Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
England is in need of a jolly good scare. | 0:00:05 | 0:00:07 | |
An outrage that will summon this country from its slumber. | 0:00:07 | 0:00:09 | |
Blow up the observatory? | 0:00:09 | 0:00:11 | |
I give you a month. Dynamite, chemicals - you have carte blanche! | 0:00:11 | 0:00:16 | |
They'll kill me. | 0:00:16 | 0:00:18 | |
Michaelis, now released, may be looking for revenge. | 0:00:18 | 0:00:21 | |
Work to do, comrades. | 0:00:21 | 0:00:23 | |
If I am such a fantasist, Chief Inspector, explain this... | 0:00:23 | 0:00:26 | |
It's the Professor, sir. He has a bomb. | 0:00:27 | 0:00:30 | |
I think he might use it. | 0:00:31 | 0:00:32 | |
Can you supply a bomb? | 0:00:41 | 0:00:43 | |
I can supply a bomb. Will you explode it? | 0:00:43 | 0:00:46 | |
Why were you talking about explosives? | 0:00:46 | 0:00:48 | |
I was just being provocative. | 0:00:48 | 0:00:50 | |
It's my job. | 0:00:50 | 0:00:52 | |
If your associates were to find out | 0:00:56 | 0:00:58 | |
that you were being paid by the Russian Embassy to spy on them... | 0:00:58 | 0:01:01 | |
it could end in your death. | 0:01:01 | 0:01:03 | |
As for us, I'm sure we'll be all right. | 0:01:03 | 0:01:05 | |
You always find a way to make things work. | 0:01:05 | 0:01:07 | |
I need to see the First Secretary! It's impossible. | 0:01:07 | 0:01:10 | |
Imagine how good a few days in the country will be for him. | 0:01:20 | 0:01:22 | |
-That way, you two will become much closer. -Exactly. | 0:01:22 | 0:01:26 | |
Oi! | 0:01:26 | 0:01:28 | |
Let's make a plan. | 0:01:28 | 0:01:29 | |
Do you know what a secret is, Stevie? | 0:01:34 | 0:01:38 | |
The necessity of silence... Not even Winnie must know. | 0:01:38 | 0:01:43 | |
Could be father and son. | 0:01:43 | 0:01:44 | |
Hide your deed behind a harmless boy. | 0:01:46 | 0:01:48 | |
You're not the bravest, are you? | 0:01:48 | 0:01:50 | |
You screw the top on tight... | 0:01:52 | 0:01:54 | |
it makes the connection. Set at 20 minutes. | 0:01:54 | 0:01:57 | |
But a short, sharp shock... be careful... | 0:01:57 | 0:02:00 | |
Can we go now? | 0:02:00 | 0:02:01 | |
Yes, time to act, Verloc. | 0:02:01 | 0:02:04 | |
Look. Look. Country! | 0:02:15 | 0:02:16 | |
Yeah. All right. | 0:02:16 | 0:02:18 | |
Here we are. Stevie. | 0:02:19 | 0:02:22 | |
Come on. | 0:02:24 | 0:02:26 | |
Look, Mr Verloc, above the tree. | 0:02:30 | 0:02:33 | |
There's a bird just above the tree. | 0:02:33 | 0:02:35 | |
BRAKES SQUEAL | 0:02:35 | 0:02:38 | |
Excuse me. | 0:02:40 | 0:02:43 | |
I want more! I want to see more world! | 0:02:44 | 0:02:47 | |
Stevie misses you. | 0:02:52 | 0:02:54 | |
As long as he comes every Sunday. | 0:02:54 | 0:02:56 | |
You don't think he'll get lost, do you? | 0:02:57 | 0:02:59 | |
He won't have any trouble. I've sewn his address into his coat. | 0:02:59 | 0:03:03 | |
I didn't expect you. Not today. | 0:03:03 | 0:03:05 | |
Look at me - I'm here now, aren't I? | 0:03:05 | 0:03:07 | |
Is everything as it should be? At home. | 0:03:09 | 0:03:12 | |
Oh, everything is as it should be. Perhaps even more so. | 0:03:12 | 0:03:16 | |
There's been quite a development, actually. | 0:03:18 | 0:03:20 | |
Really? | 0:03:20 | 0:03:22 | |
Mr Verloc has quite taken Stevie up. | 0:03:22 | 0:03:24 | |
You'd never guess where they are now. They're in Kent together. | 0:03:24 | 0:03:28 | |
Kent! | 0:03:28 | 0:03:29 | |
-Is this it? Is this Michaelis' cottage? -That's it. | 0:03:29 | 0:03:32 | |
I waved them off, Mother. You should see them together! | 0:03:33 | 0:03:35 | |
Well... | 0:03:37 | 0:03:38 | |
I know. | 0:03:38 | 0:03:40 | |
And Mr Verloc's not too busy? | 0:03:40 | 0:03:42 | |
He's found time for Stevie. | 0:03:42 | 0:03:44 | |
And if things haven't worked out so badly for Stevie - | 0:03:44 | 0:03:47 | |
what about yourself? Are you as included? | 0:03:47 | 0:03:49 | |
Despite what you said, my marriage is real, Mother. | 0:03:51 | 0:03:54 | |
Despite what you thought, we are a true family. | 0:03:56 | 0:03:59 | |
Nothing will ever get in the way of that. | 0:03:59 | 0:04:01 | |
Good boy. Good boy. | 0:04:01 | 0:04:04 | |
Bye. | 0:04:04 | 0:04:05 | |
This is very kind of you. | 0:04:05 | 0:04:08 | |
It was very kind of Lady Blackwood to offer me such sanctuary. | 0:04:08 | 0:04:11 | |
I wish to be generous too. To Winnie and Stevie. | 0:04:11 | 0:04:15 | |
But I must warn you, the boy can be noisy. | 0:04:15 | 0:04:18 | |
I hope we won't disturb you. | 0:04:18 | 0:04:19 | |
I'll be locked away with my thoughts. | 0:04:19 | 0:04:22 | |
-Thank you. -Adventure! | 0:04:22 | 0:04:24 | |
It won't be for ever! | 0:04:24 | 0:04:25 | |
Stevie! Stevie, come on. Come on, this way. | 0:04:25 | 0:04:29 | |
That's it. | 0:04:31 | 0:04:32 | |
Final Stop, Waterloo Station. Everyone off at Waterloo Station. | 0:04:34 | 0:04:38 | |
You are not very vigilant, are you? | 0:04:47 | 0:04:49 | |
-What? -Have you not been told to look out for me? | 0:04:49 | 0:04:52 | |
Instructed by the Special Crimes Division? | 0:04:52 | 0:04:55 | |
Get off with you... don't be such a pest. | 0:04:55 | 0:04:58 | |
What if I was waving a gun around? What then? | 0:04:58 | 0:05:01 | |
But you have no weapon... | 0:05:01 | 0:05:03 | |
I've a weapon deadlier than any gun... | 0:05:03 | 0:05:05 | |
