Episode 7 The Paradise


Episode 7

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Transcript


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Papa has a surprise for us.

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We must look our best.

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Are you feeling better, Mama?

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Yes, my angel.

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Much better.

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And this collodion apparatus,

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is it an improvement on the daguerreotype?

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Mr Weston, your knowledge of my business shames me.

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I've always felt a kinship with photography

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despite being a mere onlooker.

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The power to hold a mirror to your subject,

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to glimpse uncompromising truths,

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illusions...

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it is extraordinary.

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Ah, my special lady.

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What a delightful surprise, darling.

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Isn't it?

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Meet Mr Cartwright, a photographer of considerable renown.

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I thought it high time for a family portrait.

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-You are very welcome.

-It's my honour, Mrs Weston.

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I was just marvelling at the depths of your husband's knowledge.

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He is a man of considerable intellect.

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And I am very lucky.

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The good fortune runs both ways.

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Mama, come and stand next to me.

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Flora, I must insist you stop calling her that!

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You know full well Katherine is not your mama.

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You will stand behind me.

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"As the thick mist swept over the gardens,

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"Grace could no longer determine whether it was day or night."

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They don't have clocks, then?

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"Fearful of sleep, she resumed carving her initials into the wall with her red raw fingers."

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Well, I can think of easier ways to stay awake.

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Quiet, you! Final instalment's out this week.

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-We must make sure we're up to date.

-I'm counting the days.

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How can you be so consumed by a story?

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This poor girl's on her own.

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All isolated, no-one believing a thing she says about this ghost.

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That's because everybody knows that there's no such thing as ghosts.

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Who says?

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I've seen things.

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You've imagined things.

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Welcome back.

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How's Edmund?

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They think he's over the worst of it.

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Moray was looking for you.

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Thanks.

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Is he not well? He looked a bit...

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-Clara, I don't know.

-"Grace walked to the window.

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"And there, at the window, the pale apparition that tormented her soul,

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"urging her to leave this place."

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Denise!

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Denise, please!

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I've missed you.

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Whatever you're thinking couldn't be further from the truth.

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It's true that I was with Katherine, but I was there for us.

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For The Paradise.

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This situation is not what it appears.

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Nothing happened.

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When my uncle was ill, on the verge of death,

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when I needed my fiance...

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..when I needed you next to me...

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..you were with her.

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That happened.

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Apologies, sir.

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Miss Denise...

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..Mr Weston has called everyone to the Great Hall.

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Jonas, I've been interrupted at more opportune moments.

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My humblest apologies, sir.

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But if Mr Weston is gathering staff for an announcement, might it not be important?

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You look like hell.

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Apt enough.

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One feels that's exactly where I'm headed.

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Thank you, if you could just put it there, that's perfect.

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If I could have your attention, please!

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I'd like to introduce you all to someone very special.

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An artist,

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a scientist...

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one of the most celebrated photographers in all of the land...

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Mr Christian Cartwright!

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Every word a heinous untruth!

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He's gorgeous!

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He can carte de visite with me any time he likes.

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I've already taken the liberty of drawing on Christian's talents.

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I'll confess to you all that being the owner of a department store

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wasn't something that came naturally to a man more used to bayonets than bonnets...

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and it has taken a little time for us to get to know each other.

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But I've come to appreciate that this is as much your Paradise as it is mine.

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So...each of you will have your picture taken by Christian to be individually framed

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and hung in the gallery.

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Denise...

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-John.

-Please...

-Don't.

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I am familiar with that look.

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I have seen it in the mirror.

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Usually subsequent to an encounter with John Moray.

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I trust you enjoyed your afternoon together.

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He told you?

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Then, why do you look so dismayed?

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I do not know how you wish me to respond, Mrs Weston.

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Oh, Denise.

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Must you be so perfect at all times?

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You've won.

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Celebrate your victory.

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Moray desires only you.

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And this cursed shop, of course.

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Our kiss was nothing more than an epilogue to an arduous tale.

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Please give my best to your uncle.

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You kissed Katherine Weston?

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At her instigation.

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Have you parted company with your senses?

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At this juncture that seems as good a possibility as any.

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Denise was securing investment that could've won The Paradise.

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She sold Ballentine the dream of you and she running the place.

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He was in agreement, the money was there.

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All the investment in the world is frankly meaningless without Tom Weston's consent to sell.

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Reckless and foolhardy my plan may have been,

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-but a plan it was.

-Concocted by Jonas Franks.

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How could you put your trust in that man again?

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And to think Denise was worried about keeping secrets from you!

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Dudley, I don't need a lecture!

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Then, my advice is you treat Denise in the fashion she deserves...

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perhaps starting with the truth.

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The collodion is the best of all photographic processes,

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giving your image a hitherto unseen sharpness and clarity.

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And meaning you can produce an unlimited number of prints from a single negative.

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Hear that, Sam?

