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EXPLOSIONS | 0:00:49 | 0:00:50 | |
LAUGHTER | 0:00:50 | 0:00:52 | |
More! More! | 0:00:56 | 0:00:58 | |
More! Another! Another! More! | 0:00:58 | 0:01:00 | |
-Woohoo-hoo! -Oh! | 0:01:00 | 0:01:02 | |
Whoo! Get back! | 0:01:02 | 0:01:03 | |
LAUGHTER | 0:01:03 | 0:01:05 | |
Circles! | 0:01:05 | 0:01:06 | |
-Ooh! Don't want to burn yourself, Stevie. -No. | 0:01:06 | 0:01:08 | |
Stand back, Stevie. | 0:01:08 | 0:01:10 | |
Stand back! | 0:01:10 | 0:01:11 | |
-Circles, Stevie! -Circles! | 0:01:11 | 0:01:13 | |
-Circles! -Yeah! | 0:01:13 | 0:01:15 | |
Ohh! That was wonderful! | 0:01:17 | 0:01:19 | |
LAUGHTER | 0:01:19 | 0:01:21 | |
Well, it's time I got off. | 0:01:21 | 0:01:23 | |
You want any more, Stevie, just look up at the sky. | 0:01:23 | 0:01:26 | |
FIREWORKS EXPLODE | 0:01:26 | 0:01:29 | |
He's really grateful, Anton. We all are. | 0:01:29 | 0:01:31 | |
Wasn't it a lot of fun tonight, Stevie? | 0:01:35 | 0:01:37 | |
There was a lot of fireworks. Whoosh! | 0:01:37 | 0:01:39 | |
SHE LAUGHS | 0:01:39 | 0:01:40 | |
You have to calm down now. It's time to go to sleep. | 0:01:40 | 0:01:43 | |
Calm me down, Winnie. | 0:01:43 | 0:01:44 | |
Night-night. | 0:01:56 | 0:01:57 | |
Night-night. | 0:01:58 | 0:01:59 | |
FIREWORKS EXPLODE | 0:02:07 | 0:02:10 | |
Michaelis. | 0:02:24 | 0:02:25 | |
Work to do, comrades. | 0:02:28 | 0:02:29 | |
CHURCH BELL TOLLS | 0:02:33 | 0:02:35 | |
I need to go out. | 0:02:38 | 0:02:40 | |
Look after the shop. | 0:02:40 | 0:02:41 | |
Of course. | 0:02:41 | 0:02:42 | |
Stevie, go and get Mr Verloc's hat. | 0:02:42 | 0:02:44 | |
Mr Verloc's hat! | 0:02:44 | 0:02:45 | |
Mr Verloc's hat. | 0:02:45 | 0:02:48 | |
Up early today, Mr Verloc. | 0:02:48 | 0:02:50 | |
What brings this about? | 0:02:51 | 0:02:52 | |
Mr Verloc's hat! | 0:02:52 | 0:02:53 | |
Goodbye, Mr Verloc. | 0:02:57 | 0:02:59 | |
Goodbye, Mr Verloc! | 0:02:59 | 0:03:00 | |
SHOP BELL TINKLES | 0:03:00 | 0:03:01 | |
Please, sir. | 0:03:12 | 0:03:14 | |
A farthing. | 0:03:14 | 0:03:15 | |
Oi! Mind yourself! | 0:03:16 | 0:03:17 | |
BELL TOLLS | 0:03:22 | 0:03:23 | |
BRASS BAND PLAYS CHILDREN LAUGH | 0:03:27 | 0:03:31 | |
Appointment with Mr Vladimir. | 0:03:38 | 0:03:40 | |
MAN SPEAKS RUSSIAN | 0:03:42 | 0:03:44 | |
LOUD THUDS | 0:03:52 | 0:03:53 | |
MEN SPEAK RUSSIAN IN BACKGROUND | 0:03:55 | 0:03:58 | |
PHONE RINGS | 0:04:02 | 0:04:05 | |
Very well. | 0:04:11 | 0:04:12 | |
This way. | 0:04:16 | 0:04:17 | |
They all know about you. | 0:04:22 | 0:04:24 | |
KNOCK AT DOOR | 0:04:41 | 0:04:42 | |
IN RUSSIAN: | 0:05:03 | 0:05:04 | |
HE CHUCKLES | 0:05:06 | 0:05:08 | |
Doesn't look the part. | 0:05:09 | 0:05:11 | |
Starving proletariat, desperate anarchist, really? | 0:05:11 | 0:05:14 | |
I inherited you from my predecessor, and I'm not sure I really know why. | 0:05:24 | 0:05:28 | |
What use are you to Russia? | 0:05:29 | 0:05:31 | |
I beg your pardon, Your Excellency? | 0:05:33 | 0:05:34 | |
As a secret agent. There doesn't seem to be any point to you. | 0:05:34 | 0:05:37 | |
About three months ago... | 0:05:40 | 0:05:41 | |
..I gave notice of an attack during Duke Romauld's visit to Paris, | 0:05:42 | 0:05:45 | |
which was telegraphed to the French police... | 0:05:45 | 0:05:48 | |
You passed a message on, which didn't need heeding, anyway. | 0:05:48 | 0:05:50 | |
But that's what I do, I... | 0:05:52 | 0:05:53 | |
I inform. | 0:05:53 | 0:05:54 | |
I'm an informer... | 0:05:54 | 0:05:56 | |
-and I've insinuated myself with the anarchists... -You are lazy. | 0:05:56 | 0:05:59 | |
We don't just want warnings, | 0:05:59 | 0:06:00 | |
we don't just want things stopped, we want things started. | 0:06:00 | 0:06:03 | |
Started? | 0:06:04 | 0:06:05 | |
You think this is enough? | 0:06:05 | 0:06:06 | |
Do you think it's enough just to produce this? | 0:06:07 | 0:06:10 | |
I've managed to become vice president of the Revolutionary... | 0:06:11 | 0:06:14 | |
The game's about to change, Mr Verloc. | 0:06:14 | 0:06:16 | |
You will start to earn your money here. | 0:06:16 | 0:06:17 | |
You will have to do so much more than sit on a committee | 0:06:17 | 0:06:20 | |
and pass on tittle-tattle. So much more. | 0:06:20 | 0:06:22 | |
I'm thinking of cutting you off. | 0:06:24 | 0:06:26 | |
No work, no pay. | 0:06:27 | 0:06:29 | |
BELL DINGS | 0:06:30 | 0:06:31 | |
We're going for a ride. | 0:06:34 | 0:06:36 | |
Where? | 0:06:38 | 0:06:39 | |
SHOP BELL TINKLES | 0:06:45 | 0:06:46 | |
Now, Stevie, get the coal in for your sister. | 0:06:49 | 0:06:51 | |
Yes, Mummy! | 0:06:51 | 0:06:52 | |
Coal for my sister. | 0:06:52 | 0:06:54 | |
Coal. | 0:06:55 | 0:06:56 | |
Can I help any of you gentlemen? | 0:06:56 | 0:06:58 | |
Any questions? | 0:06:58 | 0:06:59 | |
Anything you don't see, just ask. | 0:07:00 | 0:07:02 | |
This country is absurd, | 0:07:05 | 0:07:06 | |
with its sentimental regard for individual liberty. | 0:07:06 | 0:07:09 | |
Harbouring convicted terrorists? It's intolerable. | 0:07:09 | 0:07:11 | |
First Secretary... | 0:07:12 | 0:07:14 | |
I am ideally positioned to prevent... | 0:07:14 | 0:07:16 | |
You must provoke now, not prevent. You must set them to work. | 0:07:16 | 0:07:19 | |
England is in need of a jolly good scare. | 0:07:19 | 0:07:21 | |
An outrage that will summon this country from its slumber. | 0:07:21 | 0:07:24 | |
Unleash a law that will clamp down on the anarchist threat. | 0:07:24 | 0:07:27 | |
How? | 0:07:29 | 0:07:30 | |
KNOCKS ON WINDOW | 0:07:35 | 0:07:36 | |
Now, an attempt upon a crowned head or a president | 0:07:49 | 0:07:51 | |
is sensational enough, in a way, though not as much as it used to be. | 0:07:51 | 0:07:56 | |
It's almost conventional. | 0:07:56 | 0:07:58 | |
