Episode 6 The Village


Episode 6

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Transcript


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It was snowing, the day the memorial came down.

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They'd sent in a builder from Chesterfield to do the job

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because they said it wasn't safe for untrained men.

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I said what we all felt.

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It's our memorial and our dead and we'll be taking it down.

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Remember.

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BABY CRIES IN DISTANCE

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BABY CRIES

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Mr Hankin, Mr Allingham!

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What, are we women now, huh?

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Are we to stay at home

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and do t'washing up now we've seen t'Kaiser off?

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Ey, Mr Hankin? Mr Allingham?

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Bang!

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METAL CLANKS

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What good is a man with one arm in a boot factory?

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Is this boot well made?

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We've worked hard for five years

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and we've made sacrifices for this factory.

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You've made good money on the back of that.

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All I ask in return, is that we keep our jobs,

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Mr Hankin, Mr Allingham.

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A man with one arm, or a woman with a very big mouth?

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Hmm.

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HAMMERING

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FROM CLASSROOM: Of course, it is people like me,

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who have fought for your freedom,

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yours and yours and yours and yours and yours and yours, everybody.

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And one day you may be called upon to fight for future generations

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and their freedom.

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Like the bible says...

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Who are you?

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I used to teach here.

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What's your name?

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Mary Middleton. What's your name?

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I haven't spoken to anyone in a long time.

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FOOTSTEPS APPROACH

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He doesn't know his name.

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Well, I can't help him with that.

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BABIES CRY

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This hasn't been easy for me.

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Should they all be on the same side?

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Or front and back, with 56 on each.

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Or four 28s?

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Whiskey.

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I wanted you to be the first to see these

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ahead of tomorrow's meeting at the Institute.

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Have you got a room?

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137 men went to fight from this village, 25 come back.

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And you?

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CLEARS HER THROAT

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As I was saying..

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RUSTLES PAPERS

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No.

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I've three brothers dead.

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They were all in Pals wi' me. I won't have them separated now.

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If I move your brother,

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we'll have an even number on one side of the memorial

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and an odd number on the other.

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When men come, 100 years from now, to our village

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and look upon our remembrance, what will they say?

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That we didn't understand the rules of symmetry?

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That we couldn't add up our dead?

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Why don't you put them all on the front?

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They don't fit!

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Not without making the names far too small to read properly.

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I said immediately I was given this task, uniformity would be better.

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Every memorial to have the same design

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then we wouldn't have this discord.

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Lady Allingham will have the final say.

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Is Joe Middleton on your list?

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DOOR OPENS AND CLOSES

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# Land of hope and glory

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# Mother of the free

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ALL: # How shall we extol thee

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# Who are born of thee

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# Wider still and wider

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# Shall thy bounds be set

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# God who made thee mighty

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# Make thee mightier yet

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# God, who made thee mighty

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# Make thee mightier yet...#

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Mr Eyre?

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Yes.

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You don't remember me?

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Mr Ingham won.

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What?

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You're right-handed.

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Are you, erm...?

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No, no, I was just...

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Why don't you come up to the farm and see my mother and father?

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Er, conchies now, is it?

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What you looking at, son?

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Give me that.

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Just leave him alone.

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GASPS IN PAIN

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Give me the camera.

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-Why?

-So I can smash it up.

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I can't. It's got you in it and your baby.

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BABY CRIES

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BABIES CONTINUE TO CRY

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Women under 30 can't vote, men over 21 can.

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You don't need me to work out the mathematics.

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Put the men back in work, they'll put you back in Parliament.

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You need to tell the electorate you're a friend to demobbed man.

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This was my father's study.

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Is it a museum?

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No.

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Does Lady Allingham object?

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Lady Allingham is in the room.

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I'm going to change.

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Hankin's looking at a cotton mill.

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To buy? He's overstretching.

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He's trying to prove his manhood outside the bedroom.

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COCKS GUN

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This needs putting away.

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You were in The Lamb?

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Outside, taking a photograph.

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-Of what?

-Babies in prams.

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There was a line of them outside The Lamb

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and their fathers were inside with Norma Hankin.

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They were, erm, talking about the names for the war memorial.

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Or Norma was.

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So I was able to ask about Joe.

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What's he up to?

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Joe's dead.

