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This programme contains some scenes | 0:00:02 | 0:00:04 | |
which some viewers may find upsetting. | 0:00:04 | 0:00:06 | |
My war wound. | 0:00:32 | 0:00:34 | |
Still tingles whenever I talk about it. | 0:00:35 | 0:00:38 | |
July 1st, 1916. | 0:00:40 | 0:00:44 | |
The day of the Rondo. | 0:00:45 | 0:00:47 | |
No-one knows why it's called that. | 0:00:48 | 0:00:50 | |
The Rondo is just the Rondo and always has been. | 0:00:50 | 0:00:53 | |
A race round the cricket pitch, pushing a wheelbarrow, | 0:00:53 | 0:00:57 | |
for all the men in the village. | 0:00:57 | 0:00:59 | |
Only that summer, there was no men between the ages of 18 and 41, | 0:01:00 | 0:01:05 | |
so for the first time in history it was decided to make it a boys' race. | 0:01:05 | 0:01:09 | |
I made it hard for myself. | 0:01:09 | 0:01:11 | |
Stupid. | 0:01:12 | 0:01:14 | |
I made it a matter of life and death. | 0:01:16 | 0:01:18 | |
How? | 0:01:19 | 0:01:20 | |
By deciding that me winning the Rondo would keep Joe safe | 0:01:21 | 0:01:26 | |
and that losing it would mean... | 0:01:26 | 0:01:28 | |
-JOE: -'We could have our own secret code, you and me. | 0:01:32 | 0:01:34 | |
'A wiggly line if we're going over the top.' | 0:01:37 | 0:01:39 | |
She's sick, John. | 0:01:52 | 0:01:54 | |
Go for the doctor. | 0:01:56 | 0:01:57 | |
Go! | 0:01:59 | 0:02:00 | |
Scarlet fever. | 0:02:13 | 0:02:14 | |
Is there anything we can do for her? | 0:02:20 | 0:02:22 | |
Cold flannels. | 0:02:22 | 0:02:23 | |
Pray. | 0:02:25 | 0:02:27 | |
Thank you. | 0:02:35 | 0:02:37 | |
BABY CRIES | 0:02:37 | 0:02:39 | |
I'll pray for her. | 0:02:42 | 0:02:43 | |
Everything for a reason. | 0:02:48 | 0:02:50 | |
Is this my punishment? | 0:02:53 | 0:02:54 | |
He's a-waiting for you. | 0:02:56 | 0:02:58 | |
BABY CRIES | 0:02:58 | 0:03:01 | |
Writing to Joe? | 0:03:18 | 0:03:20 | |
Don't tell him about Mary. | 0:03:20 | 0:03:22 | |
I don't want him worried. | 0:03:24 | 0:03:25 | |
It's contagious. | 0:03:27 | 0:03:29 | |
Now, you be a good lad for Margaret, hmm? | 0:03:36 | 0:03:38 | |
Who will be saved? | 0:04:02 | 0:04:04 | |
Who will come forward now | 0:04:07 | 0:04:08 | |
and embrace the Lord in all of his mercy? | 0:04:08 | 0:04:12 | |
My love... | 0:04:59 | 0:05:01 | |
Stay with me... | 0:05:03 | 0:05:05 | |
Stay with me... | 0:05:07 | 0:05:08 | |
How's your sister? | 0:05:15 | 0:05:18 | |
Fine, fine. | 0:05:18 | 0:05:19 | |
And Martha? | 0:05:21 | 0:05:22 | |
Oh, she'll be fine. | 0:05:23 | 0:05:25 | |
Touch and go for a while now. | 0:05:27 | 0:05:28 | |
There's a medicine called Three In One. | 0:05:28 | 0:05:31 | |
The vets won't prescribe it, | 0:05:31 | 0:05:32 | |
but ask any dairy farmer and they swear by it. | 0:05:32 | 0:05:34 | |
Some of them give it to their children. | 0:05:34 | 0:05:37 | |
Miracle cure, really. | 0:05:37 | 0:05:39 | |
"Why isn't he in France?" It's what they're all asking. | 0:05:43 | 0:05:46 | |
Born in the Big House and he doesn't have to go. | 0:05:48 | 0:05:50 | |
I don't think that... | 0:05:50 | 0:05:51 | |
Look at them. | 0:05:51 | 0:05:52 | |
They despise me for it. | 0:05:56 | 0:05:57 | |
To be saved... | 0:05:59 | 0:06:02 | |
to be sure of a place in the great upstairs... | 0:06:02 | 0:06:05 | |
you have to confess all of your sins. | 0:06:05 | 0:06:07 | |
Am I right? | 0:06:07 | 0:06:09 | |
Yes. | 0:06:09 | 0:06:10 | |
You should do it, Bairstow. | 0:06:18 | 0:06:20 | |
Save yourself. | 0:06:22 | 0:06:23 | |
I look in the mirror | 0:06:32 | 0:06:33 | |
and I remember I'm elected to serve all the people of this village. | 0:06:33 | 0:06:37 | |
But the thing that pains me is knowing that to do it well, | 0:06:40 | 0:06:43 | |
