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Papa has a surprise for us. | 0:00:41 | 0:00:43 | |
We must look our best. | 0:00:44 | 0:00:46 | |
Are you feeling better, Mama? | 0:00:46 | 0:00:48 | |
Yes, my angel. | 0:00:51 | 0:00:52 | |
Much better. | 0:00:54 | 0:00:55 | |
And this collodion apparatus, | 0:00:58 | 0:01:00 | |
is it an improvement on the daguerreotype? | 0:01:00 | 0:01:02 | |
Mr Weston, your knowledge of my business shames me. | 0:01:02 | 0:01:05 | |
I've always felt a kinship with photography | 0:01:05 | 0:01:08 | |
despite being a mere onlooker. | 0:01:08 | 0:01:10 | |
The power to hold a mirror to your subject, | 0:01:11 | 0:01:13 | |
to glimpse uncompromising truths, | 0:01:13 | 0:01:16 | |
illusions... | 0:01:16 | 0:01:17 | |
it is extraordinary. | 0:01:17 | 0:01:19 | |
Ah, my special lady. | 0:01:20 | 0:01:23 | |
What a delightful surprise, darling. | 0:01:24 | 0:01:26 | |
Isn't it? | 0:01:26 | 0:01:27 | |
Meet Mr Cartwright, a photographer of considerable renown. | 0:01:27 | 0:01:33 | |
I thought it high time for a family portrait. | 0:01:33 | 0:01:36 | |
-You are very welcome. -It's my honour, Mrs Weston. | 0:01:37 | 0:01:39 | |
I was just marvelling at the depths of your husband's knowledge. | 0:01:39 | 0:01:42 | |
He is a man of considerable intellect. | 0:01:42 | 0:01:45 | |
And I am very lucky. | 0:01:47 | 0:01:48 | |
The good fortune runs both ways. | 0:01:48 | 0:01:50 | |
Mama, come and stand next to me. | 0:01:50 | 0:01:52 | |
Flora, I must insist you stop calling her that! | 0:01:52 | 0:01:55 | |
You know full well Katherine is not your mama. | 0:01:55 | 0:01:58 | |
You will stand behind me. | 0:02:00 | 0:02:02 | |
"As the thick mist swept over the gardens, | 0:02:21 | 0:02:23 | |
"Grace could no longer determine whether it was day or night." | 0:02:23 | 0:02:27 | |
They don't have clocks, then? | 0:02:27 | 0:02:29 | |
"Fearful of sleep, she resumed carving her initials into the wall with her red raw fingers." | 0:02:30 | 0:02:38 | |
Well, I can think of easier ways to stay awake. | 0:02:38 | 0:02:41 | |
Quiet, you! Final instalment's out this week. | 0:02:41 | 0:02:43 | |
-We must make sure we're up to date. -I'm counting the days. | 0:02:43 | 0:02:45 | |
How can you be so consumed by a story? | 0:02:45 | 0:02:48 | |
This poor girl's on her own. | 0:02:48 | 0:02:50 | |
All isolated, no-one believing a thing she says about this ghost. | 0:02:50 | 0:02:53 | |
That's because everybody knows that there's no such thing as ghosts. | 0:02:53 | 0:02:57 | |
Who says? | 0:02:57 | 0:02:58 | |
I've seen things. | 0:02:58 | 0:02:59 | |
You've imagined things. | 0:02:59 | 0:03:01 | |
Welcome back. | 0:03:01 | 0:03:03 | |
How's Edmund? | 0:03:03 | 0:03:04 | |
They think he's over the worst of it. | 0:03:04 | 0:03:06 | |
Moray was looking for you. | 0:03:06 | 0:03:08 | |
Thanks. | 0:03:08 | 0:03:10 | |
Is he not well? He looked a bit... | 0:03:10 | 0:03:12 | |
-Clara, I don't know. -"Grace walked to the window. | 0:03:12 | 0:03:15 | |
"And there, at the window, the pale apparition that tormented her soul, | 0:03:15 | 0:03:21 | |
"urging her to leave this place." | 0:03:21 | 0:03:23 | |
Denise! | 0:03:35 | 0:03:36 | |
Denise, please! | 0:03:36 | 0:03:38 | |
I've missed you. | 0:03:39 | 0:03:40 | |
Whatever you're thinking couldn't be further from the truth. | 0:03:41 | 0:03:45 | |
It's true that I was with Katherine, but I was there for us. | 0:03:45 | 0:03:48 | |
For The Paradise. | 0:03:48 | 0:03:49 | |
This situation is not what it appears. | 0:03:49 | 0:03:52 | |
Nothing happened. | 0:03:52 | 0:03:54 | |
When my uncle was ill, on the verge of death, | 0:03:55 | 0:03:59 | |
when I needed my fiance... | 0:03:59 | 0:04:00 | |
..when I needed you next to me... | 0:04:02 | 0:04:05 | |
..you were with her. | 0:04:05 | 0:04:07 | |
That happened. | 0:04:07 | 0:04:09 | |
Apologies, sir. | 0:04:09 | 0:04:10 | |
Miss Denise... | 0:04:10 | 0:04:12 | |
..Mr Weston has called everyone to the Great Hall. | 0:04:13 | 0:04:15 | |
Jonas, I've been interrupted at more opportune moments. | 0:04:23 | 0:04:27 | |
My humblest apologies, sir. | 0:04:27 | 0:04:29 | |
But if Mr Weston is gathering staff for an announcement, might it not be important? | 0:04:29 | 0:04:34 | |
You look like hell. | 0:04:43 | 0:04:44 | |
Apt enough. | 0:04:44 | 0:04:46 | |
One feels that's exactly where I'm headed. | 0:04:46 | 0:04:49 | |
Thank you, if you could just put it there, that's perfect. | 0:04:51 | 0:04:54 | |
If I could have your attention, please! | 0:04:55 | 0:04:57 | |
I'd like to introduce you all to someone very special. | 0:04:58 | 0:05:01 | |
An artist, | 0:05:01 | 0:05:02 | |
a scientist... | 0:05:02 | 0:05:03 | |
one of the most celebrated photographers in all of the land... | 0:05:03 | 0:05:07 | |
Mr Christian Cartwright! | 0:05:07 | 0:05:10 | |
Every word a heinous untruth! | 0:05:14 | 0:05:16 | |
He's gorgeous! | 0:05:17 | 0:05:18 | |
He can carte de visite with me any time he likes. | 0:05:18 | 0:05:21 | |
I've already taken the liberty of drawing on Christian's talents. | 0:05:21 | 0:05:25 | |
I'll confess to you all that being the owner of a department store | 0:05:29 | 0:05:33 | |
wasn't something that came naturally to a man more used to bayonets than bonnets... | 0:05:33 | 0:05:38 | |
and it has taken a little time for us to get to know each other. | 0:05:38 | 0:05:42 | |
But I've come to appreciate that this is as much your Paradise as it is mine. | 0:05:43 | 0:05:48 | |
So...each of you will have your picture taken by Christian to be individually framed | 0:05:48 | 0:05:56 | |
and hung in the gallery. | 0:05:56 | 0:05:58 | |
Denise... | 0:06:05 | 0:06:06 | |
-John. -Please... -Don't. | 0:06:06 | 0:06:07 | |
I am familiar with that look. | 0:06:30 | 0:06:32 | |
I have seen it in the mirror. | 0:06:33 | 0:06:34 | |
Usually subsequent to an encounter with John Moray. | 0:06:36 | 0:06:39 | |
I trust you enjoyed your afternoon together. | 0:06:41 | 0:06:44 | |
He told you? | 0:06:45 | 0:06:46 | |
Then, why do you look so dismayed? | 0:06:47 | 0:06:49 | |
I do not know how you wish me to respond, Mrs Weston. | 0:06:51 | 0:06:54 | |
