Episode 8 The Paradise


Episode 8

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Transcript


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Four yards of the blue silk.

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Blue! Why blue?

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From now on everything must be scarlet and black -

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le rouge et le noir!

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Mademoiselle Clemence!

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But you are asking, "Mais pourquoi le rouge et le noir?"

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I answer, because of the passion that has taken Paris by storm

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and sweeps all before it.

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Hazard!

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France is giddy with infatuation.

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We play to see what we will wear today,

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who will we marry today!

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What do you say, madame? Will you hazard with me?

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If you win, it is a blue.

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If I win, you will try the scarlet.

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Sam, you are my good luck!

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Call a number between five and nine.

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Seven.

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Then I say

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I will cast a seven.

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Quelle malchance!

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Sam, we lose. Madame will take the blue.

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But please, not four yards only.

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Skirts will be very full next season,

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you have it from the lips of Paris.

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I'll take six yards...

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of the blue AND the scarlet.

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And where can I get those dice?

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Clemence?

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At The Paradise, madame. Only at The Paradise!

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Moray, mon cher.

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Not that I'm not delighted to see you...

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Why are you here?

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Didn't you hear, darling?

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I bring you the fever that is sweeping all Paris!

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You bring me dice that can be bought at any French port

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for five sous a piece.

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And where did you pick them up? Calais?

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Paris was becoming uncomfortable.

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Oh, dear.

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That doesn't sound good.

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It is true what they say -

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hell knows no fury like a woman scorned.

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Her tantrums and tears were insupportable.

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I wanted a change of scene quickly.

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Et voila!

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Clemence, you are incorrigible.

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These, these are clever!

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How many did you bring?

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As many as I could fit into my valise.

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I'll take them all.

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Of course!

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Now, tell me, how are all my friends?

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How is Denise?

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Yes, she's very well.

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She's...

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She's, er, head of Ladieswear.

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Oh, no, John. What has happened?

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You and Denise, you were made for each other.

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We...she didn't think that we could...

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Actually, Clemence. Do you mind if we don't?

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KNOCKING AT THE DOOR Yes!

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Please, Mr Moray, sir.

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Mr Dudley says the customers are asking for dice

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and we have none.

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And if this is one of your famous schemes,

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he wishes you'd told him first.

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Thank you, Arthur. Tell Dudley I'm on my way.

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Right!

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I thought you brave to risk The Paradise for love.

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But to wear such a smile when your heart is all desolation,

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that is true courage.

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Pauvre enfant,

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I could almost love you myself.

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-DENISE:

-'And you're sure it was her?'

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Mm. Large as life and twice as French.

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She's in with Mr Moray now, if you want to see her.

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I...have to get back.

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I'm sure I'll find her later.

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My feelings exactly.

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Women - unfathomable.

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She loves him, but she won't go near him.

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Whoa! You all right?

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This place takes people like that, sometimes.

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Let's get the weight off your feet.

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Here.

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Here.

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Paradise...

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It is paradise!

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Not for everyone...

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not for everyone.

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Clemence!

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I'm so happy to see you.

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And I you, cherie. But what is it I hear,

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you and Moray breaking each other's hearts. Why?

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We do not want the same thing.

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He wants you.

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You want him.

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Not in the same way.

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I am his most prized possession.

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You would be loved as you yourself love.

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Yes!

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But what if that is not possible?

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Then...

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I shall have to learn to live with a broken heart.

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It is her! It is!

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Oh, will we all go out again, like last time?

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Just the girls to the Three Crowns?

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But without question!

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We four et la merveilleuse Myrtle.

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But that is for later. Now, I have a gift for Denise.

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And not just for Denise, for Ladieswear.

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Whatever I tell them downstairs,

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this is the true vogue in Paris, today.

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Rouge.

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Only the very boldest dare wear it.

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But even those who dare not

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buy it in case one day they should find the courage.

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But women who paint their faces are not nice.

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They work on the street.

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Exactement.

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So when Madame walks into a salon with her face painted thus,

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and her head held high,

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she's telling the world,

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"I am who I say I am, let no-one else dare to define me!"

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It is a gauntlet thrown at the feet of polite society.

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This is not Paris.

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But if there is anyone who can sell Paris here, it is you, Denise.

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So these are not just a gift,

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they are a challenge.

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Your purchases will be waiting for you at the parcels desk.

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As to the hazard dice you were enquiring after,

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I believe they'll be with us later today.

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Hazard -

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a few hours ago, nobody's heard of the game.

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Now...

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I suppose that's the thing with a craze, eh?

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Eh?

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(Arthur! Arthur!)

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Arthur, find Mr Moray

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and tell him to come and tell him to come now!

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But I'm helping Mademoiselle Clemence with her dice.

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The dice can wait. This...

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cannot.

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You were up early this morning.

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I was woken by a caller.

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A caller?

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On a false errand.

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The person he sought does not live here.

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But by happy accident I was able to do some business with him myself.

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Is that damson jelly?

