Episode 1 The Village


Episode 1

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Transcript


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This programme contains some scenes of a sexual nature.

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WOMAN: Can you introduce yourself?

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My name is Bert Middleton.

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I'm the second oldest man in Britain.

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This is the last thing I'll do, so you'd better listen carefully

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and do it properly.

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Make it honest.

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Where are we?

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The summer of 1914?

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HE LAUGHS

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The summer the bus came.

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HE GIGGLES

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Put up the photograph.

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I don't know why, but it was a solemn occasion,

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and that made it even more exciting.

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It was the first ever bus to come to our village.

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The bus came in. The bus stopped.

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The bus drove off.

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And there she was.

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No-one was expecting anyone to actually get off the bus.

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There she was.

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Was it love at first sight?

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What kind of question is that?

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I was 12 years old.

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Of course it was love at first sight.

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100 years later, when I say her name,

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I feel exactly the same way about her.

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Martha Lane.

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Martha Lane.

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Joe had gone to work at the Big House.

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I didn't know it then,

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but it was the start of him trying to get away.

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I was too young, too filled up with being alive to see what

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he was after.

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And nobody had left the village in 100 years.

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My father went abroad twice in his life.

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By "abroad," I mean out of the parish, and he didn't like it.

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All of life was in our village.

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Joe was my big brother.

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It wasn't that I could tell him about the lady from the bus,

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but I wanted to be with him, like I always did when the sky fell in.

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Or my heart heaved.

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Anyway, here's what happened.

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-You're going to swim today.

-I can't.

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No, you will. Here, did I tell you about the drowning?

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-No.

-I shouldn't.

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-Please!

-No!

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Please!

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She was sucked under and never seen again.

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Here?

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-D'you know what they say?

-No. What?

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What?

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She's looking for a fellow to drown and be with her for ever.

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Joe?

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Joe!

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Joe!

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Joe!

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Joe! Help!

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She's under us, mate. I can feel her, she's underneath us.

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Quick, quick. Swim for your life.

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Swim. Swim, fella, swim. Come on! Come on.

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Swim! That's it, Bert, you're doing it. You're swimming.

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Swim to me. Come on.

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Oh, look!

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JOE LAUGHS

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Yeah!

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It was her! I saw her.

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We should get home.

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Do we have to?

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It's time to go, Bert.

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I'll look after you. All right?

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Hello.

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Why do you say hello to me?

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Why wouldn't I?

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What do you want? Who are you?

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I'm 19 years old.

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You'll stand.

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Are you going to ask me, Mother?

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Did you get round?

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Three sides on me own.

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And the sheathing?

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I want you in the field at 3.00 tomorrow. Do you understand?

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Why are you shivering?

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Why's he shivering?

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I was teaching him how to swim.

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Sit down.

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Look at these hands. Look at the work in them.

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Swimming?

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Swimming?!

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Don't look at him.

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I said, don't look at him!

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Joe. No. Joe. Please!

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Joe.

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Joe. Joe!

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Joe!

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Joe! Joe!

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I don't want to be in here!

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Joe!

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Where is he?

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I'll wait for him.

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Come to bed.

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Come to bed, my man.

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SEXUAL MOANING

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GRUNTING

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MOANING STOPS

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HE SNORES

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I want you to have your life.

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You must do everything you can to find it.

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You wouldn't leave us, Joe.

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HE PANTS

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They're my sons. Why aren't they with me?

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Why?

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Because my left hand is not the right hand, sir.

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Mmm-hmm.

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Get your hand up.

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Why?

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Because...my left hand is not the right hand, sir.

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Mmm-hmm.

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Get it up.

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Oh.

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Playing games, are we?

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HE TUTS

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No, no, no, no.

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I'm busy here, Mr Eyre, if you don't mind.

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Get your hand up.

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Up.

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Look at me.

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Why?

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Why?!

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Another?

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CLOCK CHIMES

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Mother says that we'll have water on tap next year.

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And then where will you be?

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And then where will he be?

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It'll get cold, Miss Caroline.

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So what are you waiting for?

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Poor Joe.

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DOOR OPENS

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Can you draw, Bert?

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Now you.

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Do you see that up there?

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Copy the shapes. That's all there is to it.

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You're tired.

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I didn't sleep much.

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What time is it now?

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It's 3.00.

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I promised my father I'd be in the field at 3.00.

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Well, I've kept you.

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You'd have been finished by now if it wasn't for me.

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It's too neat.

