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What are you doing, Uncle? | 0:00:41 | 0:00:42 | |
To have your name above a shop, it's no small thing. | 0:00:42 | 0:00:46 | |
Have you only just noticed? | 0:00:46 | 0:00:48 | |
You've forgotten, haven't you? | 0:00:51 | 0:00:53 | |
Clearly I have or I'd know what you're talking about. | 0:00:53 | 0:00:56 | |
Five years. | 0:00:56 | 0:00:58 | |
This week. | 0:00:58 | 0:01:00 | |
Five years since that sign went up, | 0:01:00 | 0:01:03 | |
this place stopped being Emmerson's Drapery and became The Paradise. | 0:01:03 | 0:01:07 | |
Flora? | 0:01:25 | 0:01:26 | |
Where are you, darling? | 0:01:28 | 0:01:29 | |
SHE GIGGLES | 0:01:29 | 0:01:31 | |
Flora? | 0:01:34 | 0:01:35 | |
Flora? | 0:01:37 | 0:01:38 | |
-Flora? -Ssh. | 0:01:42 | 0:01:44 | |
Flora? | 0:01:51 | 0:01:52 | |
-KNOCK AT THE DOOR -John? | 0:02:00 | 0:02:02 | |
SHE LAUGHS NERVOUSLY | 0:02:28 | 0:02:30 | |
You caught me. | 0:02:30 | 0:02:31 | |
I'm sorry, sweetheart. I couldn't resist. | 0:02:32 | 0:02:34 | |
I've always wondered what it would feel like to sit there. | 0:02:34 | 0:02:37 | |
Perhaps I ought to be careful where I leave my trousers lying. | 0:02:37 | 0:02:40 | |
It's a game. | 0:03:00 | 0:03:02 | |
-Whatever Katherine says, we don't speak to her. -Heavens! What a trick. | 0:03:02 | 0:03:06 | |
I might have been searching for you the whole day. | 0:03:06 | 0:03:09 | |
It has quite jangled my nerves. | 0:03:09 | 0:03:11 | |
Tom, darling, did you hear me? | 0:03:11 | 0:03:14 | |
Flora... | 0:03:14 | 0:03:16 | |
-Shall we go and play in the maze? -Yes, Papa. | 0:03:16 | 0:03:19 | |
Tom. | 0:03:22 | 0:03:23 | |
Flora. | 0:03:24 | 0:03:25 | |
I'm talking to you. | 0:03:29 | 0:03:30 | |
Flora, sweetheart, will you chase me or shall I chase you? | 0:03:30 | 0:03:33 | |
You chase after me, Papa. | 0:03:33 | 0:03:35 | |
Do I not exist today? | 0:03:38 | 0:03:40 | |
I demand that you speak to me! | 0:03:42 | 0:03:44 | |
Tom, you have been like this for days. | 0:03:48 | 0:03:50 | |
Like a ghost staring at me but, but saying nothing. | 0:03:50 | 0:03:53 | |
What is the matter? | 0:03:54 | 0:03:56 | |
Ma'am. | 0:04:12 | 0:04:13 | |
-Good morning. -Sir. -Of course we must mark the occasion. | 0:04:15 | 0:04:19 | |
Window displays, flags and bunting throughout the place. | 0:04:20 | 0:04:23 | |
All manner of decorations. | 0:04:23 | 0:04:25 | |
I thought, perhaps, birds of paradise hung from the ceiling. | 0:04:25 | 0:04:29 | |
I appreciate the sentiment, Dudley, | 0:04:29 | 0:04:31 | |
-but are these times for us to revel in our position? -Sir. -Morning. | 0:04:31 | 0:04:34 | |
Every bright bauble will be a poke in the eye of Tom Weston. | 0:04:34 | 0:04:38 | |
I like the thought of him seeing what we have achieved here. | 0:04:38 | 0:04:41 | |
Yes. | 0:04:41 | 0:04:42 | |
-Then let's do it. -Mr Moray. -Morning. | 0:04:42 | 0:04:45 | |
Good morning. | 0:04:45 | 0:04:46 | |
I feel like I'm wrapped in butter, It's heavenly! | 0:04:46 | 0:04:49 | |
Is it heavenly? | 0:04:51 | 0:04:53 | |
I mean, do I look foolish in it? Should I buy it? | 0:04:53 | 0:04:56 | |
It-it's perfect, ma'am, I think. | 0:04:56 | 0:04:58 | |
Perhaps... What do you think, Clara? | 0:04:58 | 0:05:01 | |
Ma'am I promise you, it is a most tasteful and fashionable choice. | 0:05:01 | 0:05:06 | |
When do I wear it? I know some dresses are for evening... | 0:05:06 | 0:05:10 | |
Ma'am, this dress can be worn at any time. | 0:05:10 | 0:05:13 | |
Oh, but this is such fun and you're so kind to help me. | 0:05:13 | 0:05:17 | |
What shoes does a lass wear with this dress? | 0:05:17 | 0:05:19 | |
What kind of shoes would you prefer, madam? | 0:05:19 | 0:05:21 | |
I'd prefer you to choose. Everything you've chosen so far, it's just... | 0:05:25 | 0:05:29 | |
Perfect. | 0:05:29 | 0:05:30 | |
What about... | 0:05:30 | 0:05:32 | |
The grey button boots? | 0:05:32 | 0:05:35 | |
Would you like to try a pair? | 0:05:35 | 0:05:36 | |
If you can have them wrapped up, my husband will come in to pay. | 0:05:38 | 0:05:42 | |
Of course, Mrs Ballentine. | 0:05:42 | 0:05:44 | |
Darling Ballentine. He does love to spoil me. | 0:05:44 | 0:05:47 | |
It's not too much, is it? | 0:05:47 | 0:05:50 | |
It's not coarse and unladylike to buy so much? | 0:05:50 | 0:05:53 | |
Not at all, Madam. We will have it all ready for you. | 0:05:53 | 0:05:56 | |
I was a nurse, you know, | 0:05:57 | 0:06:00 | |
with hardly a pair of boots to my name. Look at me now. | 0:06:00 | 0:06:03 | |
Who would have dreamed? | 0:06:03 | 0:06:04 | |
I never dreamed I'd have such a fine uniform to wear every day | 0:06:04 | 0:06:08 | |
and such fond friends to share a dorm with. | 0:06:08 | 0:06:10 | |
Who will deliver the parcels? | 0:06:13 | 0:06:14 | |
-Oh, the delivery lads deliver, ma'am, on their delivery wagon. -Oh. | 0:06:14 | 0:06:19 | |
I was rather hoping it would be you, Susy. | 0:06:19 | 0:06:22 | |
Or you, Clara. | 0:06:23 | 0:06:26 | |
then I could try them all on and you could tell me... | 0:06:26 | 0:06:28 | |
And you could see our chandeliers | 0:06:28 | 0:06:31 | |
and feel how thick the carpets are. | 0:06:31 | 0:06:33 | |
If you would care for a morning fitting at home, Mrs Ballentine, I'm sure that could be arranged. | 0:06:33 | 0:06:37 | |
Yes. | 0:06:37 | 0:06:40 | |
I like the sound of a fitting. We could have tea and scones. | 0:06:40 | 0:06:43 | |
Or, perhaps scones are only eaten in the afternoon? | 0:06:43 | 0:06:45 | |
-Forgive me, ma'am. What I meant to say was an afternoon fitting. -Oh. | 0:06:45 | 0:06:50 | |
THEY LAUGH | 0:06:50 | 0:06:52 | |
Yes! | 0:06:52 | 0:06:54 | |
Uncle Edmund, this is the third time I've seen you at the inn this week. Won't Audrey be missing you? | 0:07:04 | 0:07:08 | |
Don't fret, our Denise. | 0:07:08 | 0:07:10 | |
Hell's teeth, I've sent her a note telling her I'm on my way back home. | 0:07:10 | 0:07:13 | |
Far be it for me to interfere in another man's marriage, | 0:07:13 | 0:07:16 | |
-but why didn't you just take her the note yourself? -Yes. | 0:07:16 | 0:07:18 | |
Then you would have been there, | 0:07:18 | 0:07:20 | |
you wouldn't have needed to send a note to say why you're... not there. | 0:07:20 | 0:07:23 | |
Have a sit down, Susy. Rest your mind a while. | 0:07:23 | 0:07:27 | |
-You must admit, Mr. Lovett, you don't have any cause to stay... -Yes, I do. | 0:07:27 | 0:07:30 | |
I'm not one to meddle in the affairs of a marital nature, but, | 0:07:30 | 0:07:34 | |
what are your reasons, Edmund? | 0:07:34 | 0:07:36 | |