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Perfect.

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Is that why you are in such a jolly mood?

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Sometimes, Flora,

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life seems full of possibility and promise.

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Apparently Mademoiselle Romanis has returned to The Paradise.

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Clemence?

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I thought her in France.

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An impromptu visit, I believe.

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I shall make sure to give her your best.

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Who is he?

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I don't know!

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He looked tired so I offered him a seat,

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the next thing I know he's...

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What is it?

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He's a sailor.

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Yes.

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But not an English one, that's French.

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And this is French tailoring - the best.

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Did he sound foreign?

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I only heard him say three words.

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Mr Moray, sir.

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A French sailor, with a taste for fine tailoring,

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and the annual salary of a working man in his pocket.

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Quite a mystery.

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Er, Mr Weston!

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Dudley told me.

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I met him this morning.

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He came to the Hall.

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He'd been...misdirected.

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Er, who is he?

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He didn't give a name.

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Imagine a small group of customers, hand-picked.

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Women who feel they can lead fashion rather than be led by it.

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Now imagine a corner of Ladieswear,

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dressed as a boudoir.

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The woman who inhabits it has just stepped out

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and may return at any moment.

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Her scent lingers in the air.

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On the dressing table, a bottle of perfume.

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We imagine her dabbing it on her wrists,

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her neck...

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There's an evening stole, a fan...

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..a dance card.

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And in the middle,

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a beautiful pot of rouge.

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Beside it, a woman's necklace, carelessly cast aside,

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tangled and tumbled with a man's cuff links.

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Denise...

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may I be excused to get a glass of cold water?

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I'm feeling awfully strange.

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THEY GIGGLE A glass of cold water?

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A cold bath, more like it.

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If that doesn't sell it, nothing will.

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The parish will take him and bury him.

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But because his identity is not known,

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it must be in an unmarked grave.

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That's a pauper's burial. That man had money!

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An unmarked grave in an unknown land...

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I would not wish so solitary an end on anyone.

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Mademoiselle Clemence!

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If he's recently come from France,

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she may have encountered him on her journey.

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she may even have met him.

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Though perhaps it's not proper to show a woman a...

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(deceased person.)

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Oh, I feel sure Mademoiselle Clemence

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would be equal to the task.

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Don't you, Moray?

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Non.

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I've never seen him before. I'm sorry.

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Not at all, Clemence.

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We appreciate your trying.

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We could use his money to buy a plot and pay for a burial.

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A headstone can come later, if his identity is ever learned.

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Find somewhere to put him until arrangements can be made.

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Moray can't be expected to share his office with a corpse.

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FLORA: I love the river when it is like this, don't you?

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All deep and still and quiet,

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as if it were asleep.

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Mrs Weston, have a care. You might slip,

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the ground is dangerous here.

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I don't know what happened.

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I was feeling faint and the water...

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I'm very grateful to you.

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I've walked by that river many times

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when my thoughts have been turbulent.

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I walked there this morning for that reason.

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I fear I have...

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..nothing.

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Everything I had, I cast away.

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It is lost.

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You have the child.

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I have her on sufferance only.

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He can take her from me.

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He WILL take her from me.

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I have destroyed everything I set out to protect.

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I've hurt those that I sought to shield.

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I have become the harm I feared.

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And yet today, you were my salvation.

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Then there is hope

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for both of us.

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My husband was a soldier.

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He has suffered as other men have not.

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He has wounds...

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terrible wounds,

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his back laid open by swords.

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And he bears this pain alone,

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in secret.

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I thought once to be his comfort.

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You make me believe such a thing could yet be possible.

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Mama, will you come? I have made a daisy chain.

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Of course, my darling.

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Oh!

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Only I do...I do feel so strange.

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Have you that grown-up sickness again, Mama?

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It is so long since you had it last -

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weeks and weeks.

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Miss Clemence said we would all go to the Three Crowns again.

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And she asked for you by name.

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-She never did!

-"Marvellous Myrtle" she called you.

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At least, I think that's what she said.

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Well, if that is not cause to crack out a party dress,

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I don't know what is!

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For a girls' night out in the Three Crowns?

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Who's going to care?

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Excuse me! The girls will care.

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P'raps I shall take the opportunity to christen my new bustier.

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God help us all!

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Denise?

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I know you don't sleep, but if you don't eat either

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you're not going to last long enough to start selling that rouge!

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I've had an idea...

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about our French friend.

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Edmund Lovett's shop.

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We cannot put a corpse in a man's shop without his knowledge.

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Denise has the keys and authority to act for her uncle.

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Perhaps if you were to talk to her.

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Dudley!

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Explain the situation!

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She will help, I am sure of it.

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The powder is so light,

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it requires the softest touch.

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A dusting on the lips

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and on the cheeks...

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Like the flush of love

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or the first time you looked in a glass

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and knew you were beautiful.

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The effect is...

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lovely.

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But it is impossible.

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A painted face?

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My husband would never allow it.

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Perhaps, your husband would not know.