The sacrosanct fetish of the day is science. | 0:07:58 | 0:08:00 | |
It's become the new measure of progress, | 0:08:00 | 0:08:02 | |
of how the world is ordered, | 0:08:02 | 0:08:03 | |
of a civilisation moving forward. | 0:08:03 | 0:08:05 | |
And here... | 0:08:07 | 0:08:08 | |
we have the prime meridian. | 0:08:08 | 0:08:11 | |
Zero longitude. | 0:08:11 | 0:08:12 | |
The centre point of the Earth that divides the world in two, | 0:08:13 | 0:08:15 | |
that orders the world, eastern and western. | 0:08:15 | 0:08:18 | |
One line... | 0:08:19 | 0:08:20 | |
..emanating... | 0:08:21 | 0:08:22 | |
..from this building in Greenwich. | 0:08:22 | 0:08:24 | |
Blow up the observatory? | 0:08:28 | 0:08:29 | |
Well, it's a building, so it needn't be particularly... | 0:08:30 | 0:08:33 | |
sanguinary. | 0:08:33 | 0:08:34 | |
And you'll have enlisted your friends in the plot, | 0:08:34 | 0:08:36 | |
so it shouldn't be too difficult. | 0:08:36 | 0:08:38 | |
Of course, it would be symbolism, | 0:08:39 | 0:08:41 | |
but at the same time, it would be sheer, incomprehensible, | 0:08:41 | 0:08:43 | |
random madness, without regards for limits or sense. | 0:08:43 | 0:08:46 | |
Pure destruction. | 0:08:46 | 0:08:48 | |
An intention to make a clean sweep of the whole social creation. | 0:08:48 | 0:08:51 | |
And in that madness... | 0:08:51 | 0:08:52 | |
..is true terrorism. | 0:08:53 | 0:08:55 | |
True terrorism. | 0:08:55 | 0:08:56 | |
Forgive me, Mr Vladimir. | 0:08:57 | 0:08:59 | |
It's contemplation of the actual deed I'm having difficulty with. | 0:09:00 | 0:09:03 | |
How on Earth am I meant to persuade them? | 0:09:03 | 0:09:05 | |
Isn't that the business they're in? | 0:09:05 | 0:09:07 | |
Isn't that the business you're supposed to be in, provoking them? | 0:09:07 | 0:09:10 | |
Well, then, go it alone. | 0:09:11 | 0:09:13 | |
Let everyone think it was your friends' handiwork. | 0:09:13 | 0:09:16 | |
I can't! | 0:09:16 | 0:09:17 | |
I can't...plant a bomb! | 0:09:18 | 0:09:21 | |
Some encouragement, then, to get you out of your bed. | 0:09:22 | 0:09:24 | |
I want my plan followed through. | 0:09:24 | 0:09:26 | |
And if you fail, however you fail, | 0:09:26 | 0:09:28 | |
I will ensure that every radical in Europe | 0:09:28 | 0:09:30 | |
knows that you are on our payroll. | 0:09:30 | 0:09:33 | |
-They'll kill me. -Exactly. | 0:09:37 | 0:09:38 | |
There is a conference in Milan on the suppression of political crime. | 0:09:40 | 0:09:43 | |
The British think they're immune. | 0:09:43 | 0:09:45 | |
Their complacency needs to blow up in their face, literally. | 0:09:45 | 0:09:48 | |
It takes place in a month, and that's how long you've got. I give you a month. | 0:09:48 | 0:09:51 | |
Dynamite, chemicals... | 0:09:53 | 0:09:54 | |
You have carte blanche. | 0:09:55 | 0:09:56 | |
Oi, Verloc. Got any new ones for me, eh? | 0:10:45 | 0:10:49 | |
SHOP BELL TINKLES | 0:10:55 | 0:10:57 | |
Gentlemen. | 0:11:18 | 0:11:19 | |
SCRAPING OF CUTLERY | 0:11:25 | 0:11:28 | |
Everything all right? | 0:11:40 | 0:11:41 | |
You leave the door on the latch? | 0:11:44 | 0:11:46 | |
I know the drill. | 0:11:46 | 0:11:48 | |
CLANK Fingers and thumbs! | 0:11:48 | 0:11:51 | |
Why is he so clumsy! | 0:11:51 | 0:11:53 | |
Not yourself tonight, Mr Verloc... | 0:11:57 | 0:11:59 | |
..is he, Winnie? | 0:12:00 | 0:12:02 | |
Tired, I expect. | 0:12:03 | 0:12:04 | |
SHOP BELL TINKLES | 0:12:13 | 0:12:15 | |
Your friends are here, Anton. | 0:12:16 | 0:12:17 | |
Come on, mischief - better make ourselves scarce. | 0:12:20 | 0:12:23 | |
Bring your plate. | 0:12:23 | 0:12:24 | |
There's a good lad. | 0:12:24 | 0:12:25 | |
-Hello. -Verloc. | 0:12:33 | 0:12:35 | |
Chief Inspector Heat. | 0:12:50 | 0:12:51 | |
May I, Home Secretary...? | 0:12:51 | 0:12:52 | |
Be my guest. | 0:12:52 | 0:12:53 | |
This is the particular cell we've been following. | 0:12:58 | 0:13:01 | |
Michaelis always protested he was no more than just | 0:13:01 | 0:13:04 | |
a lookout for the gang that killed a policeman. | 0:13:04 | 0:13:07 | |
Now released, | 0:13:07 | 0:13:09 | |
he may be looking for revenge. | 0:13:09 | 0:13:11 | |
Struggle and warfare is the condition of private ownership. | 0:13:11 | 0:13:17 | |
It is fatal to itself. | 0:13:17 | 0:13:18 | |
Oh, I see. Capitalism sows the seeds of its own destruction? | 0:13:18 | 0:13:22 | |
So, therefore, we just sit back and do nothing? | 0:13:22 | 0:13:25 | |
Yundt, an unapologetic revolutionary. | 0:13:25 | 0:13:28 | |
He's older and weaker now but he was violent, sir. | 0:13:28 | 0:13:30 | |
We have to attack some banks. | 0:13:30 | 0:13:32 | |
It isn't enough to just leave a few bank tellers quivering. | 0:13:32 | 0:13:35 | |
Ossipon. He's wanted all over Europe, sir. Fled his own country. | 0:13:36 | 0:13:40 | |
Here, he writes radical pamphlets. | 0:13:40 | 0:13:42 | |
We cannot wait for a crisis - we have to bloody create one! | 0:13:42 | 0:13:47 | |
Come up with a target we can hit, then! | 0:13:47 | 0:13:49 | |
Verloc. | 0:13:51 | 0:13:52 | |
Runs a seedy shop in Soho. | 0:13:52 | 0:13:54 | |
To be honest, sir. I don't think he's capable of seeing anything through. | 0:13:54 | 0:13:58 | |
Come on! | 0:13:59 | 0:14:00 | |
One that will cause not only destruction... | 0:14:02 | 0:14:05 | |
..but will actually shock everyone. | 0:14:06 | 0:14:08 | |
We need to show that our intention | 0:14:10 | 0:14:12 | |
is to sweep away the whole social creation. | 0:14:12 | 0:14:14 | |
That is true terrorism. | 0:14:21 | 0:14:22 | |
If they are ever taken up by | 0:14:29 | 0:14:31 | |
-their working class counterparts... -BELL TINKLES | 0:14:31 | 0:14:34 | |
Well, you left the door on the latch, didn't you? | 0:14:34 | 0:14:36 | |
