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Mildew! The whole crop is ruined! | 0:00:05 | 0:00:08 | |
Poor Joe. | 0:00:09 | 0:00:11 | |
BRASS BAND PLAYS "Land Of Hope And Glory" | 0:00:11 | 0:00:16 | |
Look, it's a German dog! Get it! | 0:00:22 | 0:00:24 | |
Stop! | 0:00:24 | 0:00:25 | |
This programme contains some scenes which some viewers may find upsetting | 0:00:27 | 0:00:34 | |
What was your childhood like? | 0:00:59 | 0:01:01 | |
Short. | 0:01:01 | 0:01:02 | |
What made it short? | 0:01:02 | 0:01:04 | |
Being poor, being hungry. | 0:01:05 | 0:01:07 | |
I said to my father, "What about a change? What about dairy farming?" | 0:01:09 | 0:01:12 | |
"What with?" he said. | 0:01:13 | 0:01:15 | |
"Maybe we can sell you so that we could buy a cow." | 0:01:17 | 0:01:19 | |
I knew he didn't mean it. | 0:01:21 | 0:01:23 | |
But I also knew that if we were going to survive, we had to do something. | 0:01:25 | 0:01:29 | |
And what really mattered was what Joe said to me before he went. | 0:01:31 | 0:01:35 | |
He said it was down to me to look after everyone. | 0:01:35 | 0:01:39 | |
He made you responsible. | 0:01:43 | 0:01:45 | |
I... he... he sent us a postcard. | 0:01:55 | 0:01:58 | |
Would you like to see it? | 0:01:58 | 0:01:59 | |
Stay away from my hands, they shake because I'm old. | 0:02:00 | 0:02:04 | |
That's all it is. | 0:02:06 | 0:02:07 | |
There you go, Grace. | 0:02:16 | 0:02:17 | |
Thank you. | 0:02:17 | 0:02:18 | |
"I am quite well." | 0:02:35 | 0:02:37 | |
Is that all? | 0:02:37 | 0:02:38 | |
It's enough. | 0:02:38 | 0:02:40 | |
I'll go and see to Peggy. | 0:02:43 | 0:02:45 | |
There you are, young man. | 0:03:15 | 0:03:16 | |
Thank you. | 0:03:16 | 0:03:17 | |
DOOR CLOSES | 0:03:18 | 0:03:20 | |
The doctor never comes. | 0:03:34 | 0:03:36 | |
Just issues the certificate, that's all. | 0:03:36 | 0:03:39 | |
Are you dying? | 0:03:41 | 0:03:42 | |
What if they bury me and I'm still alive? | 0:03:44 | 0:03:46 | |
Swear. | 0:03:55 | 0:03:57 | |
It's supposed to be one part water to three parts beer. | 0:04:05 | 0:04:08 | |
There's a war on. | 0:04:08 | 0:04:10 | |
See you at chapel, mother. | 0:05:16 | 0:05:18 | |
Baby! | 0:05:53 | 0:05:55 | |
Baby! | 0:05:57 | 0:05:58 | |
Baby! | 0:06:00 | 0:06:02 | |
Baby! | 0:06:03 | 0:06:05 | |
Is she all right? | 0:06:05 | 0:06:07 | |
Baby! | 0:06:07 | 0:06:08 | |
Baby! | 0:06:10 | 0:06:13 | |
You'll need to hurry. | 0:06:13 | 0:06:14 | |
I'm not coming. | 0:06:18 | 0:06:19 | |
Hmmm? | 0:06:19 | 0:06:21 | |
I'm going to chapel. | 0:06:21 | 0:06:22 | |
How's Joe? | 0:06:33 | 0:06:34 | |
Off the face a little, perhaps? | 0:07:40 | 0:07:41 | |
Oh, no. | 0:07:41 | 0:07:43 | |
There's too much looking at the ground | 0:07:44 | 0:07:46 | |
and closing one's eyes in our worship. | 0:07:46 | 0:07:48 | |
An open face turned upwards is a true Sunday face. | 0:07:48 | 0:07:51 | |
Is your husband here? | 0:07:57 | 0:07:59 | |
No. | 0:07:59 | 0:08:00 | |
I thought I might walk with him to chapel. | 0:08:02 | 0:08:05 | |
He some... | 0:08:05 | 0:08:06 | |
He... | 0:08:06 | 0:08:08 | |
Would you like one of these? | 0:08:08 | 0:08:09 | |
Please? | 0:08:11 | 0:08:13 | |
Sorry. | 0:08:23 | 0:08:24 | |
You go on. | 0:08:33 | 0:08:34 | |
I know what the sermon is, I've heard it a dozen times this week. | 0:08:34 | 0:08:38 | |
I'll wait for him. | 0:08:39 | 0:08:40 | |
Baby! | 0:09:37 | 0:09:38 | |
Baby! | 0:09:39 | 0:09:41 | |
Baby! | 0:09:46 | 0:09:47 | |
