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GRUNTING | 0:02:46 | 0:02:49 | |
You all right? | 0:03:00 | 0:03:03 | |
ALARM BEEPING | 0:03:19 | 0:03:21 | |
SHE EXHALES | 0:04:20 | 0:04:23 | |
You gonna be able to get us home? | 0:04:23 | 0:04:25 | |
PANTING | 0:04:27 | 0:04:29 | |
That's my definite plan. | 0:04:29 | 0:04:31 | |
THUNDER | 0:04:43 | 0:04:45 | |
ENGINE STARTS | 0:05:26 | 0:05:27 | |
HORNS HONKING | 0:05:33 | 0:05:35 | |
RADIO PLAYING | 0:06:01 | 0:06:03 | |
MAN ON RADIO: ..Brace themselves | 0:06:14 | 0:06:16 | |
for several days of rain, gales... | 0:06:16 | 0:06:18 | |
HORNS HONKING | 0:06:18 | 0:06:20 | |
Where's Heather's grandfather? | 0:06:25 | 0:06:27 | |
Why were you bringing him here? | 0:06:27 | 0:06:29 | |
HOWARD: It's his discovery in the Atlantic | 0:06:29 | 0:06:30 | |
that started whatever it is that's happening out there. | 0:06:30 | 0:06:34 | |
And he died in the crash? | 0:06:34 | 0:06:36 | |
Yeah. | 0:06:37 | 0:06:38 | |
Yes. | 0:06:42 | 0:06:43 | |
He had a wife. | 0:06:43 | 0:06:45 | |
But what was it he discovered? | 0:06:45 | 0:06:46 | |
That, er, the navy is definitely conducting | 0:06:46 | 0:06:48 | |
some sort of experiment - | 0:06:48 | 0:06:50 | |
Well, that's not exactly... | 0:06:50 | 0:06:51 | |
Tests involving exotic matter. | 0:06:51 | 0:06:53 | |
That's insane. | 0:06:54 | 0:06:56 | |
Yeah, it is. I know. | 0:06:56 | 0:06:59 | |
But I'm telling you, I have interviewed | 0:06:59 | 0:07:01 | |
hundreds of nut jobs in my time, | 0:07:01 | 0:07:03 | |
and this man is credible. | 0:07:03 | 0:07:04 | |
He can say anything. | 0:07:04 | 0:07:05 | |
Yeah, but what if it's true? | 0:07:05 | 0:07:06 | |
Huh? What... what if it's true? | 0:07:06 | 0:07:07 | |
Exotic matter only exists in theory. | 0:07:07 | 0:07:09 | |
Yeah, but so did x-rays and radio waves | 0:07:09 | 0:07:12 | |
and atoms and a round Earth. | 0:07:12 | 0:07:14 | |
Yeah, it's nuts, I'll... | 0:07:14 | 0:07:15 | |
I'll grant you that. It's nuts. | 0:07:15 | 0:07:16 | |
But what if there's even a slight possibility | 0:07:16 | 0:07:19 | |
that exotic matter exists? | 0:07:19 | 0:07:21 | |
That might be why the navy's all over it. | 0:07:21 | 0:07:23 | |
This could explain | 0:07:25 | 0:07:26 | |
the electromagnetic anomalies and wormholes. | 0:07:26 | 0:07:29 | |
So they're screwing with time-space, | 0:07:29 | 0:07:31 | |
hoping to do what, exactly? | 0:07:31 | 0:07:33 | |
They're building a weapon. | 0:07:35 | 0:07:36 | |
A weapon. | 0:07:36 | 0:07:38 | |
Come on. This is... it's the military. | 0:07:38 | 0:07:40 | |
It's really so shocking? | 0:07:40 | 0:07:42 | |
You realise this could be the answer | 0:07:42 | 0:07:44 | |
to Benirall's disappearing ships, | 0:07:44 | 0:07:45 | |
to everything we've been experiencing, | 0:07:45 | 0:07:47 | |
all of it. | 0:07:47 | 0:07:48 | |
So, now that we know, | 0:07:48 | 0:07:50 | |
what can we possibly do about it? | 0:07:50 | 0:07:52 | |
Stop it. Hey, come on, Dad. | 0:07:55 | 0:07:57 | |
What do you think you're doing? | 0:07:57 | 0:07:58 | |
Ruben, listen to me. | 0:07:58 | 0:07:59 | |
Something's happening here. | 0:07:59 | 0:08:00 | |
Look at this storm. | 0:08:00 | 0:08:02 | |
We've got to go get your mother. | 0:08:02 | 0:08:04 | |
We gotta get out of here. | 0:08:04 | 0:08:05 | |
We gotta get away from Florida. | 0:08:06 | 0:08:07 | |
As far away from here as possible. | 0:08:07 | 0:08:09 | |
BELL DINGS | 0:08:24 | 0:08:26 | |
He in there? | 0:08:27 | 0:08:28 | |
Yeah, he's been locked in there for hours, | 0:08:29 | 0:08:31 | |
refusing to see anyone. | 0:08:31 | 0:08:33 | |
Until I told him you wanted to see him. | 0:08:33 | 0:08:36 | |
Mr Benirall? | 0:08:44 | 0:08:47 | |
Sir? | 0:08:47 | 0:08:48 | |
STAN: Ugh. | 0:08:48 | 0:08:49 | |
HOWARD: You OK? | 0:08:49 | 0:08:51 | |
Uh! It's like a vice. | 0:08:51 | 0:08:53 | |
Never felt it like this before. | 0:08:53 | 0:08:55 | |
Sir? | 0:09:00 | 0:09:01 | |
He's painted everything. | 0:09:09 | 0:09:10 | |
There's no reflections. | 0:09:14 | 0:09:15 | |
You already suspected the navy was doing | 0:09:29 | 0:09:32 | |
something out there in the Atlantic. | 0:09:32 | 0:09:34 | |
Put some Glenfiddich in that, | 0:09:34 | 0:09:35 | |
and I might drink it. | 0:09:35 | 0:09:36 | |
But how could anything | 0:09:38 | 0:09:40 | |
the navy's doing out there be capable of... | 0:09:40 | 0:09:41 | |
EMILY: Because... | 0:09:41 | 0:09:43 | |
we think they... they may be exploring | 0:09:43 | 0:09:44 | |
some radical new energy source. | 0:09:44 | 0:09:47 | |
You what? | 0:09:47 | 0:09:48 | |
We believe they're developing | 0:09:48 | 0:09:49 | |
some sort of new weapon. | 0:09:49 | 0:09:50 | |
This storm - storms naturally build. | 0:09:50 | 0:09:53 | |
This one isn't doing that. | 0:09:53 | 0:09:54 | |
It's spontaneously generating | 0:09:54 | 0:09:56 | |
out over the Atlantic. | 0:09:56 | 0:09:58 | |
So, the navy's controlling the weather | 0:09:58 | 0:10:00 | |
to develop a new weapon. | 0:10:00 | 0:10:01 | |
Well, maybe the weather is just a symptom of... | 0:10:01 | 0:10:03 | |
This is Bourbon. | 0:10:03 | 0:10:06 | |
Leave it. | 0:10:06 | 0:10:07 | |
What has any of this to do with the Triangle, | 0:10:08 | 0:10:11 | |
and my ships disappearing, and the damn visions? | 0:10:11 | 0:10:14 | |
Visions that you're all having. | 0:10:15 | 0:10:18 | |
What the navy is doing could be affecting | 0:10:18 | 0:10:21 | |
the entire electromagnetic balance | 0:10:21 | 0:10:22 | |
of that region of ocean. | 0:10:22 | 0:10:24 | |
Can we be sure of any of this? | 0:10:27 | 0:10:28 | |
No, we can't be sure, | 0:10:28 | 0:10:29 | |
but if only a part of it is true... | 0:10:29 | 0:10:31 | |
Look, people are still crossing the Atlantic. | 0:10:31 | 0:10:33 | |
The weather is hitting the state. | 0:10:33 | 0:10:35 | |
They've done absolutely nothing | 0:10:35 | 0:10:36 | |
about warning anybody. | 0:10:36 | 0:10:39 | |
We've gotta do that. | 0:10:39 | 0:10:40 | |
What? | 0:10:40 | 0:10:41 | |
You mean, like, hold a press conference? | 0:10:41 | 0:10:44 | |
Like, go on TV and say the navy's making it rain | 0:10:44 | 0:10:48 | |
and making ships disappear. | 0:10:48 | 0:10:49 | |
That's very good, Mr Thomas. | 0:10:49 | 0:10:51 | |
Just like one of your articles. | 0:10:51 | 0:10:52 | |
Hey, you asked us to bring you an answer. | 0:10:52 | 0:10:54 | |
Well, we believe... the four of us believe | 0:10:54 | 0:10:56 | |
that this might be your answer. | 0:10:56 | 0:10:58 | |
At least, all that we can uncover. | 0:10:58 | 0:10:59 | |
Only the navy knows the rest. | 0:10:59 | 0:11:02 | |
Very well, then, we shall ask them. | 0:11:02 | 0:11:04 | |
Them who? The navy? | 0:11:04 | 0:11:06 | |
Is Douglas still in town? | 0:11:06 | 0:11:08 | |
I spoke with his adjutant just this morning. | 0:11:08 | 0:11:10 | |
Douglas? | 0:11:10 | 0:11:12 | |
Douglas Weist. | 0:11:12 | 0:11:13 | |
The secretary of the navy. | 0:11:13 | 0:11:15 | |
And he just happens | 0:11:15 | 0:11:17 | |
to be in Florida right now. | 0:11:17 | 0:11:18 | |
RINGS | 0:11:18 | 0:11:20 | |
Helen? | 0:11:33 | 0:11:34 | |
Helen! | 0:11:34 | 0:11:36 | |
MEENO: Dylan. | 0:11:43 | 0:11:45 | |
No. | 0:12:05 | 0:12:06 | |
No. | 0:12:09 | 0:12:10 | |
No! | 0:12:10 | 0:12:12 | |
STARTS ENGINE | 0:12:31 | 0:12:32 | |
CAR DOOR CLOSES | 0:12:43 | 0:12:44 | |
Mr Benirall, this way. | 0:13:01 | 0:13:02 | |
INDISTINCT TALKING | 0:13:24 | 0:13:26 | |
Wait here, please. | 0:13:29 | 0:13:30 | |
What? | 0:13:49 | 0:13:50 | |
Look at Benirall. | 0:13:50 | 0:13:51 | |
What about him? | 0:13:54 | 0:13:55 | |
Eric. | 0:14:07 | 0:14:09 | |
Thank you. | 0:14:09 | 0:14:10 | |
Eric. You look... | 0:14:12 | 0:14:15 | |
I know how I look, Doug. | 0:14:15 | 0:14:18 | |
I'm sorry some of my people | 0:14:18 | 0:14:20 | |
showed up at your office yesterday. | 0:14:20 | 0:14:21 | |
I didn't know until you told me. | 0:14:21 | 0:14:23 | |
