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Four yards of the blue silk. | 0:01:46 | 0:01:47 | |
Blue! Why blue? | 0:01:47 | 0:01:50 | |
From now on everything must be scarlet and black - | 0:01:50 | 0:01:53 | |
le rouge et le noir! | 0:01:53 | 0:01:54 | |
Mademoiselle Clemence! | 0:01:54 | 0:01:56 | |
But you are asking, "Mais pourquoi le rouge et le noir?" | 0:01:56 | 0:01:59 | |
I answer, because of the passion that has taken Paris by storm | 0:01:59 | 0:02:03 | |
and sweeps all before it. | 0:02:03 | 0:02:06 | |
Hazard! | 0:02:06 | 0:02:08 | |
France is giddy with infatuation. | 0:02:08 | 0:02:10 | |
We play to see what we will wear today, | 0:02:10 | 0:02:14 | |
who will we marry today! | 0:02:14 | 0:02:17 | |
What do you say, madame? Will you hazard with me? | 0:02:17 | 0:02:20 | |
If you win, it is a blue. | 0:02:20 | 0:02:23 | |
If I win, you will try the scarlet. | 0:02:23 | 0:02:25 | |
Sam, you are my good luck! | 0:02:25 | 0:02:27 | |
Call a number between five and nine. | 0:02:27 | 0:02:29 | |
Seven. | 0:02:30 | 0:02:31 | |
Then I say | 0:02:31 | 0:02:33 | |
I will cast a seven. | 0:02:33 | 0:02:35 | |
Quelle malchance! | 0:02:38 | 0:02:40 | |
Sam, we lose. Madame will take the blue. | 0:02:40 | 0:02:42 | |
But please, not four yards only. | 0:02:42 | 0:02:45 | |
Skirts will be very full next season, | 0:02:45 | 0:02:47 | |
you have it from the lips of Paris. | 0:02:47 | 0:02:50 | |
I'll take six yards... | 0:02:50 | 0:02:51 | |
of the blue AND the scarlet. | 0:02:51 | 0:02:53 | |
And where can I get those dice? | 0:02:55 | 0:02:58 | |
Clemence? | 0:02:58 | 0:03:00 | |
At The Paradise, madame. Only at The Paradise! | 0:03:00 | 0:03:03 | |
Moray, mon cher. | 0:03:07 | 0:03:09 | |
Not that I'm not delighted to see you... | 0:03:09 | 0:03:12 | |
Why are you here? | 0:03:12 | 0:03:13 | |
Didn't you hear, darling? | 0:03:13 | 0:03:15 | |
I bring you the fever that is sweeping all Paris! | 0:03:15 | 0:03:19 | |
You bring me dice that can be bought at any French port | 0:03:19 | 0:03:21 | |
for five sous a piece. | 0:03:21 | 0:03:23 | |
And where did you pick them up? Calais? | 0:03:23 | 0:03:25 | |
Paris was becoming uncomfortable. | 0:03:27 | 0:03:30 | |
Oh, dear. | 0:03:30 | 0:03:31 | |
That doesn't sound good. | 0:03:31 | 0:03:33 | |
It is true what they say - | 0:03:33 | 0:03:34 | |
hell knows no fury like a woman scorned. | 0:03:34 | 0:03:37 | |
Her tantrums and tears were insupportable. | 0:03:37 | 0:03:40 | |
I wanted a change of scene quickly. | 0:03:40 | 0:03:42 | |
Et voila! | 0:03:42 | 0:03:43 | |
Clemence, you are incorrigible. | 0:03:43 | 0:03:45 | |
These, these are clever! | 0:03:45 | 0:03:47 | |
How many did you bring? | 0:03:48 | 0:03:50 | |
As many as I could fit into my valise. | 0:03:50 | 0:03:52 | |
I'll take them all. | 0:03:52 | 0:03:54 | |
Of course! | 0:03:54 | 0:03:55 | |
Now, tell me, how are all my friends? | 0:03:55 | 0:03:58 | |
How is Denise? | 0:03:58 | 0:03:59 | |
Yes, she's very well. | 0:03:59 | 0:04:01 | |
She's... | 0:04:01 | 0:04:03 | |
She's, er, head of Ladieswear. | 0:04:03 | 0:04:06 | |
Oh, no, John. What has happened? | 0:04:06 | 0:04:08 | |
You and Denise, you were made for each other. | 0:04:08 | 0:04:11 | |
We...she didn't think that we could... | 0:04:11 | 0:04:15 | |
Actually, Clemence. Do you mind if we don't? | 0:04:16 | 0:04:18 | |
KNOCKING AT THE DOOR Yes! | 0:04:18 | 0:04:22 | |
Please, Mr Moray, sir. | 0:04:22 | 0:04:23 | |
Mr Dudley says the customers are asking for dice | 0:04:23 | 0:04:26 | |
and we have none. | 0:04:26 | 0:04:27 | |
And if this is one of your famous schemes, | 0:04:27 | 0:04:30 | |
he wishes you'd told him first. | 0:04:30 | 0:04:32 | |
Thank you, Arthur. Tell Dudley I'm on my way. | 0:04:32 | 0:04:34 | |
Right! | 0:04:34 | 0:04:36 | |
I thought you brave to risk The Paradise for love. | 0:04:40 | 0:04:43 | |
But to wear such a smile when your heart is all desolation, | 0:04:43 | 0:04:47 | |
that is true courage. | 0:04:47 | 0:04:48 | |
Pauvre enfant, | 0:04:48 | 0:04:50 | |
I could almost love you myself. | 0:04:50 | 0:04:52 | |
-DENISE: -'And you're sure it was her?' | 0:04:54 | 0:04:56 | |
Mm. Large as life and twice as French. | 0:04:56 | 0:04:58 | |
She's in with Mr Moray now, if you want to see her. | 0:04:58 | 0:05:00 | |
I...have to get back. | 0:05:00 | 0:05:01 | |
I'm sure I'll find her later. | 0:05:01 | 0:05:03 | |
My feelings exactly. | 0:05:06 | 0:05:08 | |
Women - unfathomable. | 0:05:08 | 0:05:10 | |
She loves him, but she won't go near him. | 0:05:11 | 0:05:14 | |
Whoa! You all right? | 0:05:14 | 0:05:16 | |
This place takes people like that, sometimes. | 0:05:16 | 0:05:19 | |
Let's get the weight off your feet. | 0:05:19 | 0:05:21 | |
Here. | 0:05:21 | 0:05:23 | |
Here. | 0:05:23 | 0:05:25 | |
Paradise... | 0:05:25 | 0:05:27 | |
It is paradise! | 0:05:29 | 0:05:31 | |
Not for everyone... | 0:05:31 | 0:05:32 | |
not for everyone. | 0:05:32 | 0:05:34 | |
Clemence! | 0:05:43 | 0:05:46 | |
I'm so happy to see you. | 0:05:47 | 0:05:48 | |
And I you, cherie. But what is it I hear, | 0:05:48 | 0:05:51 | |
you and Moray breaking each other's hearts. Why? | 0:05:51 | 0:05:53 | |
We do not want the same thing. | 0:05:55 | 0:05:58 | |
He wants you. | 0:05:58 | 0:06:00 | |
You want him. | 0:06:00 | 0:06:01 | |
Not in the same way. | 0:06:01 | 0:06:03 | |
I am his most prized possession. | 0:06:03 | 0:06:06 | |
You would be loved as you yourself love. | 0:06:06 | 0:06:08 | |
Yes! | 0:06:09 | 0:06:11 | |
But what if that is not possible? | 0:06:11 | 0:06:14 | |
Then... | 0:06:14 | 0:06:16 | |
I shall have to learn to live with a broken heart. | 0:06:16 | 0:06:19 | |
It is her! It is! | 0:06:28 | 0:06:30 | |
Oh, will we all go out again, like last time? | 0:06:30 | 0:06:33 | |
Just the girls to the Three Crowns? | 0:06:33 | 0:06:34 | |
But without question! | 0:06:34 | 0:06:36 | |
We four et la merveilleuse Myrtle. | 0:06:36 | 0:06:40 | |
But that is for later. Now, I have a gift for Denise. | 0:06:40 | 0:06:42 | |
And not just for Denise, for Ladieswear. | 0:06:42 | 0:06:45 | |
Whatever I tell them downstairs, | 0:06:45 | 0:06:48 | |