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-But, I... I thought...

-He died.

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November 11th, 1916.

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-In the morning.

-How did they treat you in prison?

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Um...

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There was a rule of silence.

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In case what you said infected others.

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Must have been terrible.

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Having to keep all those opinions of yours to yourself.

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Where are you staying?

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He doesn't know.

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What are you doing?

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In Joe's bed?

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Grace?

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You been using it?

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Every day.

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You'll be wanting a bath.

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-Do I, er...?

-Oh, yes.

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WATER SPLASHES AND TRICKLES

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HE SNIFFS

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HE SNEEZES

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Bless you.

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DOOR OPENS AND CLOSES

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People don't like it.

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So I've tried to make myself invisible.

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They don't want to give themselves away, they think that a photograph

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might steal whatever they want to keep hidden.

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No, it's not that. It's me. The photographer, not the photograph.

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That's what they don't like.

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Look.

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How many died?

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Too many.

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There are no photographs of the dead.

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Where are they?

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FOOTSTEPS

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I don't want him here.

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He's not going to be on the memorial.

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No.

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They're ashamed of him.

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You want to forget.

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You don't want to remember.

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What are you going to do? Are you going to fight everyone? Hmm?

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"Shirkers, deserters, come live with me

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"and I'll fight anyone who says no!"

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Joe said to me, "Make it a better world."

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I won't let him down.

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And Bert wants him here.

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But why?

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Because he's halfway between an older brother and a...

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And a what?

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And a father, John.

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RUBS HANDS BRISKLY

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I'll go with you.

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What do you want, Father?

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Are you cold?

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They get it wrong, the painters.

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They've not got it right.

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Now, if there were a photograph, then we'd know.

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We needed you there, son.

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A photograph of what?

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The nails.

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They didn't go through his palms...

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..because the flesh of the hand can't support a body on the cross.

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No, they nailed him through the wrists...and the feet.

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And the rib cage is stretched, which makes it impossible to breathe

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unless you pull your arm or push down on the nail with your feet.

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The pain he took.

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Our suffering is nothing.

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Cold?

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This is not cold.

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I'm not cold.

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Come on cold! Do your worst!

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We have nothing!

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Nothing!

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We have our name.

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CHRUCH BELL CHIMES

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To the left, quick, march!

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Halt!

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Every morning?

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FROM OUTSIDE: Left! Left!

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I'm not sure it will ever be over.

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FROM OUTSIDE: Attention! And to the right.

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I don't know...

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..if the village would want me teaching its children.

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Martha.

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Our Mary says that you're a good teacher. Why are you stopping?

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You know why.

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I watched you living a life and filling it up with conviction

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and action and then you stopped.

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Joe died and you stopped living.

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This is none of your business.

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He was my brother.

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The village is in pain.

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It's been in pain for years.

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In the middle of it all...

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..I lost my faith.

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So, I'm not the right man

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for a man of exacting principle as yourself to come to for help.

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Well, I'll take the man I know, rather than the man of God.

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For what?

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My confession.

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Everything that I say about the war and killing, I believe to be true.

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But I know that the stand that I took was also motivated by fear.

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I didn't want to kill anyone and I didn't want to be killed.

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I saw the men of this village go off to fight.

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I saw the courage it took for them to offer themselves up to suffering.

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None had the courage to reject suffering apart from you.

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What happened to Joe Middleton?

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Shot.

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At dawn.

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She doesn't love you. She loved my brother.

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-She still does.

-You mean you love her.

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Cowardly thing to do, hiding behind your dead brother.

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Sorry I'm late.

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Now, the law says when Martha Lane becomes Mrs Allingham,

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she's no longer permitted to teach.

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So, there's a wedding coming and a job available.

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You're invited to both.

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SHEEP BLEAT

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HE PANTS WITH EXERTION

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I'd be your tenant?

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Not much would change.

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Only you wouldn't have to worry about losing your farm.

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I'm offering you a secure job and lot of money.

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But it'll be yours.

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Yes.

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And after that, it'll be his?

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-Aye.

-Not Bert's?

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No.

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I'll need to know soon.

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Know what?

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Oh, he just wants a right of access.

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Son?

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Would you show me your photographs?

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I'm going to be married.

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And that means you're to have a new teacher. Here he is.