If I'd known, | 0:14:23 | 0:14:25 | |
I surely would have contacted you personally. | 0:14:25 | 0:14:28 | |
Well, as you can see, | 0:14:30 | 0:14:31 | |
we've got a little something cooking here. | 0:14:31 | 0:14:35 | |
Oh, but, of course, that's... | 0:14:35 | 0:14:37 | |
that's why you're all here, isn't it? | 0:14:37 | 0:14:40 | |
I'm grateful you came to me. | 0:14:42 | 0:14:45 | |
So, tell me, | 0:14:46 | 0:14:48 | |
what exactly is it you think that we are doing | 0:14:48 | 0:14:52 | |
out there in the Atlantic? | 0:14:52 | 0:14:54 | |
They think you're performing | 0:14:54 | 0:14:55 | |
some kind of test out there, | 0:14:55 | 0:14:58 | |
some kind of weapons test out there. | 0:14:58 | 0:14:59 | |
We believe, sir, that you are screwing with | 0:14:59 | 0:15:01 | |
the molecular stability of that entire region. | 0:15:01 | 0:15:03 | |
Are any of you physicists? | 0:15:03 | 0:15:05 | |
We may not have the expertise, but... | 0:15:10 | 0:15:12 | |
But we damn well know what we saw. | 0:15:12 | 0:15:14 | |
What we were experiencing... | 0:15:14 | 0:15:16 | |
Douglas, what the hell | 0:15:16 | 0:15:17 | |
are you people up to? | 0:15:17 | 0:15:18 | |
Have any of you heard of the Philadelphia Experiment? | 0:15:22 | 0:15:25 | |
An experiment supposedly conducted in the 1940s. | 0:15:27 | 0:15:30 | |
Story goes that the navy rigged | 0:15:30 | 0:15:32 | |
one of its battleships with giant electromagnets | 0:15:32 | 0:15:34 | |
and then tried to mess with the molecular... | 0:15:34 | 0:15:36 | |
With the ship's molecular fidelity. | 0:15:36 | 0:15:38 | |
Go on. | 0:15:38 | 0:15:39 | |
They were trying to make it invisible. | 0:15:39 | 0:15:41 | |
But, big surprise, | 0:15:41 | 0:15:42 | |
everything went horribly wrong. | 0:15:42 | 0:15:44 | |
Sailors started disappearing | 0:15:44 | 0:15:45 | |
independent of the ship. | 0:15:45 | 0:15:46 | |
There were even reports of some of them | 0:15:46 | 0:15:48 | |
melting into the walls and deck. | 0:15:48 | 0:15:49 | |
But the navy's always denied it. | 0:15:49 | 0:15:53 | |
The ship was the USS Eldridge. | 0:15:53 | 0:15:56 | |
The year was 1943, | 0:15:56 | 0:15:58 | |
the height of World War II. | 0:15:58 | 0:16:00 | |
The concept would, indeed, render the ship invisible. | 0:16:00 | 0:16:03 | |
So, are you saying the navy's out there | 0:16:03 | 0:16:05 | |
trying to do the same thing again? | 0:16:05 | 0:16:07 | |
Yeah, but if it didn't work the first time... | 0:16:07 | 0:16:09 | |
Oh, it worked. It just didn't work | 0:16:09 | 0:16:11 | |
the way the eggheads of that time expected it to. | 0:16:11 | 0:16:13 | |
And there was one other repercussion - | 0:16:13 | 0:16:16 | |
that's the secret we've been | 0:16:16 | 0:16:17 | |
so carefully guarding all these years. | 0:16:17 | 0:16:21 | |
A tear. | 0:16:22 | 0:16:23 | |
A tear? What do you mean, tear? | 0:16:23 | 0:16:26 | |
A dimensional tear. | 0:16:26 | 0:16:27 | |
As in... | 0:16:27 | 0:16:29 | |
space-time? | 0:16:29 | 0:16:30 | |
For some reason, it centred itself | 0:16:30 | 0:16:32 | |
out in the South Atlantic. | 0:16:32 | 0:16:33 | |
That area has always been a nexus | 0:16:33 | 0:16:35 | |
for unexplained phenomena. | 0:16:35 | 0:16:38 | |
Damn it, Douglas. If the... | 0:16:38 | 0:16:39 | |
if the navy's always known this... | 0:16:39 | 0:16:41 | |
if you've always known this, | 0:16:41 | 0:16:42 | |
why haven't you warned anyone? | 0:16:42 | 0:16:43 | |
I've lost ships... | 0:16:43 | 0:16:45 | |
Ships? Hell, how many innocent people | 0:16:45 | 0:16:46 | |
have been lost? | 0:16:46 | 0:16:47 | |
Think about what you're asking - | 0:16:47 | 0:16:49 | |
a quarantine area over 14,000 square miles. | 0:16:49 | 0:16:52 | |
How, exactly, do you suggest that we do that? | 0:16:52 | 0:16:55 | |
Well, you could begin by accepting responsibility | 0:16:55 | 0:16:58 | |
and blame for what you've done. | 0:16:58 | 0:17:00 | |
But... | 0:17:00 | 0:17:01 | |
you never do that, so... | 0:17:01 | 0:17:03 | |
So, all these ships, | 0:17:03 | 0:17:05 | |
planes, people - | 0:17:05 | 0:17:08 | |
where have they gone? | 0:17:08 | 0:17:09 | |
Through the tear. | 0:17:09 | 0:17:12 | |
Another dimension, another time. | 0:17:12 | 0:17:14 | |
So the navy's actually known about | 0:17:16 | 0:17:19 | |
the existence of the Bermuda Triangle | 0:17:19 | 0:17:20 | |
for years because they caused it. | 0:17:20 | 0:17:23 | |
So why is it taking | 0:17:23 | 0:17:25 | |
more of my ships now? | 0:17:25 | 0:17:26 | |
Why are we having these visions? | 0:17:26 | 0:17:29 | |
Because the tear has continued to expand exponentially | 0:17:29 | 0:17:32 | |
in size and intensity... | 0:17:32 | 0:17:36 | |
since 1943. | 0:17:36 | 0:17:38 | |
You know, we were the people who first | 0:17:42 | 0:17:43 | |
coined the phrase Bermuda Triangle. | 0:17:43 | 0:17:45 | |
Everybody always thought it came from some... | 0:17:45 | 0:17:47 | |
journalist in the sixties. | 0:17:47 | 0:17:49 | |
But, to us, | 0:17:49 | 0:17:50 | |
the Triangle always represented that ever-expanding tear. | 0:17:50 | 0:17:55 | |
The increase in disappearances, | 0:17:57 | 0:17:59 | |
the distortions in space-time, | 0:17:59 | 0:18:00 | |
the aberrant weather - | 0:18:00 | 0:18:02 | |
that is all because we are approaching | 0:18:02 | 0:18:05 | |
something that my people call | 0:18:05 | 0:18:06 | |
the crux event. | 0:18:06 | 0:18:08 | |
We've known it was coming since 1971. | 0:18:10 | 0:18:13 | |
Back then, our scientists were able to extrapolate | 0:18:13 | 0:18:15 | |
the precise date and time in the distant future | 0:18:15 | 0:18:18 | |
when the event would arrive. | 0:18:18 | 0:18:19 | |
They determined it would occur | 0:18:21 | 0:18:22 | |
At 23.06 and 19 seconds Eastern Standard Time... | 0:18:22 | 0:18:27 | |
..today. | 0:18:28 | 0:18:29 | |
11.00 tonight? | 0:18:31 | 0:18:32 | |
What's gonna happen? | 0:18:32 | 0:18:35 | |
We have no real consensus, | 0:18:35 | 0:18:36 | |
but every opinion from every expert | 0:18:36 | 0:18:38 | |
has always started with the rather colourful phrase, | 0:18:38 | 0:18:42 | |
"God help us." | 0:18:42 | 0:18:44 | |
Well, you sound pretty cavalier about it. | 0:18:44 | 0:18:46 | |
Because we are gonna stop it. | 0:18:46 | 0:18:48 | |
I've been part of the navy's secretary's office | 0:18:50 | 0:18:53 | |
for 46 years. | 0:18:53 | 0:18:55 | |
I've been the actual secretary | 0:18:55 | 0:18:57 | |
for the last 17 of those, | 0:18:57 | 0:18:59 | |
through nine different administrations. | 0:18:59 | 0:19:02 | |
All because I took point on this project. | 0:19:02 | 0:19:05 | |
I was an ensign on the Eldridge. | 0:19:09 | 0:19:12 | |
My entire career, | 0:19:16 | 0:19:17 | |
everything I've done since that day, | 0:19:17 | 0:19:19 | |
aboard that ship, | 0:19:19 | 0:19:21 | |
has been aimed at one thing... | 0:19:21 | 0:19:23 | |
..finding a way to close Pandora's box. | 0:19:26 | 0:19:29 | |
What can you do to stop it? | 0:19:35 | 0:19:37 | |
A back blast. | 0:19:39 | 0:19:40 | |
A back blast issued at a precise moment | 0:19:42 | 0:19:44 | |
before the crux event. | 0:19:44 | 0:19:45 | |
The tear will close permanently. | 0:19:45 | 0:19:48 | |
The Triangle gone - | 0:19:48 | 0:19:50 | |
forever. | 0:19:50 | 0:19:51 | |
You know, other people have been affected - | 0:19:51 | 0:19:54 | |
have been injured by what you're doing. | 0:19:54 | 0:19:56 | |
We're in a war here. | 0:19:56 | 0:19:57 | |
A war with the forces of nature herself. | 0:19:57 | 0:20:00 | |
Why tell us about this now? | 0:20:01 | 0:20:02 | |
Because you've come as far as you have. | 0:20:02 | 0:20:04 | |
Because you know as much as you do. | 0:20:04 | 0:20:08 | |
And in less than six hours, | 0:20:08 | 0:20:09 | |
this will be all over. | 0:20:09 | 0:20:11 | |
Even if you were insane enough to try to stop it, | 0:20:11 | 0:20:13 | |
what could you do? | 0:20:13 | 0:20:15 | |