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He thinks such preparations gaudy and brash.

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But this is sweet and delicate

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and gentle...

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..like a kiss on your skin.

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Denise,

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I'm sorry to interrupt.

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It makes no difference. They weren't going to buy.

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How can I help?

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I have a favour to ask, concerning your uncle's shop.

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We do not know his name

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or who his people might be.

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But I wish for him to be buried

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with the care and consideration I would give a friend.

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But until arrangements can be made...

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he needs a place to rest.

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My uncle's keys are inside.

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You could have come in.

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Thank you.

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We should at least try to find a way of being normal with each other.

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Denise, I...

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It is hard for me even to be near you, at the moment.

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But to be in the same room,

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to be so close

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and not be able to touch you...

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I will learn, I'm sure I will learn.

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Just...

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not yet.

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Jonas. I was looking for you today.

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You were not to be found.

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I am sorry, sir. I will not be from my station again.

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Moray. I hear we have a hit -

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dice.

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Yes, yes, we've already sold out.

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There's a waiting list.

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Hm, a fad. It'll be over before it has begun.

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But the gain to our reputation will remain.

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People are saying if you want to know what London will be doing tomorrow,

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look in The Paradise today.

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Hm, very neat.

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Perhaps you should have that engraved on a plaque.

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I was thinking perhaps a tattoo(!)

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There she is!

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Myrtle! Don't tell me - a new bustier.

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You look magnificent.

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You see! Women dress for other women because other women notice.

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Oh, we shall have a night of it, tonight!

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It's women only, lads! It is women only!

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Small mercies.

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Unless you'd prefer an evening with the gentlemen.

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I see one of them, at least, has his eye on you.

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This is what I give for an evening with a gentleman!

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Ils n'en valent vraiment pas la peine!

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I don't know what she's saying but I like the way she says it!

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So, what is it to be?

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The Three Crowns and perhaps a little dinner,

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a little dancing?

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Mademoiselle Romanis.

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I wonder, might I beg the favour of a word?

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It is delightful to see you back.

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Oh, I am delighted to be back.

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And delighted, I am sure,

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to have escaped all that unpleasantness in Paris.

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An acquaintance of yours called at the Hall this morning

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under the mistaken impression he would find you with us.

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I had to disappoint him,

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but we got talking.

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He said he was...

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Oh, what was the word he used?

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Ah, yes, a sangsue -

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a blood sucker.

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Though I believe debt collector is the more common term.

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What do you want?

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Oh, I already have what I want.

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My debts? He sold them to you?

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I'm only sorry he never got to enjoy his ill-gotten gains.

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What will you do with them?

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Well, I thought we might discuss that over dinner.

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Of course, you will have to tell your...friends

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that you're now unavailable.

0:22:070:22:09

Tomorrow. Please.

0:22:100:22:11

But I am hungry now.

0:22:130:22:14

I am sorry.

0:22:210:22:23

I had forgotten a prior engagement.

0:22:230:22:26

See, a bad mood of this magnitude,

0:22:410:22:44

I'd normally say too much drink,

0:22:440:22:46

but seeing as your evening was cancelled...

0:22:460:22:48

Four lasses stood up by the same person at the same time.

0:22:480:22:53

You've got to hand it to the French.

0:22:530:22:54

Stop it, Sam.

0:22:540:22:55

Oh, let him! It's true, isn't it?

0:22:550:22:58

She made fools of all of us.

0:22:580:22:59

"That for an evening with the men."

0:22:590:23:02

My arse!

0:23:020:23:03

I didn't like her anyway. I think women should be more...

0:23:030:23:06

modest.

0:23:060:23:07

We don't know why Clemence did what she did.

0:23:070:23:10

I don't think she looked very happy about it.

0:23:100:23:12

She can look after herself, that one, trust me.

0:23:120:23:14

Knows exactly what side her bloody brioche is buttered.

0:23:140:23:18

DIE ROLLS ON TABLE And get that bloody French dice out of my refectory!

0:23:180:23:23

I was wondering what your plans were for this evening.

0:23:310:23:35

I'm dining out.

0:23:350:23:36

What a shame.

0:23:380:23:40

It has been so long since we dined together.

0:23:400:23:42

Too long.

0:23:440:23:45

Do you remember, when we were first married,

0:23:470:23:50

how you would send the servants away in the evening?

0:23:500:23:54

You would sit by me and pour my wine.

0:23:540:23:57

I do.

0:24:000:24:01

I do remember.

0:24:020:24:04

You were so tender,

0:24:050:24:07

yet so...withheld.

0:24:070:24:10

I thought I had a lifetime to fathom the secrets in your eyes.

0:24:130:24:17

But then we came here.

0:24:200:24:21

And I learned the secret had a name...

0:24:230:24:25

Moray.

0:24:270:24:28

And little by little I watched,

0:24:290:24:33

as his nearness turned your tenderness to anguish.

0:24:330:24:37

I don't doubt you've endured the destruction of your dreams.