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Your husband?

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Your teacher.

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DOORS CREAK

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SCRAPING AND TAPPING

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SCRAPING ON BOARD

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HE BREATHES JAGGEDLY

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DOOR SHUTS LOUDLY

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What have we here?

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A teacher

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who can't write his own name.

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Why not?

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Shall we ask him?

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Why can't you do it?

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Is it shame?

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Or is it guilt?

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I'll tell you his name. His name is Coward.

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His name...

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..is Shirker!

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They're all of the village.

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And none of me.

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LOUD KNOCKING

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DOOR OPENS

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A beard. That's a beard.

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Moustache is when it's there, not there.

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I want to make it special, Grace, when he comes home.

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I want a funeral that my little ones will remember.

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I'm not sure, Margaret.

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What about?

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A funeral, like that.

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MARGARET SIGHS

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He's slipping away, my Paul. I can't hear him any more.

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What was it like, Grace? What were their lives like, over there?

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They won't tell us.

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They don't want us to know anything.

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I don't want to fight any more.

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I want to grieve for my boy.

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I know how Paul died.

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There's room for some words.

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-Hmm?

-Here. Around the top.

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What would they be, George?

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-Sacrifice, honour, patriotism... Covers it.

-Hmm.

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And what do the four helmets represent?

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Pathos?

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And what would you have instead?

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Erm...

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Intestines, maybe?

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Or bluebottles. There were great swarms of them everywhere,

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living off human flesh.

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They used to get in your nose and in your uniform.

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Used to wonder where they'd been.

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You knew, of course you knew where they'd been.

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A buzzing cloud of happy, busy bluebottles above every shithole.

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In the summer, I'd put my best sniper on lav duty, we called it.

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Sights on his rifle set just below

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the most intensely buzzing cloud on the German trenches.

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And when the cloud lifted for a moment...

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IMITATES GUNSHOT

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..you squeeze the trigger.

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One in five times you'd bag a Hun having a careless evacuation.

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You have to remember, this is about remembering.

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That yes, we went to France to die for our country,

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we also went to France to kill for our country.

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CHILDREN CHATTER FAINTLY IN THE BACKGROUND

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DOORBELL TINKLES SOFTLY

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DOOR CLICKS SHUT

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LEGS THUD HEAVILY

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HE MOANS

0:28:020:28:04

KNIFE BEING SHARPENED

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LOUDER SHARPENING

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What? What is it you want?

0:28:200:28:22

Do you believe that Joe was a coward?

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You say that again and I'll kill you.

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You wouldn't be frightened of me

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if you didn't believe that Joe was a coward.

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Frightened?

0:28:380:28:39

Frightened of a shirker?

0:28:410:28:43

KNIFE CLINKS LOUDLY

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You be gone when I get back.

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RASPING BREATHING

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RASPING INCREASES

0:29:110:29:15

HE STRUGGLES TO BREATHE

0:29:190:29:22

-What are we doing?

-We're embracing grief.

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-Whose grief is it?

-It belongs to us all.

0:29:310:29:33

-Who were the dead?

-They're ours.

0:29:330:29:36

PEOPLE TALK QUIETLY

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-Ladies and gentlemen...

-Sit down.

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..friends. Our great project,

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this testament in stone, our memorial to those we have lost,

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has just taken on even greater significance.

0:30:020:30:06

The government, in consultation with the king

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and with the most senior figures in our armed forces,

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has decided that there will be no repatriation of the fallen.

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Our glorious dead will remain together in France,

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united as one in our memory.

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No!

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I want him home!

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November the 11th will serve as a day of remembrance for us all.

0:30:330:30:38

That's wrong. Everyone's grief is different.

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It's more meaningful if we join together.

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It costs less.

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And they can tell us what the history is going to be.

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Do you want the politicians and the generals who took us

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into this war to tell us how to mourn our dead after it?

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We know why you're saying this, Grace.

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Then come on, Norma. Say it!

0:31:000:31:04

Out with it!

0:31:040:31:05

It, it might help if we talked about the day itself, the plans.

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The 11th hour, of the 11th day, of the 11th month.

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Men died at 10.30.

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Men died at 10.50 so that the war's end would have

0:31:260:31:29

more of a ring to it in the history books.