How many people, do you think? | 0:05:12 | 0:05:14 | |
What are you talking about? | 0:05:15 | 0:05:16 | |
To blow to kingdom come? 30? 40? | 0:05:16 | 0:05:19 | |
And afterwards, you can tell your superiors you watched me go. | 0:05:19 | 0:05:22 | |
The man you called a pest. | 0:05:22 | 0:05:24 | |
Tell Heat it's the Strand next. | 0:05:24 | 0:05:27 | |
Michaelis, I'm going to climb trees | 0:05:39 | 0:05:41 | |
but I'm not going to get my trousers dirty! | 0:05:41 | 0:05:44 | |
Would that I were so young and agile! | 0:05:44 | 0:05:46 | |
Right, I'll take your bags for you... | 0:05:48 | 0:05:51 | |
Please, er... I can manage the satchel, at least. | 0:05:51 | 0:05:55 | |
The Professor's on an omnibus. | 0:06:09 | 0:06:10 | |
Get a message sent. He is NOT to be approached. | 0:06:10 | 0:06:13 | |
Let me remind you, | 0:06:24 | 0:06:25 | |
you told the Home Secretary that he was the least of them. | 0:06:25 | 0:06:28 | |
That was one blunder. Then your manhunt finds him nowhere until | 0:06:28 | 0:06:31 | |
-he decides to show himself to us. -I'm aware of that, sir. | 0:06:31 | 0:06:33 | |
Then don't let him make himself known to the rest of London by way of an explosion. | 0:06:33 | 0:06:37 | |
Stevie. Stevie. | 0:06:39 | 0:06:41 | |
What are you doing, eh? What are you doing? | 0:06:43 | 0:06:47 | |
Look at me. Look at me. | 0:06:47 | 0:06:49 | |
Don't run off like that, OK? | 0:06:49 | 0:06:52 | |
Look at the ground. Look at the ground. | 0:06:54 | 0:06:56 | |
Now look at my feet. My feet. We're going to walk together. | 0:06:56 | 0:07:00 | |
Come on. Walk together. | 0:07:00 | 0:07:02 | |
Do you wish to lay a hand on me? | 0:07:42 | 0:07:44 | |
Because it would not be enough by itself. | 0:07:44 | 0:07:47 | |
You'd have to shoot me like a dog. | 0:07:47 | 0:07:50 | |
Yeah, why don't you do that? | 0:07:51 | 0:07:54 | |
I'd rather talk you out of it. | 0:07:56 | 0:07:59 | |
Talk me out of blowing this bus up? | 0:07:59 | 0:08:01 | |
Yeah. | 0:08:01 | 0:08:03 | |
And no-one will be any the wiser... | 0:08:05 | 0:08:07 | |
..and we'll all be safe. | 0:08:08 | 0:08:10 | |
You can't pin my arms to my sides, | 0:08:10 | 0:08:13 | |
so use your bullets, Chief Inspector. | 0:08:13 | 0:08:15 | |
Be ruthless. Slaughter me. | 0:08:15 | 0:08:17 | |
What, and let the public think | 0:08:18 | 0:08:20 | |
that you lot deserve to be treated like that? | 0:08:20 | 0:08:22 | |
Do you honestly think this state will meet murder with murder? | 0:08:22 | 0:08:26 | |
And morality will disintegrate in its very temple. | 0:08:26 | 0:08:29 | |
You understand the game. | 0:08:29 | 0:08:31 | |
Congratulations. | 0:08:31 | 0:08:33 | |
And these innocent people will be killed. Is that the first step? | 0:08:33 | 0:08:36 | |
Is that what you want? | 0:08:36 | 0:08:38 | |
What I want is the perfect detonator. | 0:08:38 | 0:08:40 | |
A full 20 seconds must elapse from the moment I press this ball | 0:08:41 | 0:08:45 | |
till the explosion takes place. | 0:08:45 | 0:08:47 | |
Imagine those 20 seconds, Inspector. I do. | 0:08:50 | 0:08:54 | |
For you, it'll feel like an eternity. | 0:08:57 | 0:09:00 | |
Get back! | 0:09:20 | 0:09:22 | |
Move! Out of the way! | 0:09:22 | 0:09:25 | |
PASSENGERS SCREAM | 0:09:25 | 0:09:27 | |
Let go. Let go! | 0:09:33 | 0:09:35 | |
THE PROFESSOR LAUGHS | 0:09:41 | 0:09:43 | |
Buried together! | 0:09:43 | 0:09:45 | |
Your 20 seconds are up! | 0:09:50 | 0:09:52 | |
You've failed, Professor. | 0:09:52 | 0:09:55 | |
Get off me! No! No! | 0:09:55 | 0:09:59 | |
Good day's writing? | 0:10:20 | 0:10:22 | |
No. | 0:10:23 | 0:10:24 | |
Words wouldn't come? Thoughts a jumble? | 0:10:25 | 0:10:28 | |
One burning thought. | 0:10:30 | 0:10:31 | |
Betrayal. | 0:10:33 | 0:10:35 | |
Hidden in a satchel. | 0:10:35 | 0:10:37 | |
Go to your room, Stevie. | 0:10:42 | 0:10:43 | |
Go and play. | 0:10:44 | 0:10:47 | |
You can take your food. | 0:10:47 | 0:10:49 | |
I'm here today and gone tomorrow. | 0:11:08 | 0:11:11 | |
No-one will ever know we were here. | 0:11:11 | 0:11:13 | |
I was still part of your...plan, though, wasn't I? | 0:11:13 | 0:11:18 | |
School the boy here, hide here! | 0:11:20 | 0:11:23 | |
You can plead ignorance. | 0:11:23 | 0:11:24 | |
If it was found I was involved in any way, | 0:11:24 | 0:11:27 | |
I would go back to prison for life, for harbouring you! | 0:11:27 | 0:11:31 | |
Stop shouting. You'll get the boy going! | 0:11:31 | 0:11:34 | |
How could you be low enough to use him as your dupe? | 0:11:34 | 0:11:36 | |
No-one's going to get hurt. | 0:11:36 | 0:11:38 | |
How many lies have you told him, huh? | 0:11:38 | 0:11:41 | |
Well, I'm not going to be another of your...victims. | 0:11:43 | 0:11:46 | |
It's not even as if this device is going to cause any harm. | 0:11:46 | 0:11:51 | |
You've kept this from us all... that's harm enough. | 0:11:51 | 0:11:54 | |
You were there. You heard my thoughts. | 0:11:54 | 0:11:58 | |
And the Professor was happy enough to provide... | 0:11:58 | 0:12:00 | |
What's the target? | 0:12:00 | 0:12:02 | |
Actually, no, I don't want to hear about it. | 0:12:03 | 0:12:05 | |
-I don't want to know anything about it. -The observatory at Greenwich. | 0:12:05 | 0:12:08 | |
-Don't! I will not be landed in it! -It's a building, that's all! | 0:12:08 | 0:12:11 | |