-You're late. -Apologies. | 0:14:37 | 0:14:39 | |
Should anarchists apologise for interrupting a meeting? | 0:14:39 | 0:14:41 | |
That's very good, Ossipon. | 0:14:41 | 0:14:43 | |
-What's your opinion? -I beg your pardon? | 0:14:43 | 0:14:45 | |
Verloc is suddenly restless. Thinks we should refashion our tactics. | 0:14:45 | 0:14:50 | |
Attack the rich. That is the only way. | 0:14:50 | 0:14:54 | |
They nourish their greed on the quivering flesh of our people. | 0:14:54 | 0:14:58 | |
Their jaws drip with our blood so we should spill theirs! | 0:14:58 | 0:15:03 | |
A capitalist is a cannibal! | 0:15:03 | 0:15:06 | |
THUD | 0:15:06 | 0:15:07 | |
CLAPPING | 0:15:07 | 0:15:09 | |
Is that the sort of thing you had in mind? | 0:15:09 | 0:15:11 | |
Hurt a few wealthy individuals? | 0:15:11 | 0:15:13 | |
It's meaningless. | 0:15:15 | 0:15:16 | |
Yes. Yes, it is. Quite meaningless. | 0:15:17 | 0:15:20 | |
Not nearly enough violence. | 0:15:20 | 0:15:22 | |
Refers to himself as The Professor. | 0:15:22 | 0:15:24 | |
Ironic, really, as he couldn't even remain as a lab technician. | 0:15:24 | 0:15:27 | |
Only a detonator means anything. | 0:15:27 | 0:15:30 | |
You all tolerate my company because I know how chemicals combine. | 0:15:30 | 0:15:34 | |
But I've never heard a peep from any of you about getting your actual hands on them. | 0:15:34 | 0:15:39 | |
What might temper your scorn? | 0:15:39 | 0:15:41 | |
If the conversation were to turn to... | 0:15:42 | 0:15:45 | |
-..bombs? -Will that ever happen? -Look, let us reconvene... | 0:15:46 | 0:15:49 | |
-I've spent 15 years in prison. I'll bide my time. -If I weren't too old to escape the blast... | 0:15:49 | 0:15:53 | |
Who cares about the blast? | 0:15:53 | 0:15:54 | |
Just as I thought. | 0:15:59 | 0:16:01 | |
Revolution is not a dynamite campaign. | 0:16:01 | 0:16:03 | |
SHOP BELL TINKLES | 0:16:14 | 0:16:16 | |
It's impressive intelligence, Chief Inspector, | 0:16:23 | 0:16:25 | |
so what conclusion am I to draw? | 0:16:25 | 0:16:27 | |
Well, you can go to the Conference in Milan, sir. | 0:16:31 | 0:16:33 | |
And you can announce that we can put our finger on every single | 0:16:33 | 0:16:36 | |
anarchist in London. | 0:16:36 | 0:16:38 | |
And I give you have my word | 0:16:38 | 0:16:39 | |
that as long as we keep our eye on this cell, | 0:16:39 | 0:16:41 | |
they are capable of nothing. | 0:16:41 | 0:16:43 | |
Nothing whatsoever. | 0:16:44 | 0:16:45 | |
It appears you have no takers. | 0:17:01 | 0:17:03 | |
Will you help me? | 0:17:08 | 0:17:09 | |
I'll listen to what you have to say. | 0:17:13 | 0:17:15 | |
SHOP BELL TINKLES | 0:17:30 | 0:17:33 | |
-Was it Yundt? -Mr Yundt! | 0:17:51 | 0:17:53 | |
HE WHIMPERS | 0:17:53 | 0:17:55 | |
I don't know why you put up with it. | 0:17:55 | 0:17:57 | |
You know what it does to Stevie. | 0:17:57 | 0:17:59 | |
Anton needs an outlet. | 0:17:59 | 0:18:01 | |
If they're in there trying to put the world to rights, I can't begrudge him that. | 0:18:01 | 0:18:04 | |
It's just a bunch of men letting off steam. | 0:18:04 | 0:18:06 | |
Mr Verloc wasn't just letting off steam. You didn't hear him. | 0:18:06 | 0:18:10 | |
He was talking about violence, Winnie. | 0:18:10 | 0:18:12 | |
Talking about it? | 0:18:13 | 0:18:15 | |
I remember Daddy doing more than talk about it. | 0:18:15 | 0:18:18 | |
He didn't understand him, that's all! | 0:18:18 | 0:18:20 | |
And you don't understand Anton! | 0:18:20 | 0:18:22 | |
Come on, Stevie. Bedtime. | 0:18:25 | 0:18:26 | |
Kitchen not big enough for two women? | 0:18:42 | 0:18:44 | |
What's wrong? | 0:19:02 | 0:19:03 | |
Headache. | 0:19:06 | 0:19:07 | |
Starting to not feel very well. | 0:19:10 | 0:19:12 | |
Did you remember to take the cashbox out of the shop? | 0:19:20 | 0:19:23 | |
Ever the pragmatist, Winnie! | 0:19:23 | 0:19:26 | |
Well, we wouldn't want your headache getting any worse, would we? | 0:19:26 | 0:19:30 | |
Mind you, you'd have noticed it was lighter than normal. | 0:19:31 | 0:19:33 | |
Takings are down. | 0:19:33 | 0:19:34 | |
I'll do what needs to be done. | 0:19:41 | 0:19:43 | |
What does that mean? | 0:19:44 | 0:19:45 | |
CRASH MUFFLED GRUNTING | 0:19:45 | 0:19:47 | |
Anton! | 0:19:47 | 0:19:49 | |
Be careful. | 0:19:50 | 0:19:52 | |
I won't let them eat me! I won't let them eat me! | 0:19:52 | 0:19:55 | |
I won't let them eat me! | 0:19:56 | 0:19:57 | |
Don't let them eat me! | 0:19:59 | 0:20:01 | |
Winnie's coming. | 0:20:01 | 0:20:02 | |
Don't let them eat me! Don't! | 0:20:02 | 0:20:04 | |
-Stevie! -There's knives here, Winnie. Knives here! | 0:20:04 | 0:20:07 | |
Knives here! Knives here! | 0:20:07 | 0:20:09 | |
Stevie, it's not true. | 0:20:09 | 0:20:12 | |
-Help me! -Stevie. -Help me! | 0:20:12 | 0:20:14 | |
No-one's going to eat you or anybody. It's a just a tale. | 0:20:14 | 0:20:17 | |
-Help me! -It's just a fairytale. | 0:20:17 | 0:20:19 | |
It's just a bunch of silly men saying the first thing that | 0:20:19 | 0:20:21 | |
comes into their heads. | 0:20:21 | 0:20:23 | |
Isn't that so, Anton? | 0:20:23 | 0:20:24 | |
Words, that's all. | 0:20:26 | 0:20:28 | |
Bunch of silly men. | 0:20:28 | 0:20:30 | |
Don't worry, Stevie. | 0:20:30 | 0:20:32 | |
No-one's going to hurt you. | 0:20:32 | 0:20:34 | |
Come on. | 0:20:35 | 0:20:36 | |
Mind the knives. | 0:20:40 | 0:20:41 | |
There's a lot to clear up in the morning, Stevie. | 0:20:47 | 0:20:49 | |
Stevie's made quite a mess, hasn't he? | 0:20:52 | 0:20:53 | |
I can forbear that. | 0:20:59 | 0:21:00 | |
BIRDS CHIRPING | 0:21:17 | 0:21:21 | |
You walked along far too quickly. | 0:21:47 | 0:21:49 | |
As if you were in a hurry. | 0:21:49 | 0:21:51 | |
