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She thought I was having an affair. Why do you want Kay's phone? | 0:00:02 | 0:00:04 | |
Something might be on it. | 0:00:04 | 0:00:05 | |
Georgia! Wait! | 0:00:05 | 0:00:07 | |
CRYING | 0:00:07 | 0:00:08 | |
You left her in a locked car! | 0:00:08 | 0:00:11 | |
We now have to figure out how to play Social Services. | 0:00:11 | 0:00:13 | |
Where was Paula? | 0:00:13 | 0:00:14 | |
-We were at home all evening. -With Caris? | 0:00:14 | 0:00:17 | |
I never thought you'd meet mine before I met yours. | 0:00:17 | 0:00:19 | |
Where's Caris this evening? | 0:00:19 | 0:00:21 | |
Oh, she's at a sleepover. | 0:00:21 | 0:00:22 | |
They're hiding her. | 0:00:22 | 0:00:24 | |
You go. I'll-I'll stay. | 0:00:24 | 0:00:25 | |
I am just asking you where your daughter is. | 0:00:25 | 0:00:28 | |
You win. | 0:00:28 | 0:00:30 | |
This programme contains some strong language | 0:00:32 | 0:00:39 | |
You didn't look at her properly, did you? | 0:01:55 | 0:01:58 | |
Look at her. | 0:02:00 | 0:02:02 | |
Do you think she looks young for ten there? | 0:02:05 | 0:02:08 | |
She was eight when they were taken. | 0:02:09 | 0:02:12 | |
Do you know why I haven't got any pictures of her | 0:02:14 | 0:02:16 | |
the last couple of years? | 0:02:16 | 0:02:18 | |
She died, two years ago. | 0:02:23 | 0:02:26 | |
Hit by a car. | 0:02:31 | 0:02:33 | |
The girl you met, that's my niece. | 0:02:36 | 0:02:38 | |
She doesn't live here, no, but I like having her around. | 0:02:38 | 0:02:42 | |
Is that enough for you? | 0:02:45 | 0:02:47 | |
Why did you lie? | 0:02:48 | 0:02:49 | |
Why should I be forced to have this conversation with you, of all people? | 0:02:49 | 0:02:52 | |
But we're here now, so we're going to have it out. | 0:02:52 | 0:02:55 | |
You dragged me up here, so you're going to say something. | 0:02:58 | 0:03:01 | |
Kay found out. | 0:03:02 | 0:03:04 | |
Yeah, I told her. | 0:03:04 | 0:03:06 | |
And she respected my privacy. | 0:03:06 | 0:03:08 | |
Privacy? | 0:03:09 | 0:03:10 | |
Do you even understand what that means? | 0:03:10 | 0:03:13 | |
Pretending Caris is alive isn't privacy. | 0:03:14 | 0:03:17 | |
Well, do you want to explain to me what you'd do? | 0:03:17 | 0:03:21 | |
You go home now and Lia's gone, what would you do? | 0:03:22 | 0:03:25 | |
Go on - try and imagine it, | 0:03:26 | 0:03:28 | |
so don't you dare tell me how to deal with it. | 0:03:28 | 0:03:31 | |
-Are you OK? -I'd-I'd like to leave now, please. | 0:03:31 | 0:03:33 | |
Yeah, cos it's not very nice, is it? It's horrible. | 0:03:33 | 0:03:37 | |
Can you let me leave now, please, Paula? | 0:03:37 | 0:03:39 | |
I just told you that my daughter's dead | 0:03:39 | 0:03:41 | |
and you haven't even said sorry. | 0:03:41 | 0:03:43 | |
I am sorry. | 0:03:47 | 0:03:48 | |
No, you're not. You're disturbed. | 0:03:48 | 0:03:51 | |
I'm really sorry for your loss. | 0:04:36 | 0:04:38 | |
What are you going to do? | 0:04:39 | 0:04:41 | |
Well, she needs help, I think we can all agree on that. | 0:04:43 | 0:04:46 | |
If someone's delusional, is that not... | 0:04:48 | 0:04:50 | |
She knows Caris is dead. | 0:04:51 | 0:04:53 | |
She just prefers to pretend that she's alive to the people around her. | 0:04:53 | 0:04:57 | |
That's not a delusion - that's... that's a coping mechanism. | 0:04:57 | 0:05:01 | |
You think she was involved in Kay's death? | 0:05:02 | 0:05:05 | |
OK, let's just put this to bed. | 0:05:07 | 0:05:09 | |
Was she with you the night that it happened? | 0:05:09 | 0:05:11 | |
Do I think she killed someone? No! | 0:05:11 | 0:05:14 | |
So you lied to the police? | 0:05:14 | 0:05:16 | |
I stand by what I said. | 0:05:16 | 0:05:18 | |
OK, I need to put Lia to bed now. | 0:05:18 | 0:05:20 | |
All I ask is... | 0:05:21 | 0:05:23 | |
don't tell everyone. | 0:05:23 | 0:05:26 | |
I am sympathetic. | 0:05:27 | 0:05:28 | |
You have done nothing but argue that it couldn't be Paula | 0:05:28 | 0:05:31 | |
cos she's so nice and she's so normal. | 0:05:31 | 0:05:33 | |
And now it turns out she is in fact a lunatic, now that's off the table. | 0:05:33 | 0:05:36 | |
I wish you wouldn't use words like "lunatic". | 0:05:36 | 0:05:38 | |
I'm just m going to tell the police, let them deal with it. | 0:05:38 | 0:05:42 | |
And when they say that being grief-stricken isn't a crime, | 0:05:42 | 0:05:45 | |
then what? You'll drop it? | 0:05:45 | 0:05:47 | |
But lying to the police about your whereabouts when they're investigating a death is a crime. | 0:05:47 | 0:05:52 | |
If they're fine with that, then, yeah, I will drop it. | 0:05:52 | 0:05:54 | |