Not people. | 0:12:11 | 0:12:14 | |
You're no terrorist, Verloc. | 0:12:14 | 0:12:16 | |
So just tell me why you're doing it. | 0:12:18 | 0:12:22 | |
You're an agent, aren't you? | 0:12:27 | 0:12:28 | |
You're a spy. | 0:12:30 | 0:12:32 | |
Prison has made you scared of your own shadow! | 0:12:34 | 0:12:36 | |
Seeking to betray us all! | 0:12:36 | 0:12:39 | |
It's the Russians who want the law brought down on you all, not me! | 0:12:39 | 0:12:43 | |
I never expected to be used in this way... | 0:12:50 | 0:12:52 | |
And now you have involved me! | 0:12:52 | 0:12:55 | |
Will you inform on me? To our comrades? | 0:13:00 | 0:13:03 | |
To the police? | 0:13:04 | 0:13:06 | |
Just go. | 0:13:08 | 0:13:09 | |
What will you do? | 0:13:16 | 0:13:18 | |
Both will think me alongside you, so I can say nothing. | 0:13:19 | 0:13:23 | |
And do nothing! | 0:13:25 | 0:13:26 | |
Go in the morning. | 0:13:28 | 0:13:30 | |
Good for you, sir. | 0:14:16 | 0:14:19 | |
Well done, sir. | 0:14:19 | 0:14:20 | |
Heat. | 0:14:25 | 0:14:26 | |
The Professor's in custody, sir. | 0:14:29 | 0:14:32 | |
You threw yourself on him, I hear. Smothered him. | 0:14:32 | 0:14:34 | |
He could well have accounted for you. | 0:14:34 | 0:14:37 | |
Your modesty's well judged, Chief Inspector. | 0:14:39 | 0:14:42 | |
Given that you've previously smothered the truth about him. | 0:14:42 | 0:14:45 | |
Seems I am hard to remove...sir. | 0:14:45 | 0:14:49 | |
Could well be the case, Inspector. | 0:14:51 | 0:14:53 | |
Keep up, Stevie. | 0:15:00 | 0:15:02 | |
Stevie! | 0:15:04 | 0:15:06 | |
Sorry. Sorry. | 0:15:06 | 0:15:08 | |
Keep up. | 0:15:10 | 0:15:11 | |
SHOP BELL TINKLES | 0:15:20 | 0:15:23 | |
Not more pamphlets! | 0:15:26 | 0:15:28 | |
Oh, yes. Be careful, though... | 0:15:28 | 0:15:31 | |
my words are still burning on the page. | 0:15:31 | 0:15:33 | |
I hear Verloc's visiting | 0:15:38 | 0:15:40 | |
the great artist Michaelis as he writes his opus... | 0:15:40 | 0:15:43 | |
Yes. And Stevie is also his guest. | 0:15:43 | 0:15:45 | |
Stevie has more ideas in his head than Michaelis. | 0:15:45 | 0:15:48 | |
I didn't realise you were such a jealous person. | 0:15:48 | 0:15:51 | |
It's just some people don't deserve what comes their way. | 0:15:51 | 0:15:55 | |
Michaelis, Verloc... | 0:15:55 | 0:15:57 | |
-Enough of that. -Look at you. Trapped among all this. | 0:15:57 | 0:16:01 | |
It's called having a business to run. | 0:16:01 | 0:16:04 | |
SHOP BELL TINKLES | 0:16:04 | 0:16:05 | |
Take some time off. | 0:16:11 | 0:16:12 | |
-Now. -I can't just go. -Who's stopping you? | 0:16:13 | 0:16:17 | |
Good morning. | 0:16:30 | 0:16:32 | |
Eggs, please. | 0:16:32 | 0:16:34 | |
No breakfast for you. | 0:16:34 | 0:16:36 | |
You're just a madman, not a prisoner of distinction. | 0:16:38 | 0:16:42 | |
Well, then, I have spread my madness, Inspector. | 0:16:42 | 0:16:45 | |
I've been giving my stuff away. | 0:16:45 | 0:16:47 | |
You think to alarm me? | 0:16:48 | 0:16:50 | |
Despite the failing of my detonator, | 0:16:50 | 0:16:53 | |
in giving dynamite to the world, science has done its best work. | 0:16:53 | 0:16:57 | |
I have given dynamite to someone else, | 0:16:57 | 0:16:59 | |
so they may do their work. | 0:16:59 | 0:17:01 | |
-I don't believe you. -You have the keys to my lock-up. Go there. | 0:17:01 | 0:17:06 | |
You'll find X2 powder on the floor and the remnants of clay, | 0:17:06 | 0:17:09 | |
still wet from recent use. | 0:17:09 | 0:17:11 | |
Evidence that I have been very busy, Inspector. | 0:17:11 | 0:17:13 | |
Who for? | 0:17:13 | 0:17:15 | |
Who for?! | 0:17:15 | 0:17:17 | |
TRAIN APPROACHES AND SLOWS DOWN | 0:17:25 | 0:17:27 | |
TRAIN WHISTLE | 0:17:27 | 0:17:29 | |
Stevie! Hurry up. | 0:17:29 | 0:17:32 | |
London train arriving. London train. | 0:17:39 | 0:17:41 | |
I bet all the waiters know you here. | 0:17:46 | 0:17:48 | |
"Oh, here comes Ossipon again with another one." | 0:17:48 | 0:17:52 | |
You sit them down at the same table... | 0:17:52 | 0:17:55 | |
I can't pretend I haven't... sought the company of women. | 0:17:57 | 0:18:01 | |
This is different, is it? | 0:18:02 | 0:18:04 | |
For me, it's completely different. | 0:18:04 | 0:18:07 | |
Seven years ago, I loved a man. Son of a butcher. | 0:18:11 | 0:18:15 | |
25 shillings a week he brought home - | 0:18:15 | 0:18:17 | |
but how was he to take on a girl with an ailing mother | 0:18:17 | 0:18:20 | |
and a poor simple brother? | 0:18:20 | 0:18:23 | |
I had to find the courage to slam the door in his face. | 0:18:23 | 0:18:27 | |
And then came along Anton Verloc... and he took us all on. | 0:18:27 | 0:18:31 | |
And as we speak, Tom, he is Stevie's companion. Stevie's companion! | 0:18:31 | 0:18:37 | |
Stevie will be the only happy person in this whole affair... | 0:18:37 | 0:18:40 | |
No! I will too. Because this new thing between them... | 0:18:40 | 0:18:45 | |
I am so hopeful about it. | 0:18:45 | 0:18:48 | |
Tell yourself that lie. | 0:18:48 | 0:18:50 | |
But imagine more than just the day with me. | 0:18:50 | 0:18:52 | |
If people are killed, it won't be in the cause of any great struggle. | 0:19:16 | 0:19:20 | |
It'll just be murder. | 0:19:20 | 0:19:21 | |
It will be the triumph of a certain kind of will. | 0:19:21 | 0:19:24 | |
Not end hunger, not deliver the poor? Not justice for all? | 0:19:25 | 0:19:30 | |