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My brother...

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was shot dead on another 11th of November...

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..two years before, at 4.00 in the morning.

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Will you be awake at dawn?

0:31:440:31:47

Will you wake up and remember him?

0:31:470:31:50

This is not about individual loss.

0:31:520:31:54

This is common grief, shared bereavement.

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They're bringing home the Unknown Warrior and giving him

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a funeral fit for a king.

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One of the pall bearers is Field Marshall Haig himself?

0:32:010:32:05

Yes, I believe so.

0:32:050:32:07

The man who signed my brother's death warrant!

0:32:070:32:10

We're all making big adjustments.

0:32:100:32:13

We all remember before the war as being another time.

0:32:130:32:17

A kind of...golden age.

0:32:170:32:20

You had more servants. That's what was golden about it.

0:32:200:32:23

It wasn't, it wasn't a golden age for me or for Margaret Boden

0:32:230:32:27

or for Agnes or for anyone else I've ever spoke to outside of your class.

0:32:270:32:32

Right, why don't we limit our argument to the memorial?

0:32:320:32:35

That's why we're here,

0:32:350:32:36

to establish the most fitting way to remember those...

0:32:360:32:40

Remember those who paid the ultimate sacrifice.

0:32:400:32:43

I think we can at least agree all men are equal

0:32:430:32:45

when they confront their maker.

0:32:450:32:47

Then you can tell me.

0:32:470:32:49

Is my son in heaven...

0:32:500:32:52

..or is he in hell?

0:32:550:32:57

Where is he?

0:32:590:33:01

Where's he gone?

0:33:020:33:04

Whatever Rutter's offering you, I'll match it.

0:33:290:33:33

What?

0:33:330:33:35

But I don't want your farm.

0:33:350:33:37

I want to talk about Grace.

0:33:390:33:41

Now?

0:33:420:33:44

No, no. From time to time, you and me.

0:33:440:33:49

We have to work quietly, us men,

0:33:490:33:52

to return her to the home,

0:33:520:33:54

to soothe her rage.

0:33:540:33:57

You keep the farm and nobody need know about our arrangement.

0:33:570:34:02

You know, true acts of charity,

0:34:030:34:07

when men are pure with motive,

0:34:070:34:09

are always privately made and privately achieved, Mr Middleton.

0:34:090:34:13

FOOTSTEPS APPROACH

0:34:130:34:15

She's your wife. What kind of a man are you?

0:34:230:34:26

Hello, love. I just left me cap.

0:34:360:34:39

Hell. Of course. Someone should have just said it.

0:34:420:34:46

You didn't.

0:34:460:34:48

Why not? Were you wrong about Joe Middleton, Dr Wylie?

0:34:480:34:53

Is his death on your conscience?

0:34:530:34:56

He was a coward.

0:34:560:34:57

Oh, yes, of course - bad, not mad. Yes, beyond help. Not your field.

0:34:570:35:03

What do you think, Miss Lane?

0:35:050:35:08

Is there such a thing as a collective conscience?

0:35:080:35:12

Beyond rules and law and doctors?

0:35:130:35:16

We've killed a man.

0:35:160:35:18

We think about his death - we can't stop thinking about it -

0:35:180:35:22

but...but we have to resolve it or it'll destroy us.

0:35:220:35:26

Joe Middleton is our problem. His name is our conscience.

0:35:270:35:32

Well, where's the damn car?

0:35:430:35:45

Why don't we walk, hmm? Let's walk.

0:35:450:35:49

Do you love Caro?

0:35:550:35:57

Of course.

0:35:580:36:00

Stupid question.

0:36:000:36:02

Yes, you invented her, you made her into...whatever she is now.

0:36:020:36:07

So it would be surprising if you didn't love what you've made.

0:36:070:36:10

I understand your daughter better than you could possibly hope to.

0:36:100:36:13

You understand her? I asked you about love.

0:36:130:36:16

All you've got is feeling.

0:36:160:36:18

I have insight and that gives me the whole picture.

0:36:180:36:22

Then imagine how much of a fool you'd feel if you were wrong.

0:36:220:36:26

What have you said to him?

0:36:330:36:35

Nothing.

0:36:370:36:38

CAMERA CLICKS

0:36:510:36:53

Thank you.