TWIG BREAKS | 0:10:00 | 0:10:02 | |
Baby? | 0:10:02 | 0:10:03 | |
RUSTLING | 0:10:04 | 0:10:06 | |
Caro! | 0:10:51 | 0:10:53 | |
CHURCH BELLS RING | 0:11:01 | 0:11:05 | |
Where's baby? | 0:11:09 | 0:11:10 | |
I don't... | 0:11:11 | 0:11:12 | |
Where's baby? | 0:11:16 | 0:11:17 | |
ORGAN MUSIC PLAYS | 0:11:54 | 0:11:59 | |
# ..may thy presence | 0:12:31 | 0:12:34 | |
# With us ever more be found. # | 0:12:34 | 0:12:39 | |
Look. | 0:12:42 | 0:12:43 | |
Jesus Christ with a machine gun | 0:12:46 | 0:12:49 | |
mowing down German farmers and factory workers. | 0:12:49 | 0:12:53 | |
God is on our side. | 0:12:54 | 0:12:56 | |
And look, St Peter thrusting a bayonet into the belly | 0:12:57 | 0:13:02 | |
of a German coal miner. | 0:13:02 | 0:13:04 | |
Does he care if his victim is saved or not? | 0:13:05 | 0:13:07 | |
Why should he? | 0:13:09 | 0:13:10 | |
God is on our side. | 0:13:12 | 0:13:14 | |
Where have you been? | 0:13:19 | 0:13:20 | |
The Lamb? | 0:13:21 | 0:13:23 | |
What do you want? | 0:13:25 | 0:13:27 | |
What do you think the answer to that is? | 0:13:27 | 0:13:29 | |
Don't be afraid. | 0:13:35 | 0:13:36 | |
-No. -I'm here. | 0:13:39 | 0:13:40 | |
I'm here now, John. | 0:13:42 | 0:13:44 | |
Get away. Get away from me. | 0:13:50 | 0:13:52 | |
Give me your hand. | 0:13:52 | 0:13:53 | |
Come unto me. | 0:13:56 | 0:13:57 | |
Don't you touch me! | 0:14:01 | 0:14:02 | |
I won't take no for an answer. | 0:14:04 | 0:14:07 | |
What is the preacher in his pulpit in Berlin saying? | 0:14:12 | 0:14:15 | |
In Hamburg? | 0:14:17 | 0:14:18 | |
In Frankfurt? | 0:14:20 | 0:14:21 | |
In Frankfurt, and Munich, | 0:14:28 | 0:14:32 | |
and up and down the Rhine? | 0:14:32 | 0:14:33 | |
What is he telling his congregation? | 0:14:34 | 0:14:37 | |
Gott mit uns. | 0:14:37 | 0:14:39 | |
God is on our side. | 0:14:43 | 0:14:45 | |
It's in your hands to put yourself in God's hands. | 0:15:04 | 0:15:08 | |
Make the journey from pew... | 0:15:11 | 0:15:15 | |
..to penitent bench. | 0:15:18 | 0:15:19 | |
From lost to found. | 0:15:21 | 0:15:25 | |
Oi! | 0:15:47 | 0:15:48 | |
There was feeling in your singing. | 0:15:50 | 0:15:52 | |
The words go up. | 0:15:53 | 0:15:55 | |
And they are heard. | 0:15:55 | 0:15:56 | |
What is it? Are you embarrassed to be seen with me? | 0:16:01 | 0:16:03 | |
You don't know me. | 0:16:05 | 0:16:07 | |
I know that despair is easier than hope | 0:16:07 | 0:16:09 | |
and that self-pity feeds despair. | 0:16:10 | 0:16:12 | |
Breathe in. | 0:16:15 | 0:16:16 | |
Below despair. Smell it. | 0:16:20 | 0:16:21 | |
-Smell me. -Step back, Middleton. | 0:16:23 | 0:16:25 | |
Grace. Have you met George Allingham? George Allingham. Grace Middleton. | 0:16:27 | 0:16:32 | |
What were you doing at the house this morning? | 0:16:37 | 0:16:40 | |
You must be mistaken. | 0:16:40 | 0:16:42 | |
John Middleton was in chapel this morning. But he'd been here first. | 0:16:52 | 0:16:56 | |
Eh? | 0:16:56 | 0:16:57 | |
Lloyd George said it better than I can. | 0:16:57 | 0:17:00 | |
We're fighting Germany, Austria and drink. | 0:17:00 | 0:17:02 | |
You are destroying a man's life. | 0:17:02 | 0:17:04 | |
It's his choice. | 0:17:04 | 0:17:05 | |
He drinks, he doesn't feed his family, they suffer. | 0:17:05 | 0:17:07 | |
It's not Bert Middleton's choice, is it? | 0:17:07 | 0:17:09 | |
He wasn't here. | 0:17:09 | 0:17:10 | |
So you were open. | 0:17:10 | 0:17:12 | |
