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This programme contains some scenes of a sexual nature. | 0:00:05 | 0:00:13 | |
WOMAN: Can you introduce yourself? | 0:00:30 | 0:00:33 | |
My name is Bert Middleton. | 0:00:33 | 0:00:36 | |
I'm the second oldest man in Britain. | 0:00:37 | 0:00:39 | |
This is the last thing I'll do, so you'd better listen carefully | 0:00:42 | 0:00:45 | |
and do it properly. | 0:00:45 | 0:00:48 | |
Make it honest. | 0:00:48 | 0:00:49 | |
Where are we? | 0:00:56 | 0:00:58 | |
The summer of 1914? | 0:00:58 | 0:00:59 | |
HE LAUGHS | 0:01:01 | 0:01:03 | |
The summer the bus came. | 0:01:03 | 0:01:06 | |
HE GIGGLES | 0:01:07 | 0:01:09 | |
Put up the photograph. | 0:01:10 | 0:01:11 | |
I don't know why, but it was a solemn occasion, | 0:01:22 | 0:01:26 | |
and that made it even more exciting. | 0:01:26 | 0:01:28 | |
It was the first ever bus to come to our village. | 0:01:28 | 0:01:32 | |
The bus came in. The bus stopped. | 0:01:32 | 0:01:36 | |
The bus drove off. | 0:01:36 | 0:01:40 | |
And there she was. | 0:01:43 | 0:01:45 | |
No-one was expecting anyone to actually get off the bus. | 0:01:45 | 0:01:49 | |
There she was. | 0:01:53 | 0:01:55 | |
Was it love at first sight? | 0:01:57 | 0:01:59 | |
What kind of question is that? | 0:01:59 | 0:02:01 | |
I was 12 years old. | 0:02:01 | 0:02:03 | |
Of course it was love at first sight. | 0:02:05 | 0:02:07 | |
100 years later, when I say her name, | 0:02:12 | 0:02:15 | |
I feel exactly the same way about her. | 0:02:15 | 0:02:17 | |
Martha Lane. | 0:02:19 | 0:02:21 | |
Martha Lane. | 0:02:26 | 0:02:28 | |
Joe had gone to work at the Big House. | 0:03:00 | 0:03:02 | |
I didn't know it then, | 0:03:04 | 0:03:06 | |
but it was the start of him trying to get away. | 0:03:06 | 0:03:10 | |
I was too young, too filled up with being alive to see what | 0:03:10 | 0:03:15 | |
he was after. | 0:03:15 | 0:03:16 | |
And nobody had left the village in 100 years. | 0:03:16 | 0:03:19 | |
My father went abroad twice in his life. | 0:03:21 | 0:03:25 | |
By "abroad," I mean out of the parish, and he didn't like it. | 0:03:25 | 0:03:29 | |
All of life was in our village. | 0:03:29 | 0:03:31 | |
Joe was my big brother. | 0:03:43 | 0:03:45 | |
It wasn't that I could tell him about the lady from the bus, | 0:03:45 | 0:03:48 | |
but I wanted to be with him, like I always did when the sky fell in. | 0:03:48 | 0:03:53 | |
Or my heart heaved. | 0:03:55 | 0:03:56 | |
Anyway, here's what happened. | 0:04:09 | 0:04:13 | |
-You're going to swim today. -I can't. | 0:04:25 | 0:04:29 | |
No, you will. Here, did I tell you about the drowning? | 0:04:29 | 0:04:33 | |
-No. -I shouldn't. | 0:04:33 | 0:04:35 | |
-Please! -No! | 0:04:35 | 0:04:37 | |
Please! | 0:04:37 | 0:04:39 | |
She was sucked under and never seen again. | 0:04:39 | 0:04:42 | |
Here? | 0:04:42 | 0:04:44 | |
-D'you know what they say? -No. What? | 0:04:44 | 0:04:47 | |
What? | 0:04:51 | 0:04:52 | |
She's looking for a fellow to drown and be with her for ever. | 0:04:56 | 0:05:00 | |
Joe? | 0:05:03 | 0:05:04 | |
Joe! | 0:05:12 | 0:05:13 | |
Joe! | 0:05:18 | 0:05:20 | |
Joe! | 0:05:23 | 0:05:25 | |
Joe! Help! | 0:05:25 | 0:05:26 | |
She's under us, mate. I can feel her, she's underneath us. | 0:05:28 | 0:05:31 | |
Quick, quick. Swim for your life. | 0:05:31 | 0:05:33 | |
Swim. Swim, fella, swim. Come on! Come on. | 0:05:33 | 0:05:37 | |