What kind of economic structure are you after? | 0:19:34 | 0:19:37 | |
One that counts your corpses on the floor. | 0:19:37 | 0:19:40 | |
So you can walk a little taller? | 0:19:40 | 0:19:41 | |
You imagine my future, Inspector? I don't. | 0:19:43 | 0:19:46 | |
You shouldn't imagine anybody's. | 0:19:46 | 0:19:48 | |
Least of all those you wish to save. | 0:19:48 | 0:19:50 | |
LOUD THUD | 0:20:01 | 0:20:02 | |
Is that your worst? | 0:20:06 | 0:20:08 | |
Ah! Ahhh! | 0:20:09 | 0:20:11 | |
Stop! Stop! | 0:20:11 | 0:20:13 | |
-Well? -Come on! More! | 0:20:14 | 0:20:16 | |
You might persuade me like this. | 0:20:16 | 0:20:18 | |
I might wish to save my sight and confess it all! | 0:20:18 | 0:20:21 | |
Gladly... | 0:20:21 | 0:20:23 | |
Ahh! | 0:20:23 | 0:20:25 | |
If we torture him, he wins. We become him. | 0:20:28 | 0:20:32 | |
You're wrong, Inspector. Torture me and you may get your answer. | 0:20:32 | 0:20:36 | |
The loss of one eye I may suffer, but two? | 0:20:38 | 0:20:41 | |
I would surely tell you what you need to know. | 0:20:41 | 0:20:43 | |
I'm in thrall to you, Professor. I'm begging you. | 0:20:47 | 0:20:50 | |
Help me. | 0:20:52 | 0:20:53 | |
Cometh the hour, cometh the man, eh, Stevie? | 0:21:02 | 0:21:04 | |
I don't know... | 0:21:04 | 0:21:06 | |
Just means being brave. We're brave, aren't we? | 0:21:06 | 0:21:09 | |
Yes, I am. Are you? | 0:21:09 | 0:21:11 | |
You are in thrall to the law, Inspector. | 0:21:13 | 0:21:16 | |
I am only in thrall to what I desire. | 0:21:16 | 0:21:20 | |
And therein lies my power. | 0:21:20 | 0:21:22 | |
Who have you supplied? | 0:21:22 | 0:21:23 | |
Who have you supplied?! | 0:21:24 | 0:21:26 | |
Nearly there... | 0:21:26 | 0:21:27 | |
Time to set men free?! | 0:21:27 | 0:21:29 | |
Quiet, Stevie. | 0:21:29 | 0:21:31 | |
-Why do we have to leave Kent? -Outstayed our welcome. | 0:21:31 | 0:21:34 | |
Didn't Michaelis like us? | 0:21:34 | 0:21:35 | |
Did I do something naughty? | 0:21:35 | 0:21:37 | |
Stevie, we've got a job to do. | 0:21:37 | 0:21:39 | |
No more holiday. | 0:21:39 | 0:21:41 | |
Now, put the bags down there. | 0:21:41 | 0:21:43 | |
That's it. | 0:21:43 | 0:21:45 | |
-Hide and seek? -Stevie! | 0:21:45 | 0:21:48 | |
Come back here. Now! | 0:21:48 | 0:21:49 | |
This is a serious business we're doing here. | 0:21:53 | 0:21:56 | |
It's a serious business. | 0:21:56 | 0:21:58 | |
Yes. So... We've got plenty of time. | 0:21:58 | 0:22:03 | |
We go up the hill. Put it against the wall. | 0:22:04 | 0:22:08 | |
And then we go home. | 0:22:12 | 0:22:13 | |
It is to be a demonstration against a building. | 0:22:31 | 0:22:34 | |
I had hoped for rather more in the way of destruction. | 0:22:34 | 0:22:37 | |
-Which building? -I depend on death, not just mere bricks falling down... | 0:22:37 | 0:22:40 | |
Which building?! | 0:22:40 | 0:22:41 | |
Right. Stevie, stop here. | 0:22:48 | 0:22:50 | |
Make the connection. | 0:23:02 | 0:23:04 | |
Not too tight... | 0:23:05 | 0:23:07 | |
-I'll go for you! -Stevie...! No! -I'm a good boy! | 0:23:16 | 0:23:18 | |
-Stevie...! -I'll be a good boy! Good boy. | 0:23:18 | 0:23:21 | |
Stevie, no! | 0:23:21 | 0:23:23 | |
PEOPLE SCREAM | 0:23:24 | 0:23:26 | |
You got your wish. It was more than mere bricks falling down. | 0:24:20 | 0:24:24 | |
HE LAUGHS | 0:24:29 | 0:24:33 | |
HE ROARS | 0:24:33 | 0:24:36 | |
Stay back. | 0:25:13 | 0:25:15 | |
Stay back, please. | 0:25:15 | 0:25:16 | |
Stay back. | 0:25:16 | 0:25:18 | |
I was the first on the scene. | 0:25:27 | 0:25:29 | |
I saw from over there | 0:25:29 | 0:25:30 | |
what looked like a flash of lightning. | 0:25:30 | 0:25:32 | |
He would have died instantly. | 0:25:34 | 0:25:35 | |
Any witnesses? Anyone see him before this? | 0:25:35 | 0:25:39 | |
There were sightings of two men together... | 0:25:39 | 0:25:42 | |
Two? | 0:25:42 | 0:25:43 | |
A shorter older man and a taller younger one, sir. | 0:25:43 | 0:25:47 | |
-Which one's this? -Impossible to say, sir. | 0:25:48 | 0:25:51 | |
We need to transfer this body to the morgue. | 0:25:52 | 0:25:54 | |
I threw the tarpaulin over the... | 0:25:58 | 0:26:01 | |
..but I'm not sure I'm up to... | 0:26:02 | 0:26:04 | |
No need. I'll do this. | 0:26:04 | 0:26:07 | |
-Not your function at all, sir... -I said, I'll do this. | 0:26:07 | 0:26:09 | |
HE VOMITS | 0:26:43 | 0:26:45 | |
Stupid, stupid murderous trick to expose me like that. | 0:26:54 | 0:26:59 | |
To perform such an act. And for what? | 0:26:59 | 0:27:02 | |
-To what end? -Who's dead? Not you, obviously. | 0:27:02 | 0:27:06 | |
No. Not yet... | 0:27:06 | 0:27:08 | |
I have run the risk for 11 years of being stabbed in the back | 0:27:08 | 0:27:13 | |
for my double-dealing and now... | 0:27:13 | 0:27:15 | |
now they will all come for me. You have to protect me! | 0:27:15 | 0:27:18 | |
Me?! Why? | 0:27:18 | 0:27:20 | |
-Why? -My dear fellow, you must get yourself out of the country! | 0:27:20 | 0:27:23 | |
Get out now while everyone thinks you are the casualty. | 0:27:23 | 0:27:26 | |
-Is that all you have for me? -You have done your job. | 0:27:26 | 0:27:30 | |
Now we must wait and see how Parliament will legislate for it. | 0:27:30 | 0:27:34 | |
I killed her brother! | 0:27:35 | 0:27:37 | |
That simple...wretched boy. | 0:27:37 | 0:27:41 | |