You won't tell David? | 0:05:54 | 0:05:56 | |
It's his wife, Ian. | 0:05:56 | 0:05:57 | |
Yeah, that's right. I thought this was about Kay. | 0:05:57 | 0:06:01 | |
And now it's something that you have to do for him? | 0:06:03 | 0:06:05 | |
Did you send the e-mail? | 0:06:32 | 0:06:34 | |
Yeah. | 0:06:35 | 0:06:36 | |
Then there's a good chance she'll never turn up for work again. | 0:06:38 | 0:06:42 | |
There is nothing she could possibly do that would surprise me now. | 0:06:43 | 0:06:47 | |
Careful what you wish for. | 0:06:48 | 0:06:50 | |
She's never late. What did you do to her? | 0:07:10 | 0:07:13 | |
Nothing. | 0:07:13 | 0:07:14 | |
SHE GASPS | 0:08:02 | 0:08:03 | |
Oh! | 0:08:03 | 0:08:05 | |
INAUDIBLE | 0:09:28 | 0:09:29 | |
INAUDIBLE | 0:09:53 | 0:09:55 | |
INAUDIBLE | 0:10:00 | 0:10:03 | |
I can't take any more of this. | 0:10:25 | 0:10:26 | |
No, well, neither can I. She's ill. | 0:10:26 | 0:10:28 | |
Is that what you call her? | 0:10:28 | 0:10:30 | |
What she's been doing, you think that's normal? | 0:10:30 | 0:10:32 | |
If I could do the same, I would. | 0:10:32 | 0:10:35 | |
If I could not have to listen to one more fucking platitude | 0:10:35 | 0:10:39 | |
about my loss? | 0:10:39 | 0:10:41 | |
I'm with her 100%. Radio silence? | 0:10:41 | 0:10:43 | |
Perfect sense to me. Let's have some more of it around here. | 0:10:43 | 0:10:47 | |
She said she told Kay! | 0:10:48 | 0:10:50 | |
Do you believe that Kay knew this and didn't tell you? | 0:10:53 | 0:10:55 | |
You think you're being a friend to her. | 0:10:55 | 0:10:58 | |
Yeah, and you! | 0:10:58 | 0:11:00 | |
Do you want to know why she killed herself? | 0:11:00 | 0:11:02 | |
-She didn't! -She thought I was having an affair. | 0:11:02 | 0:11:04 | |
With Paula, I know. She would still never in a million... | 0:11:04 | 0:11:07 | |
With you! | 0:11:07 | 0:11:08 | |
With her best friend. | 0:11:12 | 0:11:13 | |
I didn't think that you needed to know that. | 0:11:17 | 0:11:20 | |
I thought it was kinder to keep some things to myself. | 0:11:20 | 0:11:23 | |
Are you happy now? | 0:11:23 | 0:11:25 | |
How could she believe I would do that? | 0:11:33 | 0:11:35 | |
Why didn't she ask me? | 0:11:37 | 0:11:39 | |
She asked me. | 0:11:39 | 0:11:41 | |
And you told her we never did anything and we never would. | 0:11:41 | 0:11:45 | |
What did you tell her? | 0:11:52 | 0:11:54 | |
That's between me and my dead wife. | 0:11:58 | 0:12:00 | |
Did I ever make you believe that I wasn't happy with Ian? | 0:12:02 | 0:12:06 | |
So you're going to keep pushing. | 0:12:08 | 0:12:11 | |
You're going to keep pushing till you've got me on the floor, too. | 0:12:11 | 0:12:13 | |
It's hard enough seeing you. | 0:12:16 | 0:12:19 | |
I quit. | 0:13:11 | 0:13:13 | |
At least some good's come out of it. | 0:13:16 | 0:13:19 | |
I'd love to go and spend some time with my daughter. | 0:13:22 | 0:13:25 | |
Except I have to go back to them and you get to go home. | 0:13:26 | 0:13:30 | |
Paula... | 0:13:30 | 0:13:31 | |
The reason that you're suffering so much right now | 0:13:31 | 0:13:33 | |
is that you've never separated yourself from your child. | 0:13:33 | 0:13:36 | |
They're two separate things. | 0:13:36 | 0:13:37 | |
They're not. | 0:13:37 | 0:13:39 | |
The only reason you can say that | 0:13:40 | 0:13:42 | |
is because you haven't fallen in love with her yet. | 0:13:42 | 0:13:44 | |
A couple of years at home, that's all it needs. | 0:13:44 | 0:13:46 | |
Look, we have both lost people who meant the world, | 0:13:46 | 0:13:49 | |
-but at least you've got someone to live for. -Goodbye, Paula. | 0:13:49 | 0:13:52 | |
You need to have a think about who should be at the centre of your life. | 0:13:52 | 0:13:55 | |
Not Kay, not me, and not you. | 0:13:55 | 0:13:57 | |
You know, we haven't even spoken about where we're going to put all this. | 0:14:11 | 0:14:15 | |
Well, I thought... you'd take half, I'll take half. | 0:14:16 | 0:14:21 | |
What? | 0:14:23 | 0:14:25 | |
She's gone, Kieran. | 0:14:26 | 0:14:27 | |
Paula! | 0:14:29 | 0:14:31 | |
Talking's not going to change anything. I'm sorry. | 0:14:31 | 0:14:34 | |
Shit. Really? | 0:14:50 | 0:14:52 | |
Yep. | 0:14:53 | 0:14:54 | |
You don't want to leave there. | 0:14:54 | 0:14:55 | |
It's a done deal. | 0:14:55 | 0:14:57 | |
You just walked? | 0:14:58 | 0:15:00 | |
Well, I had to. | 0:15:01 | 0:15:02 | |
Why? | 0:15:04 | 0:15:05 | |
I thought you'd be happy. | 0:15:06 | 0:15:08 | |
What about David? | 0:15:10 | 0:15:12 | |
I've done all I can. Probably too much. | 0:15:12 | 0:15:15 | |
-Hi. -Hey. | 0:15:34 | 0:15:36 | |
Did you know she was looking for a job already? | 0:15:36 | 0:15:38 | |