It's not good at all, really. Amateur. | 0:21:51 | 0:21:54 | |
You're very cocksure all of a sudden. | 0:21:54 | 0:21:56 | |
Oh, Mr Verloc. | 0:21:56 | 0:21:57 | |
Have you not already found me to be a wolf in sheep's clothing? | 0:21:57 | 0:22:00 | |
-A lone wolf. -What should I do? | 0:22:00 | 0:22:03 | |
Admire the chitchat of you | 0:22:05 | 0:22:06 | |
and your friends every Tuesday night? | 0:22:06 | 0:22:08 | |
That's true. | 0:22:08 | 0:22:10 | |
They talk too much but | 0:22:10 | 0:22:12 | |
you are all words yourself. | 0:22:12 | 0:22:14 | |
Provocative ones, mind, but... | 0:22:14 | 0:22:16 | |
I mean exactly what I say. Now be explicit yourself. | 0:22:16 | 0:22:19 | |
Can you supply a bomb? | 0:22:22 | 0:22:23 | |
I can supply a bomb. That's one thing. | 0:22:25 | 0:22:27 | |
But the main thing is, will you explode it? | 0:22:27 | 0:22:30 | |
That needs a cool head. And you are a hot flush. | 0:22:35 | 0:22:38 | |
Do you know the most frequent customers | 0:22:40 | 0:22:42 | |
to my shop are from Parliament and the pulpit? | 0:22:42 | 0:22:46 | |
The men who uphold the social order of this country are not only | 0:22:50 | 0:22:54 | |
rank hypocrites, but their tastes... | 0:22:54 | 0:22:56 | |
..beyond the limit. | 0:23:00 | 0:23:01 | |
I'd have them dragged out into plain sight and torn apart. | 0:23:03 | 0:23:06 | |
Their skin and their pretence laid bare. | 0:23:07 | 0:23:10 | |
But I must ask you something. | 0:23:12 | 0:23:14 | |
In order to accomplish your mission, | 0:23:14 | 0:23:17 | |
would you do so even at the cost... | 0:23:17 | 0:23:18 | |
..of your own life? | 0:23:20 | 0:23:22 | |
I see. | 0:23:28 | 0:23:29 | |
Look. | 0:23:31 | 0:23:32 | |
What I have in mind is a building, an important building. | 0:23:34 | 0:23:37 | |
Symbolic of this country and everything... | 0:23:37 | 0:23:39 | |
No death, just destruction? | 0:23:39 | 0:23:41 | |
What, you will be a conscientious terrorist, will you? | 0:23:41 | 0:23:44 | |
Well, that won't wash, not with me, Verloc. | 0:23:44 | 0:23:46 | |
I prefer to give my stuff to people who are deadly. People who have character. | 0:23:46 | 0:23:50 | |
Who have no illusions about what it is they are in. | 0:23:50 | 0:23:52 | |
Think again. | 0:23:54 | 0:23:55 | |
SHOP BELL TINKLES | 0:24:12 | 0:24:14 | |
This isn't quite the excitement people come in here looking for. | 0:24:22 | 0:24:25 | |
Given out at discount, they may yet become receptive to it. | 0:24:25 | 0:24:29 | |
And their passions turning to a different kind of struggle. | 0:24:29 | 0:24:32 | |
Perhaps. | 0:24:32 | 0:24:33 | |
Now here's some excitement given out freely. | 0:24:35 | 0:24:37 | |
Circles! | 0:24:37 | 0:24:39 | |
Circles, circles, circles, circles, circles, circles, | 0:24:39 | 0:24:42 | |
Mr Ossipon! Tom! | 0:24:42 | 0:24:43 | |
And very good circles they are too. | 0:24:43 | 0:24:45 | |
Very...round. Mmm? | 0:24:45 | 0:24:48 | |
Can I take this with me? | 0:24:49 | 0:24:51 | |
No! Greedy! Showing only! | 0:24:51 | 0:24:54 | |
Say how many, Mr Ossipon! Tom! | 0:24:54 | 0:24:55 | |
Stevie, let Mr Ossipon get on now. | 0:24:55 | 0:24:57 | |
Not at all. | 0:24:57 | 0:24:58 | |
Now... | 0:24:59 | 0:25:01 | |
COUNTS SOFTLY IN FRENCH | 0:25:01 | 0:25:04 | |
22. 21! | 0:25:04 | 0:25:06 | |
Then have you got room for one more? | 0:25:07 | 0:25:09 | |
-One more! -Mmm. | 0:25:10 | 0:25:12 | |
One more! One more, Winnie! | 0:25:12 | 0:25:14 | |
One more! | 0:25:14 | 0:25:16 | |
One more! | 0:25:16 | 0:25:17 | |
There's some scientific fools who dismiss | 0:25:17 | 0:25:19 | |
boys like Stevie as degenerates. | 0:25:19 | 0:25:21 | |
I had a doctor inspecting the lobes of his ears once. | 0:25:21 | 0:25:24 | |
As if that might explain something. | 0:25:24 | 0:25:25 | |
Nonsense! He can write and read and draw | 0:25:25 | 0:25:30 | |
and he's full of life... | 0:25:30 | 0:25:31 | |
..because you are. | 0:25:33 | 0:25:34 | |
-It seems Verloc and the Professor are having their own private encounter. -Just the two of them? | 0:25:42 | 0:25:46 | |
Not the usual kind of meeting at all, sir. | 0:25:46 | 0:25:48 | |
Let's have our own encounter. | 0:25:50 | 0:25:52 | |
Two whiskies, please. | 0:26:13 | 0:26:14 | |
Thought you might like a bit of company, Professor. | 0:26:15 | 0:26:18 | |
Chief Inspector Heat, Special Crimes Division. | 0:26:18 | 0:26:22 | |
Don't matter what you say about them "revolutionary" friends of yours, | 0:26:22 | 0:26:25 | |
you can't really go to the pub with them, can you?! | 0:26:25 | 0:26:28 | |
To be honest, I don't even know why you bother. | 0:26:29 | 0:26:32 | |
Better hobbies out there for a lonely fellow like you to pursue. | 0:26:32 | 0:26:36 | |
What do you want? | 0:26:36 | 0:26:37 | |
Why are you meeting Verloc away from the others? | 0:26:43 | 0:26:45 | |
What are you talking about? | 0:26:45 | 0:26:46 | |
Suddenly I am a "person of interest"? | 0:26:46 | 0:26:48 | |
Actually, you're a person of very little interest. | 0:26:48 | 0:26:50 | |
But if you're going to have independent conversations | 0:26:50 | 0:26:53 | |
with the bigger boys in this network, then it's my duty to ask. | 0:26:53 | 0:26:56 | |
You think I'm in thrall to them? | 0:26:56 | 0:26:58 | |
They must seem very exciting | 0:26:59 | 0:27:01 | |
for a person with such a humdrum life like you. | 0:27:01 | 0:27:05 | |
You couldn't even remain a lab technician. | 0:27:05 | 0:27:08 | |
Now you want to dabble in a bit of subversion and feel all heroic. | 0:27:08 | 0:27:10 | |
If I am such a fantasist, Chief Inspector... | 0:27:12 | 0:27:14 | |
..explain this. | 0:27:16 | 0:27:17 | |
You say I'm friendless? | 0:27:20 | 0:27:22 | |
Oh, no, Inspector, I am very attached to this. | 0:27:22 | 0:27:25 | |