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You can plaster your entire room with pictures of yourself. Sam wallpaper.

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I'll put you down for a couple of rolls then, shall I?

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How can you be an artist and a scientist?

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Oh, perceptive question, er...

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Arthur, sir.

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Take this lady here.

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Miss, please.

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The science is the process.

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Biology, how she lives and breathes.

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Chemistry, the elements in balance.

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-Physics...

-How can she stay upright after a night out in the Three Crowns?

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And art...

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the contours of her face tell us she is beautiful.

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But beyond the mere physical aesthetic there lies something more.

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A depth.

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A sadness in the eyes.

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This lady's face tells the story of pain.

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Please, do not take offence.

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I intend it as the sincerest of compliments.

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It's, er, unlike any compliment I've received before.

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Allow me to make amends.

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Will you be the first to have your photograph taken?

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No...thank you.

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Do you not approve, Clara?

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I am delighted to look at pictures of other people, sir.

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But of yourself?

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I already know what I look like.

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You are so...wilful.

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-KNOCKING

-Yes?

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You wanted to see me, sir?

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Mr Cartwright's presence here is an opportunity not to be wasted.

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I feel certain that the popularity of photography

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can be harnessed to invigorate sales.

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So I need some of your wonderful ideas.

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I'm sure you're right, sir. But Mr Moray...

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Moray has been holding you back, Denise,

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I can see that now,

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fearful that you will outshine him. I cannot allow it.

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You're too talented and I need you to rise above it.

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We shall meet later to discuss your plans for Mr Cartwright.

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Yes, sir.

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How on this fine earth did you come to know such things?

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There was a portrait photographer three streets down from where I grew up.

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Badgered the old man silly... Thank you.

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-..Till he gave in.

-An apprenticeship?

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Taught me everything.

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And you still work together?

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Our lives, well, they took on the same composition as the old man's portraits.

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Every day the same.

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So I went my own way.

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Fascinating. So you just travel around, from place to place?

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Mmm. Searching for that unique something.

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A raw influence to absorb and inspire.

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I believe I've found it.

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-What here, at The Paradise?

-Mmm, my muse.

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You don't mean Clara?

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I absolutely must photograph her, Sam.

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Help me.

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What can I do to convince her?

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I'm not sure any amount of musing would convince Clara of anything!

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Please.

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She is really quite splendid, isn't she?

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Denise, I mean.

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In her future, I see only rise upon promotion.

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Yes...she is a rarity.

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You're obviously busy in here.

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I talked with Mr Fenton.

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A highly informative conversation.

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Enlightening, you might say.

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And it seems you've overplayed your hand.

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You've gambled and lost everything.

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Do you know, and this may sound outlandish,

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but it wouldn't surprise me if Denise ran The Paradise one day.

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Oh, the irony of it all!

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For a long time I actually wanted rid of this place.

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MORAY: I once made you a promise...

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..that we would never be parted...

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as we were when I left for Paris.

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But even when I was in France I felt close, connected to you.

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Because I knew you were waiting.

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But now...

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..I feel further away from you than ever...

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KNOCKING

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Apologies for interrupting, Mr Moray, sir.

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It is a sensitive matter...

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..as regards Mr Weston and his time in India.

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-We've discussed this before.

-Yes, sir.

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Of course, as a man of honour you were reluctant

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but have we not reached the time to employ such information to your advantage?

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No!

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No, these unscrupulous, wily tactics are the reason I am where I am.

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Just leave me in peace!

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Allow me to make amends, sir.

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Am I not making myself clear, Jonas?

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Is there something I can assist you with...sir?

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Do you have this in emerald green?

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To complement my eyes?

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-You're in the wrong department.

-I disagree.

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And there is most definitely something you can do for me.

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Certainly, sir.

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As long as it's not to question why I don't want my portrait taken.

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Oh, that? No.

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I already know why.

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You presume too much, sir.

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Not so much a presumption,

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as an eye trained to perceive what lies beyond the surface.

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Clara...

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I apologise most sincerely for my ill-judged comments.

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But the reason you do not want me to take your photograph

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is the precise reason yours is the one I'm absolutely obliged to take.

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You may be obliged, but I am not.

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Please! Meet with me and I'll show you.

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Show me? I can't just...

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I'll send word. Please!

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I regret to inform you the emerald green bonnet is sadly out of stock.

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I was thinking about what you asked,

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and then I had the idea to open the photography booth up to the public.

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But most people already have a portrait.

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What we need is something different.

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And you're going to tell me what that is.

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Paradise Postcards.

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We create a Paradise backdrop as the setting for your postcard.

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Customers have their photograph taken as a souvenir of their visit.

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And on their mantelpiece, in their home...

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A photograph of The Paradise.

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For all their friends to see when they come round for Sunday lunch.

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It would extend The Paradise's reach across the street.

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And customers could shop while they wait for their portrait to be developed.

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Perhaps an incentive, say ten per cent off everything they purchase.

