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HELICOPTER ENGINE | 0:01:54 | 0:01:57 | |
MAN ON LOUDSPEAKER | 0:02:14 | 0:02:17 | |
I got him. | 0:02:39 | 0:02:41 | |
..With parts of five separate coastal cities | 0:02:45 | 0:02:47 | |
still in the dark tonight. | 0:02:47 | 0:02:49 | |
Power and light officials | 0:02:49 | 0:02:50 | |
for the three counties most affected | 0:02:50 | 0:02:52 | |
are still in the dark themselves | 0:02:52 | 0:02:53 | |
over exactly what's behind this unusual occurrence. | 0:02:53 | 0:02:57 | |
MAN ON COMMERCIAL: When you're racing, | 0:02:57 | 0:02:58 | |
you don't get to look around much... | 0:02:58 | 0:03:00 | |
HE GROANS | 0:04:01 | 0:04:02 | |
Little more than two hours. | 0:04:06 | 0:04:09 | |
Where? | 0:04:09 | 0:04:10 | |
They've locked us in. | 0:04:10 | 0:04:12 | |
Who are they? | 0:04:12 | 0:04:15 | |
They spoke Russian. | 0:04:15 | 0:04:17 | |
Yeah. They spoke English, too, | 0:04:17 | 0:04:19 | |
before they...oh! | 0:04:19 | 0:04:20 | |
They drugged us is what they did. | 0:04:20 | 0:04:22 | |
Hey! | 0:04:25 | 0:04:26 | |
Shh. | 0:04:26 | 0:04:27 | |
Anybody out there? We're alive in here. | 0:04:27 | 0:04:29 | |
The sub... what about the crew? | 0:04:29 | 0:04:31 | |
Yeah. Where are they? | 0:04:31 | 0:04:33 | |
Where are we? | 0:04:33 | 0:04:34 | |
Hey! | 0:04:34 | 0:04:35 | |
You'll come with us, please. | 0:04:35 | 0:04:38 | |
Who are you? | 0:04:38 | 0:04:39 | |
Where the hell are we? | 0:04:39 | 0:04:41 | |
What right do you have to hold us here? | 0:04:41 | 0:04:42 | |
Please. | 0:04:42 | 0:04:44 | |
Military, government. | 0:04:44 | 0:04:45 | |
Who else would have taken us off the sub like that? | 0:04:45 | 0:04:47 | |
They spoke Russian. We were in a Russian sub. | 0:04:47 | 0:04:48 | |
They probably thought we were Russian. | 0:04:48 | 0:04:50 | |
What were they doing | 0:04:50 | 0:04:51 | |
in the middle of the Atlantic? | 0:04:51 | 0:04:51 | |
Where do they come off abducting us? | 0:04:51 | 0:04:54 | |
Excuse me, sweetheart, | 0:04:54 | 0:04:55 | |
you want to tell us where we are, | 0:04:55 | 0:04:57 | |
and who you are, and... | 0:04:57 | 0:04:58 | |
and...and...and why? Sweetheart? | 0:04:58 | 0:05:00 | |
Bastards. | 0:05:55 | 0:05:57 | |
'You are Howard Gregory Thomas.' | 0:05:57 | 0:05:58 | |
I'd like to know where I am. | 0:05:58 | 0:06:01 | |
You reside at 9703 Emerson Terrace? | 0:06:01 | 0:06:04 | |
What where your parents' names? | 0:06:05 | 0:06:07 | |
Uh, Ira... | 0:06:07 | 0:06:09 | |
Ira and Eleanor Lathem. | 0:06:09 | 0:06:11 | |
Right. | 0:06:11 | 0:06:12 | |
You were born in Skokie, Illinois. | 0:06:12 | 0:06:14 | |
Correct? Is that correct? | 0:06:14 | 0:06:16 | |
Yes, well, I was conceived in San Diego. | 0:06:16 | 0:06:18 | |
You immigrated to the United States in 1998. | 0:06:18 | 0:06:20 | |
How do you know that? | 0:06:20 | 0:06:23 | |
Who's in charge here? | 0:06:23 | 0:06:24 | |
Cos I'm guessing it's not you. | 0:06:24 | 0:06:26 | |
Currently you're teaching and engaged in research | 0:06:26 | 0:06:28 | |
at the University of Florida... | 0:06:28 | 0:06:29 | |
Where are we? Back on mainland? | 0:06:29 | 0:06:31 | |
We're not aboard a ship | 0:06:31 | 0:06:32 | |
cos I can't feel any pitch. | 0:06:32 | 0:06:34 | |
What the hell is this place? | 0:06:34 | 0:06:37 | |
And who the hell are you? | 0:06:37 | 0:06:39 | |
You are Dr Emily Meredith Patterson? | 0:06:39 | 0:06:42 | |
I never use Meredith. | 0:06:42 | 0:06:45 | |
The only place you could know that | 0:06:45 | 0:06:47 | |
is from my original birth certificate... | 0:06:47 | 0:06:49 | |
and that's been sealed | 0:06:49 | 0:06:51 | |
but for my parents, and... | 0:06:51 | 0:06:52 | |
they're both dead. | 0:06:52 | 0:06:54 | |
So how do you know that? | 0:06:54 | 0:06:55 | |
How did this come to be in your possession? | 0:06:59 | 0:07:02 | |
Considering what that is, | 0:07:02 | 0:07:03 | |
maybe I should be asking you the questions. | 0:07:03 | 0:07:04 | |
Considering it's counterfeit, | 0:07:04 | 0:07:05 | |
I think not. | 0:07:05 | 0:07:07 | |
And the submarine you were on? | 0:07:07 | 0:07:09 | |
Well, it was, er, it was a...a rental. | 0:07:09 | 0:07:12 | |
A chartered whatever you call it. | 0:07:12 | 0:07:14 | |
They were helping, er, us with our research. | 0:07:14 | 0:07:17 | |
INTERROGATOR: Research? | 0:07:17 | 0:07:18 | |
Yes. | 0:07:18 | 0:07:19 | |
Research into what exactly? | 0:07:19 | 0:07:20 | |
Do you have a more comfortable chair? | 0:07:20 | 0:07:22 | |
Research into what? | 0:07:22 | 0:07:23 | |
Who are you guys? | 0:07:23 | 0:07:24 | |
Military, government, private sector? | 0:07:24 | 0:07:28 | |
Reason I ask, you see, | 0:07:28 | 0:07:29 | |
is I'm trying to figure out | 0:07:29 | 0:07:30 | |
who I'm going to sue the living crap out of | 0:07:30 | 0:07:33 | |
for holding me against my will. | 0:07:33 | 0:07:35 | |
We've ID'd them. | 0:07:41 | 0:07:42 | |
Identities confirmed. | 0:07:42 | 0:07:44 | |
Scientists. | 0:07:44 | 0:07:46 | |
Their story checks out. | 0:07:49 | 0:07:50 | |
Sub was a charter involved in some form of research | 0:07:50 | 0:07:53 | |
for Benirall Shipping. | 0:07:53 | 0:07:54 | |
And the sub crew? | 0:07:54 | 0:07:56 | |
Receded. With their backgrounds, | 0:07:56 | 0:07:58 | |
drugs, running illegals, | 0:07:58 | 0:07:59 | |
they're not going to say a word. | 0:07:59 | 0:08:01 | |
And these four? | 0:08:04 | 0:08:05 | |
Quarantine them. | 0:08:05 | 0:08:07 | |
If we keep them here, | 0:08:07 | 0:08:08 | |
it will only exacerbate matters. | 0:08:08 | 0:08:10 | |
We've kept them isolated. | 0:08:10 | 0:08:12 | |
They're plenty intimated. Believe me. | 0:08:12 | 0:08:14 | |
One of them is a reporter. | 0:08:14 | 0:08:15 | |
For a small-time tabloid. | 0:08:15 | 0:08:16 | |
He's manageable. | 0:08:16 | 0:08:17 | |
They all are. | 0:08:17 | 0:08:19 | |
We're less than 50 hours away, sir. | 0:08:19 | 0:08:20 | |
That's why I want them out of here | 0:08:20 | 0:08:22 | |
and handled. | 0:08:22 | 0:08:23 | |
See to it personally. | 0:08:23 | 0:08:25 | |
Anybody have a good lawyer? | 0:08:53 | 0:08:55 | |
I mean a really, really good lawyer. | 0:08:55 | 0:08:58 | |
DOOR UNLOCKS | 0:09:00 | 0:09:01 | |
We're underwater. | 0:09:05 | 0:09:06 | |
What? | 0:09:06 | 0:09:07 | |
I saw it. Some sort of huge control room. | 0:09:07 | 0:09:10 | |
At this window, | 0:09:10 | 0:09:11 | |
this giant window looking onto some... | 0:09:11 | 0:09:13 | |
some mother of a superstructure, all under water. | 0:09:13 | 0:09:15 | |
What do you mean, superstructure? | 0:09:15 | 0:09:17 | |
I don't know. I saw it for a nanosecond, | 0:09:17 | 0:09:19 | |
but it was big. | 0:09:19 | 0:09:20 | |
Maybe it was another hallucination. | 0:09:20 | 0:09:22 | |
No. This was no hallucination. | 0:09:22 | 0:09:25 | |
Get off me! | 0:09:26 | 0:09:27 | |
Uh-oh. Let go of me! | 0:09:27 | 0:09:29 | |
Get your hands off me! | 0:09:29 | 0:09:31 | |
Miami. | 0:09:56 | 0:09:58 | |
We're back in Miami. | 0:09:59 | 0:10:01 | |
This really isn't too much fun any more. | 0:10:01 | 0:10:04 | |
We should call what's-his-name... | 0:10:10 | 0:10:11 | |
Benirall's kid. | 0:10:11 | 0:10:13 | |
Ackerman? Who's got his number? | 0:10:13 | 0:10:15 | |
Oh! They took my wallet, | 0:10:15 | 0:10:16 | |
money. | 0:10:16 | 0:10:18 | |
Oh, beautiful day. | 0:10:18 | 0:10:20 | |
Got somebody to call for a ride? | 0:10:20 | 0:10:22 | |
I've been working deep ocean for seven months. | 0:10:22 | 0:10:24 | |
I haven't exactly kept up with anyone. | 0:10:24 | 0:10:26 | |
What about you? | 0:10:26 | 0:10:29 | |
Me? Sure. | 0:10:29 | 0:10:30 | |
20 people, more. Co-workers, students. | 0:10:30 | 0:10:33 | |
Any one of them would be... | 0:10:33 | 0:10:35 | |
glad to collect me. | 0:10:35 | 0:10:36 | |
What? | 0:10:40 | 0:10:41 | |
Don't remember anybody's number. | 0:10:42 | 0:10:45 | |
Not by heart, you know? | 0:10:45 | 0:10:46 | |
Real close to them, huh? | 0:10:46 | 0:10:48 | |
Give me that. | 0:10:48 | 0:10:50 | |
EMILY: Who are you calling? | 0:10:54 | 0:10:56 | |
HOWARD: I'm, er, calling my ex. | 0:10:56 | 0:10:59 | |
(It's about Daddy and me, huh?) | 0:11:20 | 0:11:23 | |
Aah! Aah! | 0:12:35 | 0:12:37 | |