Oh, Denise. | 0:06:54 | 0:06:55 | |
Must you be so perfect at all times? | 0:06:55 | 0:06:58 | |
You've won. | 0:06:58 | 0:07:00 | |
Celebrate your victory. | 0:07:00 | 0:07:02 | |
Moray desires only you. | 0:07:02 | 0:07:04 | |
And this cursed shop, of course. | 0:07:05 | 0:07:08 | |
Our kiss was nothing more than an epilogue to an arduous tale. | 0:07:11 | 0:07:14 | |
Please give my best to your uncle. | 0:07:17 | 0:07:19 | |
You kissed Katherine Weston? | 0:07:46 | 0:07:48 | |
At her instigation. | 0:07:49 | 0:07:50 | |
Have you parted company with your senses? | 0:07:52 | 0:07:54 | |
At this juncture that seems as good a possibility as any. | 0:07:54 | 0:07:57 | |
Denise was securing investment that could've won The Paradise. | 0:07:57 | 0:08:00 | |
She sold Ballentine the dream of you and she running the place. | 0:08:00 | 0:08:04 | |
He was in agreement, the money was there. | 0:08:04 | 0:08:06 | |
All the investment in the world is frankly meaningless without Tom Weston's consent to sell. | 0:08:06 | 0:08:10 | |
Reckless and foolhardy my plan may have been, | 0:08:12 | 0:08:15 | |
-but a plan it was. -Concocted by Jonas Franks. | 0:08:15 | 0:08:19 | |
How could you put your trust in that man again? | 0:08:19 | 0:08:21 | |
And to think Denise was worried about keeping secrets from you! | 0:08:21 | 0:08:23 | |
Dudley, I don't need a lecture! | 0:08:23 | 0:08:25 | |
Then, my advice is you treat Denise in the fashion she deserves... | 0:08:30 | 0:08:35 | |
perhaps starting with the truth. | 0:08:35 | 0:08:37 | |
The collodion is the best of all photographic processes, | 0:08:44 | 0:08:48 | |
giving your image a hitherto unseen sharpness and clarity. | 0:08:48 | 0:08:53 | |
And meaning you can produce an unlimited number of prints from a single negative. | 0:08:53 | 0:08:59 | |
Hear that, Sam? | 0:08:59 | 0:09:00 | |
You can plaster your entire room with pictures of yourself. Sam wallpaper. | 0:09:00 | 0:09:04 | |
I'll put you down for a couple of rolls then, shall I? | 0:09:04 | 0:09:06 | |
How can you be an artist and a scientist? | 0:09:06 | 0:09:09 | |
Oh, perceptive question, er... | 0:09:09 | 0:09:11 | |
Arthur, sir. | 0:09:11 | 0:09:12 | |
Take this lady here. | 0:09:15 | 0:09:17 | |
Miss, please. | 0:09:19 | 0:09:20 | |
The science is the process. | 0:09:25 | 0:09:27 | |
Biology, how she lives and breathes. | 0:09:28 | 0:09:31 | |
Chemistry, the elements in balance. | 0:09:31 | 0:09:34 | |
-Physics... -How can she stay upright after a night out in the Three Crowns? | 0:09:35 | 0:09:38 | |
And art... | 0:09:39 | 0:09:41 | |
the contours of her face tell us she is beautiful. | 0:09:41 | 0:09:45 | |
But beyond the mere physical aesthetic there lies something more. | 0:09:46 | 0:09:50 | |
A depth. | 0:09:50 | 0:09:52 | |
A sadness in the eyes. | 0:09:52 | 0:09:54 | |
This lady's face tells the story of pain. | 0:09:54 | 0:09:57 | |
Please, do not take offence. | 0:09:58 | 0:10:00 | |
I intend it as the sincerest of compliments. | 0:10:00 | 0:10:02 | |
It's, er, unlike any compliment I've received before. | 0:10:04 | 0:10:08 | |
Allow me to make amends. | 0:10:09 | 0:10:10 | |
Will you be the first to have your photograph taken? | 0:10:10 | 0:10:13 | |
No...thank you. | 0:10:13 | 0:10:17 | |
Do you not approve, Clara? | 0:10:20 | 0:10:22 | |
I am delighted to look at pictures of other people, sir. | 0:10:22 | 0:10:26 | |
But of yourself? | 0:10:26 | 0:10:27 | |
I already know what I look like. | 0:10:27 | 0:10:29 | |
You are so...wilful. | 0:10:30 | 0:10:32 | |
-KNOCKING -Yes? | 0:11:23 | 0:11:25 | |
You wanted to see me, sir? | 0:11:27 | 0:11:28 | |
Mr Cartwright's presence here is an opportunity not to be wasted. | 0:11:29 | 0:11:33 | |
I feel certain that the popularity of photography | 0:11:33 | 0:11:36 | |
can be harnessed to invigorate sales. | 0:11:36 | 0:11:39 | |
So I need some of your wonderful ideas. | 0:11:39 | 0:11:42 | |
I'm sure you're right, sir. But Mr Moray... | 0:11:42 | 0:11:45 | |
Moray has been holding you back, Denise, | 0:11:45 | 0:11:47 | |
I can see that now, | 0:11:47 | 0:11:49 | |
fearful that you will outshine him. I cannot allow it. | 0:11:49 | 0:11:52 | |
You're too talented and I need you to rise above it. | 0:11:52 | 0:11:55 | |
We shall meet later to discuss your plans for Mr Cartwright. | 0:11:56 | 0:11:59 | |
Yes, sir. | 0:12:00 | 0:12:02 | |
How on this fine earth did you come to know such things? | 0:12:08 | 0:12:11 | |
There was a portrait photographer three streets down from where I grew up. | 0:12:11 | 0:12:15 | |
Badgered the old man silly... Thank you. | 0:12:15 | 0:12:17 | |
-..Till he gave in. -An apprenticeship? | 0:12:17 | 0:12:20 | |
Taught me everything. | 0:12:20 | 0:12:22 | |
And you still work together? | 0:12:23 | 0:12:25 | |
Our lives, well, they took on the same composition as the old man's portraits. | 0:12:25 | 0:12:31 | |
Every day the same. | 0:12:31 | 0:12:32 | |
So I went my own way. | 0:12:32 | 0:12:35 | |
Fascinating. So you just travel around, from place to place? | 0:12:35 | 0:12:39 | |
Mmm. Searching for that unique something. | 0:12:39 | 0:12:42 | |
A raw influence to absorb and inspire. | 0:12:42 | 0:12:44 | |
I believe I've found it. | 0:12:46 | 0:12:47 | |
-What here, at The Paradise? -Mmm, my muse. | 0:12:47 | 0:12:50 | |
You don't mean Clara? | 0:12:51 | 0:12:53 | |
I absolutely must photograph her, Sam. | 0:12:54 | 0:12:57 | |
Help me. | 0:12:58 | 0:12:59 | |
What can I do to convince her? | 0:12:59 | 0:13:01 | |
I'm not sure any amount of musing would convince Clara of anything! | 0:13:02 | 0:13:05 | |
Please. | 0:13:09 | 0:13:10 | |
She is really quite splendid, isn't she? | 0:13:26 | 0:13:29 | |
Denise, I mean. | 0:13:30 | 0:13:32 | |
In her future, I see only rise upon promotion. | 0:13:32 | 0:13:36 | |
Yes...she is a rarity. | 0:13:36 | 0:13:39 | |
You're obviously busy in here. | 0:13:42 | 0:13:43 | |
I talked with Mr Fenton. | 0:13:43 | 0:13:45 | |
A highly informative conversation. | 0:13:45 | 0:13:47 | |
Enlightening, you might say. | 0:13:48 | 0:13:50 | |
And it seems you've overplayed your hand. | 0:13:52 | 0:13:54 | |