Well, obviously better if it hadn't been sanguinary at all | 0:27:41 | 0:27:44 | |
but there we have it. | 0:27:44 | 0:27:46 | |
Now, when you leave the Embassy, please make sure nobody sees you. | 0:27:46 | 0:27:48 | |
It has to be as if you were never here. | 0:27:48 | 0:27:51 | |
I'm sure you can manage that. After all, you are a spy. | 0:27:51 | 0:27:55 | |
They may not even trace this to you. | 0:28:01 | 0:28:03 | |
Your associate, is he identifiable? | 0:28:03 | 0:28:05 | |
I don't think so. | 0:28:11 | 0:28:13 | |
Well, then, you may be in luck. | 0:28:13 | 0:28:15 | |
And nobody will ever know you were involved at all. | 0:28:15 | 0:28:18 | |
That may be some consolation for you. | 0:28:18 | 0:28:22 | |
Goodbye. | 0:28:22 | 0:28:24 | |
Two gentlemen seen coming out of Maze Hill Station | 0:29:06 | 0:29:08 | |
some 15 minutes before the explosion... | 0:29:08 | 0:29:12 | |
Their tickets given in? | 0:29:12 | 0:29:14 | |
Also got a woman come forward... | 0:29:21 | 0:29:23 | |
attends the chapel in Park Place sometimes. Saw the two men... | 0:29:23 | 0:29:27 | |
The older one carrying a canvas bag on his shoulder. | 0:29:27 | 0:29:30 | |
Must have stumbled. | 0:29:32 | 0:29:34 | |
Sir? | 0:29:35 | 0:29:37 | |
Stumbled and fell. | 0:29:37 | 0:29:39 | |
Quite a mess he's made of himself there, sir... | 0:29:42 | 0:29:44 | |
Cover up. | 0:29:51 | 0:29:53 | |
Read all about it! | 0:30:02 | 0:30:03 | |
Sir... | 0:30:08 | 0:30:10 | |
That...piece of cloth you put in your pocket... | 0:30:12 | 0:30:15 | |
What of it? | 0:30:15 | 0:30:16 | |
Precisely that, sir. | 0:30:18 | 0:30:19 | |
Is it significant? | 0:30:20 | 0:30:22 | |
When intelligence is shared too much it stops being any such thing. | 0:30:24 | 0:30:28 | |
BELL JANGLES | 0:31:02 | 0:31:04 | |
Where's Stevie? | 0:31:16 | 0:31:19 | |
I couldn't drag him away. | 0:31:19 | 0:31:20 | |
It's worked like a dream, Winnie. | 0:31:23 | 0:31:25 | |
I told you it would. | 0:31:25 | 0:31:27 | |
Will Michaelis look after him? | 0:31:27 | 0:31:29 | |
I told him he'd have to reckon with you if he didn't. | 0:31:29 | 0:31:32 | |
Should I be worried? Is he...happy? | 0:31:35 | 0:31:37 | |
-Is he missing me? -He's having the time of his life, Winnie. | 0:31:37 | 0:31:40 | |
He's climbing trees. | 0:31:40 | 0:31:42 | |
Sorry... | 0:31:44 | 0:31:46 | |
I'm sorry... I... | 0:31:46 | 0:31:48 | |
I feel I'm catching a chill. | 0:31:49 | 0:31:51 | |
I'll make your tea presently. | 0:31:53 | 0:31:55 | |
Don't want you laid up, do I? | 0:31:55 | 0:31:56 | |
That won't be so. | 0:31:58 | 0:32:00 | |
I'll cause you no trouble. | 0:32:01 | 0:32:03 | |
Is...that why you left Kent, cos you were getting a chill? | 0:32:07 | 0:32:11 | |
Things to attend to in London. | 0:32:17 | 0:32:19 | |
Winnie, | 0:32:21 | 0:32:23 | |
I'm going to retrieve all my money. | 0:32:23 | 0:32:25 | |
What for? | 0:32:25 | 0:32:27 | |
I was thinking, down there... | 0:32:27 | 0:32:30 | |
maybe we should move away. | 0:32:30 | 0:32:32 | |
Abroad. | 0:32:32 | 0:32:33 | |
France, maybe, or California. | 0:32:33 | 0:32:36 | |
Wonderful business opportunities there. | 0:32:36 | 0:32:38 | |
The idea! | 0:32:38 | 0:32:39 | |
The business isn't so bad. | 0:32:40 | 0:32:42 | |
You've a comfortable home here. | 0:32:43 | 0:32:45 | |
Be... Besides, I think it would unsettle Stevie. | 0:32:46 | 0:32:49 | |
Let's talk about it when he's home. | 0:32:54 | 0:32:55 | |
Even if none of our known anarchists had anything to do with this, | 0:33:32 | 0:33:35 | |
-for the public it still looks like a profession of ignorance. -Yes, sir. | 0:33:35 | 0:33:38 | |
The Professor obviously unable to enlighten you - | 0:33:38 | 0:33:40 | |
unless you've brought something back from Greenwich, | 0:33:40 | 0:33:42 | |
our ignorance is still apparent. | 0:33:42 | 0:33:44 | |
We're following the leads on the two men, sir. | 0:33:44 | 0:33:45 | |
Something and nothing, Inspector. | 0:33:45 | 0:33:47 | |
-Or do you just mean to keep me at bay? -Why would I do that? | 0:33:47 | 0:33:50 | |
To regain the initiative. | 0:33:50 | 0:33:51 | |
To repair a reputation that has undoubtedly been damaged. | 0:33:51 | 0:33:54 | |
In here. | 0:33:56 | 0:33:57 | |
This is what might be said of you. | 0:34:11 | 0:34:13 | |
That you concentrated on the possibility of a bomb | 0:34:13 | 0:34:15 | |
that might go off at the expense of one that did. | 0:34:15 | 0:34:17 | |
That your assurances to Sir Ethelred, | 0:34:17 | 0:34:19 | |
though technically correct, are quite beside the point, | 0:34:19 | 0:34:21 | |
because there is a dead man in Greenwich Park | 0:34:21 | 0:34:23 | |
and everyone is asking the question, "When will be the next explosion?" | 0:34:23 | 0:34:27 | |
I say all this mindful of your - so far - unimpeachable reputation. | 0:34:28 | 0:34:32 | |
Especially when you have no answers. No new information. | 0:34:34 | 0:34:38 | |
Well? | 0:34:41 | 0:34:42 | |
I took that from the remains of the body in the morgue. | 0:34:53 | 0:34:56 | |
What's this? | 0:34:56 | 0:34:58 | |
It's an address in Soho. | 0:34:58 | 0:35:00 | |
A shop. | 0:35:00 | 0:35:01 | |
Belonging to? | 0:35:01 | 0:35:02 | |
Verloc. | 0:35:04 | 0:35:05 | |
Well, this is worse than a confession of ignorance. | 0:35:07 | 0:35:09 | |
-This is one of the anarchists that's known to us. -Verloc's dead, sir - | 0:35:09 | 0:35:13 | |