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And since my uncle left me as custodian of his shop...

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How long until this can be up and running?

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Oh!

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It's fantastic.

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That is quite something.

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There's someone in mine!

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It's a ghost!

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Look!

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Did anyone else feel that?

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The coldness.

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It went right up the back of my neck!

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The front doors are open!

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It's in The Paradise.

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What if we're haunted?

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I think you're a bit suggestible.

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It might be time for a break from The House On The Hill.

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What on earth is that?

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Mr Cartwright, will you please talk some sense into these unworldly gullible types?

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Yes, I forgot to mention there was, er, a problem with the exposure.

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Why is it in mine and no-one else's?

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Well, someone, a customer perhaps, must have momentarily walked into view.

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It creates a ghostly trace of their presence.

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I thought you might like to see it.

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These spooky apparitions are all the fashion in London.

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It's just looking down on me, all threatening.

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Mr Cartwright's telling you it's not real.

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Ghosts, spirits, ghouls, it's all in your head.

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-You can sit for another one just as soon as I fix the...

-No!

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It's this magazine sending them barmy.

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The House On The Hill, the whole city's obsessed with it.

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Yeah, well, it's very good.

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Look how the people react to the very notion of the supernatural.

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This is a fantastic business opportunity.

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I propose The Paradise takes 80 per cent...

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seeing as we're providing the paying customers.

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Without me, you wouldn't have the apparatus nor the expertise.

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I propose The Paradise takes 60 per cent.

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We're supplying the floor space and The Paradise is the backdrop.

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70 per cent.

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Will you negotiate on my behalf in future?

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Denise...

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might I speak with you, please?

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I have somewhere I need to be.

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Excuse me.

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It's time for you to hear the truth.

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Fenton agreed to put up the funds to buy The Paradise.

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For my part, I was to use my connection with Katherine

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to drive a wedge between her and her husband,

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remind her of the closeness we once shared,

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make their situation so unbearable that they might sell.

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But the deeper I sank, the more the waters became muddied.

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And I realised I am not a man who can willingly treat people's feelings with such contempt.

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I listened to Jonas and I took an option presented to me.

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It was a mistake.

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-And that's the truth?

-Yes!

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Sweetheart, you must know the only reason I became embroiled in this mess was for The Paradise,

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for us,

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for our dream...

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Because I love you.

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And there's nothing more to tell?

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No.

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No more secrets.

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You're lying, John.

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Mrs Weston informed me there was a kiss.

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Where are we going?

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I must be back in half an hour.

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Why concern yourself with a future that might never happen?

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Because I'll lose my position.

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A pond!

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A scene of natural beauty is a story written over many years,

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of good days and bad...

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each storm leaving its indelible mark.

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Without those turbulent times,

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this landscape would not possess its unique character.

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-And this is supposed to tell me...?

-To embrace your past.

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You try to hide your pain, but it flows from every part of you.

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And it gives you beauty.

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Is this an elaborate way of enticing girls into your bed?

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I wish only to capture you in print.

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Come.

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I'll get dirt on my clothes.

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Lean out as far as you can.

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Trust me.

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There!

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What am I looking at?

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Yourself, Clara.

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Such is your preoccupation with what's happened in the past,

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or what may transpire in the future,

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you are missing out on this present...

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..here and now.

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You make it sound so simple.

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Because it is simple... we are what we are.

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This moment.

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Here, now.

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And that's all a photograph is.

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A memento.

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Do you now see how beautiful you are?

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Quite the attraction.

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And my heartfelt thanks to you, Mr Cartwright

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for agreeing to stay and make it possible.

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The pleasure's all mine.

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Delighted to be a part of it.

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As am I.

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I'm beginning to understand Moray's obsession with this place.

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There is something about this domain...

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..a kingdom in microcosm.

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And every kingdom has its all-powerful ruler.

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Though we don't usually find them wandering into the kitchen in the dead of night!

0:25:100:25:15

Well, how could I resist when there are such delights to be stumbled upon?

0:25:150:25:21

Well, thank you, kind sir.

0:25:230:25:25

Will you have a drink with me, Clara?

0:25:250:25:27

To your health.

0:25:490:25:51

To yours.

0:25:510:25:52

Are you all right, sir?

0:26:020:26:04

Clara...

0:26:060:26:07

..forever showing me kindness.

0:26:080:26:10

We are kindred spirits, you and I, Clara.

0:26:110:26:14

We conceal our true selves...

0:26:150:26:18

our scars hidden from view.

0:26:180:26:21

I take comfort in the shadows.

0:26:210:26:24

You know...

0:26:250:26:27

..if you ever needed anything...

0:26:290:26:32

Would you like to be in safe hands...

0:26:350:26:37

..protected...

0:26:400:26:41

..sheltered from harm...?

0:26:420:26:44

I could be...kind to you.

0:26:530:26:56

Consider my proposal.