0:24:400:24:45

We have that in common, at least.

0:24:450:24:47

But do not...

0:24:480:24:50

do not insult the hopes I once cherished

0:24:500:24:54

by trying now to resurrect

0:24:540:24:55

what you so thoroughly laid to waste.

0:24:550:24:58

I have found someone else to comfort me.

0:25:020:25:04

I no longer need you.

0:25:090:25:10

If only it weren't so red.

0:25:360:25:38

I think you'll find the clue's in the name.

0:25:380:25:40

You're just going to have to admit defeat on this one, Denise.

0:25:420:25:45

But it's gorgeous! It feels like silk when you brush it on.

0:25:450:25:49

-It even smells divine.

-What's that?

0:25:490:25:51

Mm, otto of roses.

0:25:530:25:56

How do you know it's otto of roses?

0:25:560:25:58

Otto of roses, white starch, a bit of carmine for the colour.

0:25:580:26:02

I'm a cook.

0:26:020:26:03

I know what goes in most things by smelling 'em.

0:26:030:26:05

My mother, now, she'd a nose like a bloodhound.

0:26:050:26:08

Made her own preparations, too.

0:26:080:26:10

She'd a cream would turn your skin to satin.

0:26:100:26:12

Face like an old boot, God rest her, but to touch...

0:26:120:26:15

Oh! You have never known anything so soft.

0:26:150:26:17

And do you know what she put in these creams?

0:26:170:26:19

I know WHAT she put in.

0:26:190:26:21

Just don't know how much.

0:26:210:26:22

Kept her quantities close to her chest.

0:26:220:26:24

Myrtle, how do you feel about

0:26:240:26:27

a little after-hours experimenting?

0:26:270:26:29

I've spoken to the undertaker.

0:26:310:26:32

The body will be moved to Edmund's shop

0:26:320:26:35

and lie there until the burial takes place, tomorrow.

0:26:350:26:38

You should inform Denise.

0:26:380:26:39

What? Why?

0:26:390:26:41

Because it's her uncle's shop.

0:26:410:26:43

Because she gave us the keys.

0:26:430:26:45

-Because if the two of you could only talk to each other...

-Dudley,

0:26:470:26:50

I know you mean it as a kindness

0:26:500:26:52

but to be always putting us in each other's paths,

0:26:520:26:54

it is a torment.

0:26:540:26:56

I can't just stand by and watch you suffer.

0:26:560:26:59

It'll get easier.

0:26:590:27:00

It is getting easier, I can feel it.

0:27:000:27:03

You'll need the water hotter

0:27:090:27:10

if you want the spermaceti to melt this time.

0:27:100:27:13

It's already burning my hands!

0:27:130:27:14

Beauty comes at a price.

0:27:140:27:16

Now the rose water and the oils.

0:27:180:27:20

Slowly...

0:27:220:27:24

Oh, and to think, I could be at the pub.

0:27:240:27:26

Stop! Now into the cold water.

0:27:280:27:30

Perfect!

0:27:400:27:42

Not quite.

0:27:420:27:43

What are you doing?

0:27:450:27:46

The scent of roses and the faintest hint...

0:27:460:27:51

of a blush.

0:27:510:27:52

Myrtle, you are beautiful.

0:27:570:28:00

-Oh, you...

-I know, I know!

0:28:000:28:02

And before you say it, I deserve every word.

0:28:020:28:05

But what if I told you that tomorrow night

0:28:050:28:07

is my very last night of freedom

0:28:070:28:10

and that I have come to ask you all to spend it with me.

0:28:100:28:13

What are you talking about?

0:28:130:28:15

I was not honest with Moray about my reasons for leaving France.

0:28:150:28:19

There were debts,

0:28:190:28:20

prison if I could not pay, and I could not.

0:28:200:28:22

So I ran.

0:28:220:28:24

But someone came after me.

0:28:240:28:26

I don't blame him, he was doing his job.

0:28:260:28:28

He sold my debts to Tom Weston.

0:28:280:28:31

And now Weston gives me a choice -

0:28:310:28:34

become his mistress or face prison.

0:28:340:28:37

Oh, no, please!

0:28:390:28:40

I don't want your pity,

0:28:400:28:42

I want your company.

0:28:420:28:43

Tomorrow night at the Three Crowns?

0:28:430:28:46

Won't you come and drink with me?

0:28:460:28:48

I bloody will.

0:28:480:28:50

Bloody need a bloody drink after that!

0:28:500:28:52

His last night above ground.

0:29:140:29:16

I didn't think he should spend it alone.

0:29:160:29:18

Death raises questions about life,

0:29:190:29:23

about purpose...

0:29:230:29:25

If we're going to talk about life, death and purpose,

0:29:250:29:28

I'm going to need another drink.

0:29:280:29:29

Luckily, I know where Edmund keeps his brandy.

0:29:290:29:31

DOOR OPENS, BELL JINGLES

0:29:350:29:37

I saw the light.