You've gambled and lost everything. | 0:13:57 | 0:14:00 | |
Do you know, and this may sound outlandish, | 0:14:01 | 0:14:05 | |
but it wouldn't surprise me if Denise ran The Paradise one day. | 0:14:05 | 0:14:11 | |
Oh, the irony of it all! | 0:14:13 | 0:14:15 | |
For a long time I actually wanted rid of this place. | 0:14:16 | 0:14:19 | |
MORAY: I once made you a promise... | 0:14:52 | 0:14:54 | |
..that we would never be parted... | 0:14:55 | 0:14:56 | |
as we were when I left for Paris. | 0:14:56 | 0:14:58 | |
But even when I was in France I felt close, connected to you. | 0:14:58 | 0:15:04 | |
Because I knew you were waiting. | 0:15:05 | 0:15:07 | |
But now... | 0:15:07 | 0:15:09 | |
..I feel further away from you than ever... | 0:15:10 | 0:15:12 | |
KNOCKING | 0:15:12 | 0:15:13 | |
Apologies for interrupting, Mr Moray, sir. | 0:15:16 | 0:15:19 | |
It is a sensitive matter... | 0:15:20 | 0:15:22 | |
..as regards Mr Weston and his time in India. | 0:15:23 | 0:15:27 | |
-We've discussed this before. -Yes, sir. | 0:15:28 | 0:15:30 | |
Of course, as a man of honour you were reluctant | 0:15:30 | 0:15:33 | |
but have we not reached the time to employ such information to your advantage? | 0:15:33 | 0:15:38 | |
No! | 0:15:38 | 0:15:39 | |
No, these unscrupulous, wily tactics are the reason I am where I am. | 0:15:39 | 0:15:44 | |
Just leave me in peace! | 0:15:45 | 0:15:47 | |
Allow me to make amends, sir. | 0:15:47 | 0:15:49 | |
Am I not making myself clear, Jonas? | 0:15:50 | 0:15:53 | |
Is there something I can assist you with...sir? | 0:16:21 | 0:16:24 | |
Do you have this in emerald green? | 0:16:24 | 0:16:26 | |
To complement my eyes? | 0:16:26 | 0:16:28 | |
-You're in the wrong department. -I disagree. | 0:16:29 | 0:16:32 | |
And there is most definitely something you can do for me. | 0:16:32 | 0:16:35 | |
Certainly, sir. | 0:16:35 | 0:16:37 | |
As long as it's not to question why I don't want my portrait taken. | 0:16:37 | 0:16:40 | |
Oh, that? No. | 0:16:40 | 0:16:41 | |
I already know why. | 0:16:42 | 0:16:44 | |
You presume too much, sir. | 0:16:46 | 0:16:49 | |
Not so much a presumption, | 0:16:49 | 0:16:51 | |
as an eye trained to perceive what lies beyond the surface. | 0:16:51 | 0:16:55 | |
Clara... | 0:16:57 | 0:16:58 | |
I apologise most sincerely for my ill-judged comments. | 0:16:58 | 0:17:01 | |
But the reason you do not want me to take your photograph | 0:17:01 | 0:17:04 | |
is the precise reason yours is the one I'm absolutely obliged to take. | 0:17:04 | 0:17:09 | |
You may be obliged, but I am not. | 0:17:10 | 0:17:13 | |
Please! Meet with me and I'll show you. | 0:17:13 | 0:17:16 | |
Show me? I can't just... | 0:17:16 | 0:17:18 | |
I'll send word. Please! | 0:17:18 | 0:17:19 | |
I regret to inform you the emerald green bonnet is sadly out of stock. | 0:17:29 | 0:17:34 | |
I was thinking about what you asked, | 0:17:38 | 0:17:40 | |
and then I had the idea to open the photography booth up to the public. | 0:17:40 | 0:17:44 | |
But most people already have a portrait. | 0:17:44 | 0:17:47 | |
What we need is something different. | 0:17:47 | 0:17:49 | |
And you're going to tell me what that is. | 0:17:49 | 0:17:52 | |
Paradise Postcards. | 0:17:52 | 0:17:54 | |
We create a Paradise backdrop as the setting for your postcard. | 0:17:58 | 0:18:02 | |
Customers have their photograph taken as a souvenir of their visit. | 0:18:02 | 0:18:04 | |
And on their mantelpiece, in their home... | 0:18:04 | 0:18:08 | |
A photograph of The Paradise. | 0:18:08 | 0:18:09 | |
For all their friends to see when they come round for Sunday lunch. | 0:18:09 | 0:18:12 | |
It would extend The Paradise's reach across the street. | 0:18:12 | 0:18:14 | |
And customers could shop while they wait for their portrait to be developed. | 0:18:14 | 0:18:18 | |
Perhaps an incentive, say ten per cent off everything they purchase. | 0:18:18 | 0:18:22 | |
And since my uncle left me as custodian of his shop... | 0:18:23 | 0:18:25 | |
How long until this can be up and running? | 0:18:25 | 0:18:27 | |
Oh! | 0:18:31 | 0:18:33 | |
It's fantastic. | 0:18:37 | 0:18:39 | |
That is quite something. | 0:18:39 | 0:18:40 | |
There's someone in mine! | 0:18:48 | 0:18:50 | |
It's a ghost! | 0:18:51 | 0:18:52 | |
Look! | 0:18:52 | 0:18:53 | |
Did anyone else feel that? | 0:18:57 | 0:18:59 | |
The coldness. | 0:19:00 | 0:19:02 | |
It went right up the back of my neck! | 0:19:02 | 0:19:03 | |
The front doors are open! | 0:19:03 | 0:19:05 | |
It's in The Paradise. | 0:19:05 | 0:19:07 | |
What if we're haunted? | 0:19:08 | 0:19:10 | |
I think you're a bit suggestible. | 0:19:11 | 0:19:12 | |
It might be time for a break from The House On The Hill. | 0:19:12 | 0:19:15 | |
What on earth is that? | 0:19:16 | 0:19:18 | |
Mr Cartwright, will you please talk some sense into these unworldly gullible types? | 0:19:18 | 0:19:23 | |
Yes, I forgot to mention there was, er, a problem with the exposure. | 0:19:23 | 0:19:27 | |
Why is it in mine and no-one else's? | 0:19:27 | 0:19:29 | |
Well, someone, a customer perhaps, must have momentarily walked into view. | 0:19:29 | 0:19:33 | |
It creates a ghostly trace of their presence. | 0:19:33 | 0:19:36 | |
I thought you might like to see it. | 0:19:36 | 0:19:38 | |
These spooky apparitions are all the fashion in London. | 0:19:38 | 0:19:40 | |
It's just looking down on me, all threatening. | 0:19:40 | 0:19:42 | |
Mr Cartwright's telling you it's not real. | 0:19:42 | 0:19:44 | |
Ghosts, spirits, ghouls, it's all in your head. | 0:19:44 | 0:19:47 | |
-You can sit for another one just as soon as I fix the... -No! | 0:19:47 | 0:19:50 | |
It's this magazine sending them barmy. | 0:19:53 | 0:19:55 | |
The House On The Hill, the whole city's obsessed with it. | 0:19:56 | 0:19:59 | |
Yeah, well, it's very good. | 0:20:00 | 0:20:02 | |
Look how the people react to the very notion of the supernatural. | 0:20:02 | 0:20:05 | |
This is a fantastic business opportunity. | 0:20:06 | 0:20:09 | |
I propose The Paradise takes 80 per cent... | 0:20:15 | 0:20:18 | |
seeing as we're providing the paying customers. | 0:20:18 | 0:20:21 | |
Without me, you wouldn't have the apparatus nor the expertise. | 0:20:21 | 0:20:24 | |