Swim! That's it, Bert, you're doing it. You're swimming. | 0:05:37 | 0:05:40 | |
Swim to me. Come on. | 0:05:40 | 0:05:42 | |
Oh, look! | 0:06:10 | 0:06:12 | |
JOE LAUGHS | 0:06:12 | 0:06:14 | |
Yeah! | 0:06:14 | 0:06:15 | |
It was her! I saw her. | 0:06:15 | 0:06:18 | |
We should get home. | 0:06:21 | 0:06:22 | |
Do we have to? | 0:06:22 | 0:06:24 | |
It's time to go, Bert. | 0:06:24 | 0:06:26 | |
I'll look after you. All right? | 0:06:28 | 0:06:31 | |
Hello. | 0:06:42 | 0:06:44 | |
Why do you say hello to me? | 0:06:45 | 0:06:47 | |
Why wouldn't I? | 0:06:47 | 0:06:49 | |
What do you want? Who are you? | 0:06:51 | 0:06:54 | |
I'm 19 years old. | 0:07:12 | 0:07:14 | |
You'll stand. | 0:07:14 | 0:07:16 | |
Are you going to ask me, Mother? | 0:07:18 | 0:07:20 | |
Did you get round? | 0:07:21 | 0:07:24 | |
Three sides on me own. | 0:07:24 | 0:07:26 | |
And the sheathing? | 0:07:30 | 0:07:32 | |
I want you in the field at 3.00 tomorrow. Do you understand? | 0:07:44 | 0:07:48 | |
Why are you shivering? | 0:07:48 | 0:07:50 | |
Why's he shivering? | 0:07:54 | 0:07:55 | |
I was teaching him how to swim. | 0:07:55 | 0:07:57 | |
Sit down. | 0:08:03 | 0:08:05 | |
Look at these hands. Look at the work in them. | 0:08:25 | 0:08:29 | |
Swimming? | 0:08:37 | 0:08:39 | |
Swimming?! | 0:08:42 | 0:08:44 | |
Don't look at him. | 0:08:49 | 0:08:50 | |
I said, don't look at him! | 0:08:55 | 0:08:57 | |
Joe. No. Joe. Please! | 0:09:02 | 0:09:05 | |
Joe. | 0:09:13 | 0:09:15 | |
Joe. Joe! | 0:09:15 | 0:09:19 | |
Joe! | 0:09:22 | 0:09:24 | |
Joe! Joe! | 0:09:24 | 0:09:26 | |
I don't want to be in here! | 0:09:26 | 0:09:29 | |
Joe! | 0:09:29 | 0:09:30 | |
Where is he? | 0:09:33 | 0:09:35 | |
I'll wait for him. | 0:09:40 | 0:09:42 | |
Come to bed. | 0:10:55 | 0:10:57 | |
Come to bed, my man. | 0:10:58 | 0:11:01 | |
SEXUAL MOANING | 0:11:14 | 0:11:16 | |
GRUNTING | 0:11:28 | 0:11:29 | |
MOANING STOPS | 0:11:31 | 0:11:33 | |
HE SNORES | 0:11:40 | 0:11:42 | |
I want you to have your life. | 0:12:35 | 0:12:37 | |
You must do everything you can to find it. | 0:12:38 | 0:12:42 | |
You wouldn't leave us, Joe. | 0:12:57 | 0:12:59 | |
HE PANTS | 0:13:49 | 0:13:51 | |
They're my sons. Why aren't they with me? | 0:14:12 | 0:14:15 | |
Why? | 0:14:22 | 0:14:24 | |
Because my left hand is not the right hand, sir. | 0:14:24 | 0:14:27 | |
Mmm-hmm. | 0:14:28 | 0:14:29 | |
Get your hand up. | 0:14:30 | 0:14:32 | |
Why? | 0:14:40 | 0:14:42 | |
Because...my left hand is not the right hand, sir. | 0:14:42 | 0:14:46 | |
Mmm-hmm. | 0:14:46 | 0:14:48 | |
Get it up. | 0:14:48 | 0:14:50 | |
Oh. | 0:14:56 | 0:14:58 | |
Playing games, are we? | 0:14:59 | 0:15:01 | |
HE TUTS | 0:15:03 | 0:15:04 | |
No, no, no, no. | 0:15:04 | 0:15:05 | |
I'm busy here, Mr Eyre, if you don't mind. | 0:15:10 | 0:15:14 | |
Get your hand up. | 0:15:14 | 0:15:16 | |
Up. | 0:15:17 | 0:15:19 | |
Look at me. | 0:15:20 | 0:15:21 | |
Why? | 0:15:25 | 0:15:27 | |
Why?! | 0:15:36 | 0:15:38 | |
Another? | 0:15:52 | 0:15:53 | |
CLOCK CHIMES | 0:16:09 | 0:16:11 | |
Mother says that we'll have water on tap next year. | 0:16:43 | 0:16:47 | |
And then where will you be? | 0:16:47 | 0:16:49 | |
And then where will he be? | 0:16:49 | 0:16:52 | |
It'll get cold, Miss Caroline. | 0:16:52 | 0:16:54 | |
So what are you waiting for? | 0:16:54 | 0:16:56 | |
Poor Joe. | 0:17:18 | 0:17:20 | |
DOOR OPENS | 0:17:39 | 0:17:40 | |
