Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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England is in need of a jolly good scare. | 0:00:04 | 0:00:06 | |
Blow up the observatory? | 0:00:06 | 0:00:08 | |
I give you a month. | 0:00:08 | 0:00:09 | |
Can you supply a bomb? | 0:00:09 | 0:00:11 | |
I can supply a bomb. Will you explode it? | 0:00:11 | 0:00:13 | |
Tell Heat it's The Strand next. | 0:00:19 | 0:00:21 | |
'The Professor's on an omnibus.' | 0:00:21 | 0:00:23 | |
Get a message sent he's not to be approached! | 0:00:23 | 0:00:25 | |
Do you know what a secret is, Stevie? | 0:00:25 | 0:00:28 | |
Not even Winnie must know. | 0:00:28 | 0:00:30 | |
Despite what you said, we are a true family. | 0:00:30 | 0:00:33 | |
Could be father and son. | 0:00:33 | 0:00:35 | |
'Mr Michaelis is going to my cottage in Kent to write a book.' | 0:00:44 | 0:00:47 | |
Stevie! | 0:00:47 | 0:00:48 | |
We've got a job to do. This is a serious business we're doing here. | 0:00:50 | 0:00:54 | |
This new thing between them, I'm so hopeful about it. | 0:00:59 | 0:01:02 | |
Tell yourself that lie, but imagine more than just a day with me. | 0:01:02 | 0:01:05 | |
Who have you supplied? | 0:01:05 | 0:01:07 | |
Who have you supplied?! | 0:01:08 | 0:01:09 | |
-I'll go for you! -Stevie! | 0:01:10 | 0:01:12 | |
-No! -I'm a good boy. -Stevie! | 0:01:12 | 0:01:14 | |
He's having the time of his life, Winnie. He's climbing trees. | 0:01:28 | 0:01:32 | |
What do we do about this Verloc? | 0:01:38 | 0:01:39 | |
In my opinion, offer him immunity from prosecution in exchange for | 0:01:39 | 0:01:43 | |
everything he can tell us. | 0:01:43 | 0:01:45 | |
Is there a body here? | 0:01:45 | 0:01:46 | |
It's not a body. It's just a mess. | 0:01:46 | 0:01:48 | |
You've no idea what's happened, have you? | 0:01:50 | 0:01:52 | |
'He said he was climbing trees, getting his trousers dirty.' | 0:01:52 | 0:01:54 | |
He said he was having fun. | 0:01:54 | 0:01:56 | |
Not all of it was blown to bits. | 0:01:59 | 0:02:01 | |
She knows. | 0:02:02 | 0:02:04 | |
She's waiting for you. | 0:02:09 | 0:02:10 | |
'EXPLOSION' | 0:02:13 | 0:02:16 | |
BELL TINKLES | 0:02:39 | 0:02:40 | |
I saw Heat leave. | 0:02:59 | 0:03:00 | |
I spoke to him, actually. | 0:03:05 | 0:03:08 | |
At least you know now. | 0:03:13 | 0:03:15 | |
About Stevie. | 0:03:17 | 0:03:18 | |
I'm sorry I kept it from you. | 0:03:20 | 0:03:22 | |
I didn't know how to... | 0:03:24 | 0:03:25 | |
You do see that, don't you? | 0:03:27 | 0:03:29 | |
But if... | 0:03:36 | 0:03:38 | |
..you let me explain... | 0:03:41 | 0:03:42 | |
Look... | 0:03:45 | 0:03:46 | |
Yes, I got Stevie involved, but I had to, Winnie. | 0:03:47 | 0:03:51 | |
I've had no choice in any of this. | 0:03:53 | 0:03:55 | |
I take payments from the Russian embassy. | 0:03:55 | 0:03:58 | |
I suppose I'm a spy, and... | 0:03:58 | 0:04:01 | |
They wanted an explosion, and if I didn't give it to them... | 0:04:01 | 0:04:04 | |
The way he was using me, Winnie. | 0:04:08 | 0:04:10 | |
Threatening me. | 0:04:10 | 0:04:11 | |
If I hadn't agreed to do it, what would have become of us all? | 0:04:12 | 0:04:16 | |
So... | 0:04:24 | 0:04:25 | |
I showed Stevie what I was doing, it's true. | 0:04:28 | 0:04:32 | |
He was never meant to be the one who actually planted it. | 0:04:37 | 0:04:40 | |
I meant the boy no harm. | 0:04:46 | 0:04:47 | |
And how could he just... | 0:04:59 | 0:05:00 | |
..come in here and blurt it out to you like that? | 0:05:02 | 0:05:04 | |
I've been sat in the pub for hours, just... | 0:05:05 | 0:05:09 | |
thinking of a way to tell you, and he just waltzes in. | 0:05:09 | 0:05:12 | |
You know what his problem is? | 0:05:12 | 0:05:14 | |
He thinks it's just information. | 0:05:14 | 0:05:16 | |
It's the policeman in him. | 0:05:17 | 0:05:19 | |
It's unforgivable. | 0:05:22 | 0:05:24 | |
No empathy at all. | 0:05:25 | 0:05:27 | |
'We have to go for Verloc. | 0:06:38 | 0:06:40 | |
'Not bargain with him, but detain him.' | 0:06:40 | 0:06:42 | |
Prosecution? | 0:06:42 | 0:06:43 | |