I always walk with my left hand | 0:27:25 | 0:27:27 | |
closed around this India-rubber ball that I keep in my pocket. | 0:27:27 | 0:27:31 | |
And the pressing of this ball actuates | 0:27:31 | 0:27:33 | |
a detonator inside this flask in my jacket. | 0:27:33 | 0:27:35 | |
It's the principle of the instantaneous shutter of a camera. | 0:27:35 | 0:27:38 | |
The tube leads up here and round into the flask. | 0:27:38 | 0:27:41 | |
The detonator is part mechanical, part chemical. | 0:27:41 | 0:27:44 | |
Now, this pressing of the ball, that starts everything rolling. | 0:27:44 | 0:27:46 | |
-What? And lead to your own destruction? -And yours... | 0:27:46 | 0:27:50 | |
and his and God knows how many more besides. | 0:27:50 | 0:27:53 | |
As for myself, I am the least of it. | 0:27:55 | 0:27:58 | |
What use would you be? | 0:27:59 | 0:28:00 | |
I will have served my purpose. | 0:28:02 | 0:28:03 | |
Oh, I've no doubt the newspapers will give you a very good obituary. | 0:28:05 | 0:28:10 | |
Chief Inspector Heat, "implacable enemy of terror". | 0:28:10 | 0:28:13 | |
The man who kept us safe in our beds. | 0:28:13 | 0:28:15 | |
But you'd be buried alongside me. | 0:28:16 | 0:28:18 | |
Mark no doubt your friends will make an effort to sort us out as much as possible. | 0:28:19 | 0:28:23 | |
Give this up. | 0:28:24 | 0:28:25 | |
To deal with me, you'd require sheer, naked, inglorious heroism. | 0:28:25 | 0:28:28 | |
Do you possess such? | 0:28:30 | 0:28:31 | |
You can't win this game. We're too many for you! | 0:28:44 | 0:28:46 | |
What now, sir? | 0:29:07 | 0:29:08 | |
SHOP BELL TINKLES | 0:29:12 | 0:29:14 | |
I've come to see Mr Verloc. | 0:29:17 | 0:29:19 | |
Is he expecting you? | 0:29:20 | 0:29:22 | |
I wouldn't think so. | 0:29:22 | 0:29:23 | |
Anton, you have a visitor. | 0:29:31 | 0:29:33 | |
You still importing from the Continent? | 0:29:54 | 0:29:56 | |
Everything you see here is legal, Chief Inspector. | 0:29:58 | 0:30:01 | |
What about what I can't see, Verloc? | 0:30:01 | 0:30:02 | |
I could have the customs house men down here any time. | 0:30:02 | 0:30:05 | |
Confiscation. | 0:30:05 | 0:30:07 | |
Prosecution. Prison. | 0:30:07 | 0:30:08 | |
What is it you want? | 0:30:10 | 0:30:11 | |
The services of my sometime informer. | 0:30:13 | 0:30:15 | |
It's been two years since I've seen you. | 0:30:18 | 0:30:19 | |
And two hours since you saw the Professor. | 0:30:19 | 0:30:21 | |
Are you following me? | 0:30:23 | 0:30:25 | |
It's all right. It's only him I want. | 0:30:25 | 0:30:28 | |
Have you got an address for him? | 0:30:28 | 0:30:29 | |
Why was it just the two of you? | 0:30:46 | 0:30:48 | |
What did he want? | 0:30:48 | 0:30:49 | |
What did he talk about? | 0:30:50 | 0:30:52 | |
If your associates were to find out that you were being | 0:30:53 | 0:30:56 | |
paid by the Russian Embassy to spy on them, | 0:30:56 | 0:30:59 | |
it could end in your death. | 0:30:59 | 0:31:00 | |
He wants to supply me with explosives. | 0:31:03 | 0:31:05 | |
The meeting ended badly. | 0:31:07 | 0:31:09 | |
He went away. | 0:31:09 | 0:31:10 | |
Didn't trust me. | 0:31:12 | 0:31:13 | |
When do you think he realised you weren't all you seemed? | 0:31:14 | 0:31:17 | |
Did he smell a rat? | 0:31:17 | 0:31:18 | |
Why were you talking about explosives? | 0:31:28 | 0:31:30 | |
I was just being provocative. | 0:31:34 | 0:31:36 | |
It's my job. | 0:31:38 | 0:31:39 | |
SHOP BELL TINKLES | 0:31:45 | 0:31:47 | |
DOOR BANGS | 0:31:50 | 0:31:52 | |
You can't leave. Why would you want to live there? | 0:32:04 | 0:32:06 | |
This is nonsense. | 0:32:06 | 0:32:07 | |
They are homes for the dependents of licensed victuallers. | 0:32:07 | 0:32:10 | |
A good, charitable arrangement from the brewery for widows like me. | 0:32:10 | 0:32:13 | |
An almshouse! Can you credit it? | 0:32:13 | 0:32:16 | |
It will work very well for me! | 0:32:16 | 0:32:18 | |
And what about us? | 0:32:18 | 0:32:19 | |
You must look after your own family. | 0:32:19 | 0:32:21 | |
You don't feel this is your home any more? | 0:32:23 | 0:32:26 | |
I don't do this lightly! | 0:32:26 | 0:32:27 | |
Why are you doing it at all? | 0:32:27 | 0:32:29 | |
I know I'm Stevie's mother. But you are Mr Verloc's wife. | 0:32:30 | 0:32:33 | |
-Anton, please stop this nonsense! -Mummy! | 0:32:40 | 0:32:42 | |
Perhaps it's a practical solution. | 0:32:42 | 0:32:44 | |
-What about Stevie? -Look, Winnie. I've got troubles of my own! | 0:32:44 | 0:32:47 | |
Everybody's very cross today! | 0:32:47 | 0:32:48 | |
Very cross today. Why? | 0:32:48 | 0:32:50 | |
It's nothing, Stevie. Come and give me a hand. | 0:32:53 | 0:32:55 | |
DOOR CLOSES | 0:32:56 | 0:32:58 | |
Go. Go. Go. Go. | 0:33:01 | 0:33:02 | |
Go! | 0:33:02 | 0:33:04 | |
HE MUTTERS | 0:33:20 | 0:33:22 | |
Threaten me! | 0:33:31 | 0:33:32 | |
Threaten me! I'll... | 0:33:32 | 0:33:34 | |
Too much. | 0:33:36 | 0:33:38 | |
I will be too much for them. | 0:33:38 | 0:33:40 | |
Ladies and gentlemen, | 0:33:54 | 0:33:55 | |
I am delighted to welcome Mr Michaelis to our salon. | 0:33:55 | 0:33:58 | |
Please. | 0:33:59 | 0:34:00 | |
CLAPPING | 0:34:00 | 0:34:02 | |
Mr Vladimir. | 0:34:05 | 0:34:06 | |
So, Special Crimes releases its anarchists and murderers? | 0:34:06 | 0:34:09 | |
He is involved with the killing of a policeman | 0:34:09 | 0:34:11 | |
and is then indulged by romantic liberals as the victim. | 0:34:11 | 0:34:14 | |
He was given a life sentence as an accessory. | 0:34:15 | 0:34:17 | |
Besides, the man can't help but be chastened after 15 years in prison. | 0:34:17 | 0:34:21 | |
Or embittered by his incarceration, | 0:34:21 | 0:34:22 | |
intent on achieving new heights of radical depravity, | 0:34:22 | 0:34:25 | |