0:27:030:27:05

You should not be in here, Jonas.

0:27:170:27:19

It seems to be my way, sir, to intrude where I have no place.

0:27:200:27:24

Your touching sense of self-knowing comes too late, Jonas.

0:27:240:27:29

When you permitted me to return, sir, I had every good intention of serving you by honest means.

0:27:290:27:35

I imagined that the consequences of my meddling would have taught me restraint.

0:27:350:27:42

It seems that once I sense any manner of threat,

0:27:420:27:46

some kind of animal cunning consumes my thinking.

0:27:460:27:51

Denise will not speak to me, she will not even look at me.

0:27:520:27:57

Do you imagine your apology can help us now?

0:27:570:28:00

You know well enough what I am made of, Mr Moray...

0:28:000:28:03

..yet you choose to have me by your side.

0:28:050:28:07

Yes...I know.

0:28:080:28:10

You have rid yourself of me once...

0:28:110:28:14

You will remain here, so that I can keep my eyes on you.

0:28:150:28:19

The sight of you reminds me of why I find myself in such dire circumstances.

0:28:190:28:24

I would not wish to lose that for the world.

0:28:240:28:27

You won't get a wink if you do all those.

0:28:400:28:42

You told me it would catch up with me...

0:28:430:28:45

..and that I'd learn my lesson.

0:28:460:28:48

If you think I take any kind of pleasure in your sorrow, then...

0:28:490:28:52

..well, maybe just a little.

0:28:540:28:55

They kissed.

0:28:580:28:59

I'm sorry.

0:29:060:29:07

The one thing I keep wondering, how can I still work here and us not be together?

0:29:070:29:14

Seeing him every day...

0:29:150:29:17

But I can't bear to be apart.

0:29:170:29:20

Then, reconcile.

0:29:200:29:21

I refuse to be second prize.

0:29:240:29:26

He still wants you, there are worse predicaments to endure!

0:29:260:29:30

Denise, there are two types of women in love stories.

0:29:330:29:39

The leading ladies and the mistresses,

0:29:390:29:41

and we both know what you are.

0:29:410:29:43

The leading lady's man does not take a mistress.

0:29:430:29:46

Honestly, did you really believe Katherine would be jilted at the altar for a shop girl

0:29:460:29:51

and not have her revenge?

0:29:510:29:53

Be thankful a kiss is all it was.

0:29:530:29:56

Hey, think about what you've endured to reach this point.

0:29:570:30:02

If you walk away and let her win, it'll plague you.

0:30:030:30:06

She used to need me.

0:30:110:30:12

Despite all the independence, Denise's qualities, to a certain extent she relied on me.

0:30:120:30:19

Now I feel she's altogether forgotten loving me at all.

0:30:200:30:23

Dudley...

0:30:270:30:28

I feel I've trusted the wrong people...

0:30:310:30:33

..heeded the wrong advice.

0:30:340:30:35

And now I feel I am done for.

0:30:350:30:38

Please, tell me what to do.

0:30:380:30:41

The way I see it, there is only one path you can take.

0:30:420:30:46

Its virtues are twofold.

0:30:460:30:48

Firstly, it'll take your mind off all this.

0:30:480:30:50

Secondly, just maybe Denise'll catch a glimpse of the man she fell in love with.

0:30:500:30:55

You get on with your job.

0:30:570:30:59

The circulation of this magazine is greater than that of the London Times.

0:31:010:31:04

The final issue is about to be released.

0:31:040:31:07

This is an opportunity the man Denise fell in love with would exploit to its fullest degree.

0:31:070:31:12

My mind is blank.

0:31:130:31:15

I don't think I can do anything without her.

0:31:170:31:19

I've never doubted you, Moray.

0:31:200:31:22

But his is entirely of your own making and yours to fix.

0:31:260:31:31

"The greyness of the weather had permeated the inner most reaches of Grace's mind.

0:31:440:31:49

"All was a fog.

0:31:490:31:51

"Perception and reality morphing into femoral long-forgotten concepts.

0:31:510:31:56

"An impenetrable blanket lay over the hill as she tried to remember...

0:31:560:32:00

"..Old Jim was hanging from a tree, the force of life having long since departed his body."

0:32:000:32:07

Oh, my heavens above! Poor Grace.

0:32:070:32:10

Wait! I've not finished.

0:32:100:32:11

What's she going to do?

0:32:150:32:17

She's all alone now the groundskeeper's killed himself.

0:32:170:32:20

Did he, though?

0:32:200:32:21

I'll wager the ghost drove him to it.

0:32:210:32:23

Oh, Henry has to believe her in time.

0:32:230:32:25

Henry who wants to have her committed? I don't think so.

0:32:250:32:27

Susy, your clothes are moving.

0:32:310:32:33

Clara! Don't encourage her!

0:32:330:32:34

I'm not joking...

0:32:370:32:38

Oh!

0:32:390:32:40

Oh, it is!