Can you draw, Bert? | 0:17:50 | 0:17:52 | |
Now you. | 0:18:01 | 0:18:03 | |
Do you see that up there? | 0:18:23 | 0:18:26 | |
Copy the shapes. That's all there is to it. | 0:18:28 | 0:18:32 | |
You're tired. | 0:18:33 | 0:18:35 | |
I didn't sleep much. | 0:18:35 | 0:18:37 | |
What time is it now? | 0:18:40 | 0:18:42 | |
It's 3.00. | 0:18:44 | 0:18:46 | |
I promised my father I'd be in the field at 3.00. | 0:18:46 | 0:18:49 | |
Well, I've kept you. | 0:18:49 | 0:18:50 | |
You'd have been finished by now if it wasn't for me. | 0:18:50 | 0:18:53 | |
It's too neat. | 0:19:05 | 0:19:07 | |
THEY LAUGH | 0:19:23 | 0:19:25 | |
Rake and sheath. All in eights. And don't think I won't check. | 0:19:56 | 0:20:00 | |
For this harvest, you have my thanks. | 0:20:18 | 0:20:21 | |
PEOPLE CHEER | 0:20:21 | 0:20:23 | |
Pay me now. Or go and come back when you can pay me. | 0:20:30 | 0:20:34 | |
Some more drinks, Peter. | 0:20:41 | 0:20:43 | |
You thieving bastard! | 0:20:45 | 0:20:47 | |
-Why did you do that, Father? -He's my neighbour. | 0:21:29 | 0:21:32 | |
How long were you teaching for? | 0:21:57 | 0:21:59 | |
A year. | 0:21:59 | 0:22:01 | |
Greek and Latin, to a small boy in a big house. | 0:22:01 | 0:22:04 | |
And why did you leave? | 0:22:05 | 0:22:08 | |
My father wrote to me every Sunday | 0:22:08 | 0:22:09 | |
telling me about the new village he'd come to. | 0:22:09 | 0:22:12 | |
It made me want to be here. | 0:22:12 | 0:22:13 | |
And what do you think? | 0:22:13 | 0:22:15 | |
There's work to do. | 0:22:17 | 0:22:19 | |
Our very own missionary. | 0:22:21 | 0:22:23 | |
So, you'll take them? | 0:22:24 | 0:22:27 | |
What will people think? | 0:22:29 | 0:22:31 | |
John and Charles Wesley have come in by the back door. | 0:22:31 | 0:22:33 | |
I came in the front, Mr Eyre. God doesn't need a back door. | 0:22:33 | 0:22:37 | |
Neither, it seems, do Yorkshirewomen. | 0:22:37 | 0:22:41 | |
What have you done to my son? | 0:22:42 | 0:22:44 | |
Should we starve so he could learn to write? | 0:22:45 | 0:22:49 | |
Does writing ever feed anyone? | 0:22:49 | 0:22:51 | |
I know how hard things are for you. | 0:22:52 | 0:22:54 | |
No, you don't. You have got no idea! | 0:22:54 | 0:22:57 | |
But I also know that a boy needs an education. | 0:22:57 | 0:23:01 | |
They won't dry. Every bloody sheath you've laid east-west. | 0:23:16 | 0:23:21 | |
How many times have I told you? | 0:23:21 | 0:23:23 | |
They only dry if they're north-south. | 0:23:23 | 0:23:26 | |
Come on! Come on! | 0:23:29 | 0:23:32 | |
Tripe and onions in milk and a little liver. | 0:23:42 | 0:23:45 | |
Joe's wages. | 0:23:47 | 0:23:49 | |
I'm going to bed. | 0:23:54 | 0:23:55 | |
Pride is a sin, John. | 0:23:59 | 0:24:00 | |
Then I'm going to hell, because it's all I've got. | 0:24:02 | 0:24:06 | |
Can I have more of that, Mother? | 0:24:21 | 0:24:22 | |
-Of course. -Thanks. | 0:24:22 | 0:24:25 | |
Have you eaten, Mother? | 0:24:30 | 0:24:32 | |
Yes. | 0:24:32 | 0:24:34 | |
Must a man pay all his life for one mistake? Is that God's way? | 0:24:45 | 0:24:51 | |
I forgive you. | 0:24:51 | 0:24:53 | |
I think it is in everything you do and say that you have not. | 0:24:57 | 0:25:03 | |
No, that is you, John. | 0:25:03 | 0:25:05 | |
It is you not allowing my forgiveness in. | 0:25:05 | 0:25:08 | |
Must it always be my fault? | 0:25:08 | 0:25:10 | |
Hurry up! Come on! | 0:25:16 | 0:25:19 | |
