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This programme contains some strong language | 0:00:02 | 0:00:08 | |
and some scenes which some viewers may find upsetting. | 0:00:08 | 0:00:15 | |
The night before Joe went back to the front... | 0:00:36 | 0:00:38 | |
MARBLE ROLLS AWAY | 0:00:40 | 0:00:43 | |
Gotcha! | 0:01:09 | 0:01:10 | |
Close the shutters, Bert. | 0:01:13 | 0:01:14 | |
SHUTTERS SLAM SHUT | 0:01:19 | 0:01:22 | |
Bed now. | 0:01:23 | 0:01:24 | |
-I've lost one. -Bert, bed. | 0:01:34 | 0:01:36 | |
John, the cow shed door needs looking at. | 0:01:46 | 0:01:49 | |
It can wait till tomorrow. | 0:01:49 | 0:01:50 | |
And by that time, we'll have our livelihood | 0:01:50 | 0:01:52 | |
wandering about the High Peak mooing at the moon. | 0:01:52 | 0:01:54 | |
I can't do it, John. I can't do everything. | 0:01:54 | 0:01:57 | |
You've not been sleeping. | 0:02:10 | 0:02:12 | |
My grandfather used to have two sleeps. | 0:02:15 | 0:02:18 | |
Him and his brother, both. | 0:02:18 | 0:02:20 | |
A first sleep and then, a second sleep. | 0:02:20 | 0:02:23 | |
To bed when it got dark, | 0:02:23 | 0:02:25 | |
then, up in the middle of the night for a cup of tea and a natter. | 0:02:25 | 0:02:28 | |
He used to call it a "natter" when he told me about it | 0:02:28 | 0:02:31 | |
because it was a woman's word. | 0:02:31 | 0:02:32 | |
Then, back to bed for the second sleep. | 0:02:32 | 0:02:35 | |
Then, up at first light | 0:02:35 | 0:02:37 | |
and out on the hill. | 0:02:37 | 0:02:39 | |
-What did they talk about? -Their dogs. | 0:02:39 | 0:02:42 | |
Like all shepherds, they pretended not to care about them, | 0:02:44 | 0:02:49 | |
but it's all they really talked about. | 0:02:49 | 0:02:51 | |
Fed on porridge once a day | 0:02:51 | 0:02:53 | |
and shot when their working days were over. | 0:02:53 | 0:02:56 | |
They always had a dog inside on its last night. | 0:02:59 | 0:03:01 | |
And there was a big crack of thunder... | 0:03:01 | 0:03:04 | |
Go on. | 0:03:06 | 0:03:07 | |
And the dog did nothing more than sit up a little. | 0:03:08 | 0:03:11 | |
And my grandfather put his hand on her head and just rested it there. | 0:03:12 | 0:03:16 | |
Just for a moment. | 0:03:17 | 0:03:19 | |
Guidance really, no more. | 0:03:20 | 0:03:23 | |
The gentlest thing I ever saw. | 0:03:26 | 0:03:28 | |
I'm glad he's not drinking. | 0:03:35 | 0:03:37 | |
Tell him that before you go. | 0:03:37 | 0:03:39 | |
He'd like that. | 0:03:39 | 0:03:40 | |
What are these for? | 0:03:46 | 0:03:47 | |
Cutters. | 0:03:50 | 0:03:51 | |
What for? | 0:03:51 | 0:03:53 | |
Barbed wire... | 0:03:54 | 0:03:55 | |
Before an attack, | 0:04:00 | 0:04:02 | |
the bombardment is supposed to... | 0:04:02 | 0:04:04 | |
"The, the wire will be cleared," they say. | 0:04:06 | 0:04:10 | |
You can count on plum puddings. But it isn't. | 0:04:10 | 0:04:12 | |
There's normally one hole in the wire and all the men funnel into it. | 0:04:14 | 0:04:17 | |
"Don't bunch!" we're told, "Don't! Whatever you do!" | 0:04:17 | 0:04:20 | |
But you've got to, Mother, there's no choice, | 0:04:20 | 0:04:23 | |
you can't run at barbed wire. | 0:04:23 | 0:04:27 | |
The German machine gunners direct all their fire into the funnel. | 0:04:27 | 0:04:31 | |
And everybody dies. | 0:04:31 | 0:04:33 | |
Joe... | 0:04:35 | 0:04:36 | |
Take this with you. | 0:04:59 | 0:05:01 | |
Night, son. | 0:05:10 | 0:05:11 | |
I'll sit for a while. | 0:05:22 | 0:05:23 | |
HE PANTS | 0:05:54 | 0:05:56 | |
I was thinking... | 0:06:06 | 0:06:07 | |
..we should have another. | 0:06:10 | 0:06:12 | |
Another what? | 0:06:15 | 0:06:16 | |
Child. | 0:06:19 | 0:06:20 | |
Why do you say that now? | 0:06:23 | 0:06:25 | |
I don't know. | 0:06:29 | 0:06:30 | |
He's going to live. | 0:06:32 | 0:06:34 | |
Our son is going to survive this war. | 0:06:35 | 0:06:37 | |
HE PANTS | 0:06:53 | 0:06:55 | |
HE CRIES | 0:06:55 | 0:06:57 | |
I found it. | 0:07:13 | 0:07:14 | |
Mama. | 0:07:35 | 0:07:36 | |
Do what you can. | 0:07:36 | 0:07:37 | |
What do you mean? | 0:07:39 | 0:07:40 | |
Joe? | 0:07:42 | 0:07:43 | |
When it's over... | 0:07:43 | 0:07:44 | |
..it has to be a better world. | 0:07:49 | 0:07:51 | |
Don't watch me go, Bert. | 0:08:20 | 0:08:22 | |
Son? | 0:08:35 | 0:08:36 | |
HE PANTS | 0:09:34 | 0:09:37 | |
HE CRIES | 0:10:27 | 0:10:29 | |
She's under control. | 0:10:44 | 0:10:45 | |
Unlikely to embarrass you in public. | 0:10:45 | 0:10:48 | |
Bitterness doesn't suit you. | 0:10:48 | 0:10:50 | |
You mean you don't want a dangerous mother. | 0:10:51 | 0:10:53 | |
Doesn't it exhaust you, Edmund? | 0:10:53 | 0:10:56 | |
"How am I looking in the eyes of the world?" | 0:10:56 | 0:10:59 | |