I can't sell the shop because it looks so worn down and decrepit. | 0:07:36 | 0:07:41 | |
Now, if I paint it up, you'll see, | 0:07:41 | 0:07:42 | |
it'll make it a more agreeable proposition for any buyer. | 0:07:42 | 0:07:46 | |
A few days sweat and toil will make all the difference. You'll see. | 0:07:46 | 0:07:50 | |
-Come on, Edmund! -I'll prove to the lot of you, | 0:07:50 | 0:07:53 | |
I'm only here because I intend to leave! | 0:07:53 | 0:07:56 | |
-THEY LAUGH -Ah, Edmund! | 0:07:56 | 0:07:59 | |
BACKGROUND LAUGHTER | 0:08:01 | 0:08:02 | |
She's done it, hasn't she? | 0:08:06 | 0:08:09 | |
Mrs Ballentine. | 0:08:09 | 0:08:11 | |
She's got what we all hanker after. | 0:08:11 | 0:08:14 | |
She's bagged herself a wealthy husband, living the grand life. | 0:08:14 | 0:08:18 | |
I don't. I want a kind husband. | 0:08:18 | 0:08:20 | |
Susy, think on. If he's not well-off, what good is his kindness? | 0:08:20 | 0:08:24 | |
We all say what we dream of is love, | 0:08:24 | 0:08:27 | |
but, let's admit it, what we really want is love and riches. | 0:08:27 | 0:08:30 | |
Every fine-dressed woman who walks through that door, | 0:08:31 | 0:08:35 | |
we just long for what she has. | 0:08:35 | 0:08:37 | |
-That's why we come to work in a department store. -Hmm. | 0:08:37 | 0:08:40 | |
You're quiet, Denise. | 0:08:40 | 0:08:42 | |
What do you say about Mrs Ballentine's good fortune? | 0:08:42 | 0:08:45 | |
I don't envy our customers. | 0:08:45 | 0:08:47 | |
I can't say I long to come to The Paradise to shop and to spend. | 0:08:47 | 0:08:51 | |
Oh, here we go. | 0:08:51 | 0:08:53 | |
What do you want, Denise? | 0:08:53 | 0:08:55 | |
I dream of a world where a woman doesn't need a rich husband. | 0:08:55 | 0:08:59 | |
Oh, yes. | 0:08:59 | 0:09:01 | |
And I'm looking forward to the day when a woman is Prime Minister, | 0:09:01 | 0:09:04 | |
and a woman is a priest in the pulpit | 0:09:04 | 0:09:07 | |
and a woman is in charge of The Paradise! | 0:09:07 | 0:09:10 | |
THEY LAUGH | 0:09:10 | 0:09:12 | |
CREAKING STEP | 0:09:15 | 0:09:16 | |
Tom? | 0:09:24 | 0:09:25 | |
Tom? | 0:09:34 | 0:09:36 | |
His proposal to send Denise to Paris... | 0:09:40 | 0:09:43 | |
I have little doubt he did it to antagonise me. | 0:09:43 | 0:09:45 | |
He took your father's watch from the store | 0:09:45 | 0:09:47 | |
without so much as a by-your-leave. | 0:09:47 | 0:09:49 | |
It was as if he knew what you and I had spoken about, | 0:09:49 | 0:09:52 | |
your father's wishes for the watch... | 0:09:52 | 0:09:54 | |
TWIGS BREAK AND BIRDS FLUTTER ..to be left to the man you married. | 0:09:54 | 0:09:57 | |
What is it? | 0:09:58 | 0:10:00 | |
Will you come back tomorrow? | 0:10:00 | 0:10:03 | |
We can speak then. | 0:10:03 | 0:10:04 | |
Of course. | 0:10:06 | 0:10:07 | |
Please, tell me. | 0:10:08 | 0:10:10 | |
-SHE WHISPERS -God, help me. | 0:10:13 | 0:10:15 | |
God, please help me. | 0:10:15 | 0:10:17 | |
He is capable of such cruelty. | 0:10:23 | 0:10:26 | |
I never imagined! | 0:10:26 | 0:10:28 | |
We married in such haste. I hardly knew him. | 0:10:30 | 0:10:34 | |
I live in terror of upsetting him. | 0:10:36 | 0:10:39 | |
I dare not speak for fear of how he will react. | 0:10:40 | 0:10:43 | |
There are times I think he hates me. | 0:10:45 | 0:10:47 | |
He wishes only to punish me. | 0:10:49 | 0:10:52 | |
I cannot bear one more day! | 0:10:55 | 0:10:58 | |
Oh! | 0:11:05 | 0:11:07 | |
Oh, thank you. | 0:11:07 | 0:11:08 | |
Thank you. | 0:11:11 | 0:11:12 | |
You cannot live like this, Katherine. | 0:11:16 | 0:11:18 | |
What else can I do? | 0:11:19 | 0:11:21 | |
Promise me you will come to me when you need someone. | 0:11:26 | 0:11:30 | |
It's her. It's Mrs Ballentine! She's here with her husband. | 0:11:49 | 0:11:52 | |
And he's, well, he's, well he's not... | 0:11:52 | 0:11:54 | |
-What I'm trying to say is, he's not... -Here they are, my darling! | 0:11:54 | 0:11:58 | |
My new friends. | 0:11:58 | 0:12:00 | |
-They've been looking after me so sweetly. -Thank you, girls, | 0:12:00 | 0:12:04 | |
for making my wife the happiest woman in the whole city. | 0:12:04 | 0:12:08 | |
Well, show them, Ballentine. | 0:12:08 | 0:12:10 | |
-Show them how obliged we are. -Oh, yes! | 0:12:10 | 0:12:14 | |
Perhaps you might come with me to the Cashier desk, | 0:12:25 | 0:12:27 | |
Mr Ballentine, to settle your account? | 0:12:27 | 0:12:29 | |
I'll wager it's down all those stairs! | 0:12:29 | 0:12:31 | |
-And I've just climbed up them! Thank you, dear! -This way. | 0:12:31 | 0:12:36 | |
I need you to show me how to walk in my new dresses. | 0:12:41 | 0:12:44 | |
I know what you're thinking. You're thinking, | 0:12:45 | 0:12:48 | |
"Here's a man who's | 0:12:48 | 0:12:49 | |
"so in love with his wife that he will indulge her every whim." | 0:12:49 | 0:12:53 | |
Oh, how your sales will soar! | 0:12:53 | 0:12:55 | |
Mr Moray, sir, might I introduce you to Mr Ballentine? | 0:12:57 | 0:13:00 | |
Campbell Ballentine? We met once before, sir. | 0:13:00 | 0:13:02 | |
-I believe it was at the race course. -Oh, yes, of course! | 0:13:02 | 0:13:06 | |
-I lost a fortune that day! -BOTH CHUCKLE | 0:13:06 | 0:13:09 | |
Well, I am pleased to see you in my...in The Paradise. | 0:13:09 | 0:13:13 | |
If you'll excuse me, sir? | 0:13:13 | 0:13:15 | |
This way. | 0:13:15 | 0:13:17 | |
Mr Ballentine's accounts, please. | 0:13:19 | 0:13:21 | |
What a splendid enterprise! | 0:13:25 | 0:13:28 | |
We've recently opened a Food Hall. | 0:13:28 | 0:13:30 | |
We have an Oriental Room which has proved very popular. | 0:13:30 | 0:13:34 | |
We try to stock items at a range of prices | 0:13:34 | 0:13:36 | |
to attract all manner of customers. | 0:13:36 | 0:13:38 | |
Those who can't afford the finer goods | 0:13:38 | 0:13:41 | |
can still come in to gaze at them. | 0:13:41 | 0:13:42 | |
We have a Childrenswear department | 0:13:42 | 0:13:45 | |
Bedding, Menswear and Furniture. We're always looking to expand. | 0:13:45 | 0:13:49 | |
I have a brewery. | 0:13:49 | 0:13:51 | |
I started out with one ale, | 0:13:51 | 0:13:53 | |
and now, I supply more than half the inns and hostelries of the city. | 0:13:53 | 0:13:56 | |
And beyond. | 0:13:56 | 0:13:59 | |
I may get short of breath, but I still go to work every day, | 0:13:59 | 0:14:02 | |
and I still know each employee by their first name. | 0:14:02 | 0:14:06 | |
I know what you're thinking. | 0:14:06 | 0:14:08 | |
We ought to supply those ales of yours in our Food Hall! | 0:14:08 | 0:14:11 | |
BOTH LAUGH | 0:14:11 | 0:14:13 | |
The idea...is to walk as though your feet were on wheels. | 0:14:13 | 0:14:17 | |