Come on. Hurry up! | 0:25:26 | 0:25:28 | |
Your father got his harvest in? | 0:25:38 | 0:25:40 | |
-You ready? -I am. | 0:25:52 | 0:25:54 | |
Right, in your own time, Mr Evans. | 0:25:54 | 0:25:56 | |
Everyone, now I would like you all to run down the hill, | 0:26:01 | 0:26:06 | |
touch the church gate, | 0:26:06 | 0:26:08 | |
turn around and run back up to school as quick as you can. | 0:26:08 | 0:26:11 | |
Quick, go, go, all of you. | 0:26:11 | 0:26:12 | |
Mr Eyre? It's a school photograph, Mr Eyre. | 0:26:12 | 0:26:15 | |
On you go. | 0:26:15 | 0:26:16 | |
Tommy, we are going to run on the spot, come on. | 0:26:18 | 0:26:21 | |
Quick, quick, quick, quick. | 0:26:21 | 0:26:23 | |
Children! Come back! | 0:26:23 | 0:26:26 | |
This is not a sports day! | 0:26:29 | 0:26:32 | |
Come on. Move it! | 0:26:32 | 0:26:35 | |
Back in your places. Stop, stop! | 0:26:36 | 0:26:41 | |
Quick as you can. Back in your same places, everyone. | 0:26:41 | 0:26:45 | |
And we are...jumping on the spot! | 0:26:45 | 0:26:49 | |
Jumping on the spot and... | 0:26:49 | 0:26:53 | |
Three, two, one. | 0:26:53 | 0:26:56 | |
THE CHILDREN CHEER | 0:26:56 | 0:26:58 | |
What's going to happen? | 0:27:01 | 0:27:04 | |
About moles? Five mole catchers in five years. | 0:27:04 | 0:27:07 | |
What's the matter with them? | 0:27:07 | 0:27:09 | |
Are you going to shoot them? | 0:27:23 | 0:27:25 | |
Joe. Middleton. | 0:27:30 | 0:27:32 | |
Arriving without an invitation | 0:27:35 | 0:27:38 | |
and then talking to the waterman before she speaks to us. | 0:27:38 | 0:27:42 | |
It's as though she's selling something. | 0:27:42 | 0:27:45 | |
What are you selling? | 0:27:45 | 0:27:47 | |
The thing to do is rise above and pretend you haven't noticed. | 0:27:47 | 0:27:50 | |
Then she won't have the satisfaction she desires. | 0:27:50 | 0:27:54 | |
Good afternoon, Miss Lane. We were discussing the mole catcher problem. | 0:27:54 | 0:27:58 | |
Well, ask Joe. He'll know. | 0:28:00 | 0:28:02 | |
Joe? | 0:28:02 | 0:28:04 | |
Why do mole catchers die? | 0:28:10 | 0:28:12 | |
Strychnine. | 0:28:14 | 0:28:15 | |
Well, it gets on to your hands. | 0:28:17 | 0:28:19 | |
And then you're breathing it in and then, well, it's in your blood. | 0:28:19 | 0:28:24 | |
And then you die. | 0:28:24 | 0:28:25 | |
What kind of a death? | 0:28:25 | 0:28:27 | |
Great agony. | 0:28:30 | 0:28:32 | |
Off you go, Joe. | 0:28:32 | 0:28:33 | |
Did you see her when she got off the bus? | 0:29:04 | 0:29:06 | |
Sucked-in waist like a man with a sour lollipop. | 0:29:06 | 0:29:09 | |
CHILD CHATTERS | 0:29:11 | 0:29:13 | |
The doctor told us, after I had this one, | 0:29:16 | 0:29:19 | |
he said, "Your Henry may be small but he's certainly fecund." | 0:29:19 | 0:29:23 | |
What does that mean? | 0:29:24 | 0:29:26 | |
Good seed, high yield. Henry the fecund, they call him. | 0:29:26 | 0:29:30 | |
Shh. | 0:29:30 | 0:29:32 | |
It's what a married woman's for | 0:29:32 | 0:29:34 | |
in the eyes of the Lord, eh, Miss Lane? | 0:29:34 | 0:29:36 | |
Birthing, begetting. | 0:29:36 | 0:29:39 | |
There's been that bad winters my Henry said to me, | 0:29:39 | 0:29:42 | |
"Why don't you have a couple of lambs instead of another baby?" | 0:29:42 | 0:29:46 | |
Oh, yes. We're good at begetting, us Bodens. | 0:29:46 | 0:29:50 | |
My Paul will make a woman of you, Agnes, you can bank on that. | 0:29:50 | 0:29:55 | |