Helen! | 0:12:43 | 0:12:44 | |
Helen! | 0:12:48 | 0:12:49 | |
Helen! Helen! Helen! | 0:13:00 | 0:13:03 | |
No! No! | 0:13:08 | 0:13:10 | |
No! | 0:13:14 | 0:13:16 | |
Aah! | 0:13:16 | 0:13:17 | |
No! Aah! Helen! Helen! | 0:13:17 | 0:13:20 | |
So... | 0:13:48 | 0:13:50 | |
what now? | 0:13:50 | 0:13:51 | |
Look, I don't know about the rest of you, | 0:13:51 | 0:13:53 | |
but I'm done, finished. | 0:13:53 | 0:13:54 | |
What about our money? | 0:13:54 | 0:13:56 | |
So you're just going to ignore everything | 0:13:56 | 0:13:57 | |
that we've experienced? | 0:13:57 | 0:13:58 | |
Everything we've experienced is exactly why. | 0:13:58 | 0:14:00 | |
What about what happened to that little girl? | 0:14:00 | 0:14:02 | |
The money - what about the money? | 0:14:02 | 0:14:04 | |
We're all exhausted. | 0:14:04 | 0:14:05 | |
Why don't we... get some sleep? | 0:14:05 | 0:14:07 | |
We can talk about this later. | 0:14:07 | 0:14:09 | |
Hey. Thanks for coming. | 0:14:15 | 0:14:17 | |
Well, this has got to be a fascinating story. | 0:14:20 | 0:14:22 | |
Yeah. Do you, er... | 0:14:22 | 0:14:25 | |
do you mind if we give my friends a ride? | 0:14:25 | 0:14:27 | |
No. | 0:14:29 | 0:14:30 | |
It's fine. | 0:14:30 | 0:14:32 | |
Hey, Meeno. | 0:14:32 | 0:14:34 | |
Olsen's coming in today to see a gorgeous paint job. | 0:14:34 | 0:14:37 | |
The problem is... | 0:14:37 | 0:14:39 | |
you haven't finished | 0:14:39 | 0:14:40 | |
the paint stage on the boat yet. | 0:14:40 | 0:14:42 | |
You know I can't get the sprayers to work right. | 0:14:42 | 0:14:44 | |
In fact, I can't get anything to work | 0:14:44 | 0:14:46 | |
like it's supposed to. | 0:14:46 | 0:14:48 | |
When are you gonna get this piece of junk out of here? | 0:14:48 | 0:14:50 | |
You know, I know you love working on it, | 0:14:50 | 0:14:51 | |
but enough's enough, huh? Hey, you listening to me? | 0:14:51 | 0:14:54 | |
Hey, Paloma, how's that boy of yours? | 0:14:54 | 0:14:55 | |
Saw him at T-ball last weekend. | 0:14:55 | 0:14:57 | |
Hey, got quite an arm on him | 0:14:57 | 0:14:58 | |
for such a small fry. | 0:14:58 | 0:15:00 | |
Thanks, Tito. | 0:15:00 | 0:15:02 | |
Well? | 0:15:02 | 0:15:03 | |
Uh, sorry - sprayers. Yes, I'm...I'm on it. | 0:15:03 | 0:15:06 | |
Yeah, whatever. | 0:15:08 | 0:15:10 | |
Yes, I know that's your official position, | 0:15:13 | 0:15:16 | |
but I know there was a survivor. | 0:15:16 | 0:15:18 | |
MAN ON TELEPHONE: 'There were no survivors.' | 0:15:18 | 0:15:19 | |
Her first name is Heather. | 0:15:19 | 0:15:22 | |
..Look, I am not trying to impede the investigation. | 0:15:22 | 0:15:25 | |
I really just want some infor... | 0:15:25 | 0:15:27 | |
I just need to know that she's all right. | 0:15:27 | 0:15:29 | |
'Sir, there were no survivors.' | 0:15:29 | 0:15:32 | |
Look, will you please stop saying | 0:15:32 | 0:15:33 | |
there are no survivors?! | 0:15:33 | 0:15:35 | |
I know she survived it! | 0:15:35 | 0:15:36 | |
CLICK | 0:15:36 | 0:15:38 | |
I heard you, yes. | 0:15:42 | 0:15:43 | |
It's a very different economy these days. | 0:15:43 | 0:15:45 | |
Look, um... | 0:15:45 | 0:15:46 | |
you're the headhunters who pursued me | 0:15:46 | 0:15:47 | |
for my last position. | 0:15:47 | 0:15:49 | |
You had, like, six companies that were clamouring for me. | 0:15:49 | 0:15:51 | |
Your word. I remember, "Clamouring." | 0:15:51 | 0:15:54 | |
Look, stop saying it's a different economy. | 0:15:54 | 0:15:56 | |
I just...I just want... | 0:15:56 | 0:15:58 | |
need some normalcy in my life, right now. | 0:15:58 | 0:16:00 | |
I just want a job, OK? Any job. | 0:16:00 | 0:16:02 | |
Uh, sort of a "What am I doing here? | 0:16:02 | 0:16:04 | |
"When the hell is the weekend" | 0:16:04 | 0:16:05 | |
kind of job. Yeah. | 0:16:05 | 0:16:07 | |
..No, I understand. | 0:16:07 | 0:16:09 | |
Yeah, I'll wait for your call. | 0:16:09 | 0:16:11 | |
Sure, that's what I'll be doing. | 0:16:11 | 0:16:13 | |
MAN ON TELEPHONE: 'Howard, where the hell have you been? | 0:16:16 | 0:16:18 | |
'Howard, I've got a paper to put to bed here. | 0:16:18 | 0:16:20 | |
'You said you were taking a leave of absence.' | 0:16:20 | 0:16:22 | |
Calm down, Marty. Just listen. | 0:16:22 | 0:16:24 | |
'We're not gonna put up with this from you.' | 0:16:24 | 0:16:26 | |
I'm coming in with a story. | 0:16:26 | 0:16:28 | |
Whale of a story. Whale of a tale. | 0:16:28 | 0:16:30 | |
'Yeah, right.' | 0:16:30 | 0:16:31 | |
Well, that's just what a great journalist I am, Marty. | 0:16:31 | 0:16:34 | |
..A Triangle story, but this one's different... | 0:16:34 | 0:16:36 | |
TELEPHONE BEEPS | 0:16:36 | 0:16:38 | |
I've got another call coming in. | 0:16:38 | 0:16:39 | |
Look, I'll have it in by the final bell. | 0:16:39 | 0:16:41 | |
I've never missed a deadline. | 0:16:41 | 0:16:42 | |
'Since last time.' | 0:16:42 | 0:16:43 | |
Well, since then. But... | 0:16:43 | 0:16:44 | |
'And the time before.' | 0:16:44 | 0:16:45 | |
OK. And then. | 0:16:45 | 0:16:47 | |
Look, I'll get it in. I promise. Bye-bye. | 0:16:47 | 0:16:49 | |
..Yeah? | 0:16:49 | 0:16:50 | |
GIRL ON TELEPHONE: 'Daddy?' | 0:16:50 | 0:16:51 | |
Hey, kiddo. Look, I'm, uh... | 0:16:51 | 0:16:52 | |
'Daddy, I don't know what to do.' | 0:16:52 | 0:16:54 | |
Look, I really can't talk right now. I'm sorry. | 0:16:54 | 0:16:56 | |
Daddy's on a brutal deadline. | 0:16:56 | 0:16:58 | |
What about your mother? Can she, um...? | 0:16:58 | 0:17:00 | |
Oh, come on. Damn it. | 0:17:00 | 0:17:02 | |
'Dad!' | 0:17:02 | 0:17:03 | |
What? What? What's the matter? | 0:17:03 | 0:17:04 | |
Honey, what is it? | 0:17:04 | 0:17:06 | |
'I'm sleeping over at Mindy Granger's house. | 0:17:06 | 0:17:07 | |
'It's Mindy's father. He's freaking out.' | 0:17:07 | 0:17:09 | |
What do you mean, freaking out? | 0:17:09 | 0:17:11 | |
'Daddy, I need you. Please.' | 0:17:11 | 0:17:13 | |
OK, OK. I'm coming to get you. | 0:17:13 | 0:17:15 | |
I'll be right there. | 0:17:15 | 0:17:16 | |
Oh, come off. | 0:17:47 | 0:17:49 | |
What kind of administration crap is this? | 0:17:49 | 0:17:51 | |
No-one touches my stuff, damn it. | 0:17:57 | 0:17:59 | |
Obituaries. | 0:18:08 | 0:18:10 | |
Professor... | 0:18:27 | 0:18:29 | |
Wow, you're in early this morning. | 0:18:29 | 0:18:31 | |
DISHES CLANG | 0:19:04 | 0:19:06 | |
WATER RUNS | 0:19:06 | 0:19:08 | |
What are you doing in my kitchen? | 0:19:20 | 0:19:22 | |
How did you get in here? | 0:19:24 | 0:19:25 | |
You know, Em... | 0:19:25 | 0:19:27 | |
you shouldn't have left all these dishes for me. | 0:19:27 | 0:19:30 | |
I know you've been busy at work, but... | 0:19:30 | 0:19:32 | |
Well, what's the matter, honey? | 0:19:32 | 0:19:36 | |
What do you want from me? | 0:19:36 | 0:19:37 | |
Come on, Em. | 0:19:37 | 0:19:40 | |
Do I know you? | 0:19:43 | 0:19:44 | |
Oh, only since birth. | 0:19:44 | 0:19:46 | |
I mean, that's kind of the way it works | 0:19:46 | 0:19:48 | |
between mothers and daughters. | 0:19:48 | 0:19:49 | |
My mother's dead. | 0:19:53 | 0:19:54 | |
That's not funny, sweetheart. | 0:19:54 | 0:19:56 | |
My adoptive mother is dead. My m... | 0:19:56 | 0:19:58 | |
I never knew my...my birth... | 0:19:58 | 0:20:00 | |
Adoptive mother? | 0:20:00 | 0:20:02 | |
What...what on earth are you talking about? | 0:20:02 | 0:20:05 | |
I'm your mother. | 0:20:05 | 0:20:07 | |
DOG BARKS | 0:20:30 | 0:20:32 | |
GLASS SHATTERS | 0:20:34 | 0:20:36 | |
Traci! | 0:20:36 | 0:20:38 | |
Traci! | 0:20:41 | 0:20:43 | |
Traci! | 0:20:43 | 0:20:45 | |
Dad! | 0:20:45 | 0:20:46 | |
Honey, what's happened? | 0:20:46 | 0:20:47 | |
Are you OK? You all right? | 0:20:47 | 0:20:49 | |
Bill. | 0:20:49 | 0:20:50 | |
You need to leave the house. | 0:20:50 | 0:20:52 | |
You need to leave now. | 0:20:52 | 0:20:53 | |
What is going on? | 0:20:53 | 0:20:55 | |
I can feel it coming. | 0:20:55 | 0:20:57 | |
Please, I can't go through this again. | 0:20:57 | 0:20:59 | |
Daddy? | 0:20:59 | 0:21:00 | |
Get out of the house! | 0:21:00 | 0:21:01 | |
You're scaring the kids. | 0:21:01 | 0:21:03 | |
You need to leave. Now. | 0:21:03 | 0:21:06 | |
OK. OK. All right. All right. | 0:21:06 | 0:21:08 | |
Girls, girls, go to the car. Go on. | 0:21:08 | 0:21:10 | |
Wait in the car. I'll be right out. | 0:21:10 | 0:21:11 | |