0:29:380:29:41

Oh, welcome to the party.

0:29:410:29:43

It is a vigil.

0:29:430:29:45

With refreshments.

0:29:450:29:48

But it's wrong. It's so wrong.

0:30:010:30:04

Yes, it is wrong.

0:30:040:30:06

But if you play with fire - and I do - sometimes, you will get burnt.

0:30:060:30:10

So what should I do - curse the fire? Curse myself?

0:30:100:30:15

Or hold on to the things that make life worth living?

0:30:150:30:18

Liberty, friendship, love...

0:30:180:30:22

I'll raise a glass to that.

0:30:220:30:24

Enough of my story!

0:30:240:30:26

Tell it to your daughters, to scare them into obedience.

0:30:260:30:30

I want to know what potion were three of you

0:30:300:30:33

brewing like witches last night.

0:30:330:30:35

Myrtle's mother's cream,

0:30:350:30:38

which Denise has tinted with your rouge.

0:30:380:30:42

A secret between you and your skin.

0:30:420:30:45

Oh! I could take this to any shop in any city in the world

0:30:450:30:51

and, by tomorrow, there would be queues in the street.

0:30:510:30:54

You are a genius.

0:30:550:30:57

No, I mean it.

0:30:590:31:01

You are a genius.

0:31:010:31:04

But not in love.

0:31:040:31:05

Why, with all your flair and passion and elan,

0:31:050:31:08

why cannot you and he find a way to be together?

0:31:080:31:11

Clemence, please.

0:31:110:31:12

Please don't make it any harder.

0:31:120:31:14

I'm sorry, cherie.

0:31:140:31:16

It is just that I must believe in love.

0:31:160:31:18

Now more than ever.

0:31:180:31:20

I must believe that Tom Weston's way is not the only way

0:31:200:31:23

and that love - real love - can triumph.

0:31:230:31:26

I shall have to speak to Edmund about the quality of his brandy.

0:31:300:31:34

I am carrying quite a head this morning.

0:31:340:31:37

At least he was not alone.

0:31:370:31:39

See, I don't know why you think this man's death was such

0:31:390:31:42

a sad and solitary affair.

0:31:420:31:44

If I had to venture an opinion, I'd say he died happy.

0:31:440:31:47

"It is paradise."

0:31:470:31:49

He looked about, that's what he said.

0:31:490:31:51

Perhaps he could already see something you couldn't.

0:31:510:31:54

Or perhaps he was exactly where he wanted to be.

0:31:540:31:57

Just happy.

0:31:570:31:59

What would it take to be so fulfilled?

0:32:000:32:03

Every man has to decide for himself what it is

0:32:050:32:08

that makes life worth living.

0:32:080:32:09

And if a man loses the things

0:32:090:32:11

that makes his life worth living, what then?

0:32:110:32:14

That would depend on the man.

0:32:160:32:18

I have lost The Paradise.

0:32:250:32:27

I've lost Denise.

0:32:280:32:30

I've not been able to win either of them back.

0:32:310:32:34

I thought that this would grow easier,

0:32:340:32:37

but every day, the pain, it gets worse.

0:32:370:32:40

Moray, I've never been the one with the answers.

0:32:420:32:45

Dudley...

0:32:450:32:48

I am...

0:32:480:32:49

..lost.

0:32:500:32:52

I'm asking you.

0:32:530:32:55

You're my closest friend.

0:32:550:32:58

What would you have me do?

0:32:580:33:00

Very well.

0:33:030:33:05

I would not have you as you are now,

0:33:060:33:08

as you have been these past weeks.

0:33:080:33:11

Resigned, accepting, defeated.

0:33:110:33:15

I would have you fight.

0:33:150:33:17

Fight on.

0:33:170:33:18

With what? I have nothing.

0:33:180:33:20

You have everything you started with.

0:33:200:33:23

Dudley, that was nothing.

0:33:230:33:26

Exactly.

0:33:260:33:28

Come on. Time to go home.

0:33:460:33:49

No, please! Please stay.

0:33:490:33:52

It is so mournful to drink alone.

0:33:520:33:55

We're not leaving you.

0:33:550:33:56

You're coming with us.

0:33:560:33:58

I am?

0:33:580:33:59

Perhaps Papa learned that we were having fish

0:34:130:34:15

and that is why he stayed away.

0:34:150:34:17

It is his least favourite, you know.

0:34:170:34:19

Then someone should have told him there is syllabub for dessert.

0:34:190:34:23

Everyone loves syllabub.

0:34:230:34:25

Please remove Mr Weston's place setting.

0:34:280:34:31

Tell me the truth. Am I drunk?

0:34:480:34:51

Just a little.

0:34:510:34:52

But I have agreed to meet Tom Weston.

0:34:570:35:00

I have to give him my answer.

0:35:000:35:01

You have to lie down first.

0:35:010:35:03

We can't let this happen, Clara.

0:35:080:35:10

We can't.

0:35:100:35:11

There's such an ache of loneliness about Tom Weston, Denise.