CHILD: I can't find the soap. | 0:29:55 | 0:29:57 | |
Oh, dear. | 0:29:57 | 0:29:59 | |
What's it like? Being married? | 0:29:59 | 0:30:02 | |
My mother gave me some advice when I was your age. | 0:30:02 | 0:30:05 | |
She said, "Look after your husband as well as you're able, | 0:30:05 | 0:30:09 | |
"but if he's not happy for reasons that you can't understand, | 0:30:09 | 0:30:12 | |
"there's always something you can do." | 0:30:12 | 0:30:14 | |
What? | 0:30:14 | 0:30:16 | |
Mother him. | 0:30:16 | 0:30:17 | |
What can you see? | 0:30:21 | 0:30:23 | |
Nothing. | 0:30:23 | 0:30:24 | |
Something halfway is about right. | 0:30:26 | 0:30:29 | |
A woman should be halfway between bustle and nothing. | 0:30:29 | 0:30:34 | |
Should be? | 0:30:34 | 0:30:35 | |
Does it matter how a woman looks? | 0:30:37 | 0:30:39 | |
Norma's being courted, Margaret. | 0:30:41 | 0:30:43 | |
Oh, is she now? | 0:30:43 | 0:30:45 | |
Bert! What is it? | 0:30:45 | 0:30:48 | |
Bert? Bert! | 0:30:51 | 0:30:54 | |
What can you see? | 0:30:54 | 0:30:55 | |
What is it? | 0:31:12 | 0:31:14 | |
HE PANTS | 0:31:32 | 0:31:35 | |
Hey! Boy! | 0:31:37 | 0:31:39 | |
Get inside now. | 0:31:39 | 0:31:41 | |
Tell your mother what you were doing! | 0:31:47 | 0:31:49 | |
No? | 0:31:57 | 0:31:59 | |
I'll tell her. | 0:32:00 | 0:32:02 | |
Stone picking for Rutter. | 0:32:05 | 0:32:07 | |
This farm's halfway dead because there's no-one to work it, | 0:32:07 | 0:32:10 | |
and me own son stone picking for Rutter. | 0:32:10 | 0:32:13 | |
-Lie down. -What? -On t'floor. | 0:32:15 | 0:32:18 | |
On your side. | 0:32:21 | 0:32:23 | |
What do you see? | 0:32:25 | 0:32:27 | |
-The door. -What else? | 0:32:27 | 0:32:29 | |
John. | 0:32:29 | 0:32:30 | |
What else? | 0:32:30 | 0:32:31 | |
The floor. | 0:32:31 | 0:32:33 | |
What about it? | 0:32:34 | 0:32:36 | |
There's a dip near the door. | 0:32:41 | 0:32:45 | |
And there's a dip here... | 0:32:46 | 0:32:48 | |
..near t'fire place, | 0:32:50 | 0:32:51 | |
where five generations of this family have stood. | 0:32:51 | 0:32:55 | |
The highest point is under the table because the table has never moved | 0:32:55 | 0:32:59 | |
and no-one's ever trodden on it under there. | 0:32:59 | 0:33:03 | |
This is our floor. | 0:33:03 | 0:33:05 | |
This is our farm. | 0:33:10 | 0:33:11 | |
And I will not let it go. | 0:33:13 | 0:33:16 | |
Catch. | 0:33:33 | 0:33:34 | |
Magnum Bonum. | 0:33:36 | 0:33:37 | |
It's the name of the potato. | 0:33:39 | 0:33:41 | |
Where are you off to? | 0:33:49 | 0:33:51 | |
I'm looking for elderberry. | 0:33:51 | 0:33:52 | |
You put it on the blinkers and the flies don't like it. | 0:33:52 | 0:33:56 | |
-The horse. -Big Molly. | 0:33:56 | 0:33:58 | |
I could help. | 0:33:58 | 0:34:00 | |
If you want me to. | 0:34:01 | 0:34:03 | |
Can't see any. | 0:34:13 | 0:34:15 | |
Across the bridge. | 0:34:15 | 0:34:17 | |
THEY LAUGH | 0:34:22 | 0:34:24 | |
Y'all right? | 0:34:32 | 0:34:34 | |
Eh, look at you, Bert Middleton. In. | 0:34:35 | 0:34:39 | |
What's the matter with ya? He's your brother. | 0:34:39 | 0:34:42 | |
-HE CHUCKLES -Come on, Bert. | 0:34:42 | 0:34:45 | |
THEY LAUGH | 0:34:50 | 0:34:52 | |
Get in! | 0:34:52 | 0:34:53 | |
Don't know what you're laughing at. | 0:35:01 | 0:35:03 | |
Now, did I ever tell you about the big flood? | 0:35:05 | 0:35:10 | |
BOTH: Yes, Mother. | 0:35:10 | 0:35:11 | |
Here y'are, look at them. | 0:35:16 | 0:35:18 | |