to serve my constituents... | 0:06:43 | 0:06:44 | |
I need to know what they're thinking, | 0:06:46 | 0:06:48 | |
hoping for, dreaming about, what they're afraid of. | 0:06:48 | 0:06:52 | |
I'm only one man. | 0:06:54 | 0:06:56 | |
I can't possibly know what's in all of their heads, all of the time. | 0:06:56 | 0:06:59 | |
You need eyes and ears. | 0:06:59 | 0:07:01 | |
Hmm, yes. | 0:07:01 | 0:07:04 | |
A mole in the village. | 0:07:04 | 0:07:06 | |
Well, that's not how I would describe it. | 0:07:09 | 0:07:11 | |
How much? | 0:07:13 | 0:07:14 | |
Caro? | 0:07:31 | 0:07:33 | |
Caro? | 0:07:35 | 0:07:37 | |
Caro? | 0:07:37 | 0:07:38 | |
Caro? | 0:07:40 | 0:07:42 | |
Caro, why don't you stop? | 0:07:42 | 0:07:44 | |
SHE MOANS | 0:07:44 | 0:07:47 | |
Thank you. | 0:07:49 | 0:07:50 | |
No, no. It was you who brought me to Him. | 0:07:50 | 0:07:54 | |
Martha. | 0:07:58 | 0:07:59 | |
Take my thanks and know that | 0:08:01 | 0:08:04 | |
if there's anything I can do in return, I will do it. | 0:08:04 | 0:08:07 | |
Very gladly. | 0:08:07 | 0:08:09 | |
You know, the reformed sinner makes the ideal missionary. | 0:08:14 | 0:08:18 | |
John! | 0:08:23 | 0:08:24 | |
SHE STRUGGLES TO BREATHE | 0:08:29 | 0:08:32 | |
Shhh. | 0:08:49 | 0:08:51 | |
Shhh. | 0:08:58 | 0:09:00 | |
HE GRUNTS | 0:09:19 | 0:09:21 | |
It's Daddy, love. | 0:10:25 | 0:10:27 | |
Sshhh. | 0:10:30 | 0:10:31 | |
SHE BREATHES RASPILY | 0:10:31 | 0:10:32 | |
Sshhh. | 0:10:33 | 0:10:35 | |
It's all right, it's all right. | 0:11:13 | 0:11:15 | |
HE WHISPERS | 0:11:34 | 0:11:36 | |
She's breathing easier. | 0:11:57 | 0:12:00 | |
She's good. Oh, my love! | 0:12:03 | 0:12:06 | |
It's a miracle. | 0:12:11 | 0:12:13 | |
Martha! Martha? Martha? Who would do this? | 0:12:32 | 0:12:40 | |
No! | 0:12:40 | 0:12:41 | |
Martha? | 0:12:45 | 0:12:47 | |
Dear Lord, our father, we thank you for the life of this child. | 0:12:47 | 0:12:53 | |
We thank you for bringing her back to us and answering our prayers. | 0:12:53 | 0:12:58 | |
For you alone can give life. | 0:12:58 | 0:13:00 | |
COW MOANS | 0:13:00 | 0:13:02 | |
It's going to be all right. | 0:13:12 | 0:13:15 | |
GUNSHOT | 0:13:15 | 0:13:17 | |
GUNSHOT | 0:13:18 | 0:13:20 | |
I have to do this first thing now because I'm so busy at the school. | 0:13:30 | 0:13:34 | |
When will they find a proper teacher? | 0:13:34 | 0:13:38 | |
HE LAUGHS | 0:13:38 | 0:13:39 | |
Oh. | 0:13:41 | 0:13:43 | |
HE LAUGHS | 0:13:43 | 0:13:44 | |
Was there something you wanted to ask me about? | 0:13:44 | 0:13:46 | |
I walked away from a prayer. | 0:13:49 | 0:13:50 | |
They were giving thanks because Mary's better and I felt... | 0:13:51 | 0:13:55 | |
I'm sorry, I shouldn't have come. | 0:13:55 | 0:13:57 | |
They? | 0:13:58 | 0:14:00 | |
Your daughter and my husband. | 0:14:03 | 0:14:06 | |
You felt...? | 0:14:08 | 0:14:10 | |
I've only just got him back. He's been... | 0:14:10 | 0:14:14 | |
Away, drinking. | 0:14:14 | 0:14:15 | |
And Mary's safe. | 0:14:17 | 0:14:19 | |
I'm so happy and relieved, but there's something else. | 0:14:19 | 0:14:24 | |
I know it's a sin. | 0:14:26 | 0:14:28 | |
I'm jealous. | 0:14:30 | 0:14:32 | |
Of who? | 0:14:32 | 0:14:34 | |
There has to be a subject for such a feeling. | 0:14:34 | 0:14:37 | |
John found a miracle cure. I don't know where he got it. | 0:14:39 | 0:14:44 | |
Three In One on the bottle, they call it. | 0:14:44 | 0:14:46 | |
The Holy Trinity in a bottle. | 0:14:46 | 0:14:48 | |
SHE LAUGHS | 0:14:48 | 0:14:49 | |
John wasn't laughing. | 0:14:51 | 0:14:52 | |
It's God, isn't it? | 0:14:56 | 0:14:58 | |
You're jealous of God. | 0:14:59 | 0:15:01 | |
He didn't save John. You did. Is that what you think? | 0:15:04 | 0:15:08 | |
I'm sorry. | 0:15:10 | 0:15:11 | |