0:37:140:37:16

Hello?

0:37:310:37:32

He's gone.

0:37:340:37:35

Mr Eyre?

0:37:430:37:45

HE PANTS, SHIVERS

0:37:500:37:52

What about the children?

0:37:520:37:54

What about...the children?

0:37:540:37:56

Sssh. Sssh.

0:37:560:37:58

You know what this is, don't you?

0:37:580:38:00

And he brings it here, to this village,

0:38:030:38:07

to this house, to his bed.

0:38:070:38:09

What have you done?!

0:38:090:38:12

Not at work?

0:38:150:38:16

No.

0:38:160:38:18

Strange pudding.

0:38:180:38:20

Can I have it on the tab, please?

0:38:200:38:22

Is this what I think it is?

0:38:220:38:25

Who is it?

0:38:270:38:29

Grace?

0:38:300:38:32

No. I'm not having you catching it.

0:38:460:38:49

-That's for me...

-No, it is not.

0:38:490:38:51

You'd risk catching it and passing it on to Mary? To Bert?

0:38:510:38:56

No, enough. He's on his own.

0:38:560:38:58

KNOCK ON DOOR

0:39:020:39:04

Sorry.

0:39:130:39:14

Margaret?

0:39:140:39:16

Some rhubarb and some treacle.

0:39:160:39:19

It's my girls.

0:39:220:39:23

All my girls.

0:39:230:39:26

THEY ALL COUGH

0:39:330:39:35

HE BREATHES ROUGHLY

0:39:470:39:49

Mr Hankin.

0:39:570:39:58

Doctor.

0:39:580:40:00

Ah, the stonemason's here, if you'll excuse me.

0:40:010:40:05

Er, how, how many are there?

0:40:090:40:11

I saw 40 cases this morning.

0:40:110:40:14

57 names down to Mellor T on the front

0:40:140:40:18

and the remaining 55 names on the back.

0:40:180:40:21

What can I get for you, Doctor?

0:40:210:40:23

Half a bottle of rum.

0:40:230:40:25

Is rum something that might, erm...?

0:40:250:40:28

Decent corpse reviver.

0:40:280:40:30

Best friend to influenza, Mrs Hankin.

0:40:310:40:34

-Is?

-Fear.

0:40:340:40:37

If you want to reduce your chances of catching it, don't be frightened.

0:40:370:40:41

And the poem on the side, same lettering.

0:40:410:40:44

Is that right, Norma?

0:40:440:40:46

Norma?

0:40:480:40:50

I think he's going to die.

0:41:120:41:13

I'm very sorry. Why are you here?

0:41:170:41:20

-It's all worked out.

-Keep away from her.

0:41:220:41:25

I had a little bird.

0:41:250:41:27

Its name was Enza.

0:41:270:41:29

I opened the window and... in flew Enza.

0:41:300:41:34

Is this a joke?

0:41:340:41:35

All over England, people are singing songs about it

0:41:350:41:38

because they think it's over.

0:41:380:41:40

And our village had escaped it, hadn't we?

0:41:400:41:43

Not many villages in England can say that.

0:41:430:41:45

Why don't you stop clearing your throat and say what you think?

0:41:450:41:49

We can't let it start again.

0:41:490:41:51

-It's here.

-And that's where it has to stay.

0:41:510:41:53

No. Quarantine the village? No.

0:41:580:41:59

Apart from anything else, I need to be at Westminster.

0:41:590:42:01

My bill is being debated on Tuesday.

0:42:010:42:03

You could return, live out the life of this parliament.

0:42:030:42:06

You might retain your seat at the next election, you might not.

0:42:060:42:09

Do this, you will be guaranteed a long life in politics.

0:42:090:42:13

High office is virtually assured and you'll have a place in history.

0:42:130:42:17

Bairstow, I just...

0:42:170:42:18

You're 36 years old. You've been promising quite a few years now.

0:42:180:42:23

This is your moment, brought to you on a plate by a farm boy.

0:42:230:42:27

It was his idea.

0:42:270:42:28

If you lead the village in this, people, newspapers, history,

0:42:280:42:33

will all say that it was yours.

0:42:330:42:35

The losses this village took in the war

0:42:350:42:37

will make it an even bigger story.