OK? Everything's gonna be fine. | 0:21:11 | 0:21:14 | |
Easy, buddy. I-I can help. | 0:21:20 | 0:21:21 | |
You...you can't! | 0:21:21 | 0:21:24 | |
They started this. | 0:21:29 | 0:21:30 | |
They started... | 0:21:30 | 0:21:32 | |
started what? | 0:21:32 | 0:21:34 | |
It's happening again. | 0:21:34 | 0:21:36 | |
Bill... | 0:21:36 | 0:21:37 | |
Get the hell away from me! | 0:21:41 | 0:21:43 | |
OK! Just put... put the gun down, all right? | 0:21:43 | 0:21:45 | |
Put the gun down. What...whatever this is, | 0:21:45 | 0:21:47 | |
we'll get you through it. | 0:21:47 | 0:21:48 | |
No. | 0:21:50 | 0:21:51 | |
What've... what've we done? | 0:22:01 | 0:22:03 | |
Huh? Give me the gun. | 0:22:11 | 0:22:13 | |
Just... or just put it down. | 0:22:14 | 0:22:17 | |
Just set it down, OK? | 0:22:17 | 0:22:19 | |
What've we done? | 0:22:19 | 0:22:21 | |
Come on. Just... just give me the gun. | 0:22:24 | 0:22:26 | |
I'm so sorry. | 0:22:31 | 0:22:33 | |
GUNSHOT | 0:22:44 | 0:22:45 | |
He shot himself? | 0:22:51 | 0:22:53 | |
Well, he, er... | 0:22:53 | 0:22:54 | |
he kept...kept saying, "They've started it." | 0:22:54 | 0:22:57 | |
And he, er... | 0:22:57 | 0:22:59 | |
then he, er... | 0:22:59 | 0:23:00 | |
he just... he lost it. | 0:23:00 | 0:23:02 | |
It was probably a drug overdose. | 0:23:02 | 0:23:03 | |
It's not so weird. | 0:23:03 | 0:23:05 | |
I don't think so. He, er... | 0:23:05 | 0:23:08 | |
not...not this guy. | 0:23:09 | 0:23:11 | |
Well, we'll see. | 0:23:11 | 0:23:12 | |
All right. Dylan, keep your eye on the ball. | 0:23:18 | 0:23:20 | |
OK? Here we go. In the mitt. Excellent. | 0:23:20 | 0:23:23 | |
All right. Throw it back. | 0:23:23 | 0:23:25 | |
Hit me. Excellent. | 0:23:25 | 0:23:27 | |
OK, buddy. Here we go again. | 0:23:27 | 0:23:29 | |
You watching? All right. | 0:23:29 | 0:23:31 | |
Yes. | 0:23:31 | 0:23:32 | |
A little more pepper on this one. | 0:23:32 | 0:23:34 | |
GRUNTS | 0:23:34 | 0:23:36 | |
Sorry, Daddy. | 0:23:39 | 0:23:41 | |
That's OK...son. | 0:23:42 | 0:23:44 | |
No big deal. | 0:23:44 | 0:23:46 | |
Hey. What's this? | 0:23:46 | 0:23:47 | |
Oops. | 0:23:49 | 0:23:50 | |
Hello? | 0:24:16 | 0:24:17 | |
Professor? | 0:24:40 | 0:24:41 | |
Bruce? | 0:24:43 | 0:24:45 | |
Do we have a phone book? | 0:24:48 | 0:24:49 | |
TELEPHONE RINGS | 0:24:56 | 0:24:59 | |
Hello. | 0:25:00 | 0:25:02 | |
BRUCE: 'Emily, listen. | 0:25:02 | 0:25:03 | |
'I know you wanted out of this whole thing, | 0:25:03 | 0:25:06 | |
'but I couldn't find anybody else's phone number. | 0:25:06 | 0:25:08 | |
'Something's happening... still happening. | 0:25:08 | 0:25:10 | |
'I was wondering if...' | 0:25:10 | 0:25:11 | |
Where do you want to meet? | 0:25:11 | 0:25:13 | |
Did you get the story? | 0:25:16 | 0:25:17 | |
It is not running, Howard. | 0:25:17 | 0:25:18 | |
It's as simple as that. | 0:25:18 | 0:25:20 | |
What do you mean you're not going to run it? | 0:25:20 | 0:25:21 | |
You've never refused to print anything I've... | 0:25:21 | 0:25:23 | |
Your sources on these stories | 0:25:23 | 0:25:24 | |
usually have at least some kind of credibility. | 0:25:24 | 0:25:26 | |
You don't even cite your sources. | 0:25:26 | 0:25:28 | |
What are you talking about? | 0:25:28 | 0:25:29 | |
This is one of the best things I've written in years, | 0:25:29 | 0:25:30 | |
and you know it. | 0:25:30 | 0:25:32 | |
I am not running it. That is final. | 0:25:32 | 0:25:34 | |
Anyway, for some reason | 0:25:36 | 0:25:37 | |
Kioshi himself wanted it killed. | 0:25:37 | 0:25:39 | |
Some people came to see him. | 0:25:39 | 0:25:41 | |
Ten minutes later, Kioshi is telling me | 0:25:41 | 0:25:43 | |
to 86 any story of yours for a while. | 0:25:43 | 0:25:46 | |
Well, can I talk to him? What... | 0:25:48 | 0:25:50 | |
Kioshi? | 0:25:50 | 0:25:51 | |
Where is he? He's gone. | 0:25:51 | 0:25:52 | |
Judging by the look on his face... | 0:25:52 | 0:25:55 | |
you're not going to talk him out of it, either. | 0:25:55 | 0:25:57 | |
What are you doing here? | 0:26:05 | 0:26:06 | |
It's Heather. | 0:26:06 | 0:26:07 | |
Oh, Stan. | 0:26:07 | 0:26:08 | |
Look, it's Heather. | 0:26:08 | 0:26:09 | |
Will you get off it? | 0:26:09 | 0:26:10 | |
With all that's going on right now, | 0:26:10 | 0:26:11 | |
why are you obsessing about this? | 0:26:11 | 0:26:12 | |
Because finding kids is what I do! | 0:26:12 | 0:26:15 | |
Did. | 0:26:15 | 0:26:17 | |
Look, I know that... | 0:26:18 | 0:26:21 | |
what I see isn't like it used to be. | 0:26:21 | 0:26:23 | |
I'm wrong most of the time, | 0:26:23 | 0:26:24 | |
I admit that, but... | 0:26:24 | 0:26:25 | |
Heather is important. | 0:26:25 | 0:26:28 | |
Somehow she's important to all of this... | 0:26:28 | 0:26:31 | |
to us. | 0:26:31 | 0:26:34 | |
We're not even out there any more, | 0:26:38 | 0:26:40 | |
so why is this still happening to us? | 0:26:40 | 0:26:42 | |
Maybe...maybe we were exposed to something. | 0:26:42 | 0:26:45 | |
I mean, people dump all kinds of crap out there. | 0:26:45 | 0:26:48 | |
So your theory is that we were | 0:26:48 | 0:26:50 | |
exposed to some brain-affecting toxins | 0:26:50 | 0:26:51 | |
out at sea? | 0:26:51 | 0:26:53 | |
Well, that certainly makes me feel better. | 0:26:53 | 0:26:53 | |
At least I'm trying. | 0:26:53 | 0:26:55 | |
I'm sorry. I'm sorry if I'm a smidge | 0:26:55 | 0:26:57 | |
distracted at the moment. | 0:26:57 | 0:26:58 | |
My adoptive parents didn't even know who she was. | 0:26:58 | 0:27:01 | |
I always wanted to meet her. | 0:27:03 | 0:27:05 | |
God, it's been such a hole in my life. | 0:27:05 | 0:27:08 | |
Look, you said you never met her, | 0:27:08 | 0:27:10 | |
you don't even know what she looks like. | 0:27:10 | 0:27:11 | |
It's most likely a manifestation of your... | 0:27:11 | 0:27:13 | |
It was her. | 0:27:13 | 0:27:14 | |
It was her. | 0:27:14 | 0:27:16 | |
Whatever these things are, | 0:27:16 | 0:27:18 | |
they are not hallucinations. | 0:27:18 | 0:27:20 | |
I-I mean, it's like we're seeing alternate... | 0:27:20 | 0:27:24 | |
alternate... | 0:27:24 | 0:27:25 | |
..realities. It's insane. | 0:27:25 | 0:27:27 | |
I know. | 0:27:27 | 0:27:29 | |
It all comes back to | 0:27:29 | 0:27:30 | |
electromagnetic disruption. | 0:27:30 | 0:27:32 | |
Our thoughts, our senses | 0:27:32 | 0:27:34 | |
are entirely electro-chemical. | 0:27:34 | 0:27:36 | |
Maybe somehow... | 0:27:36 | 0:27:38 | |
it's affected our perceptions. | 0:27:38 | 0:27:41 | |
First name Heather. | 0:27:48 | 0:27:50 | |
Yep. | 0:27:50 | 0:27:51 | |
And how are you able to get into the airline passenger list? | 0:27:51 | 0:27:54 | |
We're a newspaper. | 0:27:54 | 0:27:55 | |
Well, you're the Observer. | 0:27:55 | 0:27:57 | |
TELEPHONE RINGS | 0:27:57 | 0:28:00 | |
You all right? Something wrong? | 0:28:00 | 0:28:02 | |
You having another psychic moment? | 0:28:04 | 0:28:06 | |
No. | 0:28:06 | 0:28:07 | |
I can just look at you. | 0:28:07 | 0:28:08 | |
A guy I know... | 0:28:11 | 0:28:13 | |
..killed himself this morning. | 0:28:16 | 0:28:19 | |
Right... | 0:28:19 | 0:28:21 | |
right in front of me. | 0:28:21 | 0:28:24 | |
Almost in front of my kid. | 0:28:24 | 0:28:26 | |
And it, er... | 0:28:26 | 0:28:29 | |
Yeah. | 0:28:32 | 0:28:34 | |
Anyway, these people showed up at his house | 0:28:34 | 0:28:36 | |
right away. Big, black cars. | 0:28:36 | 0:28:38 | |
Took charge of everything, and... | 0:28:38 | 0:28:40 | |
I swear that one of them | 0:28:40 | 0:28:43 | |
was that woman from the facility. | 0:28:43 | 0:28:45 | |
You think it was her, or you know it was her? | 0:28:45 | 0:28:47 | |
It was her. | 0:28:47 | 0:28:49 | |
We got something here. | 0:28:49 | 0:28:51 | |
Flight 317, | 0:28:51 | 0:28:52 | |
Wednesday morning. | 0:28:52 | 0:28:53 | |
First name Heather. Last name Sheedy. | 0:28:53 | 0:28:56 | |
Seat 31B. | 0:28:56 | 0:28:58 | |
Sheedy. | 0:28:58 | 0:28:59 | |
Look. Senior discount fare. | 0:28:59 | 0:29:01 | |
You see that? As in, she's old. | 0:29:01 | 0:29:03 | |
Just like she was | 0:29:03 | 0:29:04 | |
when we saw her on the ship. | 0:29:04 | 0:29:05 | |
No, they changed it. | 0:29:05 | 0:29:06 | |
See, they didn't want us to know | 0:29:06 | 0:29:07 | |
that she got on the plane as a child. | 0:29:07 | 0:29:09 | |
