Episode 3 The Village


Episode 3

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Transcript


LineFromTo

Are we sitting comfortably?

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Then I'll begin.

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-He's dead.

-Who?

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The oldest man in Britain, it's me now.

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I'm the last Victorian.

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You're scared, aren't you?

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You're frightened I'll die before you finish filming.

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It's not quite what you mean, is it?

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What you really mean is that

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YOU'RE frightened you might die before we're finished.

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I can tell you about the Battle of Waterloo,

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from what I was told by the daughter of a man who was there.

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I can tell you about the General Strike,

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the day Winston Churchill came

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and the ice cream we made

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and what happened to my teacher...

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DISTANT KNOCK AT DOOR

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Thank you very much.

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Anything for Mr Eyre?

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Oh? At last.

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Willie, Willie, Harry, Steve,

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Harry, Dick, John, Harry three,

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Edward one, two...

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three.

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Willie, Willie, Harry, Steve.

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Harry, Dick, John, Harry three,

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Edward one, two, three,

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Dick two, Henry four, five, six...

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then who?

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Pals together.

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A great, great honour.

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CHILDREN: 'Mary, Bessie, James the Vain.

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'Charlie, Charlie, James again.'

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John, Harry three...

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I'll see you later?

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Easy, girl, easy.

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What greater honour...

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What greater honour could there be?

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Aaahhh!

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Ahhh, dead!

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CHILDREN: 'William and Victoria, Edward seven next,

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'and then came George V in 1910.'

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What's Rutter going to do with our land?

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It's a field, not land.

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It's our land.

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Bert!

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Bert!

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Bert?

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Boy!

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Son!

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I didn't want to sell the field.

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Not to Rutter, not to anyone.

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But we have to give ourselves a chance.

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And a new start has to be paid for.

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Come on, show me.

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All right.

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Left or right?

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You going to lead with your left or your right?

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You have to make your mind up.

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Make your mind up.

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Is it Joe?

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Private Joe Middleton.

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Two names and a rank. For a horse?

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Molly?!

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She pulls t'cart that takes milk to t'station for Sheffield train.

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How many cows on the farm?

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-Six.

-Not much milk.

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Enough.

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We wouldn't survive without her.

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Well, we're here for a few more days. Some other horses to look at.

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We'll have a think about Molly. You should too.

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What do you mean?

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A horse like that, what is she? 16 hands?

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Artillery are dying for big beasts like that.

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Ask yourself,

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do you really need her more than your country needs her?

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It's a question of conscience really.

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£75.

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Compensation.

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Wait till we're married.

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-Morning.

-Morning.

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Ah, here she comes. Hello, trouble.

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Here we go.

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BABY CRIES

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Come on, love.

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I had a letter from our Paul yesterday.

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Good. That's...

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What, what did he say?

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"Hope this finds you in the pink as it leaves me."

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Anything else?

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No.

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They don't sound themselves when they write, do they?

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Now then, don't be late for work.

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Come on, girls, inside.

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Safe?

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Oh. You.

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-Take your time.

-There's more than one column now

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so I've to look at the top of the second column as well as...

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Sometimes the...the Ms are in the first column

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and sometimes in the second column and sometimes they're in both.

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Why are you back here?

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I'm working for the council.

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Not a detective anymore?

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No.

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So what's your...

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Taking an interest in local life and local history.

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Middleton.

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I can't have it.

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If you're late, the process is missing a part... You.

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Who's going to ink the boots if you don't?

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I can't have lateness and I'm not going to have it.

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-Leave immediately.

-Leave?

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-You can't do that!

-It's done.

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Do you know how much women like Grace sacrifice for you?

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She goes 12 hours without feeding her baby.

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No baby died because...

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The mother, not the baby.

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Where do you think the milk goes, if you don't feed?

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The breast becomes engorged.

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Can you imagine how painful that is?

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And how do you think a woman feels?

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All of that and now because she's late once...

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-Who do you think you are?

-Could I have a word?

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I have to let her go.

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-Mister Hankin...

-I don't have the money.

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You need Grace Middleton inking the boots tomorrow.

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The inspection?

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Now hold your nerve, Hankin.