The Defence of the Realm Act states that opening hours | 0:17:12 | 0:17:15 | |
are strictly limited to... | 0:17:15 | 0:17:17 | |
Oh, it's Dora! We love Dora, don't we, boys? | 0:17:17 | 0:17:20 | |
There's nothing we wouldn't do for Dora. | 0:17:20 | 0:17:23 | |
# 3 and 6 to 9, Dora, we love you | 0:17:23 | 0:17:26 | |
# Get 'em in and get 'em down | 0:17:26 | 0:17:29 | |
# Dora, we love you | 0:17:29 | 0:17:31 | |
# We'll drink and drink in half the time | 0:17:31 | 0:17:34 | |
# An open throat is not a crime | 0:17:34 | 0:17:37 | |
# Cos Dora, we love you. # | 0:17:37 | 0:17:41 | |
ALL CHEER | 0:17:41 | 0:17:43 | |
Why are you so interested in helping a man like John Middleton? | 0:17:43 | 0:17:48 | |
We're wondering why you would do that? | 0:17:48 | 0:17:51 | |
Doing the devil's work now? | 0:17:53 | 0:17:55 | |
We'll pray for you. Won't we, boys? | 0:17:58 | 0:18:00 | |
Our Father, which art in heaven. | 0:18:01 | 0:18:04 | |
Hallowed be thy name! | 0:18:04 | 0:18:06 | |
Thy kingdom come... | 0:18:06 | 0:18:07 | |
You've got them praying in the pub? | 0:18:17 | 0:18:19 | |
Why were you at chapel? | 0:18:19 | 0:18:21 | |
Have you converted to Methodism? | 0:18:21 | 0:18:23 | |
I was impressed with what your father had to say. | 0:18:24 | 0:18:26 | |
Did you have advance notice of his sermon? | 0:18:28 | 0:18:30 | |
No. | 0:18:32 | 0:18:33 | |
Then your answer to my question makes no sense. | 0:18:33 | 0:18:35 | |
I came to chapel to see you. | 0:18:38 | 0:18:39 | |
Morning. | 0:18:43 | 0:18:44 | |
Please be honest with me. | 0:18:44 | 0:18:45 | |
Is my case hopeless? | 0:18:48 | 0:18:50 | |
May I know his identity? | 0:18:54 | 0:18:56 | |
He doesn't know my feelings. | 0:18:57 | 0:18:58 | |
I see. | 0:19:00 | 0:19:01 | |
I'm sorry. | 0:19:05 | 0:19:06 | |
Is it Joe Middleton? | 0:19:13 | 0:19:14 | |
I'm sorry I hit you. | 0:19:37 | 0:19:38 | |
Give me your shirt. | 0:19:40 | 0:19:41 | |
I said I'm sorry. | 0:19:56 | 0:19:57 | |
"Step back, Middleton." | 0:20:18 | 0:20:20 | |
"George Allingham. Grace Middleton." | 0:20:27 | 0:20:29 | |
"What were you doing at the house this morning?" | 0:20:32 | 0:20:35 | |
Nothing. | 0:20:42 | 0:20:43 | |
Would you? | 0:21:10 | 0:21:11 | |
Oh, Miss Caro. | 0:21:14 | 0:21:15 | |
Caro? | 0:21:16 | 0:21:17 | |
Caro? | 0:21:19 | 0:21:21 | |
You'll catch your death. Let me take that from you. | 0:21:21 | 0:21:24 | |
Caro? | 0:21:26 | 0:21:27 | |
Take this blanket. | 0:21:28 | 0:21:30 | |
Wrap yourself... | 0:21:32 | 0:21:33 | |
Thank you, Mrs H. Would you see to our guests? | 0:21:36 | 0:21:40 | |
Baby, erm... | 0:21:43 | 0:21:44 | |
Sssh. | 0:21:46 | 0:21:47 | |
WOMAN SCREAMS | 0:21:47 | 0:21:51 | |
Sit down. | 0:21:52 | 0:21:53 | |
Sit, sit down. Thank you, Jane. | 0:21:53 | 0:21:55 | |
Stay there. | 0:21:56 | 0:21:57 | |
Polly, what on earth is the matter with you? | 0:21:59 | 0:22:01 | |
What? | 0:22:03 | 0:22:04 | |
A maid saw a mouse. | 0:22:21 | 0:22:22 | |
Anyone would think the world was ending. | 0:22:24 | 0:22:26 | |
And what is it you thought you saw, Polly? | 0:22:33 | 0:22:36 | |
She was in her nightdress. | 0:22:37 | 0:22:39 | |
You do not speak about this to anyone. Do you understand? | 0:22:39 | 0:22:42 | |
Don't you want to know who was coming out of the woods behind her? | 0:22:42 | 0:22:45 | |
Mrs H? | 0:22:45 | 0:22:47 | |
And the family should know, shouldn't they? | 0:22:47 | 0:22:50 | |
Spot of advice. | 0:22:53 | 0:22:55 | |