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THEY LAUGH

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Rake and sheath. All in eights. And don't think I won't check.

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For this harvest, you have my thanks.

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PEOPLE CHEER

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Pay me now. Or go and come back when you can pay me.

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Some more drinks, Peter.

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You thieving bastard!

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-Why did you do that, Father?

-He's my neighbour.

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How long were you teaching for?

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A year.

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Greek and Latin, to a small boy in a big house.

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And why did you leave?

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My father wrote to me every Sunday

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telling me about the new village he'd come to.

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It made me want to be here.

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And what do you think?

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There's work to do.

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Our very own missionary.

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So, you'll take them?

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What will people think?

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John and Charles Wesley have come in by the back door.

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I came in the front, Mr Eyre. God doesn't need a back door.

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Neither, it seems, do Yorkshirewomen.

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What have you done to my son?

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Should we starve so he could learn to write?

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Does writing ever feed anyone?

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I know how hard things are for you.

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No, you don't. You have got no idea!

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But I also know that a boy needs an education.

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They won't dry. Every bloody sheath you've laid east-west.

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How many times have I told you?

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They only dry if they're north-south.

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Come on! Come on!

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Tripe and onions in milk and a little liver.

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Joe's wages.

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I'm going to bed.

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Pride is a sin, John.

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Then I'm going to hell, because it's all I've got.

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Can I have more of that, Mother?

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-Of course.

-Thanks.

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Have you eaten, Mother?

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Yes.

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Must a man pay all his life for one mistake? Is that God's way?

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I forgive you.

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I think it is in everything you do and say that you have not.

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No, that is you, John.

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It is you not allowing my forgiveness in.

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Must it always be my fault?

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Hurry up! Come on!

0:25:160:25:19

Come on. Hurry up!

0:25:260:25:28

Your father got his harvest in?

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-You ready?

-I am.

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Right, in your own time, Mr Evans.

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Everyone, now I would like you all to run down the hill,

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touch the church gate,

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turn around and run back up to school as quick as you can.

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Quick, go, go, all of you.

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Mr Eyre? It's a school photograph, Mr Eyre.

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On you go.

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Tommy, we are going to run on the spot, come on.

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Quick, quick, quick, quick.

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Children! Come back!

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This is not a sports day!

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Come on. Move it!

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Back in your places. Stop, stop!

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Quick as you can. Back in your same places, everyone.

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And we are...jumping on the spot!

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Jumping on the spot and...

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Three, two, one.

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THE CHILDREN CHEER

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What's going to happen?

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About moles? Five mole catchers in five years.

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What's the matter with them?

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Are you going to shoot them?

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Joe. Middleton.

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Arriving without an invitation

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and then talking to the waterman before she speaks to us.

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It's as though she's selling something.

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What are you selling?

0:27:450:27:47

The thing to do is rise above and pretend you haven't noticed.

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Then she won't have the satisfaction she desires.

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Good afternoon, Miss Lane. We were discussing the mole catcher problem.

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Well, ask Joe. He'll know.

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Joe?

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Why do mole catchers die?

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Strychnine.

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Well, it gets on to your hands.

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And then you're breathing it in and then, well, it's in your blood.

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And then you die.

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What kind of a death?

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Great agony.

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Off you go, Joe.

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Did you see her when she got off the bus?

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Sucked-in waist like a man with a sour lollipop.

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CHILD CHATTERS

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The doctor told us, after I had this one,

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he said, "Your Henry may be small but he's certainly fecund."

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What does that mean?

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Good seed, high yield. Henry the fecund, they call him.

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Shh.

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It's what a married woman's for

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in the eyes of the Lord, eh, Miss Lane?

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Birthing, begetting.

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There's been that bad winters my Henry said to me,

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"Why don't you have a couple of lambs instead of another baby?"

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Oh, yes. We're good at begetting, us Bodens.

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My Paul will make a woman of you, Agnes, you can bank on that.

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CHILD: I can't find the soap.

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Oh, dear.

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What's it like? Being married?

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My mother gave me some advice when I was your age.

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She said, "Look after your husband as well as you're able,

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"but if he's not happy for reasons that you can't understand,

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"there's always something you can do."

0:30:120:30:14

What?

0:30:140:30:16

Mother him.

0:30:160:30:17

What can you see?

0:30:210:30:23

Nothing.

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Something halfway is about right.

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A woman should be halfway between bustle and nothing.

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Should be?

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Does it matter how a woman looks?