Ellen. You've just forwarded me a reference request. | 0:15:38 | 0:15:42 | |
Lucy must've done that for me. Send it back to me. I'll do it. | 0:15:42 | 0:15:46 | |
What're you going to say? | 0:15:48 | 0:15:49 | |
I don't know. | 0:15:49 | 0:15:51 | |
Don't short-change her. | 0:15:52 | 0:15:54 | |
We knew her a little through the Association. | 0:15:58 | 0:16:00 | |
It must have been a terrible shock. | 0:16:00 | 0:16:02 | |
It was, yeah, it was. | 0:16:02 | 0:16:04 | |
We heard there was a police investigation. Instigated by you? | 0:16:04 | 0:16:08 | |
I'm calling about a reference you asked for. | 0:16:08 | 0:16:10 | |
We're sending something in writing. I just wanted to fill in some background. | 0:16:10 | 0:16:14 | |
Ellen Rooney. | 0:16:15 | 0:16:17 | |
This is the work that won me the contract. | 0:16:17 | 0:16:19 | |
Wasn't the design altered after the business was won? | 0:16:19 | 0:16:22 | |
Not materially, no... | 0:16:22 | 0:16:24 | |
There were changes. | 0:16:24 | 0:16:26 | |
There was a personality clash in my last job. | 0:16:36 | 0:16:39 | |
That's why I left, so if you get any references from Paula Reece | 0:16:39 | 0:16:42 | |
you should source a second opinion. | 0:16:42 | 0:16:44 | |
We'll do that. | 0:16:44 | 0:16:45 | |
-Thank you. -Why don't we start with the Hyatt award? | 0:16:45 | 0:16:49 | |
Are you still friends? | 0:16:59 | 0:17:01 | |
I'm sorry? | 0:17:01 | 0:17:03 | |
Paula. You used to work together at Jarman McCreadie. | 0:17:03 | 0:17:08 | |
You're thinking of someone else. | 0:17:10 | 0:17:11 | |
Georgia! | 0:17:13 | 0:17:15 | |
You're frightened of her. | 0:17:17 | 0:17:19 | |
I'm sorry to call you again, | 0:17:22 | 0:17:24 | |
but Ellen Rooney just turned up for an interview. | 0:17:24 | 0:17:28 | |
'She's still asking questions about you. I thought you'd want to know. | 0:17:29 | 0:17:33 | |
'I didn't say anything, but I hope that this is the last I hear | 0:17:33 | 0:17:36 | |
'from her and I hope I won't have to call you again.' | 0:17:36 | 0:17:39 | |
-Hi. -Paula? | 0:17:55 | 0:17:58 | |
What's happened? | 0:18:00 | 0:18:02 | |
-I need to talk to you. I know it's difficult. -I'm backed up with emergencies. | 0:18:02 | 0:18:05 | |
This is serious. | 0:18:05 | 0:18:06 | |
I can't see you as a patient. I explained that to Kieran. | 0:18:06 | 0:18:08 | |
No, I've-I've got a therapist. This isn't about me. | 0:18:08 | 0:18:11 | |
I'm here as a friend. | 0:18:11 | 0:18:12 | |
If you want to talk about Ellen, talk to your therapist. | 0:18:12 | 0:18:15 | |
I can't help. | 0:18:15 | 0:18:16 | |
Did she tell you why she was sacked? | 0:18:16 | 0:18:18 | |
She told you she resigned, didn't she? | 0:18:20 | 0:18:22 | |
As I said, I can't get into any of this... | 0:18:22 | 0:18:24 | |
I've not wanted to push back, but she has accused me | 0:18:24 | 0:18:26 | |
of all sorts of things that I think she's done herself. | 0:18:26 | 0:18:28 | |
Because that is a classic move, isn't it? | 0:18:28 | 0:18:30 | |
I'm not going to enter into any discussion on this, Paula, | 0:18:30 | 0:18:33 | |
so you may as well wrap it up. | 0:18:33 | 0:18:34 | |
I don't care what you think of me, | 0:18:34 | 0:18:36 | |
but I do care about what happens to that baby. | 0:18:36 | 0:18:38 | |
Neither of you have bonded with her. | 0:18:39 | 0:18:40 | |
Right, OK, that's your lot. | 0:18:40 | 0:18:43 | |
She's David's, isn't she? | 0:18:50 | 0:18:52 | |
Look, just because your wife had an affair, | 0:18:54 | 0:18:56 | |
you don't take it out on the child. | 0:18:56 | 0:18:59 | |
It's not yours. | 0:19:10 | 0:19:11 | |
Instead of complaining she's more excited about the baby than you are, | 0:19:14 | 0:19:18 | |
how about you work up some interest? | 0:19:18 | 0:19:20 | |
How do you feel going out looking for work again? | 0:19:30 | 0:19:33 | |
I think taking a step back's really helped put things into perspective. | 0:19:33 | 0:19:36 | |
And how do you feel about leaving Lia? | 0:19:36 | 0:19:38 | |
Nervous. | 0:19:38 | 0:19:40 | |
I feel a bit judged. | 0:19:40 | 0:19:42 | |
But, um... | 0:19:42 | 0:19:44 | |
I-I honestly believe it's going to make me a better mother. | 0:19:44 | 0:19:47 | |
And the hostility you were feeling before, | 0:19:47 | 0:19:49 | |
where do you think that's going now Paula's not around? | 0:19:49 | 0:19:52 | |
Sorry, are you a social worker or a psychiatrist? | 0:19:52 | 0:19:55 | |
As you can see, my husband is channelling all my hostility. | 0:19:58 | 0:20:01 | |
I'm actually very chilled. | 0:20:01 | 0:20:03 | |
Um... | 0:20:03 | 0:20:05 | |
It wasn't really Paula I was angry at - | 0:20:05 | 0:20:07 | |