I put it to the Attorney General about making use of him. | 0:06:43 | 0:06:47 | |
Wasn't keen at all. Had had a word with the Foreign Secretary, if you ask me. | 0:06:47 | 0:06:50 | |
And their thinking? | 0:06:50 | 0:06:51 | |
Foreign spies on our soil immune from the rule of law? | 0:06:51 | 0:06:54 | |
We turn a blind eye, we just look blind. Or feeble. | 0:06:54 | 0:06:57 | |
So, we need to make an example of Verloc? | 0:06:57 | 0:06:59 | |
Yes. But, ultimately, | 0:06:59 | 0:07:01 | |
the only way is to make the employment of these spies | 0:07:01 | 0:07:04 | |
unpleasant to their employers. | 0:07:04 | 0:07:06 | |
Very well, Home Secretary, I shall... | 0:07:08 | 0:07:10 | |
..approach his employer. | 0:07:11 | 0:07:12 | |
If I'm taken away... | 0:07:22 | 0:07:23 | |
..you'll need your wits about you. | 0:07:26 | 0:07:28 | |
You need to start thinking about tomorrow. | 0:07:38 | 0:07:40 | |
So, you need to... | 0:07:44 | 0:07:46 | |
You can't sit here like this. | 0:07:48 | 0:07:51 | |
You could look at me, Winnie. | 0:07:51 | 0:07:53 | |
I knew you'd take it hard. | 0:08:07 | 0:08:09 | |
But you've got to see the whole picture. | 0:08:11 | 0:08:15 | |
And... there's still the two of us. | 0:08:15 | 0:08:19 | |
And...being like this... | 0:08:19 | 0:08:21 | |
well, it...it won't bring him back, will it? | 0:08:21 | 0:08:24 | |
What will? | 0:08:24 | 0:08:26 | |
-What? -What will bring him back? | 0:08:28 | 0:08:30 | |
Nothing. | 0:08:34 | 0:08:35 | |
Did he scream? | 0:08:39 | 0:08:40 | |
He felt no pain. | 0:08:44 | 0:08:45 | |
I'm sure of it. | 0:08:47 | 0:08:49 | |
How do you know? | 0:08:49 | 0:08:51 | |
I'm not screaming. | 0:08:55 | 0:08:58 | |
I feel so trapped with it. | 0:09:01 | 0:09:03 | |
I thought it'd be an end to all our troubles, and it's ended up being nothing of the sort. | 0:09:04 | 0:09:08 | |
But this... | 0:09:10 | 0:09:11 | |
Well, they'll take me away, but... | 0:09:14 | 0:09:16 | |
..if you were to wait for me... | 0:09:17 | 0:09:19 | |
..and...and then shop to keep going while... | 0:09:22 | 0:09:25 | |
while I'm detained, we could pick up again. | 0:09:25 | 0:09:29 | |
I've been to prison before, it won't affect me. | 0:09:29 | 0:09:31 | |
It's safer in there than running away. | 0:09:32 | 0:09:34 | |
Please, Winnie. | 0:09:38 | 0:09:41 | |
Don't be a fool. | 0:09:41 | 0:09:43 | |
I kept calling Stevie back. | 0:09:58 | 0:10:00 | |
But he wouldn't listen to me. | 0:10:03 | 0:10:04 | |
He took it upon himself to carry the bomb. | 0:10:08 | 0:10:10 | |
Why did he have to be... | 0:10:14 | 0:10:16 | |
wilful like that? | 0:10:16 | 0:10:17 | |
-We are rather surprised that you've insisted on so immediate an appointment. -We? | 0:10:28 | 0:10:32 | |
I don't think this appointment involves you being in the room, Privy Councillor. | 0:10:32 | 0:10:35 | |
I meant that you had more pressing engagements. | 0:10:35 | 0:10:37 | |
This bomb outrage, the safety of London. | 0:10:37 | 0:10:39 | |
That's exactly why I'm here. | 0:10:39 | 0:10:41 | |
Greenwich being a symptom, the cause perhaps here in Kensington. | 0:10:41 | 0:10:44 | |
We know that Verloc planted the bomb. | 0:10:52 | 0:10:55 | |
-Verloc? -You know him. | 0:10:55 | 0:10:58 | |
You employ him. | 0:10:58 | 0:10:59 | |
What makes you say that? | 0:10:59 | 0:11:00 | |
I say nothing of the sort, my inspector says it. | 0:11:00 | 0:11:02 | |
He also makes use of him, | 0:11:02 | 0:11:04 | |
and uses your little secret as leverage against him. | 0:11:04 | 0:11:06 | |
Do you remember when you accused me of complacency, | 0:11:11 | 0:11:13 | |
accused every Government agency? | 0:11:13 | 0:11:16 | |
Well, you could say we've taken your advice. | 0:11:16 | 0:11:19 | |
An end to tolerance. | 0:11:19 | 0:11:21 | |
-And what do you intend to do with this Verloc, deport him? -No. | 0:11:22 | 0:11:26 | |
We rather thought a prosecution would best demonstrate to the public | 0:11:26 | 0:11:29 | |
both the danger and the indecency. | 0:11:29 | 0:11:30 | |