Who could you possibly tell that matters? | 0:20:15 | 0:20:17 | |
All we want to do is finally put an end | 0:20:17 | 0:20:20 | |
to this...nightmare that we ourselves began. | 0:20:20 | 0:20:24 | |
That's all we're trying to do. | 0:20:25 | 0:20:28 | |
THUNDER | 0:20:32 | 0:20:34 | |
BRUCE: So... | 0:20:49 | 0:20:51 | |
what do you want to talk about? | 0:20:51 | 0:20:53 | |
Well, the first question - do we believe him? | 0:20:53 | 0:20:55 | |
You might have noticed the man's leg. | 0:20:55 | 0:20:57 | |
Could be an injury from some other thing. | 0:20:57 | 0:20:58 | |
You ever see another amputation | 0:20:58 | 0:21:00 | |
at an angle like that? | 0:21:00 | 0:21:01 | |
Enough about the leg. Do we believe him? | 0:21:01 | 0:21:04 | |
Certainly all fits, | 0:21:04 | 0:21:05 | |
at least from what he told us. | 0:21:05 | 0:21:06 | |
They could be doing anything out there. | 0:21:06 | 0:21:07 | |
You know how many cover stories | 0:21:07 | 0:21:09 | |
they come up with on a daily basis? | 0:21:09 | 0:21:11 | |
EMILY: What's his motivation for lying to us? | 0:21:11 | 0:21:12 | |
What's his motivation | 0:21:12 | 0:21:13 | |
for telling us the truth? | 0:21:13 | 0:21:14 | |
Well, he's very proud of what he's doing. | 0:21:14 | 0:21:16 | |
I mean, if they are fixing this horrible wrong | 0:21:16 | 0:21:19 | |
that they created half a century ago, | 0:21:19 | 0:21:21 | |
maybe he wants people to know about it. | 0:21:21 | 0:21:23 | |
He's dedicated his entire adult life to it. | 0:21:23 | 0:21:26 | |
BRUCE: Well, like the man said, | 0:21:26 | 0:21:27 | |
we're certainly no threat. | 0:21:27 | 0:21:28 | |
Well, Benirall's the one that could make | 0:21:28 | 0:21:30 | |
the biggest stink for him. | 0:21:30 | 0:21:31 | |
Benirall seemed very relieved | 0:21:31 | 0:21:34 | |
about something. | 0:21:34 | 0:21:36 | |
Guess we'll know at 11.00 tonight. | 0:21:36 | 0:21:38 | |
Yeah. I wonder... | 0:21:38 | 0:21:40 | |
if anything'll be different | 0:21:40 | 0:21:41 | |
when we wake up tomorrow. | 0:21:41 | 0:21:42 | |
Ah, we'll know when we wake up | 0:21:42 | 0:21:43 | |
and we're all missing a foot. | 0:21:43 | 0:21:44 | |
CHUCKLES | 0:21:44 | 0:21:45 | |
They don't know anything. | 0:21:45 | 0:21:47 | |
Wait a second. I know exactly | 0:21:47 | 0:21:49 | |
what's going to happen to us tomorrow. | 0:21:49 | 0:21:50 | |
HOWARD: What? | 0:21:50 | 0:21:51 | |
We're gonna get our 5 million. | 0:21:51 | 0:21:53 | |
Come on. We did it. | 0:21:53 | 0:21:55 | |
What we were contracted to do. | 0:21:55 | 0:21:56 | |
We brought Benirall his answer. | 0:21:56 | 0:21:58 | |
No, we didn't. | 0:21:58 | 0:21:59 | |
Well, we led him to it. We did. | 0:21:59 | 0:22:00 | |
Come on, people. | 0:22:00 | 0:22:02 | |
It's Miller time. | 0:22:02 | 0:22:03 | |
Imagine we wake up tomorrow, | 0:22:03 | 0:22:05 | |
all of our crazy visions gone, | 0:22:05 | 0:22:07 | |
the Triangle gone - | 0:22:07 | 0:22:08 | |
everything back to normal. | 0:22:08 | 0:22:10 | |
Don't need normal. Stable. | 0:22:10 | 0:22:12 | |
Whatever. But 5 million richer, each. | 0:22:12 | 0:22:16 | |
The world is gonna change tomorrow. | 0:22:16 | 0:22:17 | |
Talk about stability? | 0:22:17 | 0:22:19 | |
THUNDER | 0:22:21 | 0:22:23 | |
STATIC | 0:22:28 | 0:22:30 | |
MAN ON TV: ..Doesn't seem to matter | 0:22:30 | 0:22:31 | |
whether it's mammal, reptile, or bird. | 0:22:31 | 0:22:33 | |
For some inexplicable reason, they're all in a highly, | 0:22:33 | 0:22:36 | |
highly agitated state. | 0:22:36 | 0:22:38 | |
Dad? What are you doing here? | 0:22:43 | 0:22:45 | |
Just checking in. | 0:22:45 | 0:22:47 | |
Wanted to see how you're doing. | 0:22:47 | 0:22:48 | |
OK, I guess. | 0:22:48 | 0:22:51 | |
Yeah? | 0:22:51 | 0:22:52 | |
You could've just called. | 0:22:52 | 0:22:53 | |
No, no, I couldn't, | 0:22:53 | 0:22:55 | |
cos I wanted to see you. | 0:22:55 | 0:22:57 | |
Have you talked to Mindy or Mom? | 0:22:57 | 0:22:59 | |
I left messages. | 0:22:59 | 0:23:00 | |
Howard? | 0:23:00 | 0:23:02 | |
You know, you... | 0:23:04 | 0:23:05 | |
you can't just show up unannounced. | 0:23:05 | 0:23:07 | |
Mom. | 0:23:07 | 0:23:08 | |
It's OK, honey. | 0:23:08 | 0:23:09 | |
Hey, do you think you could give me | 0:23:09 | 0:23:11 | |
a couple of minutes alone with your mom? | 0:23:11 | 0:23:12 | |
THUNDER | 0:23:23 | 0:23:25 | |
Dr Geller. Yes, Marie? | 0:23:25 | 0:23:26 | |
We've been pulling data from multiple sources, | 0:23:26 | 0:23:28 | |
and Darren started - | 0:23:28 | 0:23:29 | |
you know Darren? First-year Darren. | 0:23:29 | 0:23:30 | |
Well, Darren started accidentally entering | 0:23:30 | 0:23:32 | |
incorrect positional coordinates, | 0:23:32 | 0:23:33 | |
and before he realised it, | 0:23:33 | 0:23:34 | |
he'd pulled satellite data | 0:23:34 | 0:23:35 | |
from several other continents. | 0:23:35 | 0:23:37 | |
Listen, Marie, | 0:23:37 | 0:23:38 | |
I really appreciate all your hard work, | 0:23:38 | 0:23:39 | |
and everybody's hard work. | 0:23:39 | 0:23:40 | |
But most importantly, | 0:23:40 | 0:23:41 | |
he also didn't clear the settings | 0:23:41 | 0:23:42 | |
after each array shift... | 0:23:42 | 0:23:43 | |
OK, OK. We can start dialling them back. | 0:23:43 | 0:23:45 | |
He was receiving... | 0:23:45 | 0:23:46 | |
Basically, you can stop. | 0:23:46 | 0:23:48 | |
It's... I know it's normally a bad thing, | 0:23:48 | 0:23:49 | |
but you should take a look at Darren's data. | 0:23:49 | 0:23:50 | |
I don't need to. | 0:23:50 | 0:23:52 | |
I've already got my answer. | 0:23:52 | 0:23:53 | |
I had it handed to me, actually. | 0:23:53 | 0:23:55 | |
Would you take a look at it anyway? | 0:23:55 | 0:23:57 | |
Or should I just send everybody home? | 0:23:57 | 0:23:58 | |
TURNS PAGE | 0:24:01 | 0:24:02 | |
Marie? | 0:24:04 | 0:24:05 | |
Everybody stays. | 0:24:05 | 0:24:07 | |
There you are. | 0:24:46 | 0:24:48 | |
What about this weather? | 0:24:53 | 0:24:55 | |
Hungry? | 0:24:56 | 0:24:58 | |
Aw-w. | 0:25:00 | 0:25:01 | |
I know you don't like to eat | 0:25:01 | 0:25:02 | |
with your boring old mom, | 0:25:02 | 0:25:04 | |
but...well, I was hoping | 0:25:04 | 0:25:06 | |
you weren't planning | 0:25:06 | 0:25:07 | |
to go back out on a night like this. | 0:25:07 | 0:25:09 | |
I'd like that very much. | 0:25:13 | 0:25:15 | |
Like I said, | 0:25:19 | 0:25:21 | |
I can't give you all the details, | 0:25:21 | 0:25:23 | |
it's just... it's too much. | 0:25:23 | 0:25:25 | |
And without all the details, | 0:25:25 | 0:25:27 | |
you'd just flat-out think that I was nuts. | 0:25:27 | 0:25:29 | |
But... | 0:25:29 | 0:25:30 | |
it's actually pretty credible. | 0:25:32 | 0:25:34 | |
Credible enough. | 0:25:35 | 0:25:37 | |
Credible enough. | 0:25:37 | 0:25:38 | |
Maybe it's more than just credible. | 0:25:38 | 0:25:40 | |
I don't know. | 0:25:40 | 0:25:41 | |
But the...the concept itself is huge. | 0:25:41 | 0:25:44 | |
I don't know. This could be | 0:25:45 | 0:25:46 | |
the one. | 0:25:46 | 0:25:48 | |
This could be the big story. | 0:25:48 | 0:25:51 | |
Howard... | 0:25:51 | 0:25:52 | |
Why are you here? | 0:25:55 | 0:25:57 | |
Because... | 0:26:00 | 0:26:02 | |
..something may be happening tonight. | 0:26:04 | 0:26:06 | |
Nothing...nothing bad, I don't think, | 0:26:06 | 0:26:09 | |
but, um... | 0:26:09 | 0:26:10 | |
I just wanted to spend some time with you. | 0:26:12 | 0:26:14 | |
Something may be happening tonight? | 0:26:14 | 0:26:16 | |
Could you be more cryptic? What? | 0:26:16 | 0:26:18 | |
Nothing. It's probably nothing, OK? | 0:26:18 | 0:26:20 | |
On the other hand, after tomorrow, | 0:26:22 | 0:26:25 | |
miracle of miracles, | 0:26:25 | 0:26:26 | |
on account of... because of this story, | 0:26:26 | 0:26:28 | |
there may be the possibility | 0:26:28 | 0:26:29 | |
of some money coming my way. | 0:26:29 | 0:26:31 | |
Our way. | 0:26:31 | 0:26:32 | |
Howard. | 0:26:32 | 0:26:34 | |
Not positive. It's just a possibility. | 0:26:34 | 0:26:37 | |