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She can go back to work.

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So, when you think of men from this village doing their duty...

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..fighting evil, protecting you,

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isn't it good to know that we shall be together,

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side by side in a Pals Battalion named for this village?

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Conscription is not the right word for it!

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Because it doesn't do justice to what we are being asked to do.

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It is a great honour, that's what it is.

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A great honour!

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Isn't it, Mister Eyre?

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Is it?

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And, er, what would you call it?

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Have you grown taller, sir?

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SHOUTS: What did you say?!

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The minimum height requirement for the army has come down, Bert.

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Oh, perfect, they will fit. Eva, there you go, Eva.

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Tommy, ready-made. Get them on your feet.

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Ah Francis, look at those. They were made for you.

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Mr Eyre, grab hold of those.

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What's that for, sir?

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This tells people that I'm ready...

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..that I'm not a shirker.

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You sound like Lord Kitchener.

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Good.

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Did you get a letter, sir?

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Yes, I did.

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Get it off.

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Now, remember, everyone.

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There's breakfast, dinner and tea.

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Breakfast, dinner, tea, it's easy.

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How old do you have to be?

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You'd think a teacher would know the right date.

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This is Mr Bairstow,

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and he wants to find out all about us.

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So, I want you to answer his questions accurately and honestly.

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What did you have for breakfast this morning?

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This morning?

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-Yes.

-Porridge.

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You?

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Porridge.

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Anything else?

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-Eggs.

-Really?

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Bread, jam, meat!

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Suet pudding.

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Anything else?

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JOYFUL SHOUTING

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Bert. Bert!

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Oh, Bert's coming over.

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It was you that told them about big Molly, wasn't it?

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-She has to do her duty.

-The farm needs her. She can't go.

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While you've still got a farm.

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Leave him alone. You!

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Leave him alone.

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Joe?

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Shouldn't there be people?

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What's the point in having a picture with nobody in it?

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Well, you can capture a moment with a photograph.

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A particular place at a particular time and then, you have it,

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to look at, forever.

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But you could come to the Dew Pond at any time.

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Why do you have to catch it?

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We all like to give things shape and form.

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It's because we're all afraid of dying, Bert.

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Are you all right, sir?

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Sorry.

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We saw a witch here, me and Joe.

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She tried to pull me under.

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-I would've drowned if I hadn't swam.

-Swum.

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Swum?

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Swam?

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There's something that I need to tell you.

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And I haven't told you already

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because I know you're going to be disappointed in me...

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..which makes me a coward, really.

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You're not a coward.

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You would protect us, wouldn't you, if the Germans came?

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Of course.

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How does Hankin get the casualty list before The Times, Edmund?

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Wrong question. WHY does he get it first?

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And you're going to give me the answer?

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And what do people do?

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Hmm? They go to Hankins to look at the lists and when they see that

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their son or father isn't dead, they buy their daily bread at Hankins.

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Hmm, so the war is a business opportunity, is it?

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According to my mathematics, based on the present rate of advance,

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we should be on the Rhine, what, 180 years from now.

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We can't all stop breathing for a couple of centuries, George.

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Life doesn't just stand to attention

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while the war walks past in its own time.

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180 years is a lot of boots.

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Throw a punch.

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And again.

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Keep it straight.

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And again.

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You're left-handed?

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Boxing don't lie.

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So, you lead with your right.

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Throw a punch.

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Keep it straight. Throw a punch.

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OK.

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And again.

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That's it! Harder!

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That's it!

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BABY CRIES AND GRIZZLES

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BABY WAILS WITH GUSTO

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CRYING PAUSES

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CRYING RESUMES

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It's called Stockholm Tar.

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Look, she has some cuts and grazes on her.

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And the tar applied to...

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Stops the flies.

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They can cause mastitis, you see,

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which would be very dangerous for her.

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You have to be careful it doesn't get anywhere else.

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Just the tips.

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Oh, hello, Lottie and Daisy

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and... Ah, what's the little one called, George?

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I can never remember.

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Martha.

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Miss Lane.

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Caro, I think...

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The Minister's daughter not good enough for you, Mother?

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That is what you're talking about?