Is there a more vain pursuit than politics? | 0:10:59 | 0:11:02 | |
Hide one's own mother, if one has to. | 0:11:02 | 0:11:05 | |
Your feelings have got the better of you. | 0:11:05 | 0:11:08 | |
The thing about being humiliated, as I have been, | 0:11:08 | 0:11:11 | |
is that it can't get worse - which is a kind of freedom. | 0:11:11 | 0:11:14 | |
I'm with Rousseau, Edmund. | 0:11:17 | 0:11:19 | |
As much truth as possible. | 0:11:19 | 0:11:20 | |
Here we are. | 0:11:23 | 0:11:24 | |
Meet me in the Lamb. One o'clock. | 0:11:33 | 0:11:35 | |
-Who are you? -NUBSO. | 0:11:35 | 0:11:38 | |
And what do you want with me? | 0:11:38 | 0:11:39 | |
I'm here to change your life. | 0:11:39 | 0:11:41 | |
DOOR CLOSES | 0:11:47 | 0:11:48 | |
Here she is. The man of the family. | 0:11:58 | 0:12:00 | |
There's hardly any light at the end of the day, | 0:12:04 | 0:12:06 | |
so you can't see what you're doing | 0:12:06 | 0:12:08 | |
and the eyes are tired anyway after a 12-hour shift. | 0:12:08 | 0:12:10 | |
We've asked for candles and lamps but they've told us | 0:12:10 | 0:12:13 | |
to bring our own and we just can't afford to do that. | 0:12:13 | 0:12:16 | |
There's been accidents - a thumb broken and half a finger cut off. | 0:12:16 | 0:12:20 | |
Someday soon something terrible is going to happen. | 0:12:20 | 0:12:23 | |
It doesn't make sense, | 0:12:23 | 0:12:25 | |
more light would mean we'd make more boots, wouldn't it? | 0:12:25 | 0:12:28 | |
Oh, I'm sorry, am I talking too much? | 0:12:28 | 0:12:30 | |
You've got fire in your belly. | 0:12:31 | 0:12:33 | |
I'm just after a better world, Mr Nubso. | 0:12:33 | 0:12:35 | |
Why are you laughing? | 0:12:38 | 0:12:39 | |
National Union of Boot and Shoe Operatives - | 0:12:39 | 0:12:42 | |
NUBSO. | 0:12:42 | 0:12:44 | |
My name is Chalcraft. | 0:12:44 | 0:12:45 | |
I'd best be getting back. | 0:12:48 | 0:12:49 | |
Your move. | 0:13:01 | 0:13:03 | |
Who you playing? | 0:13:03 | 0:13:04 | |
Anyone who's passing. | 0:13:04 | 0:13:07 | |
Make a move, union man. | 0:13:07 | 0:13:08 | |
How do you know who I am? | 0:13:20 | 0:13:22 | |
I was a detective and you like the sound of your own voice. | 0:13:22 | 0:13:27 | |
Where were you wounded? | 0:13:29 | 0:13:30 | |
Mons. | 0:13:30 | 0:13:31 | |
-No, I meant where... -Knee. | 0:13:31 | 0:13:34 | |
My job is to make sure the work is there when the war's over. | 0:13:34 | 0:13:38 | |
I've seen too many men like you... | 0:13:38 | 0:13:39 | |
What about the women? | 0:13:39 | 0:13:40 | |
The day the war ends, I want every man in work. | 0:13:40 | 0:13:44 | |
Which means the women back in the home. | 0:13:44 | 0:13:46 | |
I might be in a position to help. | 0:13:50 | 0:13:52 | |
-I need to get up! -Get up! -I need to go... | 0:14:10 | 0:14:13 | |
Get up. You're all right. | 0:14:13 | 0:14:15 | |
That's it, there we go. | 0:14:15 | 0:14:16 | |
HE SOBS | 0:14:19 | 0:14:20 | |
Right up! Joe, up, up. | 0:14:22 | 0:14:26 | |
No! | 0:14:27 | 0:14:29 | |
Ready? | 0:14:29 | 0:14:31 | |
I can't go out there. | 0:14:31 | 0:14:32 | |
You can... | 0:14:32 | 0:14:34 | |
DOOR OPENS | 0:14:53 | 0:14:54 | |
What's happened? | 0:14:58 | 0:14:59 | |
Joe? | 0:14:59 | 0:15:00 | |
Sit down. | 0:15:05 | 0:15:06 | |
I can't. | 0:15:09 | 0:15:10 | |
You can, your mother's here, you can. | 0:15:10 | 0:15:13 | |
That's it. | 0:15:13 | 0:15:15 | |
Come here... | 0:15:15 | 0:15:16 | |
What do we do? | 0:15:28 | 0:15:29 | |
He's a deserter. | 0:15:35 | 0:15:36 | |
Yes. | 0:15:36 | 0:15:37 | |
Is he? | 0:15:39 | 0:15:41 | |
Yes, of course. | 0:15:41 | 0:15:43 | |
Oh, God. Erm...has anyone, did, did...? | 0:15:43 | 0:15:46 | |
FOOTSTEPS APPROACHING | 0:15:46 | 0:15:47 | |
They'll know. | 0:15:52 | 0:15:54 | |
As soon as he doesn't report back from leave. | 0:15:54 | 0:15:57 | |
So... | 0:15:57 | 0:15:59 | |
They'll come for him. | 0:15:59 | 0:16:00 | |
But we've, er, we've got time until then... | 0:16:00 | 0:16:03 | |
I mean, you, you, you won't tell anyone until we've... | 0:16:03 | 0:16:06 | |
Thank you. | 0:16:08 | 0:16:09 | |
They shouldn't be disturbed. | 0:16:18 | 0:16:20 | |
What? | 0:16:20 | 0:16:21 | |
The Middletons. | 0:16:21 | 0:16:23 | |
I have to go there. | 0:16:23 | 0:16:24 | |
He's found God, hasn't he? You've handed him on. | 0:16:24 | 0:16:26 | |
The journey's just begun. | 0:16:26 | 0:16:27 | |
It's a long way from sin to salvation. | 0:16:27 | 0:16:29 | |
Do you know what I hate? | 0:16:29 | 0:16:32 | |
How neat and tidy and all dressed-up you are. | 0:16:32 | 0:16:35 | |
Not your dress. | 0:16:35 | 0:16:37 | |
Your speech. | 0:16:37 | 0:16:39 | |
Martyred Martha - in love with giving and saving... | 0:16:39 | 0:16:42 | |