I propose The Paradise takes 60 per cent. | 0:20:24 | 0:20:28 | |
We're supplying the floor space and The Paradise is the backdrop. | 0:20:28 | 0:20:31 | |
70 per cent. | 0:20:32 | 0:20:33 | |
Will you negotiate on my behalf in future? | 0:20:36 | 0:20:38 | |
Denise... | 0:20:38 | 0:20:40 | |
might I speak with you, please? | 0:20:40 | 0:20:42 | |
I have somewhere I need to be. | 0:20:43 | 0:20:45 | |
Excuse me. | 0:20:45 | 0:20:47 | |
It's time for you to hear the truth. | 0:20:57 | 0:20:59 | |
Fenton agreed to put up the funds to buy The Paradise. | 0:21:01 | 0:21:05 | |
For my part, I was to use my connection with Katherine | 0:21:05 | 0:21:10 | |
to drive a wedge between her and her husband, | 0:21:10 | 0:21:13 | |
remind her of the closeness we once shared, | 0:21:13 | 0:21:16 | |
make their situation so unbearable that they might sell. | 0:21:16 | 0:21:20 | |
But the deeper I sank, the more the waters became muddied. | 0:21:22 | 0:21:26 | |
And I realised I am not a man who can willingly treat people's feelings with such contempt. | 0:21:26 | 0:21:33 | |
I listened to Jonas and I took an option presented to me. | 0:21:35 | 0:21:40 | |
It was a mistake. | 0:21:40 | 0:21:41 | |
-And that's the truth? -Yes! | 0:21:43 | 0:21:44 | |
Sweetheart, you must know the only reason I became embroiled in this mess was for The Paradise, | 0:21:45 | 0:21:52 | |
for us, | 0:21:52 | 0:21:54 | |
for our dream... | 0:21:54 | 0:21:56 | |
Because I love you. | 0:21:57 | 0:21:58 | |
And there's nothing more to tell? | 0:21:59 | 0:22:01 | |
No. | 0:22:01 | 0:22:03 | |
No more secrets. | 0:22:04 | 0:22:05 | |
You're lying, John. | 0:22:05 | 0:22:07 | |
Mrs Weston informed me there was a kiss. | 0:22:08 | 0:22:12 | |
Where are we going? | 0:22:16 | 0:22:18 | |
I must be back in half an hour. | 0:22:18 | 0:22:20 | |
Why concern yourself with a future that might never happen? | 0:22:20 | 0:22:22 | |
Because I'll lose my position. | 0:22:22 | 0:22:25 | |
A pond! | 0:22:27 | 0:22:29 | |
A scene of natural beauty is a story written over many years, | 0:22:29 | 0:22:33 | |
of good days and bad... | 0:22:33 | 0:22:35 | |
each storm leaving its indelible mark. | 0:22:35 | 0:22:39 | |
Without those turbulent times, | 0:22:39 | 0:22:42 | |
this landscape would not possess its unique character. | 0:22:42 | 0:22:47 | |
-And this is supposed to tell me...? -To embrace your past. | 0:22:48 | 0:22:51 | |
You try to hide your pain, but it flows from every part of you. | 0:22:52 | 0:22:55 | |
And it gives you beauty. | 0:22:56 | 0:22:58 | |
Is this an elaborate way of enticing girls into your bed? | 0:22:58 | 0:23:02 | |
I wish only to capture you in print. | 0:23:02 | 0:23:04 | |
Come. | 0:23:07 | 0:23:08 | |
I'll get dirt on my clothes. | 0:23:12 | 0:23:14 | |
Lean out as far as you can. | 0:23:15 | 0:23:17 | |
Trust me. | 0:23:23 | 0:23:25 | |
There! | 0:23:27 | 0:23:28 | |
What am I looking at? | 0:23:28 | 0:23:30 | |
Yourself, Clara. | 0:23:30 | 0:23:32 | |
Such is your preoccupation with what's happened in the past, | 0:23:32 | 0:23:34 | |
or what may transpire in the future, | 0:23:34 | 0:23:37 | |
you are missing out on this present... | 0:23:37 | 0:23:40 | |
..here and now. | 0:23:41 | 0:23:43 | |
You make it sound so simple. | 0:23:44 | 0:23:47 | |
Because it is simple... we are what we are. | 0:23:47 | 0:23:50 | |
This moment. | 0:23:53 | 0:23:55 | |
Here, now. | 0:23:56 | 0:23:58 | |
And that's all a photograph is. | 0:23:58 | 0:24:00 | |
A memento. | 0:24:02 | 0:24:03 | |
Do you now see how beautiful you are? | 0:24:04 | 0:24:07 | |
Quite the attraction. | 0:24:22 | 0:24:24 | |
And my heartfelt thanks to you, Mr Cartwright | 0:24:25 | 0:24:28 | |
for agreeing to stay and make it possible. | 0:24:28 | 0:24:30 | |
The pleasure's all mine. | 0:24:30 | 0:24:31 | |
Delighted to be a part of it. | 0:24:31 | 0:24:34 | |
As am I. | 0:24:34 | 0:24:35 | |
I'm beginning to understand Moray's obsession with this place. | 0:24:54 | 0:24:58 | |
There is something about this domain... | 0:25:01 | 0:25:03 | |
..a kingdom in microcosm. | 0:25:04 | 0:25:06 | |
And every kingdom has its all-powerful ruler. | 0:25:07 | 0:25:10 | |
Though we don't usually find them wandering into the kitchen in the dead of night! | 0:25:10 | 0:25:15 | |
Well, how could I resist when there are such delights to be stumbled upon? | 0:25:15 | 0:25:21 | |
Well, thank you, kind sir. | 0:25:23 | 0:25:25 | |
Will you have a drink with me, Clara? | 0:25:25 | 0:25:27 | |
To your health. | 0:25:49 | 0:25:51 | |
To yours. | 0:25:51 | 0:25:52 | |
Are you all right, sir? | 0:26:02 | 0:26:04 | |
Clara... | 0:26:06 | 0:26:07 | |
..forever showing me kindness. | 0:26:08 | 0:26:10 | |
We are kindred spirits, you and I, Clara. | 0:26:11 | 0:26:14 | |
We conceal our true selves... | 0:26:15 | 0:26:18 | |
our scars hidden from view. | 0:26:18 | 0:26:21 | |
I take comfort in the shadows. | 0:26:21 | 0:26:24 | |
You know... | 0:26:25 | 0:26:27 | |
..if you ever needed anything... | 0:26:29 | 0:26:32 | |
Would you like to be in safe hands... | 0:26:35 | 0:26:37 | |
..protected... | 0:26:40 | 0:26:41 | |
..sheltered from harm...? | 0:26:42 | 0:26:44 | |
I could be...kind to you. | 0:26:53 | 0:26:56 | |
Consider my proposal. | 0:27:03 | 0:27:05 | |
You should not be in here, Jonas. | 0:27:17 | 0:27:19 | |
It seems to be my way, sir, to intrude where I have no place. | 0:27:20 | 0:27:24 | |
Your touching sense of self-knowing comes too late, Jonas. | 0:27:24 | 0:27:29 | |
When you permitted me to return, sir, I had every good intention of serving you by honest means. | 0:27:29 | 0:27:35 | |
I imagined that the consequences of my meddling would have taught me restraint. | 0:27:35 | 0:27:42 | |
It seems that once I sense any manner of threat, | 0:27:42 | 0:27:46 | |
some kind of animal cunning consumes my thinking. | 0:27:46 | 0:27:51 | |
Denise will not speak to me, she will not even look at me. | 0:27:52 | 0:27:57 | |
Do you imagine your apology can help us now? | 0:27:57 | 0:28:00 | |
You know well enough what I am made of, Mr Moray... | 0:28:00 | 0:28:03 | |