it was the way that my life had changed. | 0:20:07 | 0:20:09 | |
You've helped me see that. | 0:20:09 | 0:20:11 | |
It's from him. | 0:20:37 | 0:20:38 | |
You should go. | 0:20:47 | 0:20:49 | |
No, I shouldn't. | 0:20:49 | 0:20:51 | |
Well, he might take you back if you play it right. | 0:20:51 | 0:20:54 | |
I'm not interested. | 0:20:54 | 0:20:55 | |
It's your baby. | 0:20:55 | 0:20:56 | |
It's his baby. | 0:20:56 | 0:20:58 | |
RINGING | 0:21:05 | 0:21:07 | |
Hello. | 0:21:13 | 0:21:14 | |
I know you got it. I hand-delivered it. | 0:21:14 | 0:21:17 | |
Yeah, I got it. | 0:21:18 | 0:21:20 | |
Paula's not even going to be there. | 0:21:21 | 0:21:23 | |
Did she die? | 0:21:24 | 0:21:25 | |
The invite is from me. | 0:21:27 | 0:21:29 | |
David, we've all moved on. | 0:21:30 | 0:21:32 | |
I haven't. | 0:21:33 | 0:21:35 | |
Why? Why would I be going? | 0:21:37 | 0:21:39 | |
Do you think it's more painful for you to go back there than it is for me? | 0:21:39 | 0:21:43 | |
That's below the belt. | 0:21:49 | 0:21:51 | |
Go for the networking, if nothing else. | 0:21:54 | 0:21:56 | |
Paula has to be there. It'll look terrible if she's not. | 0:21:58 | 0:22:01 | |
It's up to you. | 0:22:01 | 0:22:03 | |
Right, so basically I'm going to look like an unprofessional shit | 0:22:03 | 0:22:05 | |
whether I go or don't go. | 0:22:05 | 0:22:07 | |
That's how we like it. | 0:22:08 | 0:22:10 | |
Just keep her away from me. | 0:22:11 | 0:22:13 | |
'Done.' | 0:22:13 | 0:22:15 | |
You know, I thought of-of skirting around it, but then I thought, | 0:22:46 | 0:22:49 | |
fuck it, if was the other way round, she'd-she'd own it. | 0:22:49 | 0:22:53 | |
This is not going to define her. | 0:22:53 | 0:22:56 | |
I wish I could be like you. | 0:22:58 | 0:23:00 | |
I'll let you two catch up. | 0:23:01 | 0:23:03 | |
So, you've been doing the rounds. | 0:23:08 | 0:23:10 | |
I hope our references made a difference. | 0:23:10 | 0:23:12 | |
They really swung it. | 0:23:14 | 0:23:15 | |
Did you get some offers? | 0:23:15 | 0:23:16 | |
Any day now. | 0:23:16 | 0:23:18 | |
Is everything going well? | 0:23:19 | 0:23:21 | |
Yeah, yeah, we're expanding. Looking at some new offices. | 0:23:21 | 0:23:25 | |
That's fantastic. | 0:23:25 | 0:23:26 | |
I'm busy. That's the main thing. | 0:23:26 | 0:23:28 | |
Yeah, me, too. | 0:23:28 | 0:23:30 | |
Great. | 0:23:30 | 0:23:31 | |
I'm going to find Ian. | 0:23:32 | 0:23:34 | |
Nice to see you. | 0:23:34 | 0:23:35 | |
Nice to see you, too. | 0:23:35 | 0:23:37 | |
CHATTERING | 0:23:37 | 0:23:39 | |
Ah, there's the man responsible. | 0:23:51 | 0:23:53 | |
Hi. | 0:23:53 | 0:23:54 | |
Hello. Nice to see you. | 0:23:54 | 0:23:56 | |
And you. Oh, you know we've got a baby room in here? | 0:23:56 | 0:23:59 | |
I do know. I put it there. | 0:23:59 | 0:24:02 | |
Where did you land with the underfloor heating? | 0:24:02 | 0:24:04 | |
Paula talked me into it. | 0:24:04 | 0:24:06 | |
She's done a great job. | 0:24:06 | 0:24:07 | |
No, you both have. | 0:24:07 | 0:24:09 | |
-Thanks. Nice to see you, Vernon. -And you. | 0:24:09 | 0:24:12 | |
Stay away from her. | 0:24:24 | 0:24:25 | |
I would if she would stay away from me. | 0:24:25 | 0:24:28 | |
She's been spiking all my references. | 0:24:28 | 0:24:30 | |
I don't want to sound like a broken record but just because | 0:24:30 | 0:24:33 | |
you didn't land a job doesn't mean someone's sabotaging you. | 0:24:33 | 0:24:36 | |
She is, though. | 0:24:36 | 0:24:37 | |
I can just about deal with her taking credit for everything | 0:24:37 | 0:24:40 | |
that I've done, but I won't have her blocking everything I'm going to do. | 0:24:40 | 0:24:43 | |
Ellen. | 0:24:43 | 0:24:44 | |
Don't touch me. | 0:25:16 | 0:25:17 | |
I'm not touching you. | 0:25:17 | 0:25:19 | |
-Ah! -Oh! | 0:25:19 | 0:25:20 | |
Oh, God! | 0:25:21 | 0:25:23 | |
Kieran! | 0:25:23 | 0:25:24 | |
Are you all right? | 0:25:24 | 0:25:26 | |
She pushed me. | 0:25:26 | 0:25:28 | |
-Call an ambulance. -No, no, no, please, I don't want to make a fuss... | 0:25:32 | 0:25:35 | |
Call an ambulance now. | 0:25:35 | 0:25:37 | |
I'll get her. | 0:26:06 | 0:26:07 | |
You have to wait in the car until I'm out. | 0:26:08 | 0:26:11 | |
You're staying here. | 0:26:11 | 0:26:12 | |
It was all I could do to persuade them that I could look after her. | 0:26:13 | 0:26:17 | |
If you come home, they'll take her. | 0:26:18 | 0:26:21 | |
-Ian! -No, just... You need to stay in the car. | 0:26:21 | 0:26:24 | |
Ian! | 0:26:25 | 0:26:27 | |
Look, you can still see her, but it has to be supervised. | 0:26:27 | 0:26:32 | |
That's not possible. | 0:26:34 | 0:26:35 | |
It's happening. | 0:26:35 | 0:26:36 | |