In love with herself. | 0:16:44 | 0:16:45 | |
Him not going back is the same as him running away. | 0:16:49 | 0:16:53 | |
That's what they'll say, isn't it? | 0:16:53 | 0:16:55 | |
-Shh. He'll hear you. -Isn't it, Grace? | 0:16:55 | 0:16:57 | |
-We'll get Doctor. -Let me talk to him. | 0:17:03 | 0:17:05 | |
We can't wait! You heard Bairstow. | 0:17:05 | 0:17:08 | |
They're coming for him. | 0:17:08 | 0:17:10 | |
And when they come for him, | 0:17:10 | 0:17:11 | |
I want to be able to say that my son is not well. | 0:17:11 | 0:17:14 | |
Where's me cap, Mother? | 0:17:14 | 0:17:16 | |
You were a big baby. | 0:17:29 | 0:17:30 | |
Warm and fat. | 0:17:33 | 0:17:34 | |
There's a place between the cheek and the shoulder. | 0:17:37 | 0:17:40 | |
When you haven't had a baby, it doesn't exist... | 0:17:42 | 0:17:44 | |
..and it does when you have. | 0:17:46 | 0:17:48 | |
Something here. | 0:17:48 | 0:17:49 | |
That's where a baby's head sits. | 0:17:51 | 0:17:53 | |
And it's the smell... | 0:17:57 | 0:17:58 | |
..and it's the warmth. | 0:18:00 | 0:18:02 | |
And when you're away... | 0:18:02 | 0:18:03 | |
..I can lean my head into it with a tilt... | 0:18:05 | 0:18:08 | |
..and there you are. | 0:18:11 | 0:18:12 | |
And if I were dead? | 0:18:14 | 0:18:15 | |
Would it be there? | 0:18:18 | 0:18:19 | |
My Henry told me | 0:18:27 | 0:18:28 | |
he loved me when we first met because of my baking. | 0:18:28 | 0:18:31 | |
He were sat on the edge of my sofa, | 0:18:32 | 0:18:34 | |
with his little legs touching the floor. | 0:18:34 | 0:18:37 | |
And his hands in his lap all polite | 0:18:37 | 0:18:39 | |
and he looked at me with his little doggy eyes and he said, | 0:18:39 | 0:18:42 | |
I knew he was going to say it, | 0:18:42 | 0:18:43 | |
"More cake, more cake." | 0:18:43 | 0:18:47 | |
We were married a month later. | 0:18:48 | 0:18:50 | |
HE PANTS | 0:18:58 | 0:19:00 | |
Before we were married, | 0:19:31 | 0:19:34 | |
Mr Hankin... | 0:19:34 | 0:19:35 | |
..he, er, showed himself very keen. | 0:19:37 | 0:19:42 | |
I mean, without actually doing anything improper. | 0:19:44 | 0:19:47 | |
Now we're married... | 0:19:49 | 0:19:51 | |
Not so keen? | 0:19:52 | 0:19:53 | |
No. It's erm... | 0:19:55 | 0:19:56 | |
..it's more he doesn't... | 0:19:58 | 0:20:00 | |
Keen, yes. | 0:20:02 | 0:20:04 | |
But erm... | 0:20:04 | 0:20:06 | |
Does his...? | 0:20:08 | 0:20:09 | |
Does it...? | 0:20:11 | 0:20:12 | |
Yes. | 0:20:12 | 0:20:14 | |
Usually. | 0:20:15 | 0:20:16 | |
Then no. | 0:20:19 | 0:20:20 | |
Does it ever go in? | 0:20:20 | 0:20:22 | |
No. | 0:20:26 | 0:20:27 | |
I don't think so. | 0:20:29 | 0:20:30 | |
You'd know, Norma. | 0:20:30 | 0:20:32 | |
Has it ever? | 0:20:34 | 0:20:35 | |
No. | 0:20:39 | 0:20:40 | |
Is it me? | 0:20:43 | 0:20:44 | |
Norma? | 0:20:47 | 0:20:48 | |
Yes? | 0:20:48 | 0:20:49 | |
Does he love you? | 0:20:51 | 0:20:52 | |
Of course. | 0:20:53 | 0:20:54 | |
Do you love him? | 0:20:56 | 0:20:57 | |
He's me husband. | 0:20:59 | 0:21:00 | |
Love him. | 0:21:05 | 0:21:06 | |
Tell him how much you love him. | 0:21:07 | 0:21:10 | |
SHE SOBS | 0:21:17 | 0:21:19 | |
Good bath? | 0:21:27 | 0:21:29 | |
Yes. | 0:21:29 | 0:21:30 | |
Lots of chat? | 0:21:33 | 0:21:34 | |
Uh-huh. | 0:21:36 | 0:21:37 | |
What's the story this week? | 0:21:39 | 0:21:40 | |
Something you don't want to tell me. | 0:21:45 | 0:21:47 | |
Now, I am excited. | 0:21:48 | 0:21:50 | |
I love a good story before bed. | 0:21:55 | 0:21:57 | |
Headaches? | 0:21:58 | 0:21:59 | |
Stomach pain? | 0:22:01 | 0:22:02 | |
Tremors. | 0:22:04 | 0:22:05 | |
Fatigue? | 0:22:06 | 0:22:08 | |
Shell shock. Shell. Shock. | 0:22:11 | 0:22:14 | |
Physical cause, physical symptoms, physical cure. | 0:22:14 | 0:22:19 | |
Probably some toxins have got into the blood from a shell blast. | 0:22:19 | 0:22:25 | |
So... | 0:22:25 | 0:22:26 | |
..rest, good food and motherly love. | 0:22:27 | 0:22:30 | |
When does his leave end? | 0:22:31 | 0:22:33 | |
Was there something that...? | 0:22:53 | 0:22:55 | |
A shell landing nearby? | 0:22:59 | 0:23:01 | |
Norma told us about a man who was buried under earth. | 0:23:06 | 0:23:09 | |
Punishment. | 0:23:09 | 0:23:10 | |
What was that? | 0:23:12 | 0:23:13 | |
There was no shell. | 0:23:21 | 0:23:23 | |
How can that be? You heard Doctor. | 0:23:23 | 0:23:25 | |
Why is it called shell shock? | 0:23:27 | 0:23:30 | |
He just said, he said it was punishment. | 0:23:30 | 0:23:33 | |
Punishment? | 0:23:38 | 0:23:39 | |
I want you to go and stay with Margaret. | 0:23:49 | 0:23:52 | |
Go now. Do you understand? | 0:23:52 | 0:23:54 | |
-I want to stay here... -Go and do as you're told! | 0:23:54 | 0:23:57 | |