0:35:150:35:19

It could break your heart.

0:35:190:35:21

What he's doing is wrong, but God knows, there's been times

0:35:210:35:25

when I'd have done whatever I could to feel someone's arms around me

0:35:250:35:28

and know I wasn't alone.

0:35:280:35:30

Something in him is broken.

0:35:300:35:33

I don't know what it is, but be careful.

0:35:330:35:36

Jonas!

0:35:440:35:46

I...I couldn't sleep.

0:35:460:35:49

Nor I. So many comings and goings.

0:35:490:35:53

How is Mademoiselle Romanis?

0:35:540:35:56

She's...

0:35:560:35:57

She's in trouble.

0:35:590:36:01

Mr Weston has acquired letters of promise that she is unable

0:36:010:36:04

to honour and he is using them to coerce her into...

0:36:040:36:08

-an arrangement.

-And you would seek to help her?

0:36:080:36:11

I can't stand by and watch.

0:36:110:36:13

Then I will come with you.

0:36:130:36:14

No! Jonas, I'm truly grateful,

0:36:140:36:17

but what Mr Weston would see as a plea coming from a woman,

0:36:170:36:21

he would see as a challenge coming from a man.

0:36:210:36:24

Then you must go armed.

0:36:240:36:25

Tom Weston has a secret.

0:36:250:36:27

The pain of it and the shame of it are what drives him.

0:36:270:36:31

-It will also be the undoing of him.

-I don't understand.

0:36:310:36:34

He was a young officer in the Indian Mutiny.

0:36:340:36:37

The city of Delhi was besieged. Many men died.

0:36:370:36:40

Tom Weston survived, a hero.

0:36:400:36:42

But he had secret wounds.

0:36:420:36:45

Sword cuts to his back.

0:36:450:36:47

As if he had tried to run and was set upon by one of his own...

0:36:470:36:51

You can't know that.

0:36:510:36:52

I know men.

0:36:520:36:54

Tom Weston is a man in torment.

0:36:540:36:56

He is a man who met himself one terrible day

0:36:560:36:58

and despises the coward he found himself to be.

0:36:580:37:00

Do you understand, Denise?

0:37:000:37:02

That is why he looks for comfort, for escape,

0:37:020:37:05

to lose himself within another.

0:37:050:37:08

Because the pain of who he is is so unendurable to him.

0:37:080:37:11

I want you to use this knowledge as a weapon against him.

0:37:110:37:15

You must use it as you will.

0:37:150:37:17

Denise!

0:37:340:37:36

You're waiting for Mademoiselle Romanis.

0:37:360:37:38

She's at The Paradise, indisposed.

0:37:400:37:43

I'm her messenger.

0:37:430:37:45

Has she reached a decision?

0:37:470:37:50

She accepts your proposal.

0:37:500:37:52

But I wish you would reconsider.

0:37:540:37:57

There are some feelings which are so unendurable

0:37:570:38:00

we would do anything to escape them.

0:38:000:38:03

But we cannot. We can only distract ourselves for a while.

0:38:030:38:07

If I could buy my way out of the ache in my heart, I would.

0:38:090:38:12

But some things cannot be bought.

0:38:130:38:16

And to try to buy that which can only be given freely

0:38:160:38:19

would be a comfortless thing.

0:38:190:38:21

Did Mademoiselle Romanis send you here to negotiate with me?

0:38:210:38:24

No. I act for myself.

0:38:240:38:28

You're a daring strategist for a shop girl.

0:38:290:38:31

And you are a good businessman, for a soldier.

0:38:330:38:35

A woman's life for a few debts?

0:38:350:38:39

That's a hard bargain.

0:38:390:38:40

HE LAUGHS

0:38:400:38:42

Sir!

0:38:440:38:45

WESTON GASPS

0:38:450:38:47

Mr Weston! Sir!

0:38:470:38:49

I'm sorry.

0:38:520:38:54

I have wounds.

0:38:540:38:56

Old wounds.

0:38:560:38:58

From India?

0:39:000:39:01

What do you know of India?

0:39:040:39:06

Nothing, I...

0:39:070:39:09

You cannot spend a lifetime punishing yourself

0:39:090:39:12

for a moment's lapse driven by fear.

0:39:120:39:15

But don't you see? Nor can you escape it by punishing another.

0:39:150:39:19

You dare to tell me what can and cannot be?

0:39:190:39:22

You dare presume to know me?!

0:39:220:39:25

You tell Mademoiselle Romanis to be ready.

0:39:250:39:27

You tell her I am coming for her!

0:39:270:39:30

Mr Weston.

0:39:390:39:40

Jonas.

0:39:430:39:45

Turn back, sir.

0:39:460:39:48

Go home to your family.

0:39:480:39:51

No-one will ever know what passed here.

0:39:510:39:53

You came here with Denise.

0:39:530:39:55

I did. Though she did not know it.

0:39:550:39:58

You!

0:40:000:40:01

It was you who told her!