0:30:370:30:39

Norma's being courted, Margaret.

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Oh, is she now?

0:30:430:30:45

Bert! What is it?

0:30:450:30:48

Bert? Bert!

0:30:510:30:54

What can you see?

0:30:540:30:55

What is it?

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HE PANTS

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Hey! Boy!

0:31:370:31:39

Get inside now.

0:31:390:31:41

Tell your mother what you were doing!

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No?

0:31:570:31:59

I'll tell her.

0:32:000:32:02

Stone picking for Rutter.

0:32:050:32:07

This farm's halfway dead because there's no-one to work it,

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and me own son stone picking for Rutter.

0:32:100:32:13

-Lie down.

-What?

-On t'floor.

0:32:150:32:18

On your side.

0:32:210:32:23

What do you see?

0:32:250:32:27

-The door.

-What else?

0:32:270:32:29

John.

0:32:290:32:30

What else?

0:32:300:32:31

The floor.

0:32:310:32:33

What about it?

0:32:340:32:36

There's a dip near the door.

0:32:410:32:45

And there's a dip here...

0:32:460:32:48

..near t'fire place,

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where five generations of this family have stood.

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The highest point is under the table because the table has never moved

0:32:550:32:59

and no-one's ever trodden on it under there.

0:32:590:33:03

This is our floor.

0:33:030:33:05

This is our farm.

0:33:100:33:11

And I will not let it go.

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Catch.

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Magnum Bonum.

0:33:360:33:37

It's the name of the potato.

0:33:390:33:41

Where are you off to?

0:33:490:33:51

I'm looking for elderberry.

0:33:510:33:52

You put it on the blinkers and the flies don't like it.

0:33:520:33:56

-The horse.

-Big Molly.

0:33:560:33:58

I could help.

0:33:580:34:00

If you want me to.

0:34:010:34:03

Can't see any.

0:34:130:34:15

Across the bridge.

0:34:150:34:17

THEY LAUGH

0:34:220:34:24

Y'all right?

0:34:320:34:34

Eh, look at you, Bert Middleton. In.

0:34:350:34:39

What's the matter with ya? He's your brother.

0:34:390:34:42

-HE CHUCKLES

-Come on, Bert.

0:34:420:34:45

THEY LAUGH

0:34:500:34:52

Get in!

0:34:520:34:53

Don't know what you're laughing at.

0:35:010:35:03

Now, did I ever tell you about the big flood?

0:35:050:35:10

BOTH: Yes, Mother.

0:35:100:35:11

Here y'are, look at them.

0:35:160:35:18

We might get dirty.

0:35:240:35:26

British Bulldogs!

0:35:300:35:32

INDISTINCT YELLING

0:35:320:35:34

British Bulldogs, one, two three!

0:35:370:35:40

British Bulldogs, one, two, three!

0:35:530:35:56

British Bulldogs, one, two, three!

0:36:070:36:10

British Bulldogs, one, two, three!

0:36:320:36:34

BOYS CHATTER AND CHEER

0:36:590:37:01

Early for lunch.

0:37:390:37:41

Rise above, baby.

0:37:410:37:42

Thank you very much.

0:37:590:38:00

Are these Magnum Bonum?

0:38:040:38:06

I thought Magnum Bonum was the Home Secretary.

0:38:060:38:09

THEY LAUGH

0:38:090:38:11

Are you a suffragist, Miss Lane?

0:38:120:38:14

I'm a Suffragette, yes.

0:38:160:38:17

Active?

0:38:170:38:19

Well, it wasn't me who placed the bomb under the coronation chair,

0:38:190:38:22

if that's what you're asking.

0:38:220:38:24

We all heard it in the House. McKenna was speaking...

0:38:240:38:27

The Home Secretary.

0:38:270:38:28

-..and to his very great credit...

-No, thank you.

0:38:280:38:31

..he continued with his speech.

0:38:310:38:33

Would you give such women the vote?

0:38:340:38:37

Is she less worthy of the vote than the drunkard who has it now?

0:38:370:38:40

Or the wife beater who can vote?

0:38:400:38:43

Politics, politics. This is a home, not a public place.

0:38:430:38:47

Is it?

0:38:470:38:49

Thank you.

0:38:490:38:50

In women alone rests the preservation of peace in the home.

0:38:540:38:58

And it's that peace which inspires work all across the Empire.

0:38:580:39:02

The Suffragettes are reckless and foolish.