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If you will burst into rooms...

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What were you saying?

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-She's young.

-Only two years younger than I am.

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Do stop treading on everything I say!

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Give a little space, George, so we can all breathe.

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Hmm?

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Mm-hm.

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She's young. There's nothing so frightening than

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the righteousness of people under 30.

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You're patronising me!

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Well, I'm your mother. I'll do whatever I like with you.

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Well, I can't tell you how glad I am that conscription's finally here.

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And what will fighting give you, George? Better poems?!

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George is sick with love for the Minister's daughter

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because he mistakes her righteousness for conviction.

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He thinks that getting killed will impress her,

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forgetting, of course, that the thing about getting killed

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is that you're dead.

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Sort out an exemption for him.

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Lovesickness isn't generally enough.

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-And if he wants to go...

-Well, find a way.

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Shoot him in the foot.

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Something.

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It's called Stockholm Tar.

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Expensive?

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I could get you some.

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She was my first.

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You should give her a name.

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She's a cow.

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The inspection's an hour away.

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I think they might walk out if you don't agree to this.

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These women need to go home and feed their babies.

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Right now.

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Ten minutes.

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-Ten minutes?

-That's what I said.

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And if they're not back, this inspection fails,

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I'm out of business and none of you will have any work.

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Go and tell your engorged ladies that.

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Come on, I'll race you.

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Joe!

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My Joe.

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Oh!

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SHE SOBS JOYFULLY

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I was worried because Margaret had a letter from Paul

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and I had nothing from you, silly.

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You don't know?

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What?

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SPEECH DROWNED OUT BY MACHINERY

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The inspection failed.

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I don't understand it.

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-Did they say why?

-No.

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Damn it.

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Look, I can't survive paying a wage bill like this.

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Not without the boot orders.

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I'll pay it.

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Why would you do that?

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Because I believe the factory can succeed

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and because, in exchange for saving it now,

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I want half the business.

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M'lady.

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Rising above won't do any more.

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My God, I'm bored of behaving well.

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Now, gentlemen.

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When is the date on which the appeal against your decision will succeed?

0:26:310:26:35

Sniper, through the heart.

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He was alive and then he was dead.

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Sniper, through the heart.

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He was alive then dead.

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Wait, for my husband. Please.

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Milk.

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Paul.

0:27:210:27:23

No, I'm Joe.

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Paul.

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Joe.

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-Paul?

-No, no, I'm Joe.

0:27:300:27:34

Don't forget to close your eyes.

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Open your eyes.

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So?

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Agnes...

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It was a sniper.

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Through the heart.

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He...he was alive and then he was dead.

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The wedding will mean more now.

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The village will come together.

0:28:420:28:44

SHE SOBS

0:28:510:28:53

KNOCKING ON DOOR

0:29:120:29:13

That'll be Margaret.

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Sorry.

0:29:240:29:25

You must be...

0:29:270:29:29

At first we had three. Three more makes six.

0:29:350:29:37

Bert.

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It's Mr Ingham's comb.

0:29:400:29:42

He used it on all of us and now we've all got them.

0:29:420:29:45

Whole school's scratching.

0:29:450:29:47

The cows have names.

0:29:480:29:50

Do you want to know them all?

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Better - come out and meet them.

0:29:520:29:55

Come on! Father?

0:29:560:29:58

-My one's called Gertie.

-Aye.

0:30:020:30:04

She's a kicker. She's used to me now.

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It's rare that she kicks.

0:30:070:30:09

I'm from Glossops. It's about your milk.

0:30:120:30:15

-What about it?

-Well, there's garlic in it. We can't have that.

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I'm sorry.

0:30:210:30:23

No, no, wait. Please.

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Sorry.

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It won't happen again. I swear on me children's lives.

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If it happens again we don't want your milk.

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Deliver tomorrow. Clean and fresh.

0:30:350:30:38

Thank you.

0:30:410:30:42

Tomorrow?

0:30:460:30:48

It can't be done.

0:30:480:30:49

MOOING

0:32:090:32:10

Come on. Molly, hurry up.

0:32:190:32:23

-Stop, stop, stop!

-Stand!