..yet you choose to have me by your side. | 0:28:05 | 0:28:07 | |
Yes...I know. | 0:28:08 | 0:28:10 | |
You have rid yourself of me once... | 0:28:11 | 0:28:14 | |
You will remain here, so that I can keep my eyes on you. | 0:28:15 | 0:28:19 | |
The sight of you reminds me of why I find myself in such dire circumstances. | 0:28:19 | 0:28:24 | |
I would not wish to lose that for the world. | 0:28:24 | 0:28:27 | |
You won't get a wink if you do all those. | 0:28:40 | 0:28:42 | |
You told me it would catch up with me... | 0:28:43 | 0:28:45 | |
..and that I'd learn my lesson. | 0:28:46 | 0:28:48 | |
If you think I take any kind of pleasure in your sorrow, then... | 0:28:49 | 0:28:52 | |
..well, maybe just a little. | 0:28:54 | 0:28:55 | |
They kissed. | 0:28:58 | 0:28:59 | |
I'm sorry. | 0:29:06 | 0:29:07 | |
The one thing I keep wondering, how can I still work here and us not be together? | 0:29:07 | 0:29:14 | |
Seeing him every day... | 0:29:15 | 0:29:17 | |
But I can't bear to be apart. | 0:29:17 | 0:29:20 | |
Then, reconcile. | 0:29:20 | 0:29:21 | |
I refuse to be second prize. | 0:29:24 | 0:29:26 | |
He still wants you, there are worse predicaments to endure! | 0:29:26 | 0:29:30 | |
Denise, there are two types of women in love stories. | 0:29:33 | 0:29:39 | |
The leading ladies and the mistresses, | 0:29:39 | 0:29:41 | |
and we both know what you are. | 0:29:41 | 0:29:43 | |
The leading lady's man does not take a mistress. | 0:29:43 | 0:29:46 | |
Honestly, did you really believe Katherine would be jilted at the altar for a shop girl | 0:29:46 | 0:29:51 | |
and not have her revenge? | 0:29:51 | 0:29:53 | |
Be thankful a kiss is all it was. | 0:29:53 | 0:29:56 | |
Hey, think about what you've endured to reach this point. | 0:29:57 | 0:30:02 | |
If you walk away and let her win, it'll plague you. | 0:30:03 | 0:30:06 | |
She used to need me. | 0:30:11 | 0:30:12 | |
Despite all the independence, Denise's qualities, to a certain extent she relied on me. | 0:30:12 | 0:30:19 | |
Now I feel she's altogether forgotten loving me at all. | 0:30:20 | 0:30:23 | |
Dudley... | 0:30:27 | 0:30:28 | |
I feel I've trusted the wrong people... | 0:30:31 | 0:30:33 | |
..heeded the wrong advice. | 0:30:34 | 0:30:35 | |
And now I feel I am done for. | 0:30:35 | 0:30:38 | |
Please, tell me what to do. | 0:30:38 | 0:30:41 | |
The way I see it, there is only one path you can take. | 0:30:42 | 0:30:46 | |
Its virtues are twofold. | 0:30:46 | 0:30:48 | |
Firstly, it'll take your mind off all this. | 0:30:48 | 0:30:50 | |
Secondly, just maybe Denise'll catch a glimpse of the man she fell in love with. | 0:30:50 | 0:30:55 | |
You get on with your job. | 0:30:57 | 0:30:59 | |
The circulation of this magazine is greater than that of the London Times. | 0:31:01 | 0:31:04 | |
The final issue is about to be released. | 0:31:04 | 0:31:07 | |
This is an opportunity the man Denise fell in love with would exploit to its fullest degree. | 0:31:07 | 0:31:12 | |
My mind is blank. | 0:31:13 | 0:31:15 | |
I don't think I can do anything without her. | 0:31:17 | 0:31:19 | |
I've never doubted you, Moray. | 0:31:20 | 0:31:22 | |
But his is entirely of your own making and yours to fix. | 0:31:26 | 0:31:31 | |
"The greyness of the weather had permeated the inner most reaches of Grace's mind. | 0:31:44 | 0:31:49 | |
"All was a fog. | 0:31:49 | 0:31:51 | |
"Perception and reality morphing into femoral long-forgotten concepts. | 0:31:51 | 0:31:56 | |
"An impenetrable blanket lay over the hill as she tried to remember... | 0:31:56 | 0:32:00 | |
"..Old Jim was hanging from a tree, the force of life having long since departed his body." | 0:32:00 | 0:32:07 | |
Oh, my heavens above! Poor Grace. | 0:32:07 | 0:32:10 | |
Wait! I've not finished. | 0:32:10 | 0:32:11 | |
What's she going to do? | 0:32:15 | 0:32:17 | |
She's all alone now the groundskeeper's killed himself. | 0:32:17 | 0:32:20 | |
Did he, though? | 0:32:20 | 0:32:21 | |
I'll wager the ghost drove him to it. | 0:32:21 | 0:32:23 | |
Oh, Henry has to believe her in time. | 0:32:23 | 0:32:25 | |
Henry who wants to have her committed? I don't think so. | 0:32:25 | 0:32:27 | |
Susy, your clothes are moving. | 0:32:31 | 0:32:33 | |
Clara! Don't encourage her! | 0:32:33 | 0:32:34 | |
I'm not joking... | 0:32:37 | 0:32:38 | |
Oh! | 0:32:39 | 0:32:40 | |
Oh, it is! | 0:32:40 | 0:32:42 | |
Aieee! | 0:32:43 | 0:32:45 | |
It's here! It's here! | 0:32:45 | 0:32:47 | |
SCREAMING | 0:32:47 | 0:32:49 | |
Sam? | 0:32:51 | 0:32:52 | |
What are you doing? | 0:32:55 | 0:32:56 | |
You are a dead man! | 0:33:05 | 0:33:07 | |
Dead! | 0:33:07 | 0:33:09 | |
Oh, my... | 0:33:14 | 0:33:15 | |
Come here. | 0:33:18 | 0:33:20 | |
I'm fine. | 0:33:27 | 0:33:29 | |
You don't need to pretend. | 0:33:29 | 0:33:31 | |
I have been thinking. | 0:33:48 | 0:33:50 | |
You could do with a rest. | 0:33:51 | 0:33:52 | |
A change of scenery, somewhere abroad. | 0:33:53 | 0:33:57 | |
Perhaps you could spend the autumn in the Alps. | 0:33:57 | 0:34:00 | |
Recuperate, get back to your old self. | 0:34:01 | 0:34:05 | |
That sounds wonderful. | 0:34:05 | 0:34:07 | |
After all, you seemed so... | 0:34:08 | 0:34:10 | |
..distracted over this business with Moray... | 0:34:11 | 0:34:14 | |
It would do you good, don't you agree? | 0:34:16 | 0:34:18 | |
Flora and I were just talking the other day about taking a trip somewhere. | 0:34:20 | 0:34:25 | |
Flora won't be going. She'll remain here. | 0:34:27 | 0:34:29 | |
But for all our sakes... you need some time away. | 0:34:30 | 0:34:34 | |
I think it would be best for Flora to be with me. | 0:34:35 | 0:34:39 | |
Do you know how humiliating it was for me to have to endure the gory details of Mr Fenton's plan, | 0:34:41 | 0:34:48 | |
how he and Moray fabricated his interest in you as part of their ploy... | 0:34:48 | 0:34:53 | |
..and you were duped into believing Moray... | 0:34:55 | 0:34:57 | |
..actually desired you? | 0:34:59 | 0:35:02 | |
I shall make the arrangements. | 0:35:05 | 0:35:07 | |
There you go. | 0:35:10 | 0:35:12 | |
It wouldn't half warm Edmund's cockles to see Lovett's like this. | 0:35:14 | 0:35:17 | |
Thank you, Myrtle. | 0:35:17 | 0:35:19 | |