a campaign unwittingly funded by the Lady Patroness. | 0:34:25 | 0:34:29 | |
Oh, I love the British justice system, | 0:34:29 | 0:34:31 | |
renowned for its humanitarianism. | 0:34:31 | 0:34:33 | |
That's most kind. | 0:34:35 | 0:34:36 | |
Don't you realise the kind of people you have in your midst? | 0:34:36 | 0:34:39 | |
Some of them are your people too, aren't they? | 0:34:39 | 0:34:41 | |
Oh, absolutely. On the run from all kinds of outrages. | 0:34:41 | 0:34:43 | |
They won't commit any here. | 0:34:43 | 0:34:45 | |
The way your institutions stand on ceremony? I am sure they will. | 0:34:45 | 0:34:49 | |
If you'll excuse me. | 0:34:52 | 0:34:54 | |
He will make fools of you all. | 0:34:56 | 0:34:58 | |
Mr Michaelis, this is my husband, Assistant Commissioner Stone. | 0:34:59 | 0:35:02 | |
I can assure you I'm here socially not professionally. | 0:35:03 | 0:35:06 | |
And enjoying Lady Blackwood's hospitality. | 0:35:06 | 0:35:10 | |
I bear no enmity. I am a ticket of leave man. | 0:35:10 | 0:35:14 | |
My freedom co... | 0:35:14 | 0:35:15 | |
..conditional. | 0:35:16 | 0:35:18 | |
My appreciation of it boundless. | 0:35:18 | 0:35:21 | |
Mr Michaelis is going to my cottage in Kent to write a book, | 0:35:21 | 0:35:24 | |
a memoir! | 0:35:24 | 0:35:25 | |
How extraordinary is that? | 0:35:25 | 0:35:27 | |
That's... | 0:35:27 | 0:35:28 | |
Quite. Quite. | 0:35:28 | 0:35:30 | |
There's no need to come with me. | 0:35:38 | 0:35:40 | |
Don't be silly. | 0:35:40 | 0:35:41 | |
Where are we going? | 0:35:41 | 0:35:42 | |
When are you going to tell him? | 0:35:44 | 0:35:45 | |
On the way. | 0:35:45 | 0:35:47 | |
Come on, Stevie. | 0:35:47 | 0:35:48 | |
I want to sit up by the horse! | 0:35:48 | 0:35:50 | |
Wait for me. | 0:35:52 | 0:35:53 | |
Look after yourself. | 0:35:55 | 0:35:57 | |
Look after them. | 0:35:57 | 0:35:58 | |
Whoa. | 0:36:00 | 0:36:02 | |
Good...good boy. | 0:36:02 | 0:36:04 | |
Good boy. Don't make him go too fast. | 0:36:04 | 0:36:07 | |
No. No. | 0:36:20 | 0:36:21 | |
Mummy doesn't go in there! | 0:36:21 | 0:36:23 | |
-Stevie. -Look. -Stevie. -Mummy doesn't go away from me! | 0:36:23 | 0:36:25 | |
-Mummy doesn't go in there! -You'll come and see me every Sunday, won't you, Stevie? | 0:36:27 | 0:36:31 | |
Get the omnibus over here. Like a big boy. | 0:36:31 | 0:36:33 | |
-I'll get lost! -No. | 0:36:33 | 0:36:35 | |
No. No. That's Mummy's. | 0:36:36 | 0:36:39 | |
-You didn't need to do this at all, Mother. -He'll be fine with you. As long as there's you. | 0:36:39 | 0:36:43 | |
-Don't touch them. They're Mummy's things. -And Anton. | 0:36:43 | 0:36:46 | |
Did...did I make you do this? | 0:36:48 | 0:36:50 | |
Did I make you? | 0:36:50 | 0:36:51 | |
I'm sorry, Mummy. | 0:36:51 | 0:36:53 | |
Stevie, you're a good boy. | 0:36:53 | 0:36:55 | |
Daddy didn't think I was a good boy. | 0:36:55 | 0:36:57 | |
Well, Daddy's not here any more. You have Mr Verloc as your guardian now. | 0:36:57 | 0:37:00 | |
I made a good match, Mother. | 0:37:01 | 0:37:03 | |
How do you really know? | 0:37:03 | 0:37:05 | |
HE WHIMPERS | 0:37:05 | 0:37:06 | |
These things don't bear too much looking into | 0:37:06 | 0:37:08 | |
as long as he's good to us. | 0:37:08 | 0:37:10 | |
Come on, Stevie. Say goodbye now, we've got to go. | 0:37:10 | 0:37:13 | |
See her soon, eh? | 0:37:13 | 0:37:14 | |
-HE CRIES -Yes. Yes. | 0:37:14 | 0:37:16 | |
She won't see me. She doesn't like me! | 0:37:16 | 0:37:19 | |
-Stevie! -She doesn't. | 0:37:19 | 0:37:20 | |
Stevie! | 0:37:20 | 0:37:21 | |
Wurmt! Wurmt! | 0:37:36 | 0:37:38 | |
Wurmt! I need to see the First Secretary! | 0:37:38 | 0:37:40 | |
I can't do what he wants. | 0:37:41 | 0:37:42 | |
Wurmt! | 0:37:46 | 0:37:47 | |
Stevie! | 0:38:06 | 0:38:08 | |
You shouldn't have just run off like that. Anything could have happened to you. | 0:38:08 | 0:38:11 | |
What will happen to me? | 0:38:13 | 0:38:15 | |
Nothing. Everything'll stay the same. | 0:38:15 | 0:38:18 | |
Really the same? | 0:38:18 | 0:38:19 | |
Yes, Stevie, because you've got me. | 0:38:19 | 0:38:21 | |
Yes. | 0:38:21 | 0:38:22 | |
Yes. And no-one's ever taking that away. | 0:38:22 | 0:38:25 | |
No. No. | 0:38:26 | 0:38:28 | |
Come on. | 0:38:28 | 0:38:29 | |
SHOP BELL TINKLES | 0:38:33 | 0:38:35 | |
What did you mean? | 0:38:49 | 0:38:50 | |
Eh? | 0:38:55 | 0:38:56 | |
You said you had troubles of your own. | 0:38:59 | 0:39:01 | |
I don't know how much longer I can keep this up. | 0:39:10 | 0:39:12 | |
Tell me. | 0:39:14 | 0:39:16 | |
Anton? | 0:39:21 | 0:39:22 | |
The shop. | 0:39:24 | 0:39:25 | |
You were right. | 0:39:27 | 0:39:28 | |
The figures just don't add up. | 0:39:31 | 0:39:32 | |
Nothing's adding up. | 0:39:35 | 0:39:36 | |
As for us, I'm sure we'll be all right. | 0:39:38 | 0:39:41 | |
You always find a way to make things work. | 0:39:41 | 0:39:43 | |
What's wrong with him? He looks like a sick dog. | 0:40:10 | 0:40:13 | |
He misses having something to do. He misses Mother. | 0:40:13 | 0:40:17 | |
He needs routine. | 0:40:17 | 0:40:18 | |
He needs things to settle down. | 0:40:18 | 0:40:20 | |
I thought maybe he could help you out in the shop. | 0:40:22 | 0:40:24 | |
-You could show him the ropes. He'd really enjoy it. -Don't. | 0:40:24 | 0:40:27 | |
Don't what? | 0:40:27 | 0:40:28 | |
Make plans for me. | 0:40:30 | 0:40:31 | |
Everyone's always making plans for me! | 0:40:33 | 0:40:35 | |
Sir. Sir. | 0:40:57 | 0:40:59 | |
I was told to take you with me. | 0:41:02 | 0:41:03 | |
Who by? | 0:41:06 | 0:41:08 | |
Verloc. | 0:41:39 | 0:41:40 | |
Boy. | 0:41:42 | 0:41:43 | |
I've cut the bottom out of this one-gallon Copal varnish can. | 0:41:46 | 0:41:49 | |
The can | 0:41:51 | 0:41:53 | |