0:32:290:32:30

Come on, in with them quick or we won't catch our train.

0:32:300:32:33

Come on, let's get these loaded.

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Come on, let's get these in. Get this to the station.

0:32:430:32:46

Fast as you can.

0:32:460:32:47

Kings and Queens.

0:33:180:33:19

I won't be long.

0:33:210:33:22

Come on, let's hear you.

0:33:260:33:28

-ALL:

-Willie, Willie, Harry, Steve,

0:33:280:33:31

Harry, Dick, John, Harry...

0:33:310:33:34

Edward...

0:33:340:33:37

Dick, Henry...

0:33:370:33:40

How old are you?

0:33:430:33:44

25.

0:33:440:33:46

Is that old enough to have a conscience?

0:33:460:33:48

It's common courtesy to include everyone in a room in a conversation.

0:33:480:33:52

I do it with my very youngest pupils

0:33:540:33:56

so I'll ask that you pay me the same respect.

0:33:560:33:59

So...

0:34:070:34:09

this conscience you claim to have is not a Christian conscience?

0:34:090:34:15

The Bible is full of God telling his tribe

0:34:170:34:21

to go and kill people belonging to other tribes.

0:34:210:34:24

And he's particular about ordering the murder of women and children.

0:34:240:34:28

Infants, I think he says.

0:34:280:34:29

And he's even more particular, on one occasion,

0:34:320:34:35

about sparing virgins so that they may be brought back as prizes.

0:34:350:34:40

He's not a peaceable God and it would be hypocrisy for me

0:34:420:34:45

to rely on the sixth commandment just as it's hypocrisy for Christians

0:34:450:34:48

to believe in it and then go and kill each other in France.

0:34:480:34:51

You're not helping yourself, Eyre.

0:34:510:34:52

I'm just telling the truth as I see it.

0:34:520:34:55

I don't have a strategy.

0:34:560:34:57

I'm not a politician.

0:34:590:35:01

Why did you write the wrong date up on the blackboard the other day?

0:35:020:35:06

I like to get my pupils to see things for themselves.

0:35:090:35:12

To question authority?

0:35:120:35:14

To question everything.

0:35:150:35:17

I don't like your smart answers and I think I speak for all of us

0:35:170:35:22

when I say that I suspect that your godlessness has quite a lot

0:35:220:35:25

to do with your shirking.

0:35:250:35:27

I'm quite happy to speak for myself, Colonel.

0:35:270:35:30

You have responsibility for our children.

0:35:350:35:37

Yes.

0:35:390:35:42

What if German soldiers walked into your classroom

0:35:420:35:44

and threatened to murder your pupils?

0:35:440:35:46

I would try to dissuade them.

0:35:500:35:51

They won't be dissuaded. Bayonets ready. It's going to happen.

0:35:510:35:54

-I would try and get the children out.

-Doors locked. No way out.

0:35:540:35:57

This is all hypothetical.

0:35:570:35:58

Not in Belgium, it wasn't. Do you doubt they'd do it here?

0:35:580:36:01

If you had a revolver, would you use it?

0:36:010:36:04

Eyre?

0:36:070:36:08

I would put myself between them and the children.

0:36:080:36:10

The gun. Would you use it?

0:36:100:36:12

Let's make it easy.

0:36:150:36:17

Let's say it's one child, one German soldier, and you.

0:36:170:36:20

Now where there is a choice between a young boy entrusted in your care

0:36:200:36:23

and a German soldier -

0:36:230:36:24

now, please don't run away from the question here -

0:36:240:36:27

would you save a child of this village?

0:36:270:36:29

He told me.

0:36:400:36:42

Why don't you tell them?

0:36:420:36:44

He said if the Germans came he'd save me.

0:36:440:36:48

Of course he would.

0:36:480:36:49

He's our teacher.

0:36:510:36:53

Objection to compulsory enlistment on grounds of conscience...

0:37:030:37:07

denied.

0:37:070:37:08

You will report for service at the direction of the Constable.

0:37:100:37:13

Shirker.

0:37:220:37:23

INDISTINCT CONVERSATIONS

0:37:330:37:35

PUB FALLS SILENT

0:37:350:37:37

Shirker.