Oh. Like this? | 0:14:17 | 0:14:20 | |
Not up and down, no hands. | 0:14:20 | 0:14:22 | |
Er, "tripping", we call it. ..Susy? | 0:14:22 | 0:14:25 | |
Wonderful! | 0:14:29 | 0:14:31 | |
Place your hands in front, like this. And... | 0:14:31 | 0:14:35 | |
Susy? | 0:14:35 | 0:14:36 | |
Long strides are not feminine. | 0:14:38 | 0:14:40 | |
Short strides. Yes? | 0:14:40 | 0:14:42 | |
Short...strides. | 0:14:42 | 0:14:44 | |
Every step is meant to draw attention for its grace and poise. | 0:14:45 | 0:14:51 | |
I'm not sure I can do grace and poise! | 0:14:51 | 0:14:53 | |
Perhaps try poise and worry about grace later. | 0:14:53 | 0:14:55 | |
ALL LAUGH | 0:14:55 | 0:14:56 | |
We must all go out together. Be my treat. Where shall we go? | 0:14:56 | 0:14:59 | |
What's the most lavish night out we could possibly have? | 0:14:59 | 0:15:02 | |
-Er, Mrs Ballentine... -Please, call me Lucille... | 0:15:02 | 0:15:05 | |
Lucille, there's no need for extravagance. | 0:15:05 | 0:15:08 | |
Ballentine's so handsome, isn't he? | 0:15:11 | 0:15:14 | |
-Your husband clearly adores you, madam. -He can be so funny sometimes. | 0:15:15 | 0:15:20 | |
I've never known a kinder man. | 0:15:22 | 0:15:24 | |
I'm going to invite you all out to the house, | 0:15:28 | 0:15:31 | |
and it will be the jolliest party of the year. | 0:15:31 | 0:15:33 | |
-Please, say you'll come! -Oh, we'd love to come. | 0:15:33 | 0:15:36 | |
We want to look at your chandeliers. Don't we, Clara? | 0:15:36 | 0:15:38 | |
Or, sometimes we have a picnic on Sundays. | 0:15:38 | 0:15:43 | |
I am so glad I found you. | 0:15:43 | 0:15:46 | |
The only women I've met so far have been those well-to-do society wives | 0:15:46 | 0:15:49 | |
who look down their noses at me. | 0:15:49 | 0:15:51 | |
I love picnics. Come and sit in my garden. | 0:15:51 | 0:15:54 | |
We'll have champagne | 0:15:54 | 0:15:56 | |
and roasted meats and oranges... | 0:15:56 | 0:15:59 | |
We would all...love to come, Lucille. | 0:16:00 | 0:16:03 | |
SHE GIGGLES | 0:16:04 | 0:16:06 | |
-Can I offer you a glass of brandy, sir? -I must be rid of him. | 0:16:10 | 0:16:15 | |
-Perhaps we should speak inside, sir. -Yes. Yes of course. | 0:16:15 | 0:16:21 | |
I can't bear to watch him lord it about this place for one more day. | 0:16:23 | 0:16:27 | |
Haste will not serve you well, Mr Weston. | 0:16:27 | 0:16:30 | |
If you are determined to dispose of Mr Moray, do not do so on his terms. | 0:16:30 | 0:16:34 | |
If you dismiss him now, you will play into his hands. | 0:16:34 | 0:16:37 | |
-He would come out on top. -What do you mean? | 0:16:37 | 0:16:39 | |
There are things I have heard, sir. | 0:16:40 | 0:16:43 | |
Will you trust that I know best in this? | 0:16:43 | 0:16:46 | |
Let me make some arrangements | 0:16:46 | 0:16:48 | |
and a proposal will be laid before you that will finish Moray. | 0:16:48 | 0:16:51 | |
A five-year celebration! We will deck the halls with ribbons, bunting | 0:16:53 | 0:16:57 | |
and a bird of paradise for every customer. | 0:16:57 | 0:17:00 | |
Mr Moray, sir, your messages. | 0:17:00 | 0:17:04 | |
Dudley can deal with these. | 0:17:04 | 0:17:06 | |
I'm only borrowing it, I'm not going to steal it! | 0:17:09 | 0:17:11 | |
I need it to get the job done, don't I? | 0:17:11 | 0:17:13 | |
Well, next time ask Mr Moray or Mr Dudley, | 0:17:13 | 0:17:16 | |
or someone else higher up the ladder. | 0:17:16 | 0:17:19 | |
You see this street? | 0:17:19 | 0:17:21 | |
I look up and down it, | 0:17:21 | 0:17:23 | |
there's nobody that was here before me. | 0:17:23 | 0:17:25 | |
-That means something. -Aye. It means you've been here a long time | 0:17:25 | 0:17:29 | |
-and it's your turn to pull up the ladder. -Our Denise... | 0:17:29 | 0:17:32 | |
Coming to the inn to chide me. She wants rid of me. | 0:17:32 | 0:17:35 | |
She might as well push me down the road. | 0:17:35 | 0:17:38 | |
She just wants you to be happy, that's all, Edmund. | 0:17:38 | 0:17:40 | |
Surely you can see that. | 0:17:40 | 0:17:42 | |
I'll paint my shop from top to bottom. And then... | 0:17:42 | 0:17:45 | |
I can help you out if you want, on Sunday. | 0:17:48 | 0:17:51 | |
I'd only spend it chasing girls up the river. | 0:17:51 | 0:17:53 | |
Or chasing girls down the river. | 0:17:53 | 0:17:55 | |
Everything I know in this world is right here. | 0:17:56 | 0:17:59 | |
I am concerned for Katherine. | 0:18:35 | 0:18:37 | |
Her husband's jealousy is telling on her. I fear she might fall ill. | 0:18:37 | 0:18:40 | |
Well, that is all to the good. | 0:18:40 | 0:18:43 | |
Your courting of her has w-worked to our favour. | 0:18:43 | 0:18:46 | |
What I am trying to make clear to you is that | 0:18:46 | 0:18:49 | |
I cannot continue with this deception. | 0:18:49 | 0:18:51 | |
Tom Weston is a dangerously volatile man. | 0:18:51 | 0:18:55 | |
The pressure is telling on him. | 0:18:55 | 0:18:57 | |
-I have seen it. -All to the good. | 0:18:57 | 0:19:00 | |
Mr Moray, sir, if I may. | 0:19:00 | 0:19:03 | |
-You have played your part. -And played it handsomely. | 0:19:03 | 0:19:06 | |
-Now, we will approach Tom Weston with our proposal. -What proposal? | 0:19:06 | 0:19:10 | |
KNOCK AT DOOR | 0:19:10 | 0:19:12 | |
< John? John? | 0:19:12 | 0:19:14 | |
Jonas, take him through this way. I don't want her to find you here. | 0:19:14 | 0:19:17 | |
Sir. | 0:19:17 | 0:19:18 | |
-< Are you in there? -KNOCKING | 0:19:20 | 0:19:23 | |
< John, are you in there? | 0:19:24 | 0:19:26 | |
Who were you talking to? | 0:19:36 | 0:19:38 | |
It has finally come to it. I must have been talking to myself. | 0:19:38 | 0:19:42 | |
Ballentine? He's spending all of his money | 0:19:45 | 0:19:48 | |
on a wife who's young enough to be his daughter. | 0:19:48 | 0:19:50 | |
-The man's mind is addled with love. -And what's wrong with that? | 0:19:50 | 0:19:54 | |
Nothing. Nothing's wrong with that. | 0:19:54 | 0:19:56 | |
When it comes to business matters, | 0:19:56 | 0:19:58 | |
his mind is as sharp as the best of us. | 0:19:58 | 0:20:01 | |
I believe if we came to him with a proposal... | 0:20:01 | 0:20:03 | |
He has a pretty bride who's taken a fancy to the store, darling, | 0:20:03 | 0:20:06 | |
those are not grounds for us to believe the man is a suitable investor. | 0:20:06 | 0:20:09 | |
-Are you opposed to the idea because I suggested it to you? -I'm sorry. | 0:20:09 | 0:20:13 | |
-I'm not at my best. -Why are you so irritable, so distracted? | 0:20:13 | 0:20:19 | |
Is it Katherine? | 0:20:21 | 0:20:23 | |
What do you mean? | 0:20:25 | 0:20:27 | |