You really think you'd induce a man like this to admit anything? | 0:11:30 | 0:11:33 | |
Absolutely, if he thought his punishment to be mitigated. | 0:11:33 | 0:11:36 | |
And, if not, we have a wealth of detail in any case. | 0:11:36 | 0:11:39 | |
We have a joint enemy. The anarchists, not each other. | 0:11:39 | 0:11:43 | |
We're well aware of the genuine article. | 0:11:43 | 0:11:45 | |
That's why we can't be distracted by shams like this. | 0:11:45 | 0:11:48 | |
And so you will prosecute Verloc? | 0:11:50 | 0:11:51 | |
I wonder how efficient the prosecution of the Professor | 0:11:55 | 0:11:58 | |
will make you look. | 0:11:58 | 0:11:59 | |
The public will be happy to know that we've foiled an outrage. | 0:12:00 | 0:12:03 | |
That a man with a bomb strapped to him was roaming the streets of London? | 0:12:03 | 0:12:06 | |
That bomb didn't go off. | 0:12:06 | 0:12:08 | |
Yours did. | 0:12:09 | 0:12:10 | |
Our arrangement... | 0:12:26 | 0:12:28 | |
..was always that you took no interest in my affairs. | 0:12:29 | 0:12:33 | |
That's how it's worked. | 0:12:35 | 0:12:37 | |
You always said things didn't bear much looking into. | 0:12:38 | 0:12:41 | |
In fact, Winnie... | 0:12:43 | 0:12:44 | |
..you looked the other way. | 0:12:45 | 0:12:47 | |
I made it easy. | 0:12:50 | 0:12:51 | |
-I made it easy for you to... -You mustn't spend too long blaming yourself, Winnie. | 0:12:57 | 0:13:02 | |
What matters now is... | 0:13:04 | 0:13:05 | |
..how we go along together. | 0:13:07 | 0:13:08 | |
You've no idea what a bastard I've been dealing with. | 0:13:13 | 0:13:16 | |
What a jeering, | 0:13:17 | 0:13:19 | |
pitiless, dangerous bastard! | 0:13:19 | 0:13:21 | |
VERLOC: 'There isn't an anarchist plot in the last 11 years I haven't thwarted. | 0:13:21 | 0:13:24 | |
'The scores of revolutionaries that I've dispatched...' | 0:13:24 | 0:13:28 | |
I could be stabbed in the back at any time, he wouldn't give a damn. | 0:13:28 | 0:13:32 | |
If you want someone to blame, blame him. | 0:13:32 | 0:13:35 | |
I don't understand a word you're saying. | 0:13:38 | 0:13:40 | |
What's done can't be undone. | 0:13:49 | 0:13:51 | |
You know what you need? | 0:14:07 | 0:14:09 | |
Good cry. | 0:14:12 | 0:14:13 | |
Because you haven't. | 0:14:15 | 0:14:16 | |
It's not natural. | 0:14:19 | 0:14:20 | |
These things... | 0:14:25 | 0:14:27 | |
They have to come out. | 0:14:29 | 0:14:32 | |
Emotion, I mean. | 0:14:32 | 0:14:34 | |
Going for a rest? | 0:14:47 | 0:14:48 | |
Bit of peace and quiet, yeah, that... | 0:14:53 | 0:14:55 | |
That'll do you the world of good. | 0:14:57 | 0:14:59 | |
FOOTSTEPS AND DOOR CLOSING UPSTAIRS | 0:15:11 | 0:15:15 | |
'Calm me down, Winnie.' | 0:16:02 | 0:16:04 | |
STAIRCASE CREAKS | 0:16:19 | 0:16:21 | |
Flying off to your mother's? | 0:16:30 | 0:16:32 | |
No sense going now. | 0:16:32 | 0:16:34 | |
She'll have gone to bed by the time you get there. | 0:16:35 | 0:16:37 | |
This is the sort of news that can wait. | 0:16:37 | 0:16:40 | |
Tonight, your place is here with me, Winnie. | 0:16:42 | 0:16:45 | |
Just take off your hat and sit down. | 0:16:45 | 0:16:47 | |
I can't just let you go... wandering about outside. | 0:16:52 | 0:16:55 | |
I just can't have it. | 0:16:57 | 0:16:59 | |
And this veil... | 0:17:01 | 0:17:02 | |
I barely know who I'm talking to. | 0:17:04 | 0:17:06 | |
That's better. | 0:17:09 | 0:17:11 | |
Not that you're saying anything back to me, anyway. | 0:17:21 | 0:17:24 | |
Perhaps because you know it was you who kept shoving the boy in my direction. | 0:17:26 | 0:17:31 | |
What made you do it? | 0:17:31 | 0:17:32 | |
Look, this...this deaf-and-dumb act, it's gone too far. | 0:17:35 | 0:17:38 | |
At least his troubles are over now, whereas ours are just beginning. | 0:17:41 | 0:17:44 | |
We ought to start thinking about what we're going to do. | 0:17:44 | 0:17:48 | |
I can't have you galloping off to your mother | 0:17:48 | 0:17:50 | |
with some crazy tale or other about me. I won't have it. | 0:17:50 | 0:17:53 | |
I wish I'd never seen Greenwich Park. | 0:17:59 | 0:18:01 | |