0:39:030:39:06

-Reckless and foolish.

-Like Miss Davison.

0:39:060:39:08

Hm.

0:39:080:39:10

I admired Emily Davison.

0:39:100:39:11

And what is it you admired in her?

0:39:110:39:14

Her bravery.

0:39:140:39:15

But courage isn't always a virtue,

0:39:150:39:17

and the consequences of courage are not always virtuous.

0:39:170:39:21

Does it serve your cause, I wonder?

0:39:210:39:24

I wonder.

0:39:240:39:26

What do you mean?

0:39:260:39:28

Well, should one give the vote to people who hurl themselves in front of horses?

0:39:280:39:33

Drunkards and wife beaters, people who run in front of horses,

0:39:330:39:38

you defeat your own argument, Miss Lane.

0:39:380:39:41

But I do have you talking politics, Lady Allingham.

0:39:410:39:43

Miss Lane. Lady Allingham.

0:39:430:39:46

Emily Davison was an hysteric with an uncommon zeal

0:39:480:39:52

for harming herself.

0:39:520:39:53

Martyrdom was her only aim in life.

0:39:530:39:56

And I for one am happy that she has satisfied her ambition.

0:39:560:39:59

But I have lost any interest I had in her because the attention

0:40:000:40:05

of all right thinking men, people, women, must be on what is coming.

0:40:050:40:11

What is coming?

0:40:110:40:13

What is coming?

0:40:160:40:18

War, Caro.

0:40:190:40:22

War, baby.

0:40:230:40:25

What do we think of that?

0:40:260:40:28

Hey? What do you think of that?

0:40:280:40:30

Boot production. I have plans.

0:40:370:40:40

Oh, do you?

0:40:400:40:42

I'm going to make boots with flaps over the lace-holes

0:40:440:40:47

and double tongues so no water can enter.

0:40:470:40:51

I think three years would be the life of such a boot and then...

0:40:510:40:55

..at the end of the three years, we'd clump it.

0:40:580:41:02

That's another leather sole riveted on,

0:41:020:41:05

which would give the life of the boot another two years.

0:41:050:41:08

Oh, how interesting. Why are you telling us all this?

0:41:080:41:11

Your opinion would be valuable to me.

0:41:160:41:19

Oh, how, how valuable?

0:41:190:41:21

I've been led to believe the business classes

0:41:210:41:23

have a reputation for straight talking, Mr Hankin.

0:41:230:41:26

Oh, politics and business, all in one lunchtime.

0:41:260:41:29

I think it's my fault, Lady Allingham.

0:41:290:41:31

The men have followed our lead.

0:41:310:41:33

She's a Methodist, Atherton. They don't.

0:41:350:41:39

All six of them plague victims, all under ten years old.

0:41:500:41:53

All died within three weeks of each other.

0:41:530:41:56

July 1682.

0:41:560:41:58

Why are you showing me this?

0:41:580:42:00

Herbert, Richard, Harold, Beatrice, Elizabeth and George.

0:42:000:42:05

Another George.

0:42:050:42:07

They're my family.

0:42:070:42:09

We belong here.

0:42:110:42:13

Why up here?

0:42:150:42:17

No burials in the churchyard.

0:42:170:42:19

They thought the dead could contaminate the living.

0:42:190:42:22

She carried her dead children up here to put them in the ground.

0:42:230:42:28

That picture...

0:42:280:42:30

It's in all of my dreams.

0:42:320:42:33

Who?

0:42:590:43:00

George Allingham. Alone.

0:43:000:43:03

Kissing.

0:43:040:43:06

Father? Father?

0:43:150:43:18

DOOR OPENS

0:43:190:43:21

Father.

0:43:230:43:25

Is the bank holiday over?

0:43:310:43:33

Yes, it is.

0:43:380:43:39

SHE SOBS

0:44:160:44:17

We might get dirty.

0:44:270:44:29

All pals together, Paul says.

0:44:440:44:47

And Joe?

0:44:490:44:50

Yes.

0:44:500:44:52

Can I listen?

0:45:020:45:04

THEY GIGGLE

0:45:070:45:08

Arnold Hankin proposed to me.

0:45:140:45:16

No. No! Have you said yes?

0:45:160:45:18

I told him I'd give him the answer tomorrow.

0:45:180:45:20

He's an ambitious man, Mr Hankin.

0:45:200:45:22

You'll want to be careful, Martha.

0:45:220:45:25

You don't want to end up one of the great un-enjoyed.