0:32:400:32:42

Aieee!

0:32:430:32:45

It's here! It's here!

0:32:450:32:47

SCREAMING

0:32:470:32:49

Sam?

0:32:510:32:52

What are you doing?

0:32:550:32:56

You are a dead man!

0:33:050:33:07

Dead!

0:33:070:33:09

Oh, my...

0:33:140:33:15

Come here.

0:33:180:33:20

I'm fine.

0:33:270:33:29

You don't need to pretend.

0:33:290:33:31

I have been thinking.

0:33:480:33:50

You could do with a rest.

0:33:510:33:52

A change of scenery, somewhere abroad.

0:33:530:33:57

Perhaps you could spend the autumn in the Alps.

0:33:570:34:00

Recuperate, get back to your old self.

0:34:010:34:05

That sounds wonderful.

0:34:050:34:07

After all, you seemed so...

0:34:080:34:10

..distracted over this business with Moray...

0:34:110:34:14

It would do you good, don't you agree?

0:34:160:34:18

Flora and I were just talking the other day about taking a trip somewhere.

0:34:200:34:25

Flora won't be going. She'll remain here.

0:34:270:34:29

But for all our sakes... you need some time away.

0:34:300:34:34

I think it would be best for Flora to be with me.

0:34:350:34:39

Do you know how humiliating it was for me to have to endure the gory details of Mr Fenton's plan,

0:34:410:34:48

how he and Moray fabricated his interest in you as part of their ploy...

0:34:480:34:53

..and you were duped into believing Moray...

0:34:550:34:57

..actually desired you?

0:34:590:35:02

I shall make the arrangements.

0:35:050:35:07

There you go.

0:35:100:35:12

It wouldn't half warm Edmund's cockles to see Lovett's like this.

0:35:140:35:17

Thank you, Myrtle.

0:35:170:35:19

Brisk trade you've drummed up there, Miss Denise.

0:35:190:35:22

Your services are now required back in The Paradise.

0:35:220:35:24

-Why?

-There's an urgent venture with which Mr Moray needs your help.

0:35:250:35:29

What sort of venture?

0:35:300:35:31

I'll leave that to him.

0:35:310:35:33

But this is my...

0:35:340:35:35

Please, Mr Dudley.

0:35:360:35:38

Being in his presence in unbearable.

0:35:390:35:41

Denise, if you're not capable of doing your job,

0:35:410:35:44

then what exactly is the purpose of your employment at The Paradise?

0:35:440:35:48

Excellent.

0:35:500:35:52

I'm finished with Mrs Harrington.

0:35:560:35:58

I'll send Mrs Peters in.

0:35:580:36:00

Thank you.

0:36:000:36:01

Mrs Peters.

0:36:020:36:04

He's going to fire me for neglecting my duties, I know it.

0:36:110:36:14

What are you doing back here?

0:36:190:36:21

I'm not entirely sure.

0:36:210:36:22

Has he seen me reading on the job?

0:36:220:36:25

Susy, I'm reliably informed the amount of time you've spent reading these surpasses anyone.

0:36:260:36:32

It's true, I admit it.

0:36:330:36:35

I read them every chance I get.

0:36:350:36:38

Good.

0:36:380:36:39

Because I met with the publishers of The House On The Hill,

0:36:390:36:42

and The Paradise will host the launch to the final instalment.

0:36:420:36:45

There'll be copies, here?

0:36:450:36:47

Thousands of them, before anywhere else,

0:36:470:36:49

and I require someone who has an intimate knowledge of the series.

0:36:490:36:54

-Poisoned plum pudding, sir.

-Poisoned...?

0:36:560:36:59

They're what everyone knows in the story.

0:36:590:37:01

The lead character believes she is being poisoned.

0:37:010:37:03

Perfect!

0:37:030:37:05

Perfect! We offer them to customers as they enter the Great Hall...

0:37:050:37:07

or as an enticement on the street.

0:37:070:37:10

Nightdresses, sir.

0:37:100:37:11

Grace's nightdress is described in such intimate and luxurious detail,

0:37:110:37:16

I doubt there's a lady out there that doesn't desire one.

0:37:160:37:19

Thank you, Susy.

0:37:190:37:21

Er, Denise is here to help with the launch of the magazine.

0:37:220:37:24

Wonderful.

0:37:250:37:27

Shall we go and discuss it?

0:37:280:37:30

If we can make this a success, if we can sell enough copies,

0:37:400:37:44

the publisher has promised me the launch of the first instalment of the next series,

0:37:440:37:48

and a double-page advertisement in the inside cover.

0:37:480:37:51

Sounds wonderful.

0:37:520:37:54

I'm just trying to ascertain what you need me for.

0:37:540:37:57

Well, the very same qualities for which I always need you.

0:37:580:38:01

Everything seems taken care of.

0:38:010:38:03

Susy's ideas are perfect.

0:38:030:38:04

Susy's ideas were exactly what people will expect.