Years of him coming home drunk and no food in the house. | 0:15:13 | 0:15:18 | |
The children hungry and what there was to eat, | 0:15:18 | 0:15:22 | |
you gave to them and starved yourself. | 0:15:22 | 0:15:26 | |
And probably he beat you too, didn't he? | 0:15:26 | 0:15:30 | |
And you stayed there and kept the marriage. | 0:15:30 | 0:15:35 | |
And your patience and your endurance and your grace saved him. | 0:15:35 | 0:15:41 | |
It was you. Not God. | 0:15:44 | 0:15:46 | |
Yes. | 0:15:46 | 0:15:48 | |
I understand. | 0:15:53 | 0:15:54 | |
And not her, either? | 0:15:58 | 0:16:00 | |
Martha...she's done so much for him, for us, for... | 0:16:01 | 0:16:06 | |
She's a saint, really. | 0:16:07 | 0:16:09 | |
She puts us all to shame. I'm sorry. I-I didn't mean you. | 0:16:11 | 0:16:14 | |
No. Me too. Put to shame, by my daughter. | 0:16:14 | 0:16:20 | |
Who is a saint, really. | 0:16:21 | 0:16:23 | |
BELL RINGS | 0:16:28 | 0:16:30 | |
Communing with the dead? | 0:16:30 | 0:16:31 | |
Nothing so profound. | 0:16:34 | 0:16:36 | |
It's your job. Looked at in one way. | 0:16:37 | 0:16:41 | |
A cow was mutilated, her udder punctured with a knife. | 0:16:43 | 0:16:50 | |
Last night at the Big House. | 0:16:50 | 0:16:53 | |
I wanted you to know | 0:16:54 | 0:16:55 | |
because I thought you might help control the reaction. | 0:16:55 | 0:16:58 | |
What do you mean? | 0:16:58 | 0:17:00 | |
It was a theft. | 0:17:00 | 0:17:01 | |
That's why whoever did this was there in the middle of the night. | 0:17:01 | 0:17:04 | |
It would help if the village understood that. | 0:17:04 | 0:17:07 | |
A theft from a cow shed? Of what? | 0:17:07 | 0:17:10 | |
Three In One, it's called. | 0:17:10 | 0:17:13 | |
-Medicine. -Yeah. | 0:17:13 | 0:17:15 | |
I wanted you to know, so that rumour, when it comes, | 0:17:17 | 0:17:20 | |
and it always does come, might be contained. | 0:17:20 | 0:17:23 | |
I'm asking you to manage your flock. | 0:17:25 | 0:17:27 | |
Where have you been? | 0:17:32 | 0:17:35 | |
Spreading the word. | 0:17:36 | 0:17:38 | |
Cows are in. | 0:17:41 | 0:17:43 | |
Is supper not ready? | 0:17:54 | 0:17:56 | |
No. | 0:17:57 | 0:17:59 | |
I can help you find Him. | 0:18:15 | 0:18:16 | |
I don't want Him. I want you. | 0:18:17 | 0:18:22 | |
Who do you think he is? | 0:18:26 | 0:18:28 | |
Are you saying that one day he gives himself to God, | 0:18:28 | 0:18:30 | |
the next he's a thief and a savage? | 0:18:30 | 0:18:33 | |
I'm just telling you, the evidence against him is strong. | 0:18:33 | 0:18:37 | |
Well, it can't be right. | 0:18:37 | 0:18:38 | |
A bottle of medicine was stolen from the cow shed | 0:18:40 | 0:18:43 | |
where the cow was mutilated. | 0:18:43 | 0:18:44 | |
John Middleton has that bottle. | 0:18:44 | 0:18:46 | |
How do you know that? | 0:18:49 | 0:18:50 | |
-I just do. -But how? | 0:18:52 | 0:18:54 | |
Acquiring a Christian faith means a man cannot do wrong? | 0:18:54 | 0:18:57 | |
Do you believe that's all there is to it? | 0:18:57 | 0:19:00 | |
He'll be a condemned man if this evidence is heard. | 0:19:00 | 0:19:04 | |
Because of his past, nobody will listen to him. | 0:19:05 | 0:19:09 | |
You'll be condemning a rescued soul. | 0:19:09 | 0:19:11 | |
You want me to keep this from the authorities, hmm? | 0:19:13 | 0:19:17 | |
You're asking me to lie! | 0:19:17 | 0:19:19 | |
I'm asking you to trust in God. | 0:19:23 | 0:19:26 | |
Lie down. | 0:19:30 | 0:19:31 | |
Why? | 0:19:33 | 0:19:34 | |
Lie down. | 0:19:35 | 0:19:37 | |
Why? | 0:19:38 | 0:19:39 | |
Lie down. | 0:19:39 | 0:19:41 | |
You will do everything I say. | 0:19:52 | 0:19:55 | |
You will not speak unless you are spoken to. | 0:19:57 | 0:20:00 | |
You will remain in bed and prone at all times. | 0:20:03 | 0:20:08 | |