encloses this... | 0:41:53 | 0:41:54 | |
That... | 0:41:55 | 0:41:56 | |
..is encased in wet clay... | 0:41:58 | 0:42:00 | |
..and it contains 16oz of X2 powder. | 0:42:01 | 0:42:05 | |
The detonator | 0:42:06 | 0:42:08 | |
will be connected with the screw top of the can. | 0:42:08 | 0:42:12 | |
It will work on a combination of time and shock. | 0:42:12 | 0:42:14 | |
Why are you willing to help me now? | 0:42:14 | 0:42:17 | |
You weren't before... | 0:42:17 | 0:42:18 | |
Come. | 0:42:18 | 0:42:19 | |
Look at this. | 0:42:19 | 0:42:20 | |
What's wrong with you? | 0:42:31 | 0:42:33 | |
It's becoming real. | 0:42:37 | 0:42:38 | |
You're not having second thoughts, are you, Verloc? | 0:42:38 | 0:42:41 | |
I can't. | 0:42:41 | 0:42:42 | |
I'm set on this course... | 0:42:44 | 0:42:46 | |
regardless. | 0:42:46 | 0:42:47 | |
Regardless of what? | 0:42:47 | 0:42:48 | |
This is a war. | 0:42:58 | 0:42:59 | |
You can't get away with making just some kind of gesture. | 0:43:01 | 0:43:05 | |
People will die. You do understand that, don't you? | 0:43:05 | 0:43:07 | |
I just need a bomb. | 0:43:09 | 0:43:10 | |
Leave it with me. | 0:43:18 | 0:43:19 | |
You seem in a better mood. | 0:43:48 | 0:43:50 | |
I suppose a few pints of beer can do that to a man. | 0:43:51 | 0:43:54 | |
I've been thinking. This boy needs to get out more. | 0:43:57 | 0:44:00 | |
You know how I am for my little "journeys". | 0:44:02 | 0:44:05 | |
I need a walking companion. | 0:44:05 | 0:44:06 | |
To the park for a start. | 0:44:06 | 0:44:09 | |
Did you hear that, Stevie? | 0:44:09 | 0:44:10 | |
Park! | 0:44:10 | 0:44:11 | |
Oh, thank you, Anton. He needs something to look forward to. | 0:44:11 | 0:44:14 | |
-Don't you? -Yes. Yes. | 0:44:14 | 0:44:16 | |
Perhaps my reward will be in heaven. | 0:44:18 | 0:44:20 | |
You believe in heaven? | 0:44:22 | 0:44:24 | |
I didn't think that was the stuff of revolutionaries. | 0:44:24 | 0:44:26 | |
I have my weaknesses, Winnie. | 0:44:28 | 0:44:30 | |
If you can't wait for your reward until then, | 0:44:32 | 0:44:34 | |
we could go upstairs shortly. | 0:44:34 | 0:44:36 | |
Be good to forget myself for a while. | 0:44:39 | 0:44:41 | |
Out we go. All right, come on, then. | 0:45:01 | 0:45:03 | |
Have fun. | 0:45:04 | 0:45:06 | |
Could be father and son! | 0:45:09 | 0:45:11 | |
It's such a lovely sight, Anton! | 0:45:11 | 0:45:13 | |
Bye. | 0:45:14 | 0:45:15 | |
What intelligence is to be had watching me | 0:45:26 | 0:45:29 | |
take a defective relative for a walk? | 0:45:29 | 0:45:32 | |
Father and son, | 0:45:32 | 0:45:34 | |
commendable. | 0:45:34 | 0:45:35 | |
But it doesn't change the fact you're in the embassy's pay... | 0:45:36 | 0:45:39 | |
and still in my debt. | 0:45:39 | 0:45:40 | |
And what if I'm out of it? All of it. | 0:45:40 | 0:45:43 | |
Free to live a simple life between the shop and the park. | 0:45:43 | 0:45:46 | |
Is that your fervent wish? | 0:45:48 | 0:45:50 | |
Yes. | 0:45:50 | 0:45:52 | |
Any idea where the Professor is? | 0:45:55 | 0:45:58 | |
Inspector Heat, I tell you this now... | 0:45:58 | 0:46:02 | |
I am no longer of use. | 0:46:02 | 0:46:04 | |
DOG BARKS IN DISTANCE | 0:46:08 | 0:46:10 | |
HE WHISTLES | 0:46:12 | 0:46:13 | |
Hello. | 0:46:14 | 0:46:15 | |
We shamed him, Stevie. | 0:46:20 | 0:46:22 | |
He had to get out of our way and leave us alone. | 0:46:22 | 0:46:26 | |
How could he do anything else? | 0:46:26 | 0:46:28 | |
Thank you. | 0:46:32 | 0:46:34 | |
SHOP BELL TINKLES | 0:46:34 | 0:46:35 | |
Prominently displayed, Winnie. Prominently displayed. | 0:46:44 | 0:46:47 | |
Are you not ever...affronted by what you pass across this counter? | 0:46:56 | 0:47:00 | |
I find the main thing is not to blush. | 0:47:00 | 0:47:02 | |
Does it not offend your morals, though? | 0:47:04 | 0:47:06 | |
"Needs must" is my morals. | 0:47:06 | 0:47:08 | |
Anyway, I thought yours was "freedom of the individual". | 0:47:09 | 0:47:12 | |
Well, I think the act of love should be an act of love. | 0:47:12 | 0:47:16 | |
An affirmation. Now, if you could ever find such love... | 0:47:16 | 0:47:20 | |
..the joy would be...would be real. | 0:47:21 | 0:47:25 | |
I think I'm blushing now. | 0:47:25 | 0:47:26 | |
Something new has come your way? | 0:47:26 | 0:47:29 | |
Heading in the direction of your heart, maybe. | 0:47:29 | 0:47:32 | |
If so I'll have to see it off, won't I? | 0:47:32 | 0:47:34 | |
Why? | 0:47:38 | 0:47:39 | |
Because Anton is good to me. | 0:47:40 | 0:47:42 | |
MAN GROWLS | 0:47:52 | 0:47:53 | |
-STEVIE CHUCKLES -Beard. | 0:47:55 | 0:47:58 | |
Wolfman. | 0:48:07 | 0:48:09 | |
He's the wolfman. | 0:48:09 | 0:48:10 | |
I've lost my hat. | 0:48:13 | 0:48:15 | |
Hup! Hup! | 0:48:15 | 0:48:17 | |
Hup! Come on. | 0:48:17 | 0:48:20 | |
Hey, hey, hey. | 0:48:20 | 0:48:22 | |
Hup! Hup! Andiamo! | 0:48:22 | 0:48:25 | |
It's a beautiful creature trapped behind bars, Stevie. | 0:48:25 | 0:48:29 | |
At the whim of his master. | 0:48:29 | 0:48:31 | |
Locked in, lonely, so unhappy. | 0:48:31 | 0:48:35 | |
Animal from the jungle. | 0:48:35 | 0:48:37 | |
That's what it should be. Free. | 0:48:37 | 0:48:40 | |
I'm free. | 0:48:40 | 0:48:41 | |
None of us are, Stevie. | 0:48:41 | 0:48:43 | |
You know, I have known men who have had their tongues... | 0:48:43 | 0:48:47 | |
ripped out because of what they've spoken about. | 0:48:47 | 0:48:51 | |
They've had flesh torn from them | 0:48:51 | 0:48:52 | |
because they won't tell their secrets, | 0:48:52 | 0:48:54 | |
tell tales on their friends. | 0:48:54 | 0:48:57 | |
No. No, we are - we're animals too, Stevie, | 0:48:57 | 0:49:00 | |
trapped in a cage, and on the inside, we cry like these animals. | 0:49:00 | 0:49:05 | |