but the other man's still at large, | 0:35:13 | 0:35:14 | |
and we know who it is. | 0:35:14 | 0:35:16 | |
Given in at Maze Hill. | 0:35:25 | 0:35:26 | |
Only three people got off that particular train, | 0:35:31 | 0:35:33 | |
and one of them was a woman. | 0:35:33 | 0:35:35 | |
Where'd they come from? | 0:35:35 | 0:35:36 | |
A little country station in Kent. | 0:35:36 | 0:35:38 | |
Seems...unaccountable they'd come from that place. | 0:35:41 | 0:35:44 | |
Yes - but not when you know | 0:35:44 | 0:35:45 | |
that Michaelis is staying in a cottage there. | 0:35:45 | 0:35:47 | |
I know about this. | 0:35:51 | 0:35:52 | |
-He's writing a book down there. -Yeah, that may be his alibi. | 0:35:52 | 0:35:55 | |
The cottage is owned by Lady Blackwood. It's her...gift to him. | 0:35:55 | 0:35:58 | |
Where he can find inspiration. | 0:35:58 | 0:36:00 | |
Well, in that case, I should go down there | 0:36:00 | 0:36:02 | |
and see how many pages he's been inspired to write, sir. | 0:36:02 | 0:36:05 | |
It's genuine! | 0:36:05 | 0:36:06 | |
He's a suspect, sir. | 0:36:06 | 0:36:07 | |
And Verloc was there with him. | 0:36:07 | 0:36:09 | |
Very well... | 0:36:12 | 0:36:14 | |
but conduct yourself with some delicacy down there, for God's sake. | 0:36:14 | 0:36:17 | |
Delicacy? | 0:36:17 | 0:36:19 | |
Refrain from making accusations that you can't... | 0:36:19 | 0:36:22 | |
Be careful, do you hear me? | 0:36:23 | 0:36:25 | |
Lady Blackwood is his patron, do you understand? | 0:36:25 | 0:36:27 | |
Perfectly, sir. | 0:36:29 | 0:36:30 | |
HE GRUNTS | 0:36:38 | 0:36:39 | |
Whoa! Steady. | 0:37:00 | 0:37:02 | |
Whoa. | 0:37:02 | 0:37:03 | |
Chief Inspector Heat. | 0:37:10 | 0:37:11 | |
Special Crimes Division. | 0:37:11 | 0:37:13 | |
Two tickets from here to Greenwich. | 0:37:13 | 0:37:15 | |
You shouldn't come here and interfere with me, you know. | 0:37:21 | 0:37:24 | |
I've been taken up by certain... | 0:37:25 | 0:37:28 | |
..people. | 0:37:29 | 0:37:31 | |
-Very influential. -I know. | 0:37:32 | 0:37:34 | |
I know. | 0:37:34 | 0:37:35 | |
Did you buy a ticket back from Greenwich to here? | 0:37:35 | 0:37:38 | |
You know, you and Verloc, you ventured out together, | 0:37:38 | 0:37:41 | |
then, after, you came back alone. | 0:37:41 | 0:37:43 | |
In shock, no doubt. | 0:37:45 | 0:37:46 | |
I am in shock because you tell me he is dead. | 0:37:48 | 0:37:50 | |
And you don't feel you had a part to play in that? | 0:37:50 | 0:37:53 | |
I didn't, I wasn't there. | 0:37:53 | 0:37:55 | |
All your influential people, | 0:37:55 | 0:37:57 | |
they can't save you from the truth coming out. | 0:37:57 | 0:38:00 | |
Not a man like you. A ticket-of-leave man. | 0:38:00 | 0:38:03 | |
You can't afford to make one mistake, | 0:38:03 | 0:38:05 | |
let alone get mixed up in something like this. | 0:38:05 | 0:38:08 | |
I didn't get mixed up in it. | 0:38:08 | 0:38:09 | |
Then what? | 0:38:09 | 0:38:10 | |
What?! | 0:38:13 | 0:38:14 | |
It... | 0:38:17 | 0:38:18 | |
It wasn't voluntary. | 0:38:21 | 0:38:22 | |
I didn't choose to. | 0:38:24 | 0:38:26 | |
So, Verloc was here, and you went off together? | 0:38:26 | 0:38:28 | |
No. I didn't go. | 0:38:28 | 0:38:29 | |
Two men! Two men were identified there! | 0:38:29 | 0:38:32 | |
Stevie! | 0:38:32 | 0:38:33 | |
The other man was Stevie! | 0:38:33 | 0:38:35 | |
-Who's Stevie? -His brother-in-law... | 0:38:35 | 0:38:37 | |
He didn't even know the dirty work he was doing for him. | 0:38:39 | 0:38:41 | |
Where is he now? | 0:38:43 | 0:38:45 | |
Uh... | 0:38:45 | 0:38:46 | |
Hiding in a ditch scared out of his wits, most probably. | 0:38:46 | 0:38:49 | |
Why would Verloc embark on such a thing? | 0:38:49 | 0:38:51 | |
He didn't take me into his confidence. | 0:38:51 | 0:38:53 | |
-He knew I wouldn't approve. -If you had prior knowledge... | 0:38:53 | 0:38:55 | |
I knew nothing. | 0:38:55 | 0:38:56 | |
I was in my room the whole time. | 0:38:57 | 0:38:59 | |
It's an autobiography, you know? | 0:39:02 | 0:39:04 | |
The suffering I've gone through. | 0:39:05 | 0:39:07 | |
-Lady Blackwood is my patron. -Yeah, I know. | 0:39:09 | 0:39:12 | |
I know. | 0:39:12 | 0:39:13 | |
And you're quite immune. | 0:39:16 | 0:39:17 | |
I never hoped to see you here tonight. | 0:39:37 | 0:39:40 | |
Annie said you may be occupied with the bombing. | 0:39:40 | 0:39:44 | |
We have one fatality, another still at large. | 0:39:44 | 0:39:48 | |
We hope to know his identity soon enough. | 0:39:48 | 0:39:50 | |
Hope you are rounding them all up, Assistant Commissioner. | 0:39:50 | 0:39:53 | |
Better to eliminate suspects from our enquiries, one by one. | 0:39:53 | 0:39:56 | |
Mm, softly-softly? Where has that got you? | 0:39:56 | 0:39:58 | |
It's how we do things here. | 0:39:58 | 0:40:00 | |
It's procedure. | 0:40:00 | 0:40:02 | |
Procedure? | 0:40:02 | 0:40:03 | |
What sort of suspects? | 0:40:03 | 0:40:05 | |
Who are they? | 0:40:05 | 0:40:06 | |
The anarchists. The political activists. | 0:40:06 | 0:40:09 | |
Including even those you have embraced, Lady Blackwood. | 0:40:09 | 0:40:12 | |
Michaelis? | 0:40:12 | 0:40:13 | |
I hope you're not bringing him in. | 0:40:13 | 0:40:15 | |
Do you have any idea what that might do to him? | 0:40:15 | 0:40:18 | |