this is the true vogue in Paris, today. | 0:06:48 | 0:06:50 | |
Rouge. | 0:06:50 | 0:06:51 | |
Only the very boldest dare wear it. | 0:06:53 | 0:06:55 | |
But even those who dare not | 0:06:55 | 0:06:56 | |
buy it in case one day they should find the courage. | 0:06:56 | 0:07:00 | |
But women who paint their faces are not nice. | 0:07:00 | 0:07:03 | |
They work on the street. | 0:07:03 | 0:07:05 | |
Exactement. | 0:07:05 | 0:07:06 | |
So when Madame walks into a salon with her face painted thus, | 0:07:06 | 0:07:09 | |
and her head held high, | 0:07:09 | 0:07:11 | |
she's telling the world, | 0:07:11 | 0:07:13 | |
"I am who I say I am, let no-one else dare to define me!" | 0:07:13 | 0:07:18 | |
It is a gauntlet thrown at the feet of polite society. | 0:07:18 | 0:07:22 | |
This is not Paris. | 0:07:22 | 0:07:23 | |
But if there is anyone who can sell Paris here, it is you, Denise. | 0:07:23 | 0:07:27 | |
So these are not just a gift, | 0:07:27 | 0:07:29 | |
they are a challenge. | 0:07:29 | 0:07:31 | |
Your purchases will be waiting for you at the parcels desk. | 0:07:32 | 0:07:35 | |
As to the hazard dice you were enquiring after, | 0:07:35 | 0:07:38 | |
I believe they'll be with us later today. | 0:07:38 | 0:07:40 | |
Hazard - | 0:07:45 | 0:07:46 | |
a few hours ago, nobody's heard of the game. | 0:07:46 | 0:07:49 | |
Now... | 0:07:49 | 0:07:50 | |
I suppose that's the thing with a craze, eh? | 0:07:50 | 0:07:53 | |
Eh? | 0:07:55 | 0:07:56 | |
(Arthur! Arthur!) | 0:08:03 | 0:08:05 | |
Arthur, find Mr Moray | 0:08:06 | 0:08:08 | |
and tell him to come and tell him to come now! | 0:08:08 | 0:08:10 | |
But I'm helping Mademoiselle Clemence with her dice. | 0:08:10 | 0:08:12 | |
The dice can wait. This... | 0:08:12 | 0:08:15 | |
cannot. | 0:08:15 | 0:08:16 | |
You were up early this morning. | 0:08:21 | 0:08:23 | |
I was woken by a caller. | 0:08:23 | 0:08:25 | |
A caller? | 0:08:27 | 0:08:29 | |
On a false errand. | 0:08:29 | 0:08:30 | |
The person he sought does not live here. | 0:08:30 | 0:08:33 | |
But by happy accident I was able to do some business with him myself. | 0:08:33 | 0:08:37 | |
Is that damson jelly? | 0:08:37 | 0:08:39 | |
Perfect. | 0:08:39 | 0:08:40 | |
Is that why you are in such a jolly mood? | 0:08:41 | 0:08:44 | |
Sometimes, Flora, | 0:08:44 | 0:08:46 | |
life seems full of possibility and promise. | 0:08:46 | 0:08:49 | |
Apparently Mademoiselle Romanis has returned to The Paradise. | 0:08:51 | 0:08:54 | |
Clemence? | 0:08:57 | 0:08:58 | |
I thought her in France. | 0:09:02 | 0:09:03 | |
An impromptu visit, I believe. | 0:09:05 | 0:09:07 | |
I shall make sure to give her your best. | 0:09:08 | 0:09:10 | |
Who is he? | 0:09:15 | 0:09:17 | |
I don't know! | 0:09:17 | 0:09:18 | |
He looked tired so I offered him a seat, | 0:09:18 | 0:09:20 | |
the next thing I know he's... | 0:09:20 | 0:09:21 | |
What is it? | 0:09:21 | 0:09:23 | |
He's a sailor. | 0:09:23 | 0:09:25 | |
Yes. | 0:09:25 | 0:09:26 | |
But not an English one, that's French. | 0:09:26 | 0:09:29 | |
And this is French tailoring - the best. | 0:09:29 | 0:09:32 | |
Did he sound foreign? | 0:09:34 | 0:09:37 | |
I only heard him say three words. | 0:09:37 | 0:09:39 | |
Mr Moray, sir. | 0:09:41 | 0:09:42 | |
A French sailor, with a taste for fine tailoring, | 0:09:49 | 0:09:53 | |
and the annual salary of a working man in his pocket. | 0:09:53 | 0:09:56 | |
Quite a mystery. | 0:09:56 | 0:09:57 | |
Er, Mr Weston! | 0:10:01 | 0:10:02 | |
Dudley told me. | 0:10:02 | 0:10:04 | |
I met him this morning. | 0:10:04 | 0:10:06 | |
He came to the Hall. | 0:10:06 | 0:10:07 | |
He'd been...misdirected. | 0:10:09 | 0:10:11 | |
Er, who is he? | 0:10:11 | 0:10:13 | |
He didn't give a name. | 0:10:14 | 0:10:16 | |
Imagine a small group of customers, hand-picked. | 0:10:18 | 0:10:21 | |
Women who feel they can lead fashion rather than be led by it. | 0:10:21 | 0:10:25 | |
Now imagine a corner of Ladieswear, | 0:10:25 | 0:10:28 | |
dressed as a boudoir. | 0:10:28 | 0:10:30 | |
The woman who inhabits it has just stepped out | 0:10:31 | 0:10:34 | |
and may return at any moment. | 0:10:34 | 0:10:36 | |
Her scent lingers in the air. | 0:10:36 | 0:10:38 | |
On the dressing table, a bottle of perfume. | 0:10:40 | 0:10:42 | |
We imagine her dabbing it on her wrists, | 0:10:42 | 0:10:45 | |
her neck... | 0:10:45 | 0:10:47 | |
There's an evening stole, a fan... | 0:10:47 | 0:10:49 | |
..a dance card. | 0:10:51 | 0:10:53 | |
And in the middle, | 0:10:53 | 0:10:54 | |
a beautiful pot of rouge. | 0:10:54 | 0:10:57 | |
Beside it, a woman's necklace, carelessly cast aside, | 0:10:57 | 0:11:00 | |
tangled and tumbled with a man's cuff links. | 0:11:00 | 0:11:05 | |
Denise... | 0:11:05 | 0:11:07 | |
may I be excused to get a glass of cold water? | 0:11:07 | 0:11:09 | |
I'm feeling awfully strange. | 0:11:09 | 0:11:11 | |
THEY GIGGLE A glass of cold water? | 0:11:11 | 0:11:15 | |
A cold bath, more like it. | 0:11:15 | 0:11:17 | |
If that doesn't sell it, nothing will. | 0:11:17 | 0:11:19 | |
The parish will take him and bury him. | 0:11:25 | 0:11:26 | |
But because his identity is not known, | 0:11:26 | 0:11:28 | |
it must be in an unmarked grave. | 0:11:28 | 0:11:30 | |
That's a pauper's burial. That man had money! | 0:11:30 | 0:11:33 | |
An unmarked grave in an unknown land... | 0:11:33 | 0:11:36 | |
I would not wish so solitary an end on anyone. | 0:11:36 | 0:11:39 | |
Mademoiselle Clemence! | 0:11:39 | 0:11:40 | |
If he's recently come from France, | 0:11:40 | 0:11:42 | |
she may have encountered him on her journey. | 0:11:42 | 0:11:44 | |
she may even have met him. | 0:11:44 | 0:11:45 | |
Though perhaps it's not proper to show a woman a... | 0:11:45 | 0:11:48 | |
(deceased person.) | 0:11:48 | 0:11:49 | |
Oh, I feel sure Mademoiselle Clemence | 0:11:51 | 0:11:53 | |
would be equal to the task. | 0:11:53 | 0:11:55 | |
Don't you, Moray? | 0:11:56 | 0:11:57 | |
Non. | 0:12:08 | 0:12:09 | |
I've never seen him before. I'm sorry. | 0:12:09 | 0:12:12 | |
Not at all, Clemence. | 0:12:12 | 0:12:13 | |
We appreciate your trying. | 0:12:16 | 0:12:18 | |