You don't believe I did this? | 0:26:39 | 0:26:41 | |
She threw herself down the stairs! | 0:26:43 | 0:26:46 | |
Are you fucking him? | 0:26:46 | 0:26:47 | |
No! | 0:26:51 | 0:26:53 | |
Did you ever? | 0:26:55 | 0:26:56 | |
No! | 0:26:58 | 0:27:00 | |
Why did you leave work? | 0:27:00 | 0:27:02 | |
You may as well tell me cos it's going to come out. | 0:27:06 | 0:27:09 | |
Kay thought that David and I were having an affair, but we weren't. | 0:27:11 | 0:27:15 | |
We weren't. | 0:27:15 | 0:27:16 | |
But you wanted to. | 0:27:16 | 0:27:17 | |
No! Never. | 0:27:17 | 0:27:19 | |
So your best friend was completely deluded about that? | 0:27:19 | 0:27:23 | |
It came from nothing? | 0:27:23 | 0:27:24 | |
Well, she's dead so I can't ask her. | 0:27:24 | 0:27:26 | |
You can ask me. | 0:27:26 | 0:27:28 | |
I've seen you together. | 0:27:29 | 0:27:30 | |
I believe it. | 0:27:32 | 0:27:33 | |
No. No, you don't. | 0:27:33 | 0:27:36 | |
That's why you won't accept that she killed herself. | 0:27:36 | 0:27:39 | |
That's why you've been running around trying to blame someone else. | 0:27:39 | 0:27:44 | |
I'm taking Lia. You're staying here. | 0:27:44 | 0:27:47 | |
We're like a family here. It's very tight. | 0:28:22 | 0:28:24 | |
Some find that claustrophobic, others love it. | 0:28:24 | 0:28:26 | |
So when we say team player, what we really mean is we want to see... | 0:28:26 | 0:28:29 | |
Hi, come in. | 0:28:29 | 0:28:31 | |
She says if you don't take it, she's going to come in. | 0:28:32 | 0:28:36 | |
I'm sorry - I'll be two minutes. | 0:28:36 | 0:28:38 | |
Ellen, you know what'll happen. | 0:28:46 | 0:28:48 | |
When I was afraid Lia might be taken away, you had some leverage. | 0:28:48 | 0:28:51 | |
'But you made a mistake. | 0:28:51 | 0:28:53 | |
'You thought it was you I was afraid of.' | 0:28:53 | 0:28:55 | |
Now it's happened, not only have I got nothing to lose, | 0:28:55 | 0:28:58 | |
I've got no choice. | 0:28:58 | 0:28:59 | |
You have just forced me to dedicate every waking moment to you. | 0:28:59 | 0:29:03 | |
Next time, record it. | 0:29:07 | 0:29:09 | |
Can you see her if I'm there? | 0:29:13 | 0:29:14 | |
Supervised means them present. | 0:29:17 | 0:29:19 | |
All being well, they'll reduce it to family members, | 0:29:19 | 0:29:21 | |
but it'll be his family, not ours. | 0:29:21 | 0:29:23 | |
I don't see how it can be this harsh. | 0:29:23 | 0:29:26 | |
You didn't do anything. | 0:29:26 | 0:29:27 | |
Well, I made false accusations twice on the record. | 0:29:27 | 0:29:32 | |
There's assault with a deadly staircase, | 0:29:32 | 0:29:35 | |
aggravated by the fact I won't admit it. | 0:29:35 | 0:29:37 | |
Can't Ian do anything? | 0:29:37 | 0:29:38 | |
Ian's pressing for no visits. | 0:29:38 | 0:29:41 | |
What does he think you'll do? | 0:29:41 | 0:29:43 | |
Hurt her. | 0:29:43 | 0:29:45 | |
What made you withdraw your statement? | 0:29:50 | 0:29:53 | |
Well, she's suffered enough. | 0:29:55 | 0:29:57 | |
But she did push you? | 0:30:00 | 0:30:01 | |
We provoked each other. | 0:30:03 | 0:30:04 | |
I just hope she's getting the help she needs. | 0:30:04 | 0:30:07 | |
Oh. With all the drama, I didn't know when would be the right time | 0:30:10 | 0:30:14 | |
and I was...thinking about what I would have wanted for Caris. | 0:30:14 | 0:30:17 | |
Put it on her ankle, you can get it in a different colour | 0:30:17 | 0:30:20 | |
and the wireless talks to your phone. | 0:30:20 | 0:30:23 | |
In case I forget where I leave her? | 0:30:23 | 0:30:25 | |
Oh, it's not just that, you can monitor her temperature and heart rate. | 0:30:25 | 0:30:28 | |
You don't have to worry again. | 0:30:28 | 0:30:30 | |
And the fee's taken care of for the next two years. | 0:30:30 | 0:30:33 | |
It's really extravagant. | 0:30:35 | 0:30:37 | |
Not for peace of mind. | 0:30:37 | 0:30:38 | |
Whilst Ellen's going through her treatment... | 0:30:39 | 0:30:42 | |
you can never be too careful. | 0:30:42 | 0:30:44 | |
The visits are supervised. She's not going to be left alone. | 0:30:45 | 0:30:49 | |
Well... | 0:30:52 | 0:30:53 | |
..if you ever need any help, you know where I am. | 0:30:55 | 0:30:58 | |
See you, Lia. | 0:31:02 | 0:31:04 | |
Say bye? Say bye-bye? | 0:31:04 | 0:31:06 | |
You're not fighting me, you're fighting everyone. | 0:31:55 | 0:31:58 | |
Not one agency is going to support you in this. | 0:31:58 | 0:32:01 | |
Well, I'm fighting for Lia, so the numbers hardly matter. | 0:32:03 | 0:32:06 | |
When you accept that you have a problem and start addressing it, | 0:32:08 | 0:32:13 | |
then we can have a conversation about Lia. | 0:32:13 | 0:32:17 | |