She was travelling with her parents. | 0:29:09 | 0:29:11 | |
Look, check the seat assignments on either side. | 0:29:11 | 0:29:13 | |
Seat 31A... | 0:29:18 | 0:29:21 | |
James Sheedy. | 0:29:21 | 0:29:23 | |
31C... | 0:29:23 | 0:29:24 | |
Allison Sheedy. | 0:29:25 | 0:29:27 | |
Allison, see? | 0:29:27 | 0:29:29 | |
They put their six-year-old daughter between them, | 0:29:29 | 0:29:31 | |
like parents do. | 0:29:31 | 0:29:33 | |
I'm telling you... | 0:29:33 | 0:29:34 | |
no matter how old she is now, | 0:29:34 | 0:29:36 | |
she was a child right up to the moment that | 0:29:36 | 0:29:38 | |
that plane went down in the Triangle. | 0:29:38 | 0:29:40 | |
OK? | 0:29:57 | 0:29:58 | |
Yeah, good. We'll meet you there. Bye-bye. | 0:29:58 | 0:30:00 | |
Well, she's back in. | 0:30:00 | 0:30:03 | |
I thought she quit. | 0:30:03 | 0:30:04 | |
I did, too. | 0:30:04 | 0:30:06 | |
Women. | 0:30:07 | 0:30:08 | |
What about Bruce? We should call him. | 0:30:08 | 0:30:10 | |
He's coming, too. | 0:30:10 | 0:30:12 | |
He was there with her. | 0:30:12 | 0:30:13 | |
WOMAN: Benirall Shipping. May I help you? | 0:30:28 | 0:30:31 | |
Your mother. | 0:30:31 | 0:30:32 | |
My birth mother. | 0:30:32 | 0:30:33 | |
Hey, remember me? I saw myself dead. | 0:30:33 | 0:30:35 | |
We have proof | 0:30:35 | 0:30:36 | |
that the survivor of the 747 crash | 0:30:36 | 0:30:38 | |
was a six-year-old child. | 0:30:38 | 0:30:40 | |
Not exactly proof. | 0:30:40 | 0:30:41 | |
Hey, Ackerman, | 0:30:41 | 0:30:43 | |
we need to talk to him. | 0:30:43 | 0:30:44 | |
Really? Uh... | 0:30:44 | 0:30:46 | |
OK. | 0:30:46 | 0:30:47 | |
Why? | 0:30:47 | 0:30:48 | |
Because what's happening is now happening to us. | 0:30:48 | 0:30:51 | |
I'll see if he has a few minutes for you. | 0:30:51 | 0:30:54 | |
He has to. | 0:30:54 | 0:30:55 | |
Why wouldn't he? A few days ago, | 0:30:55 | 0:30:56 | |
he wanted us to bring him | 0:30:56 | 0:30:57 | |
everything we could as fast as possible. | 0:30:57 | 0:30:58 | |
He's been in some sort of... | 0:30:58 | 0:31:00 | |
I don't know. He's acting... | 0:31:00 | 0:31:02 | |
Another one of our boats has gone missing. | 0:31:02 | 0:31:06 | |
It's just a repair barge | 0:31:06 | 0:31:07 | |
sent out to attend to a stalled tanker, | 0:31:07 | 0:31:09 | |
but, still... | 0:31:09 | 0:31:11 | |
14 crew on board. | 0:31:11 | 0:31:13 | |
Maybe that's it. | 0:31:15 | 0:31:17 | |
I'll see. | 0:31:17 | 0:31:18 | |
ERIC: Hallucinations. | 0:31:21 | 0:31:22 | |
Yes, but they aren't only hallucinations, not... | 0:31:22 | 0:31:26 | |
not in the classic sense. | 0:31:26 | 0:31:28 | |
What do you mean by that? Tell me exactly. | 0:31:28 | 0:31:30 | |
They seem to be, um... | 0:31:31 | 0:31:34 | |
BRUCE: Glimpses... | 0:31:34 | 0:31:35 | |
of alternate realities. | 0:31:35 | 0:31:39 | |
Alternate realities? | 0:31:39 | 0:31:41 | |
There's something wrong with us. | 0:31:41 | 0:31:42 | |
Ever since we went to the... | 0:31:42 | 0:31:43 | |
to that region... | 0:31:43 | 0:31:45 | |
When did you first | 0:31:45 | 0:31:46 | |
start having these hallucinations? Tell me. | 0:31:46 | 0:31:48 | |
When we dove on the 747. | 0:31:50 | 0:31:53 | |
It's like something affected us out there. | 0:31:53 | 0:31:55 | |
Maybe something... | 0:31:55 | 0:31:56 | |
some discharge the plane was throwing off. | 0:31:56 | 0:31:58 | |
We don't know what it was | 0:31:58 | 0:31:59 | |
or...or how it's doing this to us... | 0:31:59 | 0:32:01 | |
I sent you out there to get me answers. | 0:32:01 | 0:32:03 | |
It...it's only been two days. | 0:32:03 | 0:32:06 | |
Yes, but it's all escalating | 0:32:06 | 0:32:08 | |
even faster than before. | 0:32:08 | 0:32:10 | |
Listen. | 0:32:10 | 0:32:11 | |
We've all seen some... | 0:32:11 | 0:32:14 | |
some things, some events in the last couple of days | 0:32:14 | 0:32:17 | |
that we can't explain, not yet anyway. | 0:32:17 | 0:32:19 | |
But whether they have anything to do | 0:32:19 | 0:32:21 | |
with the so-called Triangle or not... | 0:32:21 | 0:32:23 | |
How could you possibly think they're not? | 0:32:23 | 0:32:25 | |
Whether they do or not, | 0:32:25 | 0:32:26 | |
I think it's time that you expanded our team. | 0:32:26 | 0:32:28 | |
Maybe brought in some other people from other fields. | 0:32:28 | 0:32:30 | |
No. No-one else. No others. | 0:32:30 | 0:32:32 | |
You four have to do this. | 0:32:32 | 0:32:34 | |
Look, Mr Benirall... | 0:32:34 | 0:32:35 | |
I'm being pressured. | 0:32:35 | 0:32:36 | |
The navy was here. | 0:32:36 | 0:32:38 | |
The navy? | 0:32:38 | 0:32:39 | |
They asked Mr Benirall to call you off. | 0:32:39 | 0:32:43 | |
They came to me, doors closed. They... | 0:32:43 | 0:32:46 | |
threatened me. | 0:32:46 | 0:32:48 | |
Directly threatened | 0:32:48 | 0:32:49 | |
our government contracts, | 0:32:49 | 0:32:50 | |
indirectly threatened a lot more | 0:32:50 | 0:32:52 | |
if we don't pull the plug. | 0:32:52 | 0:32:53 | |
Why would the navy want to stop us? | 0:32:53 | 0:32:56 | |
We obviously struck a nerve. | 0:32:56 | 0:32:58 | |
That place out at sea. | 0:32:58 | 0:33:00 | |
The underwater... whatever it is. | 0:33:00 | 0:33:02 | |
They, er... | 0:33:02 | 0:33:04 | |
they captured us from the sub, and they... | 0:33:04 | 0:33:06 | |
they took us to some high-tech facility. | 0:33:06 | 0:33:07 | |
The navy could easily have done this. | 0:33:07 | 0:33:09 | |
So what do we do now? | 0:33:12 | 0:33:14 | |
Find me my answer. | 0:33:15 | 0:33:17 | |
Thank you, Mr Benirall. | 0:33:17 | 0:33:19 | |
OK, everybody. Let's... | 0:33:19 | 0:33:21 | |
Please. Time to go. | 0:33:21 | 0:33:24 | |
Winston. | 0:33:47 | 0:33:49 | |
EMILY: OK. What is going on? | 0:33:49 | 0:33:52 | |
STAN: It's simple. | 0:33:52 | 0:33:53 | |
The government's trying to shut us down. | 0:33:53 | 0:33:54 | |
He looked worse off than we do. | 0:33:54 | 0:33:56 | |
HOWARD: You know, I have a friend. | 0:33:56 | 0:33:57 | |
A friend of my kid's, really, | 0:33:57 | 0:33:59 | |
who died today. Navy guy. | 0:33:59 | 0:34:01 | |
And you remember that woman | 0:34:01 | 0:34:02 | |
with the...the brown hair from the facility? | 0:34:02 | 0:34:04 | |
She turned up at his house. | 0:34:04 | 0:34:06 | |
Uh, people? | 0:34:06 | 0:34:08 | |
What? | 0:34:08 | 0:34:10 | |
Krupp. | 0:34:19 | 0:34:20 | |
MEN SHOUTING | 0:34:20 | 0:34:22 | |
STAN: Who's Krupp? | 0:34:25 | 0:34:26 | |
Benirall's gone completely around the bend. | 0:34:26 | 0:34:28 | |
I...I don't think it's him. | 0:34:28 | 0:34:30 | |
MEN SHOUTING | 0:34:30 | 0:34:32 | |
My visions are nothing like this. | 0:34:44 | 0:34:46 | |
How is that we're all having | 0:34:46 | 0:34:47 | |
the exact same hallucinations? | 0:34:47 | 0:34:49 | |
It's not a hallucination. | 0:34:49 | 0:34:51 | |
Why the hell Nazis? | 0:34:51 | 0:34:53 | |
Something. Communism, Fascism. | 0:34:54 | 0:34:56 | |
America could have taken a radical turn | 0:34:56 | 0:34:58 | |
at several points in its history. | 0:34:58 | 0:35:00 | |
This isn't all that outlandish. | 0:35:00 | 0:35:03 | |
Uh... | 0:35:07 | 0:35:09 | |
Stop! | 0:35:10 | 0:35:12 | |
You've been ordered to stop! | 0:35:13 | 0:35:15 | |
Sorry, er... | 0:35:17 | 0:35:18 | |
how can we help you, officer? | 0:35:18 | 0:35:20 | |
Officer? | 0:35:20 | 0:35:22 | |
You can help me by stopping | 0:35:22 | 0:35:23 | |
when I ask you in the first place. | 0:35:23 | 0:35:24 | |
Listen, mate, | 0:35:24 | 0:35:26 | |
we don't need to make a federal case out of this. | 0:35:26 | 0:35:29 | |
You're Australian? | 0:35:29 | 0:35:30 | |
Don't move! | 0:35:30 | 0:35:31 | |
Uh, son, just calm down, now. Just... | 0:35:33 | 0:35:35 | |
I said don't move, old man! | 0:35:35 | 0:35:38 | |
Excuse us. | 0:35:56 | 0:35:58 | |
I say we go to Benirall, | 0:36:13 | 0:36:14 | |
and we make him get us help. | 0:36:14 | 0:36:15 | |
He's obviously being affected | 0:36:15 | 0:36:17 | |
by this pretty badly. | 0:36:17 | 0:36:18 | |
This isn't just about his missing ships. | 0:36:18 | 0:36:19 | |
Oh, listen, mate, | 0:36:19 | 0:36:20 | |
I'm getting sick and tired of these | 0:36:20 | 0:36:21 | |
stinky little hints you keep dropping us. | 0:36:21 | 0:36:23 | |
There's something else. It's just... | 0:36:23 | 0:36:24 | |