Don't be caught with your trousers down. | 0:22:57 | 0:22:59 | |
Uh. No. | 0:22:59 | 0:23:01 | |
Sorry, what? | 0:23:03 | 0:23:04 | |
Kitchener. | 0:23:05 | 0:23:06 | |
Kitchener has promised the French we'll have 75 new brigades | 0:23:07 | 0:23:10 | |
in the field by June. | 0:23:10 | 0:23:12 | |
That's 35,000 men a week. | 0:23:12 | 0:23:14 | |
The number of men volunteering is falling. | 0:23:14 | 0:23:17 | |
Ergo... | 0:23:17 | 0:23:18 | |
Conscription. | 0:23:19 | 0:23:21 | |
Round the corner. | 0:23:21 | 0:23:23 | |
35,000 new pairs of boots a week. | 0:23:23 | 0:23:26 | |
The Department Of War is looking for factories | 0:23:28 | 0:23:30 | |
that can cope with a huge increase in demand. | 0:23:30 | 0:23:32 | |
But if what you're saying is right, | 0:23:32 | 0:23:35 | |
I'm going to be losing my workers to the army. | 0:23:35 | 0:23:37 | |
Do women go to war? | 0:23:37 | 0:23:38 | |
Hello, George. | 0:23:39 | 0:23:41 | |
-What's the matter? -Hmm? | 0:23:42 | 0:23:44 | |
Polly looked like she'd seen a ghost. | 0:23:44 | 0:23:46 | |
No, not a ghost. A mouse. | 0:23:46 | 0:23:47 | |
Then who is the doctor for? | 0:23:48 | 0:23:50 | |
Ah, Doctor. | 0:23:56 | 0:24:00 | |
She's fine. That is to say, she's not unwell. | 0:24:02 | 0:24:06 | |
Your daughter is five months pregnant. | 0:24:09 | 0:24:11 | |
Look, we must all work very hard | 0:24:23 | 0:24:27 | |
at making sure that nothing else happens. | 0:24:27 | 0:24:31 | |
There is too much happening. | 0:24:31 | 0:24:32 | |
Sacrifice, duty, loyalty, the other cheek, the blind eye. | 0:24:36 | 0:24:42 | |
What are you talking about? | 0:24:42 | 0:24:43 | |
What do these have in common? | 0:24:45 | 0:24:47 | |
They're passive, mother. They're passive! | 0:24:49 | 0:24:52 | |
I don't understand. | 0:24:52 | 0:24:53 | |
They want things from us. They want to take from us. | 0:24:53 | 0:24:56 | |
I mean, I don't blame them, | 0:24:56 | 0:24:57 | |
and I'll even admit that their cause is sometimes just, | 0:24:57 | 0:24:59 | |
but when they come into our lives and behave like animals, | 0:24:59 | 0:25:03 | |
I will not, for the sake of our name or anything else... | 0:25:03 | 0:25:05 | |
Don't speechmake at me, Edmund. | 0:25:05 | 0:25:07 | |
You're not in the House of Commons now. I'm your mother. | 0:25:07 | 0:25:09 | |
I've seen you mewl and puke and defecate. | 0:25:11 | 0:25:14 | |
Words are the least honest thing that come out of you. | 0:25:14 | 0:25:17 | |
What have you done? | 0:25:17 | 0:25:18 | |
-I've sent for a man. -A man? | 0:25:21 | 0:25:23 | |
-He's coming from Chesterfield. -What man? | 0:25:23 | 0:25:25 | |
What man? | 0:25:27 | 0:25:28 | |
A detective, the best. | 0:25:29 | 0:25:30 | |
He pulled her back by the arm. | 0:25:34 | 0:25:36 | |
You saw that? | 0:25:37 | 0:25:38 | |
Yes. | 0:25:38 | 0:25:40 | |
Did you see her go into the woods? | 0:25:40 | 0:25:42 | |
No. | 0:25:42 | 0:25:44 | |
Right. | 0:25:44 | 0:25:45 | |
Did you hear what was said? | 0:25:45 | 0:25:47 | |
She was calling out. | 0:25:47 | 0:25:49 | |
Well, what did she say? | 0:25:52 | 0:25:53 | |
Come on! | 0:25:56 | 0:25:58 | |
You won't say because you can't, | 0:26:00 | 0:26:02 | |
because she didn't call out, did she, Polly? | 0:26:02 | 0:26:04 | |
Did she, Polly!? | 0:26:06 | 0:26:07 | |
Oh, for God's sake! | 0:26:10 | 0:26:11 | |
SHE HYPERVENTILATES | 0:26:13 | 0:26:17 | |
Caro, you can tell me. | 0:26:30 | 0:26:31 | |
Middleton? | 0:26:36 | 0:26:37 | |