Listen to it. Listen. | 0:49:05 | 0:49:06 | |
LION GROANS Do you hear that? | 0:49:06 | 0:49:09 | |
That noise is pain, Stevie. | 0:49:09 | 0:49:12 | |
Ah, pain. | 0:49:12 | 0:49:14 | |
Pain... | 0:49:17 | 0:49:19 | |
Pain... | 0:49:19 | 0:49:20 | |
GROANING | 0:49:23 | 0:49:25 | |
Is this the place? | 0:49:37 | 0:49:39 | |
Is this the wicked place where they lock them up, Mr Verloc? | 0:49:39 | 0:49:42 | |
Yes, Stevie. | 0:49:42 | 0:49:43 | |
So... | 0:49:50 | 0:49:51 | |
..we have to make a hole in the building and let them out. | 0:49:55 | 0:50:00 | |
Let them come through the hole and be free. | 0:50:03 | 0:50:06 | |
Free. | 0:50:08 | 0:50:09 | |
I can confirm there is absolutely no need for additional officers. | 0:50:18 | 0:50:21 | |
Yes. | 0:50:21 | 0:50:22 | |
You look rather grave, Heat. What is it? | 0:50:25 | 0:50:27 | |
It's the Professor, sir... | 0:50:27 | 0:50:29 | |
The hanger-on? | 0:50:29 | 0:50:30 | |
The one who's promoted himself from lab technician? | 0:50:30 | 0:50:32 | |
The trouble is, he's a bit more of a threat than we first thought. | 0:50:32 | 0:50:35 | |
In what way? | 0:50:35 | 0:50:37 | |
He has a bomb. | 0:50:37 | 0:50:39 | |
He wears it inside his jacket. | 0:50:40 | 0:50:43 | |
I think he might use it. | 0:50:44 | 0:50:46 | |
52, Winnie. | 0:50:53 | 0:50:55 | |
Thank you, Stevie. You have been busy at the park. | 0:50:55 | 0:50:58 | |
Greenwich Park! | 0:50:58 | 0:50:59 | |
-Greenwich Park? -Mmm. | 0:50:59 | 0:51:02 | |
That's a long way from here. | 0:51:02 | 0:51:04 | |
Gave the boy a bit of an adventure. | 0:51:04 | 0:51:06 | |
So composed now. The change in this boy... | 0:51:10 | 0:51:13 | |
Imagine the good a few days in the country would do for him. | 0:51:18 | 0:51:21 | |
The country? | 0:51:21 | 0:51:24 | |
Freedom to roam, talk man to man - | 0:51:24 | 0:51:27 | |
I could put him right on a few things. | 0:51:27 | 0:51:29 | |
He'd take it in down there. | 0:51:29 | 0:51:31 | |
Why ever would you want to take him to the country? | 0:51:31 | 0:51:33 | |
I was thinking we could visit Michaelis in Kent. | 0:51:33 | 0:51:36 | |
A sort of outing? | 0:51:38 | 0:51:41 | |
Exactly! | 0:51:41 | 0:51:42 | |
And then you two become much closer. | 0:51:45 | 0:51:47 | |
He's never had it, Anton. | 0:51:49 | 0:51:50 | |
Not from his father, not from any man. | 0:51:50 | 0:51:52 | |
Well, then. | 0:51:52 | 0:51:54 | |
This is some change. | 0:51:55 | 0:51:57 | |
For the better. | 0:51:57 | 0:51:59 | |
Oi! | 0:51:59 | 0:52:00 | |
Let's make a plan. | 0:52:01 | 0:52:03 | |
Do you know what a secret is, Stevie? | 0:52:38 | 0:52:40 | |
The necessity of silence. | 0:52:43 | 0:52:45 | |
Silence. | 0:52:45 | 0:52:47 | |
It means saying nothing when you're asked what we talk about. | 0:52:47 | 0:52:53 | |
Police? | 0:52:56 | 0:52:57 | |
Especially not the police. | 0:52:57 | 0:53:00 | |
Not even Winnie must know. | 0:53:00 | 0:53:02 | |
Not even Winnie. | 0:53:05 | 0:53:06 | |
Ready? | 0:53:14 | 0:53:15 | |
Ready. | 0:53:15 | 0:53:17 | |
You're going to have such a good time, Stevie. | 0:53:18 | 0:53:21 | |
-Busy. -Carefree. | 0:53:21 | 0:53:23 | |
You can do what you like. | 0:53:23 | 0:53:25 | |
Mr Verloc's in charge of me. | 0:53:25 | 0:53:26 | |
Yeah, of course he is, but he wants you to enjoy yourself. | 0:53:26 | 0:53:29 | |
I won't let him down. | 0:53:29 | 0:53:30 | |
There you go. | 0:53:34 | 0:53:35 | |
Come on, then. | 0:53:43 | 0:53:44 | |
Could be father and son. | 0:53:46 | 0:53:48 | |
SHOP BELL TINKLES | 0:53:48 | 0:53:49 | |
Busy, Mr Verloc. Lots of people. | 0:53:56 | 0:53:59 | |
Train to Michaelis' cottage. | 0:54:01 | 0:54:03 | |
Oh! | 0:54:07 | 0:54:08 | |
Hello. Are you coming too? | 0:54:09 | 0:54:11 | |
I'll be there in spirit. | 0:54:13 | 0:54:14 | |
How far is Michaelis's cottage from Greenwich? | 0:54:19 | 0:54:22 | |
Ten miles. We'll lay low there for a few days | 0:54:22 | 0:54:25 | |
and go through things with the boy. | 0:54:25 | 0:54:27 | |
What does he know? | 0:54:27 | 0:54:28 | |
That it's a holiday. | 0:54:28 | 0:54:30 | |
-Where's the train? -WHISTLE BLOWS | 0:54:30 | 0:54:32 | |
-Soon... -All aboard! | 0:54:32 | 0:54:33 | |
Not now, Stevie. Soon. | 0:54:33 | 0:54:35 | |
Hide your deed behind a harmless boy - very clever. | 0:54:35 | 0:54:38 | |
Playing the doting father. | 0:54:38 | 0:54:40 | |
No-one will even notice me. | 0:54:41 | 0:54:43 | |
You're not the bravest, are you? | 0:54:44 | 0:54:46 | |
When you screw the top on tight, it makes a connection. | 0:54:48 | 0:54:52 | |
Set at 20 minutes, but a short sharp shock... | 0:54:52 | 0:54:54 | |
be careful. | 0:54:54 | 0:54:56 | |
Can we go now? | 0:54:56 | 0:54:58 | |
Yeah. | 0:54:58 | 0:55:00 | |
Time to act, Verloc. | 0:55:00 | 0:55:02 | |
Come on, Stevie. | 0:55:17 | 0:55:18 | |
-WINNIE: -Mr Verloc has quite taken Stevie up. | 0:55:47 | 0:55:49 | |
Stevie! | 0:55:49 | 0:55:51 | |
They're in Kent together. | 0:55:51 | 0:55:52 | |
I've a weapon deadlier than any gun... | 0:55:54 | 0:55:57 | |
The Professor's on an omnibus. | 0:55:57 | 0:55:59 | |
Get a message sent - he's not to be approached. | 0:55:59 | 0:56:01 | |
This is very kind of you. | 0:56:01 | 0:56:03 | |
Betrayal...hidden in a satchel. | 0:56:03 | 0:56:06 | |
He's a suspect, sir. And Verloc was there with him. | 0:56:08 | 0:56:11 | |
You're an agent, aren't you? You're a spy. | 0:56:11 | 0:56:13 | |
I can't just go. | 0:56:13 | 0:56:15 | |
Who's stopping you? | 0:56:15 | 0:56:16 | |
Despite what you said, my marriage is real, Mother. | 0:56:16 | 0:56:19 | |
And despite what you thought, we are a true family. | 0:56:19 | 0:56:22 | |
-HEAT: -You got your wish. It's more than mere bricks falling down. | 0:56:22 | 0:56:26 |