One of the aspects of this story has | 0:26:43 | 0:26:45 | |
to do with temporal displacement. | 0:26:45 | 0:26:48 | |
The idea of multiverses, | 0:26:48 | 0:26:50 | |
alternate paths, | 0:26:50 | 0:26:51 | |
all the different directions | 0:26:51 | 0:26:53 | |
a person's life can go. | 0:26:53 | 0:26:54 | |
For example, if you choose | 0:26:54 | 0:26:56 | |
to drive down a certain street, | 0:26:56 | 0:26:57 | |
you get in an accident. | 0:26:57 | 0:26:58 | |
But if you pick a different street, | 0:26:58 | 0:27:01 | |
or leave the house one second later, | 0:27:01 | 0:27:02 | |
then you miss the accident and everything's fine. | 0:27:02 | 0:27:04 | |
Or you decide to ditch your college reunion, | 0:27:04 | 0:27:08 | |
and go to some obscure foreign film. | 0:27:08 | 0:27:11 | |
You buy a coke, | 0:27:11 | 0:27:13 | |
which you then proceed to spill | 0:27:13 | 0:27:15 | |
all over the very pretty girl sitting on the aisle. | 0:27:15 | 0:27:18 | |
Or you choose to spend so much time working | 0:27:26 | 0:27:29 | |
that you don't listen. | 0:27:29 | 0:27:30 | |
You don't share yourself, your life, | 0:27:30 | 0:27:32 | |
with the people that matter. | 0:27:32 | 0:27:35 | |
The lesson being, I guess, that | 0:27:39 | 0:27:42 | |
if there are all these different paths, | 0:27:42 | 0:27:45 | |
then...then maybe it's not too late | 0:27:45 | 0:27:48 | |
to change the one you're on. | 0:27:48 | 0:27:49 | |
Anyways... | 0:28:00 | 0:28:02 | |
There may be some money in this story. | 0:28:04 | 0:28:07 | |
There. | 0:28:19 | 0:28:20 | |
That should do us. Actually, | 0:28:20 | 0:28:23 | |
it's quite nice. | 0:28:23 | 0:28:25 | |
So, where was I? Oh, bridge. | 0:28:25 | 0:28:27 | |
So, Donna bids three no trump. | 0:28:27 | 0:28:29 | |
I mean, you know, that's Donna. | 0:28:29 | 0:28:33 | |
John thinks it's her hip medication. | 0:28:33 | 0:28:35 | |
Makes her...well, kinda spacey. | 0:28:35 | 0:28:38 | |
No - hip or knee? | 0:28:38 | 0:28:41 | |
No, | 0:28:41 | 0:28:42 | |
Donna's knee. | 0:28:42 | 0:28:43 | |
It's Caroline that's hip. | 0:28:43 | 0:28:46 | |
Emmy, honey, | 0:28:48 | 0:28:49 | |
what's the matter with you tonight? | 0:28:49 | 0:28:51 | |
You've hardly taken a single bite. | 0:28:51 | 0:28:54 | |
You're not back on that crazy diet? | 0:28:54 | 0:28:55 | |
Well, it can't be the food. | 0:28:58 | 0:29:00 | |
I know how you feel about lamb chops. | 0:29:00 | 0:29:02 | |
They've always been my favourite. | 0:29:04 | 0:29:05 | |
What is it with this weather? | 0:29:07 | 0:29:09 | |
Well, by tomorrow, it should be over. | 0:29:11 | 0:29:14 | |
Oh, really? | 0:29:14 | 0:29:15 | |
Did you hear that on the radio? | 0:29:15 | 0:29:17 | |
Because, er, everything I've heard, | 0:29:17 | 0:29:19 | |
the weather people have no idea | 0:29:19 | 0:29:21 | |
what's going to happen. | 0:29:21 | 0:29:22 | |
Heard it from someone who... | 0:29:23 | 0:29:25 | |
seemed to know what he was talking about. | 0:29:25 | 0:29:28 | |
That doesn't sound like you. | 0:29:28 | 0:29:30 | |
What do your own instincts tell you? | 0:29:30 | 0:29:31 | |
That he may be wrong. | 0:29:33 | 0:29:35 | |
Mmm. That sounds more like my Emmy. | 0:29:35 | 0:29:38 | |
I'm gonna ask you a question. It...uh, | 0:29:42 | 0:29:46 | |
may seem strange. | 0:29:46 | 0:29:47 | |
What's your name? | 0:29:50 | 0:29:52 | |
My name? | 0:29:53 | 0:29:54 | |
What do you mean, what's my name? | 0:29:55 | 0:29:57 | |
I need to know your name. | 0:29:57 | 0:29:59 | |
Laura. Laura Farrell. | 0:30:03 | 0:30:05 | |
SIGHS | 0:30:08 | 0:30:09 | |
Why? | 0:30:11 | 0:30:13 | |
Why what, dear? | 0:30:13 | 0:30:16 | |
Why would you give me up? Why did you...? | 0:30:16 | 0:30:18 | |
Give you up? What has gotten into you? | 0:30:18 | 0:30:20 | |
For adoption. | 0:30:20 | 0:30:22 | |
Emily, now you're scaring me. | 0:30:23 | 0:30:26 | |
I would never, ever... | 0:30:26 | 0:30:27 | |
When I was a week old. | 0:30:27 | 0:30:29 | |
Oh. | 0:30:31 | 0:30:32 | |
Oh, my God. | 0:30:33 | 0:30:35 | |
How did you...? | 0:30:37 | 0:30:39 | |
When your father abandoned me, | 0:30:42 | 0:30:44 | |
just before you were born, | 0:30:44 | 0:30:47 | |
I had no way to take care of you. | 0:30:47 | 0:30:52 | |
The nuns at the hospital and my father | 0:30:52 | 0:30:55 | |
wanted me to give you up. | 0:30:55 | 0:30:56 | |
SHE SIGHS | 0:30:57 | 0:30:59 | |
I almost did. | 0:30:59 | 0:31:02 | |
Almost. | 0:31:02 | 0:31:03 | |
But I... | 0:31:03 | 0:31:06 | |
I couldn't bring myself to do it. | 0:31:06 | 0:31:09 | |
Emily, | 0:31:15 | 0:31:17 | |
I love you so very much. | 0:31:17 | 0:31:20 | |
SNIFFLES | 0:31:27 | 0:31:28 | |
TV: ..At 37,000 feet, | 0:31:49 | 0:31:51 | |
when their plane just began to drop. | 0:31:51 | 0:31:53 | |
Although still unconfirmed, an airline source told us | 0:31:53 | 0:31:56 | |
that the plane might have dropped | 0:31:56 | 0:31:58 | |
almost the entire distance, | 0:31:58 | 0:32:00 | |
free-falling for over two minutes | 0:32:00 | 0:32:02 | |
before the crew | 0:32:02 | 0:32:03 | |
was able to regain control | 0:32:03 | 0:32:04 | |
and level off... INDISTINCT | 0:32:04 | 0:32:07 | |
INDISTINCT | 0:32:07 | 0:32:10 | |
..Throughout the entire southern half | 0:32:10 | 0:32:11 | |
of the state | 0:32:11 | 0:32:12 | |
in a pattern that defies explanation. | 0:32:12 | 0:32:15 | |
In most cases, | 0:32:15 | 0:32:16 | |
it is the complete grid that is failing. | 0:32:16 | 0:32:17 | |
With only sections... | 0:32:17 | 0:32:19 | |
11.06... | 0:32:34 | 0:32:37 | |
Three hours. | 0:32:42 | 0:32:44 | |
Can I help you? | 0:33:16 | 0:33:18 | |
Hey... | 0:33:23 | 0:33:25 | |
I interviewed you, right? | 0:33:27 | 0:33:28 | |
You're the Greenpeace guy. | 0:33:28 | 0:33:30 | |
I-I don't know where else I can... | 0:33:33 | 0:33:35 | |
Please help me. | 0:33:53 | 0:33:54 | |
What's this? | 0:34:12 | 0:34:13 | |
It's the latest from the Pacific Rim. | 0:34:13 | 0:34:14 | |
And? | 0:34:14 | 0:34:16 | |
They're registering a huge increase | 0:34:16 | 0:34:17 | |
in tropospheric ozone. | 0:34:17 | 0:34:18 | |
50 points in the last hour. | 0:34:18 | 0:34:19 | |
What's the latest from the Poles? | 0:34:19 | 0:34:22 | |
Who's got the station in the Antarctic? | 0:34:24 | 0:34:26 | |
Dr Geller! | 0:34:26 | 0:34:28 | |
Bruce! | 0:34:28 | 0:34:30 | |
This isn't just the Atlantic. | 0:34:30 | 0:34:31 | |
It's spreading everywhere. What is happening? | 0:34:31 | 0:34:34 | |
What if they're wrong? | 0:34:37 | 0:34:38 | |
Way wrong. | 0:34:38 | 0:34:40 | |
THUNDER | 0:34:44 | 0:34:45 | |
HOWARD: Bruce, Bruce, you gotta listen to me. | 0:34:45 | 0:34:48 | |
He's experiencing the same thing we are. | 0:34:48 | 0:34:51 | |
Yeah. | 0:34:51 | 0:34:52 | |
Yes. | 0:34:53 | 0:34:54 | |
I had never seen that little boy | 0:34:54 | 0:34:56 | |
before in my life. | 0:34:56 | 0:34:57 | |
But, we might be able to learn something... | 0:34:57 | 0:34:59 | |
He was my son. My wife told me he was my son. | 0:34:59 | 0:35:02 | |
Based on the story he's telling you, | 0:35:02 | 0:35:03 | |
he's the damned poster child | 0:35:03 | 0:35:04 | |
for everything that's been going on. | 0:35:04 | 0:35:05 | |
I started to care about him and... | 0:35:05 | 0:35:06 | |
and then he was gone. HONKS HORN | 0:35:06 | 0:35:08 | |
And now my... my whole family's gone | 0:35:08 | 0:35:10 | |
just like that! | 0:35:10 | 0:35:12 | |
And now my house is empty | 0:35:12 | 0:35:13 | |
and there's a "for sale" sign out front. | 0:35:13 | 0:35:15 | |
All right. | 0:35:15 | 0:35:16 | |
Nothing's making sense. | 0:35:16 | 0:35:18 | |
HONKS HORN: Come on! | 0:35:18 | 0:35:19 | |
Look at this. What? | 0:35:22 | 0:35:24 | |
Pressure waves. | 0:35:24 | 0:35:26 | |
Pressure waves. | 0:35:26 | 0:35:27 | |
Waves aren't linear. | 0:35:27 | 0:35:28 | |
They're a patterned phenomenon. | 0:35:28 | 0:35:29 | |
Yeah, but that can't be. | 0:35:29 | 0:35:31 | |