I saw how she was when we went to dinner. She hardly said a word. | 0:20:27 | 0:20:32 | |
She was festering with rage. | 0:20:32 | 0:20:34 | |
I think she's unhappy in her marriage. | 0:20:34 | 0:20:37 | |
She almost said as much. | 0:20:37 | 0:20:39 | |
You went to see her? | 0:20:41 | 0:20:43 | |
Yes. Yes. To plead with her to rein in her husband. | 0:20:44 | 0:20:48 | |
His dabbling in the business of the store is making life here quite impossible. | 0:20:48 | 0:20:52 | |
But you did not tell me you were going to see Katherine. | 0:20:53 | 0:20:57 | |
While they are our masters, we must deal with them, as best we can. | 0:20:57 | 0:21:02 | |
Be careful John. | 0:21:02 | 0:21:04 | |
Katherine has not forgotten. She'll never forget. | 0:21:06 | 0:21:10 | |
You do not wish to sell. I accept that. | 0:21:14 | 0:21:16 | |
We shall both of us proceed on that understanding. | 0:21:16 | 0:21:19 | |
But it would be duplicitous of me | 0:21:19 | 0:21:22 | |
were I not to advise you of my intentions. | 0:21:22 | 0:21:25 | |
My brother and I have a store in Manchester and one in Liverpool. | 0:21:25 | 0:21:29 | |
We wish to expand south and, indeed, n-north. | 0:21:29 | 0:21:33 | |
Our intention is to be the first and, sir, | 0:21:33 | 0:21:37 | |
the only, national formation of emporiums. | 0:21:37 | 0:21:40 | |
-And you propose to build here? -We have a site. Plans are being drawn. | 0:21:40 | 0:21:47 | |
Up until now, Mr Weston, | 0:21:47 | 0:21:49 | |
the battle has been between the small stores and The Paradise. | 0:21:49 | 0:21:53 | |
That war was easily won. | 0:21:53 | 0:21:55 | |
If I build there will be an almighty clash | 0:21:55 | 0:21:57 | |
on an altogether different scale. A price war. | 0:21:57 | 0:22:02 | |
Some of your best staff might well be tempted by better offers. | 0:22:02 | 0:22:07 | |
Customers will be, at the very least, divided. | 0:22:07 | 0:22:11 | |
Why would you wish to forewarn me? | 0:22:11 | 0:22:13 | |
It means that I might arm myself against your intentions. | 0:22:16 | 0:22:21 | |
It is a battle I W-WILL win. | 0:22:22 | 0:22:24 | |
But it will be a costly affair. I would prefer you... | 0:22:26 | 0:22:30 | |
To accept defeat now? In the comfort of my own home. | 0:22:30 | 0:22:33 | |
Not defeat, no. Perhaps a more personal triumph. | 0:22:33 | 0:22:38 | |
You will appreciate that a businessman must be, | 0:22:38 | 0:22:40 | |
shall we say, "single-minded"? | 0:22:40 | 0:22:43 | |
If I build, I intend to employ Moray as my store manager | 0:22:43 | 0:22:48 | |
and I will provide him with whatever funds are needed to succeed. | 0:22:48 | 0:22:52 | |
If you sell The Paradise to me, | 0:22:52 | 0:22:54 | |
I will cast Moray into the wilderness | 0:22:54 | 0:22:57 | |
never to return. | 0:22:57 | 0:22:58 | |
No. | 0:23:08 | 0:23:09 | |
I understand that emotion might get the better of judgment, sir, | 0:23:12 | 0:23:17 | |
so I will wait for one week whilst you allow yourself some | 0:23:17 | 0:23:22 | |
re-reflection on the matter. | 0:23:22 | 0:23:26 | |
Let me explain. | 0:23:26 | 0:23:29 | |
What you describe, | 0:23:29 | 0:23:31 | |
Mr Fenton, are the circumstances. | 0:23:31 | 0:23:34 | |
What you are dealing with is a man. | 0:23:34 | 0:23:36 | |
If I surrender to your demand, | 0:23:36 | 0:23:40 | |
it will be... | 0:23:40 | 0:23:43 | |
HE LAUGHS | 0:23:43 | 0:23:44 | |
..because I am a coward. | 0:23:47 | 0:23:49 | |
STREET BUSTLE AND HUBBUB | 0:23:52 | 0:23:54 | |
-Once you take the name down, that really is the end, isn't it? -It is. | 0:23:58 | 0:24:02 | |
Yeah, well, you have to. Take it down. | 0:24:03 | 0:24:06 | |
I mean, you can't paint Edmund Lovett back up there again | 0:24:06 | 0:24:09 | |
in bright new colours, cos what's that going to look like? | 0:24:09 | 0:24:12 | |
Yeah, but if my name's not above the shop, | 0:24:12 | 0:24:14 | |
what is it I'm supposed to be selling? | 0:24:14 | 0:24:16 | |
Anyone interested is going to want to know | 0:24:16 | 0:24:18 | |
they're buying a going concern. | 0:24:18 | 0:24:20 | |
-You could just write up there - "Draper's Shop". -There, you see! | 0:24:20 | 0:24:23 | |
-Straight from the mouths of babes. -Yeah... Well... | 0:24:23 | 0:24:26 | |
It's for you to have opinions. | 0:24:26 | 0:24:28 | |
It's for me to decide. | 0:24:29 | 0:24:31 | |
-Oh, a little more, thank you. -You have such a lovely garden, Lucille. | 0:24:34 | 0:24:37 | |
Eat up, girls. | 0:24:37 | 0:24:39 | |
You're not allowed to leave until you are properly indulged. | 0:24:39 | 0:24:43 | |
Four shop girls on a blanket and not a man in sight! | 0:24:43 | 0:24:46 | |
No-one's going to be indulged today. | 0:24:46 | 0:24:48 | |
THEY GIGGLE | 0:24:48 | 0:24:51 | |
Have some meat. | 0:24:51 | 0:24:53 | |
There's peasant. | 0:24:53 | 0:24:55 | |
I mean "pheasant". | 0:24:57 | 0:24:59 | |
Where I come from, "peasant" is a delicacy. | 0:25:01 | 0:25:03 | |
We have it with an egg on top! | 0:25:03 | 0:25:05 | |
ALL CHUCKLE | 0:25:05 | 0:25:07 | |
I'm a peasant. | 0:25:09 | 0:25:11 | |
As good as. | 0:25:13 | 0:25:14 | |
I know you all know it. | 0:25:15 | 0:25:18 | |
I don't know how to dress, how to walk, how to talk. | 0:25:18 | 0:25:21 | |
You must be wondering how I got myself a husband like Ballentine! | 0:25:21 | 0:25:25 | |
Well, it's none of our business, Lucille. | 0:25:27 | 0:25:30 | |
I was wondering. | 0:25:31 | 0:25:32 | |
He was sick. | 0:25:34 | 0:25:36 | |
I was nursing him and, er... | 0:25:36 | 0:25:38 | |
Men always fall for the nurses. | 0:25:38 | 0:25:42 | |
There. Now, we know. He's a lucky man to have you. | 0:25:42 | 0:25:45 | |
Any fried mongrel to go with that peasant? | 0:25:45 | 0:25:47 | |
-Did he court you whilst he was sick in hospital? -I let him woo me. | 0:25:47 | 0:25:52 | |
Why should I not? I've had my heart broke plenty of times. | 0:25:52 | 0:25:55 | |
Men get well and they move away... | 0:25:58 | 0:26:01 | |
..and they forget they were in love. | 0:26:03 | 0:26:05 | |
I thought my time had passed. | 0:26:08 | 0:26:09 | |
But Ballentine didn't forget. He wanted to marry me, | 0:26:09 | 0:26:12 | |
and I know what all the wives around here think of me. | 0:26:12 | 0:26:16 | |
You must be thinking the same. | 0:26:17 | 0:26:19 | |
I'm no more than a pretty face... | 0:26:22 | 0:26:24 | |
The only difference between you and us, Lucille, | 0:26:34 | 0:26:37 | |
is that you chased after a good man. | 0:26:37 | 0:26:39 | |
Isn't that right, girls? | 0:26:39 | 0:26:41 | |
You found a husband whose only desire is to make you happy. | 0:26:41 | 0:26:46 | |