Why was he here this morning? | 0:26:40 | 0:26:41 | |
Hmm? | 0:26:43 | 0:26:44 | |
Did you tell him about...? | 0:26:46 | 0:26:47 | |
When it happened... | 0:26:52 | 0:26:54 | |
..did he, did he force himself... | 0:26:59 | 0:27:01 | |
..on you? | 0:27:03 | 0:27:04 | |
Caro, I know that this must be really difficult... | 0:27:06 | 0:27:08 | |
It's not him. | 0:27:08 | 0:27:09 | |
When I... | 0:27:16 | 0:27:18 | |
Middleton? | 0:27:18 | 0:27:19 | |
Joe... | 0:27:25 | 0:27:26 | |
Don't tell. You promise. | 0:27:27 | 0:27:31 | |
Caro. | 0:27:31 | 0:27:32 | |
Just help me, George. | 0:27:38 | 0:27:40 | |
Yes? | 0:28:08 | 0:28:09 | |
Just a small loaf. | 0:28:10 | 0:28:11 | |
It's a tiny bit under. | 0:28:16 | 0:28:17 | |
Do you want the makeweight? | 0:28:19 | 0:28:20 | |
Yes, please. | 0:28:20 | 0:28:21 | |
Tuppence. | 0:28:38 | 0:28:39 | |
Erm, I'm sor... but I thought..? | 0:28:40 | 0:28:42 | |
Go on, say it! | 0:28:58 | 0:29:00 | |
Hey, Bert, what's that? | 0:29:00 | 0:29:02 | |
It's from my brother. | 0:29:02 | 0:29:03 | |
It's for men who can't write! | 0:29:06 | 0:29:08 | |
-It's not. -What is it, then? | 0:29:08 | 0:29:09 | |
It's special. | 0:29:09 | 0:29:10 | |
How? | 0:29:10 | 0:29:12 | |
He can't write! | 0:29:12 | 0:29:13 | |
He can't write! | 0:29:17 | 0:29:19 | |
BOYS: Fight! Fight! Fight! | 0:29:19 | 0:29:22 | |
Move! | 0:29:26 | 0:29:28 | |
Move! Leave them alone, leave them alone. | 0:29:29 | 0:29:32 | |
Middleton, come here, stand up! It's pathetic! | 0:29:32 | 0:29:35 | |
You know that, pathetic! | 0:29:35 | 0:29:36 | |
Into class, into class. All of you! Get to class. Move! | 0:29:36 | 0:29:40 | |
Give me the card. | 0:29:42 | 0:29:43 | |
Hmmm? | 0:29:45 | 0:29:46 | |
Who do you think you are? | 0:29:55 | 0:29:56 | |
My name is Bert Middleton. | 0:29:56 | 0:29:57 | |
-And you're trying to be funny, are we? -No. | 0:30:03 | 0:30:06 | |
-You must think I'm a complete fool. -Yes. | 0:30:07 | 0:30:09 | |
I'll give you yes. | 0:30:13 | 0:30:15 | |
I'll give you yes! | 0:30:19 | 0:30:20 | |
So damn hard! | 0:30:22 | 0:30:23 | |
You won't bloody well know what day it is! | 0:30:26 | 0:30:28 | |
Monday, sir. | 0:30:54 | 0:30:55 | |
What? | 0:30:59 | 0:31:00 | |
Today is bloody well Monday, sir. | 0:31:00 | 0:31:03 | |
I can pour my own tea. | 0:31:10 | 0:31:12 | |
KNOCK AT DOOR | 0:31:27 | 0:31:29 | |
Can I talk to you? | 0:31:29 | 0:31:30 | |
-Your leg. Is it from..? -Yes. | 0:31:38 | 0:31:41 | |
The timing of the pregnancy... | 0:31:47 | 0:31:49 | |
What was your response when you saw your sister running out of the wood? | 0:31:49 | 0:31:52 | |
What? | 0:31:53 | 0:31:54 | |
Well, concern, I suppose. | 0:32:00 | 0:32:02 | |
You suppose? | 0:32:02 | 0:32:04 | |
All right, concern, yes. | 0:32:05 | 0:32:07 | |
Why? | 0:32:08 | 0:32:09 | |
It didn't look right. | 0:32:11 | 0:32:12 | |
In what way? | 0:32:13 | 0:32:15 | |
She was running. | 0:32:15 | 0:32:16 | |
Is that all? | 0:32:16 | 0:32:17 | |
What did you think had happened? | 0:32:21 | 0:32:24 | |
Don't know. | 0:32:24 | 0:32:25 | |
What did you fear had happened? | 0:32:27 | 0:32:28 | |
I don't know, I... | 0:32:29 | 0:32:31 | |
Did you run? | 0:32:32 | 0:32:33 | |
I think so, yes. | 0:32:33 | 0:32:35 | |
Then you know what it is you were afraid of. | 0:32:35 | 0:32:36 | |
Just because he was in the grounds at the same time as my sister | 0:32:39 | 0:32:42 | |
on one occasion doesn't mean he has anything to do with... | 0:32:42 | 0:32:45 | |