"A nice walk." | 0:18:06 | 0:18:07 | |
Winnie... | 0:18:08 | 0:18:09 | |
"Imagine how good a few days in Kent would be for him." | 0:18:09 | 0:18:12 | |
-"Me and him in the countryside..." -Let it lie now, Winnie. | 0:18:15 | 0:18:18 | |
No more trouble. | 0:18:19 | 0:18:20 | |
"Could be father and son." | 0:18:20 | 0:18:22 | |
No more. | 0:18:23 | 0:18:24 | |
Winnie... | 0:18:31 | 0:18:32 | |
Yes. | 0:18:39 | 0:18:40 | |
Come here. | 0:18:44 | 0:18:45 | |
(Murderess.) | 0:20:26 | 0:20:28 | |
You're here. | 0:21:16 | 0:21:17 | |
Only because I thought you would be. | 0:21:20 | 0:21:22 | |
Sit down with me. | 0:21:27 | 0:21:29 | |
I was on my way to you. | 0:21:52 | 0:21:53 | |
I thought so much about you, | 0:21:55 | 0:21:58 | |
since I read about the bombing. | 0:21:58 | 0:21:59 | |
I'm very sorry. | 0:22:01 | 0:22:03 | |
Will you help me? | 0:22:03 | 0:22:05 | |
No-one is more ready to help you in your trouble. | 0:22:07 | 0:22:09 | |
Do you know what my trouble is? | 0:22:12 | 0:22:14 | |
I couldn't be absolutely sure from the newspaper report, | 0:22:15 | 0:22:19 | |
but now you appear like this, I... | 0:22:19 | 0:22:22 | |
I understand exactly what happened. | 0:22:22 | 0:22:24 | |
What will I do? | 0:22:25 | 0:22:26 | |
Winnie, you...you are free now. | 0:22:27 | 0:22:30 | |
Truly. | 0:22:30 | 0:22:31 | |
I can't be. | 0:22:31 | 0:22:33 | |
No. | 0:22:33 | 0:22:34 | |
Unless... | 0:22:35 | 0:22:37 | |
people understand perhaps what happened. | 0:22:37 | 0:22:39 | |
Verloc brought about his own death when he... | 0:22:39 | 0:22:41 | |
He was a bastard to me. | 0:22:41 | 0:22:42 | |
Yes. | 0:22:42 | 0:22:44 | |
But not me, Winnie. | 0:22:45 | 0:22:46 | |
You'll take me away? | 0:22:48 | 0:22:50 | |
You will let me escape with you? | 0:22:51 | 0:22:53 | |
You have done so before? | 0:22:53 | 0:22:56 | |
-Run away? -Yes. | 0:22:56 | 0:22:58 | |
We can run away together. | 0:22:58 | 0:22:59 | |
We can go anywhere. | 0:23:01 | 0:23:02 | |
Tom, there's some money. | 0:23:05 | 0:23:07 | |
-If we go... -Verloc's money? | 0:23:08 | 0:23:10 | |
He kept it hidden away, you see. | 0:23:11 | 0:23:13 | |
The money's...at the shop, Tom. | 0:23:15 | 0:23:18 | |
All of it. | 0:23:20 | 0:23:21 | |
You deserve it. And we can make a life with it? | 0:23:22 | 0:23:26 | |
Yes. | 0:23:26 | 0:23:27 | |
You forgot to shut the door. | 0:23:34 | 0:23:36 | |
BELL TINKLES | 0:23:40 | 0:23:41 | |
Show me. | 0:23:46 | 0:23:47 | |
I've left the light on in the parlour. | 0:23:48 | 0:23:50 | |
The money's in there, on the shelf. | 0:23:50 | 0:23:53 | |
How can this be? | 0:24:09 | 0:24:11 | |
HE INHALES SHARPLY | 0:24:11 | 0:24:12 | |
Haven't you guessed what I was driven to do? | 0:24:14 | 0:24:16 | |
You will save me, Tom? | 0:24:21 | 0:24:23 | |
Please, don't let them hang me. | 0:24:24 | 0:24:26 | |
You did this thing all by yourself? | 0:24:26 | 0:24:28 | |
Yes. | 0:24:29 | 0:24:30 | |
Where's Stevie? | 0:24:33 | 0:24:35 | |
Blown to bits in Greenwich Park. | 0:24:37 | 0:24:39 | |
Verloc took him away and murdered him. | 0:24:42 | 0:24:44 | |
And then came back, like any other man would come back to his wife. | 0:24:47 | 0:24:50 | |
So, you just...stabbed him to death? | 0:24:52 | 0:24:55 | |
He was resting on the sofa after his supper. | 0:24:57 | 0:25:00 | |
Resting easy. | 0:25:02 | 0:25:03 | |
"Come here," he said to me... | 0:25:06 | 0:25:07 | |
..after he's killed my Stevie...my baby. | 0:25:09 | 0:25:13 | |
So I came all right. | 0:25:15 | 0:25:17 | |
What did he expect? | 0:25:19 | 0:25:21 | |
He took the heart out of me. | 0:25:21 | 0:25:23 | |
Please, Tom. | 0:25:31 | 0:25:33 | |
The money's in the box over there. | 0:25:41 | 0:25:44 | |
Don't throw me off now, Tom. | 0:26:39 | 0:26:41 | |
It's been years since I made an arrest. | 0:26:53 | 0:26:55 | |
-Good to get my feet out from under the desk. -Sure. | 0:26:55 | 0:26:58 | |
This has to look conspicuous, Heat. | 0:26:58 | 0:27:00 | |
Show them how serious we are about it. | 0:27:00 | 0:27:02 | |
You had other plans for Verloc yesterday. | 0:27:02 | 0:27:04 | |
