:21 | 0:56:25 | |
Denise! | 0:57:48 | 0:57:49 | |
Subtitles by Red Bee Media Ltd | 0:58:44 | 0:58:47 |