This is the conversation. | 0:32:17 | 0:32:19 | |
We're having it now at 300 an hour so let's just stick to the points. | 0:32:19 | 0:32:22 | |
What's this? | 0:32:25 | 0:32:26 | |
It's a petition for a paternity test. | 0:32:28 | 0:32:31 | |
You can say no, but... | 0:32:34 | 0:32:35 | |
Well, that's also saying something. | 0:32:36 | 0:32:38 | |
No. | 0:32:42 | 0:32:43 | |
BIRDSONG | 0:32:59 | 0:33:01 | |
What's happening with you and Kieran? | 0:33:01 | 0:33:03 | |
It's fine - we're still good friends. Nothing's changed. | 0:33:03 | 0:33:07 | |
Did you never want to try again? | 0:33:08 | 0:33:10 | |
We did. We tried everything. | 0:33:10 | 0:33:12 | |
Caris was a miracle. | 0:33:12 | 0:33:14 | |
You can't expect more than one in a lifetime. | 0:33:14 | 0:33:17 | |
Anyway, we're talking about you. | 0:33:17 | 0:33:20 | |
Why can't you and Ellen be friends? | 0:33:20 | 0:33:22 | |
She wants Lia, and she can't. | 0:33:24 | 0:33:26 | |
You must still love her. | 0:33:28 | 0:33:30 | |
Would have been better for her if I hadn't. | 0:33:31 | 0:33:34 | |
I haven't exactly helped, have I? | 0:33:35 | 0:33:37 | |
You do. | 0:33:38 | 0:33:40 | |
You do help people. You've helped me. | 0:33:40 | 0:33:43 | |
What do you want, Ellen? | 0:34:01 | 0:34:03 | |
I want Lia. | 0:34:03 | 0:34:04 | |
I can't help you with that. | 0:34:07 | 0:34:08 | |
Look... | 0:34:08 | 0:34:10 | |
See, that's still me. | 0:34:10 | 0:34:12 | |
I haven't changed. | 0:34:12 | 0:34:14 | |
It's not me you've got to persuade. | 0:34:14 | 0:34:16 | |
Look, have you had any doubts about my stability, ever, | 0:34:16 | 0:34:19 | |
in all of the years that you've known me? | 0:34:19 | 0:34:21 | |
If you say yes, I'll go, I'll walk away right now. | 0:34:22 | 0:34:25 | |
Ellen, you're showing me a photograph of my dead wife in front of her memorial! | 0:34:25 | 0:34:29 | |
Is that supposed to convince me that you haven't lost it? | 0:34:29 | 0:34:32 | |
Fucking hell! | 0:34:32 | 0:34:34 | |
Ellen. | 0:34:35 | 0:34:37 | |
-People go off the rails... -No! | 0:34:37 | 0:34:39 | |
They become ill. | 0:34:39 | 0:34:40 | |
Right, like Kay did? | 0:34:40 | 0:34:41 | |
You're... | 0:34:41 | 0:34:43 | |
So all the women in your life are suddenly going crazy, | 0:34:43 | 0:34:45 | |
except for the one that just arrived? | 0:34:45 | 0:34:47 | |
Look... | 0:34:47 | 0:34:49 | |
how can you believe that Kay would give up on everything | 0:34:49 | 0:34:54 | |
and kill herself? | 0:34:54 | 0:34:55 | |
It's a woman that built | 0:34:55 | 0:34:56 | |
a multi-million pound business out of nothing! | 0:34:56 | 0:34:58 | |
-Ellen. -Just because... What, OK, | 0:34:58 | 0:35:00 | |
so she thought you might be having an affair with me | 0:35:00 | 0:35:02 | |
and didn't even check her facts? | 0:35:02 | 0:35:04 | |
What could you possibly have said to her that would make her do that? | 0:35:04 | 0:35:07 | |
I told her that if I had been with you, I might have gotten a baby. | 0:35:07 | 0:35:11 | |
That's what I said. | 0:35:11 | 0:35:13 | |
Did you tell anyone else that you said that? | 0:35:21 | 0:35:23 | |
David? | 0:35:26 | 0:35:28 | |
Well... | 0:35:28 | 0:35:30 | |
I got drunk with Paula once, and...I don't actually remember. | 0:35:30 | 0:35:34 | |
Maybe. | 0:35:34 | 0:35:35 | |
She told Ian to get a paternity test. | 0:35:38 | 0:35:41 | |
Next time you're in the office, | 0:35:45 | 0:35:46 | |
will you please, will you just please just look at Paula, | 0:35:46 | 0:35:49 | |
like really look at her and if you have even, like, a tiny, tiny doubt, | 0:35:49 | 0:35:54 | |
just take one more look at what Kay was doing in the hours | 0:35:54 | 0:35:56 | |
before she went to the library. | 0:35:56 | 0:35:58 | |
I have done nothing else except go over those last few hours... | 0:35:58 | 0:36:02 | |
-Please! -..again and again. | 0:36:02 | 0:36:04 | |
Please, I'm begging you, leave me alone with my wife. | 0:36:04 | 0:36:08 | |
Can you drop me at mine? | 0:36:25 | 0:36:27 | |
Don't break the order. | 0:36:27 | 0:36:28 | |
I need to see her. | 0:36:28 | 0:36:29 | |
You'll lose her. Wait till Thursday. | 0:36:29 | 0:36:31 | |
No, I want to see her. | 0:36:31 | 0:36:32 | |
I have to see her. I'm going to lose my mind. | 0:36:32 | 0:36:35 | |
Please, Ri. | 0:36:35 | 0:36:37 | |
DOORBELL RINGS | 0:36:59 | 0:37:01 | |
DOORBELL RINGS | 0:37:51 | 0:37:54 | |
Did you know? | 0:38:11 | 0:38:13 | |
I saw it coming. He's got form. | 0:38:14 | 0:38:17 | |
You were a patient. | 0:38:17 | 0:38:19 | |
She doesn't want him. | 0:38:19 | 0:38:21 | |
She wants Lia. | 0:38:21 | 0:38:22 | |