We could use his money to buy a plot and pay for a burial. | 0:12:23 | 0:12:25 | |
A headstone can come later, if his identity is ever learned. | 0:12:25 | 0:12:29 | |
Find somewhere to put him until arrangements can be made. | 0:12:29 | 0:12:32 | |
Moray can't be expected to share his office with a corpse. | 0:12:32 | 0:12:36 | |
FLORA: I love the river when it is like this, don't you? | 0:12:46 | 0:12:50 | |
All deep and still and quiet, | 0:12:56 | 0:12:59 | |
as if it were asleep. | 0:12:59 | 0:13:02 | |
Mrs Weston, have a care. You might slip, | 0:13:02 | 0:13:05 | |
the ground is dangerous here. | 0:13:05 | 0:13:07 | |
I don't know what happened. | 0:13:12 | 0:13:13 | |
I was feeling faint and the water... | 0:13:13 | 0:13:16 | |
I'm very grateful to you. | 0:13:18 | 0:13:19 | |
I've walked by that river many times | 0:13:21 | 0:13:23 | |
when my thoughts have been turbulent. | 0:13:23 | 0:13:26 | |
I walked there this morning for that reason. | 0:13:26 | 0:13:28 | |
I fear I have... | 0:13:30 | 0:13:31 | |
..nothing. | 0:13:33 | 0:13:35 | |
Everything I had, I cast away. | 0:13:35 | 0:13:37 | |
It is lost. | 0:13:37 | 0:13:38 | |
You have the child. | 0:13:38 | 0:13:40 | |
I have her on sufferance only. | 0:13:42 | 0:13:44 | |
He can take her from me. | 0:13:46 | 0:13:48 | |
He WILL take her from me. | 0:13:51 | 0:13:52 | |
I have destroyed everything I set out to protect. | 0:13:54 | 0:13:58 | |
I've hurt those that I sought to shield. | 0:13:58 | 0:14:00 | |
I have become the harm I feared. | 0:14:03 | 0:14:05 | |
And yet today, you were my salvation. | 0:14:08 | 0:14:10 | |
Then there is hope | 0:14:17 | 0:14:18 | |
for both of us. | 0:14:18 | 0:14:20 | |
My husband was a soldier. | 0:14:26 | 0:14:28 | |
He has suffered as other men have not. | 0:14:30 | 0:14:32 | |
He has wounds... | 0:14:33 | 0:14:35 | |
terrible wounds, | 0:14:35 | 0:14:36 | |
his back laid open by swords. | 0:14:36 | 0:14:39 | |
And he bears this pain alone, | 0:14:42 | 0:14:45 | |
in secret. | 0:14:45 | 0:14:46 | |
I thought once to be his comfort. | 0:14:49 | 0:14:51 | |
You make me believe such a thing could yet be possible. | 0:14:53 | 0:14:56 | |
Mama, will you come? I have made a daisy chain. | 0:15:07 | 0:15:09 | |
Of course, my darling. | 0:15:09 | 0:15:12 | |
Oh! | 0:15:12 | 0:15:13 | |
Only I do...I do feel so strange. | 0:15:13 | 0:15:16 | |
Have you that grown-up sickness again, Mama? | 0:15:16 | 0:15:18 | |
It is so long since you had it last - | 0:15:18 | 0:15:20 | |
weeks and weeks. | 0:15:20 | 0:15:22 | |
Miss Clemence said we would all go to the Three Crowns again. | 0:15:55 | 0:15:58 | |
And she asked for you by name. | 0:15:58 | 0:16:00 | |
-She never did! -"Marvellous Myrtle" she called you. | 0:16:00 | 0:16:02 | |
At least, I think that's what she said. | 0:16:02 | 0:16:04 | |
Well, if that is not cause to crack out a party dress, | 0:16:04 | 0:16:06 | |
I don't know what is! | 0:16:06 | 0:16:07 | |
For a girls' night out in the Three Crowns? | 0:16:07 | 0:16:09 | |
Who's going to care? | 0:16:09 | 0:16:10 | |
Excuse me! The girls will care. | 0:16:10 | 0:16:13 | |
P'raps I shall take the opportunity to christen my new bustier. | 0:16:13 | 0:16:16 | |
God help us all! | 0:16:16 | 0:16:18 | |
Denise? | 0:16:18 | 0:16:19 | |
I know you don't sleep, but if you don't eat either | 0:16:21 | 0:16:23 | |
you're not going to last long enough to start selling that rouge! | 0:16:23 | 0:16:26 | |
I've had an idea... | 0:16:29 | 0:16:31 | |
about our French friend. | 0:16:31 | 0:16:32 | |
Edmund Lovett's shop. | 0:16:34 | 0:16:35 | |
We cannot put a corpse in a man's shop without his knowledge. | 0:16:37 | 0:16:40 | |
Denise has the keys and authority to act for her uncle. | 0:16:40 | 0:16:44 | |
Perhaps if you were to talk to her. | 0:16:44 | 0:16:46 | |
Dudley! | 0:16:46 | 0:16:47 | |
Explain the situation! | 0:16:47 | 0:16:50 | |
She will help, I am sure of it. | 0:16:50 | 0:16:52 | |
The powder is so light, | 0:16:55 | 0:16:57 | |
it requires the softest touch. | 0:16:57 | 0:16:59 | |
A dusting on the lips | 0:17:00 | 0:17:02 | |
and on the cheeks... | 0:17:02 | 0:17:04 | |
Like the flush of love | 0:17:07 | 0:17:09 | |
or the first time you looked in a glass | 0:17:09 | 0:17:12 | |
and knew you were beautiful. | 0:17:12 | 0:17:15 | |
The effect is... | 0:17:15 | 0:17:17 | |
lovely. | 0:17:17 | 0:17:18 | |
But it is impossible. | 0:17:19 | 0:17:21 | |
A painted face? | 0:17:21 | 0:17:23 | |
My husband would never allow it. | 0:17:24 | 0:17:26 | |
Perhaps, your husband would not know. | 0:17:31 | 0:17:33 | |
He thinks such preparations gaudy and brash. | 0:17:33 | 0:17:36 | |
But this is sweet and delicate | 0:17:38 | 0:17:42 | |
and gentle... | 0:17:42 | 0:17:43 | |
..like a kiss on your skin. | 0:17:46 | 0:17:47 | |
Denise, | 0:17:49 | 0:17:50 | |
I'm sorry to interrupt. | 0:17:50 | 0:17:52 | |
It makes no difference. They weren't going to buy. | 0:17:54 | 0:17:56 | |
How can I help? | 0:17:58 | 0:17:59 | |
I have a favour to ask, concerning your uncle's shop. | 0:18:00 | 0:18:04 | |
We do not know his name | 0:18:04 | 0:18:06 | |
or who his people might be. | 0:18:06 | 0:18:08 | |
But I wish for him to be buried | 0:18:08 | 0:18:09 | |
with the care and consideration I would give a friend. | 0:18:09 | 0:18:12 | |
But until arrangements can be made... | 0:18:12 | 0:18:16 | |
he needs a place to rest. | 0:18:16 | 0:18:18 | |
My uncle's keys are inside. | 0:18:23 | 0:18:25 | |
You could have come in. | 0:18:38 | 0:18:39 | |
Thank you. | 0:18:44 | 0:18:46 | |
We should at least try to find a way of being normal with each other. | 0:18:46 | 0:18:49 | |
Denise, I... | 0:18:53 | 0:18:54 | |
It is hard for me even to be near you, at the moment. | 0:18:56 | 0:19:00 | |
But to be in the same room, | 0:19:00 | 0:19:03 | |
to be so close | 0:19:03 | 0:19:05 | |
and not be able to touch you... | 0:19:05 | 0:19:07 | |
I will learn, I'm sure I will learn. | 0:19:11 | 0:19:13 | |
Just... | 0:19:13 | 0:19:15 | |
not yet. | 0:19:15 | 0:19:16 | |
Jonas. I was looking for you today. | 0:19:34 | 0:19:36 | |