0:37:400:37:41

Whisky, please.

0:37:430:37:45

Hey, Joe.

0:37:490:37:51

How do?

0:37:510:37:52

No, no. Free in my pub to men home on leave.

0:37:550:37:59

Are you all right?

0:38:090:38:10

I'm a shirker.

0:38:130:38:14

I'll have another.

0:38:200:38:21

Drink it.

0:38:360:38:37

FAINT SOBBING

0:39:260:39:28

SOBBING GROWS LOUDER

0:39:360:39:38

HE SOBS

0:39:480:39:50

Robert Browning. If you can manage that then...

0:40:280:40:32

Anyway.

0:40:350:40:36

Is it the Pals?

0:40:400:40:41

Will you be with Joe?

0:40:430:40:44

Here.

0:40:530:40:54

Look at the world.

0:41:020:41:03

Don't flinch.

0:41:050:41:07

Record what you see, truthfully.

0:41:080:41:12

And stand by it.

0:41:160:41:17

UP-TEMPO FIDDLE MUSIC

0:42:070:42:10

Promise me the next dance is mine.

0:42:370:42:39

APPLAUSE

0:43:030:43:04

# Oh, blows the winter wind my true love

0:43:110:43:17

# With grey, heavy cold showers of rain

0:43:170:43:23

# The first true love that ever I had

0:43:230:43:29

# In greenwood he was slain

0:43:290:43:34

# I'll do as much for you my true love

0:43:340:43:40

# As any young woman may

0:43:400:43:45

# I'll sit and mourn on his grave

0:43:450:43:50

# At 12 month and a day... #

0:43:500:43:55

She had a child, you know.

0:43:550:43:57

# At 12 month and a day

0:43:570:44:00

# The ghost began to speak

0:44:000:44:06

# Why dost thou sit here on my grave

0:44:060:44:11

# And never let me sleep? #

0:44:110:44:15

Just a little longer.

0:44:150:44:17

# What dost thou want from me, true love?

0:44:170:44:21

# What dost thou want from me?

0:44:210:44:26

# I'll have a kiss of the clay cold lips

0:44:260:44:31

# That's all I request of thee

0:44:310:44:35

# My lily white lips are clay cold

0:44:370:44:42

# My breath smells earthly strong

0:44:420:44:48

# And if I kiss all of your lips

0:44:480:44:53

# Your time will not be long

0:44:530:44:57

# Don't grieve, don't grieve for me, true love

0:44:580:45:03

# No morning do I pray

0:45:030:45:07

# I must leave you and all the world

0:45:080:45:13

# And sink down in my grave. #

0:45:130:45:18

APPLAUSE

0:45:220:45:25

MOURNFUL FIDDLE MUSIC

0:45:300:45:32

Joe.

0:45:410:45:42

Joe, you can talk to me if you want to.

0:45:510:45:54

And if it helps, you can tell me what it's really like.

0:45:570:46:00

A piece of shrapnel in his throat.

0:46:050:46:07

It's always surprise.

0:46:080:46:11

The look on their faces,

0:46:110:46:12

which is funny really because the last thing it is

0:46:120:46:15

is a bloody surprise!

0:46:150:46:17

He drowned in his own blood.

0:46:170:46:19

But before he died, he fell forwards onto a shell hole filled with water.

0:46:190:46:24

He couldn't move. His greatcoat, the weight.

0:46:240:46:28

He would have drowned quicker but I pulled him out. I don't know why.

0:46:280:46:32

I held him up.

0:46:340:46:36

And he...and he stared at me

0:46:370:46:39

and then he goes to put his hand to his throat.

0:46:390:46:41

To do what?

0:46:410:46:43

To do what?!

0:46:430:46:46

To stop the blood?

0:46:460:46:48

That's how he died.

0:46:480:46:49

It's pathetic.

0:46:510:46:52

Where are you going?

0:46:570:46:58

Don't. Don't!

0:47:060:47:07

You don't understand.

0:47:120:47:13

None of you understand.

0:47:180:47:19

There's something wrong in him.

0:47:330:47:36

My sister has his child.