Enough, damn it! OK. | 0:36:24 | 0:36:26 | |
You, Stan, if you've not got | 0:36:26 | 0:36:27 | |
something concrete to give us, | 0:36:27 | 0:36:29 | |
keep it to yourself. | 0:36:29 | 0:36:30 | |
You know, you are such a jerk. | 0:36:30 | 0:36:32 | |
At least that was concrete. | 0:36:32 | 0:36:33 | |
We're not entirely without a direction to go. | 0:36:34 | 0:36:37 | |
The navy keeps interfering with us. | 0:36:37 | 0:36:39 | |
I think there's a connection there. | 0:36:39 | 0:36:40 | |
This has something to do with the Triangle? | 0:36:40 | 0:36:41 | |
With missing ships? | 0:36:41 | 0:36:42 | |
Our hallucinations? | 0:36:42 | 0:36:43 | |
I don't know, but it's a lead. | 0:36:43 | 0:36:45 | |
Well, I'm with you. | 0:36:45 | 0:36:46 | |
Last people we saw with Heather were the coastguard. | 0:36:46 | 0:36:48 | |
I say we work with the signs. | 0:36:48 | 0:36:50 | |
Everything we're experiencing | 0:36:50 | 0:36:51 | |
has to have an empirical explanation. | 0:36:51 | 0:36:54 | |
If we rule out everything that's not... | 0:36:54 | 0:36:55 | |
Whatever's left must be right. | 0:36:55 | 0:36:57 | |
We can work at my lab. | 0:36:57 | 0:36:58 | |
So... | 0:36:58 | 0:37:00 | |
So we're doing this | 0:37:00 | 0:37:01 | |
before the dinosaurs come back. | 0:37:01 | 0:37:02 | |
TAPPING | 0:37:07 | 0:37:09 | |
DOG BARKING | 0:37:17 | 0:37:18 | |
DOG BARKING | 0:37:23 | 0:37:25 | |
Hey, boy. | 0:37:25 | 0:37:27 | |
Hey, boy. Hey. | 0:37:27 | 0:37:29 | |
Hey, how you doing? | 0:37:29 | 0:37:30 | |
Yeah, yeah. | 0:37:31 | 0:37:33 | |
Hey! | 0:37:39 | 0:37:40 | |
Hi. | 0:37:40 | 0:37:41 | |
You get what you needed? | 0:37:44 | 0:37:46 | |
Yeah. | 0:37:46 | 0:37:47 | |
What's this? | 0:37:47 | 0:37:48 | |
You think he'll like it? | 0:37:48 | 0:37:51 | |
I don't know. | 0:37:51 | 0:37:52 | |
It's a little young for him, | 0:37:52 | 0:37:53 | |
don't you think? He's almost 11. | 0:37:53 | 0:37:55 | |
Oh, no. No. | 0:37:55 | 0:37:57 | |
This is for Ruben. | 0:37:57 | 0:37:59 | |
This... is for Dylan. | 0:37:59 | 0:38:02 | |
Who's Dylan? | 0:38:05 | 0:38:06 | |
What were you expecting to see in here, Meeno? | 0:38:45 | 0:38:47 | |
Meeno. | 0:38:51 | 0:38:52 | |
We got onto it | 0:39:04 | 0:39:05 | |
right after you called, Dr Geller. | 0:39:05 | 0:39:06 | |
At first, the idea of seeking out an explanation | 0:39:06 | 0:39:09 | |
for the Bermuda Triangle seemed a bit odd. | 0:39:09 | 0:39:12 | |
Even for you. | 0:39:12 | 0:39:14 | |
And this is your explanation | 0:39:14 | 0:39:16 | |
for hundreds of sinking ships. | 0:39:16 | 0:39:17 | |
It's widely known, sir, | 0:39:17 | 0:39:18 | |
that there are methane gas pockets | 0:39:18 | 0:39:20 | |
trapped beneath the ocean floor. | 0:39:20 | 0:39:21 | |
If a big enough undersea pocket were to escape... | 0:39:21 | 0:39:23 | |
And all the planes that have disappeared? | 0:39:23 | 0:39:25 | |
Professor? | 0:39:25 | 0:39:27 | |
Zones of compression, | 0:39:27 | 0:39:29 | |
areas where continental masses | 0:39:29 | 0:39:30 | |
compress against each other... | 0:39:30 | 0:39:32 | |
OK. Great work. | 0:39:32 | 0:39:33 | |
Terrific. | 0:39:33 | 0:39:34 | |
Fantastic. Thank you. Thank you all. | 0:39:34 | 0:39:36 | |
But, er... | 0:39:36 | 0:39:38 | |
we've got a new direction. | 0:39:38 | 0:39:39 | |
We want to look at, er... | 0:39:41 | 0:39:43 | |
well, we're thinking... | 0:39:43 | 0:39:46 | |
Wormholes. | 0:39:46 | 0:39:47 | |
DOOR CREAKS | 0:39:51 | 0:39:54 | |
I don't understand, Meeno. | 0:40:43 | 0:40:45 | |
What's wrong? | 0:40:48 | 0:40:49 | |
There's no hole in the screen door. | 0:40:52 | 0:40:55 | |
Hole... | 0:40:57 | 0:40:58 | |
Meeno... | 0:40:58 | 0:41:00 | |
It's like he never existed. | 0:41:01 | 0:41:04 | |
Like who never existed? | 0:41:04 | 0:41:06 | |
Stop it! | 0:41:06 | 0:41:07 | |
Why are you doing this to me, Helen? | 0:41:07 | 0:41:10 | |
Why? | 0:41:10 | 0:41:11 | |
I can't live with you like this. | 0:41:14 | 0:41:16 | |
And I won't have you doing this to Ruben. | 0:41:16 | 0:41:20 | |
Do whatever you need to do. | 0:41:20 | 0:41:23 | |
But I want you back. | 0:41:23 | 0:41:25 | |
I want us back. | 0:41:25 | 0:41:28 | |
Find an answer to this... | 0:41:30 | 0:41:33 | |
or I'm leaving you. | 0:41:33 | 0:41:35 | |
HOWARD: I was... I was here this morning. | 0:41:43 | 0:41:46 | |
STAN: This is nuts. What are you... | 0:41:46 | 0:41:48 | |
What if this place is under surveillance? | 0:41:48 | 0:41:50 | |
Relax. There was nobody out there. | 0:41:50 | 0:41:52 | |
What are you looking for? | 0:41:52 | 0:41:54 | |
I don't know. Something. I... | 0:41:54 | 0:41:55 | |
I feel like he was a part of this. | 0:41:55 | 0:41:57 | |
God. | 0:41:57 | 0:41:58 | |
Getting very heavy... | 0:41:58 | 0:42:00 | |
Feeling oppressive. | 0:42:00 | 0:42:02 | |
This is where he died. | 0:42:03 | 0:42:04 | |
Oh, jeez. | 0:42:06 | 0:42:07 | |
Maybe there's something... | 0:42:07 | 0:42:08 | |
Where you going? | 0:42:08 | 0:42:09 | |
Where you going here? | 0:42:09 | 0:42:11 | |
Man. | 0:42:13 | 0:42:14 | |
Is this a... | 0:42:19 | 0:42:21 | |
common, acceptable means | 0:42:21 | 0:42:22 | |
of gathering information for you? | 0:42:22 | 0:42:24 | |
Going through some dead guy's desk? | 0:42:24 | 0:42:26 | |
In my line of business, you do what you've got to do. | 0:42:26 | 0:42:28 | |
Yeah. | 0:42:28 | 0:42:29 | |
And write what you want to write. | 0:42:29 | 0:42:31 | |
What's that supposed to mean? | 0:42:32 | 0:42:34 | |
Well, I've seen the kind of stories you write. | 0:42:34 | 0:42:38 | |
Look, I've got a family to feed. OK? | 0:42:38 | 0:42:40 | |
What do you know about that? | 0:42:40 | 0:42:42 | |
CHUCKLES | 0:42:42 | 0:42:43 | |
You wrote about me once. | 0:42:43 | 0:42:45 | |
Didn't remember that, did you? | 0:42:47 | 0:42:49 | |
I wouldn't think you did. | 0:42:49 | 0:42:51 | |
HIP-HOP MUSIC PLAYING | 0:43:03 | 0:43:05 | |
Whoa, whoa, whoa. | 0:43:05 | 0:43:08 | |
You're certainly more of a challenge than the... | 0:43:08 | 0:43:11 | |
angry 15-year-olds I'm used to seeing. | 0:43:11 | 0:43:14 | |
I've never, er... | 0:43:14 | 0:43:16 | |
seen a... a doctor, er... | 0:43:17 | 0:43:21 | |
a doctor like you. I... | 0:43:21 | 0:43:23 | |
never even thought about it. | 0:43:23 | 0:43:25 | |
Not when my parents died a few months apart. | 0:43:25 | 0:43:27 | |
Not when I got back from the Gulf. | 0:43:27 | 0:43:29 | |
The navy offered it, but I, er... | 0:43:33 | 0:43:35 | |
Considering what you've been through - | 0:43:37 | 0:43:39 | |
boat sinking, | 0:43:39 | 0:43:41 | |
stranded alone at sea, | 0:43:41 | 0:43:43 | |
no...no idea when you're going to be rescued, | 0:43:43 | 0:43:46 | |
even if you'd be rescued. | 0:43:46 | 0:43:48 | |
Of course, er... | 0:43:48 | 0:43:49 | |
of course this is... | 0:43:49 | 0:43:51 | |
This business with your son... | 0:43:51 | 0:43:54 | |
So what could it be? Uh... | 0:43:57 | 0:44:00 | |
some kind of break? | 0:44:00 | 0:44:02 | |
Well, you'd think so, wouldn't you? | 0:44:02 | 0:44:03 | |
A break is, er, | 0:44:03 | 0:44:05 | |
usually kind of across the board. | 0:44:05 | 0:44:08 | |
You seem pretty functional. | 0:44:10 | 0:44:12 | |
Loaded with attendant anxieties, naturally. | 0:44:12 | 0:44:16 | |
You seem to be missing only | 0:44:16 | 0:44:18 | |
isolated memories. | 0:44:18 | 0:44:20 | |
That's what's got me stumped. | 0:44:20 | 0:44:22 | |
I'm thinking... | 0:44:22 | 0:44:24 | |
selective amnesia kind of deal. | 0:44:24 | 0:44:28 | |
But that's incredibly rare. | 0:44:28 | 0:44:31 | |
I'd have to do some research to... | 0:44:31 | 0:44:34 | |
be fully conversant on something like that. | 0:44:34 | 0:44:37 | |
Even so, it's, er... | 0:44:37 | 0:44:39 | |
it's a million-to-one shot. | 0:44:39 | 0:44:41 | |
They all died. | 0:44:45 | 0:44:46 | |
All of them. | 0:44:49 | 0:44:50 | |
The boat was my responsibility. | 0:44:52 | 0:44:55 | |
They put their lives in my hands. Seven people. | 0:44:56 | 0:44:59 | |
They did. They just went under, and then... | 0:45:01 | 0:45:04 | |
..then they were just gone. | 0:45:05 | 0:45:07 | |
What was I supposed to do? What could...what could I do? | 0:45:11 | 0:45:14 | |
What could I do? | 0:45:14 | 0:45:16 | |