If you think we're here to judge you for that, | 0:26:46 | 0:26:49 | |
then you're wrong. | 0:26:49 | 0:26:51 | |
SHE SIGHS | 0:26:51 | 0:26:53 | |
Thank you. Thank you, Clara. | 0:27:00 | 0:27:02 | |
It truly is a comfort to me to have you to turn to, Moray. | 0:27:06 | 0:27:10 | |
I hope that you appreciate how grateful I am. | 0:27:10 | 0:27:13 | |
Katherine, Tom is punishing you because I'm here to remind him | 0:27:13 | 0:27:17 | |
of how things were between us. | 0:27:17 | 0:27:20 | |
It is a provocation to him. | 0:27:20 | 0:27:22 | |
If we see one another, I can't help thinking it will make this worse. | 0:27:23 | 0:27:27 | |
Be honest with me, be honest with yourself. | 0:27:29 | 0:27:33 | |
Do you suppose it will make things better if we continue like this? | 0:27:35 | 0:27:38 | |
I brought you back here to punish you. | 0:27:41 | 0:27:44 | |
It wasn't enough to ruin you. | 0:27:44 | 0:27:46 | |
That could never match the hurt I felt when you abandoned me. | 0:27:47 | 0:27:50 | |
I put you back in that place so that I could watch you with Denise and... | 0:27:51 | 0:27:54 | |
..I didn't care how long it might take... | 0:27:56 | 0:27:58 | |
I wanted her to feel as I felt. | 0:28:00 | 0:28:01 | |
To be terrified of losing you. | 0:28:02 | 0:28:04 | |
And then, to lose you. | 0:28:04 | 0:28:06 | |
But now... | 0:28:08 | 0:28:09 | |
A few moments alone with you, to feel your tenderness, | 0:28:10 | 0:28:13 | |
your protection... I don't want to hurt anyone now. | 0:28:13 | 0:28:16 | |
I only want to know that sometimes we can be like this. | 0:28:18 | 0:28:21 | |
-Don't take that away from me. -Tom will destroy you... | 0:28:23 | 0:28:26 | |
Denise will destroy you. | 0:28:26 | 0:28:28 | |
Have you thought of that? | 0:28:28 | 0:28:30 | |
HE SIGHS | 0:28:30 | 0:28:32 | |
Tom told me what he sees in the store. | 0:28:33 | 0:28:36 | |
Denise has such ambition. | 0:28:36 | 0:28:39 | |
I saw her face when he suggested that she might go to Paris. | 0:28:39 | 0:28:42 | |
He says she will outrun you... | 0:28:42 | 0:28:45 | |
You asked me to be honest with you, Moray. | 0:28:48 | 0:28:50 | |
I implore you to meet truth with truth. | 0:28:50 | 0:28:52 | |
What I describe, | 0:28:54 | 0:28:56 | |
is that what you see? | 0:28:56 | 0:28:58 | |
You have comforted me. | 0:29:05 | 0:29:08 | |
Can't I comfort you? | 0:29:08 | 0:29:09 | |
You have such a splendid home, a good life, a lovely wife, | 0:29:20 | 0:29:26 | |
but... | 0:29:26 | 0:29:27 | |
Why do I not retire? Why should I? | 0:29:27 | 0:29:30 | |
Oh, I've had several opportunities to sell my brewery, | 0:29:32 | 0:29:35 | |
but I've never been tempted. | 0:29:35 | 0:29:38 | |
It's what keeps me going, work. | 0:29:38 | 0:29:41 | |
Keeps me sharp. | 0:29:41 | 0:29:43 | |
Every new challenge takes ten years off my age! | 0:29:43 | 0:29:46 | |
Well, maybe five. | 0:29:46 | 0:29:49 | |
I make beer, and I feel I've done all I can | 0:29:50 | 0:29:54 | |
selling ales to the nation. | 0:29:54 | 0:29:56 | |
I want one more business conquest to make me young again. | 0:29:56 | 0:30:01 | |
Now I hear that Moray is trying to raise funds to buy back his store | 0:30:03 | 0:30:08 | |
without much success. | 0:30:08 | 0:30:10 | |
How did he come to lose it? | 0:30:10 | 0:30:12 | |
He...fell in love. | 0:30:15 | 0:30:17 | |
He gave up all that he had to be true to his girl. | 0:30:18 | 0:30:21 | |
Aye, I've heard the stories. | 0:30:22 | 0:30:24 | |
It rather endears him to me. | 0:30:26 | 0:30:28 | |
But then, I have become something of a romantic in my old age, | 0:30:28 | 0:30:32 | |
as you can see, Denise. | 0:30:32 | 0:30:35 | |
Mr Ballentine, might you meet with Mr Moray | 0:30:35 | 0:30:38 | |
so that he might put before you a proposal to invest in The Paradise? | 0:30:38 | 0:30:41 | |
It is a sound enterprise, with potential for extensive expansion. | 0:30:41 | 0:30:45 | |
We are not vulnerable to the whims of fashion, | 0:30:45 | 0:30:48 | |
in fact, we are always ahead of our customers. | 0:30:48 | 0:30:51 | |
As modern manufacturing creates new goods, | 0:30:51 | 0:30:54 | |
we are the first to offer them. | 0:30:54 | 0:30:56 | |
More and more people are coming to the city, | 0:30:56 | 0:30:58 | |
as I did, as your wife did, | 0:30:58 | 0:31:00 | |
and what they want is the new, the glamorous, | 0:31:00 | 0:31:02 | |
foreign goods. | 0:31:02 | 0:31:04 | |
People want betterment, and The Paradise is a haven | 0:31:04 | 0:31:06 | |
for all that they wish for. | 0:31:06 | 0:31:08 | |
Why would I want Moray to present to me when you do it so admirably? | 0:31:09 | 0:31:13 | |
Oh! I'm sorry, I got carried away... | 0:31:13 | 0:31:17 | |
Nae, don't apologise for what you're good at. | 0:31:17 | 0:31:20 | |
I wanted a son. | 0:31:20 | 0:31:22 | |
Someone who would take on my business | 0:31:22 | 0:31:25 | |
and make it flourish for his own generation. | 0:31:25 | 0:31:27 | |
If I'd had the son I'd wished for, | 0:31:28 | 0:31:30 | |
he'd have been just like you, Denise. | 0:31:30 | 0:31:32 | |
Now, you put together a formal proposition | 0:31:33 | 0:31:36 | |
and I'll consider it. | 0:31:36 | 0:31:38 | |
It's a fine job you're doing, Edmund. It has to be said. | 0:31:42 | 0:31:45 | |
Yes, so fine you know what's coming, don't you, Myrtle? | 0:31:45 | 0:31:48 | |
I do. When he's finished the outside, it'll cross his mind to do the inside. | 0:31:48 | 0:31:51 | |
-Just so they're all the same, like. -And when he's done the inside... | 0:31:51 | 0:31:54 | |
He'll step back and admire his handiwork and say... | 0:31:54 | 0:31:57 | |
"Seems a shame to leave the place when I've got it looking so splendid!" | 0:31:57 | 0:32:01 | |
Come on, Edmund, eat your cake. | 0:32:01 | 0:32:03 | |
-Edmund? -Come on, eat your cake. -Edmund...? | 0:32:03 | 0:32:06 | |
Moray, Denise may well have found exactly what you are looking for. | 0:32:06 | 0:32:09 | |
Mr Ballentine as good as said he's willing to invest. | 0:32:09 | 0:32:11 | |
He'd like you to meet with him. | 0:32:11 | 0:32:13 | |
Katherine and Tom are not minded to sell. It would antagonise them | 0:32:13 | 0:32:16 | |
if they thought we were manoeuvring against them. | 0:32:16 | 0:32:18 | |
Surely there's no harm in having the funding in place? | 0:32:18 | 0:32:20 | |
We must find investment that is from the best source | 0:32:20 | 0:32:23 | |
that comes at the most favourable time. | 0:32:23 | 0:32:25 | |
Mr Moray, sir, your messages. | 0:32:25 | 0:32:27 | |
I know, sir. Mr Dudley will deal with them. | 0:32:28 | 0:32:31 | |
HE SIGHS | 0:32:38 | 0:32:39 | |