Go on. | 0:24:01 | 0:24:02 | |
Punished for what? | 0:24:06 | 0:24:08 | |
You're a good soldier. | 0:24:08 | 0:24:09 | |
You've been in France near on two years. | 0:24:10 | 0:24:13 | |
-Leave him. -No. | 0:24:13 | 0:24:15 | |
John. | 0:24:15 | 0:24:16 | |
What did you do? | 0:24:16 | 0:24:17 | |
It was the postcard. | 0:24:21 | 0:24:22 | |
What? | 0:24:24 | 0:24:25 | |
They found out. | 0:24:27 | 0:24:29 | |
Found out what? | 0:24:29 | 0:24:30 | |
-John... -No! | 0:24:30 | 0:24:32 | |
What postcard? | 0:24:32 | 0:24:34 | |
It was for Bert. | 0:24:34 | 0:24:36 | |
We didn't get it. Did we, Mother? | 0:24:39 | 0:24:41 | |
It was coded. So he'd know what were happening at the front. | 0:24:43 | 0:24:47 | |
They, they must have found out what I were doing. | 0:24:49 | 0:24:52 | |
They confronted me with it. | 0:24:52 | 0:24:54 | |
I didn't feel like taking it from some pimply officer, | 0:24:55 | 0:24:58 | |
so I pushed him! | 0:24:58 | 0:25:00 | |
He fell backwards, | 0:25:00 | 0:25:02 | |
he lost his balance. | 0:25:02 | 0:25:04 | |
You can't do that to an officer. | 0:25:06 | 0:25:07 | |
What did they do? | 0:25:08 | 0:25:11 | |
I might have been shot. | 0:25:11 | 0:25:12 | |
For insub... | 0:25:13 | 0:25:14 | |
..in...insub...insub... | 0:25:16 | 0:25:19 | |
What's...what's the word? | 0:25:19 | 0:25:21 | |
What's the bloody word?! | 0:25:21 | 0:25:22 | |
What's the matter with me?! | 0:25:24 | 0:25:26 | |
HE CRIES | 0:25:26 | 0:25:29 | |
What did they do to you? | 0:25:37 | 0:25:38 | |
They tied me wrists... | 0:25:40 | 0:25:42 | |
..and me feet to the wheel of a cart. | 0:25:44 | 0:25:48 | |
And left me out all night. | 0:25:50 | 0:25:51 | |
In the open. | 0:25:54 | 0:25:55 | |
Behind the lines, so there's no... | 0:25:57 | 0:26:00 | |
..but you, you hear everything... | 0:26:02 | 0:26:06 | |
and you feel... | 0:26:06 | 0:26:07 | |
I just, just, I felt so... | 0:26:09 | 0:26:11 | |
..so...exposed. | 0:26:14 | 0:26:16 | |
Because of a...postcard? | 0:26:22 | 0:26:24 | |
HE SCREAMS | 0:26:41 | 0:26:43 | |
HE MOANS | 0:26:43 | 0:26:45 | |
Let the union in. | 0:26:52 | 0:26:53 | |
Why? | 0:26:54 | 0:26:56 | |
You don't want to deal with an angry woman | 0:26:56 | 0:26:58 | |
when you can deal with patient men. | 0:26:58 | 0:27:00 | |
Let the union in, keep wages low, the union won't fight you. | 0:27:00 | 0:27:03 | |
Until the war is over. | 0:27:03 | 0:27:05 | |
And when will that be? Ten years? | 0:27:05 | 0:27:07 | |
20? | 0:27:07 | 0:27:08 | |
What? | 0:27:13 | 0:27:14 | |
You've been taking my advice so far, | 0:27:14 | 0:27:16 | |
which means my value to you is higher than it was. | 0:27:16 | 0:27:20 | |
I'll see to it. | 0:27:20 | 0:27:22 | |
I've got something for you on Hankin. | 0:27:22 | 0:27:24 | |
Now... | 0:27:26 | 0:27:28 | |
What's your news about Mr Hankin? | 0:27:28 | 0:27:30 | |
Impotentia coeundi. | 0:27:32 | 0:27:35 | |
Mr Bairstow is gambling on my not knowing Latin, Edmund. | 0:27:35 | 0:27:39 | |
Well, then, he's safe. | 0:27:41 | 0:27:42 | |
As long as I don't ask you for a translation. | 0:27:42 | 0:27:45 | |
Er... | 0:27:47 | 0:27:48 | |
He can't fuck his wife. | 0:27:48 | 0:27:49 | |
Oh, look, here they come. | 0:27:52 | 0:27:54 | |
Hard times, Mrs Hankin. | 0:27:54 | 0:27:57 | |
I'm afraid the luncheon may disappoint. | 0:27:57 | 0:28:00 | |
One just can't get what one wants. | 0:28:00 | 0:28:02 | |
-My husband's stock is... -Low, hmm. | 0:28:02 | 0:28:04 | |
All one asks for is a lick of butter. | 0:28:05 | 0:28:08 | |
Imagine what one could do with a lick of butter, Mrs Hankin. | 0:28:08 | 0:28:12 | |
Good day, Mr Bairstow. | 0:28:13 | 0:28:15 | |
HE MOANS | 0:28:20 | 0:28:23 | |
Mr Bairstow knows Latin. | 0:28:40 | 0:28:42 | |
He speaks Latin. | 0:28:44 | 0:28:45 | |
Where do you think he learned to do that? | 0:28:45 | 0:28:47 | |
Not public school. | 0:28:47 | 0:28:49 | |
More wine, Mother? | 0:28:49 | 0:28:50 | |
How's your Latin, Mr Hankin? | 0:28:50 | 0:28:52 | |
Quite good, isn't it, Arnold? | 0:28:52 | 0:28:55 | |
Oh, shall we test him? | 0:28:55 | 0:28:56 | |
What do you think? | 0:28:56 | 0:28:58 | |
What was it that Mr Bairstow said this afternoon? | 0:28:58 | 0:29:01 | |
I can't remember. | 0:29:01 | 0:29:03 | |
Oh, I'm sure you do, Edmund. | 0:29:03 | 0:29:04 | |
He was speaking about your business partner. | 0:29:04 | 0:29:07 | |
Impotentia coeundi. Yes? | 0:29:08 | 0:29:12 | |
Yes, that's it. Anyone? | 0:29:12 | 0:29:13 | |
HE CLEARS HIS THROAT | 0:29:15 | 0:29:16 | |
Joe Middleton. | 0:29:18 | 0:29:20 | |
Still here. Hasn't gone back. | 0:29:20 | 0:29:22 | |
Why not? | 0:29:23 | 0:29:24 | |
He can't, it seems. | 0:29:24 | 0:29:26 | |