Meeno. | 0:45:28 | 0:45:29 | |
I just talked to Helen. | 0:45:36 | 0:45:38 | |
You've got to stop beating yourself up about this. | 0:45:38 | 0:45:42 | |
You're acting crazy. | 0:45:42 | 0:45:44 | |
It's not our fault that we survived. | 0:45:47 | 0:45:50 | |
We did everything that we could. | 0:45:50 | 0:45:52 | |
Meeno? | 0:45:52 | 0:45:53 | |
You OK? | 0:45:58 | 0:46:00 | |
You should sleep. Hey! You're not. | 0:46:09 | 0:46:11 | |
Oh, I don't sleep. | 0:46:11 | 0:46:13 | |
Not much anyway. | 0:46:13 | 0:46:14 | |
What about them? | 0:46:15 | 0:46:17 | |
They're new. | 0:46:17 | 0:46:18 | |
The bunch from last night went home around 4.00. | 0:46:18 | 0:46:20 | |
Didn't you notice? | 0:46:20 | 0:46:22 | |
I was concentrating. | 0:46:22 | 0:46:24 | |
Obviously. | 0:46:24 | 0:46:25 | |
Take a look at this. | 0:46:25 | 0:46:27 | |
What am I looking at? | 0:46:27 | 0:46:29 | |
This is geoelectromagnetic data | 0:46:31 | 0:46:34 | |
streaming off an old Canstar satellite | 0:46:34 | 0:46:36 | |
over the Atlantic. | 0:46:36 | 0:46:38 | |
These numbers are indicative | 0:46:38 | 0:46:39 | |
of a major, major weather event. | 0:46:39 | 0:46:41 | |
Massive. A category five hurricane. | 0:46:41 | 0:46:45 | |
Over the Atlantic, now? | 0:46:45 | 0:46:46 | |
That's what it says. | 0:46:46 | 0:46:48 | |
This is a nautical weather broadcast from San Juan | 0:46:49 | 0:46:52 | |
based on area radar, sky bird photos, | 0:46:52 | 0:46:55 | |
ships' radio traffic. Look. | 0:46:55 | 0:46:57 | |
Look at what? | 0:47:01 | 0:47:02 | |
It's blue skies and calm seas | 0:47:02 | 0:47:04 | |
in every direction. It's a beautiful day. | 0:47:04 | 0:47:07 | |
OK, so your data is wrong. | 0:47:07 | 0:47:08 | |
What does this | 0:47:08 | 0:47:09 | |
have to do with wormholes? | 0:47:09 | 0:47:11 | |
I don't know, but I've checked it five times. | 0:47:11 | 0:47:13 | |
There's something going on out there. | 0:47:13 | 0:47:15 | |
Wouldn't other people, | 0:47:15 | 0:47:16 | |
the US Weather Bureau, | 0:47:16 | 0:47:18 | |
whoever, be seeing it, too? | 0:47:18 | 0:47:19 | |
Not if they're not looking for it. | 0:47:19 | 0:47:22 | |
An invisible storm. | 0:47:24 | 0:47:28 | |
So I saw you grab something. | 0:47:28 | 0:47:29 | |
What are they? Top secret stuff or what? | 0:47:29 | 0:47:31 | |
If he'd kept any of those at his house, | 0:47:31 | 0:47:33 | |
the men in black would've cleaned him out yesterday. | 0:47:33 | 0:47:34 | |
These, they didn't care about. | 0:47:34 | 0:47:36 | |
We do? | 0:47:36 | 0:47:37 | |
What are these? | 0:47:37 | 0:47:39 | |
Credit card receipts? | 0:47:39 | 0:47:41 | |
These are for Bertha's restaurant. | 0:47:41 | 0:47:43 | |
There. | 0:47:43 | 0:47:45 | |
These are from Beijin's dry cleaners. | 0:47:45 | 0:47:48 | |
So you think Granger visited here a lot. | 0:47:50 | 0:47:54 | |
According to these receipts, every other day | 0:47:54 | 0:47:56 | |
for the last five weeks. | 0:47:56 | 0:47:57 | |
Hmm. You think maybe he worked somewhere around here? | 0:47:57 | 0:48:00 | |
A navy base. | 0:48:04 | 0:48:06 | |
Thought you said he worked out at sea? | 0:48:06 | 0:48:08 | |
Well, maybe they reassigned him. | 0:48:08 | 0:48:10 | |
Or maybe he was working out there, | 0:48:10 | 0:48:12 | |
and they brought him here | 0:48:12 | 0:48:13 | |
to help him, fix him, or something. | 0:48:13 | 0:48:15 | |
Hey, don't work too hard! | 0:48:42 | 0:48:44 | |
I'm thinking. | 0:48:44 | 0:48:45 | |
This is what I do when I think. | 0:48:45 | 0:48:48 | |
Hmm. | 0:48:48 | 0:48:49 | |
Why the ocean? | 0:48:51 | 0:48:53 | |
What? | 0:48:53 | 0:48:54 | |
Why build this huge facility | 0:48:54 | 0:48:56 | |
in the middle of the Atlantic? | 0:48:56 | 0:48:57 | |
We don't know it was in the middle. | 0:48:57 | 0:48:58 | |
We know generally where we were | 0:48:58 | 0:48:59 | |
when the sub got stuck. | 0:48:59 | 0:49:01 | |
The only reason they'd capture and question us | 0:49:01 | 0:49:03 | |
is if we came too close! | 0:49:03 | 0:49:04 | |
But why the ocean? Why the Triangle? | 0:49:04 | 0:49:07 | |
There's got to be a good reason. | 0:49:09 | 0:49:10 | |
What's in the ocean? | 0:49:10 | 0:49:12 | |
Water. | 0:49:12 | 0:49:13 | |
No, not just any water. | 0:49:13 | 0:49:14 | |
Seawater. What is the foundation | 0:49:14 | 0:49:16 | |
of everything we've been talking about? | 0:49:16 | 0:49:18 | |
Electromagnetism. | 0:49:18 | 0:49:19 | |
All water has resistance. | 0:49:19 | 0:49:22 | |
Seawater has lower resistance than fresh. | 0:49:22 | 0:49:23 | |
But that resistance is cumulative per unit | 0:49:23 | 0:49:25 | |
of volume of water. | 0:49:25 | 0:49:27 | |
You're losing me. | 0:49:27 | 0:49:29 | |
Look, if you were trying to generate | 0:49:30 | 0:49:32 | |
an enormous amount of electromagnetic power, | 0:49:32 | 0:49:34 | |
you would want to be sitting in the middle | 0:49:34 | 0:49:36 | |
of a huge puddle of seawater. | 0:49:36 | 0:49:38 | |
And one of the side effects | 0:49:38 | 0:49:40 | |
would be haloclines. | 0:49:40 | 0:49:41 | |
Lots of them. | 0:49:41 | 0:49:42 | |
But an electromagnetic storm? | 0:49:42 | 0:49:45 | |
Why would they need all that power? | 0:49:45 | 0:49:47 | |
INDISTINCT VOICE ON PA | 0:49:49 | 0:49:51 | |
MAN: Mr Thomas. | 0:49:54 | 0:49:56 | |
The base information officer | 0:49:56 | 0:49:57 | |
will be with you shortly. | 0:49:57 | 0:49:58 | |
I took the liberty of checking | 0:50:00 | 0:50:01 | |
the navy personnel records | 0:50:01 | 0:50:03 | |
for an individual named Granger. | 0:50:03 | 0:50:05 | |
Granger, William. | 0:50:05 | 0:50:06 | |
It's a common enough name. | 0:50:06 | 0:50:07 | |
We actually have two of them on active duty. | 0:50:07 | 0:50:09 | |
A CPO serving aboard an escort destroyer | 0:50:09 | 0:50:11 | |
in the North Pacific, | 0:50:11 | 0:50:12 | |
and a dental tech stationed in the Azores. | 0:50:12 | 0:50:15 | |
Could he be classified as retired? | 0:50:15 | 0:50:17 | |
That's all our records showed. | 0:50:17 | 0:50:19 | |
Anyway, as I said, | 0:50:19 | 0:50:20 | |
if you're still interested, | 0:50:20 | 0:50:21 | |
an information officer | 0:50:21 | 0:50:22 | |
will be happy to speak with you. | 0:50:22 | 0:50:23 | |
I'm still interested. | 0:50:25 | 0:50:26 | |
Mr Thomas, wait in here, please. | 0:50:51 | 0:50:53 | |
Thanks. | 0:50:53 | 0:50:54 | |
What happened to your friend, sir? | 0:50:54 | 0:50:55 | |
Bathroom. | 0:50:55 | 0:50:56 | |
He, er, ate some bad shellfish. | 0:50:56 | 0:50:58 | |
I'll send him in. | 0:50:58 | 0:51:00 | |
MAN SCREAMING | 0:51:28 | 0:51:30 | |
No! Let me go! | 0:51:42 | 0:51:44 | |
Come on, let me go! | 0:51:44 | 0:51:46 | |
Let me go! | 0:51:46 | 0:51:48 | |
No! No! Let me go! | 0:51:50 | 0:51:53 | |
Sorry to keep you waiting. | 0:52:21 | 0:52:23 | |
It's Mr Thomas, | 0:52:23 | 0:52:26 | |
is that correct? | 0:52:26 | 0:52:28 | |
SIGHS | 0:52:29 | 0:52:31 | |
We've met before. | 0:52:31 | 0:52:33 | |
SCREAMING | 0:52:50 | 0:52:52 | |
Who are you? | 0:53:04 | 0:53:05 | |
You're not permitted in here. | 0:53:05 | 0:53:07 | |
Please, sit down. | 0:53:40 | 0:53:42 | |
Yeah, I saw Heather. They have her here. | 0:53:48 | 0:53:50 | |
She's locked up. | 0:53:50 | 0:53:51 | |
You're talking about our elderly guest | 0:53:51 | 0:53:52 | |
in the infirmary? | 0:53:52 | 0:53:53 | |
Heather Sheedy. | 0:53:53 | 0:53:55 | |
She survived the plane crash. | 0:53:55 | 0:53:57 | |
Why do you have her hidden away here? | 0:53:58 | 0:54:00 | |
She's not hidden away. | 0:54:00 | 0:54:02 | |
Well, she has family. Why isn't her family here? | 0:54:02 | 0:54:04 | |
She has a grandfather. | 0:54:04 | 0:54:07 | |
At her age? | 0:54:08 | 0:54:10 | |
I doubt that very much. | 0:54:10 | 0:54:12 | |
(I saw her.) | 0:54:12 | 0:54:14 | |
I saw her. | 0:54:16 | 0:54:18 | |
I think we're finished here. | 0:54:20 | 0:54:22 | |
Stan! Stan! | 0:54:41 | 0:54:42 | |
We've got to find her grandfather. | 0:54:53 | 0:54:55 | |
Already looked for relatives. | 0:54:55 | 0:54:57 | |
Phone books, school records, | 0:54:57 | 0:54:58 | |
public records. There's nobody. | 0:54:58 | 0:55:00 | |
And even if there is a grandfather, | 0:55:00 | 0:55:01 | |
ten-to-one the navy's already got him. | 0:55:01 | 0:55:03 | |