0:38:040:38:08

We must deliver more, the unexpected, the spectacular...

0:38:080:38:11

..as you have with your photographer.

0:38:120:38:14

I believe I should leave you two to discuss.

0:38:150:38:18

No, Dudley. You stay just there.

0:38:180:38:19

Neither Denise nor I would allow personal wrangles to affect vital Paradise business,

0:38:190:38:24

would we, Denise?

0:38:240:38:26

No.

0:38:270:38:28

How much time do we have before the launch?

0:38:290:38:32

Mrs Weston.

0:38:570:38:58

I implore you not to think me vain.

0:38:580:39:00

A second time is an honour and a privilege.

0:39:000:39:03

Flora. Please.

0:39:030:39:05

I just hope your presence here doesn't indicate dissatisfaction with the first photograph.

0:39:050:39:09

On the contrary.

0:39:090:39:11

I found it so delightful I'm compelled to sit for you again.

0:39:110:39:14

Will Papa be joining us?

0:39:140:39:16

This is just for you and me, my darling.

0:39:160:39:19

If we are ever apart, you'll have one and I'll have one.

0:39:210:39:25

That means we will always be close to each other.

0:39:260:39:28

But you promised that we would never be apart.

0:39:280:39:30

I know...

0:39:310:39:32

..and I shall do everything possible to keep that promise.

0:39:330:39:36

This is just in case.

0:39:360:39:38

Watch Mr Cartwright at work.

0:39:410:39:43

See how adroit he is.

0:39:430:39:45

I am practiced, Flora.

0:39:450:39:47

That is all.

0:39:470:39:48

Take heed.

0:39:490:39:51

Practice makes perfect.

0:39:510:39:53

Flora, what say we remove your chair?

0:39:560:39:59

Mmm?

0:39:590:40:00

There.

0:40:090:40:10

I've never seen Mrs Weston look like this.

0:40:380:40:40

You're not the only one with a share of suffering, Clara.

0:40:400:40:43

You haven't known me more than five minutes.

0:40:450:40:47

What gives you the right to speak to me like that?

0:40:470:40:50

Perhaps...cos I like you.

0:40:500:40:54

Well, you've a strange way of showing it.

0:40:570:40:58

Was it a man?

0:41:030:41:04

Yes, it was.

0:41:080:41:10

Just some pathetic little dalliance that ruined my life.

0:41:110:41:17

-I am only trying to underst...

-What?

0:41:190:41:20

What do you want to know?

0:41:210:41:23

He was married.

0:41:230:41:25

I had his child.

0:41:260:41:27

I, er...

0:41:330:41:34

..I gave up...

0:41:360:41:38

..my little girl...

0:41:390:41:41

..because I couldn't look after her.

0:41:440:41:45

Every day I tell myself...

0:41:500:41:52

..I did it for her...

0:41:540:41:56

..but I don't believe it.

0:42:000:42:02

Will that feed your curiosity enough, Christian?

0:42:080:42:13

I wish you could be kinder to yourself.

0:42:150:42:17

I thought we would stack the issues here in great towers, unmissable from the street.

0:42:250:42:30

As long as we publicise adequately, the name alone should be enough to draw people through the door.

0:42:300:42:34

But what stops people from buying their copy and walking right out again?

0:42:350:42:39

Precisely. Once they come through the door, we need to keep them here.

0:42:390:42:42

You've seen first-hand the allure of photography.

0:42:420:42:45

Perhaps there's some way we can harness that same spirit.

0:42:450:42:48

Is it possible to create fog?

0:42:490:42:52

Fog?

0:42:520:42:53

Christian says life is about experiences.

0:42:530:42:55

And a photograph is about capturing a moment so you can return to that experience whenever you wish.

0:42:550:43:01

I suppose that's the reason people become so enchanted with these stories.

0:43:010:43:05

It's an escape to another world.

0:43:050:43:06

What if we were to give them that world?

0:43:080:43:11

If we had fog here, in the Great Hall...?

0:43:130:43:16

As they come through group by group, it would be as if they were walking into The House On The Hill itself.

0:43:160:43:22

I'd wager Christian could create something.

0:43:220:43:24

What we would need would be darkness bringing the forest indoors, leading the way to the house.

0:43:260:43:32

I've started on the plum pudding recipe, Mr Moray.

0:43:350:43:38

And the customers will come in here and take them directly from the tray.

0:43:380:43:41

Come into my kitchen?

0:43:410:43:43

Yes, but you are no longer Myrtle...

0:43:430:43:45

you are, er... What's the name of the cook in the story?

0:43:450:43:49

-Mary.

-Mary!

0:43:490:43:50

For the launch of the magazine, The Paradise is going to be transformed into The House On The Hill.

0:43:500:43:55

Every room a different experience.

0:43:550:43:57

And Mary will bake her poisoned plum pudding!