If the Philadelphia Experiment | 0:35:31 | 0:35:31 | |
had caused a tear, | 0:35:31 | 0:35:32 | |
that's a wedge phenomenon. | 0:35:32 | 0:35:33 | |
That's not a pattern. | 0:35:33 | 0:35:35 | |
Hey! | 0:35:37 | 0:35:38 | |
This is Meeno. | 0:35:38 | 0:35:40 | |
Listen, we've got data that suggests, | 0:35:40 | 0:35:42 | |
strongly suggests, | 0:35:42 | 0:35:43 | |
that the events taking place around us | 0:35:43 | 0:35:44 | |
cannot be caused by a tear. | 0:35:44 | 0:35:46 | |
It's travelling outwards, globally. | 0:35:46 | 0:35:49 | |
The navy's had all their own people | 0:35:49 | 0:35:50 | |
on this for decades... | 0:35:50 | 0:35:51 | |
Yeah, decades means | 0:35:51 | 0:35:52 | |
lots of turnover in staff. | 0:35:52 | 0:35:53 | |
Newbies coming on a project tend to accept | 0:35:53 | 0:35:55 | |
the assumptions of their predecessors. | 0:35:55 | 0:35:57 | |
Are you telling us | 0:35:57 | 0:35:58 | |
the navy doesn't know about this? | 0:35:58 | 0:36:00 | |
You wanna know how we know what we know? | 0:36:00 | 0:36:01 | |
Yeah. | 0:36:01 | 0:36:02 | |
Pressure waves. | 0:36:02 | 0:36:05 | |
What? | 0:36:05 | 0:36:06 | |
A ripple. | 0:36:06 | 0:36:09 | |
What if the Triangle effect | 0:36:09 | 0:36:11 | |
could be rippling out | 0:36:11 | 0:36:12 | |
from 1943? | 0:36:12 | 0:36:14 | |
You toss a pebble in the lake | 0:36:14 | 0:36:15 | |
and the effects ripple outward | 0:36:15 | 0:36:16 | |
from the point of origin... | 0:36:16 | 0:36:17 | |
Whoa, whoa, whoa. | 0:36:17 | 0:36:18 | |
But the effects are getting stronger. | 0:36:18 | 0:36:19 | |
A pebble in the lake, | 0:36:19 | 0:36:21 | |
the ripples gradually diminish. | 0:36:21 | 0:36:22 | |
They don't increase. | 0:36:22 | 0:36:23 | |
If all this is the result of the '40s experiment, | 0:36:23 | 0:36:25 | |
then it should have been strongest back then, not... | 0:36:25 | 0:36:27 | |
But we're not talking about something moving | 0:36:27 | 0:36:29 | |
in three dimensions, it's travelling in... | 0:36:29 | 0:36:30 | |
Four. Time. | 0:36:30 | 0:36:32 | |
Fourth dimension is time. | 0:36:32 | 0:36:35 | |
So the effects of this more powerful event | 0:36:35 | 0:36:37 | |
could be moving forward | 0:36:37 | 0:36:38 | |
and backward in time. | 0:36:38 | 0:36:40 | |
The closer we get to the moment, it's... | 0:36:40 | 0:36:43 | |
The stronger it gets? | 0:36:43 | 0:36:44 | |
If that's true, then this back blast | 0:36:44 | 0:36:45 | |
the navy's about to set off | 0:36:45 | 0:36:46 | |
isn't gonna stop anything at all. | 0:36:46 | 0:36:49 | |
It's gonna cause it. | 0:36:49 | 0:36:51 | |
Sheedy's worst case scenario. | 0:36:55 | 0:36:57 | |
Everything could just cease to exist. | 0:36:57 | 0:36:59 | |
What do you mean? | 0:36:59 | 0:37:00 | |
He means whatever's been happening | 0:37:00 | 0:37:02 | |
to all those ships and planes, | 0:37:02 | 0:37:03 | |
happens to everything. | 0:37:03 | 0:37:04 | |
So, what... what can we do? | 0:37:07 | 0:37:09 | |
We-we tell them. | 0:37:11 | 0:37:13 | |
That's not going to work. We've only got two hours. | 0:37:13 | 0:37:15 | |
We need more time. | 0:37:15 | 0:37:16 | |
How do we get that? | 0:37:16 | 0:37:18 | |
You create it. | 0:37:18 | 0:37:20 | |
You get up in their faces | 0:37:20 | 0:37:22 | |
so they can't set off their...their... | 0:37:22 | 0:37:23 | |
whatever it is. | 0:37:23 | 0:37:25 | |
Confront them, head on. | 0:37:25 | 0:37:28 | |
Stop them. | 0:37:28 | 0:37:29 | |
With what? | 0:37:29 | 0:37:30 | |
Hell of a boat! | 0:37:49 | 0:37:51 | |
Must be your pride and joy. | 0:37:51 | 0:37:53 | |
My family was my pride and joy. | 0:37:55 | 0:37:57 | |
My son... | 0:38:01 | 0:38:03 | |
my sons. | 0:38:03 | 0:38:05 | |
I'm going down. | 0:38:15 | 0:38:18 | |
We almost there? | 0:38:20 | 0:38:22 | |
We're cutting this really close! | 0:38:22 | 0:38:23 | |
It's already after 11.00. | 0:38:23 | 0:38:25 | |
If this works, we need to know what to do first, | 0:38:25 | 0:38:27 | |
what to say first. We need to be prepared. | 0:38:27 | 0:38:30 | |
LAUGHS | 0:38:30 | 0:38:32 | |
Are you laughing? | 0:38:32 | 0:38:33 | |
I see! | 0:38:33 | 0:38:34 | |
I finally see. You remember that... | 0:38:34 | 0:38:36 | |
person I saw on the other side | 0:38:36 | 0:38:38 | |
of the mirror behind Benirall? | 0:38:38 | 0:38:40 | |
Yeah? | 0:38:40 | 0:38:40 | |
It's Winston! He has a brother. | 0:38:40 | 0:38:43 | |
Winston Benirall. | 0:38:43 | 0:38:44 | |
He disappeared on one of the family ships | 0:38:44 | 0:38:47 | |
a few years ago. | 0:38:47 | 0:38:48 | |
That's what this whole thing | 0:38:48 | 0:38:49 | |
has been about for Benirall. | 0:38:49 | 0:38:51 | |
It's about finding his brother. | 0:38:51 | 0:38:53 | |
Better get back up here! | 0:39:03 | 0:39:04 | |
Oh, my God! | 0:39:20 | 0:39:22 | |
INDISTINCT | 0:39:25 | 0:39:27 | |
It's what they think they're gonna stop! | 0:39:29 | 0:39:31 | |
We've got company! | 0:39:36 | 0:39:38 | |
Can you go any faster?! | 0:40:01 | 0:40:03 | |
Bravo one-seven engage at 7.4 alpha. | 0:40:07 | 0:40:10 | |
Engaging, bravo one-seven. | 0:40:10 | 0:40:12 | |
All right, Mr Greenpeace, | 0:40:33 | 0:40:34 | |
what now? | 0:40:34 | 0:40:35 | |
Get below! | 0:40:38 | 0:40:39 | |
Get below! | 0:40:39 | 0:40:40 | |
We have to get close to where they're going. | 0:40:43 | 0:40:45 | |
Delta one-five, fire at will. | 0:40:47 | 0:40:49 | |
We lost power! | 0:40:57 | 0:40:59 | |
We must be close to the site! | 0:40:59 | 0:41:01 | |
We've lost power. | 0:41:01 | 0:41:02 | |
I'm getting no response. | 0:41:02 | 0:41:03 | |
Aah! | 0:41:04 | 0:41:05 | |
Too late. | 0:41:15 | 0:41:17 | |
It's too late! | 0:41:19 | 0:41:20 | |
Here you go, doctor. | 0:41:22 | 0:41:23 | |
EMILY: It's happening! | 0:41:34 | 0:41:36 | |
Aah! | 0:41:47 | 0:41:49 | |
EMILY: Oh, my God! | 0:41:49 | 0:41:51 | |
BRUCE: Howard, what are you doing? | 0:41:55 | 0:41:57 | |
Howard, what are you doing?! | 0:41:59 | 0:42:02 | |
HOWARD: Aah! | 0:42:02 | 0:42:05 | |
THUNDER | 0:42:09 | 0:42:12 | |
MAN ON PHONE: ..You there? Hello? | 0:42:14 | 0:42:16 | |
Do you want to leave a message for Dr Geller? | 0:42:16 | 0:42:18 | |
We're back. | 0:42:26 | 0:42:29 | |
Hang on. | 0:42:29 | 0:42:31 | |
My God, what is that? | 0:42:37 | 0:42:38 | |
What's happening? | 0:42:39 | 0:42:40 | |
Howard? | 0:42:40 | 0:42:41 | |
Hang on. | 0:42:58 | 0:43:00 | |
We got it! | 0:43:12 | 0:43:14 | |
GASPING | 0:44:12 | 0:44:14 | |
GASPING | 0:44:27 | 0:44:28 | |
Hey. | 0:45:06 | 0:45:07 | |
This is Karl Sheedy. | 0:45:09 | 0:45:10 | |
My God, what happened to you? | 0:45:10 | 0:45:13 | |
Um... | 0:45:13 | 0:45:14 | |
Where's Stan? | 0:45:14 | 0:45:16 | |
He's dead. | 0:45:16 | 0:45:17 | |
Give me your phone. | 0:45:20 | 0:45:21 | |
Phone...need to... | 0:45:23 | 0:45:25 | |
let me use it. | 0:45:26 | 0:45:28 | |
Thanks. | 0:45:28 | 0:45:29 | |
I know what's going to happen. | 0:45:33 | 0:45:36 | |
I know everything... | 0:45:36 | 0:45:39 | |
that's going to happen. | 0:45:39 | 0:45:40 | |
I'm...what? | 0:45:40 | 0:45:42 | |
What? I'm not crazy. I'm not crazy. | 0:45:43 | 0:45:46 | |
I-I-I'm not making this up. | 0:45:46 | 0:45:47 | |
I'm not hallucinating. Stan died over this. | 0:45:47 | 0:45:49 | |
I'm not about to let him down over this. | 0:45:49 | 0:45:52 | |
Hello, Ackerman? | 0:45:52 | 0:45:54 | |
It's Howard Thomas. | 0:45:54 | 0:45:55 | |
Listen, we've got something, | 0:45:55 | 0:45:57 | |
and I need to see Benirall right now. | 0:45:57 | 0:45:59 | |
Yeah, I know he's not there. | 0:45:59 | 0:46:00 | |
He's holed up in his office. He's not seeing anybody. | 0:46:00 | 0:46:03 | |
No, it doesn't matter how I know. | 0:46:03 | 0:46:05 | |
You tell him that we're coming by | 0:46:05 | 0:46:06 | |
and we've got to see him now, all right? | 0:46:06 | 0:46:07 | |
He'll see us, I know he will. | 0:46:07 | 0:46:08 | |
EMILY: Ripples? | 0:46:17 | 0:46:19 | |
Yes. Yes. It's rippling backwards. | 0:46:19 | 0:46:21 | |