0:42:370:42:39

We'll go from plucky to heroic, overnight.

0:42:390:42:42

And you'll be the man taking us there.

0:42:420:42:44

This is our time.

0:42:460:42:48

And those are the first four words of your speech.

0:42:480:42:51

This is the last of it.

0:43:210:43:23

That's it.

0:43:260:43:27

There's nobody here.

0:43:360:43:37

We're alone. What is it?

0:43:420:43:44

I don't love you.

0:43:460:43:48

I can never win, can I?

0:44:030:44:05

Because he's dead.

0:44:050:44:08

You will always love him.

0:44:090:44:10

I should have died.

0:44:150:44:17

It's my fault.

0:44:200:44:22

What is?

0:44:230:44:25

If Joe had remained perfect to you, you might have found space for me.

0:44:250:44:29

I think when I told you about Joe and Caro...

0:44:320:44:35

..I tarnished him.

0:44:380:44:39

And I lost you.

0:44:410:44:42

23 years you were alive before we met.

0:44:590:45:03

It's hard to imagine.

0:45:030:45:06

You were waiting for me.

0:45:060:45:08

Yes!

0:45:080:45:10

Go ahead. Eat your soup.

0:45:150:45:18

You don't have to.

0:45:190:45:20

You can choose.

0:45:220:45:24

Just as you can choose whether to tell Dr Wylie about your baby.

0:45:260:45:32

KNOCKING ON DOOR

0:46:180:46:20

HE BREATHES SHAKILY

0:46:350:46:37

You know what you've done? Nothing goes out of t'village.

0:47:460:47:50

So I pour it all away.

0:47:500:47:51

A few days without our milk, dairy'll drop us,

0:47:510:47:54

they'll not take us back.

0:47:540:47:56

They're calling it t'plague. They want to stop the memorial ceremony.

0:47:580:48:03

They?

0:48:050:48:07

The village.

0:48:070:48:09

What did you say?

0:48:110:48:14

The village.

0:48:140:48:15

No. Before, in the field.

0:48:150:48:19

We have nothing?

0:48:200:48:23

But we have our name.

0:48:230:48:25

No milk, no income.

0:48:560:48:59

What will you do?

0:49:000:49:02

Slaughter them now for the meat?

0:49:020:49:06

Now be a man and shake hands with me.

0:49:060:49:08

You've nothing left, Middleton.

0:49:080:49:10

Hey, what do you want?

0:49:380:49:40

Is there a man here who has not lost a son, or a brother, or a father?

0:49:450:49:49

Hey, what do you want?!

0:49:490:49:51

I want us all to stand together tomorrow.

0:49:510:49:54

Every single one of us.

0:49:540:49:57

I want ALL the living to remember ALL the dead.

0:49:570:50:00

What can I do for you?

0:50:100:50:12

What day is it?

0:51:260:51:27

Thursday morning.

0:51:310:51:32

Date?

0:51:350:51:36

The 11th of November.

0:51:370:51:39

-But it...

-I'm not going.

0:51:390:51:41

There's a few more people to come. Well, it's a good turnout, really.

0:52:420:52:46

Yes, the whole village is here.

0:52:460:52:49

Yes, nearly.

0:52:490:52:50

Well, you could do, that...that's not a bad idea.

0:52:560:52:59

May some silence or something before, you know?

0:52:590:53:02

-You freezing cold, are you?

-I'll manage, thank you.

0:53:030:53:06

Yeah, I saw him.

0:53:100:53:12

CLOCK CHIMES

0:53:120:53:15

You have to come.

0:54:340:54:36

They don't want him.

0:54:360:54:38

Mellor, Mellor, Mellor, Mitchell, Mumford.

0:54:390:54:44

Where is he?

0:54:440:54:45

I can't be part of something that chooses to ignore my son's life

0:54:450:54:49

and his death whilst remembering everyone else's.

0:54:490:54:52

I understand.

0:54:520:54:54

How can you?

0:54:540:54:55

Joe had a child.

0:55:000:55:02

My daughter...

0:55:050:55:07

had a child.

0:55:070:55:09

A boy.

0:55:090:55:10

He's yours and he's mine.

0:55:130:55:17

Excuse me. Thank you.

0:55:500:55:53

PEOPLE MURMUR

0:55:590:56:01

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