Brisk trade you've drummed up there, Miss Denise. | 0:35:19 | 0:35:22 | |
Your services are now required back in The Paradise. | 0:35:22 | 0:35:24 | |
-Why? -There's an urgent venture with which Mr Moray needs your help. | 0:35:25 | 0:35:29 | |
What sort of venture? | 0:35:30 | 0:35:31 | |
I'll leave that to him. | 0:35:31 | 0:35:33 | |
But this is my... | 0:35:34 | 0:35:35 | |
Please, Mr Dudley. | 0:35:36 | 0:35:38 | |
Being in his presence in unbearable. | 0:35:39 | 0:35:41 | |
Denise, if you're not capable of doing your job, | 0:35:41 | 0:35:44 | |
then what exactly is the purpose of your employment at The Paradise? | 0:35:44 | 0:35:48 | |
Excellent. | 0:35:50 | 0:35:52 | |
I'm finished with Mrs Harrington. | 0:35:56 | 0:35:58 | |
I'll send Mrs Peters in. | 0:35:58 | 0:36:00 | |
Thank you. | 0:36:00 | 0:36:01 | |
Mrs Peters. | 0:36:02 | 0:36:04 | |
He's going to fire me for neglecting my duties, I know it. | 0:36:11 | 0:36:14 | |
What are you doing back here? | 0:36:19 | 0:36:21 | |
I'm not entirely sure. | 0:36:21 | 0:36:22 | |
Has he seen me reading on the job? | 0:36:22 | 0:36:25 | |
Susy, I'm reliably informed the amount of time you've spent reading these surpasses anyone. | 0:36:26 | 0:36:32 | |
It's true, I admit it. | 0:36:33 | 0:36:35 | |
I read them every chance I get. | 0:36:35 | 0:36:38 | |
Good. | 0:36:38 | 0:36:39 | |
Because I met with the publishers of The House On The Hill, | 0:36:39 | 0:36:42 | |
and The Paradise will host the launch to the final instalment. | 0:36:42 | 0:36:45 | |
There'll be copies, here? | 0:36:45 | 0:36:47 | |
Thousands of them, before anywhere else, | 0:36:47 | 0:36:49 | |
and I require someone who has an intimate knowledge of the series. | 0:36:49 | 0:36:54 | |
-Poisoned plum pudding, sir. -Poisoned...? | 0:36:56 | 0:36:59 | |
They're what everyone knows in the story. | 0:36:59 | 0:37:01 | |
The lead character believes she is being poisoned. | 0:37:01 | 0:37:03 | |
Perfect! | 0:37:03 | 0:37:05 | |
Perfect! We offer them to customers as they enter the Great Hall... | 0:37:05 | 0:37:07 | |
or as an enticement on the street. | 0:37:07 | 0:37:10 | |
Nightdresses, sir. | 0:37:10 | 0:37:11 | |
Grace's nightdress is described in such intimate and luxurious detail, | 0:37:11 | 0:37:16 | |
I doubt there's a lady out there that doesn't desire one. | 0:37:16 | 0:37:19 | |
Thank you, Susy. | 0:37:19 | 0:37:21 | |
Er, Denise is here to help with the launch of the magazine. | 0:37:22 | 0:37:24 | |
Wonderful. | 0:37:25 | 0:37:27 | |
Shall we go and discuss it? | 0:37:28 | 0:37:30 | |
If we can make this a success, if we can sell enough copies, | 0:37:40 | 0:37:44 | |
the publisher has promised me the launch of the first instalment of the next series, | 0:37:44 | 0:37:48 | |
and a double-page advertisement in the inside cover. | 0:37:48 | 0:37:51 | |
Sounds wonderful. | 0:37:52 | 0:37:54 | |
I'm just trying to ascertain what you need me for. | 0:37:54 | 0:37:57 | |
Well, the very same qualities for which I always need you. | 0:37:58 | 0:38:01 | |
Everything seems taken care of. | 0:38:01 | 0:38:03 | |
Susy's ideas are perfect. | 0:38:03 | 0:38:04 | |
Susy's ideas were exactly what people will expect. | 0:38:04 | 0:38:08 | |
We must deliver more, the unexpected, the spectacular... | 0:38:08 | 0:38:11 | |
..as you have with your photographer. | 0:38:12 | 0:38:14 | |
I believe I should leave you two to discuss. | 0:38:15 | 0:38:18 | |
No, Dudley. You stay just there. | 0:38:18 | 0:38:19 | |
Neither Denise nor I would allow personal wrangles to affect vital Paradise business, | 0:38:19 | 0:38:24 | |
would we, Denise? | 0:38:24 | 0:38:26 | |
No. | 0:38:27 | 0:38:28 | |
How much time do we have before the launch? | 0:38:29 | 0:38:32 | |
Mrs Weston. | 0:38:57 | 0:38:58 | |
I implore you not to think me vain. | 0:38:58 | 0:39:00 | |
A second time is an honour and a privilege. | 0:39:00 | 0:39:03 | |
Flora. Please. | 0:39:03 | 0:39:05 | |
I just hope your presence here doesn't indicate dissatisfaction with the first photograph. | 0:39:05 | 0:39:09 | |
On the contrary. | 0:39:09 | 0:39:11 | |
I found it so delightful I'm compelled to sit for you again. | 0:39:11 | 0:39:14 | |
Will Papa be joining us? | 0:39:14 | 0:39:16 | |
This is just for you and me, my darling. | 0:39:16 | 0:39:19 | |
If we are ever apart, you'll have one and I'll have one. | 0:39:21 | 0:39:25 | |
That means we will always be close to each other. | 0:39:26 | 0:39:28 | |
But you promised that we would never be apart. | 0:39:28 | 0:39:30 | |
I know... | 0:39:31 | 0:39:32 | |
..and I shall do everything possible to keep that promise. | 0:39:33 | 0:39:36 | |
This is just in case. | 0:39:36 | 0:39:38 | |
Watch Mr Cartwright at work. | 0:39:41 | 0:39:43 | |
See how adroit he is. | 0:39:43 | 0:39:45 | |
I am practiced, Flora. | 0:39:45 | 0:39:47 | |
That is all. | 0:39:47 | 0:39:48 | |
Take heed. | 0:39:49 | 0:39:51 | |
Practice makes perfect. | 0:39:51 | 0:39:53 | |
Flora, what say we remove your chair? | 0:39:56 | 0:39:59 | |
Mmm? | 0:39:59 | 0:40:00 | |
There. | 0:40:09 | 0:40:10 | |
I've never seen Mrs Weston look like this. | 0:40:38 | 0:40:40 | |
You're not the only one with a share of suffering, Clara. | 0:40:40 | 0:40:43 | |
You haven't known me more than five minutes. | 0:40:45 | 0:40:47 | |
What gives you the right to speak to me like that? | 0:40:47 | 0:40:50 | |
Perhaps...cos I like you. | 0:40:50 | 0:40:54 | |
Well, you've a strange way of showing it. | 0:40:57 | 0:40:58 | |
Was it a man? | 0:41:03 | 0:41:04 | |
Yes, it was. | 0:41:08 | 0:41:10 | |
Just some pathetic little dalliance that ruined my life. | 0:41:11 | 0:41:17 | |
-I am only trying to underst... -What? | 0:41:19 | 0:41:20 | |
What do you want to know? | 0:41:21 | 0:41:23 | |
He was married. | 0:41:23 | 0:41:25 | |
I had his child. | 0:41:26 | 0:41:27 | |
I, er... | 0:41:33 | 0:41:34 | |
..I gave up... | 0:41:36 | 0:41:38 | |
..my little girl... | 0:41:39 | 0:41:41 | |
..because I couldn't look after her. | 0:41:44 | 0:41:45 | |
Every day I tell myself... | 0:41:50 | 0:41:52 | |
..I did it for her... | 0:41:54 | 0:41:56 | |
..but I don't believe it. | 0:42:00 | 0:42:02 | |