You were not to be found. | 0:19:36 | 0:19:37 | |
I am sorry, sir. I will not be from my station again. | 0:19:37 | 0:19:40 | |
Moray. I hear we have a hit - | 0:19:43 | 0:19:46 | |
dice. | 0:19:46 | 0:19:47 | |
Yes, yes, we've already sold out. | 0:19:47 | 0:19:50 | |
There's a waiting list. | 0:19:50 | 0:19:51 | |
Hm, a fad. It'll be over before it has begun. | 0:19:51 | 0:19:54 | |
But the gain to our reputation will remain. | 0:19:54 | 0:19:56 | |
People are saying if you want to know what London will be doing tomorrow, | 0:19:56 | 0:19:59 | |
look in The Paradise today. | 0:19:59 | 0:20:01 | |
Hm, very neat. | 0:20:01 | 0:20:02 | |
Perhaps you should have that engraved on a plaque. | 0:20:02 | 0:20:06 | |
I was thinking perhaps a tattoo(!) | 0:20:06 | 0:20:08 | |
There she is! | 0:20:16 | 0:20:19 | |
Myrtle! Don't tell me - a new bustier. | 0:20:19 | 0:20:22 | |
You look magnificent. | 0:20:22 | 0:20:24 | |
You see! Women dress for other women because other women notice. | 0:20:26 | 0:20:29 | |
Oh, we shall have a night of it, tonight! | 0:20:29 | 0:20:31 | |
It's women only, lads! It is women only! | 0:20:31 | 0:20:33 | |
Small mercies. | 0:20:33 | 0:20:35 | |
Unless you'd prefer an evening with the gentlemen. | 0:20:35 | 0:20:38 | |
I see one of them, at least, has his eye on you. | 0:20:38 | 0:20:40 | |
This is what I give for an evening with a gentleman! | 0:20:40 | 0:20:43 | |
Ils n'en valent vraiment pas la peine! | 0:20:43 | 0:20:46 | |
I don't know what she's saying but I like the way she says it! | 0:20:46 | 0:20:49 | |
So, what is it to be? | 0:20:50 | 0:20:52 | |
The Three Crowns and perhaps a little dinner, | 0:20:52 | 0:20:54 | |
a little dancing? | 0:20:54 | 0:20:56 | |
Mademoiselle Romanis. | 0:20:56 | 0:20:59 | |
I wonder, might I beg the favour of a word? | 0:20:59 | 0:21:02 | |
It is delightful to see you back. | 0:21:06 | 0:21:08 | |
Oh, I am delighted to be back. | 0:21:08 | 0:21:10 | |
And delighted, I am sure, | 0:21:10 | 0:21:12 | |
to have escaped all that unpleasantness in Paris. | 0:21:12 | 0:21:14 | |
An acquaintance of yours called at the Hall this morning | 0:21:16 | 0:21:18 | |
under the mistaken impression he would find you with us. | 0:21:18 | 0:21:21 | |
I had to disappoint him, | 0:21:21 | 0:21:23 | |
but we got talking. | 0:21:23 | 0:21:25 | |
He said he was... | 0:21:25 | 0:21:27 | |
Oh, what was the word he used? | 0:21:27 | 0:21:30 | |
Ah, yes, a sangsue - | 0:21:30 | 0:21:33 | |
a blood sucker. | 0:21:33 | 0:21:36 | |
Though I believe debt collector is the more common term. | 0:21:36 | 0:21:40 | |
What do you want? | 0:21:43 | 0:21:45 | |
Oh, I already have what I want. | 0:21:45 | 0:21:48 | |
My debts? He sold them to you? | 0:21:48 | 0:21:50 | |
I'm only sorry he never got to enjoy his ill-gotten gains. | 0:21:51 | 0:21:55 | |
What will you do with them? | 0:21:56 | 0:21:58 | |
Well, I thought we might discuss that over dinner. | 0:21:58 | 0:22:01 | |
Of course, you will have to tell your...friends | 0:22:03 | 0:22:07 | |
that you're now unavailable. | 0:22:07 | 0:22:09 | |
Tomorrow. Please. | 0:22:10 | 0:22:11 | |
But I am hungry now. | 0:22:13 | 0:22:14 | |
I am sorry. | 0:22:21 | 0:22:23 | |
I had forgotten a prior engagement. | 0:22:23 | 0:22:26 | |
See, a bad mood of this magnitude, | 0:22:41 | 0:22:44 | |
I'd normally say too much drink, | 0:22:44 | 0:22:46 | |
but seeing as your evening was cancelled... | 0:22:46 | 0:22:48 | |
Four lasses stood up by the same person at the same time. | 0:22:48 | 0:22:53 | |
You've got to hand it to the French. | 0:22:53 | 0:22:54 | |
Stop it, Sam. | 0:22:54 | 0:22:55 | |
Oh, let him! It's true, isn't it? | 0:22:55 | 0:22:58 | |
She made fools of all of us. | 0:22:58 | 0:22:59 | |
"That for an evening with the men." | 0:22:59 | 0:23:02 | |
My arse! | 0:23:02 | 0:23:03 | |
I didn't like her anyway. I think women should be more... | 0:23:03 | 0:23:06 | |
modest. | 0:23:06 | 0:23:07 | |
We don't know why Clemence did what she did. | 0:23:07 | 0:23:10 | |
I don't think she looked very happy about it. | 0:23:10 | 0:23:12 | |
She can look after herself, that one, trust me. | 0:23:12 | 0:23:14 | |
Knows exactly what side her bloody brioche is buttered. | 0:23:14 | 0:23:18 | |
DIE ROLLS ON TABLE And get that bloody French dice out of my refectory! | 0:23:18 | 0:23:23 | |
I was wondering what your plans were for this evening. | 0:23:31 | 0:23:35 | |
I'm dining out. | 0:23:35 | 0:23:36 | |
What a shame. | 0:23:38 | 0:23:40 | |
It has been so long since we dined together. | 0:23:40 | 0:23:42 | |
Too long. | 0:23:44 | 0:23:45 | |
Do you remember, when we were first married, | 0:23:47 | 0:23:50 | |
how you would send the servants away in the evening? | 0:23:50 | 0:23:54 | |
You would sit by me and pour my wine. | 0:23:54 | 0:23:57 | |
I do. | 0:24:00 | 0:24:01 | |
I do remember. | 0:24:02 | 0:24:04 | |
You were so tender, | 0:24:05 | 0:24:07 | |
yet so...withheld. | 0:24:07 | 0:24:10 | |
I thought I had a lifetime to fathom the secrets in your eyes. | 0:24:13 | 0:24:17 | |
But then we came here. | 0:24:20 | 0:24:21 | |
And I learned the secret had a name... | 0:24:23 | 0:24:25 | |
Moray. | 0:24:27 | 0:24:28 | |
And little by little I watched, | 0:24:29 | 0:24:33 | |
as his nearness turned your tenderness to anguish. | 0:24:33 | 0:24:37 | |
I don't doubt you've endured the destruction of your dreams. | 0:24:40 | 0:24:45 | |
We have that in common, at least. | 0:24:45 | 0:24:47 | |
But do not... | 0:24:48 | 0:24:50 | |
do not insult the hopes I once cherished | 0:24:50 | 0:24:54 | |
by trying now to resurrect | 0:24:54 | 0:24:55 | |
what you so thoroughly laid to waste. | 0:24:55 | 0:24:58 | |
I have found someone else to comfort me. | 0:25:02 | 0:25:04 | |
I no longer need you. | 0:25:09 | 0:25:10 | |
If only it weren't so red. | 0:25:36 | 0:25:38 | |
I think you'll find the clue's in the name. | 0:25:38 | 0:25:40 | |
You're just going to have to admit defeat on this one, Denise. | 0:25:42 | 0:25:45 | |
But it's gorgeous! It feels like silk when you brush it on. | 0:25:45 | 0:25:49 | |
-It even smells divine. -What's that? | 0:25:49 | 0:25:51 | |