0:43:570:44:00

They'll want a ghost... so we must give them one.

0:44:010:44:05

- Christian, can it be done? - Yes, it's possible.

0:44:050:44:07

Their journey will end at the same place as the final instalment, in Grace's bedroom.

0:44:070:44:11

Then they must wait until they arrive here,

0:44:110:44:13

and then they're given the chance to purchase the final edition.

0:44:130:44:16

Once they've walked through the entire store.

0:44:160:44:17

And Christian will be here to capture a memento of their experience.

0:44:170:44:20

Thank you, Denise.

0:44:230:44:25

-We haven't done it yet.

-But we will.

0:44:250:44:27

I just wanted to bid you good night.

0:44:400:44:42

Why are you dressed so extravagantly?

0:44:420:44:44

For The Paradise's big event.

0:44:450:44:47

I hear they've transformed the place.

0:44:470:44:49

Oh, did I not inform you?

0:44:490:44:51

You'll remain here while Flora accompanies me.

0:44:510:44:54

But it's an important business event for you,

0:44:550:44:57

and without me to look after her, Flora may get in the way.

0:44:570:45:00

Martha will take care of Flora.

0:45:000:45:02

You're the one more likely to get in the way.

0:45:020:45:05

And you're looking a little tired.

0:45:050:45:08

Perhaps you need the rest.

0:45:080:45:10

EXCITED HUBBUB

0:45:420:45:45

I know, I can't wait...

0:45:470:45:49

How much longer can we wait?

0:46:070:46:09

Just a little more.

0:46:090:46:11

There they are.

0:46:130:46:14

The publishers?

0:46:140:46:16

Whenever you're ready, Miss Denise.

0:46:210:46:23

Miss Denise.

0:46:350:46:36

Mr Moray, sir.

0:46:360:46:37

So, ladies and gentlemen...

0:46:420:46:44

inside this here building resides the final instalment of The House On The Hill.

0:46:440:46:52

Oh, I'm so excited as well.

0:46:520:46:54

Do you believe in ghosts?

0:46:540:46:56

HUBBUB

0:46:560:46:58

Will Henry save Grace's life before it's too late?

0:46:580:47:01

Be our guests...

0:47:040:47:05

..if you'd be so bold.

0:47:060:47:08

Grace and Henry foresaw a blissful life together.

0:47:430:47:45

But on the eve of their wedding this mist, a mist, a mist so thick and unnatural, they say...

0:47:470:47:54

..settled... on the house on the hill...

0:47:550:47:59

CLAP OF THUNDER ..trapping Grace as its prisoner.

0:47:590:48:02

Each time she tried to escape, she was prevented...

0:48:030:48:06

..a ghostly figure watching her every move.

0:48:080:48:12

GASPS OF EXCITEMENT

0:48:200:48:22

Do you believe, as Gracie did, that her food was poisoned?

0:48:300:48:34

Madam, would you dare dine with Henry?

0:48:380:48:42

Would you like to know what's for pudding?

0:48:510:48:53

Mary!

0:48:540:48:56

Pudding.

0:48:570:48:58

It's the plum pudding!

0:48:590:49:02

Yes, it's the plum pudding!

0:49:020:49:04

Which one will you take?

0:49:040:49:06

Beware...

0:49:070:49:08

..you must choose wisely.

0:49:090:49:11

When Moray proposed this to me, I must admit I wasn't convinced.

0:49:120:49:16

But it has turned out to be quite the theatrical event.

0:49:170:49:20

Later I will send Flora home.

0:49:210:49:24

When I have concluded my business with the publishers...

0:49:250:49:28

..you'll find my carriage waiting outside.

0:49:290:49:31

What if it isn't scary enough?

0:49:520:49:54

Have faith. They're coming.

0:49:550:49:56

It would serve you best to keep up.

0:49:580:50:00

Follow the ghost.

0:50:010:50:03

She leads the way to Grace's bedroom.

0:50:040:50:07

And Grace retreated here, to this bedroom,

0:50:140:50:18

after months of suffering, of wretched mental torment,

0:50:180:50:23

as nobody believed that she was being haunted by the ghost of Henry's dead wife.

0:50:230:50:28

Worse, much worse,

0:50:300:50:33

was Gracie began to doubt what she was seeing with her own eyes.

0:50:330:50:37

She began to wonder whether she was losing her mind.

0:50:400:50:42

If you look closely here, madam...

0:50:420:50:46

..you'll see where, using only her fingernails, she scratched her initials into the wall.

0:50:490:50:54

Now, without further ado, ladies and gentlemen,

0:50:590:51:02

who would like to be the first lucky person in all the land

0:51:020:51:05

to own the final instalment of The House On The Hill?

0:51:050:51:10

EXCITED HUBBUB

0:51:100:51:11

There we go! Fantastic!

0:51:110:51:13

Now, don't forget to have your photo taken with the ghost on the way out.

0:51:130:51:17

Thank you.