No reading, sewing or any other activity. | 0:20:08 | 0:20:15 | |
You will be fed seven times a day. | 0:20:17 | 0:20:19 | |
And you will finish what you are given seven times a day | 0:20:20 | 0:20:24 | |
without complaint. | 0:20:24 | 0:20:26 | |
At the end of your treatment, you will be well again. | 0:20:28 | 0:20:33 | |
Do you understand? | 0:20:36 | 0:20:38 | |
Rest. | 0:20:46 | 0:20:47 | |
Did I say you could do that? | 0:20:59 | 0:21:01 | |
Understand this. I will make her better. | 0:21:05 | 0:21:09 | |
Who is the... the head of this household? | 0:21:13 | 0:21:17 | |
Neither of you. It's her. | 0:21:23 | 0:21:27 | |
She is attention-seeking and self-pitying, | 0:21:29 | 0:21:33 | |
and you are just the audience for these theatrics. | 0:21:33 | 0:21:37 | |
The actress does with the audience what she will. | 0:21:37 | 0:21:40 | |
May I ask how you propose to cure my sister? | 0:21:44 | 0:21:47 | |
No. | 0:21:48 | 0:21:50 | |
All I need from you is to place all, and I mean all, | 0:21:52 | 0:21:58 | |
your trust in me. | 0:21:58 | 0:21:59 | |
Who would do such a thing to a cow? | 0:22:06 | 0:22:09 | |
Anything else? | 0:22:10 | 0:22:12 | |
There was a theft of some cow medicine. It's a difficult case. | 0:22:12 | 0:22:15 | |
What time was it? | 0:22:17 | 0:22:19 | |
Late. | 0:22:19 | 0:22:20 | |
Why were you in the field? | 0:22:20 | 0:22:22 | |
Crossing it home. | 0:22:22 | 0:22:23 | |
I'm sorry? | 0:22:23 | 0:22:25 | |
Short cut back from Lamb. | 0:22:25 | 0:22:27 | |
Had he been drinking? | 0:22:27 | 0:22:29 | |
Hard to say. | 0:22:30 | 0:22:32 | |
Where were you last night? | 0:22:37 | 0:22:39 | |
Here. | 0:22:40 | 0:22:41 | |
Shifty. | 0:22:51 | 0:22:52 | |
Yes. | 0:22:52 | 0:22:54 | |
Lying. | 0:22:55 | 0:22:57 | |
People lie for lots of reasons. | 0:22:57 | 0:23:00 | |
You should watch the cow shed tonight. | 0:23:00 | 0:23:03 | |
Why would the culprit return the next night? | 0:23:03 | 0:23:06 | |
You're right. The culprit wouldn't. | 0:23:06 | 0:23:08 | |
It wasn't stealing, I'd always planned to put it back. | 0:23:34 | 0:23:38 | |
And you have. | 0:23:38 | 0:23:40 | |
I only used a tiny bit. | 0:23:43 | 0:23:45 | |
I just put a tiny bit of the medicine on the end of me finger, | 0:23:45 | 0:23:48 | |
just on the end of my little finger, for Mary, | 0:23:48 | 0:23:51 | |
like, like when you suckle a...a new-born calf. | 0:23:51 | 0:23:54 | |
Do they want some money for the medicine we used? | 0:23:58 | 0:24:01 | |
It's a deep puncture wound, | 0:24:03 | 0:24:05 | |
probably made with a short, double edged knife. | 0:24:05 | 0:24:07 | |
The culprit would have had to be in very close. | 0:24:07 | 0:24:10 | |
There will be blood splattered all over the man who did this. | 0:24:10 | 0:24:13 | |
What are you saying? | 0:24:13 | 0:24:14 | |
John Middleton was there on the same night and he didn't do it? | 0:24:14 | 0:24:17 | |
There will be no blood on John Middleton's clothing. | 0:24:17 | 0:24:20 | |
Machine gun. | 0:24:34 | 0:24:35 | |
IMITATES MACHINE GUN FIRE | 0:24:37 | 0:24:40 | |
Die! Die! | 0:24:40 | 0:24:41 | |
Good. | 0:24:45 | 0:24:47 | |
Single shot, sniper. | 0:25:00 | 0:25:02 | |
Bert. | 0:25:18 | 0:25:20 | |
MIMICS CHOKING, DYING | 0:25:20 | 0:25:22 | |
What will we do? | 0:25:53 | 0:25:55 | |
You'll go back to Margaret's. | 0:25:56 | 0:25:58 | |
Why? | 0:25:58 | 0:25:59 | |
Because I have to work. | 0:26:01 | 0:26:02 | |
I don't want to go to Margaret's. It's sad there. | 0:26:03 | 0:26:07 | |
Do you have to work? | 0:26:09 | 0:26:10 | |
Yes. | 0:26:10 | 0:26:11 | |
Just us girls together. | 0:26:46 | 0:26:48 | |
If you were men... | 0:27:06 | 0:27:08 | |
If we were men, you'd be paying us more. | 0:27:08 | 0:27:10 | |