That was yesterday. | 0:27:04 | 0:27:06 | |
RAUCOUS VOICES BEHIND WALL | 0:27:07 | 0:27:10 | |
You will save me from the hangman? | 0:27:15 | 0:27:17 | |
If they find us, they'll say it's a conspiracy. | 0:27:27 | 0:27:30 | |
That I am your accomplice. | 0:27:31 | 0:27:33 | |
So you're wedded to me, whether you like it or not. | 0:27:35 | 0:27:38 | |
I'm very happy that our fates are to be bound together. | 0:27:38 | 0:27:41 | |
That we will be together. | 0:27:43 | 0:27:45 | |
Are you cold? | 0:27:48 | 0:27:50 | |
Not here. | 0:27:50 | 0:27:51 | |
Are you? | 0:27:54 | 0:27:56 | |
No. | 0:27:58 | 0:27:59 | |
This is... | 0:29:00 | 0:29:02 | |
A revenge attack? One of his own, perhaps? | 0:29:07 | 0:29:09 | |
I was thinking more in the way of a husband killed and a... missing wife. | 0:29:10 | 0:29:15 | |
Are we in the presence of a domestic drama? | 0:29:15 | 0:29:17 | |
And I'm supposed to go to the Home Secretary and...tell him, what, | 0:29:19 | 0:29:22 | |
that our foreign policy has been thwarted by... | 0:29:22 | 0:29:25 | |
a bloody carving knife? | 0:29:25 | 0:29:27 | |
Find her. | 0:29:29 | 0:29:30 | |
Do you suppose Verloc volunteered the part | 0:29:35 | 0:29:37 | |
he played in her brother's death? | 0:29:37 | 0:29:39 | |
Never. | 0:29:41 | 0:29:42 | |
Then, who did? | 0:29:43 | 0:29:45 | |
Find her. | 0:29:49 | 0:29:50 | |
Alert every constable on the beat. Get men at every train terminal. | 0:29:52 | 0:29:55 | |
I'll pay a visit to the mother. | 0:29:55 | 0:29:57 | |
Between us all, we should find her. | 0:29:57 | 0:29:59 | |
We did wish them more vigilant. | 0:30:10 | 0:30:12 | |
-Yes, not so much that they'd... -Start a diplomatic incident? | 0:30:12 | 0:30:14 | |
If they get Verloc in that dock and make him talk, | 0:30:14 | 0:30:17 | |
the embarrassment that will cause our government. I will be recalled, | 0:30:17 | 0:30:21 | |
for God's sake! | 0:30:21 | 0:30:22 | |
Rather more than recalled, I fear. | 0:30:22 | 0:30:24 | |
Wurmt. | 0:30:29 | 0:30:30 | |
Wurmt! | 0:30:33 | 0:30:34 | |
-Verloc! -First Secretary? -Bring him here. | 0:30:34 | 0:30:38 | |
Bring him here, before the police take hold of him. | 0:30:38 | 0:30:41 | |
-I can summon him. -No, no, we need to act now. | 0:30:41 | 0:30:43 | |
We need to get him smuggled out of the country as soon as possible. | 0:30:43 | 0:30:46 | |
Well, go! Take somebody with you. | 0:30:48 | 0:30:50 | |
I am merely a privy counsellor, First Secretary. Clerical. | 0:30:50 | 0:30:53 | |
The boat leaves Southampton at midnight. | 0:30:57 | 0:31:00 | |
-Will we be safe? -Let's get to Paris first, | 0:31:01 | 0:31:04 | |
the best way we can. | 0:31:04 | 0:31:05 | |
Paris? | 0:31:05 | 0:31:06 | |
And then? | 0:31:08 | 0:31:09 | |
Wherever we can be left in peace. | 0:31:17 | 0:31:20 | |
BELL RINGS | 0:31:52 | 0:31:54 | |
I'll buy the tickets to Saint-Malo. Let's go separately. | 0:32:10 | 0:32:13 | |
We mustn't be seen together. | 0:32:13 | 0:32:16 | |
Stay out of sight. | 0:32:16 | 0:32:17 | |
Some trouble here? | 0:32:35 | 0:32:36 | |
What business would you have here, sir? | 0:32:36 | 0:32:38 | |
Oh, nothing but curiosity. | 0:32:38 | 0:32:41 | |
Someone killed? | 0:32:41 | 0:32:43 | |
The, er, shop owner? | 0:32:43 | 0:32:45 | |
Were you acquainted with him, sir? | 0:32:45 | 0:32:47 | |
Well, merely as a customer. | 0:32:47 | 0:32:49 | |
But if you asked me were I, erm... | 0:32:49 | 0:32:51 | |
He's dead? Murdered? | 0:32:53 | 0:32:55 | |
Well...this is some news, is it not? | 0:32:58 | 0:33:01 | |
As for myself, I shall thank God to be safely in my bed tonight. | 0:33:03 | 0:33:07 | |
I should never have left them. | 0:33:19 | 0:33:21 | |
SHE SOBS | 0:33:23 | 0:33:25 | |
I promise you, madam... | 0:33:25 | 0:33:27 | |
your son felt no pain. | 0:33:27 | 0:33:30 | |
But you cannot say the same for Winnie. | 0:33:32 | 0:33:34 | |
Two returns to Southampton, please. | 0:33:54 | 0:33:57 | |
Thank you. | 0:34:05 | 0:34:06 | |
Sir? | 0:34:06 | 0:34:07 | |
Your change, sir. | 0:34:17 | 0:34:18 | |