Well, when you put a child at the centre of your life to the extent that she did, | 0:38:22 | 0:38:27 | |
excluding all else, and you lose that child... | 0:38:27 | 0:38:31 | |
She wasn't prepared to go through the reconstruction of identity required. | 0:38:32 | 0:38:36 | |
You took that child away. | 0:38:36 | 0:38:37 | |
She needs a replacement. | 0:38:39 | 0:38:41 | |
What better replacement than the child that's been so neglected? | 0:38:41 | 0:38:44 | |
Well, that's what she's talked herself into, anyway. | 0:38:44 | 0:38:46 | |
You didn't put Ian at the centre of your life. | 0:38:46 | 0:38:49 | |
Look how he's turned out. | 0:38:50 | 0:38:52 | |
If you want any more stroking, I'll have to charge. | 0:38:54 | 0:38:56 | |
So, custody. | 0:38:56 | 0:38:58 | |
You would help me take Lia away from your son? | 0:39:02 | 0:39:05 | |
I want Paula away from my son. Then we'll see about you. | 0:39:05 | 0:39:09 | |
Off you go. | 0:39:13 | 0:39:14 | |
I went through her phone again, and, um... | 0:39:43 | 0:39:46 | |
..she made some notes, the day before. | 0:39:48 | 0:39:50 | |
There's a licence plate number. | 0:39:52 | 0:39:53 | |
W716 LFG. | 0:39:53 | 0:39:58 | |
She already admitted she died in a car accident. | 0:40:08 | 0:40:11 | |
Yeah, but she didn't say it was a hit and run. | 0:40:11 | 0:40:13 | |
We need to find out who that licence plate was registered to. | 0:40:15 | 0:40:18 | |
I know why you wouldn't talk to me. | 0:40:26 | 0:40:29 | |
You were driving the car that hit Paula's child. | 0:40:31 | 0:40:34 | |
Police not find you? | 0:40:35 | 0:40:38 | |
Of course they found me. | 0:40:38 | 0:40:39 | |
They didn't prosecute because it was an accident. | 0:40:40 | 0:40:43 | |
Paula didn't want you to talk to me. Do you know why? | 0:40:43 | 0:40:45 | |
I don't know why, and I don't care. | 0:40:45 | 0:40:48 | |
I owe her that much. | 0:40:48 | 0:40:51 | |
It's the same reason she didn't want my friend to talk to you, | 0:40:51 | 0:40:53 | |
and my friend ended up dead. | 0:40:53 | 0:40:55 | |
The police won't listen to me, Georgia. It's on you. | 0:40:55 | 0:40:58 | |
INAUDIBLE | 0:41:08 | 0:41:10 | |
HE CHATS INDISTINCTLY TO LIA | 0:41:35 | 0:41:36 | |
Hey, I'm right here. | 0:41:49 | 0:41:50 | |
What's Daddy having for lunch, eh? | 0:42:10 | 0:42:13 | |
Cold...carbonara. | 0:42:15 | 0:42:17 | |
Lovely... | 0:42:17 | 0:42:18 | |
LIA CRIES | 0:42:18 | 0:42:20 | |
Ssh! | 0:42:20 | 0:42:22 | |
Your food's coming, sweetheart. | 0:42:22 | 0:42:24 | |
Ellen! | 0:42:52 | 0:42:54 | |
Ellen! | 0:43:00 | 0:43:02 | |
'What the bloody hell are you playing at? | 0:43:06 | 0:43:08 | |
'Ellen, where is she? | 0:43:08 | 0:43:09 | |
'You bring her back right now or you'll never see her again!' | 0:43:09 | 0:43:11 | |
Ian, slow down. Stop shouting at me. | 0:43:11 | 0:43:13 | |
'Bring her back right now, and I promise I won't report it. | 0:43:13 | 0:43:17 | |
'Ellen, bring her back, or you'll never see her again.' | 0:43:17 | 0:43:20 | |
-I haven't go... -'You'll go to prison. Ellen...' | 0:43:20 | 0:43:22 | |
This is prison we're talking about now. | 0:43:22 | 0:43:24 | |
BUZZING | 0:43:24 | 0:43:25 | |
Hold on. | 0:43:25 | 0:43:27 | |
'Ellen, are you listening to me?!' | 0:43:27 | 0:43:29 | |
Oh, God. | 0:43:31 | 0:43:32 | |
'Ellen!' | 0:43:32 | 0:43:34 | |
Please don't hurt her. | 0:44:00 | 0:44:02 | |
Tell me where she is. | 0:44:07 | 0:44:09 | |
You make out like you care, but it's just an act. | 0:44:10 | 0:44:13 | |
Georgia killed your child. Why aren't you tormenting her? | 0:44:13 | 0:44:16 | |
Georgia's child has got leukaemia. | 0:44:16 | 0:44:19 | |
She was on the way to the hospital. That's why she was speeding. | 0:44:19 | 0:44:24 | |
I don't know why you ask because you don't care. | 0:44:24 | 0:44:28 | |
You and Kay, you're just the same. Selfish. | 0:44:28 | 0:44:31 | |
Is that why you killed her? | 0:44:32 | 0:44:33 | |
You still going to pretend she jumped? | 0:44:35 | 0:44:37 | |
She wouldn't shut up about Caris. OK? | 0:44:38 | 0:44:43 | |
I just wanted her to shut up. | 0:44:45 | 0:44:47 | |
Why have you taken Lia? | 0:44:50 | 0:44:53 | |
Because you're ruining her life. | 0:44:53 | 0:44:55 | |
Is she safe? | 0:44:55 | 0:44:57 | |
DOORS THUD SHUT | 0:45:10 | 0:45:11 | |
CRYING | 0:45:28 | 0:45:30 | |
Where is she? Where is she? Where is she? | 0:45:30 | 0:45:33 | |
I will kill you - tell me where she is! | 0:45:33 | 0:45:35 | |
Tell me where she is! | 0:45:35 | 0:45:37 | |
Tell me where she is! | 0:45:37 | 0:45:39 | |
Tell me! | 0:45:39 | 0:45:41 | |
-Police, please. -It isn't a phone signal. | 0:45:46 | 0:45:48 | |
It's an IP address. | 0:45:50 | 0:45:51 | |
Can't help you. | 0:45:52 | 0:45:54 | |