0:40:020:40:04

WESTON LAUGHS

0:40:070:40:09

How long did it take you to piece my story together?

0:40:100:40:14

Watching from the shadows,

0:40:140:40:16

listening at doors.

0:40:160:40:18

You spoke to me as a friend.

0:40:180:40:20

You let me believe you were my man!

0:40:200:40:22

I serve The Paradise.

0:40:220:40:25

I am The Paradise!

0:40:250:40:27

No, sir, you are not.

0:40:280:40:30

And I will not allow you to avenge yourself on those who are.

0:40:300:40:34

Get out of my way.

0:40:360:40:37

Get out of my way!

0:40:410:40:43

Susy, sh. Go back to bed.

0:41:060:41:08

-But...

-Sh.

0:41:080:41:09

-My luggage...

-We collected it from the hotel.

0:41:240:41:27

I don't understand.

0:41:270:41:29

There's enough in there for a train to the port

0:41:290:41:31

and a ticket on the boat.

0:41:310:41:32

France means prison, I can't go back.

0:41:320:41:34

The boat to America.

0:41:340:41:36

Money. This is your money?

0:41:390:41:41

I can't take it.

0:41:440:41:45

You can and you will.

0:41:450:41:48

I went to Tom Weston.

0:41:490:41:50

I tried to make things better and I made them so much worse.

0:41:500:41:55

He will know I had help. He will know who helped me.

0:41:550:41:59

There are other places to work.

0:41:590:42:01

Not sure we could carry on, anyway, knowing what he was doing to you.

0:42:010:42:05

Knowing he was doing what to her?

0:42:050:42:07

FLORA WEEPS

0:42:120:42:14

Flora, my darling, what is it?

0:42:140:42:16

Was it a bad dream?

0:42:160:42:18

It is not a dream! Papa will send you away.

0:42:180:42:21

He will send you away and I will be alone!

0:42:210:42:24

Flora, listen to me.

0:42:270:42:29

We belong to each other, now.

0:42:290:42:31

Do you understand? All of us.

0:42:310:42:34

We belong to each other and we will be together.

0:42:340:42:37

Come.

0:42:390:42:40

What are we doing?

0:42:400:42:41

Are you brave enough to venture out into such a black night?

0:42:440:42:47

I am never scared with you.

0:42:470:42:49

That is because you make me brave.

0:42:490:42:51

And when you are with me, there is

0:42:530:42:55

no-one in the world stronger than I am.

0:42:550:42:57

There.

0:43:040:43:05

-DENISE:

-He's coming for her.

0:43:050:43:06

If she's going to get away, she has to go now.

0:43:060:43:08

-You can say you saw nothing, sir.

-Please, John.

0:43:080:43:10

He cannot do this! He cannot own you.

0:43:100:43:12

You are not...

0:43:120:43:13

You are not his possession.

0:43:150:43:17

Mademoiselle Romanis.

0:43:200:43:23

Denise. Clara.

0:43:230:43:26

She didn't know. The noise woke her, she tried to stop us.

0:43:260:43:29

Go, Clara.

0:43:290:43:31

You should've reined her in while you had the chance, Moray.

0:43:410:43:45

Your creature, your little champion.

0:43:450:43:49

She is not MY anything.

0:43:490:43:51

She is her own. As is Clemence.

0:43:510:43:55

Oh, no, Mademoiselle Romanis is bought and paid for.

0:43:550:43:59

Her debts are bought and paid for.

0:43:590:44:01

Give me 24 hours.

0:44:030:44:05

I'll find the money. I'll buy them back.

0:44:050:44:08

They are not for sale.

0:44:100:44:12

Then...

0:44:130:44:15

I'll play you for them.

0:44:160:44:18

Hazard? You would need a stake,

0:44:180:44:22

and you have nothing that I want.

0:44:220:44:24

You want me gone.

0:44:270:44:29

If I win, you'll return Clemence's debts to her.

0:44:310:44:36

If you win...

0:44:370:44:39

I go.

0:44:390:44:41

Where?

0:44:410:44:43

Away.

0:44:430:44:45

Away from The Paradise,

0:44:450:44:48

the city, the country!

0:44:480:44:51

-No!

-Moray...

0:44:510:44:52

And you will not return?

0:44:520:44:54

I will not return. You have my word.

0:44:540:44:58

Very well.

0:45:010:45:02

But let us dispense with the notion that this is a game.

0:45:040:45:07

One throw each.

0:45:080:45:10

Highest roll wins.

0:45:120:45:13

Clemence?

0:46:200:46:22

Merci.

0:46:240:46:25

Your past is none of my affair,

0:46:320:46:34

but your actions today, they were the work of a true coward.

0:46:340:46:39

Wait!

0:46:420:46:44

I will play you again.

0:46:480:46:50

I will play you for The Paradise.

0:46:530:46:56

Department by department.

0:46:590:47:02

And my stake?

0:47:040:47:07

The same every time - your exile.