Er... | 0:32:45 | 0:32:47 | |
With? | 0:32:49 | 0:32:50 | |
Her becoming pregnant. | 0:32:52 | 0:32:55 | |
So you think he was molesting her. | 0:32:55 | 0:32:57 | |
And now you think it wasn't the first time? | 0:32:57 | 0:32:59 | |
You're putting words into my mouth. | 0:32:59 | 0:33:02 | |
I can assure you everything you've said is your own. | 0:33:02 | 0:33:05 | |
Did you see him lay hands on her? | 0:33:07 | 0:33:08 | |
No. | 0:33:09 | 0:33:10 | |
Are you sure? | 0:33:10 | 0:33:12 | |
Yes. | 0:33:12 | 0:33:14 | |
Have you spoken to John Middleton? | 0:33:22 | 0:33:23 | |
Well, it's my practice to build up a picture of a character of a man | 0:33:26 | 0:33:29 | |
before I speak with him. | 0:33:29 | 0:33:31 | |
Character is everything, wouldn't you say, Mr Allingham? | 0:33:32 | 0:33:36 | |
Mmm. | 0:33:39 | 0:33:40 | |
He meant to pull her back. It was more than just stopping her. | 0:33:40 | 0:33:44 | |
That's not what George Allingham says. | 0:33:46 | 0:33:48 | |
That doesn't worry you? | 0:33:51 | 0:33:52 | |
He's been speaking to me about it. | 0:33:55 | 0:33:56 | |
Alone? | 0:33:56 | 0:33:57 | |
Yes. | 0:33:57 | 0:33:58 | |
Saying what? | 0:34:00 | 0:34:02 | |
He made it clear he doesn't like my account. | 0:34:02 | 0:34:04 | |
Don't think I'm on your side just because my father and your father | 0:34:04 | 0:34:08 | |
were both working men. | 0:34:08 | 0:34:10 | |
I don't really believe in them and us anymore. | 0:34:11 | 0:34:13 | |
The rats in the trenches eat any kind of dead meat. | 0:34:14 | 0:34:17 | |
They're not particular. | 0:34:17 | 0:34:18 | |
You give us a sixpence. If Ingham canes you, we'll pay up. | 0:34:19 | 0:34:23 | |
How much? | 0:34:23 | 0:34:24 | |
It depends. | 0:34:24 | 0:34:25 | |
On what? | 0:34:25 | 0:34:27 | |
How many strokes, how big the bruise is. | 0:34:27 | 0:34:29 | |
But a lot. We'll pay you handsome. | 0:34:29 | 0:34:31 | |
I'll do it. | 0:34:31 | 0:34:33 | |
Sixpence. | 0:34:38 | 0:34:39 | |
That's a very good deal. | 0:34:39 | 0:34:41 | |
-How much? -Sixpence. | 0:34:41 | 0:34:43 | |
Sixpence. | 0:34:43 | 0:34:44 | |
There you go. | 0:34:44 | 0:34:45 | |
This is for me and him. | 0:34:47 | 0:34:48 | |
You're always getting caned. We'd be paying out the whole time. | 0:34:51 | 0:34:54 | |
The answer is no. | 0:34:55 | 0:34:56 | |
We'll have your farm by the end of spring. You watch. | 0:34:56 | 0:34:59 | |
I can't take money off him. | 0:35:09 | 0:35:10 | |
Why not? We need all the money we can get. | 0:35:10 | 0:35:12 | |
Just one penny. | 0:35:14 | 0:35:15 | |
Thanks, Tommy. | 0:35:17 | 0:35:18 | |
How much is a pig? No. How much is a cow? | 0:35:26 | 0:35:30 | |
Do you know the Middleton family? | 0:35:36 | 0:35:38 | |
A little. | 0:35:38 | 0:35:40 | |
Who? Joe? | 0:35:40 | 0:35:42 | |
Yes. | 0:35:42 | 0:35:43 | |
Why? | 0:35:43 | 0:35:45 | |
I don't understand your question. | 0:35:45 | 0:35:46 | |
Yes, you do. | 0:35:46 | 0:35:48 | |
He was our waterman. | 0:35:48 | 0:35:49 | |
Didn't you know that? | 0:35:51 | 0:35:52 | |
Anything else I don't know, Mr Allingham? | 0:35:52 | 0:35:54 | |
Are you the policeman? | 0:35:58 | 0:36:00 | |
Yes. | 0:36:00 | 0:36:01 | |
Are you on duty? | 0:36:01 | 0:36:02 | |
Yes. | 0:36:03 | 0:36:05 | |
Against the law. I could report you for that. | 0:36:10 | 0:36:13 | |
But that's not why you're here. | 0:36:13 | 0:36:15 | |
You've come to tell me that John Middleton was in here | 0:36:15 | 0:36:18 | |