It's you she's relying on. | 0:45:57 | 0:45:59 | |
I'll only negotiate with you. | 0:46:01 | 0:46:02 | |
Are you refusing to negotiate? | 0:46:04 | 0:46:07 | |
Tell me what to do. | 0:46:12 | 0:46:14 | |
CRYING CONTINUES | 0:46:14 | 0:46:16 | |
She needs a mother, Ellen. | 0:46:26 | 0:46:29 | |
I can't have her, I know that. | 0:46:32 | 0:46:34 | |
But I can't let you have her back. | 0:46:37 | 0:46:39 | |
How can you listen to this and do nothing? | 0:46:42 | 0:46:49 | |
What's wrong with you? | 0:46:53 | 0:46:55 | |
CRYING CONTINUES | 0:46:55 | 0:46:58 | |
Tell me where she is first. | 0:46:58 | 0:47:01 | |
I'll do it, but tell me where she is. | 0:47:02 | 0:47:06 | |
Ellen, you-you know you can trust me. | 0:47:06 | 0:47:09 | |
How do I know that you'll save her? | 0:47:11 | 0:47:14 | |
Let me save her, Ellen. | 0:47:14 | 0:47:16 | |
Well done. | 0:47:50 | 0:47:52 | |
The sooner you sleep, the sooner I'll be there with the police. | 0:48:19 | 0:48:23 | |
ENGINE STARTS | 0:48:23 | 0:48:25 | |
This is the best you can do for her. | 0:48:25 | 0:48:27 | |
I'll tell her you loved her. | 0:48:34 | 0:48:35 | |
I'll write to her... | 0:48:36 | 0:48:38 | |
..as soon as she can read. | 0:48:39 | 0:48:41 | |
Maybe one day, I'll bring her back there. | 0:48:43 | 0:48:47 | |
DOOR SHUTS | 0:49:03 | 0:49:05 | |
DOORBELL RINGS | 0:49:20 | 0:49:21 | |
DOORBELL RINGS | 0:49:28 | 0:49:30 | |
-PAULA'S VOICE: -'I'll write to her... | 0:50:11 | 0:50:13 | |
'..as soon as she can read. | 0:50:14 | 0:50:16 | |
'Maybe one day... | 0:50:22 | 0:50:25 | |
'..I'll bring her back there.' | 0:50:26 | 0:50:28 | |
SHE RETCHES AND COUGHS | 0:50:48 | 0:50:50 | |
Come on! | 0:51:34 | 0:51:37 | |
SHE SCREAMS | 0:52:03 | 0:52:05 | |
BANG | 0:53:06 | 0:53:08 | |
ENGINE STARTS | 0:53:14 | 0:53:15 | |
CRYING | 0:53:29 | 0:53:31 | |
GLASS SHATTERS | 0:53:31 | 0:53:32 | |
Lia? | 0:53:35 | 0:53:36 | |
You're OK. Oh! | 0:53:42 | 0:53:44 | |
You're OK. Shh. | 0:53:44 | 0:53:47 | |
Shh. | 0:53:50 | 0:53:51 | |
It's all right. | 0:53:55 | 0:53:56 | |
Ssh. | 0:53:57 | 0:53:59 | |
LIA STOPS CRYING | 0:54:01 | 0:54:03 | |
Paula Reece, I am arresting you under the Child Abduction Act 1984. | 0:54:33 | 0:54:38 | |
You do not have to say anything. However, anything you do say... | 0:54:38 | 0:54:41 | |
DOORBELL RINGS | 0:54:53 | 0:54:55 | |
Fuck off, Ian. | 0:55:00 | 0:55:02 | |
That's a bit harsh. | 0:55:02 | 0:55:04 | |
You promised me. | 0:55:09 | 0:55:10 | |
He'll wake her. | 0:55:10 | 0:55:11 | |
What I did... | 0:55:19 | 0:55:21 | |
I know it's unforgiveable. | 0:55:21 | 0:55:22 | |
I should've been on your side, no matter what it looked like. | 0:55:24 | 0:55:27 | |
She put on a good show. Don't beat yourself up. | 0:55:32 | 0:55:35 | |
I don't expect another chance. | 0:55:38 | 0:55:42 | |
There must be something I can do. | 0:55:47 | 0:55:49 | |
I still love you. | 0:55:53 | 0:55:55 | |
Will you let me see Lia? | 0:56:01 | 0:56:03 | |
Not just now. | 0:56:04 | 0:56:06 | |
When? | 0:56:06 | 0:56:07 | |
Weekends. | 0:56:07 | 0:56:08 | |
Up there, I would've had another window | 0:56:20 | 0:56:23 | |
and that would've got rid of those horrible shadows, wouldn't it? | 0:56:23 | 0:56:26 | |
Hi. | 0:56:26 | 0:56:28 | |
-Hi. -This is Lia? | 0:56:29 | 0:56:31 | |
Mm-hm. That's her. | 0:56:31 | 0:56:33 | |
You keeping busy yourself? | 0:56:35 | 0:56:36 | |
Oh, yeah, nonstop. | 0:56:36 | 0:56:38 | |
Are you in practice somewhere? | 0:56:38 | 0:56:39 | |
Not right now, no. | 0:56:39 | 0:56:41 | |
Oh, I could put you in touch with some people if you like? | 0:56:41 | 0:56:43 | |
Ah, you're all right. | 0:56:43 | 0:56:45 | |
She's a full-time job. | 0:56:46 | 0:56:48 | |
She's not a job, she's my daughter. | 0:56:49 | 0:56:52 | |
I've-I've actually got three offers I'm looking at, | 0:56:53 | 0:56:56 | |
but thanks very much for thinking of me. | 0:56:56 | 0:56:58 | |
OK. | 0:56:58 | 0:56:59 | |
See you later. | 0:56:59 | 0:57:00 | |
-Bye. -Come on. Come on. | 0:57:00 | 0:57:02 | |
Here we are, The Busy Building Book. | 0:57:05 | 0:57:07 | |
"Workers dig a big hole | 0:57:07 | 0:57:09 | |
"for the foundation or basement of the building." | 0:57:09 | 0:57:11 | |
That's under here. See that big hole they're digging. | 0:57:11 | 0:57:14 | |
"After the foundation is done, workers build scaffolding. | 0:57:14 | 0:57:18 | |
"Pedestrians stand and watch. | 0:57:18 | 0:57:21 | |
"Workers take down the scaffolding..." | 0:57:21 | 0:57:23 | |
What's that? | 0:57:23 | 0:57:25 | |
That's a daddy, and a mummy, and a little boy. | 0:57:25 | 0:57:29 | |
Look, that's the crane. | 0:57:31 | 0:57:33 |