Mm, otto of roses. | 0:25:53 | 0:25:56 | |
How do you know it's otto of roses? | 0:25:56 | 0:25:58 | |
Otto of roses, white starch, a bit of carmine for the colour. | 0:25:58 | 0:26:02 | |
I'm a cook. | 0:26:02 | 0:26:03 | |
I know what goes in most things by smelling 'em. | 0:26:03 | 0:26:05 | |
My mother, now, she'd a nose like a bloodhound. | 0:26:05 | 0:26:08 | |
Made her own preparations, too. | 0:26:08 | 0:26:10 | |
She'd a cream would turn your skin to satin. | 0:26:10 | 0:26:12 | |
Face like an old boot, God rest her, but to touch... | 0:26:12 | 0:26:15 | |
Oh! You have never known anything so soft. | 0:26:15 | 0:26:17 | |
And do you know what she put in these creams? | 0:26:17 | 0:26:19 | |
I know WHAT she put in. | 0:26:19 | 0:26:21 | |
Just don't know how much. | 0:26:21 | 0:26:22 | |
Kept her quantities close to her chest. | 0:26:22 | 0:26:24 | |
Myrtle, how do you feel about | 0:26:24 | 0:26:27 | |
a little after-hours experimenting? | 0:26:27 | 0:26:29 | |
I've spoken to the undertaker. | 0:26:31 | 0:26:32 | |
The body will be moved to Edmund's shop | 0:26:32 | 0:26:35 | |
and lie there until the burial takes place, tomorrow. | 0:26:35 | 0:26:38 | |
You should inform Denise. | 0:26:38 | 0:26:39 | |
What? Why? | 0:26:39 | 0:26:41 | |
Because it's her uncle's shop. | 0:26:41 | 0:26:43 | |
Because she gave us the keys. | 0:26:43 | 0:26:45 | |
-Because if the two of you could only talk to each other... -Dudley, | 0:26:47 | 0:26:50 | |
I know you mean it as a kindness | 0:26:50 | 0:26:52 | |
but to be always putting us in each other's paths, | 0:26:52 | 0:26:54 | |
it is a torment. | 0:26:54 | 0:26:56 | |
I can't just stand by and watch you suffer. | 0:26:56 | 0:26:59 | |
It'll get easier. | 0:26:59 | 0:27:00 | |
It is getting easier, I can feel it. | 0:27:00 | 0:27:03 | |
You'll need the water hotter | 0:27:09 | 0:27:10 | |
if you want the spermaceti to melt this time. | 0:27:10 | 0:27:13 | |
It's already burning my hands! | 0:27:13 | 0:27:14 | |
Beauty comes at a price. | 0:27:14 | 0:27:16 | |
Now the rose water and the oils. | 0:27:18 | 0:27:20 | |
Slowly... | 0:27:22 | 0:27:24 | |
Oh, and to think, I could be at the pub. | 0:27:24 | 0:27:26 | |
Stop! Now into the cold water. | 0:27:28 | 0:27:30 | |
Perfect! | 0:27:40 | 0:27:42 | |
Not quite. | 0:27:42 | 0:27:43 | |
What are you doing? | 0:27:45 | 0:27:46 | |
The scent of roses and the faintest hint... | 0:27:46 | 0:27:51 | |
of a blush. | 0:27:51 | 0:27:52 | |
Myrtle, you are beautiful. | 0:27:57 | 0:28:00 | |
-Oh, you... -I know, I know! | 0:28:00 | 0:28:02 | |
And before you say it, I deserve every word. | 0:28:02 | 0:28:05 | |
But what if I told you that tomorrow night | 0:28:05 | 0:28:07 | |
is my very last night of freedom | 0:28:07 | 0:28:10 | |
and that I have come to ask you all to spend it with me. | 0:28:10 | 0:28:13 | |
What are you talking about? | 0:28:13 | 0:28:15 | |
I was not honest with Moray about my reasons for leaving France. | 0:28:15 | 0:28:19 | |
There were debts, | 0:28:19 | 0:28:20 | |
prison if I could not pay, and I could not. | 0:28:20 | 0:28:22 | |
So I ran. | 0:28:22 | 0:28:24 | |
But someone came after me. | 0:28:24 | 0:28:26 | |
I don't blame him, he was doing his job. | 0:28:26 | 0:28:28 | |
He sold my debts to Tom Weston. | 0:28:28 | 0:28:31 | |
And now Weston gives me a choice - | 0:28:31 | 0:28:34 | |
become his mistress or face prison. | 0:28:34 | 0:28:37 | |
Oh, no, please! | 0:28:39 | 0:28:40 | |
I don't want your pity, | 0:28:40 | 0:28:42 | |
I want your company. | 0:28:42 | 0:28:43 | |
Tomorrow night at the Three Crowns? | 0:28:43 | 0:28:46 | |
Won't you come and drink with me? | 0:28:46 | 0:28:48 | |
I bloody will. | 0:28:48 | 0:28:50 | |
Bloody need a bloody drink after that! | 0:28:50 | 0:28:52 | |
His last night above ground. | 0:29:14 | 0:29:16 | |
I didn't think he should spend it alone. | 0:29:16 | 0:29:18 | |
Death raises questions about life, | 0:29:19 | 0:29:23 | |
about purpose... | 0:29:23 | 0:29:25 | |
If we're going to talk about life, death and purpose, | 0:29:25 | 0:29:28 | |
I'm going to need another drink. | 0:29:28 | 0:29:29 | |
Luckily, I know where Edmund keeps his brandy. | 0:29:29 | 0:29:31 | |
DOOR OPENS, BELL JINGLES | 0:29:35 | 0:29:37 | |
I saw the light. | 0:29:38 | 0:29:41 | |
Oh, welcome to the party. | 0:29:41 | 0:29:43 | |
It is a vigil. | 0:29:43 | 0:29:45 | |
With refreshments. | 0:29:45 | 0:29:48 | |
But it's wrong. It's so wrong. | 0:30:01 | 0:30:04 | |
Yes, it is wrong. | 0:30:04 | 0:30:06 | |
But if you play with fire - and I do - sometimes, you will get burnt. | 0:30:06 | 0:30:10 | |
So what should I do - curse the fire? Curse myself? | 0:30:10 | 0:30:15 | |
Or hold on to the things that make life worth living? | 0:30:15 | 0:30:18 | |
Liberty, friendship, love... | 0:30:18 | 0:30:22 | |
I'll raise a glass to that. | 0:30:22 | 0:30:24 | |
Enough of my story! | 0:30:24 | 0:30:26 | |
Tell it to your daughters, to scare them into obedience. | 0:30:26 | 0:30:30 | |
I want to know what potion were three of you | 0:30:30 | 0:30:33 | |
brewing like witches last night. | 0:30:33 | 0:30:35 | |
Myrtle's mother's cream, | 0:30:35 | 0:30:38 | |
which Denise has tinted with your rouge. | 0:30:38 | 0:30:42 | |
A secret between you and your skin. | 0:30:42 | 0:30:45 | |
Oh! I could take this to any shop in any city in the world | 0:30:45 | 0:30:51 | |
and, by tomorrow, there would be queues in the street. | 0:30:51 | 0:30:54 | |
You are a genius. | 0:30:55 | 0:30:57 | |
No, I mean it. | 0:30:59 | 0:31:01 | |
You are a genius. | 0:31:01 | 0:31:04 | |
But not in love. | 0:31:04 | 0:31:05 | |
Why, with all your flair and passion and elan, | 0:31:05 | 0:31:08 | |
why cannot you and he find a way to be together? | 0:31:08 | 0:31:11 | |
Clemence, please. | 0:31:11 | 0:31:12 | |
Please don't make it any harder. | 0:31:12 | 0:31:14 | |
I'm sorry, cherie. | 0:31:14 | 0:31:16 | |
It is just that I must believe in love. | 0:31:16 | 0:31:18 | |
Now more than ever. | 0:31:18 | 0:31:20 | |
I must believe that Tom Weston's way is not the only way | 0:31:20 | 0:31:23 | |