on Sunday morning before chapel. | 0:36:18 | 0:36:20 | |
A little less zeal helps me with my work. | 0:36:26 | 0:36:29 | |
It might help you with yours. | 0:36:31 | 0:36:32 | |
..going well. | 0:37:16 | 0:37:18 | |
I want you to give a man a job. | 0:37:20 | 0:37:22 | |
-I can't do that. -Why not? | 0:37:22 | 0:37:24 | |
He's employing women. | 0:37:25 | 0:37:26 | |
Any suggestions? | 0:37:28 | 0:37:29 | |
Grace Middleton. | 0:37:29 | 0:37:31 | |
Any others? | 0:37:31 | 0:37:32 | |
Martha Lane? | 0:37:32 | 0:37:33 | |
I've found you work. For Arnold Hankin at the boot factory. | 0:37:43 | 0:37:47 | |
I'm not sure. | 0:37:48 | 0:37:49 | |
Why not? | 0:37:49 | 0:37:51 | |
John wouldn't like it. | 0:37:53 | 0:37:54 | |
Too busy doing what he does like. | 0:37:56 | 0:37:58 | |
And what's that, Polly? | 0:38:00 | 0:38:01 | |
He were like a devil going after her. | 0:38:05 | 0:38:07 | |
Half undressed, he were. And drunk. | 0:38:07 | 0:38:10 | |
She's pregnant. | 0:38:10 | 0:38:11 | |
Hello, Bert. | 0:38:15 | 0:38:16 | |
They come out when it's raining. Snails. It saves on feed. | 0:38:19 | 0:38:24 | |
I've come to see your father. | 0:38:25 | 0:38:27 | |
I thought you should know. | 0:38:30 | 0:38:31 | |
Sit down. | 0:38:37 | 0:38:38 | |
Sit down. | 0:38:43 | 0:38:44 | |
Please. | 0:38:48 | 0:38:49 | |
You don't have to... | 0:38:58 | 0:38:59 | |
Yes! | 0:38:59 | 0:39:00 | |
I do. | 0:39:01 | 0:39:02 | |
Grace was pregnant with Joe... | 0:39:14 | 0:39:16 | |
..and her sister was here... | 0:39:19 | 0:39:20 | |
..often... | 0:39:24 | 0:39:25 | |
..to help. | 0:39:27 | 0:39:28 | |
I started to notice she were, erm... | 0:39:33 | 0:39:35 | |
..looking at me. | 0:39:38 | 0:39:39 | |
At first I thought it was just concern. | 0:39:43 | 0:39:46 | |
It had been a bad winter and the farm was... | 0:39:49 | 0:39:51 | |
Anyway. | 0:39:54 | 0:39:56 | |
What's her name? | 0:39:58 | 0:39:59 | |
Catherine. | 0:40:00 | 0:40:01 | |
One night, Grace had gone to bed... | 0:40:13 | 0:40:15 | |
..and she came up behind me... | 0:40:18 | 0:40:19 | |
..and she stood very close... | 0:40:22 | 0:40:23 | |
..and she said, "Is there anything more I can do for you?" | 0:40:25 | 0:40:28 | |
"Anything at all?" | 0:40:31 | 0:40:32 | |
Her breath was on my neck. | 0:40:38 | 0:40:39 | |
I said there was. | 0:40:46 | 0:40:47 | |
Where is she now? | 0:40:53 | 0:40:54 | |
It was only once. | 0:40:58 | 0:41:00 | |
I couldn't help it. I'm sorry. | 0:41:01 | 0:41:03 | |
Where is she? | 0:41:03 | 0:41:04 | |
She kept coming back! | 0:41:05 | 0:41:07 | |
She kept... | 0:41:09 | 0:41:10 | |
Grace had Joe, so she was here to help, but she kept on. | 0:41:15 | 0:41:19 | |
I said no after that first time. | 0:41:22 | 0:41:24 | |
I said no every time. | 0:41:26 | 0:41:27 | |
But she wouldn't stop. | 0:41:29 | 0:41:31 | |
And then one night. | 0:41:37 | 0:41:38 | |
"Put your hand here," she said. "Feel," she said. | 0:41:42 | 0:41:46 | |
She took my hand and she put it on her belly. | 0:41:46 | 0:41:49 | |
I told her she was never to come back. | 0:42:04 | 0:42:05 | |
I said, "Don't ever come back here, not ever." | 0:42:05 | 0:42:08 | |
And she smiled. | 0:42:09 | 0:42:10 | |
And she left. | 0:42:14 | 0:42:15 | |
I don't understand. | 0:42:20 | 0:42:22 | |
Why had she smiled? | 0:42:24 | 0:42:26 | |
They found her body... | 0:42:34 | 0:42:35 | |
..in the reeds up by the dew pond. | 0:42:36 | 0:42:38 | |