0:51:180:51:19

The world's not a fair place.

0:51:360:51:38

All your doing and who takes the credit?

0:51:380:51:40

Do not concern yourself, Dudley.

0:51:400:51:42

Let him take the battle...

0:51:420:51:45

because my war is won.

0:51:450:51:46

You were right.

0:51:470:51:49

I needed to remind Denise of the man she fell in love with in the first place.

0:51:490:51:53

The Paradise needs you both.

0:51:540:51:56

Look at what you can achieve together.

0:51:560:51:58

I am considering whether I might accept your offer of a photograph.

0:52:580:53:04

"Considering"?

0:53:070:53:08

You might have the good grace

0:53:090:53:11

to let a girl believe she's still to be won over.

0:53:110:53:13

It was clumsy of me. I'm sorry.

0:53:140:53:15

Can I try again?

0:53:160:53:18

Or we could just take the photograph.

0:53:180:53:22

-HE KNOCKS

-Drive on!

0:53:450:53:47

"She scrambled her way into the cellar, bolting the door behind her, breathless,

0:53:550:53:58

"she looked up, confused..."

0:53:580:54:00

It was Henry!

0:54:020:54:03

Hello?

0:54:080:54:09

Hello?

0:54:120:54:14

Who's there?

0:54:190:54:21

Arggh!

0:54:230:54:25

Mmm, I feel like royalty, sitting here, posing.

0:54:300:54:36

I think you rather like it.

0:54:370:54:38

Oh, yes, yes, I will hang a portrait of myself above my bed

0:54:380:54:43

so I can see it every morning when I wake.

0:54:430:54:45

-You make a joke of everything that matters.

-Do I?

0:54:450:54:48

-Mmm...

-Well, you speak as if you know every inch of my soul.

0:54:480:54:52

You don't.

0:54:530:54:54

And neither do your pictures.

0:54:540:54:56

Are you laughing at me now?

0:54:580:54:59

At myself.

0:55:000:55:02

I've always been a know-it-all.

0:55:020:55:04

I can't seem to help myself.

0:55:040:55:06

I wish I could.

0:55:070:55:08

Yes, you might be an attractive man if you just shut up for five minutes.

0:55:080:55:12

I should button my lip more often.

0:55:280:55:30

But I will say one thing...

0:55:310:55:33

You see, I can't help myself.

0:55:330:55:35

Go on, then, say it...

0:55:360:55:38

The most beautiful thing about you

0:55:440:55:45

is that you have no idea how beautiful you are.

0:55:450:55:48

Mr Weston says the publishers thought it spectacular beyond their wildest dreams.

0:56:110:56:15

I saw one of them actually jump when Sam revealed the ghost.

0:56:150:56:18

All the plum puddings sold.

0:56:190:56:21

Ah, thank God. It means we don't have to eat them ourselves.

0:56:210:56:24

We still make a formidable team, Moray.

0:56:240:56:26

That we do, Denise.

0:56:260:56:28

Denise...

0:56:300:56:31

..I'm so sorry.

0:56:320:56:34

I know.

0:56:340:56:35

Can you ever forgive me?

0:56:360:56:38

Of course I can.

0:56:400:56:42

You do know...

0:56:460:56:48

the kiss, it was a horrible mistake.

0:56:480:56:51

I know it sounds absurd, but genuinely I was acting for us.

0:56:520:56:56

I only went to such lengths

0:56:560:56:58

because I was so desperate for what we had today to be our future.

0:56:580:57:02

Why did you feel the need to act alone?

0:57:020:57:04

To hide your plans from me?

0:57:040:57:05

From a desire to protect you.

0:57:050:57:08

But I do not want nor do I need protection.

0:57:080:57:11

You must make allowances for a man shielding his love

0:57:110:57:14

from the murkiness of men and business.

0:57:140:57:17

You are my most prized possession, even over The Paradise.

0:57:180:57:23

I fear you will never understand.

0:57:270:57:29

No matter the depth of your love, it does not equate to ownership.

0:57:300:57:33

I am not your possession.

0:57:330:57:35

I refuse to live in a box marked "My little champion".

0:57:350:57:39

I'm sorry, John.

0:57:400:57:42

Clemence!

0:57:580:57:59

There were debts... prison even...

0:57:590:58:01

if I could not pay, and I could not.

0:58:010:58:03

So I ran.

0:58:030:58:04

The priest can wait.

0:58:040:58:06

This cannot!

0:58:060:58:08

Why cannot you and him find a way to be together?

0:58:080:58:10

Clemence, please!

0:58:100:58:12

I'm sorry, cherie, it is just that I must believe in love.

0:58:120:58:15

I'll play you for them.

0:58:150:58:17

You would need a stake.

0:58:170:58:18

If you win, I go...

0:58:180:58:20

away from The Paradise, the city, the country.

0:58:200:58:25

No!

0:58:250:58:27

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0:58:370:58:41

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