0:47:070:47:10

Or are you too much the coward to risk so much?

0:47:130:47:17

John, please, don't.

0:47:210:47:23

This is not brave, this is insane.

0:47:230:47:25

You'd have to win every throw. Every throw.

0:47:250:47:28

Denise...

0:47:280:47:30

I had The Paradise, I had you.

0:47:300:47:33

I've lost them both.

0:47:330:47:35

Don't you see? I have nothing more to lose.

0:47:350:47:38

The Great Hall.

0:47:570:47:59

The Great Hall.

0:48:000:48:02

I have come for my husband.

0:48:150:48:16

He's inside with Moray.

0:48:160:48:18

They are playing dice for The Paradise.

0:48:180:48:20

Two in a row.

0:48:300:48:31

But your luck will not hold.

0:48:330:48:34

It cannot.

0:48:340:48:36

You have lost half your shop.

0:48:360:48:38

Would you really rather bring down your own world

0:48:380:48:40

than see him prosper, just a little?

0:48:400:48:42

Your cast.

0:48:420:48:43

Get out! Throw.

0:48:450:48:46

Not before the child!

0:48:460:48:47

-Throw!

-Not before the child!

0:48:470:48:50

Flora, go with Denise.

0:48:500:48:52

Miss Flora, have you ever seen The Paradise at night time?

0:49:070:49:12

I did, once, have a dream of Moray.

0:49:120:49:17

But, I promise you...

0:49:190:49:22

that dream is dead.

0:49:220:49:23

I am free of it.

0:49:250:49:27

There was a kindness between us once.

0:49:320:49:34

Could we not look for it again?

0:49:370:49:39

That dream is also dead.

0:49:410:49:43

Then we must make a new dream.

0:49:460:49:47

For Flora's sake.

0:49:490:49:50

And the sake of the child that is coming.

0:49:530:49:55

Come home.

0:50:010:50:02

I will send away the servants and I will sit beside you.

0:50:030:50:07

And we will talk.

0:50:080:50:10

Let me be your comfort now.

0:50:150:50:18

It is like a secret world.

0:50:320:50:34

If I lived here, I'd wander around all night.

0:50:360:50:39

-Do you?

-I used to.

0:50:390:50:42

I thought you would lose.

0:51:120:51:14

I thought I would lose you.

0:51:150:51:17

What would you have done?

0:51:190:51:21

Followed.

0:51:210:51:23

To hear you say those things and know that you meant them.

0:51:230:51:27

You don't know how much I've longed for that.

0:51:270:51:29

You are my equal

0:51:310:51:34

and more.

0:51:340:51:36

I look at you now and I see myself.

0:51:360:51:40

That is how I know

0:51:410:51:44

you will never be content in my shadow.

0:51:440:51:47

It is not my Paradise you need,

0:51:470:51:49

it is your own.

0:51:490:51:52

No! I want you.

0:51:520:51:55

I want to work with you and grow with you.

0:51:550:51:58

It's yours.

0:51:580:51:59

Everything I won from Weston, I give you,

0:51:590:52:02

gladly, freely, with all my heart.

0:52:020:52:05

Yours.

0:52:070:52:08

Sweetheart, don't you see?

0:52:140:52:16

You will never be happy,

0:52:160:52:19

you will never be happy with me

0:52:190:52:21

until you've built something that is yours and yours alone.

0:52:210:52:26

But to do that I'd have to go.

0:52:270:52:29

I'd have to leave you.

0:52:290:52:31

Yes, you would.

0:52:310:52:32

You will.

0:52:340:52:35

I would rather see you walk away

0:52:370:52:41

than keep you beside me,

0:52:410:52:42

only to watch the light go out of your eyes.

0:52:420:52:45

I love you too much.

0:52:500:52:52

Jonas.

0:53:270:53:29

Is it over, sir?

0:53:340:53:36

Yes, it's... It's over.

0:53:380:53:42

Arthur! I need you to deliver this

0:54:520:54:53

and bring the answer back as fast as you can.

0:54:530:54:56

-Can you do that?

-Yes!

0:54:560:54:58

Clara, take charge!

0:55:310:55:33

My uncle's shop.

0:56:220:56:24

But not as a drapery any more, as a beauty emporium with

0:56:250:56:29

creams for the complexion and oils and powders and scented balms.

0:56:290:56:34

Mr Ballantine has agreed to invest in me. He will be my backer.

0:56:340:56:38

And I will be here.

0:56:410:56:43

I will be here.

0:56:440:56:46

And when I've made my name...

0:56:480:56:50

Not your fortune?

0:56:500:56:52

Both.

0:56:520:56:54

I will come to you

0:56:540:56:56

and ask you, most humbly,

0:56:560:57:00

if you will do me the honour of becoming my husband.

0:57:000:57:03

Will you say yes?

0:57:050:57:06

Yes.

0:57:060:57:08

-Do you promise?

-Yes.

0:57:080:57:10

Yes.

0:57:130:57:14

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0:57:460:57:49

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