But if he is party to any such conspiracy... | 0:40:18 | 0:40:20 | |
He is in Kent now, and there's only one passion urging him on. | 0:40:20 | 0:40:23 | |
Mr Stone... | 0:40:23 | 0:40:26 | |
Only one passion occupies him. His writing - | 0:40:26 | 0:40:29 | |
which I shall soon see into publication. | 0:40:29 | 0:40:32 | |
-How exciting. -Quite. | 0:40:32 | 0:40:34 | |
In the meantime, it must be the only thing to detain him. | 0:40:34 | 0:40:36 | |
Tolerance can be folly, though, can it not? | 0:40:38 | 0:40:41 | |
In the bigger matter of the security of your country, | 0:40:41 | 0:40:43 | |
if these people are not suppressed, squashed, | 0:40:43 | 0:40:46 | |
then the conflagration may spread | 0:40:46 | 0:40:49 | |
from an attempt on the Observatory to... | 0:40:49 | 0:40:52 | |
every city in the country. | 0:40:52 | 0:40:53 | |
You think it that grave an affair? | 0:40:53 | 0:40:55 | |
Or do you simply intend to frighten us all? | 0:40:55 | 0:40:58 | |
It's what he's in England for. | 0:40:58 | 0:41:00 | |
You only have a dead body - | 0:41:00 | 0:41:02 | |
the perpetrator you cannot even identify. | 0:41:02 | 0:41:04 | |
Yes, we can. | 0:41:04 | 0:41:06 | |
Oh, oh, really? Really? | 0:41:06 | 0:41:08 | |
Well, let me guess... | 0:41:08 | 0:41:09 | |
it's confidential. | 0:41:09 | 0:41:11 | |
His name's Verloc. | 0:41:12 | 0:41:14 | |
It was. | 0:41:14 | 0:41:16 | |
-The fatality? The dead man? -Mmm. | 0:41:20 | 0:41:22 | |
I see. | 0:41:22 | 0:41:24 | |
You're party to different information, Mr Vladimir? | 0:41:25 | 0:41:28 | |
-Why would you think that? -You're smiling. | 0:41:28 | 0:41:30 | |
-I am? -Why? | 0:41:30 | 0:41:31 | |
I have a very good hand, that's all. | 0:41:35 | 0:41:37 | |
Excuse me, my lady. | 0:42:09 | 0:42:11 | |
Verloc's still alive. | 0:42:17 | 0:42:19 | |
No. | 0:42:19 | 0:42:20 | |
No, I'm sorry, that can't be. | 0:42:20 | 0:42:21 | |
I'm afraid you're mistaken. | 0:42:21 | 0:42:23 | |
It's his brother-in-law Stevie who survived. | 0:42:23 | 0:42:25 | |
You know that for a fact? | 0:42:25 | 0:42:27 | |
No, but Michaelis is sure of it. | 0:42:27 | 0:42:29 | |
Did Michaelis identify the body? Did you? | 0:42:29 | 0:42:32 | |
The Russians know differently. | 0:42:32 | 0:42:33 | |
Then if he's hiding out in his shop, I'll go there at once... | 0:42:33 | 0:42:36 | |
-Arresting him will have to wait. -So he can escape? | 0:42:36 | 0:42:38 | |
I've had to suffer | 0:42:38 | 0:42:39 | |
the First Secretary's smug expression all evening - | 0:42:39 | 0:42:41 | |
as if he's been in the know all along. | 0:42:41 | 0:42:43 | |
Why would he know about Verloc and his fate? | 0:42:43 | 0:42:45 | |
Perhaps there's a connection. | 0:42:46 | 0:42:48 | |
Heat, I'm warning you - | 0:42:50 | 0:42:51 | |
I will no longer allow your idea of secrecy | 0:42:51 | 0:42:53 | |
to be keeping your Chief of Department in the dark! | 0:42:53 | 0:42:55 | |
He's their agent. | 0:42:59 | 0:43:00 | |
How do you know that? | 0:43:00 | 0:43:01 | |
Because he's also mine. | 0:43:03 | 0:43:05 | |
An asset I've been exploiting on and off for the past few years. | 0:43:05 | 0:43:08 | |
So you've been making use of this man privately? | 0:43:08 | 0:43:10 | |
But now we know what we know, | 0:43:10 | 0:43:11 | |
we can't let him get away with dropping a bomb | 0:43:11 | 0:43:13 | |
-That's not up to you. -But, sir, | 0:43:13 | 0:43:14 | |
-it would be a perversion of my duty. -Did you hear me?! | 0:43:14 | 0:43:17 | |
The point is not him, is what's behind him. | 0:43:17 | 0:43:20 | |
Vladimir. | 0:43:20 | 0:43:22 | |
You forget Mr Verloc. You leave that responsibility to me. | 0:43:22 | 0:43:25 | |
Do you understand? | 0:43:25 | 0:43:26 | |
I'll be off home, then, sir. | 0:43:31 | 0:43:32 | |
Make sure it isn't through Soho, Inspector. | 0:43:34 | 0:43:36 | |
Thank you. | 0:43:43 | 0:43:44 | |
You're thinking about the boy? | 0:44:11 | 0:44:13 | |
I just miss him so much. | 0:44:16 | 0:44:17 | |
We've never been away from each other before. | 0:44:21 | 0:44:23 | |
It seems wrong that he's not at home, and I am. | 0:44:26 | 0:44:29 | |
He's in some village somewhere, | 0:44:31 | 0:44:33 | |
hearing sounds he's never heard before. | 0:44:33 | 0:44:35 | |
I hope he's not scared out his wits. | 0:44:38 | 0:44:40 | |
I hope he's...not missing me. | 0:44:43 | 0:44:46 | |
You could at least reassure me. | 0:44:50 | 0:44:52 | |
Just think of the good it's doing him. | 0:44:55 | 0:44:57 | |
Why can't you sleep, Anton? | 0:45:03 | 0:45:05 | |
I shall count sheep. | 0:45:14 | 0:45:16 | |
I imagine Stevie is doing so now. | 0:45:19 | 0:45:21 | |
Quite literally! | 0:45:23 | 0:45:24 | |
-Sit. -Sir. | 0:45:50 | 0:45:53 | |
Is this the beginning of a dynamite campaign? | 0:45:56 | 0:45:58 | |
I rather think not, Sir Ethelred. | 0:45:58 | 0:46:00 | |
Well, what does Heat think? He gave me his word in this room | 0:46:00 | 0:46:02 | |
that we would be safe from any anarchist attack. | 0:46:02 | 0:46:04 | |
-I think it's still safe to say that, sir. -So, what was Greenwich? | 0:46:04 | 0:46:07 | |
-More anomaly than plot. -Not a conspiracy? | 0:46:07 | 0:46:09 | |
-Not in that way. -But the Professor supplied the bomb? | 0:46:09 | 0:46:12 | |
More transaction than conspiracy. | 0:46:12 | 0:46:14 | |
Sir, this is a situation that requires some delicacy. | 0:46:14 | 0:46:17 | |