We might get dirty. | 0:35:24 | 0:35:26 | |
British Bulldogs! | 0:35:30 | 0:35:32 | |
INDISTINCT YELLING | 0:35:32 | 0:35:34 | |
British Bulldogs, one, two three! | 0:35:37 | 0:35:40 | |
British Bulldogs, one, two, three! | 0:35:53 | 0:35:56 | |
British Bulldogs, one, two, three! | 0:36:07 | 0:36:10 | |
British Bulldogs, one, two, three! | 0:36:32 | 0:36:34 | |
BOYS CHATTER AND CHEER | 0:36:59 | 0:37:01 | |
Early for lunch. | 0:37:39 | 0:37:41 | |
Rise above, baby. | 0:37:41 | 0:37:42 | |
Thank you very much. | 0:37:59 | 0:38:00 | |
Are these Magnum Bonum? | 0:38:04 | 0:38:06 | |
I thought Magnum Bonum was the Home Secretary. | 0:38:06 | 0:38:09 | |
THEY LAUGH | 0:38:09 | 0:38:11 | |
Are you a suffragist, Miss Lane? | 0:38:12 | 0:38:14 | |
I'm a Suffragette, yes. | 0:38:16 | 0:38:17 | |
Active? | 0:38:17 | 0:38:19 | |
Well, it wasn't me who placed the bomb under the coronation chair, | 0:38:19 | 0:38:22 | |
if that's what you're asking. | 0:38:22 | 0:38:24 | |
We all heard it in the House. McKenna was speaking... | 0:38:24 | 0:38:27 | |
The Home Secretary. | 0:38:27 | 0:38:28 | |
-..and to his very great credit... -No, thank you. | 0:38:28 | 0:38:31 | |
..he continued with his speech. | 0:38:31 | 0:38:33 | |
Would you give such women the vote? | 0:38:34 | 0:38:37 | |
Is she less worthy of the vote than the drunkard who has it now? | 0:38:37 | 0:38:40 | |
Or the wife beater who can vote? | 0:38:40 | 0:38:43 | |
Politics, politics. This is a home, not a public place. | 0:38:43 | 0:38:47 | |
Is it? | 0:38:47 | 0:38:49 | |
Thank you. | 0:38:49 | 0:38:50 | |
In women alone rests the preservation of peace in the home. | 0:38:54 | 0:38:58 | |
And it's that peace which inspires work all across the Empire. | 0:38:58 | 0:39:02 | |
The Suffragettes are reckless and foolish. | 0:39:03 | 0:39:06 | |
-Reckless and foolish. -Like Miss Davison. | 0:39:06 | 0:39:08 | |
Hm. | 0:39:08 | 0:39:10 | |
I admired Emily Davison. | 0:39:10 | 0:39:11 | |
And what is it you admired in her? | 0:39:11 | 0:39:14 | |
Her bravery. | 0:39:14 | 0:39:15 | |
But courage isn't always a virtue, | 0:39:15 | 0:39:17 | |
and the consequences of courage are not always virtuous. | 0:39:17 | 0:39:21 | |
Does it serve your cause, I wonder? | 0:39:21 | 0:39:24 | |
I wonder. | 0:39:24 | 0:39:26 | |
What do you mean? | 0:39:26 | 0:39:28 | |
Well, should one give the vote to people who hurl themselves in front of horses? | 0:39:28 | 0:39:33 | |
Drunkards and wife beaters, people who run in front of horses, | 0:39:33 | 0:39:38 | |
you defeat your own argument, Miss Lane. | 0:39:38 | 0:39:41 | |
But I do have you talking politics, Lady Allingham. | 0:39:41 | 0:39:43 | |
Miss Lane. Lady Allingham. | 0:39:43 | 0:39:46 | |
Emily Davison was an hysteric with an uncommon zeal | 0:39:48 | 0:39:52 | |
for harming herself. | 0:39:52 | 0:39:53 | |
Martyrdom was her only aim in life. | 0:39:53 | 0:39:56 | |
And I for one am happy that she has satisfied her ambition. | 0:39:56 | 0:39:59 | |
But I have lost any interest I had in her because the attention | 0:40:00 | 0:40:05 | |
of all right thinking men, people, women, must be on what is coming. | 0:40:05 | 0:40:11 | |
What is coming? | 0:40:11 | 0:40:13 | |
What is coming? | 0:40:16 | 0:40:18 | |
War, Caro. | 0:40:19 | 0:40:22 | |
War, baby. | 0:40:23 | 0:40:25 | |
What do we think of that? | 0:40:26 | 0:40:28 | |
Hey? What do you think of that? | 0:40:28 | 0:40:30 | |