-You wouldn't be complaining. -Because we'd be paid more. | 0:27:10 | 0:27:13 | |
Look, we all have to make sacrifices during wartime. | 0:27:13 | 0:27:16 | |
SHE COUGHS | 0:27:16 | 0:27:18 | |
And you women... | 0:27:18 | 0:27:20 | |
-I'm not asking for equal pay. -Are you not? | 0:27:21 | 0:27:23 | |
I'm asking for better conditions so that we can work harder, | 0:27:25 | 0:27:29 | |
sacrifice more, increase your profit, | 0:27:29 | 0:27:31 | |
and make better boots for our men at the front. | 0:27:31 | 0:27:35 | |
We need inducements and encouragements, we need to be told | 0:27:35 | 0:27:40 | |
how much we mean to you, so that we can give our best. Us women. | 0:27:40 | 0:27:44 | |
What do you want? | 0:27:49 | 0:27:51 | |
SHE KNOCKS ON DOOR | 0:27:51 | 0:27:54 | |
-Er, no. -Why not? -She can't bring her baby in here. | 0:27:54 | 0:27:57 | |
She doesn't have a choice. | 0:27:57 | 0:27:59 | |
Her name's Mary. | 0:27:59 | 0:28:00 | |
Give it back! | 0:28:14 | 0:28:16 | |
Can anyone tell me where the Vikings came from? | 0:28:18 | 0:28:22 | |
Germany? | 0:28:22 | 0:28:24 | |
CHILDREN LAUGH | 0:28:24 | 0:28:26 | |
Germans and Germany are not the source of all evil. | 0:28:26 | 0:28:30 | |
They want to kill us, don't they? | 0:28:30 | 0:28:33 | |
And we want to kill them. | 0:28:33 | 0:28:34 | |
They're evil. | 0:28:34 | 0:28:36 | |
That's stupid! | 0:28:37 | 0:28:39 | |
That's a stupid thing to say. | 0:28:43 | 0:28:44 | |
There's a big attack coming. And the Pals are in it. | 0:28:47 | 0:28:51 | |
How do you know that? | 0:28:51 | 0:28:53 | |
Gilbert? | 0:29:00 | 0:29:02 | |
Gilbert? | 0:29:03 | 0:29:05 | |
How do you know? Hmm? | 0:29:09 | 0:29:11 | |
Why are you so late home? | 0:29:19 | 0:29:21 | |
I got kept behind at school. | 0:29:21 | 0:29:23 | |
Why? | 0:29:23 | 0:29:26 | |
Son? | 0:29:26 | 0:29:28 | |
For not liking the Germans. | 0:29:28 | 0:29:30 | |
SHE COUGHS | 0:30:10 | 0:30:12 | |
What does Martha Lane say about that cough? | 0:30:16 | 0:30:19 | |
She's planning a walkout. | 0:30:19 | 0:30:21 | |
She's a fine woman. | 0:30:21 | 0:30:24 | |
In what way? | 0:30:24 | 0:30:25 | |
Every way. | 0:30:25 | 0:30:27 | |
You like her? | 0:30:27 | 0:30:29 | |
What man wouldn't? | 0:30:29 | 0:30:31 | |
More than me? | 0:30:31 | 0:30:32 | |
I can't see a weakness in her. | 0:30:33 | 0:30:35 | |
But that might be because I'm a man. | 0:30:37 | 0:30:39 | |
Maybe it takes a woman to see another woman's weakness. | 0:30:41 | 0:30:45 | |
A soft spot. | 0:30:49 | 0:30:51 | |
Oh, she has one of them. | 0:30:51 | 0:30:53 | |
Who for? | 0:30:53 | 0:30:55 | |
Later. | 0:30:55 | 0:30:56 | |
SHE MOANS | 0:31:03 | 0:31:05 | |
Who does she have a soft spot for? | 0:31:05 | 0:31:07 | |
Tell me you love me. | 0:31:07 | 0:31:09 | |
Who is it?! | 0:31:09 | 0:31:11 | |
I love you. | 0:31:17 | 0:31:19 | |
She's self-appointed, | 0:31:22 | 0:31:24 | |
but she has the support of all women in the factory. | 0:31:24 | 0:31:26 | |
In some ways, it's worse for you than having an organised | 0:31:26 | 0:31:29 | |
trade union to deal with. | 0:31:29 | 0:31:30 | |
She's a completely free agent. No negotiating structures. | 0:31:30 | 0:31:34 | |
She just pushes Hankin around. | 0:31:38 | 0:31:40 | |
My brother's in love with her. | 0:31:40 | 0:31:42 | |
She's not in love with him. | 0:31:42 | 0:31:44 | |
DOOR OPENS | 0:31:50 | 0:31:52 | |
What is it they feed you? | 0:32:09 | 0:32:11 | |
Milk. It's like a veal calf. | 0:32:11 | 0:32:14 | |
Hmm. | 0:32:16 | 0:32:17 | |
I told you to relinquish responsibility and authority to me. | 0:32:17 | 0:32:21 | |
Sorry? | 0:32:21 | 0:32:22 | |
And now you have been appointed by the family or you have | 0:32:22 | 0:32:25 | |