0:47:400:47:42

SLOW FIDDLE MUSIC

0:48:010:48:03

Where is he? Where is he?

0:48:380:48:39

Where's my baby?

0:48:410:48:42

We've been thinking, Middleton. If you don't need your horse to

0:48:470:48:50

take your milk to the station, what do you need her for?

0:48:500:48:53

We'll be round for her tomorrow afternoon.

0:48:530:48:56

As we're honourable men, we'll let you have the money.

0:48:560:48:59

Corporal Molly Middleton. Royal Horse Artillery.

0:49:000:49:03

The great thing about conscription is that it's everyone.

0:49:210:49:24

Unless you're exempt.

0:49:240:49:25

What?

0:49:250:49:27

-Farmers are exempt.

-What?

0:49:270:49:30

Well, how would the estate farm survive without George?

0:49:300:49:32

Don't be ridiculous.

0:49:320:49:34

Here's your exemption.

0:49:360:49:37

I'm going.

0:49:500:49:51

KNOCK ON DOOR

0:49:560:49:57

It's Miss Caro.

0:49:590:50:01

Oh, please don't go, George!

0:50:010:50:04

Please don't go! I'll die if you go.

0:50:060:50:11

SHE WAILS

0:50:110:50:13

What should I do?

0:50:400:50:41

Stay.

0:50:470:50:48

When I write, we can have our own secret code, you and me.

0:51:040:51:08

Now get me an old postcard.

0:51:080:51:09

And a pencil.

0:51:170:51:19

Right, I'll cross things out, as we're meant to

0:51:290:51:33

but I'll do it in such a way that you can read more into it.

0:51:330:51:36

So a single line crossing out

0:51:370:51:40

means I'm at the front line.

0:51:400:51:42

Two lines in the crossing out

0:51:450:51:48

means I'm going up the line.

0:51:480:51:50

Three...

0:51:530:51:54

..means I'm out of it.

0:51:580:52:00

Out of it?

0:52:000:52:02

Out the front line.

0:52:020:52:04

What about if there's an attack?

0:52:040:52:06

If you're going to attack?

0:52:060:52:08

What was the last one? The...the attack?

0:52:240:52:27

A wiggly line.

0:52:270:52:28

A wiggly line if we're going over the top.

0:52:310:52:33

Yeah.

0:52:490:52:51

Shoes on.

0:52:520:52:53

Back straight.

0:53:100:53:12

That'll do us.

0:53:130:53:15

KNOCKING ON DOOR

0:53:230:53:24

DOOR LATCH OPENS

0:53:360:53:37

On your feet.

0:53:440:53:45

On your feet!

0:53:470:53:48

LONE HORN PLAYS "JERUSALEM"

0:53:530:53:55

Corporal.

0:53:550:53:56

You will be taken at dawn to a suitable place where

0:53:590:54:02

you will be shot by firing squad.

0:54:020:54:06

Do you understand?

0:54:060:54:07

Driver John William Hasemore.

0:54:110:54:14

It's the sentence that he received for disobeying an order.

0:54:140:54:17

Put this on.

0:54:200:54:21

No.

0:54:270:54:28

Step outside please, Constable.

0:54:290:54:31

Put this on.

0:54:380:54:40

-CHILD:

-Where's he going? Follow him.

0:55:020:55:05

MORE HORNS JOIN IN "JERUSALEM"

0:55:050:55:07

Will you step back from me a little? I want to walk.

0:55:170:55:20

I'll march down the hill properly.

0:55:230:55:25

My first picture, sir.

0:55:470:55:48

Hey.

0:56:200:56:21

So...so what's it like then?

0:56:290:56:31

The first time you shoot a Hun?

0:56:350:56:36

TRUCK APPROACHES

0:56:400:56:42

TRUCK HORN SOUNDS

0:56:420:56:44

TRUCK HORN

0:56:470:56:50

TRUCK ENGINE FADES AWAY

0:56:570:57:00

Please, please.

0:57:140:57:15

INDISTINCT PUB CONVERSATIONS

0:57:360:57:38

HORSE SNORTS

0:58:140:58:16

Subtitles by Red Bee Media Ltd

0:58:350:58:38

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