I don't think they have. | 0:55:04 | 0:55:05 | |
Oh, well. Then maybe he's wearing | 0:55:05 | 0:55:07 | |
his super magic invisible cloaking device, | 0:55:07 | 0:55:09 | |
because no-one can find him. | 0:55:09 | 0:55:11 | |
I can. | 0:55:11 | 0:55:13 | |
Well, that much energy has to be man-made. | 0:55:13 | 0:55:14 | |
It can't be a natural phenomena. | 0:55:14 | 0:55:16 | |
Entropy. Exactly. | 0:55:16 | 0:55:17 | |
The natural tendency for energies | 0:55:17 | 0:55:18 | |
to decrease, not increase. | 0:55:18 | 0:55:20 | |
And that energy is building in the Atlantic, | 0:55:20 | 0:55:21 | |
so it has to be created by something. | 0:55:21 | 0:55:24 | |
The problem is there's nothing mankind could build, | 0:55:24 | 0:55:25 | |
even in theory, that could generate that kind... | 0:55:25 | 0:55:27 | |
How do you know that? The government keep you | 0:55:27 | 0:55:28 | |
abreast of everything they're doing? | 0:55:28 | 0:55:29 | |
It's just not possible! | 0:55:29 | 0:55:30 | |
But something's going on. | 0:55:30 | 0:55:32 | |
I've got hurricane-level electromagnetic readings | 0:55:32 | 0:55:34 | |
centred 320 miles offshore. | 0:55:34 | 0:55:36 | |
Except there's no damn storm! | 0:55:36 | 0:55:39 | |
I'm going out there. | 0:55:39 | 0:55:40 | |
What? In a boat? A plane. | 0:55:40 | 0:55:42 | |
Oh, better. Because it's better | 0:55:42 | 0:55:44 | |
to be flying while all this is going on. | 0:55:44 | 0:55:46 | |
Come with me. Please! | 0:55:46 | 0:55:47 | |
We have an opportunity to observe a manifestation | 0:55:47 | 0:55:50 | |
of something that's going on out there | 0:55:50 | 0:55:51 | |
while it's happening. | 0:55:51 | 0:55:52 | |
We're looking for an answer. The answer's out there. | 0:55:52 | 0:55:55 | |
And you've got a death wish. | 0:55:55 | 0:55:57 | |
Stan? | 0:56:37 | 0:56:39 | |
You OK? | 0:56:50 | 0:56:51 | |
The, er... | 0:56:55 | 0:56:57 | |
images that I see... | 0:56:57 | 0:56:59 | |
always come randomly. | 0:56:59 | 0:57:01 | |
They're always unclear. | 0:57:03 | 0:57:05 | |
Uh-huh? | 0:57:06 | 0:57:08 | |
There's only one way I know | 0:57:08 | 0:57:09 | |
to actively bid the images to me. | 0:57:09 | 0:57:12 | |
You want to give me a clue here? | 0:57:12 | 0:57:13 | |
Just wait outside. | 0:57:13 | 0:57:15 | |
Keep the door closed. | 0:57:15 | 0:57:16 | |
And, er... | 0:57:16 | 0:57:18 | |
give me 25 minutes. | 0:57:18 | 0:57:19 | |
Just 25. | 0:57:19 | 0:57:21 | |
And then come back in, | 0:57:21 | 0:57:23 | |
and wake me... | 0:57:23 | 0:57:25 | |
any way you can. | 0:57:25 | 0:57:26 | |
Come on, this is kind of... | 0:57:26 | 0:57:28 | |
Just go! | 0:57:28 | 0:57:29 | |
No. | 0:57:54 | 0:57:55 | |
Don was there. | 0:58:00 | 0:58:02 | |
Attention, whalers! | 0:58:02 | 0:58:03 | |
You are in violation... | 0:58:03 | 0:58:05 | |
He...he died with the others! | 0:58:08 | 0:58:10 | |
Brace yourselves! | 0:58:10 | 0:58:12 | |
I saw him drown. | 0:58:15 | 0:58:17 | |
Hang on! | 0:58:17 | 0:58:20 | |
Take my hand, Don! | 0:58:20 | 0:58:21 | |
Meeno! | 0:58:21 | 0:58:23 | |
You definitely know how to fly a plane, right? | 0:58:57 | 0:59:00 | |
What? You've asked me four or five times already. | 0:59:00 | 0:59:03 | |
You just seem like the kind of guy | 0:59:03 | 0:59:05 | |
who takes a couple of lessons in something, and you know, | 0:59:05 | 0:59:06 | |
then loses interest, and... | 0:59:06 | 0:59:08 | |
I've been flying since I was 16. | 0:59:08 | 0:59:10 | |
Look. I'm flying. | 0:59:10 | 0:59:12 | |
No, you're taxiing, | 0:59:12 | 0:59:13 | |
and we are about to fly way out | 0:59:13 | 0:59:16 | |
over the ocean. | 0:59:16 | 0:59:18 | |
WS 11 alpha req... | 0:59:20 | 0:59:24 | |
Oops. Not good. | 0:59:24 | 0:59:26 | |
Tower, WS alpha 11 | 0:59:27 | 0:59:29 | |
requesting clearance for takeoff. | 0:59:29 | 0:59:31 | |
That was a joke. | 0:59:31 | 0:59:33 | |
You know, a joke? | 0:59:33 | 0:59:35 | |
Hey! Joke? | 0:59:35 | 0:59:36 | |
RADIO: WS 11 alpha, | 0:59:36 | 0:59:38 | |
you are clear to runway 29 south. | 0:59:38 | 0:59:40 | |
How's the weather look out there? | 0:59:40 | 0:59:42 | |
Visibility 50 plus. Clear as spring water. | 0:59:42 | 0:59:45 | |
Stan? | 0:59:58 | 0:59:59 | |
GROANS | 1:00:25 | 1:00:27 | |
This is the only way you could've done this? | 1:00:33 | 1:00:35 | |
It's called auto writing. | 1:00:35 | 1:00:36 | |
I know what auto writing is, but... | 1:00:36 | 1:00:38 | |
I can't be conscious when I do it. | 1:00:38 | 1:00:40 | |
I've tried holding the paper, but my hand just... | 1:00:40 | 1:00:43 | |
pushes right over the page. | 1:00:43 | 1:00:44 | |
This is the only way I've been able... | 1:00:44 | 1:00:46 | |
Give me that. | 1:00:46 | 1:00:47 | |
It all looks like nonsense, though. | 1:00:50 | 1:00:51 | |
None of it... | 1:00:51 | 1:00:53 | |
I can't control what comes through. | 1:00:53 | 1:00:55 | |
It just flows. | 1:00:55 | 1:00:56 | |
I don't have any idea where it comes from. | 1:00:56 | 1:00:58 | |
It's just if... | 1:00:58 | 1:01:00 | |
if I enter into a state with... | 1:01:00 | 1:01:03 | |
some specific information | 1:01:03 | 1:01:05 | |
that I want or need... | 1:01:05 | 1:01:06 | |
Hold on a second. | 1:01:06 | 1:01:07 | |
I think I've got a name. | 1:01:10 | 1:01:12 | |
Karl. | 1:01:14 | 1:01:15 | |
Karl. | 1:01:16 | 1:01:17 | |
I'm going to get some water. | 1:01:29 | 1:01:30 | |
Karl Sheedy. | 1:02:26 | 1:02:27 | |
Well, you think it looks like "Sheedy." | 1:02:27 | 1:02:29 | |
I think it looks more like "she pig." | 1:02:29 | 1:02:31 | |
Someplace else it says, er... | 1:02:31 | 1:02:33 | |
highway one. | 1:02:33 | 1:02:35 | |
Mile marker 47. | 1:02:35 | 1:02:37 | |
You couldn't come up with an actual address? | 1:02:37 | 1:02:39 | |
Or a phone number, maybe? | 1:02:39 | 1:02:41 | |
If this is where he lives, | 1:03:06 | 1:03:07 | |
it's no wonder the navy couldn't find him. | 1:03:07 | 1:03:09 | |
KNOCKS ON DOOR: Hello? | 1:03:18 | 1:03:20 | |
KNOCKS: Excuse us. | 1:03:41 | 1:03:42 | |
Ma'am? | 1:03:42 | 1:03:44 | |
Who are you? | 1:03:44 | 1:03:45 | |
What do you want? | 1:03:45 | 1:03:47 | |
It's OK. We're not here to harm you. | 1:03:47 | 1:03:49 | |
Heather. | 1:03:49 | 1:03:51 | |
Who are you men? What do you want here? | 1:03:51 | 1:03:54 | |
We're very sorry to disturb you. | 1:03:54 | 1:03:56 | |
We're actually looking for a man | 1:03:56 | 1:03:58 | |
named Karl Sheedy. | 1:03:58 | 1:03:59 | |
You're her grandmother, aren't you? | 1:03:59 | 1:04:01 | |
You look just like her. | 1:04:01 | 1:04:02 | |
How do you know her? | 1:04:02 | 1:04:05 | |
Alice? | 1:04:07 | 1:04:09 | |
They... | 1:04:09 | 1:04:11 | |
they say they're here about Heather. | 1:04:11 | 1:04:13 | |
What about her? Who are you? | 1:04:13 | 1:04:15 | |
Are you with the project? | 1:04:18 | 1:04:20 | |
I-I assume this isn't regular turbulence? | 1:04:29 | 1:04:32 | |
You assume correctly. | 1:04:32 | 1:04:34 | |
We're being buffeted by weather. | 1:04:34 | 1:04:36 | |
CONSOLE BEEPS | 1:04:36 | 1:04:38 | |
Where are you going? | 1:04:38 | 1:04:39 | |
Don't worry. Autopilot's got it. | 1:04:39 | 1:04:42 | |
So...er... | 1:04:57 | 1:04:59 | |
why hasn't anyone else reported this phenomenon? | 1:04:59 | 1:05:01 | |
I mean, er... | 1:05:01 | 1:05:03 | |
others have to have flown through it or sailed it... | 1:05:03 | 1:05:05 | |
Not necessarily. | 1:05:05 | 1:05:06 | |
Right now, it's a relatively small cell | 1:05:06 | 1:05:08 | |
in the middle of a very, very big ocean. | 1:05:08 | 1:05:10 | |
What is this crap? | 1:05:10 | 1:05:12 | |
Some of it's standard, | 1:05:12 | 1:05:13 | |
off-the-shelf weather monitoring stuff, | 1:05:13 | 1:05:15 | |
but this, and those over there, | 1:05:15 | 1:05:16 | |
those are my own creations. | 1:05:16 | 1:05:18 | |
Ah, you built these? | 1:05:18 | 1:05:19 | |
Just part of my genius. | 1:05:19 | 1:05:21 | |
Uh-oh. | 1:05:23 | 1:05:24 | |
Uh-oh what? | 1:05:24 | 1:05:25 | |
We're still 40 miles from the centre of the cell? | 1:05:25 | 1:05:27 | |
How powerful is this thing? | 1:05:27 | 1:05:29 | |
You keep saying cell, except there... | 1:05:29 | 1:05:30 | |
there is no weather cell. | 1:05:30 | 1:05:31 | |
Look out there. Look in here! | 1:05:31 | 1:05:33 | |