decided yourself to speak with me. both of which imply you have | 0:32:25 | 0:32:28 | |
retained some status, which I have insisted you give to me. | 0:32:28 | 0:32:32 | |
Do what I say and I will cure your sister. | 0:32:32 | 0:32:36 | |
Refuse and you will have an hysteric in your lives for ever. | 0:32:36 | 0:32:40 | |
Which is it to be? | 0:32:42 | 0:32:43 | |
Have it. | 0:32:43 | 0:32:45 | |
Dr Wylie. | 0:32:46 | 0:32:47 | |
It's yours. | 0:32:49 | 0:32:50 | |
John? | 0:33:12 | 0:33:14 | |
Grace? | 0:33:16 | 0:33:18 | |
We're all right. | 0:33:18 | 0:33:20 | |
We'll be all right. | 0:33:20 | 0:33:22 | |
John? | 0:33:24 | 0:33:26 | |
Yes. Good. | 0:33:26 | 0:33:30 | |
And you? | 0:33:31 | 0:33:32 | |
The Lord is with me. | 0:33:34 | 0:33:36 | |
Not having the body to bury... | 0:34:02 | 0:34:04 | |
Must be hard. | 0:34:05 | 0:34:07 | |
Of course, it makes it easy for them to lie to you. | 0:34:10 | 0:34:13 | |
Nearly every man killed in France has had an easy death. | 0:34:14 | 0:34:18 | |
And when there's no body, no-one at home can say it wasn't. | 0:34:18 | 0:34:21 | |
Who told you? | 0:34:23 | 0:34:24 | |
Joe Middleton. | 0:34:27 | 0:34:29 | |
Then he'll know the truth about it. Trouble is, he's over there. | 0:34:30 | 0:34:37 | |
But he would have told someone when he was at home. | 0:34:37 | 0:34:40 | |
Maybe not his family, but someone. | 0:34:40 | 0:34:43 | |
Too much to carry otherwise. | 0:34:45 | 0:34:47 | |
Thank you. | 0:34:50 | 0:34:52 | |
Our Father, who art in heaven | 0:35:00 | 0:35:04 | |
Hallowed be thy name | 0:35:04 | 0:35:06 | |
Thy kingdom come | 0:35:06 | 0:35:07 | |
Thy will be done | 0:35:07 | 0:35:09 | |
On Earth, as it is in heaven | 0:35:09 | 0:35:12 | |
Give us this day our daily bread | 0:35:12 | 0:35:15 | |
And forgive us our trespasses... | 0:35:15 | 0:35:18 | |
I wouldn't mind if you wanted to give him a word of comfort. | 0:35:18 | 0:35:22 | |
Hello? > | 0:35:22 | 0:35:23 | |
No. It's fine. | 0:35:23 | 0:35:24 | |
Hello! | 0:35:25 | 0:35:26 | |
When does he...? | 0:35:26 | 0:35:28 | |
They'll come for him Monday. | 0:35:28 | 0:35:30 | |
Hello. > | 0:35:31 | 0:35:32 | |
Hello? > | 0:35:35 | 0:35:37 | |
Did Joe tell you that Paul's death were easy? | 0:35:43 | 0:35:47 | |
Yes. | 0:35:47 | 0:35:49 | |
Did Joe tell you that Paul's death were easy? | 0:35:50 | 0:35:55 | |
You owe me the truth. | 0:35:55 | 0:35:56 | |
Yes. | 0:35:56 | 0:35:58 | |
I need to speak to you. | 0:35:58 | 0:36:00 | |
Before you speak to anyone else. And in private. | 0:36:00 | 0:36:05 | |
Paul died some time ago. | 0:36:13 | 0:36:16 | |
Your failure to come to terms with it is damaging, to all of us. | 0:36:16 | 0:36:21 | |
Your bitterness is selfish. | 0:36:22 | 0:36:25 | |
It won't help you if the village is forced to turn away from you. | 0:36:25 | 0:36:29 | |
Who do you think you are to speak to me like this? | 0:36:30 | 0:36:35 | |
I'm appointed spokeswoman for the Church Craft League. | 0:36:35 | 0:36:38 | |
I don't know how my son died, or where. | 0:36:40 | 0:36:45 | |
His best friend was sent home to lie to me about his last moments. | 0:36:45 | 0:36:51 | |
Bitter? | 0:36:52 | 0:36:53 | |
Bitter?! | 0:36:55 | 0:36:57 | |
Oh, I am much, much more than bitter! | 0:36:57 | 0:37:01 | |
If you refuse to put the greater good above | 0:37:02 | 0:37:05 | |
your own self-interest, we will have to fight you. | 0:37:05 | 0:37:10 | |
-Norma. -I need your support. | 0:37:16 | 0:37:19 | |
For what? | 0:37:19 | 0:37:20 | |
The Church Craft League. We need to stand together. | 0:37:20 | 0:37:23 | |
It's, er, it's not the right time. | 0:37:25 | 0:37:28 | |
We're two years into this war. How we conduct our... | 0:37:28 | 0:37:32 | |
I said, it's not the right time! | 0:37:32 | 0:37:34 | |