I long to go back to that time of innocence between us. | 0:32:40 | 0:32:45 | |
The two of us just talking in the dark. | 0:32:45 | 0:32:47 | |
Sweetheart, it was never innocent. | 0:32:48 | 0:32:51 | |
You were engaged to be married, and I was a shop girl working for you. | 0:32:51 | 0:32:55 | |
Things have always been difficult, | 0:32:55 | 0:32:57 | |
but we persevered because we love one another. | 0:32:57 | 0:32:59 | |
It's the same now. | 0:32:59 | 0:33:01 | |
Sometimes, I wish you just didn't work here. | 0:33:01 | 0:33:05 | |
I wish we'd met in the street. | 0:33:05 | 0:33:07 | |
I just want us to be able to love one another | 0:33:07 | 0:33:10 | |
and for it all to be simple. What is wrong with that? | 0:33:10 | 0:33:12 | |
There's nothing wrong with that. | 0:33:12 | 0:33:14 | |
I think they call it romance. | 0:33:14 | 0:33:16 | |
You think we should defy Moray? | 0:33:21 | 0:33:23 | |
Let's not call it that. | 0:33:23 | 0:33:24 | |
Let's call it helping. Without his knowledge. | 0:33:24 | 0:33:28 | |
Or consent. But helping nonetheless. If we can secure workable funds... | 0:33:28 | 0:33:33 | |
The Westons are crushing John, Dudley. | 0:33:35 | 0:33:38 | |
We have to do something. Even if it only amounts | 0:33:40 | 0:33:43 | |
to giving him a little bit of hope to carry on. | 0:33:43 | 0:33:46 | |
I'm not sure that acting secretly is the best way, Denise. | 0:33:48 | 0:33:51 | |
I don't know what Myrtle puts in her pastry, | 0:33:54 | 0:33:56 | |
she says she has a secret ingredient. | 0:33:56 | 0:33:58 | |
Provided it's not her toenails, | 0:33:58 | 0:34:01 | |
I don't need to know as long as it tastes good. | 0:34:01 | 0:34:04 | |
Eh, Denise, what is eating up your uncle? | 0:34:04 | 0:34:06 | |
I couldn't even get him to eat my cake today. | 0:34:06 | 0:34:09 | |
I must go across and see him, I've been so busy. | 0:34:09 | 0:34:12 | |
Perhaps he's wise to what you put in your recipe, Myrtle. | 0:34:12 | 0:34:14 | |
HE CHUCKLES | 0:34:14 | 0:34:17 | |
I see people looking at me when I'm with Ballentine. | 0:34:21 | 0:34:24 | |
I saw it on your face when I brought him into the store. | 0:34:24 | 0:34:27 | |
-What does it matter what others think of you? -Because it's true. | 0:34:27 | 0:34:31 | |
It must be true. | 0:34:31 | 0:34:32 | |
The more kindness he shows to me, the more guilty I feel. | 0:34:34 | 0:34:37 | |
I made a mistake. I have to admit it, I have to. | 0:34:37 | 0:34:40 | |
I will leave him. | 0:34:46 | 0:34:47 | |
Isn't that a cruel thing to do to a man who loves you? | 0:34:48 | 0:34:51 | |
It's more cruel if I stay. | 0:34:53 | 0:34:55 | |
KNOCK AT DOOR | 0:35:00 | 0:35:02 | |
DOOR RATTLES | 0:35:03 | 0:35:05 | |
LOCKS RATTLE | 0:35:08 | 0:35:10 | |
Katherine? KNOCK AT DOOR | 0:35:10 | 0:35:13 | |
DOOR RATTLES | 0:35:13 | 0:35:15 | |
Katherine? | 0:35:16 | 0:35:18 | |
Don't pretend to know or understand anything you don't. | 0:35:22 | 0:35:25 | |
He's a businessman of many years' experience. He will know. | 0:35:25 | 0:35:28 | |
Keep the figures simple - don't inflate or exaggerate. | 0:35:28 | 0:35:32 | |
If he catches you out, then you've lost him. | 0:35:32 | 0:35:34 | |
Wouldn't it be better if you came with me? | 0:35:35 | 0:35:38 | |
No, it wouldn't. | 0:35:38 | 0:35:40 | |
But, why wouldn't it? | 0:35:40 | 0:35:41 | |
Because you found Ballentine, he's your conquest. | 0:35:43 | 0:35:46 | |
BOARDS CREAK | 0:35:46 | 0:35:48 | |
There's no-one here. | 0:35:54 | 0:35:56 | |
What you just told me, Mr Dudley, that's not the true reason, is it? | 0:35:57 | 0:36:00 | |
I would present Mr Ballentine with figures, and he would see in me | 0:36:01 | 0:36:05 | |
a man who could be trusted with his investment. You? | 0:36:05 | 0:36:08 | |
You would light up the room, Denise. | 0:36:09 | 0:36:12 | |
I'm good at what I do. The best at my own job. | 0:36:12 | 0:36:16 | |
But something like this takes an entrepreneur. | 0:36:16 | 0:36:19 | |
I just want to see the look on John's face | 0:36:19 | 0:36:21 | |
when I tell him we have a way out. | 0:36:21 | 0:36:23 | |
And you will, Denise. You will. | 0:36:23 | 0:36:25 | |
Go on, go. | 0:36:27 | 0:36:28 | |
Go to bed. And good luck. | 0:36:28 | 0:36:31 | |
SCRAPING | 0:36:39 | 0:36:41 | |
SHE KNOCKS DRIVER: Walk on! | 0:36:48 | 0:36:50 | |
Denise... | 0:36:50 | 0:36:51 | |
HOOVES RECEDE | 0:36:53 | 0:36:55 | |
There is something about Mr Weston's time in the army, sir. | 0:37:06 | 0:37:10 | |
Something he cannot bear to speak about. | 0:37:10 | 0:37:14 | |
Denise has just left the street in a carriage. Where has she gone? | 0:37:14 | 0:37:17 | |
You might be better asking Mr Dudley about that, sir. | 0:37:17 | 0:37:20 | |
Clara? Clara? | 0:37:25 | 0:37:26 | |
I don't know what possessed me | 0:37:26 | 0:37:28 | |
to say such things to you about my husband. | 0:37:28 | 0:37:30 | |
I couldn't sleep for fear that... | 0:37:30 | 0:37:32 | |
You didn't tell anyone what I said to you, did you? | 0:37:33 | 0:37:36 | |
There was nothing to tell. | 0:37:36 | 0:37:38 | |
I couldn't bear it if Ballentine found out. | 0:37:38 | 0:37:40 | |
-I mean, found out what I'd been saying. -But your mind is made up? | 0:37:40 | 0:37:43 | |
Oooh! I've not seen these shawls before. | 0:37:46 | 0:37:49 | |
Do you like them? We must both have one, Clara. | 0:37:51 | 0:37:54 | |
There's no need for that, Mrs Ballentine. | 0:37:54 | 0:37:57 | |
I just want to show you what you mean to me. I have a friend. | 0:37:57 | 0:38:00 | |
I have a true friend. | 0:38:00 | 0:38:02 | |
I want you to have this. | 0:38:04 | 0:38:06 | |
-I can't accept that from you. -Please. You must. To show you. | 0:38:06 | 0:38:09 | |
Friends. Trusted friends. | 0:38:09 | 0:38:11 | |
There are rules about such things in the store. | 0:38:11 | 0:38:13 | |
If I accept that, I could lose my position. | 0:38:13 | 0:38:16 | |
Then don't tell them. Be between us. | 0:38:16 | 0:38:18 | |
Do you think you can buy my sympathy, my silence? | 0:38:18 | 0:38:22 | |
Buy my friendship? | 0:38:22 | 0:38:24 | |
You're a customer. | 0:38:24 | 0:38:25 | |
You are no more to me than that. | 0:38:25 | 0:38:27 | |
SHE SIGHS | 0:38:34 | 0:38:36 | |
Flora? | 0:39:07 | 0:39:08 | |
-The projected income for the next year... -Yes, sir? | 0:39:11 | 0:39:15 | |
I imagined it might be more. Is there a problem? | 0:39:16 | 0:39:19 | |
I have erred on the side of caution. | 0:39:19 | 0:39:21 | |
False expectations create disappointment | 0:39:21 | 0:39:24 | |
and a sense of failure. | 0:39:24 | 0:39:25 | |
What I have predicted and what we reach for | 0:39:25 | 0:39:27 | |