There, er... | 1:05:42 | 1:05:44 | |
there was a plane crash. | 1:05:44 | 1:05:47 | |
And...your granddaughter was the only survivor. | 1:05:47 | 1:05:50 | |
Oh, my God! | 1:05:50 | 1:05:51 | |
SHE SOBS | 1:05:52 | 1:05:54 | |
Our son, Heather's father... | 1:05:56 | 1:05:58 | |
and his wife? | 1:05:58 | 1:06:00 | |
I'm very sorry. | 1:06:01 | 1:06:03 | |
I tried to warn them. | 1:06:06 | 1:06:08 | |
Tried to get 'em to join us here. | 1:06:08 | 1:06:10 | |
You said Heather is where? | 1:06:12 | 1:06:14 | |
There's, um... | 1:06:14 | 1:06:16 | |
there's something else. | 1:06:16 | 1:06:18 | |
Heather survived the plane crash, but... | 1:06:18 | 1:06:21 | |
..she's changed. | 1:06:24 | 1:06:26 | |
HOWARD: Did you work out there? | 1:06:29 | 1:06:31 | |
Not only worked out there. | 1:06:31 | 1:06:33 | |
I, sir, am responsible for it. | 1:06:33 | 1:06:35 | |
There were two of us. | 1:06:35 | 1:06:37 | |
My partner's name was Osserman, Victor. | 1:06:37 | 1:06:40 | |
We were members of the physics department | 1:06:41 | 1:06:43 | |
at Florida State. | 1:06:43 | 1:06:46 | |
Undistinguished, neither of us tenured. | 1:06:46 | 1:06:49 | |
Just teaching. | 1:06:49 | 1:06:52 | |
Victor's brother-in-law worked | 1:06:52 | 1:06:53 | |
laying deep ocean cable. South Atlantic. | 1:06:53 | 1:06:56 | |
He called Victor one day. | 1:06:56 | 1:06:58 | |
Seems whenever they'd hit | 1:06:58 | 1:07:01 | |
a particular stretch of ocean... | 1:07:01 | 1:07:03 | |
the cable would suddenly be sheared in two. | 1:07:03 | 1:07:05 | |
But each time they recoiled the cable, | 1:07:05 | 1:07:08 | |
it was somehow several hundred feet shorter. | 1:07:08 | 1:07:12 | |
So, as a favour, Victor and I went out there. | 1:07:12 | 1:07:14 | |
We discovered what was shearing the cable. | 1:07:14 | 1:07:17 | |
Oh, boy, did we discover it. | 1:07:18 | 1:07:20 | |
Exotic matter. | 1:07:22 | 1:07:24 | |
You, er... | 1:07:25 | 1:07:26 | |
you discovered exotic matter? | 1:07:26 | 1:07:29 | |
A window onto it, yes. | 1:07:29 | 1:07:30 | |
What's exotic matter? | 1:07:30 | 1:07:32 | |
Some sort of super-matter. | 1:07:32 | 1:07:34 | |
It's what UFO kooks theorise | 1:07:34 | 1:07:36 | |
that Martians make their ships out of. | 1:07:36 | 1:07:38 | |
It's a truly phenomenal power source. | 1:07:38 | 1:07:41 | |
Victor and I went back to the school. | 1:07:41 | 1:07:42 | |
Spent 16 months worrying the data, | 1:07:42 | 1:07:44 | |
fought like cats and dogs. | 1:07:44 | 1:07:46 | |
Oh, God, Victor could be such an ass. | 1:07:46 | 1:07:48 | |
Anyway, we were just about to publish, | 1:07:48 | 1:07:50 | |
when the navy showed up. | 1:07:50 | 1:07:52 | |
Someone there had gotten wind of what | 1:07:52 | 1:07:54 | |
we were about to reveal to the world. | 1:07:54 | 1:07:55 | |
They prevailed upon us not to publish. | 1:07:55 | 1:07:57 | |
Instead, Victor went to work for them. | 1:07:57 | 1:08:00 | |
You didn't? | 1:08:00 | 1:08:01 | |
No. | 1:08:01 | 1:08:02 | |
So how'd you end up way out here? | 1:08:02 | 1:08:04 | |
I mean...why did...? | 1:08:04 | 1:08:06 | |
Because of what I suspect is coming. | 1:08:06 | 1:08:09 | |
I'm a coward. | 1:08:09 | 1:08:11 | |
SHE COUGHS | 1:08:17 | 1:08:19 | |
You should be about done. | 1:08:20 | 1:08:22 | |
We didn't stop for lunch today. | 1:08:22 | 1:08:24 | |
I think it's time we get back. | 1:08:24 | 1:08:25 | |
We have to do this. Do what? | 1:08:25 | 1:08:28 | |
Collect full data. We'll need it. | 1:08:28 | 1:08:30 | |
Did you see that? | 1:08:34 | 1:08:36 | |
Come on. | 1:08:36 | 1:08:37 | |
BOTH GROAN | 1:08:52 | 1:08:54 | |
GASPING: Think it's time we... | 1:08:55 | 1:08:57 | |
headed back in. | 1:08:57 | 1:08:59 | |
If you insist. | 1:08:59 | 1:09:00 | |
Victor and I started out | 1:09:19 | 1:09:20 | |
just trying to discover something. | 1:09:20 | 1:09:22 | |
To prove something | 1:09:22 | 1:09:23 | |
that the world only knew as a theory. | 1:09:23 | 1:09:26 | |
But the navy, oh, no, no. | 1:09:27 | 1:09:28 | |
They wanted it to have a function. | 1:09:28 | 1:09:30 | |
They wanted something that they could use. | 1:09:30 | 1:09:32 | |
It was all just a theory! | 1:09:32 | 1:09:34 | |
What do you mean, something they could use? | 1:09:34 | 1:09:35 | |
What? Use for what? | 1:09:35 | 1:09:36 | |
They're the navy, the military. | 1:09:36 | 1:09:38 | |
What do you think they'd want to use it for? | 1:09:38 | 1:09:39 | |
So, Doctor, what's going to happen now? | 1:09:39 | 1:09:42 | |
What are you and your wife hiding from? | 1:09:45 | 1:09:47 | |
I'm not certain. | 1:09:49 | 1:09:50 | |
Maybe nothing. | 1:09:51 | 1:09:52 | |
Maybe... | 1:09:52 | 1:09:54 | |
if it comes, it will be, I expect, | 1:09:54 | 1:09:58 | |
electromagnetic in nature. | 1:09:58 | 1:10:00 | |
At least to begin, but it won't stop there. | 1:10:00 | 1:10:03 | |
Electromagnetism is the force underlying | 1:10:03 | 1:10:05 | |
all matter, all space, all time. | 1:10:05 | 1:10:07 | |
We, humanity, exist only by | 1:10:07 | 1:10:10 | |
a quite remarkable courtesy. | 1:10:10 | 1:10:12 | |
Even the slightest upset | 1:10:12 | 1:10:14 | |
in any number of basic laws | 1:10:14 | 1:10:17 | |
or fundamental constants, and all of this | 1:10:17 | 1:10:20 | |
could all just cease to be. | 1:10:20 | 1:10:21 | |
You're... | 1:10:26 | 1:10:27 | |
overstating, exaggerating. | 1:10:27 | 1:10:29 | |
You have to be. | 1:10:29 | 1:10:30 | |
Everything you've described to me, | 1:10:30 | 1:10:32 | |
including what happened to Heather, | 1:10:32 | 1:10:33 | |
it all fits. | 1:10:33 | 1:10:34 | |
Victor and those with him | 1:10:34 | 1:10:36 | |
are playing chicken with all creation. | 1:10:36 | 1:10:38 | |
They could win. | 1:10:38 | 1:10:40 | |
Or... | 1:10:40 | 1:10:42 | |
Listen, Doctor, | 1:10:44 | 1:10:45 | |
your granddaughter is alive. | 1:10:45 | 1:10:47 | |
She is scared beyond words. | 1:10:47 | 1:10:49 | |
She's surrounded by strangers. | 1:10:49 | 1:10:51 | |
Now, don't you want to be there with her now? | 1:10:51 | 1:10:54 | |
Come back with us, please. | 1:10:54 | 1:10:57 | |
Please. | 1:11:01 | 1:11:03 | |
Why isn't it getting any better? | 1:12:09 | 1:12:10 | |
It seems to be getting worse! | 1:12:10 | 1:12:12 | |
The farther we get from the cell, | 1:12:12 | 1:12:13 | |
the energy should dissipate. | 1:12:13 | 1:12:14 | |
Should, but entropy | 1:12:14 | 1:12:16 | |
doesn't want to apply out here, remember? | 1:12:16 | 1:12:17 | |
We can...we can outrun this thing, right? | 1:12:17 | 1:12:20 | |
Right?! | 1:12:20 | 1:12:22 | |
THUNDER | 1:12:39 | 1:12:42 | |
COCKS HAMMER | 1:13:45 | 1:13:46 | |
CLICK | 1:13:46 | 1:13:47 | |
COCKS HAMMER | 1:13:49 | 1:13:50 | |
CLICK | 1:13:52 | 1:13:53 | |
COCKS HAMMER | 1:13:53 | 1:13:54 | |
CLICK | 1:13:56 | 1:13:57 | |
COCKS HAMMER | 1:13:58 | 1:13:59 | |
Hello. Let me talk to Dr Bruce Geller, please. | 1:14:38 | 1:14:43 | |
How about Dr Patterson? | 1:14:43 | 1:14:44 | |
No. No, no message. | 1:14:46 | 1:14:47 | |
Well, yeah, yeah. I'll leave a message. | 1:14:47 | 1:14:49 | |
Please tell him that Howard Thomas called. | 1:14:49 | 1:14:51 | |
Yeah, I'm coming in. | 1:14:52 | 1:14:54 | |
I'm bringing with me a man | 1:14:54 | 1:14:56 | |
who may have some information. | 1:14:56 | 1:14:58 | |
Hold on! | 1:14:58 | 1:15:00 | |
You're breaking up. | 1:15:00 | 1:15:01 | |
Hello? | 1:15:01 | 1:15:02 | |
Yeah, tell him we should be there | 1:15:05 | 1:15:07 | |
in about three hours. | 1:15:07 | 1:15:09 | |
three hou... Hello? | 1:15:09 | 1:15:11 | |
My God, what is that? | 1:15:13 | 1:15:15 | |
What's happening? | 1:15:15 | 1:15:17 | |
Howard... | 1:15:17 | 1:15:19 | |
WHIMPERS | 1:16:35 | 1:16:37 | |
Get us out of this! | 1:16:37 | 1:16:39 | |
I'm trying! | 1:16:39 | 1:16:40 | |
ALARM SOUNDING | 1:16:56 | 1:16:58 | |
COMPUTER: Warning. Warning. | 1:16:58 | 1:17:00 | |
Warning. Warning. | 1:17:00 | 1:17:03 | |
Warning. Warning. | 1:17:12 | 1:17:14 | |
GASPS | 1:17:40 | 1:17:42 | |
Stan! | 1:17:42 | 1:17:43 | |
Stan! | 1:17:44 | 1:17:45 | |
THUNDER | 1:18:24 | 1:18:26 | |
THUNDER | 1:18:32 | 1:18:34 | |
Subtitles by the National Captioning Institute | 1:18:43 | 1:18:45 | |
E-mail [email protected] | 1:18:45 | 1:18:47 |