and that love - real love - can triumph. | 0:31:23 | 0:31:26 | |
I shall have to speak to Edmund about the quality of his brandy. | 0:31:30 | 0:31:34 | |
I am carrying quite a head this morning. | 0:31:34 | 0:31:37 | |
At least he was not alone. | 0:31:37 | 0:31:39 | |
See, I don't know why you think this man's death was such | 0:31:39 | 0:31:42 | |
a sad and solitary affair. | 0:31:42 | 0:31:44 | |
If I had to venture an opinion, I'd say he died happy. | 0:31:44 | 0:31:47 | |
"It is paradise." | 0:31:47 | 0:31:49 | |
He looked about, that's what he said. | 0:31:49 | 0:31:51 | |
Perhaps he could already see something you couldn't. | 0:31:51 | 0:31:54 | |
Or perhaps he was exactly where he wanted to be. | 0:31:54 | 0:31:57 | |
Just happy. | 0:31:57 | 0:31:59 | |
What would it take to be so fulfilled? | 0:32:00 | 0:32:03 | |
Every man has to decide for himself what it is | 0:32:05 | 0:32:08 | |
that makes life worth living. | 0:32:08 | 0:32:09 | |
And if a man loses the things | 0:32:09 | 0:32:11 | |
that makes his life worth living, what then? | 0:32:11 | 0:32:14 | |
That would depend on the man. | 0:32:16 | 0:32:18 | |
I have lost The Paradise. | 0:32:25 | 0:32:27 | |
I've lost Denise. | 0:32:28 | 0:32:30 | |
I've not been able to win either of them back. | 0:32:31 | 0:32:34 | |
I thought that this would grow easier, | 0:32:34 | 0:32:37 | |
but every day, the pain, it gets worse. | 0:32:37 | 0:32:40 | |
Moray, I've never been the one with the answers. | 0:32:42 | 0:32:45 | |
Dudley... | 0:32:45 | 0:32:48 | |
I am... | 0:32:48 | 0:32:49 | |
..lost. | 0:32:50 | 0:32:52 | |
I'm asking you. | 0:32:53 | 0:32:55 | |
You're my closest friend. | 0:32:55 | 0:32:58 | |
What would you have me do? | 0:32:58 | 0:33:00 | |
Very well. | 0:33:03 | 0:33:05 | |
I would not have you as you are now, | 0:33:06 | 0:33:08 | |
as you have been these past weeks. | 0:33:08 | 0:33:11 | |
Resigned, accepting, defeated. | 0:33:11 | 0:33:15 | |
I would have you fight. | 0:33:15 | 0:33:17 | |
Fight on. | 0:33:17 | 0:33:18 | |
With what? I have nothing. | 0:33:18 | 0:33:20 | |
You have everything you started with. | 0:33:20 | 0:33:23 | |
Dudley, that was nothing. | 0:33:23 | 0:33:26 | |
Exactly. | 0:33:26 | 0:33:28 | |
Come on. Time to go home. | 0:33:46 | 0:33:49 | |
No, please! Please stay. | 0:33:49 | 0:33:52 | |
It is so mournful to drink alone. | 0:33:52 | 0:33:55 | |
We're not leaving you. | 0:33:55 | 0:33:56 | |
You're coming with us. | 0:33:56 | 0:33:58 | |
I am? | 0:33:58 | 0:33:59 | |
Perhaps Papa learned that we were having fish | 0:34:13 | 0:34:15 | |
and that is why he stayed away. | 0:34:15 | 0:34:17 | |
It is his least favourite, you know. | 0:34:17 | 0:34:19 | |
Then someone should have told him there is syllabub for dessert. | 0:34:19 | 0:34:23 | |
Everyone loves syllabub. | 0:34:23 | 0:34:25 | |
Please remove Mr Weston's place setting. | 0:34:28 | 0:34:31 | |
Tell me the truth. Am I drunk? | 0:34:48 | 0:34:51 | |
Just a little. | 0:34:51 | 0:34:52 | |
But I have agreed to meet Tom Weston. | 0:34:57 | 0:35:00 | |
I have to give him my answer. | 0:35:00 | 0:35:01 | |
You have to lie down first. | 0:35:01 | 0:35:03 | |
We can't let this happen, Clara. | 0:35:08 | 0:35:10 | |
We can't. | 0:35:10 | 0:35:11 | |
There's such an ache of loneliness about Tom Weston, Denise. | 0:35:15 | 0:35:19 | |
It could break your heart. | 0:35:19 | 0:35:21 | |
What he's doing is wrong, but God knows, there's been times | 0:35:21 | 0:35:25 | |
when I'd have done whatever I could to feel someone's arms around me | 0:35:25 | 0:35:28 | |
and know I wasn't alone. | 0:35:28 | 0:35:30 | |
Something in him is broken. | 0:35:30 | 0:35:33 | |
I don't know what it is, but be careful. | 0:35:33 | 0:35:36 | |
Jonas! | 0:35:44 | 0:35:46 | |
I...I couldn't sleep. | 0:35:46 | 0:35:49 | |
Nor I. So many comings and goings. | 0:35:49 | 0:35:53 | |
How is Mademoiselle Romanis? | 0:35:54 | 0:35:56 | |
She's... | 0:35:56 | 0:35:57 | |
She's in trouble. | 0:35:59 | 0:36:01 | |
Mr Weston has acquired letters of promise that she is unable | 0:36:01 | 0:36:04 | |
to honour and he is using them to coerce her into... | 0:36:04 | 0:36:08 | |
-an arrangement. -And you would seek to help her? | 0:36:08 | 0:36:11 | |
I can't stand by and watch. | 0:36:11 | 0:36:13 | |
Then I will come with you. | 0:36:13 | 0:36:14 | |
No! Jonas, I'm truly grateful, | 0:36:14 | 0:36:17 | |
but what Mr Weston would see as a plea coming from a woman, | 0:36:17 | 0:36:21 | |
he would see as a challenge coming from a man. | 0:36:21 | 0:36:24 | |
Then you must go armed. | 0:36:24 | 0:36:25 | |
Tom Weston has a secret. | 0:36:25 | 0:36:27 | |
The pain of it and the shame of it are what drives him. | 0:36:27 | 0:36:31 | |
-It will also be the undoing of him. -I don't understand. | 0:36:31 | 0:36:34 | |
He was a young officer in the Indian Mutiny. | 0:36:34 | 0:36:37 | |
The city of Delhi was besieged. Many men died. | 0:36:37 | 0:36:40 | |
Tom Weston survived, a hero. | 0:36:40 | 0:36:42 | |
But he had secret wounds. | 0:36:42 | 0:36:45 | |
Sword cuts to his back. | 0:36:45 | 0:36:47 | |
As if he had tried to run and was set upon by one of his own... | 0:36:47 | 0:36:51 | |
You can't know that. | 0:36:51 | 0:36:52 | |
I know men. | 0:36:52 | 0:36:54 | |
Tom Weston is a man in torment. | 0:36:54 | 0:36:56 | |
He is a man who met himself one terrible day | 0:36:56 | 0:36:58 | |
and despises the coward he found himself to be. | 0:36:58 | 0:37:00 | |
Do you understand, Denise? | 0:37:00 | 0:37:02 | |
That is why he looks for comfort, for escape, | 0:37:02 | 0:37:05 | |
to lose himself within another. | 0:37:05 | 0:37:08 | |
Because the pain of who he is is so unendurable to him. | 0:37:08 | 0:37:11 | |
I want you to use this knowledge as a weapon against him. | 0:37:11 | 0:37:15 | |
You must use it as you will. | 0:37:15 | 0:37:17 | |
Denise! | 0:37:34 | 0:37:36 | |
You're waiting for Mademoiselle Romanis. | 0:37:36 | 0:37:38 | |
She's at The Paradise, indisposed. | 0:37:40 | 0:37:43 | |
I'm her messenger. | 0:37:43 | 0:37:45 | |
Has she reached a decision? | 0:37:47 | 0:37:50 | |