0:45:250:45:28

Whoa!

0:45:340:45:35

HE GROANS

0:45:380:45:39

Can I listen?

0:45:470:45:48

To what?

0:45:510:45:52

To what?

0:45:520:45:53

Your belly.

0:45:540:45:56

Why?

0:45:560:45:57

I don't know.

0:45:590:46:00

How will he fare in his old man's chair if he doesn't have a go?

0:46:170:46:21

What's that? That's not you.

0:46:210:46:24

Where the bloody hell did you pick that up?

0:46:240:46:27

We can...

0:46:270:46:29

We can...what, Grace?

0:46:290:46:30

He goes and you with another baby on t'way.

0:46:320:46:34

Joe, Joe, Joe, Joe. Joe. Joe.

0:46:500:46:54

Joe.

0:46:540:46:55

I can't bear it if you're not free.

0:46:550:46:59

Please.

0:46:590:47:00

What am I if I can't give that to you?

0:47:020:47:05

Don't you see?

0:47:050:47:07

My lovely boy.

0:47:080:47:10

Please. For me.

0:47:100:47:13

I want you to go.

0:47:150:47:18

Joe!

0:47:450:47:47

Shoes off, please, sir.

0:48:090:48:11

Under.

0:48:170:48:19

-Excuse me...

-Next!

0:48:200:48:22

Shoes off.

0:48:250:48:26

Thank you.

0:48:340:48:36

Next!

0:48:380:48:40

It wouldn't be right for the school if we were to both volunteer, so...

0:48:420:48:45

Morning, sir.

0:48:450:48:47

I won't stand in your way.

0:48:470:48:49

-Morning, sir.

-Morning.

0:48:490:48:51

After all, you are the...younger man.

0:48:510:48:55

Morning, sir.

0:48:570:48:59

Middleton.

0:48:590:49:01

Who can tell me, what did the Viking invader come in? Anyone?

0:49:030:49:10

-Tommy?

-Ships, sir.

0:49:130:49:15

No.

0:49:170:49:18

Alf?

0:49:210:49:23

Dreadnoughts, sir?

0:49:230:49:25

THE STUDENTS LAUGH

0:49:250:49:27

No. Anyone else?

0:49:270:49:31

-Gilbert.

-Longboats, sir.

0:49:330:49:35

No.

0:49:360:49:38

SLAMS FIST

0:49:440:49:45

They came in anger.

0:49:450:49:48

And what did they do when they got here?

0:49:590:50:01

They pillaged.

0:50:030:50:04

They burnt our villages. What did they do to our women?

0:50:050:50:09

They took their honour.

0:50:120:50:13

DOOR OPENS

0:50:140:50:16

Get home. Get home now!

0:50:170:50:20

Mildew! It's all ruined!

0:50:380:50:40

Ruined!

0:50:420:50:44

DOG BARKS

0:52:060:52:08

SHE MOANS

0:52:410:52:43

-Right, lads.

-Right, mate.

0:53:240:53:26

Good luck, our George!

0:53:290:53:31

APPLAUSE AND CHEERING

0:53:310:53:33

TUBA PLAYS

0:53:390:53:41

Come with me.

0:53:480:53:50

BAND PLAYS LAND OF HOPE AND GLORY

0:54:020:54:05

Will you marry me?

0:54:510:54:53

Yes.

0:54:530:54:54

CROWD CHEER

0:54:540:54:56

HE TUTS

0:55:090:55:11

You proved you can write, when you want to.

0:55:120:55:16

Hit me instead, please, sir.

0:55:430:55:45

Sir? Please?

0:55:530:55:54

Shhh.

0:55:540:55:56

HE SWALLOWS

0:57:050:57:07

CHEERING, HORNS BEEPING

0:57:130:57:16

Middleton!

0:57:210:57:23

Joe!

0:57:250:57:27

Look, it's a German dog. Get it.

0:57:290:57:32

Get it. It's a German dog. Get it.

0:57:320:57:35

Stop! Joe! Stop!

0:57:380:57:40

HORN HOOTS

0:57:400:57:41

DOG WHINES

0:57:410:57:43

Stop!

0:57:430:57:44

Get it!

0:57:440:57:46

Stop! Stop!

0:57:460:57:49

There he is.

0:58:060:58:08

It's as if you were there.

0:58:110:58:13

There he is. That's how he looked.

0:58:180:58:21

It's as if you were there.

0:58:230:58:25

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0:58:420:58:45

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