LONG WHISTLE | 0:34:20 | 0:34:22 | |
-Stevie! -BOY CHUCKLES | 0:34:43 | 0:34:45 | |
SHE GASPS | 0:34:47 | 0:34:49 | |
Sir. | 0:35:01 | 0:35:03 | |
Poor woman could hardly speak. | 0:35:04 | 0:35:06 | |
But she feels if there was a man she may have formed | 0:35:06 | 0:35:09 | |
an association with, it would be Ossipon. | 0:35:09 | 0:35:11 | |
He was kind to Stevie. | 0:35:11 | 0:35:13 | |
Any clue from her mother as to where they may have run to? | 0:35:13 | 0:35:15 | |
Well, Winnie only knows London. | 0:35:15 | 0:35:18 | |
Ossipon's European. | 0:35:18 | 0:35:19 | |
Then France, sir? | 0:35:19 | 0:35:21 | |
Madam. | 0:36:12 | 0:36:13 | |
Ticket, please. | 0:36:14 | 0:36:15 | |
Thank you, madam. | 0:36:18 | 0:36:20 | |
SHE GASPS | 0:36:20 | 0:36:22 | |
Relatives in Southampton, ma'am? | 0:36:23 | 0:36:25 | |
Er, no. | 0:36:27 | 0:36:28 | |
So, what takes you there? | 0:36:28 | 0:36:30 | |
I'm going to get the... midnight boat from there. | 0:36:31 | 0:36:34 | |
-The midnight boat to Saint-Malo. -Saint-Malo? | 0:36:34 | 0:36:37 | |
And unaccompanied? | 0:36:37 | 0:36:38 | |
That's quite an adventure, ma'am. | 0:36:38 | 0:36:40 | |
Yes. I'm joining my husband there. | 0:36:43 | 0:36:47 | |
What is your husband's business there? | 0:36:47 | 0:36:49 | |
He's an importer. | 0:36:50 | 0:36:52 | |
Wine and other things. | 0:36:53 | 0:36:55 | |
No luggage, ma'am? | 0:36:55 | 0:36:57 | |
-I intend to come back soon. -Soon? | 0:36:59 | 0:37:02 | |
WHISTLE | 0:37:02 | 0:37:03 | |
Tomorrow, in fact. | 0:37:03 | 0:37:04 | |
My husband rents a cottage in Saint-Malo. | 0:37:08 | 0:37:12 | |
I have belongings there. | 0:37:12 | 0:37:14 | |
The Southampton-Malo train leaves at 10:30. | 0:37:16 | 0:37:18 | |
Portsmouth, ten minutes after that. | 0:37:18 | 0:37:20 | |
I'll board one train and you the other. | 0:37:20 | 0:37:23 | |
I have a return ticket to Southampton. | 0:37:23 | 0:37:26 | |
Have a good passage, ma'am. | 0:37:34 | 0:37:36 | |
Thank you. | 0:37:36 | 0:37:37 | |
All aboard! Last call for Southampton! | 0:37:45 | 0:37:48 | |
All aboard, please! | 0:37:48 | 0:37:50 | |
-Right, you check the Portsmouth train. -Sir. | 0:37:55 | 0:37:58 | |
-Any couples boarding the Southampton train? -Several. | 0:38:00 | 0:38:02 | |
-Anything about any of them in particular? -Just one woman travelling without luggage, sir. | 0:38:02 | 0:38:06 | |
-Why didn't you detain her? -She said she was joining her husband in Saint-Malo. | 0:38:06 | 0:38:10 | |
Best we sit in different compartments, until Southampton. | 0:38:23 | 0:38:26 | |
Yeah. | 0:38:26 | 0:38:28 | |
What's Saint-Malo like, Tom? | 0:38:38 | 0:38:40 | |
Intra-Muros. | 0:38:40 | 0:38:42 | |
A citadel - a walled city. | 0:38:42 | 0:38:44 | |
-And everyone's safe within? -That was always the plan. | 0:38:46 | 0:38:49 | |
Good. | 0:38:49 | 0:38:50 | |
TRAIN WHISTLE SOUNDS | 0:38:58 | 0:39:00 | |
'Look, Winnie, the circles! | 0:39:10 | 0:39:12 | |
'Look at the circles, Winnie! Ah, they're wonderful. | 0:39:13 | 0:39:18 | |
'That was wonderful!' | 0:39:18 | 0:39:20 | |
What's wrong? | 0:39:23 | 0:39:24 | |
We're getting off at the next stop. | 0:39:38 | 0:39:40 | |
Tell him, Winnie. | 0:39:44 | 0:39:46 | |
Tell him! | 0:39:47 | 0:39:49 | |
It was me. | 0:39:53 | 0:39:54 | |
It was all me. | 0:39:55 | 0:39:57 | |
-I put a knife in him and then I went to seek Tom. -I wasn't even there. | 0:39:59 | 0:40:03 | |
And you think you can escape this? You harboured her. | 0:40:03 | 0:40:06 | |
And here you are now, engineering her escape. | 0:40:06 | 0:40:08 | |
And what's your role in this offence, Inspector? | 0:40:08 | 0:40:10 | |
You provoked her. | 0:40:10 | 0:40:12 | |
-I had to tell her. -She killed Verloc soon after your visit! | 0:40:12 | 0:40:15 | |
-Yes, SHE killed Verloc! -You delivered him! You... | 0:40:15 | 0:40:18 | |
..gave her the motivation. | 0:40:20 | 0:40:21 | |
Sit down! | 0:40:21 | 0:40:22 | |
-I'm a policeman. -And Verloc had made a fool of you. | 0:40:27 | 0:40:30 | |
I wanted Verloc hung, not murdered. | 0:40:30 | 0:40:31 | |