She accepts your proposal. | 0:37:50 | 0:37:52 | |
But I wish you would reconsider. | 0:37:54 | 0:37:57 | |
There are some feelings which are so unendurable | 0:37:57 | 0:38:00 | |
we would do anything to escape them. | 0:38:00 | 0:38:03 | |
But we cannot. We can only distract ourselves for a while. | 0:38:03 | 0:38:07 | |
If I could buy my way out of the ache in my heart, I would. | 0:38:09 | 0:38:12 | |
But some things cannot be bought. | 0:38:13 | 0:38:16 | |
And to try to buy that which can only be given freely | 0:38:16 | 0:38:19 | |
would be a comfortless thing. | 0:38:19 | 0:38:21 | |
Did Mademoiselle Romanis send you here to negotiate with me? | 0:38:21 | 0:38:24 | |
No. I act for myself. | 0:38:24 | 0:38:28 | |
You're a daring strategist for a shop girl. | 0:38:29 | 0:38:31 | |
And you are a good businessman, for a soldier. | 0:38:33 | 0:38:35 | |
A woman's life for a few debts? | 0:38:35 | 0:38:39 | |
That's a hard bargain. | 0:38:39 | 0:38:40 | |
HE LAUGHS | 0:38:40 | 0:38:42 | |
Sir! | 0:38:44 | 0:38:45 | |
WESTON GASPS | 0:38:45 | 0:38:47 | |
Mr Weston! Sir! | 0:38:47 | 0:38:49 | |
I'm sorry. | 0:38:52 | 0:38:54 | |
I have wounds. | 0:38:54 | 0:38:56 | |
Old wounds. | 0:38:56 | 0:38:58 | |
From India? | 0:39:00 | 0:39:01 | |
What do you know of India? | 0:39:04 | 0:39:06 | |
Nothing, I... | 0:39:07 | 0:39:09 | |
You cannot spend a lifetime punishing yourself | 0:39:09 | 0:39:12 | |
for a moment's lapse driven by fear. | 0:39:12 | 0:39:15 | |
But don't you see? Nor can you escape it by punishing another. | 0:39:15 | 0:39:19 | |
You dare to tell me what can and cannot be? | 0:39:19 | 0:39:22 | |
You dare presume to know me?! | 0:39:22 | 0:39:25 | |
You tell Mademoiselle Romanis to be ready. | 0:39:25 | 0:39:27 | |
You tell her I am coming for her! | 0:39:27 | 0:39:30 | |
Mr Weston. | 0:39:39 | 0:39:40 | |
Jonas. | 0:39:43 | 0:39:45 | |
Turn back, sir. | 0:39:46 | 0:39:48 | |
Go home to your family. | 0:39:48 | 0:39:51 | |
No-one will ever know what passed here. | 0:39:51 | 0:39:53 | |
You came here with Denise. | 0:39:53 | 0:39:55 | |
I did. Though she did not know it. | 0:39:55 | 0:39:58 | |
You! | 0:40:00 | 0:40:01 | |
It was you who told her! | 0:40:02 | 0:40:04 | |
WESTON LAUGHS | 0:40:07 | 0:40:09 | |
How long did it take you to piece my story together? | 0:40:10 | 0:40:14 | |
Watching from the shadows, | 0:40:14 | 0:40:16 | |
listening at doors. | 0:40:16 | 0:40:18 | |
You spoke to me as a friend. | 0:40:18 | 0:40:20 | |
You let me believe you were my man! | 0:40:20 | 0:40:22 | |
I serve The Paradise. | 0:40:22 | 0:40:25 | |
I am The Paradise! | 0:40:25 | 0:40:27 | |
No, sir, you are not. | 0:40:28 | 0:40:30 | |
And I will not allow you to avenge yourself on those who are. | 0:40:30 | 0:40:34 | |
Get out of my way. | 0:40:36 | 0:40:37 | |
Get out of my way! | 0:40:41 | 0:40:43 | |
Susy, sh. Go back to bed. | 0:41:06 | 0:41:08 | |
-But... -Sh. | 0:41:08 | 0:41:09 | |
-My luggage... -We collected it from the hotel. | 0:41:24 | 0:41:27 | |
I don't understand. | 0:41:27 | 0:41:29 | |
There's enough in there for a train to the port | 0:41:29 | 0:41:31 | |
and a ticket on the boat. | 0:41:31 | 0:41:32 | |
France means prison, I can't go back. | 0:41:32 | 0:41:34 | |
The boat to America. | 0:41:34 | 0:41:36 | |
Money. This is your money? | 0:41:39 | 0:41:41 | |
I can't take it. | 0:41:44 | 0:41:45 | |
You can and you will. | 0:41:45 | 0:41:48 | |
I went to Tom Weston. | 0:41:49 | 0:41:50 | |
I tried to make things better and I made them so much worse. | 0:41:50 | 0:41:55 | |
He will know I had help. He will know who helped me. | 0:41:55 | 0:41:59 | |
There are other places to work. | 0:41:59 | 0:42:01 | |
Not sure we could carry on, anyway, knowing what he was doing to you. | 0:42:01 | 0:42:05 | |
Knowing he was doing what to her? | 0:42:05 | 0:42:07 | |
FLORA WEEPS | 0:42:12 | 0:42:14 | |
Flora, my darling, what is it? | 0:42:14 | 0:42:16 | |
Was it a bad dream? | 0:42:16 | 0:42:18 | |
It is not a dream! Papa will send you away. | 0:42:18 | 0:42:21 | |
He will send you away and I will be alone! | 0:42:21 | 0:42:24 | |
Flora, listen to me. | 0:42:27 | 0:42:29 | |
We belong to each other, now. | 0:42:29 | 0:42:31 | |
Do you understand? All of us. | 0:42:31 | 0:42:34 | |
We belong to each other and we will be together. | 0:42:34 | 0:42:37 | |
Come. | 0:42:39 | 0:42:40 | |
What are we doing? | 0:42:40 | 0:42:41 | |
Are you brave enough to venture out into such a black night? | 0:42:44 | 0:42:47 | |
I am never scared with you. | 0:42:47 | 0:42:49 | |
That is because you make me brave. | 0:42:49 | 0:42:51 | |
And when you are with me, there is | 0:42:53 | 0:42:55 | |
no-one in the world stronger than I am. | 0:42:55 | 0:42:57 | |
There. | 0:43:04 | 0:43:05 | |
-DENISE: -He's coming for her. | 0:43:05 | 0:43:06 | |
If she's going to get away, she has to go now. | 0:43:06 | 0:43:08 | |
-You can say you saw nothing, sir. -Please, John. | 0:43:08 | 0:43:10 | |
He cannot do this! He cannot own you. | 0:43:10 | 0:43:12 | |
You are not... | 0:43:12 | 0:43:13 | |
You are not his possession. | 0:43:15 | 0:43:17 | |
Mademoiselle Romanis. | 0:43:20 | 0:43:23 | |
Denise. Clara. | 0:43:23 | 0:43:26 | |
She didn't know. The noise woke her, she tried to stop us. | 0:43:26 | 0:43:29 | |
Go, Clara. | 0:43:29 | 0:43:31 | |
You should've reined her in while you had the chance, Moray. | 0:43:41 | 0:43:45 | |
Your creature, your little champion. | 0:43:45 | 0:43:49 | |
She is not MY anything. | 0:43:49 | 0:43:51 | |
She is her own. As is Clemence. | 0:43:51 | 0:43:55 | |
Oh, no, Mademoiselle Romanis is bought and paid for. | 0:43:55 | 0:43:59 | |
Her debts are bought and paid for. | 0:43:59 | 0:44:01 | |
Give me 24 hours. | 0:44:03 | 0:44:05 | |
I'll find the money. I'll buy them back. | 0:44:05 | 0:44:08 | |
They are not for sale. | 0:44:10 | 0:44:12 | |
Then... | 0:44:13 | 0:44:15 | |
I'll play you for them. | 0:44:16 | 0:44:18 | |
Hazard? You would need a stake, | 0:44:18 | 0:44:22 | |
and you have nothing that I want. | 0:44:22 | 0:44:24 | |
You want me gone. | 0:44:27 | 0:44:29 | |
If I win, you'll return Clemence's debts to her. | 0:44:31 | 0:44:36 | |