My question is whether I should tell the authorities? | 0:29:28 | 0:29:31 | |
He's not a malingerer. | 0:29:31 | 0:29:32 | |
-Have you met him? -No. | 0:29:34 | 0:29:36 | |
No need to. | 0:29:36 | 0:29:37 | |
The rural poor are tough, | 0:29:37 | 0:29:39 | |
they know what it is to endure cold and wet | 0:29:39 | 0:29:43 | |
and they know how to slit a pig's throat, hear it squeal, | 0:29:43 | 0:29:46 | |
watch it die and do it all over again. | 0:29:46 | 0:29:49 | |
Well, the pig doesn't fight back. | 0:29:49 | 0:29:52 | |
And the big pigs don't send howitzer shells into the farmyard | 0:29:52 | 0:29:56 | |
in support of their fellow creatures. | 0:29:56 | 0:29:58 | |
In confronting danger, a man requires one of two things - | 0:29:58 | 0:30:01 | |
courage or stupidity. | 0:30:01 | 0:30:04 | |
Why is it that everything you say, I feel you've rehearsed before? | 0:30:04 | 0:30:07 | |
Or even heard before. | 0:30:07 | 0:30:10 | |
Why are you attacking me? | 0:30:10 | 0:30:11 | |
To see what sort of a man is seducing my daughter | 0:30:11 | 0:30:14 | |
so soon after the death of her father. | 0:30:14 | 0:30:16 | |
Mother! | 0:30:16 | 0:30:17 | |
Edmund? | 0:30:17 | 0:30:18 | |
You must understand, it's been such a short time since... | 0:30:20 | 0:30:24 | |
My husband blew his brains out. | 0:30:24 | 0:30:26 | |
SHE LAUGHS | 0:30:26 | 0:30:29 | |
You were saying... | 0:30:29 | 0:30:30 | |
Perhaps we should, er... | 0:30:30 | 0:30:32 | |
No, no, er...courage or stupidity? | 0:30:32 | 0:30:35 | |
Stupidity is preferable, because it requires no effort | 0:30:35 | 0:30:39 | |
and it has nothing...fear, doubt, imagination to overcome. | 0:30:39 | 0:30:45 | |
We won at Waterloo | 0:30:45 | 0:30:47 | |
because Wellington's red squares were made up of the idiot poor. | 0:30:47 | 0:30:50 | |
Like the idiot poor from this village who died on the Somme? | 0:30:50 | 0:30:54 | |
I used to hunt, Doctor Wylie, | 0:30:57 | 0:31:00 | |
and the last time I went out, | 0:31:00 | 0:31:03 | |
my horse refused to jump a hedge, | 0:31:03 | 0:31:06 | |
only he made this decision at the very last moment | 0:31:06 | 0:31:08 | |
and he chose not to tell me about it in advance. | 0:31:08 | 0:31:12 | |
I came off. But, you know, I wasn't in the least hurt. | 0:31:12 | 0:31:16 | |
And something told me to stand up straightaway. | 0:31:16 | 0:31:21 | |
I don't know, perhaps I was trying to prove to myself | 0:31:21 | 0:31:24 | |
that I wasn't really injured. | 0:31:24 | 0:31:26 | |
Anyway, it was a mistake, | 0:31:26 | 0:31:28 | |
because the rest of the hunt was on me. | 0:31:28 | 0:31:32 | |
20 horses at full gallop, | 0:31:32 | 0:31:35 | |
all committed to jumping that hedge, all coming at me. | 0:31:35 | 0:31:38 | |
I stood stock-still and waited to die. | 0:31:40 | 0:31:45 | |
And they all went round me. | 0:31:45 | 0:31:47 | |
If, at Waterloo, one had stood firm in one's square | 0:31:49 | 0:31:53 | |
against repeated charges of the French cavalry, | 0:31:53 | 0:31:57 | |
I would like to think that, in generations to come, | 0:31:57 | 0:32:01 | |
they might call it something finer than stupidity. | 0:32:01 | 0:32:04 | |
HE PANTS | 0:32:17 | 0:32:20 | |
Finish your food. | 0:32:36 | 0:32:37 | |
Perhaps you could see him. | 0:33:05 | 0:33:07 | |
Joe Middleton. | 0:33:07 | 0:33:09 | |
Why does it matter to you? | 0:33:10 | 0:33:13 | |
Well, we owe the Middleton family something. | 0:33:13 | 0:33:16 | |
John Middleton was incarcerated because of what Father did. | 0:33:16 | 0:33:19 | |
I only ask. | 0:33:19 | 0:33:20 | |
I'll consider it. | 0:33:22 | 0:33:23 | |
You'd cure him, wouldn't you? | 0:33:25 | 0:33:27 | |
Of course. If I felt I... | 0:33:27 | 0:33:30 | |
You cured me. You could cure him. | 0:33:30 | 0:33:32 | |
You don't fail, do you? | 0:33:33 | 0:33:35 | |
Arnold? | 0:34:05 | 0:34:06 | |
HE MOANS | 0:34:10 | 0:34:12 | |
HE SCREAMS | 0:34:16 | 0:34:18 | |
In the name of Jesus Christ. | 0:34:36 | 0:34:39 | |
BOTH: Amen. | 0:34:39 | 0:34:40 | |
Does God see everything? | 0:34:49 | 0:34:50 | |
Yes. | 0:34:54 | 0:34:55 | |
Does he decide everything? | 0:34:55 | 0:34:57 | |
-Yes. -And the Bible says we are not to question him. | 0:34:59 | 0:35:02 | |
So did God make Joe like this? | 0:35:02 | 0:35:04 | |
We're asking God to heal him. | 0:35:09 | 0:35:11 | |
So a prayer is to persuade God, who we must never question, | 0:35:11 | 0:35:15 | |
to admit he's made a mistake and correct it. | 0:35:15 | 0:35:18 | |
You haven't been coming to chapel, Grace. | 0:35:20 | 0:35:22 | |
I've been looking after the farm, | 0:35:22 | 0:35:23 | |
I've been working at the factory | 0:35:23 | 0:35:25 | |