are not the same thing. | 0:39:27 | 0:39:29 | |
And do you have figures for what you might reach for, Denise? | 0:39:29 | 0:39:33 | |
HE CHUCKLES | 0:39:38 | 0:39:40 | |
Why did Moray not make this presentation himself? | 0:39:40 | 0:39:44 | |
Please, don't hold this one small omission against him, sir. | 0:39:45 | 0:39:48 | |
Moray has built The Paradise from nothing. | 0:39:48 | 0:39:51 | |
He knows better than anyone how to make the store a success. | 0:39:51 | 0:39:54 | |
Your proposal meets with my satisfaction, Denise. | 0:39:56 | 0:39:59 | |
But I have other considerations to take into account. | 0:40:00 | 0:40:03 | |
-I will not keep you waiting too long for an answer. -Thank you, sir. | 0:40:06 | 0:40:09 | |
He's a very fortunate fellow. | 0:40:11 | 0:40:13 | |
I hope he knows it. | 0:40:13 | 0:40:15 | |
'I found her sitting in my chair...' | 0:40:16 | 0:40:18 | |
As though she were trying out the throne. | 0:40:18 | 0:40:21 | |
Do you suppose I haven't done the same? And Sam? | 0:40:21 | 0:40:24 | |
I once found Arthur sitting there. | 0:40:24 | 0:40:27 | |
We're all allowed to daydream, Moray. | 0:40:27 | 0:40:29 | |
There's no harm in it. | 0:40:29 | 0:40:31 | |
I'm sorry, I seem to be jumping at shadows, don't I? | 0:40:33 | 0:40:37 | |
You know why? You're consumed with such underhand business | 0:40:37 | 0:40:40 | |
with Jonas and Fenton that you refuse to notice | 0:40:40 | 0:40:43 | |
that Ballentine's the perfect financier for you. Why is that? | 0:40:43 | 0:40:46 | |
Because Denise...found him. | 0:40:48 | 0:40:52 | |
-She wooed him. -She brought you a gift! She did it for you! | 0:40:53 | 0:40:56 | |
Because she loves you. | 0:40:56 | 0:40:58 | |
You've lost sight of what really matters. | 0:41:00 | 0:41:02 | |
Instead you prefer to dally with Katherine Weston | 0:41:02 | 0:41:04 | |
in the hope that you can...who knows what. | 0:41:04 | 0:41:07 | |
HE SIGHS | 0:41:10 | 0:41:11 | |
I've been an almighty fool, Dudley. | 0:41:11 | 0:41:14 | |
You have. And what do you propose to do about it? | 0:41:14 | 0:41:17 | |
GUNSHOT | 0:41:25 | 0:41:27 | |
I did not come to your room to frighten you, Katherine. | 0:41:39 | 0:41:43 | |
I came to look at you. | 0:41:46 | 0:41:48 | |
I've received an offer to sell The Paradise. | 0:41:54 | 0:41:57 | |
Why would you want to do such a thing? | 0:41:58 | 0:42:01 | |
I've decided it is for the best. | 0:42:01 | 0:42:02 | |
-No. You can't. -I can. I'm your husband. | 0:42:04 | 0:42:07 | |
What I decide will prevail. | 0:42:09 | 0:42:11 | |
But it makes no sense... | 0:42:11 | 0:42:13 | |
Last night, Katherine, I came to your room to tell you... | 0:42:19 | 0:42:23 | |
..I don't want to lose you. | 0:42:25 | 0:42:26 | |
What if we were to stop? | 0:42:28 | 0:42:31 | |
Stop... | 0:42:32 | 0:42:34 | |
..punishing one another. | 0:42:35 | 0:42:37 | |
What if we were to say... | 0:42:39 | 0:42:41 | |
..we are married now. | 0:42:42 | 0:42:43 | |
We can make a life. | 0:42:45 | 0:42:47 | |
Flora adores you. | 0:42:50 | 0:42:53 | |
We have a child to care for. | 0:42:55 | 0:42:57 | |
I promise you, I will always be here. | 0:43:16 | 0:43:19 | |
I will not break my word. | 0:43:19 | 0:43:20 | |
'My dear Moray. | 0:43:28 | 0:43:31 | |
'I must put upon your good nature | 0:43:31 | 0:43:33 | |
'and your kindness towards me once more, and ask that you | 0:43:33 | 0:43:36 | |
'come to meet with me urgently.' | 0:43:36 | 0:43:38 | |
'Please forgive my haste, I will explain when I see you. | 0:43:46 | 0:43:49 | |
'Katherine.' | 0:43:49 | 0:43:52 | |
John? | 0:43:53 | 0:43:55 | |
Are you going out? | 0:43:55 | 0:43:57 | |
Darling, I have an appointment to see Campbell Ballentine. | 0:43:57 | 0:44:01 | |
-I took your advice and approached him. -That's wonderful. | 0:44:01 | 0:44:04 | |
I'm so pleased. | 0:44:05 | 0:44:07 | |
-It's Clara, isn't it? -It is, sir. | 0:44:28 | 0:44:31 | |
-If you'll excuse me. -I'd like a word with you, Clara. | 0:44:31 | 0:44:33 | |
HUSHED CONVERSATION | 0:44:38 | 0:44:40 | |
-Did you tell him? -I wouldn't do such a thing. -You did. I saw you. | 0:44:45 | 0:44:48 | |
I saw you speaking with my husband. | 0:44:48 | 0:44:50 | |
He was inviting me, inviting all of the girls, to his birthday party, | 0:44:50 | 0:44:54 | |
to please YOU. | 0:44:54 | 0:44:55 | |
There! Do you see now? Do you see now why I must leave him? | 0:44:56 | 0:44:59 | |
-WHAT is there to see? -I don't deserve a man like him. | 0:44:59 | 0:45:03 | |
The more devoted he is to me, | 0:45:03 | 0:45:05 | |
the more I wait for the day when he sees me as I truly am. | 0:45:05 | 0:45:08 | |
-I tricked him. I bewitched him. -What do you mean? | 0:45:08 | 0:45:11 | |
When I was nursing him, there was one night... | 0:45:14 | 0:45:17 | |
He looked so handsome, when he was sleeping and... | 0:45:19 | 0:45:23 | |
..I couldn't seem to stop myself. | 0:45:24 | 0:45:26 | |
I kissed him. | 0:45:28 | 0:45:29 | |
I feel like I've stolen his soul in his sleep | 0:45:31 | 0:45:34 | |
and that's why he loves me. | 0:45:34 | 0:45:35 | |
Why would you torment yourself with such superstition? | 0:45:37 | 0:45:40 | |
Do you really think he's so easily fooled? | 0:45:40 | 0:45:44 | |
You did not steal his love, you did not trick him. | 0:45:44 | 0:45:48 | |
Look, listen to me. | 0:45:48 | 0:45:50 | |
-Do you love him? -Of course! | 0:45:50 | 0:45:52 | |
Then LOVE him. | 0:45:52 | 0:45:54 | |
That's all he wants from you. | 0:45:54 | 0:45:56 | |
Love him and you'll be rid of your torments. | 0:45:56 | 0:45:58 | |
If you leave him, you will curse yourself for the rest of your days. | 0:46:00 | 0:46:05 | |
To hell with what other people think of you. | 0:46:05 | 0:46:08 | |
Your husband adores you. | 0:46:08 | 0:46:10 | |
You've been lucky in finding such a man. | 0:46:10 | 0:46:14 | |
Why not just accept your luck? | 0:46:14 | 0:46:16 | |
Yes, thank you. | 0:46:25 | 0:46:27 | |
FOOTSTEPS APPROACH | 0:46:27 | 0:46:29 | |
Don't look so startled, Denise. | 0:46:31 | 0:46:34 | |
I thought you'd be pleased to see me. | 0:46:34 | 0:46:37 | |
I am, Mr Ballentine. It's just... | 0:46:37 | 0:46:39 | |
I am glad to see you. | 0:46:42 | 0:46:44 | |
I had hoped that Moray would have the good grace | 0:46:44 | 0:46:46 | |
to send me a note at least. | 0:46:46 | 0:46:48 | |
He's made no contact with you? | 0:46:48 | 0:46:51 | |
Perhaps that is just as well. | 0:46:51 | 0:46:53 | |
I am tempted by this place, Denise. | 0:46:54 | 0:46:57 | |
I want to invest. | 0:46:57 | 0:46:59 | |
Well, that is wonderful news. Thank you. | 0:46:59 | 0:47:03 | |