And now you will organise our deaths, too. | 0:40:31 | 0:40:34 | |
Will that be justice for you? | 0:40:36 | 0:40:38 | |
You saw Stevie's body. | 0:40:40 | 0:40:41 | |
You went through what was left of him. | 0:40:43 | 0:40:45 | |
Please, let me go. | 0:40:49 | 0:40:50 | |
The law can't punish me any more. | 0:40:51 | 0:40:54 | |
Have pity, for God's sake. | 0:40:54 | 0:40:56 | |
I had his...supper ready... | 0:41:01 | 0:41:04 | |
..as I always did. | 0:41:06 | 0:41:07 | |
I had the knife...laid out for him, as it always was. | 0:41:10 | 0:41:14 | |
TRAIN COMES TO A HALT | 0:41:24 | 0:41:26 | |
Be careful. | 0:41:40 | 0:41:41 | |
-DISTANT SHOUT: -All aboard! Southampton train! | 0:41:49 | 0:41:52 | |
He's... | 0:41:54 | 0:41:55 | |
He's let us go. | 0:41:56 | 0:41:58 | |
He's going to overlook the crime. | 0:42:15 | 0:42:19 | |
He doesn't wish our punishment for it. | 0:42:19 | 0:42:21 | |
Does this mean they'll stop looking for us altogether? | 0:42:41 | 0:42:45 | |
It means Heat has compromised himself. | 0:42:45 | 0:42:49 | |
It means that they can't... | 0:42:49 | 0:42:50 | |
My God... | 0:42:55 | 0:42:56 | |
Could you imagine how it would look if they tried to prosecute us in the future? | 0:42:57 | 0:43:03 | |
The embarrassment his merciful judgment would cause them? | 0:43:03 | 0:43:07 | |
They'd have to think twice. | 0:43:08 | 0:43:10 | |
We wouldn't even have to defend ourselves. | 0:43:10 | 0:43:13 | |
But we can't go back. | 0:43:15 | 0:43:16 | |
No, of course not. | 0:43:16 | 0:43:18 | |
Anyway, it doesn't matter, does it? | 0:43:18 | 0:43:20 | |
Because we don't need to go back. | 0:43:20 | 0:43:23 | |
We're going to cross that channel and never look back. | 0:43:23 | 0:43:25 | |
Never. | 0:43:25 | 0:43:26 | |
You can show us where to run. | 0:43:29 | 0:43:30 | |
You know how to keep the world at bay. | 0:43:31 | 0:43:34 | |
On neither train? | 0:43:41 | 0:43:43 | |
No, sir. | 0:43:43 | 0:43:45 | |
We had such a case within our grasp. | 0:43:49 | 0:43:51 | |
Verloc. | 0:43:51 | 0:43:52 | |
A foreign conspiracy to undermine our morale, our law. | 0:43:52 | 0:43:55 | |
A political cause celebre taken away. | 0:43:55 | 0:43:58 | |
Now, the only way to be political about it is to say it wasn't political at all - | 0:43:58 | 0:44:02 | |
to say we don't have that kind of violence here. | 0:44:02 | 0:44:04 | |
There's still the Professor, sir. | 0:44:04 | 0:44:06 | |
Just put it out that we're still looking for her. | 0:44:07 | 0:44:09 | |
The berserk wife of the man | 0:44:09 | 0:44:11 | |
who ran the questionable little shop on Brett Street. | 0:44:11 | 0:44:14 | |
As for the Professor, I've got a different plan. | 0:44:14 | 0:44:17 | |
And Ossipon? | 0:44:17 | 0:44:18 | |
A domestic drama, Chief Inspector. | 0:44:18 | 0:44:21 | |
Did you let them go? | 0:44:26 | 0:44:27 | |
Your sense of natural justice getting the better of the law? | 0:44:32 | 0:44:35 | |
Pragmatism taking over? | 0:44:36 | 0:44:37 | |
I don't think I'm that kind of policeman, sir. | 0:44:40 | 0:44:43 | |
HE CHUCKLES | 0:44:57 | 0:44:58 | |
Am I such a scourge as that? | 0:44:58 | 0:45:00 | |
Well, I will not be alone! | 0:45:01 | 0:45:03 | |
Others will see what I have done, and they will follow suit! | 0:45:03 | 0:45:08 | |
-MAN: -Packet to Saint-Malo! Packet to Saint-Malo! | 0:45:08 | 0:45:12 | |
I'll go and buy the tickets for the crossing then meet you by the ferry. | 0:45:12 | 0:45:16 | |
Winnie, we have to be on our guard. | 0:45:16 | 0:45:18 | |
We have to know exactly what we're doing. | 0:45:18 | 0:45:20 | |
And to know exactly what you want. | 0:45:20 | 0:45:22 | |
I know what I want. | 0:45:22 | 0:45:23 | |
One ticket for Saint-Malo, please. | 0:45:50 | 0:45:52 | |
Thanks. | 0:45:57 | 0:45:58 | |
You're appearing in court first thing tomorrow. | 0:46:01 | 0:46:03 | |
The man who had to be stopped from performing a catastrophic act. | 0:46:03 | 0:46:07 | |
And how our brave policemen managed that. | 0:46:07 | 0:46:10 | |
No. | 0:46:10 | 0:46:11 | |