Some secrecy. | 0:46:17 | 0:46:19 | |
Why? | 0:46:21 | 0:46:22 | |
There's a figure in the pay of a certain embassy... | 0:46:24 | 0:46:27 | |
A Mr Verloc. | 0:46:28 | 0:46:29 | |
Known to us as an anarchist? | 0:46:29 | 0:46:31 | |
In fact, a spy and agent provocateur for the Russians. | 0:46:31 | 0:46:33 | |
This was a Russian plot? | 0:46:33 | 0:46:35 | |
Orchestrated by Mr Vladimir, I believe. | 0:46:35 | 0:46:37 | |
My God, these people are impossible. | 0:46:37 | 0:46:40 | |
A Turk would have more decency! | 0:46:40 | 0:46:41 | |
Quite. | 0:46:41 | 0:46:43 | |
So, what do we do about this Verloc? | 0:46:43 | 0:46:45 | |
In my opinion, offer him immunity from prosecution | 0:46:45 | 0:46:49 | |
in exchange for everything he can tell us. | 0:46:49 | 0:46:51 | |
In your opinion? | 0:46:51 | 0:46:53 | |
Yes, sir. | 0:46:53 | 0:46:54 | |
Where are you going? | 0:47:33 | 0:47:35 | |
Are you going to collect Stevie? | 0:47:39 | 0:47:41 | |
Yes, I... | 0:47:43 | 0:47:44 | |
I'll attend to the boy. | 0:47:46 | 0:47:47 | |
DISTANT SOBBING | 0:48:00 | 0:48:02 | |
HE CLEARS HIS THROAT | 0:48:20 | 0:48:22 | |
Yes? | 0:48:24 | 0:48:25 | |
Is there a body here? | 0:48:28 | 0:48:30 | |
We have lots of bodies here. | 0:48:30 | 0:48:32 | |
I mean the one recovered from Greenwich Park. | 0:48:35 | 0:48:38 | |
Some sort of ghoul, are you? | 0:48:38 | 0:48:40 | |
I thought I should see it. That's all. | 0:48:40 | 0:48:42 | |
"Should"? | 0:48:42 | 0:48:43 | |
COINS CLINK | 0:48:46 | 0:48:48 | |
Even if you were from the newspapers, | 0:48:50 | 0:48:52 | |
I couldn't allow you to take a photograph. | 0:48:52 | 0:48:54 | |
-Police attend the body? -No, I attend it. | 0:48:54 | 0:48:56 | |
And it's not a body. | 0:48:59 | 0:49:01 | |
It's just a mess. | 0:49:01 | 0:49:02 | |
BELL JANGLES | 0:50:12 | 0:50:14 | |
Is your husband home? | 0:50:23 | 0:50:25 | |
No. He's gone out. | 0:50:25 | 0:50:27 | |
Do you know when he'll be back? | 0:50:27 | 0:50:28 | |
Can't say. | 0:50:28 | 0:50:29 | |
So, you're here all alone, then? | 0:50:31 | 0:50:34 | |
Yes. | 0:50:34 | 0:50:35 | |
What, no family member to help you out? | 0:50:38 | 0:50:41 | |
My brother's in Kent. | 0:50:41 | 0:50:42 | |
With Mr Michaelis? | 0:50:43 | 0:50:44 | |
Who are you? | 0:50:47 | 0:50:48 | |
You've been in before. | 0:50:48 | 0:50:50 | |
Chief Inspector Heat. Special Crimes Division. | 0:50:50 | 0:50:53 | |
Isn't a crime to hold a meeting. | 0:50:53 | 0:50:55 | |
You can't be arrested for your thoughts. | 0:50:56 | 0:50:58 | |
It's more than just their thoughts. | 0:50:58 | 0:51:01 | |
What are you talking about? | 0:51:01 | 0:51:02 | |
Well, you've no idea what's happened, have you? | 0:51:06 | 0:51:08 | |
Well, tell him I know exactly what's happened. | 0:51:10 | 0:51:13 | |
You're not going to scare me. I know that much. | 0:51:14 | 0:51:16 | |
My Anton's a good man. | 0:51:16 | 0:51:18 | |
He doesn't need tormenting. | 0:51:18 | 0:51:20 | |
Why don't you just leave him alone? | 0:51:20 | 0:51:22 | |
Do you recognise this? | 0:51:34 | 0:51:36 | |
It's this address. I wrote it. | 0:51:40 | 0:51:41 | |
So that Stevie wouldn't get lost, | 0:51:44 | 0:51:45 | |
so he could always show someone where he lived. | 0:51:45 | 0:51:48 | |
So, it's from Stevie's coat. | 0:51:48 | 0:51:51 | |
Yeah. Whatever's it torn out like this for? | 0:51:51 | 0:51:53 | |
It was recovered from Greenwich Park. | 0:51:55 | 0:51:58 | |
The bomb outrage. | 0:51:58 | 0:51:59 | |
Have you heard of it? | 0:52:01 | 0:52:02 | |
Yeah. I've heard of it. I haven't read about it. | 0:52:02 | 0:52:05 | |
Some things don't bear too much looking into. | 0:52:05 | 0:52:07 | |
Anyway, what's that got to do with Stevie's coat? | 0:52:09 | 0:52:11 | |
Stevie's in Kent with Mr Michaelis. | 0:52:17 | 0:52:19 | |
No, he's not. | 0:52:21 | 0:52:22 | |
He is. | 0:52:22 | 0:52:23 | |
-Stevie was your brother, wasn't he? -What do you mean "wasn't he"? | 0:52:23 | 0:52:27 | |
He still is. | 0:52:27 | 0:52:28 | |
He still is my brother! | 0:52:28 | 0:52:30 | |
I'm sorry. | 0:52:35 | 0:52:36 | |
He said he was climbing trees, getting his trousers dirty. | 0:52:41 | 0:52:44 | |
He said he was having fun. | 0:52:44 | 0:52:46 | |
Tell Mr Verloc I won't be coming back again. | 0:52:53 | 0:52:56 | |
SHE GASPS | 0:54:21 | 0:54:22 | |
You must have been mad. | 0:54:37 | 0:54:38 | |
I have been mad for a month or so. | 0:54:38 | 0:54:41 | |
But not now. Not any more. | 0:54:41 | 0:54:43 | |
I was humiliated by you. You lied to me. | 0:54:43 | 0:54:46 | |
Just take me in. I'm ready. | 0:54:46 | 0:54:49 | |
I've been told to stay away. | 0:54:50 | 0:54:52 | |
Others have plans for you. | 0:54:53 | 0:54:55 | |
It'll all come out. | 0:54:57 | 0:54:58 | |
That's not what they want. | 0:54:58 | 0:55:00 | |
Then why are you here? | 0:55:04 | 0:55:05 | |
I want to see your guilt. | 0:55:07 | 0:55:08 | |
Look at me! | 0:55:08 | 0:55:10 | |
How can you live with yourself? | 0:55:10 | 0:55:12 | |
Look at that. | 0:55:17 | 0:55:18 | |
Look! Look! | 0:55:18 | 0:55:20 | |
Not all of him was blown to bits. | 0:55:24 | 0:55:26 | |
She knows. | 0:55:28 | 0:55:30 | |
She knows. | 0:55:32 | 0:55:34 | |
Agh! | 0:55:36 | 0:55:37 | |
She's waiting for you! | 0:55:40 | 0:55:41 | |
BELL JANGLES | 0:56:10 | 0:56:12 |