and a thousand other things and now I'm looking after my son who... | 0:35:25 | 0:35:29 | |
I've no time for chapel. | 0:35:30 | 0:35:32 | |
Don't look at me like that. | 0:35:34 | 0:35:35 | |
You must make time for God. | 0:35:35 | 0:35:37 | |
Tell me what my son's done to deserve this? | 0:35:37 | 0:35:40 | |
You're right. He hasn't done anything. And it's not John. | 0:35:42 | 0:35:46 | |
-He's turned around thanks to God... -Me! | 0:35:46 | 0:35:48 | |
Thanks to me. | 0:35:48 | 0:35:50 | |
But you have turned too, Grace, | 0:35:50 | 0:35:54 | |
away from God. | 0:35:54 | 0:35:55 | |
My son is broken and lost | 0:35:55 | 0:35:57 | |
because I haven't been down on my knees at the end of every day? | 0:35:57 | 0:36:00 | |
What does he want from me? | 0:36:00 | 0:36:02 | |
He takes every hour my husband is awake for himself. | 0:36:02 | 0:36:06 | |
Isn't that enough? | 0:36:06 | 0:36:07 | |
You do not support your husband in his religious observance, | 0:36:07 | 0:36:10 | |
you have more time for Mr Bairstow than you have for prayer. | 0:36:10 | 0:36:12 | |
What are you saying? | 0:36:12 | 0:36:14 | |
I have seen you consorting with him. | 0:36:14 | 0:36:16 | |
-Consorting? -You leave me no choice but to be indelicate in my speech - | 0:36:16 | 0:36:19 | |
furtive and secret meetings with a man who is vindictive... | 0:36:19 | 0:36:22 | |
How dare you?! | 0:36:22 | 0:36:23 | |
I saved my husband from the poison that was killing him. | 0:36:23 | 0:36:27 | |
Not you! Not God! | 0:36:27 | 0:36:30 | |
You deny God's work in the world? | 0:36:30 | 0:36:32 | |
I am tired of God. | 0:36:33 | 0:36:35 | |
This is not you. | 0:36:35 | 0:36:38 | |
This is his poison working in you! | 0:36:38 | 0:36:40 | |
Get out of my house. | 0:36:40 | 0:36:41 | |
You must let God back in your life. | 0:36:41 | 0:36:44 | |
For your son's sake. | 0:36:44 | 0:36:45 | |
You leave my son alone. | 0:36:45 | 0:36:46 | |
Grace. | 0:36:46 | 0:36:48 | |
Her or me, John. | 0:36:48 | 0:36:50 | |
That's not the right question. | 0:36:50 | 0:36:52 | |
Him... | 0:36:55 | 0:36:57 | |
..or her, John. | 0:36:59 | 0:37:01 | |
He's not here yet. | 0:37:08 | 0:37:10 | |
It's in his head. | 0:37:20 | 0:37:22 | |
What do you mean? | 0:37:23 | 0:37:24 | |
That he can't walk across a room? | 0:37:26 | 0:37:28 | |
In his head. | 0:37:31 | 0:37:32 | |
But his hands shake. | 0:37:32 | 0:37:33 | |
In his head. | 0:37:33 | 0:37:35 | |
How? | 0:37:35 | 0:37:36 | |
The things he's seen. | 0:37:36 | 0:37:37 | |
The doctors. | 0:37:37 | 0:37:38 | |
Haven't been there. | 0:37:38 | 0:37:41 | |
They don't know, they can't know, | 0:37:41 | 0:37:45 | |
they will never know. | 0:37:45 | 0:37:46 | |
DOOR CLOSES | 0:37:46 | 0:37:48 | |
Here's your man. | 0:37:50 | 0:37:51 | |
I can't stay long. | 0:37:55 | 0:37:56 | |
Then I'll be quick. Good news. | 0:37:56 | 0:37:58 | |
Your employer will recognise the union. | 0:37:58 | 0:38:00 | |
It's a great day for the factory. | 0:38:00 | 0:38:02 | |
And for the women that work in it. | 0:38:02 | 0:38:05 | |
Thank you. | 0:38:05 | 0:38:06 | |
I'll sit with you, son. | 0:38:24 | 0:38:25 | |
TAPPING CONTINUES | 0:39:05 | 0:39:09 | |
Her name's Agnes. | 0:39:12 | 0:39:13 | |
She works at the factory. | 0:39:13 | 0:39:15 | |
Working where she works has made her unwell. | 0:39:16 | 0:39:19 | |
She really is very ill, Mr Chalcraft. | 0:39:19 | 0:39:22 | |
It's a terrible thing to see in someone so young. | 0:39:22 | 0:39:25 | |
I'll have another one, please. | 0:39:26 | 0:39:27 | |
Er...Chalcraft. | 0:39:41 | 0:39:44 | |
The man from the NUBSO. | 0:39:44 | 0:39:45 | |
I'm in with him. He trusts me. | 0:39:47 | 0:39:49 | |
Good. | 0:39:49 | 0:39:50 | |
Is that what you came to say? | 0:39:52 | 0:39:54 | |
No. | 0:39:54 | 0:39:55 | |
You want more money? | 0:39:57 | 0:40:00 | |
Well, we all need to eat. | 0:40:00 | 0:40:01 | |
I think I might be giving you too much. | 0:40:03 | 0:40:05 | |
That depends what value you place | 0:40:07 | 0:40:09 | |
on other people not knowing that I work for you. | 0:40:09 | 0:40:11 | |
Are you blackmailing me? | 0:40:13 | 0:40:15 | |
The doctor's bills for poor Agnes. | 0:40:17 | 0:40:20 | |
She's too important to lose. | 0:40:20 | 0:40:22 | |
Edmund! | 0:40:22 | 0:40:24 | |
Come quickly. | 0:40:24 | 0:40:25 | |
George! | 0:40:30 | 0:40:32 | |
Welcome back, old chap. | 0:40:38 | 0:40:40 | |
Thank you. | 0:40:40 | 0:40:41 | |
Wylie's here? | 0:40:46 | 0:40:47 | |
Yes. He... | 0:40:47 | 0:40:48 | |
-Caro? -He saved me. | 0:40:50 | 0:40:52 | |
And now he's going to stay with me. | 0:40:52 | 0:40:56 | |
I mean, he'll, he'll always look after me. | 0:40:56 | 0:40:58 | |