Will that feed your curiosity enough, Christian? | 0:42:08 | 0:42:13 | |
I wish you could be kinder to yourself. | 0:42:15 | 0:42:17 | |
I thought we would stack the issues here in great towers, unmissable from the street. | 0:42:25 | 0:42:30 | |
As long as we publicise adequately, the name alone should be enough to draw people through the door. | 0:42:30 | 0:42:34 | |
But what stops people from buying their copy and walking right out again? | 0:42:35 | 0:42:39 | |
Precisely. Once they come through the door, we need to keep them here. | 0:42:39 | 0:42:42 | |
You've seen first-hand the allure of photography. | 0:42:42 | 0:42:45 | |
Perhaps there's some way we can harness that same spirit. | 0:42:45 | 0:42:48 | |
Is it possible to create fog? | 0:42:49 | 0:42:52 | |
Fog? | 0:42:52 | 0:42:53 | |
Christian says life is about experiences. | 0:42:53 | 0:42:55 | |
And a photograph is about capturing a moment so you can return to that experience whenever you wish. | 0:42:55 | 0:43:01 | |
I suppose that's the reason people become so enchanted with these stories. | 0:43:01 | 0:43:05 | |
It's an escape to another world. | 0:43:05 | 0:43:06 | |
What if we were to give them that world? | 0:43:08 | 0:43:11 | |
If we had fog here, in the Great Hall...? | 0:43:13 | 0:43:16 | |
As they come through group by group, it would be as if they were walking into The House On The Hill itself. | 0:43:16 | 0:43:22 | |
I'd wager Christian could create something. | 0:43:22 | 0:43:24 | |
What we would need would be darkness bringing the forest indoors, leading the way to the house. | 0:43:26 | 0:43:32 | |
I've started on the plum pudding recipe, Mr Moray. | 0:43:35 | 0:43:38 | |
And the customers will come in here and take them directly from the tray. | 0:43:38 | 0:43:41 | |
Come into my kitchen? | 0:43:41 | 0:43:43 | |
Yes, but you are no longer Myrtle... | 0:43:43 | 0:43:45 | |
you are, er... What's the name of the cook in the story? | 0:43:45 | 0:43:49 | |
-Mary. -Mary! | 0:43:49 | 0:43:50 | |
For the launch of the magazine, The Paradise is going to be transformed into The House On The Hill. | 0:43:50 | 0:43:55 | |
Every room a different experience. | 0:43:55 | 0:43:57 | |
And Mary will bake her poisoned plum pudding! | 0:43:57 | 0:44:00 | |
They'll want a ghost... so we must give them one. | 0:44:01 | 0:44:05 | |
- Christian, can it be done? - Yes, it's possible. | 0:44:05 | 0:44:07 | |
Their journey will end at the same place as the final instalment, in Grace's bedroom. | 0:44:07 | 0:44:11 | |
Then they must wait until they arrive here, | 0:44:11 | 0:44:13 | |
and then they're given the chance to purchase the final edition. | 0:44:13 | 0:44:16 | |
Once they've walked through the entire store. | 0:44:16 | 0:44:17 | |
And Christian will be here to capture a memento of their experience. | 0:44:17 | 0:44:20 | |
Thank you, Denise. | 0:44:23 | 0:44:25 | |
-We haven't done it yet. -But we will. | 0:44:25 | 0:44:27 | |
I just wanted to bid you good night. | 0:44:40 | 0:44:42 | |
Why are you dressed so extravagantly? | 0:44:42 | 0:44:44 | |
For The Paradise's big event. | 0:44:45 | 0:44:47 | |
I hear they've transformed the place. | 0:44:47 | 0:44:49 | |
Oh, did I not inform you? | 0:44:49 | 0:44:51 | |
You'll remain here while Flora accompanies me. | 0:44:51 | 0:44:54 | |
But it's an important business event for you, | 0:44:55 | 0:44:57 | |
and without me to look after her, Flora may get in the way. | 0:44:57 | 0:45:00 | |
Martha will take care of Flora. | 0:45:00 | 0:45:02 | |
You're the one more likely to get in the way. | 0:45:02 | 0:45:05 | |
And you're looking a little tired. | 0:45:05 | 0:45:08 | |
Perhaps you need the rest. | 0:45:08 | 0:45:10 | |
EXCITED HUBBUB | 0:45:42 | 0:45:45 | |
I know, I can't wait... | 0:45:47 | 0:45:49 | |
How much longer can we wait? | 0:46:07 | 0:46:09 | |
Just a little more. | 0:46:09 | 0:46:11 | |
There they are. | 0:46:13 | 0:46:14 | |
The publishers? | 0:46:14 | 0:46:16 | |
Whenever you're ready, Miss Denise. | 0:46:21 | 0:46:23 | |
Miss Denise. | 0:46:35 | 0:46:36 | |
Mr Moray, sir. | 0:46:36 | 0:46:37 | |
So, ladies and gentlemen... | 0:46:42 | 0:46:44 | |
inside this here building resides the final instalment of The House On The Hill. | 0:46:44 | 0:46:52 | |
Oh, I'm so excited as well. | 0:46:52 | 0:46:54 | |
Do you believe in ghosts? | 0:46:54 | 0:46:56 | |
HUBBUB | 0:46:56 | 0:46:58 | |
Will Henry save Grace's life before it's too late? | 0:46:58 | 0:47:01 | |
Be our guests... | 0:47:04 | 0:47:05 | |
..if you'd be so bold. | 0:47:06 | 0:47:08 | |
Grace and Henry foresaw a blissful life together. | 0:47:43 | 0:47:45 | |
But on the eve of their wedding this mist, a mist, a mist so thick and unnatural, they say... | 0:47:47 | 0:47:54 | |
..settled... on the house on the hill... | 0:47:55 | 0:47:59 | |
CLAP OF THUNDER ..trapping Grace as its prisoner. | 0:47:59 | 0:48:02 | |
Each time she tried to escape, she was prevented... | 0:48:03 | 0:48:06 | |
..a ghostly figure watching her every move. | 0:48:08 | 0:48:12 | |
GASPS OF EXCITEMENT | 0:48:20 | 0:48:22 | |
Do you believe, as Gracie did, that her food was poisoned? | 0:48:30 | 0:48:34 | |
Madam, would you dare dine with Henry? | 0:48:38 | 0:48:42 | |
Would you like to know what's for pudding? | 0:48:51 | 0:48:53 | |
Mary! | 0:48:54 | 0:48:56 | |
Pudding. | 0:48:57 | 0:48:58 | |
It's the plum pudding! | 0:48:59 | 0:49:02 | |
Yes, it's the plum pudding! | 0:49:02 | 0:49:04 | |
Which one will you take? | 0:49:04 | 0:49:06 | |
Beware... | 0:49:07 | 0:49:08 | |
..you must choose wisely. | 0:49:09 | 0:49:11 | |
When Moray proposed this to me, I must admit I wasn't convinced. | 0:49:12 | 0:49:16 | |
But it has turned out to be quite the theatrical event. | 0:49:17 | 0:49:20 | |
Later I will send Flora home. | 0:49:21 | 0:49:24 | |
When I have concluded my business with the publishers... | 0:49:25 | 0:49:28 | |
..you'll find my carriage waiting outside. | 0:49:29 | 0:49:31 | |
What if it isn't scary enough? | 0:49:52 | 0:49:54 | |
Have faith. They're coming. | 0:49:55 | 0:49:56 | |
It would serve you best to keep up. | 0:49:58 | 0:50:00 | |
Follow the ghost. | 0:50:01 | 0:50:03 | |