The state prefers to pretend that you were no threat at all. | 0:46:11 | 0:46:14 | |
Instead of conspiracy to endanger life, you'll face a lesser charge - | 0:46:14 | 0:46:19 | |
possessing explosives under suspicious circumstances. | 0:46:19 | 0:46:22 | |
What?! | 0:46:22 | 0:46:24 | |
What are you talking about?! | 0:46:24 | 0:46:25 | |
You, and the whole Verloc affair, are to be completely smothered. | 0:46:25 | 0:46:29 | |
Get off! | 0:46:29 | 0:46:30 | |
-Get in. -Hey! | 0:46:30 | 0:46:32 | |
You're not playing the game, Inspector! | 0:46:33 | 0:46:35 | |
-Heat! -DOOR SLAMS | 0:46:35 | 0:46:37 | |
You call me a pest? | 0:46:37 | 0:46:38 | |
YOU'RE the pest! | 0:46:38 | 0:46:40 | |
I'll not be insignificant! | 0:46:40 | 0:46:42 | |
I will not be nothing! | 0:46:42 | 0:46:44 | |
SEA BIRDS CRY | 0:46:44 | 0:46:47 | |
Thank you. | 0:46:55 | 0:46:56 | |
Tom! | 0:47:06 | 0:47:07 | |
Tom! | 0:47:09 | 0:47:10 | |
TOM! | 0:47:13 | 0:47:14 | |
Tom! | 0:47:19 | 0:47:21 | |
Excuse me. Please, will you... Tom! | 0:47:21 | 0:47:23 | |
Please, don't leave me! | 0:47:24 | 0:47:26 | |
Tom! | 0:47:27 | 0:47:28 | |
Tom, I'm begging you! | 0:47:28 | 0:47:30 | |
I'm begging you, Tom! | 0:47:30 | 0:47:32 | |
Tom! | 0:47:35 | 0:47:36 | |
Are you going by the boat, ma'am? | 0:48:58 | 0:49:00 | |
This way, ma'am. | 0:49:08 | 0:49:09 | |
Take me to Soho! | 0:49:27 | 0:49:28 | |
Take me to a bar. | 0:49:29 | 0:49:30 | |
In this time of turmoil... | 0:49:35 | 0:49:37 | |
..I wish to introduce a young man who, since his own troubled past, | 0:49:39 | 0:49:43 | |
has learned to be at peace with himself. | 0:49:43 | 0:49:45 | |
He will give a reading tonight | 0:49:45 | 0:49:47 | |
of what he has been putting his mind to. | 0:49:47 | 0:49:49 | |
The future. | 0:49:49 | 0:49:50 | |
Are the hopeful... | 0:50:04 | 0:50:05 | |
always to be crushed... | 0:50:05 | 0:50:08 | |
by those who do not have the courage of that virtue? | 0:50:08 | 0:50:11 | |
Do the strong simply entrench their strength in society | 0:50:12 | 0:50:16 | |
at the expense of the weak? | 0:50:16 | 0:50:18 | |
Are the imprisoned always to wait for their release | 0:50:21 | 0:50:24 | |
and their forgiveness? | 0:50:24 | 0:50:26 | |
Is society simply a version... | 0:50:27 | 0:50:29 | |
..of that brutal prison I spent my last 15 years in? | 0:50:30 | 0:50:33 | |
Do those in chains simply await the end of their sentence - | 0:50:34 | 0:50:38 | |
their far-from-glorious deliverance? | 0:50:38 | 0:50:40 | |
(Circles...) | 0:50:40 | 0:50:41 | |
(Circles...) | 0:50:42 | 0:50:43 | |
Or is there a better institution that we can be founded on? | 0:50:44 | 0:50:48 | |
Where justice will open up its loving arms to the innocent. | 0:50:49 | 0:50:53 | |
Where the strong will help the weak. | 0:50:54 | 0:50:57 | |
None abandoned or forgotten. | 0:50:58 | 0:51:00 | |
Pity and compassion prevailing. | 0:51:03 | 0:51:06 | |
A world of welfare, improvement, | 0:51:08 | 0:51:11 | |
and rehabilitation for all. | 0:51:11 | 0:51:13 | |
Good health... | 0:51:15 | 0:51:16 | |
..true happiness... | 0:51:18 | 0:51:19 | |
..and a good life. | 0:51:22 | 0:51:24 | |
CHATTER | 0:51:46 | 0:51:48 | |
(Ossipon.) | 0:52:24 | 0:52:25 | |
GATE SLAMS | 0:52:30 | 0:52:31 | |
You think you can do this, the art of pretence? | 0:52:38 | 0:52:41 | |
IN RUSSIAN: | 0:52:42 | 0:52:43 | |
All went well? | 0:52:57 | 0:52:58 | |
He believes me. | 0:52:59 | 0:53:00 | |
Well, you're a very believable fella. | 0:53:01 | 0:53:04 | |
The Home Secretary told the Milan Conference | 0:53:07 | 0:53:10 | |
that the British were fully in control of any anarchist threat, | 0:53:10 | 0:53:13 | |
and no draconian clamp-down was necessary. | 0:53:13 | 0:53:16 | |
"British values," he stated, | 0:53:16 | 0:53:18 | |
"must be protected from foreign interference." | 0:53:18 | 0:53:21 | |
Very good, sir. | 0:53:23 | 0:53:24 | |
And how are things at your end? | 0:53:25 | 0:53:27 | |
Very good, sir. | 0:53:29 | 0:53:30 | |
This belonged to Winnie. | 0:54:10 | 0:54:12 | |
What happened? | 0:54:25 | 0:54:26 |