If you win... | 0:44:37 | 0:44:39 | |
I go. | 0:44:39 | 0:44:41 | |
Where? | 0:44:41 | 0:44:43 | |
Away. | 0:44:43 | 0:44:45 | |
Away from The Paradise, | 0:44:45 | 0:44:48 | |
the city, the country! | 0:44:48 | 0:44:51 | |
-No! -Moray... | 0:44:51 | 0:44:52 | |
And you will not return? | 0:44:52 | 0:44:54 | |
I will not return. You have my word. | 0:44:54 | 0:44:58 | |
Very well. | 0:45:01 | 0:45:02 | |
But let us dispense with the notion that this is a game. | 0:45:04 | 0:45:07 | |
One throw each. | 0:45:08 | 0:45:10 | |
Highest roll wins. | 0:45:12 | 0:45:13 | |
Clemence? | 0:46:20 | 0:46:22 | |
Merci. | 0:46:24 | 0:46:25 | |
Your past is none of my affair, | 0:46:32 | 0:46:34 | |
but your actions today, they were the work of a true coward. | 0:46:34 | 0:46:39 | |
Wait! | 0:46:42 | 0:46:44 | |
I will play you again. | 0:46:48 | 0:46:50 | |
I will play you for The Paradise. | 0:46:53 | 0:46:56 | |
Department by department. | 0:46:59 | 0:47:02 | |
And my stake? | 0:47:04 | 0:47:07 | |
The same every time - your exile. | 0:47:07 | 0:47:10 | |
Or are you too much the coward to risk so much? | 0:47:13 | 0:47:17 | |
John, please, don't. | 0:47:21 | 0:47:23 | |
This is not brave, this is insane. | 0:47:23 | 0:47:25 | |
You'd have to win every throw. Every throw. | 0:47:25 | 0:47:28 | |
Denise... | 0:47:28 | 0:47:30 | |
I had The Paradise, I had you. | 0:47:30 | 0:47:33 | |
I've lost them both. | 0:47:33 | 0:47:35 | |
Don't you see? I have nothing more to lose. | 0:47:35 | 0:47:38 | |
The Great Hall. | 0:47:57 | 0:47:59 | |
The Great Hall. | 0:48:00 | 0:48:02 | |
I have come for my husband. | 0:48:15 | 0:48:16 | |
He's inside with Moray. | 0:48:16 | 0:48:18 | |
They are playing dice for The Paradise. | 0:48:18 | 0:48:20 | |
Two in a row. | 0:48:30 | 0:48:31 | |
But your luck will not hold. | 0:48:33 | 0:48:34 | |
It cannot. | 0:48:34 | 0:48:36 | |
You have lost half your shop. | 0:48:36 | 0:48:38 | |
Would you really rather bring down your own world | 0:48:38 | 0:48:40 | |
than see him prosper, just a little? | 0:48:40 | 0:48:42 | |
Your cast. | 0:48:42 | 0:48:43 | |
Get out! Throw. | 0:48:45 | 0:48:46 | |
Not before the child! | 0:48:46 | 0:48:47 | |
-Throw! -Not before the child! | 0:48:47 | 0:48:50 | |
Flora, go with Denise. | 0:48:50 | 0:48:52 | |
Miss Flora, have you ever seen The Paradise at night time? | 0:49:07 | 0:49:12 | |
I did, once, have a dream of Moray. | 0:49:12 | 0:49:17 | |
But, I promise you... | 0:49:19 | 0:49:22 | |
that dream is dead. | 0:49:22 | 0:49:23 | |
I am free of it. | 0:49:25 | 0:49:27 | |
There was a kindness between us once. | 0:49:32 | 0:49:34 | |
Could we not look for it again? | 0:49:37 | 0:49:39 | |
That dream is also dead. | 0:49:41 | 0:49:43 | |
Then we must make a new dream. | 0:49:46 | 0:49:47 | |
For Flora's sake. | 0:49:49 | 0:49:50 | |
And the sake of the child that is coming. | 0:49:53 | 0:49:55 | |
Come home. | 0:50:01 | 0:50:02 | |
I will send away the servants and I will sit beside you. | 0:50:03 | 0:50:07 | |
And we will talk. | 0:50:08 | 0:50:10 | |
Let me be your comfort now. | 0:50:15 | 0:50:18 | |
It is like a secret world. | 0:50:32 | 0:50:34 | |
If I lived here, I'd wander around all night. | 0:50:36 | 0:50:39 | |
-Do you? -I used to. | 0:50:39 | 0:50:42 | |
I thought you would lose. | 0:51:12 | 0:51:14 | |
I thought I would lose you. | 0:51:15 | 0:51:17 | |
What would you have done? | 0:51:19 | 0:51:21 | |
Followed. | 0:51:21 | 0:51:23 | |
To hear you say those things and know that you meant them. | 0:51:23 | 0:51:27 | |
You don't know how much I've longed for that. | 0:51:27 | 0:51:29 | |
You are my equal | 0:51:31 | 0:51:34 | |
and more. | 0:51:34 | 0:51:36 | |
I look at you now and I see myself. | 0:51:36 | 0:51:40 | |
That is how I know | 0:51:41 | 0:51:44 | |
you will never be content in my shadow. | 0:51:44 | 0:51:47 | |
It is not my Paradise you need, | 0:51:47 | 0:51:49 | |
it is your own. | 0:51:49 | 0:51:52 | |
No! I want you. | 0:51:52 | 0:51:55 | |
I want to work with you and grow with you. | 0:51:55 | 0:51:58 | |
It's yours. | 0:51:58 | 0:51:59 | |
Everything I won from Weston, I give you, | 0:51:59 | 0:52:02 | |
gladly, freely, with all my heart. | 0:52:02 | 0:52:05 | |
Yours. | 0:52:07 | 0:52:08 | |
Sweetheart, don't you see? | 0:52:14 | 0:52:16 | |
You will never be happy, | 0:52:16 | 0:52:19 | |
you will never be happy with me | 0:52:19 | 0:52:21 | |
until you've built something that is yours and yours alone. | 0:52:21 | 0:52:26 | |
But to do that I'd have to go. | 0:52:27 | 0:52:29 | |
I'd have to leave you. | 0:52:29 | 0:52:31 | |
Yes, you would. | 0:52:31 | 0:52:32 | |
You will. | 0:52:34 | 0:52:35 | |
I would rather see you walk away | 0:52:37 | 0:52:41 | |
than keep you beside me, | 0:52:41 | 0:52:42 | |
only to watch the light go out of your eyes. | 0:52:42 | 0:52:45 | |
I love you too much. | 0:52:50 | 0:52:52 | |
Jonas. | 0:53:27 | 0:53:29 | |
Is it over, sir? | 0:53:34 | 0:53:36 | |
Yes, it's... It's over. | 0:53:38 | 0:53:42 | |
Arthur! I need you to deliver this | 0:54:52 | 0:54:53 | |
and bring the answer back as fast as you can. | 0:54:53 | 0:54:56 | |
-Can you do that? -Yes! | 0:54:56 | 0:54:58 | |
Clara, take charge! | 0:55:31 | 0:55:33 | |
My uncle's shop. | 0:56:22 | 0:56:24 | |
But not as a drapery any more, as a beauty emporium with | 0:56:25 | 0:56:29 | |
creams for the complexion and oils and powders and scented balms. | 0:56:29 | 0:56:34 | |
Mr Ballantine has agreed to invest in me. He will be my backer. | 0:56:34 | 0:56:38 | |
And I will be here. | 0:56:41 | 0:56:43 | |
I will be here. | 0:56:44 | 0:56:46 | |
And when I've made my name... | 0:56:48 | 0:56:50 | |
Not your fortune? | 0:56:50 | 0:56:52 | |
Both. | 0:56:52 | 0:56:54 | |
I will come to you | 0:56:54 | 0:56:56 | |
and ask you, most humbly, | 0:56:56 | 0:57:00 | |
if you will do me the honour of becoming my husband. | 0:57:00 | 0:57:03 | |
Will you say yes? | 0:57:05 | 0:57:06 | |
Yes. | 0:57:06 | 0:57:08 | |
-Do you promise? -Yes. | 0:57:08 | 0:57:10 | |
Yes. | 0:57:13 | 0:57:14 | |
Subtitles by Red Bee Media Ltd | 0:57:46 | 0:57:49 |