Boot production. I have plans. | 0:40:37 | 0:40:40 | |
Oh, do you? | 0:40:40 | 0:40:42 | |
I'm going to make boots with flaps over the lace-holes | 0:40:44 | 0:40:47 | |
and double tongues so no water can enter. | 0:40:47 | 0:40:51 | |
I think three years would be the life of such a boot and then... | 0:40:51 | 0:40:55 | |
..at the end of the three years, we'd clump it. | 0:40:58 | 0:41:02 | |
That's another leather sole riveted on, | 0:41:02 | 0:41:05 | |
which would give the life of the boot another two years. | 0:41:05 | 0:41:08 | |
Oh, how interesting. Why are you telling us all this? | 0:41:08 | 0:41:11 | |
Your opinion would be valuable to me. | 0:41:16 | 0:41:19 | |
Oh, how, how valuable? | 0:41:19 | 0:41:21 | |
I've been led to believe the business classes | 0:41:21 | 0:41:23 | |
have a reputation for straight talking, Mr Hankin. | 0:41:23 | 0:41:26 | |
Oh, politics and business, all in one lunchtime. | 0:41:26 | 0:41:29 | |
I think it's my fault, Lady Allingham. | 0:41:29 | 0:41:31 | |
The men have followed our lead. | 0:41:31 | 0:41:33 | |
She's a Methodist, Atherton. They don't. | 0:41:35 | 0:41:39 | |
All six of them plague victims, all under ten years old. | 0:41:50 | 0:41:53 | |
All died within three weeks of each other. | 0:41:53 | 0:41:56 | |
July 1682. | 0:41:56 | 0:41:58 | |
Why are you showing me this? | 0:41:58 | 0:42:00 | |
Herbert, Richard, Harold, Beatrice, Elizabeth and George. | 0:42:00 | 0:42:05 | |
Another George. | 0:42:05 | 0:42:07 | |
They're my family. | 0:42:07 | 0:42:09 | |
We belong here. | 0:42:11 | 0:42:13 | |
Why up here? | 0:42:15 | 0:42:17 | |
No burials in the churchyard. | 0:42:17 | 0:42:19 | |
They thought the dead could contaminate the living. | 0:42:19 | 0:42:22 | |
She carried her dead children up here to put them in the ground. | 0:42:23 | 0:42:28 | |
That picture... | 0:42:28 | 0:42:30 | |
It's in all of my dreams. | 0:42:32 | 0:42:33 | |
Who? | 0:42:59 | 0:43:00 | |
George Allingham. Alone. | 0:43:00 | 0:43:03 | |
Kissing. | 0:43:04 | 0:43:06 | |
Father? Father? | 0:43:15 | 0:43:18 | |
DOOR OPENS | 0:43:19 | 0:43:21 | |
Father. | 0:43:23 | 0:43:25 | |
Is the bank holiday over? | 0:43:31 | 0:43:33 | |
Yes, it is. | 0:43:38 | 0:43:39 | |
SHE SOBS | 0:44:16 | 0:44:17 | |
We might get dirty. | 0:44:27 | 0:44:29 | |
All pals together, Paul says. | 0:44:44 | 0:44:47 | |
And Joe? | 0:44:49 | 0:44:50 | |
Yes. | 0:44:50 | 0:44:52 | |
Can I listen? | 0:45:02 | 0:45:04 | |
THEY GIGGLE | 0:45:07 | 0:45:08 | |
Arnold Hankin proposed to me. | 0:45:14 | 0:45:16 | |
No. No! Have you said yes? | 0:45:16 | 0:45:18 | |
I told him I'd give him the answer tomorrow. | 0:45:18 | 0:45:20 | |
He's an ambitious man, Mr Hankin. | 0:45:20 | 0:45:22 | |
You'll want to be careful, Martha. | 0:45:22 | 0:45:25 | |
You don't want to end up one of the great un-enjoyed. | 0:45:25 | 0:45:28 | |
Whoa! | 0:45:34 | 0:45:35 | |
HE GROANS | 0:45:38 | 0:45:39 | |
Can I listen? | 0:45:47 | 0:45:48 | |
To what? | 0:45:51 | 0:45:52 | |
To what? | 0:45:52 | 0:45:53 | |
Your belly. | 0:45:54 | 0:45:56 | |
Why? | 0:45:56 | 0:45:57 | |
I don't know. | 0:45:59 | 0:46:00 | |
How will he fare in his old man's chair if he doesn't have a go? | 0:46:17 | 0:46:21 | |
What's that? That's not you. | 0:46:21 | 0:46:24 | |
Where the bloody hell did you pick that up? | 0:46:24 | 0:46:27 | |
We can... | 0:46:27 | 0:46:29 | |