You know this because you lived this before? | 0:46:21 | 0:46:25 | |
Yeah. | 0:46:27 | 0:46:29 | |
Well, everything he's saying is possible. | 0:46:29 | 0:46:31 | |
Atoms aren't really solid at all. | 0:46:31 | 0:46:32 | |
They're loaded with space. In fact, they're mostly space. | 0:46:32 | 0:46:35 | |
The only reason | 0:46:35 | 0:46:37 | |
I can't put my hand through this car door | 0:46:37 | 0:46:38 | |
is because the door's atoms and mine are operating | 0:46:38 | 0:46:40 | |
on a mutually interactive frequency. | 0:46:40 | 0:46:42 | |
But if you could somehow | 0:46:42 | 0:46:44 | |
change the frequency of the atoms in your hand, | 0:46:44 | 0:46:45 | |
your hand would or could | 0:46:45 | 0:46:47 | |
theoretically pass right through that door. | 0:46:47 | 0:46:48 | |
Since we also see along the same frequency | 0:46:48 | 0:46:51 | |
visible light wave lengths, | 0:46:51 | 0:46:52 | |
the door would also seem to disappear. | 0:46:52 | 0:46:54 | |
Any body would. | 0:46:54 | 0:46:56 | |
Like a ship or a plane. | 0:46:56 | 0:46:58 | |
But it would continue to exist in some other dimension? | 0:46:58 | 0:47:01 | |
So all the planes, the ships, | 0:47:02 | 0:47:04 | |
all the people over all these years... | 0:47:04 | 0:47:06 | |
they aren't gone? They may have simply | 0:47:06 | 0:47:07 | |
been knocked out of phase with our world | 0:47:07 | 0:47:10 | |
and actually continue to exist? | 0:47:10 | 0:47:12 | |
Yes. | 0:47:13 | 0:47:15 | |
Theoretically. | 0:47:16 | 0:47:17 | |
ACKERMAN: Look, I know you want to see Mr Benirall. | 0:47:34 | 0:47:36 | |
But he's in no sh... | 0:47:36 | 0:47:37 | |
Hey, who the hell is this? | 0:47:37 | 0:47:39 | |
Mr Benirall is not... | 0:47:39 | 0:47:40 | |
EMILY: There's been a new wrinkle. | 0:47:40 | 0:47:41 | |
Turn on the light. | 0:47:41 | 0:47:42 | |
Mr Benirall, let me tell you something | 0:47:47 | 0:47:50 | |
that's going to sound absolutely incredible. | 0:47:50 | 0:47:51 | |
But we have your answer. | 0:47:51 | 0:47:54 | |
We know what's causing the Triangle. | 0:47:54 | 0:47:55 | |
EMILY: This could be the answer. | 0:47:57 | 0:47:58 | |
It fits. | 0:47:58 | 0:47:59 | |
BRUCE: The theory has to do with space-time - | 0:47:59 | 0:48:00 | |
a ripple that travels backwards... | 0:48:00 | 0:48:02 | |
OK, you have to believe us. | 0:48:02 | 0:48:03 | |
There isn't time for you not to believe us. | 0:48:03 | 0:48:04 | |
HOWARD AND BENIRALL: Glenfiddich in that | 0:48:04 | 0:48:05 | |
and I might drink it. | 0:48:05 | 0:48:06 | |
I-I've experienced this before. | 0:48:08 | 0:48:11 | |
We've been here like this before. | 0:48:11 | 0:48:13 | |
In just a couple of hours, | 0:48:15 | 0:48:16 | |
the navy is going to trigger something in the Atlantic. | 0:48:16 | 0:48:17 | |
Something that sets off | 0:48:17 | 0:48:19 | |
some sort of massive chain reaction | 0:48:19 | 0:48:20 | |
that will change the world forever | 0:48:20 | 0:48:21 | |
unless we do something. | 0:48:21 | 0:48:23 | |
We do have reason to believe | 0:48:23 | 0:48:24 | |
that there is some facility | 0:48:24 | 0:48:25 | |
that's been built out in the Atlantic. | 0:48:25 | 0:48:27 | |
An enormous device underwater. | 0:48:27 | 0:48:28 | |
I know for a fact it was built. | 0:48:28 | 0:48:29 | |
Who are you? | 0:48:30 | 0:48:31 | |
This is Karl Sheedy. | 0:48:31 | 0:48:32 | |
ALL TALK AT ONCE | 0:48:32 | 0:48:35 | |
Listen to me, please! | 0:48:35 | 0:48:38 | |
Now the secretary of the navy, Weist, | 0:48:38 | 0:48:39 | |
he's here in Miami. | 0:48:39 | 0:48:41 | |
You've got to get us in to see him. | 0:48:41 | 0:48:42 | |
What? | 0:48:42 | 0:48:43 | |
He's here in town. You know he is. | 0:48:43 | 0:48:45 | |
You are truly out of your mind. | 0:48:45 | 0:48:46 | |
Weist can stop this. | 0:48:46 | 0:48:47 | |
We've just got to explain it to him. | 0:48:47 | 0:48:48 | |
We've got to get Sheedy there. | 0:48:48 | 0:48:49 | |
I'm not letting you anywhere near the secretary of the navy. | 0:48:49 | 0:48:50 | |
You did it before! | 0:48:50 | 0:48:52 | |
Get off him! | 0:48:52 | 0:48:53 | |
Listen, you've got a brother - Winston. | 0:48:53 | 0:48:54 | |
He disappeared in the Triangle, didn't he? | 0:48:54 | 0:48:56 | |
You've been trying to find him. | 0:48:56 | 0:48:57 | |
Well, he might still be alive. | 0:48:57 | 0:48:58 | |
Get out! | 0:48:58 | 0:48:59 | |
Stopping what's about to happen | 0:48:59 | 0:49:00 | |
could be your only chance of ever | 0:49:00 | 0:49:01 | |
knowing for sure. | 0:49:01 | 0:49:02 | |
We've got to stop this. | 0:49:02 | 0:49:04 | |
Come on, mate. Let's do this smart. | 0:49:08 | 0:49:10 | |
We need some sort of plan! | 0:49:10 | 0:49:12 | |
Coming through. | 0:49:15 | 0:49:17 | |
Hey! Aah! | 0:49:18 | 0:49:19 | |
Unh! | 0:49:19 | 0:49:21 | |
HOWARD: What took you guys so long? | 0:49:29 | 0:49:30 | |
EMILY: Hey, we almost left you in there. | 0:49:30 | 0:49:31 | |
What convinced you to bail me out? | 0:49:31 | 0:49:32 | |
What if you're right? | 0:49:32 | 0:49:33 | |
What time's this thing supposed to happen? | 0:49:33 | 0:49:35 | |
It's after 11.00. 11.06. | 0:49:35 | 0:49:36 | |
That's less than two hours. | 0:49:36 | 0:49:37 | |
There's only one option left - the Greenpeace way. | 0:49:37 | 0:49:40 | |
Let me drive. | 0:49:40 | 0:49:41 | |
What? | 0:49:41 | 0:49:42 | |
MAN ON RADIO: ..Massive flooding throughout South Beach | 0:49:54 | 0:49:55 | |
and surrounding areas has left hundreds stranded. | 0:49:55 | 0:49:58 | |
As intensity strengthens, voluntary evacuation... | 0:49:58 | 0:50:03 | |
TURNS OFF RADIO | 0:50:03 | 0:50:04 | |
Hey, Meeno! | 0:50:17 | 0:50:19 | |
Meeno! | 0:50:19 | 0:50:21 | |
I-I was just coming to... | 0:50:22 | 0:50:24 | |
Coming to see me. Yeah, I know. | 0:50:24 | 0:50:25 | |
Listen, at the boat yard | 0:50:25 | 0:50:27 | |
you've got a fast cigarette boat, right? | 0:50:27 | 0:50:29 | |
Really fast one? | 0:50:29 | 0:50:30 | |
This is all about getting him inside. | 0:50:55 | 0:50:57 | |
Whatever we do, | 0:50:57 | 0:50:59 | |
we've got to get him inside. | 0:50:59 | 0:51:00 | |
Get you talking to your partner, | 0:51:00 | 0:51:02 | |
to anyone who'll listen. | 0:51:02 | 0:51:03 | |
I can't believe we're doing this. | 0:51:03 | 0:51:05 | |
Hey, this is my second go. | 0:51:05 | 0:51:06 | |
What makes you think | 0:51:06 | 0:51:08 | |
this time will be any different? | 0:51:08 | 0:51:09 | |
Well, we're a little earlier this time. | 0:51:09 | 0:51:11 | |
How early? | 0:51:11 | 0:51:12 | |
20 minutes. | 0:51:12 | 0:51:13 | |
THUNDER | 0:51:20 | 0:51:21 | |
You better get back up here. | 0:51:21 | 0:51:23 | |
Deja vu all over again. | 0:51:26 | 0:51:28 | |
Navy - the scientists. | 0:51:45 | 0:51:47 | |
They have to have all seen this. | 0:51:47 | 0:51:49 | |
You think that's what they're gonna stop? | 0:51:49 | 0:51:51 | |
Bravo one-seven engage at 7.4 alpha. | 0:52:18 | 0:52:22 | |
Engaging bravo one-seven. | 0:52:22 | 0:52:24 | |
What the hell are you doing? | 0:52:30 | 0:52:32 | |
We've got to get away from them. | 0:52:42 | 0:52:44 | |
Getting closer. | 0:52:49 | 0:52:51 | |
Closer to where they're setting this thing off. | 0:52:51 | 0:52:52 | |
Hey, this was your idea. | 0:52:55 | 0:52:56 | |
Base, this is Nighthawk 3. | 0:53:02 | 0:53:04 | |
The craft isn't identified. | 0:53:04 | 0:53:06 | |
Please advise. Repeat - please advise. | 0:53:06 | 0:53:08 | |
MAN: Attention, all departments. | 0:53:14 | 0:53:15 | |
We are at 18 minutes to primary event. | 0:53:15 | 0:53:18 | |
Stage one of five is now complete. | 0:53:18 | 0:53:21 | |
We are at stage two and counting. | 0:53:21 | 0:53:24 | |
Repeat, stage two of five and counting. | 0:53:24 | 0:53:28 | |
Dr Osserman. Welcome, sir. | 0:53:46 | 0:53:48 | |
We've got a code 3, sir. | 0:53:48 | 0:53:50 | |
We have any sort of ID on the craft? | 0:53:56 | 0:53:58 | |
No, sir. Fast boat like that could be drugs. | 0:53:58 | 0:54:00 | |