I didn't come home when father died. | 0:41:01 | 0:41:06 | |
You couldn't get leave. | 0:41:06 | 0:41:08 | |
You'd only just... | 0:41:08 | 0:41:09 | |
They would have given it to me on compassionate grounds. | 0:41:09 | 0:41:12 | |
I didn't ask. | 0:41:12 | 0:41:13 | |
Your father would have understood. | 0:41:13 | 0:41:15 | |
I didn't ask | 0:41:15 | 0:41:18 | |
because I didn't want to leave my men. | 0:41:18 | 0:41:21 | |
Do you see? | 0:41:23 | 0:41:24 | |
I cannot tell you how much pride I have | 0:41:27 | 0:41:31 | |
in a son who makes that kind of a sacrifice. | 0:41:31 | 0:41:33 | |
My brave boy. | 0:41:37 | 0:41:38 | |
Pride? | 0:41:40 | 0:41:42 | |
Sacrifice? It's... | 0:41:42 | 0:41:44 | |
Is that wrong? | 0:41:46 | 0:41:47 | |
You are brave, aren't you? | 0:41:48 | 0:41:52 | |
My wife's done everything the doctor told us to do. | 0:41:58 | 0:42:01 | |
Do you want to go back? | 0:42:15 | 0:42:17 | |
Yes. | 0:42:19 | 0:42:20 | |
Why isn't the shaking stopping? | 0:42:38 | 0:42:40 | |
Doctor Ramsey said it would. | 0:42:40 | 0:42:42 | |
Hereditary weakness. | 0:42:42 | 0:42:44 | |
I don't understand. | 0:42:48 | 0:42:49 | |
Weakness of character. | 0:42:49 | 0:42:51 | |
Passed down to him, | 0:42:52 | 0:42:54 | |
probably through the male line. | 0:42:54 | 0:42:56 | |
Your grandfather? | 0:42:58 | 0:42:59 | |
Your father? | 0:43:01 | 0:43:02 | |
Is there feeble-mindedness in your family, Mr Middleton? | 0:43:05 | 0:43:09 | |
Will you help me? | 0:43:29 | 0:43:30 | |
Go and talk to them? | 0:43:31 | 0:43:32 | |
Stay there. | 0:43:35 | 0:43:36 | |
Doctor Wylie. | 0:43:40 | 0:43:41 | |
You'll be here for Joe Middleton. | 0:43:43 | 0:43:45 | |
We've a warrant. | 0:43:45 | 0:43:46 | |
Are you an army doctor? | 0:43:48 | 0:43:49 | |
No. | 0:43:49 | 0:43:51 | |
He can't be moved. | 0:43:51 | 0:43:52 | |
I don't think we care too much about whether he can or can't be moved. | 0:43:52 | 0:43:56 | |
Listen, there's a pub in the village with rooms. | 0:43:57 | 0:44:00 | |
Go and rest up there for a couple of nights | 0:44:00 | 0:44:02 | |
and I'll give you an easy prisoner to take back to France. | 0:44:02 | 0:44:05 | |
We'll take him now. | 0:44:05 | 0:44:07 | |
Now, look here, there's something you need to know. | 0:44:07 | 0:44:11 | |
His regiment is a Pals regiment. They're all from round here. | 0:44:11 | 0:44:15 | |
If you send him back to France, | 0:44:15 | 0:44:16 | |
they'll be getting a pathetic, moral invalid in amongst them. | 0:44:16 | 0:44:20 | |
Morale matters. | 0:44:20 | 0:44:21 | |
Pathetic moral invalids do nothing for it. | 0:44:21 | 0:44:24 | |
We won't be taking him to put him back in the front line. | 0:44:24 | 0:44:27 | |
That isn't what we do with deserters. | 0:44:27 | 0:44:30 | |
Now, if you'll excuse me, Doctor. | 0:44:30 | 0:44:32 | |
Listen, I'm not an army doctor... | 0:44:32 | 0:44:34 | |
..but I am close friends with the Provost Marshall. | 0:44:36 | 0:44:39 | |
I don't think you mentioned your names... | 0:44:39 | 0:44:41 | |
We'll be back tomorrow. | 0:44:46 | 0:44:47 | |
Why are you doing this? | 0:44:52 | 0:44:53 | |
Professional pride. | 0:44:55 | 0:44:56 | |
24 hours. | 0:45:02 | 0:45:04 | |
To make him better. | 0:45:04 | 0:45:05 | |
Aye, and then they'll see he's not a coward. | 0:45:06 | 0:45:09 | |
It'd do you good. A hot bath. | 0:45:30 | 0:45:32 | |
What are you doing? | 0:46:22 | 0:46:23 | |
They've gone. | 0:46:23 | 0:46:25 | |
What have? | 0:46:25 | 0:46:26 | |
Me cows! | 0:46:26 | 0:46:27 | |
What? | 0:46:27 | 0:46:28 | |
Where are they? | 0:46:28 | 0:46:29 | |
You've lost your cows? | 0:46:29 | 0:46:31 | |
HE LAUGHS | 0:46:31 | 0:46:33 | |
What kind of a man loses an herd of cows? | 0:46:33 | 0:46:35 | |
You're pathetic. Look at you. | 0:46:44 | 0:46:46 | |
Your father and your grandfather before you, they farmed your farm. | 0:46:46 | 0:46:49 | |
You're after my land. That's all you've ever wanted. | 0:46:49 | 0:46:52 | |
Yeah, of course I do, cos I despise you for letting it go. | 0:46:52 | 0:46:55 | |
I've seen you spend whole days in the Lamb and nothing gets done | 0:46:55 | 0:46:59 | |
and now you've stopped drinking, you don't work any harder, | 0:46:59 | 0:47:01 | |
cos you're too busy going about with that minister's daughter, | 0:47:01 | 0:47:04 | |
whilst your wife works every hour she's got. | 0:47:04 | 0:47:07 | |
This land is bigger than any one man's weakness. | 0:47:07 | 0:47:11 | |
It deserves better than you! | 0:47:11 | 0:47:13 | |
It's me, not him. | 0:47:31 | 0:47:33 | |
He can't help it. | 0:47:33 | 0:47:34 | |
It's only in him because I've passed it down to him. | 0:47:34 | 0:47:37 | |
Do you see? Joe can't help it. | 0:47:37 | 0:47:39 | |