For who? | 0:37:34 | 0:37:36 | |
Me. Norma. | 0:37:38 | 0:37:41 | |
For me. | 0:37:42 | 0:37:44 | |
There's no blood. And no hole over his heart. | 0:37:58 | 0:38:02 | |
Gas, do you think? | 0:38:04 | 0:38:06 | |
What does God say? | 0:38:08 | 0:38:11 | |
He, er... | 0:38:11 | 0:38:12 | |
..moves in mysterious ways. | 0:38:17 | 0:38:19 | |
And... | 0:38:21 | 0:38:23 | |
Speak to my... | 0:38:35 | 0:38:36 | |
Speak to my daughter. | 0:38:38 | 0:38:40 | |
You see? Look what she's done to you. | 0:38:46 | 0:38:49 | |
She's poisonous, that woman. | 0:38:49 | 0:38:51 | |
I need your help. | 0:39:15 | 0:39:16 | |
Father? | 0:39:21 | 0:39:22 | |
I can't do it any more. | 0:39:27 | 0:39:29 | |
What? | 0:39:34 | 0:39:36 | |
Lie to them. | 0:39:40 | 0:39:42 | |
Who? | 0:39:45 | 0:39:47 | |
Children need their teacher to believe in what she says. | 0:39:52 | 0:39:56 | |
She? | 0:39:57 | 0:39:59 | |
Do this for me. | 0:40:02 | 0:40:04 | |
-But the women at the factory need me. Now is such a... -I need you. | 0:40:07 | 0:40:11 | |
I'm your father. | 0:40:14 | 0:40:16 | |
I won't let them do this to you. | 0:40:51 | 0:40:53 | |
Trust me. | 0:40:59 | 0:41:01 | |
There's something that I think you should know. | 0:41:22 | 0:41:24 | |
Erm, I'm... | 0:41:36 | 0:41:38 | |
I'm very... | 0:41:42 | 0:41:44 | |
I'm so glad that you're here. | 0:41:48 | 0:41:50 | |
Is that what you want to say? | 0:41:52 | 0:41:54 | |
THEY LAUGH | 0:41:56 | 0:41:58 | |
I'd rather you didn't. | 0:42:04 | 0:42:07 | |
How do you know I've been speaking with Caro? | 0:42:07 | 0:42:10 | |
You're taking away her spirit. | 0:42:18 | 0:42:20 | |
Well, of course. What did you think? She has to surrender. | 0:42:20 | 0:42:25 | |
She has to be taught to make the will of the man her own. | 0:42:26 | 0:42:30 | |
How else do you think she can be cured? | 0:42:32 | 0:42:35 | |
I think you're after power for its own sake. | 0:42:35 | 0:42:38 | |
You're not interested in curing Caro at all. | 0:42:40 | 0:42:43 | |
I'm going to forgive that remark. | 0:42:45 | 0:42:48 | |
Put it down to youth and displaced anger. | 0:42:48 | 0:42:52 | |
What anger? | 0:42:52 | 0:42:54 | |
Did you want to go to France? | 0:42:54 | 0:42:56 | |
Yes. | 0:42:56 | 0:42:57 | |
And your sister begged you to stay. | 0:42:57 | 0:42:59 | |
Yes. | 0:43:01 | 0:43:03 | |
Good day. | 0:43:10 | 0:43:12 | |
The bloat face sits fat in plumped-up down | 0:43:12 | 0:43:17 | |
Veal pale with deeping eyes that move too slowly | 0:43:17 | 0:43:21 | |
Now unlubricated by the sprink of thinking | 0:43:21 | 0:43:26 | |
My hushed up, milk-heavy sister. | 0:43:26 | 0:43:31 | |
DOOR OPENS | 0:43:36 | 0:43:38 | |
SHE MOANS IN PROTEST | 0:43:54 | 0:43:55 | |
SHE MOANS | 0:44:08 | 0:44:09 | |
Yes, please. | 0:44:27 | 0:44:29 | |
DOOR CLOSES | 0:44:29 | 0:44:31 | |
SHE CRIES OUT | 0:44:31 | 0:44:34 | |
SHE CRIES | 0:44:38 | 0:44:40 | |
DOOR OPENS | 0:45:24 | 0:45:26 | |
What have they done to you? | 0:45:35 | 0:45:37 | |
What have you done to her? | 0:45:37 | 0:45:39 | |
Veal pale with deeping eyes. | 0:45:41 | 0:45:47 | |
No. | 0:45:47 | 0:45:49 | |
My milk-heavy sister. | 0:45:49 | 0:45:51 | |
Car, no. | 0:45:51 | 0:45:52 | |
Juvenile. But it is your voice. | 0:45:52 | 0:45:57 | |
Caro. | 0:45:57 | 0:45:59 | |
Caro. I'm sorry. | 0:45:59 | 0:46:02 | |
Caro. | 0:46:06 | 0:46:08 | |
It would be best, in the interests of the patient, | 0:46:08 | 0:46:14 | |
if George were to leave. | 0:46:14 | 0:46:16 | |
Well... | 0:46:22 | 0:46:24 | |
Where would he go? | 0:46:26 | 0:46:28 | |
I don't know how his exemption came about. | 0:46:33 | 0:46:36 | |
But I do know, however, what, or rather who, motivated it. | 0:46:36 | 0:46:41 | |
My concern is solely and exclusively for my patient. | 0:46:41 | 0:46:47 | |