This far out? | 0:54:00 | 0:54:02 | |
They're within the zone, sir. | 0:54:02 | 0:54:04 | |
Shouldn't I notify project hierarchy? | 0:54:04 | 0:54:06 | |
Now? | 0:54:06 | 0:54:07 | |
Absolutely not. | 0:54:07 | 0:54:09 | |
Signal your people. Authorise action one. | 0:54:09 | 0:54:11 | |
Sir... | 0:54:11 | 0:54:12 | |
Action one. My direct order. | 0:54:12 | 0:54:15 | |
Do it. | 0:54:15 | 0:54:16 | |
Delta one-five, fire at will. | 0:54:24 | 0:54:26 | |
Off! Everybody off! | 0:54:34 | 0:54:36 | |
MAN: Let's go! | 0:55:50 | 0:55:51 | |
We know what you're doing here. | 0:56:26 | 0:56:27 | |
You've got to let us talk to someone. | 0:56:27 | 0:56:29 | |
Someone whose job it is other than to shove me. | 0:56:29 | 0:56:31 | |
Hey, tell Osserman Karl Sheedy is here. | 0:56:33 | 0:56:35 | |
Karl Sheedy. | 0:56:35 | 0:56:36 | |
Tell him Dr Sheedy's here. | 0:56:36 | 0:56:37 | |
Tell him he's got it all wrong. | 0:56:37 | 0:56:40 | |
Tell him! | 0:56:40 | 0:56:41 | |
What are you looking for? | 0:56:55 | 0:56:57 | |
Anything. | 0:56:57 | 0:56:58 | |
MAN: Stage 3, we are at stage three of 5. | 0:57:01 | 0:57:06 | |
Seven minutes until primary event. | 0:57:06 | 0:57:08 | |
Seven minutes and counting. | 0:57:08 | 0:57:11 | |
Dr Osserman. | 0:57:11 | 0:57:12 | |
What is it? | 0:57:14 | 0:57:15 | |
Here? | 0:57:19 | 0:57:21 | |
Can't be. | 0:57:21 | 0:57:22 | |
It's him. | 0:57:22 | 0:57:23 | |
H-how could he be...? | 0:57:23 | 0:57:24 | |
Somebody said a boat breached the perimeter. | 0:57:24 | 0:57:26 | |
Karl? | 0:57:27 | 0:57:29 | |
In a boat? | 0:57:29 | 0:57:31 | |
He said... | 0:57:31 | 0:57:33 | |
he said you've got it all wrong. | 0:57:33 | 0:57:35 | |
GRUNTS | 0:57:40 | 0:57:42 | |
We're too late. | 0:57:42 | 0:57:43 | |
No. | 0:57:44 | 0:57:45 | |
No. We finish what we came here to do. | 0:57:45 | 0:57:48 | |
BANGING | 0:57:51 | 0:57:53 | |
MAN: Stage 4. | 0:57:56 | 0:57:58 | |
We are now under three minutes and counting. | 0:57:58 | 0:58:02 | |
My God. | 0:58:22 | 0:58:23 | |
Karl. | 0:58:23 | 0:58:25 | |
I couldn't believe you. | 0:58:25 | 0:58:27 | |
How did you...? | 0:58:27 | 0:58:29 | |
What in blazes are you doing here? | 0:58:29 | 0:58:31 | |
Doctor, we have to talk to you. | 0:58:31 | 0:58:33 | |
EMILY: What you're about to do, | 0:58:33 | 0:58:34 | |
you have to stop. | 0:58:34 | 0:58:35 | |
Listen to them, Victor. | 0:58:35 | 0:58:36 | |
Is that what this is all about? | 0:58:36 | 0:58:37 | |
Sir, we really have to get back. | 0:58:37 | 0:58:39 | |
You voiced your reservations years ago | 0:58:39 | 0:58:41 | |
when you left the project, | 0:58:41 | 0:58:44 | |
and now you're here, like this? | 0:58:44 | 0:58:47 | |
My God, Karl. | 0:58:47 | 0:58:49 | |
Sir, please. | 0:58:49 | 0:58:50 | |
BRUCE: Doctor, we have data | 0:58:50 | 0:58:51 | |
that you don't have. | 0:58:51 | 0:58:52 | |
You've got to listen to us, | 0:58:52 | 0:58:53 | |
it's vitally important. | 0:58:53 | 0:58:54 | |
Just listen to us for five minutes. | 0:58:54 | 0:58:55 | |
You think you're gonna fix a tear, | 0:58:55 | 0:58:56 | |
but it's not a tear, it's a ripple. | 0:58:56 | 0:58:58 | |
You're actually gonna cause the Triangle... | 0:58:58 | 0:58:59 | |
You're...you're about to end everything. | 0:58:59 | 0:59:02 | |
Victor, you and I, we argued. | 0:59:02 | 0:59:05 | |
Always. Over everything. | 0:59:05 | 0:59:07 | |
Alforn-McAfee paper, remember? | 0:59:07 | 0:59:09 | |
I thought we were | 0:59:09 | 0:59:11 | |
going to kill each other. | 0:59:11 | 0:59:12 | |
But in the end, you were right. | 0:59:12 | 0:59:15 | |
And I was 100% wrong. | 0:59:15 | 0:59:18 | |
One of us was always right. | 0:59:18 | 0:59:21 | |
This time, Victor, | 0:59:21 | 0:59:24 | |
you're wrong. | 0:59:24 | 0:59:26 | |
What the hell is going on here? | 0:59:46 | 0:59:47 | |
On his authority, sir. | 0:59:47 | 0:59:48 | |
He said it was project specific. | 0:59:48 | 0:59:49 | |
Get 'em out of here. Now. | 0:59:49 | 0:59:51 | |
No. | 0:59:51 | 0:59:53 | |
For God's sake, Victor. | 0:59:53 | 0:59:54 | |
Mr Secretary... | 0:59:54 | 0:59:55 | |
Are you the guy in charge here? | 0:59:55 | 0:59:56 | |
Because you really need to listen to us. | 0:59:56 | 0:59:58 | |
HOWARD: Sir, we know what you're hoping to do here. | 0:59:58 | 1:00:00 | |
There isn't time to make you understand | 1:00:00 | 1:00:01 | |
how we know, but we know. | 1:00:01 | 1:00:03 | |
BRUCE: You've gotta put the brakes on this thing. | 1:00:03 | 1:00:04 | |
You've gotta give us a chance to explain. | 1:00:04 | 1:00:05 | |
I know it seems crazy, sir, but it's possible, | 1:00:05 | 1:00:07 | |
just possible. | 1:00:07 | 1:00:08 | |
Now wait just one minute. | 1:00:08 | 1:00:10 | |
You...now... | 1:00:10 | 1:00:12 | |
you are suggesting now that... | 1:00:12 | 1:00:15 | |
MAN: We are now under three minutes and counting. | 1:00:15 | 1:00:17 | |
Mr Secretary! | 1:00:17 | 1:00:19 | |
Final countdown... | 1:00:19 | 1:00:20 | |
We know you were on the Eldridge, | 1:00:20 | 1:00:22 | |
and your leg, we know about your leg. | 1:00:22 | 1:00:23 | |
Listen, what you're about to do | 1:00:23 | 1:00:26 | |
isn't going to stop the crux event | 1:00:26 | 1:00:27 | |
that you're so afraid of, | 1:00:27 | 1:00:28 | |
it's going to cause it. | 1:00:28 | 1:00:30 | |
You've got to shut it down. | 1:00:33 | 1:00:35 | |
Sir, you've got to shut it down, | 1:00:36 | 1:00:38 | |
you've got to listen to us. | 1:00:38 | 1:00:39 | |
30 years we've known this was coming. | 1:00:39 | 1:00:41 | |
We must countervail this crux event | 1:00:41 | 1:00:43 | |
or we lose everything. | 1:00:43 | 1:00:45 | |
But you're wrong! | 1:00:45 | 1:00:46 | |
Sir... | 1:00:52 | 1:00:53 | |
We go. | 1:00:57 | 1:00:59 | |
No, you've got to listen to them. | 1:00:59 | 1:01:00 | |
No! Don't. | 1:01:00 | 1:01:01 | |
Stop! Sir! | 1:01:01 | 1:01:02 | |
You don't know what's goin' on up there! | 1:01:02 | 1:01:03 | |
Sir... | 1:01:06 | 1:01:07 | |
there's something out there. | 1:01:07 | 1:01:09 | |
What? | 1:01:09 | 1:01:11 | |
Anybody got a clue what's goin' on? | 1:02:00 | 1:02:02 | |
We've made it. | 1:02:04 | 1:02:05 | |
We're officially within range | 1:02:05 | 1:02:06 | |
of the coordinates he gave us, | 1:02:06 | 1:02:07 | |
but now I strongly recommend we turn to | 1:02:07 | 1:02:09 | |
and get the hell away from whatever those things are. | 1:02:09 | 1:02:10 | |
We get in range, | 1:02:10 | 1:02:11 | |
and then we go all stop. | 1:02:11 | 1:02:13 | |
We're a methane tanker, full load... | 1:02:13 | 1:02:14 | |
138,000 cubic meters. | 1:02:14 | 1:02:17 | |
And those look electrical. | 1:02:17 | 1:02:18 | |
One of them gets close enough to this lady, | 1:02:18 | 1:02:20 | |
there's gonna be a very, very big splash. | 1:02:20 | 1:02:22 | |
I said all stop! | 1:02:22 | 1:02:24 | |
All stop. | 1:02:30 | 1:02:31 | |
She's a methane tanker. | 1:02:40 | 1:02:42 | |
Benirall Shipping. | 1:02:42 | 1:02:43 | |
Benirall. | 1:02:43 | 1:02:45 | |
I don't give a damn about one ship. | 1:02:45 | 1:02:48 | |
It's methane. If it goes, | 1:02:48 | 1:02:49 | |
it takes this whole facility with it. | 1:02:49 | 1:02:50 | |
We're not talking about just this facility. | 1:02:50 | 1:02:52 | |
We're talking everything. | 1:02:52 | 1:02:53 | |
Don't trigger it. | 1:02:53 | 1:02:54 | |
Don't. | 1:02:54 | 1:02:55 | |
Sir, we don't have any solid proof | 1:02:55 | 1:02:58 | |
to put before you, | 1:02:58 | 1:02:59 | |
but you have to take us at our word. | 1:02:59 | 1:03:01 | |
Please, I'm begging you. | 1:03:01 | 1:03:04 | |
MAN: 8, 7, 6... | 1:03:04 | 1:03:07 | |
5, 4, 3... | 1:03:07 | 1:03:10 | |
2, 1... | 1:03:10 | 1:03:12 | |
We are at primary event. | 1:03:13 | 1:03:15 | |
I got...I got more of them. | 1:03:15 | 1:03:17 | |
That's impossible. | 1:03:18 | 1:03:20 | |
Sea, or air? | 1:03:20 | 1:03:21 | |
Both, there are dozens of them, | 1:03:21 | 1:03:22 | |