She leads the way to Grace's bedroom. | 0:50:04 | 0:50:07 | |
And Grace retreated here, to this bedroom, | 0:50:14 | 0:50:18 | |
after months of suffering, of wretched mental torment, | 0:50:18 | 0:50:23 | |
as nobody believed that she was being haunted by the ghost of Henry's dead wife. | 0:50:23 | 0:50:28 | |
Worse, much worse, | 0:50:30 | 0:50:33 | |
was Gracie began to doubt what she was seeing with her own eyes. | 0:50:33 | 0:50:37 | |
She began to wonder whether she was losing her mind. | 0:50:40 | 0:50:42 | |
If you look closely here, madam... | 0:50:42 | 0:50:46 | |
..you'll see where, using only her fingernails, she scratched her initials into the wall. | 0:50:49 | 0:50:54 | |
Now, without further ado, ladies and gentlemen, | 0:50:59 | 0:51:02 | |
who would like to be the first lucky person in all the land | 0:51:02 | 0:51:05 | |
to own the final instalment of The House On The Hill? | 0:51:05 | 0:51:10 | |
EXCITED HUBBUB | 0:51:10 | 0:51:11 | |
There we go! Fantastic! | 0:51:11 | 0:51:13 | |
Now, don't forget to have your photo taken with the ghost on the way out. | 0:51:13 | 0:51:17 | |
Thank you. | 0:51:18 | 0:51:19 | |
The world's not a fair place. | 0:51:36 | 0:51:38 | |
All your doing and who takes the credit? | 0:51:38 | 0:51:40 | |
Do not concern yourself, Dudley. | 0:51:40 | 0:51:42 | |
Let him take the battle... | 0:51:42 | 0:51:45 | |
because my war is won. | 0:51:45 | 0:51:46 | |
You were right. | 0:51:47 | 0:51:49 | |
I needed to remind Denise of the man she fell in love with in the first place. | 0:51:49 | 0:51:53 | |
The Paradise needs you both. | 0:51:54 | 0:51:56 | |
Look at what you can achieve together. | 0:51:56 | 0:51:58 | |
I am considering whether I might accept your offer of a photograph. | 0:52:58 | 0:53:04 | |
"Considering"? | 0:53:07 | 0:53:08 | |
You might have the good grace | 0:53:09 | 0:53:11 | |
to let a girl believe she's still to be won over. | 0:53:11 | 0:53:13 | |
It was clumsy of me. I'm sorry. | 0:53:14 | 0:53:15 | |
Can I try again? | 0:53:16 | 0:53:18 | |
Or we could just take the photograph. | 0:53:18 | 0:53:22 | |
-HE KNOCKS -Drive on! | 0:53:45 | 0:53:47 | |
"She scrambled her way into the cellar, bolting the door behind her, breathless, | 0:53:55 | 0:53:58 | |
"she looked up, confused..." | 0:53:58 | 0:54:00 | |
It was Henry! | 0:54:02 | 0:54:03 | |
Hello? | 0:54:08 | 0:54:09 | |
Hello? | 0:54:12 | 0:54:14 | |
Who's there? | 0:54:19 | 0:54:21 | |
Arggh! | 0:54:23 | 0:54:25 | |
Mmm, I feel like royalty, sitting here, posing. | 0:54:30 | 0:54:36 | |
I think you rather like it. | 0:54:37 | 0:54:38 | |
Oh, yes, yes, I will hang a portrait of myself above my bed | 0:54:38 | 0:54:43 | |
so I can see it every morning when I wake. | 0:54:43 | 0:54:45 | |
-You make a joke of everything that matters. -Do I? | 0:54:45 | 0:54:48 | |
-Mmm... -Well, you speak as if you know every inch of my soul. | 0:54:48 | 0:54:52 | |
You don't. | 0:54:53 | 0:54:54 | |
And neither do your pictures. | 0:54:54 | 0:54:56 | |
Are you laughing at me now? | 0:54:58 | 0:54:59 | |
At myself. | 0:55:00 | 0:55:02 | |
I've always been a know-it-all. | 0:55:02 | 0:55:04 | |
I can't seem to help myself. | 0:55:04 | 0:55:06 | |
I wish I could. | 0:55:07 | 0:55:08 | |
Yes, you might be an attractive man if you just shut up for five minutes. | 0:55:08 | 0:55:12 | |
I should button my lip more often. | 0:55:28 | 0:55:30 | |
But I will say one thing... | 0:55:31 | 0:55:33 | |
You see, I can't help myself. | 0:55:33 | 0:55:35 | |
Go on, then, say it... | 0:55:36 | 0:55:38 | |
The most beautiful thing about you | 0:55:44 | 0:55:45 | |
is that you have no idea how beautiful you are. | 0:55:45 | 0:55:48 | |
Mr Weston says the publishers thought it spectacular beyond their wildest dreams. | 0:56:11 | 0:56:15 | |
I saw one of them actually jump when Sam revealed the ghost. | 0:56:15 | 0:56:18 | |
All the plum puddings sold. | 0:56:19 | 0:56:21 | |
Ah, thank God. It means we don't have to eat them ourselves. | 0:56:21 | 0:56:24 | |
We still make a formidable team, Moray. | 0:56:24 | 0:56:26 | |
That we do, Denise. | 0:56:26 | 0:56:28 | |
Denise... | 0:56:30 | 0:56:31 | |
..I'm so sorry. | 0:56:32 | 0:56:34 | |
I know. | 0:56:34 | 0:56:35 | |
Can you ever forgive me? | 0:56:36 | 0:56:38 | |
Of course I can. | 0:56:40 | 0:56:42 | |
You do know... | 0:56:46 | 0:56:48 | |
the kiss, it was a horrible mistake. | 0:56:48 | 0:56:51 | |
I know it sounds absurd, but genuinely I was acting for us. | 0:56:52 | 0:56:56 | |
I only went to such lengths | 0:56:56 | 0:56:58 | |
because I was so desperate for what we had today to be our future. | 0:56:58 | 0:57:02 | |
Why did you feel the need to act alone? | 0:57:02 | 0:57:04 | |
To hide your plans from me? | 0:57:04 | 0:57:05 | |
From a desire to protect you. | 0:57:05 | 0:57:08 | |
But I do not want nor do I need protection. | 0:57:08 | 0:57:11 | |
You must make allowances for a man shielding his love | 0:57:11 | 0:57:14 | |
from the murkiness of men and business. | 0:57:14 | 0:57:17 | |
You are my most prized possession, even over The Paradise. | 0:57:18 | 0:57:23 | |
I fear you will never understand. | 0:57:27 | 0:57:29 | |
No matter the depth of your love, it does not equate to ownership. | 0:57:30 | 0:57:33 | |
I am not your possession. | 0:57:33 | 0:57:35 | |
I refuse to live in a box marked "My little champion". | 0:57:35 | 0:57:39 | |
I'm sorry, John. | 0:57:40 | 0:57:42 | |
Clemence! | 0:57:58 | 0:57:59 | |
There were debts... prison even... | 0:57:59 | 0:58:01 | |
if I could not pay, and I could not. | 0:58:01 | 0:58:03 | |
So I ran. | 0:58:03 | 0:58:04 | |
The priest can wait. | 0:58:04 | 0:58:06 | |
This cannot! | 0:58:06 | 0:58:08 | |
Why cannot you and him find a way to be together? | 0:58:08 | 0:58:10 | |
Clemence, please! | 0:58:10 | 0:58:12 | |
I'm sorry, cherie, it is just that I must believe in love. | 0:58:12 | 0:58:15 | |
I'll play you for them. | 0:58:15 | 0:58:17 | |
You would need a stake. | 0:58:17 | 0:58:18 | |
If you win, I go... | 0:58:18 | 0:58:20 | |
away from The Paradise, the city, the country. | 0:58:20 | 0:58:25 | |
No! | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:41 |