You, you can't punish him for something that's not his fault. | 0:47:39 | 0:47:42 | |
It's me you should be taking. | 0:47:42 | 0:47:43 | |
-What? -No. | 0:47:45 | 0:47:46 | |
You have to understand! | 0:47:46 | 0:47:47 | |
It's me you should be taking, not Joe! | 0:47:47 | 0:47:50 | |
-You've got to listen to me! -Wait, wait, wait, wait. | 0:47:50 | 0:47:52 | |
No, Peter, they don't understand! | 0:47:52 | 0:47:54 | |
-Out, out! -They don't understand! -Out! | 0:47:54 | 0:47:56 | |
KNOCKING ON DOOR | 0:47:58 | 0:48:00 | |
Joe? | 0:48:09 | 0:48:10 | |
Joe? | 0:48:13 | 0:48:15 | |
IT MOOS | 0:48:31 | 0:48:33 | |
Hold on to the book, Joe. | 0:48:43 | 0:48:45 | |
God will rescue you | 0:48:45 | 0:48:46 | |
from what's taken hold of you. | 0:48:46 | 0:48:49 | |
Close your eyes. | 0:48:49 | 0:48:50 | |
Dear Lord, in all your mercy, | 0:48:53 | 0:48:55 | |
bring to this man peace and comfort. | 0:48:55 | 0:48:57 | |
Drive out all the pain and the anger | 0:49:01 | 0:49:03 | |
and the hate that's taken hold of his soul. | 0:49:03 | 0:49:05 | |
In the name of Jesus Christ, in the name of the son, | 0:49:05 | 0:49:08 | |
in the name of the holy father and the holy ghost... | 0:49:08 | 0:49:10 | |
Hold tight, hold the book. | 0:49:10 | 0:49:13 | |
Make this evil go, | 0:49:13 | 0:49:15 | |
make this soul clean again. | 0:49:15 | 0:49:18 | |
Pray with me. | 0:49:18 | 0:49:19 | |
Our father who art in heaven, hallowed be thy name. | 0:49:19 | 0:49:22 | |
Thy kingdom come, thy will be done, on earth as it is in heaven. | 0:49:22 | 0:49:26 | |
Give us this... | 0:49:26 | 0:49:28 | |
SHE PANTS | 0:50:03 | 0:50:05 | |
I don't understand. | 0:50:29 | 0:50:31 | |
Do you want to? | 0:50:32 | 0:50:34 | |
Yes! | 0:50:34 | 0:50:35 | |
Go and see Joe Middleton. | 0:50:37 | 0:50:38 | |
SHE COUGHS | 0:51:14 | 0:51:17 | |
That cough? | 0:51:21 | 0:51:23 | |
Happen that'll be the death of you. | 0:51:23 | 0:51:25 | |
I trusted you. | 0:51:28 | 0:51:29 | |
Oh, that's better. I could chop between me legs. | 0:51:34 | 0:51:37 | |
Well, imagine if you didn't have to go outside to do your business? | 0:51:37 | 0:51:40 | |
Sometimes I don't. | 0:51:40 | 0:51:41 | |
THEY CHUCKLE | 0:51:41 | 0:51:43 | |
How's Bert? | 0:51:43 | 0:51:44 | |
-That's a funny question. -Is it? | 0:51:44 | 0:51:46 | |
I haven't seen him. | 0:51:46 | 0:51:48 | |
What? | 0:51:48 | 0:51:49 | |
I kept on half-expecting you to send him over to me. | 0:51:49 | 0:51:52 | |
Has he been back? | 0:52:09 | 0:52:11 | |
Has he been to see you? | 0:52:11 | 0:52:12 | |
Joe, listen to me. | 0:52:12 | 0:52:15 | |
Has Bert been back here? | 0:52:15 | 0:52:17 | |
Bert? | 0:52:24 | 0:52:25 | |
Bert? | 0:52:27 | 0:52:28 | |
Bert! | 0:52:31 | 0:52:32 | |
-Bert! -Bert! | 0:52:49 | 0:52:52 | |
Bert! | 0:52:52 | 0:52:53 | |
HE PANTS | 0:54:10 | 0:54:13 | |
Bert! | 0:54:52 | 0:54:53 | |
Bert! | 0:55:01 | 0:55:03 | |
Where is he? | 0:56:05 | 0:56:06 | |
He can't have gone. | 0:56:06 | 0:56:08 | |
He can't even walk across this room. | 0:56:08 | 0:56:10 | |
Why don't you believe me? | 0:56:10 | 0:56:12 | |
John. Make them believe me. | 0:56:12 | 0:56:15 | |
Help us! | 0:56:18 | 0:56:19 | |
Please! | 0:56:19 | 0:56:21 | |
You...help me find my children. | 0:56:21 | 0:56:24 | |
Nothing much wrong with him. | 0:56:28 | 0:56:30 | |
Joe! Bert! | 0:56:31 | 0:56:32 | |
Joe! | 0:56:32 | 0:56:34 | |
Hey, hey, you stay there! | 0:56:34 | 0:56:37 | |
Bert! | 0:56:39 | 0:56:41 | |
Bert! | 0:56:41 | 0:56:42 | |
SHE CRIES | 0:56:45 | 0:56:47 | |
-Put the boy down! -No! | 0:56:47 | 0:56:48 | |
I said, put the boy down. | 0:56:48 | 0:56:50 | |
Leave him alone! | 0:56:50 | 0:56:52 | |
-Give me the boy! -No! | 0:56:52 | 0:56:54 | |
-Get off him. -Give me the boy! -No! -Get off him! | 0:56:54 | 0:56:56 | |
-Get off him! -Give me the boy! -Get off him! | 0:56:56 | 0:56:59 | |
Get off my boy! | 0:56:59 | 0:57:01 | |
THEY SCREAM | 0:57:01 | 0:57:03 | |
Keep him warm! Keep him warm! | 0:57:03 | 0:57:05 | |
Keep him warm! | 0:57:05 | 0:57:07 | |
Mother! | 0:57:10 | 0:57:12 | |
Mother! | 0:57:12 | 0:57:13 | |
Get off him! Get off him! | 0:57:13 | 0:57:15 | |
Get off him! | 0:57:15 | 0:57:16 | |
Get off him! | 0:57:16 | 0:57:18 | |
Get off him! | 0:57:18 | 0:57:20 | |
Mother! | 0:57:23 | 0:57:25 | |
Mother! | 0:57:25 | 0:57:26 | |
Stop! Stay there! | 0:57:26 | 0:57:29 | |
No! | 0:57:29 | 0:57:30 | |
Stop! Stay there! | 0:57:33 | 0:57:35 | |
-Stay! -No! | 0:57:35 | 0:57:36 | |
No! No! | 0:57:44 | 0:57:46 | |
Mother! | 0:57:54 | 0:57:55 | |
Mother! | 0:57:57 | 0:57:58 | |
Where's Joe? | 0:58:20 | 0:58:21 | |
GUNSHOT | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:59 |