Leave. Lock the door. | 0:46:54 | 0:46:57 | |
RUSTLING AND CREAKING | 0:47:20 | 0:47:22 | |
CLOCK CHIMES | 0:48:28 | 0:48:30 | |
I'll do it. | 0:48:52 | 0:48:53 | |
I'll carry on the fight. | 0:48:55 | 0:48:57 | |
PANTING | 0:49:18 | 0:49:20 | |
I hope the rain stays away for the big day. | 0:49:56 | 0:49:59 | |
Paul won it in the rain. | 0:50:01 | 0:50:03 | |
I remember. | 0:50:06 | 0:50:08 | |
Two years ago. | 0:50:09 | 0:50:11 | |
Is this us not talking about John? | 0:50:13 | 0:50:15 | |
What will you do if he goes to prison? | 0:50:18 | 0:50:21 | |
I don't know. | 0:50:21 | 0:50:23 | |
Maybe the war will end and Joe will come home and... | 0:50:24 | 0:50:28 | |
Happily ever after. | 0:50:28 | 0:50:29 | |
Shall we have that, Margaret? Shall we have happily ever after? | 0:50:29 | 0:50:33 | |
I miss him so much. | 0:50:38 | 0:50:40 | |
This is the only place where I feel safe. | 0:50:50 | 0:50:52 | |
Or is it freedom? | 0:50:53 | 0:50:55 | |
Maybe they're the same thing. | 0:50:55 | 0:50:57 | |
-Grace? -What? | 0:51:00 | 0:51:03 | |
I don't know what you're on about. | 0:51:03 | 0:51:06 | |
THEY LAUGH | 0:51:06 | 0:51:09 | |
We used to laugh. | 0:51:12 | 0:51:14 | |
Yes. | 0:51:15 | 0:51:17 | |
But we're talking. You and me. | 0:51:18 | 0:51:21 | |
And that's such a blessing. | 0:51:23 | 0:51:25 | |
Your father ran the Rondo the first year we were married. | 0:51:44 | 0:51:48 | |
I was pregnant with Joe. | 0:51:48 | 0:51:51 | |
I think he did it to show off and tell me that he loved me | 0:51:51 | 0:51:56 | |
because he wasn't very good at saying it. | 0:51:56 | 0:51:59 | |
I made a fool of myself by shouting my head almost off during the race. | 0:51:59 | 0:52:04 | |
I didn't care that people thought me improper. | 0:52:05 | 0:52:08 | |
I was in love and I was growing a child inside of me | 0:52:08 | 0:52:12 | |
and that child was Joe. | 0:52:12 | 0:52:14 | |
I felt like a big shout. | 0:52:14 | 0:52:17 | |
Did he win? | 0:52:18 | 0:52:20 | |
Second. Rutter beat him. | 0:52:20 | 0:52:23 | |
He said if he did it again, he'd get to the front, hold the inside and | 0:52:25 | 0:52:31 | |
run his heart out and over his dead body would anybody come past him. | 0:52:31 | 0:52:35 | |
"That's the brave way to do it," he said. | 0:52:35 | 0:52:38 | |
SHE CHUCKLES | 0:52:38 | 0:52:39 | |
We were happy. | 0:52:41 | 0:52:43 | |
Will you come and watch? | 0:52:45 | 0:52:47 | |
SHE LAUGHS | 0:52:48 | 0:52:50 | |
COWS MOO | 0:53:22 | 0:53:24 | |
APPLAUSE | 0:53:27 | 0:53:29 | |
Welcome to our annual village Rondo. | 0:53:29 | 0:53:32 | |
Now, after much deliberation, I have decided | 0:53:32 | 0:53:36 | |
the honour for starting this year's race will go to... | 0:53:36 | 0:53:39 | |
Margaret Boden. | 0:53:41 | 0:53:43 | |
CROWD APPLAUD | 0:53:43 | 0:53:45 | |
Please come forward, Mrs Boden. | 0:53:45 | 0:53:47 | |
Ready! | 0:53:50 | 0:53:52 | |
Ready. | 0:53:52 | 0:53:55 | |
Steady! | 0:53:56 | 0:53:57 | |
Steady! | 0:53:57 | 0:53:59 | |
GUNSHOT | 0:53:59 | 0:54:01 | |
WHISTLE BLOWS | 0:54:01 | 0:54:03 | |
CROWD CHEER | 0:54:03 | 0:54:05 | |
Go on! | 0:54:05 | 0:54:06 | |
Come on. | 0:54:14 | 0:54:16 | |
Go on. | 0:54:19 | 0:54:21 | |
Go on, son. | 0:54:24 | 0:54:26 | |
Go on! | 0:54:36 | 0:54:38 | |
Go on, son! | 0:54:42 | 0:54:44 | |
Go on! Go on! | 0:54:44 | 0:54:45 | |
Go on. | 0:54:50 | 0:54:52 | |
CROWD CHEER | 0:55:01 | 0:55:03 | |
GUNSHOT | 0:55:03 | 0:55:04 | |
HE SCREAMS | 0:55:07 | 0:55:09 | |
Congratulations. The winner! | 0:55:14 | 0:55:18 | |
CROWD CHEER | 0:55:18 | 0:55:20 | |
Oh, God. | 0:57:12 | 0:57:14 | |
SHE PANTS | 0:57:15 | 0:57:17 | |
GUNSHOT | 0:57:23 | 0:57:25 | |
Subtitles by Red Bee Media Ltd | 0:58:28 | 0:58:31 |