She had drowned herself... | 0:42:41 | 0:42:42 | |
..and the baby inside. | 0:42:46 | 0:42:47 | |
Died with her. | 0:42:50 | 0:42:52 | |
The village blame you. | 0:43:02 | 0:43:04 | |
And they are right. | 0:43:07 | 0:43:09 | |
No words? | 0:43:16 | 0:43:17 | |
COMMOTION OUTSIDE | 0:43:20 | 0:43:22 | |
It's happening again. | 0:43:23 | 0:43:25 | |
-Did you? -No. | 0:43:30 | 0:43:31 | |
-Have you? -No, no. | 0:43:31 | 0:43:34 | |
I have forgiven you once. I cannot... | 0:43:34 | 0:43:36 | |
I haven't, haven't. I couldn't. | 0:43:36 | 0:43:38 | |
I swear. | 0:43:39 | 0:43:40 | |
-Get out! -Come here! | 0:43:51 | 0:43:52 | |
Get out! | 0:43:52 | 0:43:53 | |
He's my husband! | 0:44:01 | 0:44:04 | |
Get him out! | 0:44:14 | 0:44:16 | |
-He wants our farm, mother. -Get him out! | 0:44:16 | 0:44:18 | |
He told me. Come on, Alf! | 0:44:18 | 0:44:20 | |
Come on, get him out! | 0:44:20 | 0:44:22 | |
Say it! | 0:44:22 | 0:44:23 | |
What is this? | 0:44:23 | 0:44:25 | |
Come on! | 0:44:25 | 0:44:26 | |
Hey! Who do you think you are? | 0:44:26 | 0:44:27 | |
Are you deaf? | 0:44:29 | 0:44:31 | |
Get home. | 0:44:31 | 0:44:33 | |
-Get home! -Next time! | 0:44:33 | 0:44:35 | |
I don't think I took hold of her. | 0:44:49 | 0:44:51 | |
I have a witness who says you did. | 0:44:51 | 0:44:53 | |
Do you have a Bible? | 0:44:57 | 0:44:58 | |
Hand on the book. | 0:45:21 | 0:45:23 | |
Have you been unfaithful to your wife? | 0:45:29 | 0:45:31 | |
I have forgiven him. | 0:45:34 | 0:45:36 | |
She committed suicide? | 0:45:40 | 0:45:42 | |
Yes. | 0:45:43 | 0:45:44 | |
How do you know? | 0:45:44 | 0:45:45 | |
Were you there? | 0:45:46 | 0:45:47 | |
Where were you? | 0:45:52 | 0:45:54 | |
Here. | 0:45:56 | 0:45:58 | |
Can anyone verify that? | 0:45:58 | 0:45:59 | |
Wait, wait. Wait! | 0:46:17 | 0:46:19 | |
What happens now? | 0:46:20 | 0:46:21 | |
I forgive you. | 0:46:37 | 0:46:38 | |
Not enough. | 0:47:15 | 0:47:16 | |
See to Peggy. | 0:47:49 | 0:47:50 | |
Sixpence. | 0:49:38 | 0:49:40 | |
Probably just be a rat, or something. | 0:49:41 | 0:49:43 | |
She made me promise. | 0:49:49 | 0:49:50 | |
Dead? | 0:50:15 | 0:50:17 | |
-BOYS: -Yes. | 0:50:17 | 0:50:18 | |
You will not see her. I forbid it! | 0:50:28 | 0:50:31 | |
I will see who I want to see. | 0:50:31 | 0:50:34 | |
How dare you touch me! | 0:50:38 | 0:50:39 | |
Did John Middleton force himself on you? | 0:51:05 | 0:51:07 | |
Only the truth. | 0:51:08 | 0:51:10 | |
I can see myself out. | 0:52:08 | 0:52:09 | |
John! John! | 0:54:04 | 0:54:06 | |
John! John! John! | 0:54:06 | 0:54:09 | |
John! John! John! | 0:54:15 | 0:54:17 | |
Help me! | 0:54:18 | 0:54:20 | |
Help me! | 0:54:28 | 0:54:29 | |
Daddy! Daddy! | 0:54:33 | 0:54:35 | |
Daddy! | 0:54:40 | 0:54:42 | |
Daddy! | 0:54:45 | 0:54:47 | |
Oh! | 0:56:20 | 0:56:22 | |
Oh, oh. | 0:56:23 | 0:56:25 | |
Oh! | 0:56:28 | 0:56:29 | |
Oh! | 0:56:35 | 0:56:36 | |
Oooh! | 0:56:47 | 0:56:49 | |
Oh! | 0:56:49 | 0:56:51 | |
Oh! | 0:56:51 | 0:56:53 | |
I'll get the doctor. | 0:56:57 | 0:56:58 | |
No, no, Herbert, no. Please, don't go. | 0:56:58 | 0:57:01 | |
Don't go. | 0:57:01 | 0:57:02 | |
Oh! | 0:57:02 | 0:57:04 | |
Oh! | 0:57:10 | 0:57:11 | |
WOMAN GROANS | 0:57:18 | 0:57:23 | |
SHE GROANS | 0:57:23 | 0:57:26 | |
BABY CRIES | 0:57:41 | 0:57:44 | |
Get me the knife, please, Bert. | 0:57:50 | 0:57:51 | |
Thank you. | 0:57:57 | 0:57:58 | |
John. | 0:58:04 | 0:58:05 | |
Subtitles by Red Bee Media | 0:58:48 | 0:58:51 |