But one of the things I've had to consider is this - | 0:47:03 | 0:47:07 | |
I could just as well buy the store. Put in a manager. | 0:47:07 | 0:47:11 | |
Someone I could trust, someone I have faith in. | 0:47:11 | 0:47:14 | |
Someone with vision, ambition... | 0:47:14 | 0:47:17 | |
Please, sir, before any such considerations, | 0:47:17 | 0:47:21 | |
I implore you to meet with Moray, | 0:47:21 | 0:47:24 | |
hear him talk about this place. | 0:47:24 | 0:47:26 | |
I am certain you'll want to do business with him. | 0:47:26 | 0:47:30 | |
Very well. | 0:47:30 | 0:47:31 | |
-I will trust your judgment in this, Denise. -Thank you, sir! | 0:47:33 | 0:47:36 | |
And... | 0:47:36 | 0:47:37 | |
Thank you. | 0:47:40 | 0:47:41 | |
You could take on a new calling, Edmund. My house needs painting(!) | 0:47:48 | 0:47:51 | |
I know I can't stay here. | 0:47:55 | 0:47:57 | |
I know I'm a married man. | 0:47:59 | 0:48:01 | |
I have a new life. I know it. | 0:48:03 | 0:48:05 | |
I feel like my old life's been taken away from me. | 0:48:13 | 0:48:16 | |
I've been robbed of it. | 0:48:17 | 0:48:19 | |
I can't let it go. | 0:48:22 | 0:48:23 | |
Not yet. | 0:48:25 | 0:48:27 | |
Not like this. | 0:48:28 | 0:48:30 | |
HE GROANS | 0:48:30 | 0:48:32 | |
-Edmund! -EDMUND GROANS | 0:48:32 | 0:48:33 | |
Edmund, what's wrong? Easy, easy! Edmund! | 0:48:33 | 0:48:37 | |
HE GASPS | 0:48:37 | 0:48:38 | |
You all right? | 0:48:38 | 0:48:39 | |
Edmund! | 0:48:39 | 0:48:41 | |
Uncle! | 0:48:43 | 0:48:44 | |
Edmund. Go! | 0:48:46 | 0:48:47 | |
Uncle! | 0:48:47 | 0:48:49 | |
Get help! | 0:48:49 | 0:48:51 | |
Uncle Edmund? It's Denise! | 0:48:51 | 0:48:53 | |
He will recover from this. | 0:49:03 | 0:49:05 | |
He'll need rest. A lifetime of rest. | 0:49:06 | 0:49:10 | |
He's been like a father to me. | 0:49:13 | 0:49:15 | |
I was so caught up in my own concerns, I had no time for him. | 0:49:17 | 0:49:21 | |
-TEARFULLY: -The last time I spoke to him, I was chiding him. | 0:49:23 | 0:49:27 | |
Then next time you speak to him, be sure to make him laugh. | 0:49:29 | 0:49:33 | |
SHE SNIFFLES | 0:49:33 | 0:49:34 | |
FOOTSTEPS APPROACH | 0:49:36 | 0:49:38 | |
-Where's John? -If he knew what had happened, | 0:49:53 | 0:49:55 | |
I am certain he would want to be with you here. | 0:49:55 | 0:49:58 | |
You haven't answered my question, Dudley. | 0:50:01 | 0:50:04 | |
Where is he? | 0:50:05 | 0:50:06 | |
Thank you for coming. | 0:50:25 | 0:50:27 | |
-Katherine... -Will you allow me to speak | 0:50:39 | 0:50:41 | |
while it is all clear to me and I have the resolve? | 0:50:41 | 0:50:43 | |
I am a mother now. | 0:50:47 | 0:50:49 | |
I have the responsibility of a child. | 0:50:49 | 0:50:52 | |
I can't bear to think that my actions | 0:50:54 | 0:50:56 | |
might cause fear for that dear girl. | 0:50:56 | 0:50:58 | |
Do you see? | 0:51:02 | 0:51:04 | |
I must forbid myself from seeing you alone. | 0:51:05 | 0:51:07 | |
Yes. | 0:51:10 | 0:51:11 | |
Yes, I see. | 0:51:13 | 0:51:15 | |
This must be the last time. | 0:51:15 | 0:51:17 | |
Then I would not want to burden you with any more anxiety, Katherine. | 0:51:20 | 0:51:24 | |
-I will go... -Perhaps... | 0:51:26 | 0:51:28 | |
..a few moments more. | 0:51:30 | 0:51:31 | |
When I am alone my thoughts are governed by reason. | 0:51:40 | 0:51:44 | |
But when I am with you, it is different. | 0:51:48 | 0:51:50 | |
I am overcome with the wish just to look at you, to touch your hand. | 0:51:53 | 0:51:58 | |
I said I wanted you to come to me in your distress. | 0:52:05 | 0:52:08 | |
My concern for you, Katherine, has been entirely genuine. | 0:52:11 | 0:52:15 | |
I want you to know that. | 0:52:16 | 0:52:18 | |
-When I came here today... -No! | 0:52:18 | 0:52:20 | |
I love Denise. | 0:52:52 | 0:52:53 | |
-I cannot in any way... -You were always true to her? | 0:52:55 | 0:52:58 | |
With all my heart, yes. | 0:52:58 | 0:53:00 | |
SHE GASPS | 0:53:07 | 0:53:09 | |
I will stand on my own. | 0:53:21 | 0:53:22 | |
Katherine? | 0:53:42 | 0:53:44 | |
SHE SOBS | 0:53:52 | 0:53:54 | |
SOBBING | 0:54:00 | 0:54:02 | |
SHE SOBS | 0:54:04 | 0:54:05 | |
Did HE do this to you? | 0:54:08 | 0:54:09 | |
SHE SNIFFLES | 0:54:13 | 0:54:15 | |
I can't help myself. | 0:54:20 | 0:54:22 | |
FOOTSTEPS APPROACH | 0:54:29 | 0:54:31 | |
Denise... | 0:54:36 | 0:54:37 | |
I'm sorry I wasn't here with you. | 0:54:43 | 0:54:45 | |
You were with Katherine, weren't you? | 0:54:47 | 0:54:50 | |
Look at me and tell me where you've been. | 0:54:53 | 0:54:56 | |
I've... | 0:54:58 | 0:55:00 | |
I've been with Katherine. | 0:55:01 | 0:55:03 | |
I've not betrayed you. | 0:55:11 | 0:55:12 | |
I wish to be alone with my uncle. | 0:55:16 | 0:55:17 | |
Please, let me sit in peace with my uncle. | 0:55:22 | 0:55:25 | |
FOOTSTEPS | 0:55:37 | 0:55:40 | |
SHE SOBS | 0:55:43 | 0:55:45 | |
CHEERING AND APPLAUSE | 0:55:52 | 0:55:55 | |
It really is. It's wonderful. | 0:55:55 | 0:55:57 | |
-All is well? -All is well. | 0:55:58 | 0:56:01 | |
I think it's about time I retired, isn't it? | 0:56:32 | 0:56:35 | |
I am not going to chide you, if that's what you want. | 0:56:35 | 0:56:40 | |
What I want is a cup of tea. | 0:56:40 | 0:56:41 | |
You always said I make the worst tea in the world. | 0:56:41 | 0:56:44 | |
Then I want a cup of the worst tea in the world. | 0:56:44 | 0:56:47 | |
Why is it that pain has to teach us what is right under our noses? | 0:56:49 | 0:56:53 | |
23 years I've loved Audrey, | 0:56:54 | 0:56:56 | |
never believing it would be. | 0:56:56 | 0:56:58 | |
Now, she's waiting for me and I fight it | 0:56:58 | 0:57:01 | |
to hold on to a bit of pride. | 0:57:01 | 0:57:03 | |
Well... | 0:57:06 | 0:57:08 | |
I'm done fighting now, Denise. | 0:57:08 | 0:57:11 | |
HE SIGHS | 0:57:11 | 0:57:12 | |
Denise, I don't want you to... | 0:57:31 | 0:57:34 | |
I know this must be... | 0:57:37 | 0:57:39 | |
You must not think of leaving. | 0:57:42 | 0:57:44 | |
I am not going to leave. I belong here. | 0:57:44 | 0:57:47 | |
I'd like to introduce you all to someone very special. | 0:58:01 | 0:58:04 | |
One of the most celebrated photographers in all of the land. | 0:58:04 | 0:58:07 | |
-You look like hell. -One feels that's exactly where I'm headed. | 0:58:07 | 0:58:10 | |
Our case was nothing more than an epilogue to an arduous tale. | 0:58:10 | 0:58:14 | |
-I've seen things. -You've imagined things. | 0:58:14 | 0:58:16 | |
Oh, it is! | 0:58:16 | 0:58:17 | |
-SCREAMING -It's here! | 0:58:17 | 0:58:20 | |
SHE SCREAMS | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:32 | 0:58:35 |