maybe even hundreds | 1:03:22 | 1:03:23 | |
and they're not approaching. | 1:03:23 | 1:03:24 | |
MAN: We are at primary event, waiting... | 1:03:24 | 1:03:26 | |
What do you mean they're not approaching? | 1:03:26 | 1:03:27 | |
They're just appearing all around us. | 1:03:27 | 1:03:29 | |
It's reversing. | 1:03:29 | 1:03:31 | |
It's reversing. | 1:03:39 | 1:03:41 | |
It's all the ships and planes | 1:03:43 | 1:03:45 | |
that were taken by the Triangle. | 1:03:45 | 1:03:46 | |
That means it's over. | 1:03:48 | 1:03:50 | |
That means it's over. | 1:03:58 | 1:03:59 | |
That means it's over. | 1:04:00 | 1:04:02 | |
You weren't gonna do it. | 1:04:04 | 1:04:06 | |
AIRPLANE ENGINES | 1:04:16 | 1:04:18 | |
We...we did it. | 1:05:27 | 1:05:30 | |
We closed the Triangle. | 1:05:33 | 1:05:35 | |
And more to the point, | 1:05:43 | 1:05:46 | |
the Triangle never happens at all. | 1:05:46 | 1:05:48 | |
Never happened at all. | 1:05:50 | 1:05:53 | |
Forget it. | 1:07:09 | 1:07:11 | |
Hi, Daddy. | 1:07:25 | 1:07:26 | |
Tell Mama I'll be outside. | 1:07:26 | 1:07:28 | |
TELEPHONE RINGS | 1:08:37 | 1:08:39 | |
RING | 1:08:41 | 1:08:43 | |
RING | 1:08:45 | 1:08:47 | |
Hello? | 1:08:47 | 1:08:49 | |
Hey, babe, look, I know, | 1:08:49 | 1:08:50 | |
I'm running late, OK? Egregiously late. | 1:08:50 | 1:08:53 | |
Who is this? | 1:08:53 | 1:08:55 | |
OK, I totally deserve that. | 1:08:55 | 1:08:56 | |
I'll be there as fast as I can, | 1:08:56 | 1:08:58 | |
faster, I promise. | 1:08:58 | 1:08:59 | |
I hope this means you still love me. | 1:08:59 | 1:09:02 | |
CHILDREN LAUGHING | 1:09:06 | 1:09:09 | |
We're gonna be taking | 1:09:46 | 1:09:48 | |
both of those kids to emergency. | 1:09:48 | 1:09:50 | |
What do you expect? | 1:09:50 | 1:09:52 | |
After all, they're just like their father. | 1:09:52 | 1:09:54 | |
You slept all night | 1:09:56 | 1:09:57 | |
in that chair again, didn't you? | 1:09:57 | 1:09:59 | |
You know how bad that is for your leg. | 1:09:59 | 1:10:02 | |
I'll start breakfast. | 1:10:03 | 1:10:04 | |
GASPS | 1:10:24 | 1:10:26 | |
TELEPHONE RINGS | 1:10:29 | 1:10:34 | |
WOMAN ON PHONE: Hello? | 1:10:48 | 1:10:50 | |
Is anyone there? | 1:10:51 | 1:10:53 | |
I'm calling for Laura Farrell. | 1:10:55 | 1:10:58 | |
Yes, who is this calling, please? | 1:10:58 | 1:11:00 | |
Um... | 1:11:00 | 1:11:02 | |
It's about your daughter. | 1:11:02 | 1:11:05 | |
My daughter? | 1:11:05 | 1:11:07 | |
I'm afraid you've mistaken me | 1:11:07 | 1:11:08 | |
for someone else. | 1:11:08 | 1:11:09 | |
Who is this, please? | 1:11:19 | 1:11:20 | |
Squishy. | 1:12:43 | 1:12:44 | |
Squishy. | 1:12:51 | 1:12:52 | |
I think you should think about moving out. | 1:13:00 | 1:13:01 | |
What are you doing? | 1:13:01 | 1:13:02 | |
Hey, I don't want to move out. | 1:13:02 | 1:13:04 | |
The problems we've been having... | 1:13:04 | 1:13:05 | |
All of the problems. | 1:13:05 | 1:13:05 | |
I want us to work them out. | 1:13:05 | 1:13:07 | |
I'm willing...to do whatever I have to... | 1:13:08 | 1:13:11 | |
this time. | 1:13:11 | 1:13:13 | |
What do you mean, "this time"? | 1:13:15 | 1:13:16 | |
Nothing's ever written in stone. | 1:13:21 | 1:13:23 | |
Thank you. | 1:13:41 | 1:13:42 | |
Hi. | 1:13:52 | 1:13:53 | |
Hi. | 1:13:53 | 1:13:56 | |
How's the family? | 1:13:56 | 1:13:57 | |
They're good. | 1:13:57 | 1:13:59 | |
How's the boyfriend? | 1:14:01 | 1:14:02 | |
It's not workin' out. | 1:14:05 | 1:14:07 | |
So, you're gonna stay? | 1:14:09 | 1:14:10 | |
Stick with Gina and...? | 1:14:10 | 1:14:12 | |
Yeah... | 1:14:12 | 1:14:13 | |
for now. | 1:14:13 | 1:14:15 | |
WINSTON: I must admit... | 1:14:16 | 1:14:17 | |
I only comprehend perhaps one percent | 1:14:17 | 1:14:20 | |
of what you've set down here. | 1:14:20 | 1:14:22 | |
I think, if I understand you correctly, | 1:14:22 | 1:14:24 | |
your basic claim is that the four of you | 1:14:24 | 1:14:26 | |
entered some kind of arrangement with my company. | 1:14:26 | 1:14:30 | |
The basic tenet of which was | 1:14:30 | 1:14:32 | |
that if you discovered | 1:14:32 | 1:14:33 | |
the secret behind something called... | 1:14:33 | 1:14:35 | |
..the Bermuda Triangle, | 1:14:36 | 1:14:37 | |
you would each receive 5 million. | 1:14:37 | 1:14:40 | |
Is that correct? | 1:14:40 | 1:14:41 | |
You're Winston. | 1:14:41 | 1:14:42 | |
We really should be talking | 1:14:42 | 1:14:43 | |
with your brother, | 1:14:43 | 1:14:44 | |
he's the one who made the offer, | 1:14:44 | 1:14:45 | |
he'd be the one who remembered. | 1:14:45 | 1:14:47 | |
No, you are talking to the right person. | 1:14:49 | 1:14:50 | |
I am the company's chief financial officer. | 1:14:50 | 1:14:52 | |
Thank you, Ackerman. | 1:14:52 | 1:14:54 | |
Now you referred to escrow accounts | 1:14:54 | 1:14:57 | |
and bank deposit slips. | 1:14:57 | 1:14:59 | |
That's right. Deposit slips. | 1:14:59 | 1:15:01 | |
We were given deposit slips. | 1:15:01 | 1:15:03 | |
Where are they now? | 1:15:03 | 1:15:05 | |
We don't have them. | 1:15:05 | 1:15:07 | |
We didn't... | 1:15:07 | 1:15:09 | |
Ah, well, you see, I would remember that. | 1:15:11 | 1:15:13 | |
Indeed, I would have had to sign for sums that large. | 1:15:13 | 1:15:17 | |
So I thank you for your time. | 1:15:17 | 1:15:21 | |
I agreed to see you because collectively | 1:15:21 | 1:15:23 | |
your credentials | 1:15:23 | 1:15:24 | |
and your reputations are such that... | 1:15:24 | 1:15:27 | |
Listen, if we could only speak with your brother. | 1:15:27 | 1:15:29 | |
Yes, well... | 1:15:29 | 1:15:31 | |
I've allowed you to waste my time, | 1:15:31 | 1:15:34 | |
specifically, | 1:15:34 | 1:15:35 | |
so you wouldn't waste my brother's. | 1:15:35 | 1:15:38 | |
Frankly, this is all somewhat preposterous. | 1:15:38 | 1:15:42 | |
So good day. | 1:15:42 | 1:15:44 | |
(The only reason you're here today | 1:15:46 | 1:15:48 | |
(is cos we changed the world.) | 1:15:48 | 1:15:52 | |
Mr Ackerman will see you out. | 1:15:52 | 1:15:54 | |
TELEPHONE RINGING | 1:16:01 | 1:16:03 | |
BRUCE: Hey, we remember. | 1:16:08 | 1:16:10 | |
It was worth a shot to see if Benirall did. | 1:16:10 | 1:16:12 | |
Yeah, but why do we remember? | 1:16:12 | 1:16:13 | |
I mean, maybe | 1:16:13 | 1:16:14 | |
it's everything we went through. | 1:16:14 | 1:16:16 | |
Maybe... | 1:16:16 | 1:16:17 | |
Hey - you were dead, now you're alive. | 1:16:17 | 1:16:19 | |
That's how your world changed. | 1:16:19 | 1:16:21 | |
You came out great. | 1:16:21 | 1:16:22 | |
Me, I've got family, responsibilities. | 1:16:22 | 1:16:24 | |
And a bum leg. | 1:16:24 | 1:16:25 | |
Did you ever find out how that, uh...? | 1:16:25 | 1:16:27 | |
Caught in a diving trip in the Aleutians. | 1:16:27 | 1:16:29 | |
This reality... | 1:16:29 | 1:16:31 | |
not so lucky. | 1:16:31 | 1:16:32 | |
This reality - | 1:16:32 | 1:16:34 | |
think we'll ever get used to saying that? | 1:16:34 | 1:16:36 | |
This is our reality now. | 1:16:36 | 1:16:37 | |
Eventually, we'll get used to it. | 1:16:37 | 1:16:39 | |
Taxi. | 1:16:39 | 1:16:40 | |
HE WHISTLES | 1:16:40 | 1:16:42 | |
What about Meeno? | 1:16:42 | 1:16:43 | |
He's fine. | 1:16:43 | 1:16:44 | |
I talked to him this morning. | 1:16:44 | 1:16:45 | |
He's...he's fine. | 1:16:45 | 1:16:46 | |
Well, that's it. | 1:16:46 | 1:16:48 | |
I guess this is goodbye, | 1:16:48 | 1:16:49 | |
seein' as we never actually... | 1:16:49 | 1:16:50 | |
met. | 1:16:50 | 1:16:51 | |
I don't know that it's really over. | 1:16:52 | 1:16:56 | |
You know? | 1:16:56 | 1:16:57 | |
I mean, like Weist said... | 1:16:57 | 1:17:00 | |
..that part of the Atlantic's | 1:17:01 | 1:17:03 | |
always been home to some strange phenomena. | 1:17:03 | 1:17:05 | |
Hey. | 1:17:38 | 1:17:40 | |
Comin' to bed? | 1:17:40 | 1:17:41 | |
Yeah. I'll be there in a minute. | 1:17:41 | 1:17:42 | |
OK. | 1:17:43 | 1:17:44 | |
Subtitles by the National Captioning Institute. | 1:19:09 | 1:19:12 | |
E-mail [email protected] | 1:19:12 | 1:19:14 |