We can...what, Grace? | 0:46:29 | 0:46:30 | |
He goes and you with another baby on t'way. | 0:46:32 | 0:46:34 | |
Joe, Joe, Joe, Joe. Joe. Joe. | 0:46:50 | 0:46:54 | |
Joe. | 0:46:54 | 0:46:55 | |
I can't bear it if you're not free. | 0:46:55 | 0:46:59 | |
Please. | 0:46:59 | 0:47:00 | |
What am I if I can't give that to you? | 0:47:02 | 0:47:05 | |
Don't you see? | 0:47:05 | 0:47:07 | |
My lovely boy. | 0:47:08 | 0:47:10 | |
Please. For me. | 0:47:10 | 0:47:13 | |
I want you to go. | 0:47:15 | 0:47:18 | |
Joe! | 0:47:45 | 0:47:47 | |
Shoes off, please, sir. | 0:48:09 | 0:48:11 | |
Under. | 0:48:17 | 0:48:19 | |
-Excuse me... -Next! | 0:48:20 | 0:48:22 | |
Shoes off. | 0:48:25 | 0:48:26 | |
Thank you. | 0:48:34 | 0:48:36 | |
Next! | 0:48:38 | 0:48:40 | |
It wouldn't be right for the school if we were to both volunteer, so... | 0:48:42 | 0:48:45 | |
Morning, sir. | 0:48:45 | 0:48:47 | |
I won't stand in your way. | 0:48:47 | 0:48:49 | |
-Morning, sir. -Morning. | 0:48:49 | 0:48:51 | |
After all, you are the...younger man. | 0:48:51 | 0:48:55 | |
Morning, sir. | 0:48:57 | 0:48:59 | |
Middleton. | 0:48:59 | 0:49:01 | |
Who can tell me, what did the Viking invader come in? Anyone? | 0:49:03 | 0:49:10 | |
-Tommy? -Ships, sir. | 0:49:13 | 0:49:15 | |
No. | 0:49:17 | 0:49:18 | |
Alf? | 0:49:21 | 0:49:23 | |
Dreadnoughts, sir? | 0:49:23 | 0:49:25 | |
THE STUDENTS LAUGH | 0:49:25 | 0:49:27 | |
No. Anyone else? | 0:49:27 | 0:49:31 | |
-Gilbert. -Longboats, sir. | 0:49:33 | 0:49:35 | |
No. | 0:49:36 | 0:49:38 | |
SLAMS FIST | 0:49:44 | 0:49:45 | |
They came in anger. | 0:49:45 | 0:49:48 | |
And what did they do when they got here? | 0:49:59 | 0:50:01 | |
They pillaged. | 0:50:03 | 0:50:04 | |
They burnt our villages. What did they do to our women? | 0:50:05 | 0:50:09 | |
They took their honour. | 0:50:12 | 0:50:13 | |
DOOR OPENS | 0:50:14 | 0:50:16 | |
Get home. Get home now! | 0:50:17 | 0:50:20 | |
Mildew! It's all ruined! | 0:50:38 | 0:50:40 | |
Ruined! | 0:50:42 | 0:50:44 | |
DOG BARKS | 0:52:06 | 0:52:08 | |
SHE MOANS | 0:52:41 | 0:52:43 | |
-Right, lads. -Right, mate. | 0:53:24 | 0:53:26 | |
Good luck, our George! | 0:53:29 | 0:53:31 | |
APPLAUSE AND CHEERING | 0:53:31 | 0:53:33 | |
TUBA PLAYS | 0:53:39 | 0:53:41 | |
Come with me. | 0:53:48 | 0:53:50 | |
BAND PLAYS LAND OF HOPE AND GLORY | 0:54:02 | 0:54:05 | |
Will you marry me? | 0:54:51 | 0:54:53 | |
Yes. | 0:54:53 | 0:54:54 | |
CROWD CHEER | 0:54:54 | 0:54:56 | |
HE TUTS | 0:55:09 | 0:55:11 | |
You proved you can write, when you want to. | 0:55:12 | 0:55:16 | |
Hit me instead, please, sir. | 0:55:43 | 0:55:45 | |
Sir? Please? | 0:55:53 | 0:55:54 | |
Shhh. | 0:55:54 | 0:55:56 | |
HE SWALLOWS | 0:57:05 | 0:57:07 | |
CHEERING, HORNS BEEPING | 0:57:13 | 0:57:16 | |
Middleton! | 0:57:21 | 0:57:23 | |
Joe! | 0:57:25 | 0:57:27 | |
Look, it's a German dog. Get it. | 0:57:29 | 0:57:32 | |
Get it. It's a German dog. Get it. | 0:57:32 | 0:57:35 | |
Stop! Joe! Stop! | 0:57:38 | 0:57:40 | |
HORN HOOTS | 0:57:40 | 0:57:41 | |
DOG WHINES | 0:57:41 | 0:57:43 | |
Stop! | 0:57:43 | 0:57:44 | |
Get it! | 0:57:44 | 0:57:46 | |
Stop! Stop! | 0:57:46 | 0:57:49 | |
There he is. | 0:58:06 | 0:58:08 | |
It's as if you were there. | 0:58:11 | 0:58:13 | |
There he is. That's how he looked. | 0:58:18 | 0:58:21 | |
It's as if you were there. | 0:58:23 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |