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INDISTINCT SHOUTING AND CHATTER | 0:00:31 | 0:00:34 | |
'When you're young and time takes an age, | 0:00:54 | 0:00:58 | |
'it feels like nothing will ever change. | 0:00:58 | 0:01:01 | |
'But it does. | 0:01:01 | 0:01:03 | |
'Sometimes it comes so fast and so hard that the shape of the world, | 0:01:03 | 0:01:07 | |
'the shape of the people, are never the same afterwards. | 0:01:07 | 0:01:09 | |
'1923 was like that. Not just with us. Not just in the village | 0:01:11 | 0:01:15 | |
'but everywhere. | 0:01:15 | 0:01:16 | |
'My mother recognised it straightaway.' | 0:01:16 | 0:01:18 | |
Go! | 0:01:18 | 0:01:20 | |
'Or maybe it was something she'd always known. | 0:01:20 | 0:01:22 | |
'The rest of us, the rest of the world, just had to catch up, | 0:01:22 | 0:01:24 | |
'change shape, make up our minds.' | 0:01:24 | 0:01:28 | |
GUNSHOT | 0:01:31 | 0:01:32 | |
He's started early. | 0:01:33 | 0:01:34 | |
Aye, well, he'll have to. | 0:01:36 | 0:01:38 | |
It's going to take a long time to slaughter a herd that size. | 0:01:38 | 0:01:41 | |
The whole herd? | 0:01:41 | 0:01:43 | |
Well, if one of them's got it, they'll all have it. | 0:01:43 | 0:01:45 | |
Will our cows get it? | 0:01:46 | 0:01:48 | |
No. | 0:01:49 | 0:01:51 | |
No. | 0:01:54 | 0:01:55 | |
GUNSHOT | 0:01:55 | 0:01:56 | |
Grass fed, clean air. | 0:02:12 | 0:02:15 | |
No hot, fetid cow shed to pass TB on. | 0:02:15 | 0:02:19 | |
More porridge, Mum. | 0:02:19 | 0:02:20 | |
So, you knew all along. | 0:02:20 | 0:02:22 | |
What's that? | 0:02:22 | 0:02:23 | |
-Well, losing the cow shed was a good idea. -Farmer's instincts. | 0:02:23 | 0:02:27 | |
'My heart was trying to make a decision.' | 0:02:27 | 0:02:30 | |
Morning, Bert. | 0:02:32 | 0:02:33 | |
'Its first real decision. | 0:02:35 | 0:02:38 | |
'But it wasn't a matter of politics.' | 0:02:38 | 0:02:41 | |
Good girl. | 0:02:42 | 0:02:44 | |
-Phoebe! -Bert! -Come back! | 0:02:48 | 0:02:52 | |
-You'll be late for school. -I can take them, if you like. | 0:02:53 | 0:02:56 | |
No... You'll miss it. | 0:02:56 | 0:02:59 | |
Wait for me. | 0:03:04 | 0:03:05 | |
Phoebe! | 0:03:15 | 0:03:16 | |
I'm popping up to see Agnes. | 0:03:26 | 0:03:27 | |
-With more food from our table? -Bread and eggs won't break us. | 0:03:29 | 0:03:32 | |
Not so long ago, it would have done. | 0:03:32 | 0:03:34 | |
Well, let's be thankful we're not there any longer. | 0:03:34 | 0:03:36 | |
I'm going to see Hankin later. | 0:03:40 | 0:03:42 | |
See about taking over Rutter's order. | 0:03:42 | 0:03:46 | |
-Can we manage that much? -We could. | 0:03:46 | 0:03:49 | |
All these years, we've fought to keep going | 0:03:53 | 0:03:55 | |
and now we've got a chance to get on, | 0:03:55 | 0:03:57 | |
we have to take it, Grace. | 0:03:57 | 0:03:59 | |
You shouldn't meddle. | 0:04:02 | 0:04:03 | |
We wouldn't welcome it here. | 0:04:04 | 0:04:06 | |
She needs help, John. Come on, Mary, love! | 0:04:06 | 0:04:09 | |
BIRD CALLS | 0:04:23 | 0:04:24 | |
GUNSHOT | 0:04:25 | 0:04:27 | |
-Why are you shooting buzzards? -They go for the young grouse. | 0:04:38 | 0:04:42 | |
You can't pass through here. It's not safe. | 0:04:43 | 0:04:45 | |
-I've cycled this path for years. -Not any more. | 0:04:45 | 0:04:48 | |
-On whose say so? -Them what own it - the Allinghams. | 0:04:48 | 0:04:52 | |
-Oh... -Turn around. | 0:04:53 | 0:04:55 | |
Fine. | 0:05:02 | 0:05:03 | |
SHE BREATHES HEAVILY | 0:05:18 | 0:05:20 | |
FLOORBOARDS CREAK | 0:05:26 | 0:05:28 | |
KNOCKING | 0:05:29 | 0:05:31 | |
Agnes? Are you all right? | 0:05:46 | 0:05:47 | |
It's not fair. Gilbert Hankin had no right to sack you. | 0:05:49 | 0:05:52 | |
It's not his fault. | 0:05:52 | 0:05:54 | |
-Is it your fault you couldn't breathe properly? -Allingham... | 0:05:54 | 0:05:58 | |
Allingham? | 0:05:58 | 0:06:00 | |
He thinks I complained about being sick. That's the end of it. | 0:06:00 | 0:06:04 | |
Oh, no, no, no, no, no. Allingham should be stood up to. | 0:06:04 | 0:06:08 | |
It'll make no difference... And who'd stand with me? | 0:06:08 | 0:06:13 | |
I will. | 0:06:21 | 0:06:22 | |
Are these your initials, Middleton? | 0:06:32 | 0:06:35 | |
Hand. | 0:06:37 | 0:06:38 | |
He were a right bastard, that Ingham. | 0:06:46 | 0:06:48 | |
The children are lucky to have Mrs Allingham. | 0:06:48 | 0:06:51 | |
She wrote me a letter. | 0:06:52 | 0:06:55 | |
Well, I thought she did. Turned out it wasn't her. | 0:06:55 | 0:06:57 | |
Martha... She's impossible. She's a married woman. | 0:07:00 | 0:07:03 | |
What did you expect was going to happen, Bert? | 0:07:03 | 0:07:05 | |
Who did write it, then? | 0:07:06 | 0:07:08 | |
-Phoebe Rundle. -Ah, well! | 0:07:09 | 0:07:12 | |
There you go. I've been telling you, haven't I? | 0:07:12 | 0:07:16 | |
Phoebe Rundle is, in the opinion of this teacher, | 0:07:16 | 0:07:20 | |
-the girl for you. -But... | 0:07:20 | 0:07:22 | |
..if... | 0:07:24 | 0:07:26 | |
what you feel can change so quickly, how will I know | 0:07:26 | 0:07:29 | |
-when it's real? -Test it out. | 0:07:29 | 0:07:33 | |
Spend some time with her and then check your heart rate. | 0:07:33 | 0:07:36 | |
-Don't laugh at me. -No, no. I would never do that. | 0:07:36 | 0:07:42 | |
Go on, just get away with you and...test it out. | 0:07:45 | 0:07:50 | |
Make sure that your vote counts next week in the national elections. | 0:08:04 | 0:08:08 | |
INDISTINCT CHATTER | 0:08:10 | 0:08:13 | |
-Hello. -I wasn't sure you'd be here. | 0:08:27 | 0:08:30 | |
Just for the morning. Then, Glossop and Chinley. Sheffield tonight. | 0:08:30 | 0:08:34 | |
-And you must be...Mary? -Who are you? | 0:08:34 | 0:08:38 | |
I'm Bill Gibby. Delighted to make your acquaintance. | 0:08:38 | 0:08:42 | |
Go on. | 0:08:42 | 0:08:43 | |
Where do you stand on tariff reform? | 0:08:45 | 0:08:46 | |
Um... | 0:08:46 | 0:08:47 | |
I'm against it. Labour is against it. | 0:08:49 | 0:08:52 | |
So is Mrs Allingham. | 0:08:52 | 0:08:54 | |
Good for Mrs Allingham. | 0:08:54 | 0:08:55 | |
Father says it doesn't matter who wins. | 0:08:55 | 0:08:57 | |
-Oh, I think it does. -So does Mother. | 0:08:57 | 0:09:00 | |
Go on, you... Off to school. | 0:09:00 | 0:09:02 | |
I know you're, you're very busy, | 0:09:04 | 0:09:06 | |
but I wanted to talk to you about the girl who lost her job | 0:09:06 | 0:09:09 | |
-at the boot factory. -Agnes Scrivener. | 0:09:09 | 0:09:11 | |
See, I don't know what else to do. Gilbert Hankin, the manager, | 0:09:11 | 0:09:14 | |
now he was just following orders from Allingham and, well, | 0:09:14 | 0:09:17 | |
-I can't speak to Allingham, because... -Then, don't. -What? | 0:09:17 | 0:09:21 | |
You're forgetting about the people who matter. | 0:09:21 | 0:09:24 | |
Just speak as you find. | 0:09:30 | 0:09:33 | |
You find right, Grace. | 0:09:35 | 0:09:37 | |
No need to stop. Where can we find Gilbert Hankin? | 0:09:58 | 0:10:02 | |
FOOTSTEPS | 0:10:02 | 0:10:04 | |
We're here to ask you to reinstate Agnes Scrivener. | 0:10:16 | 0:10:19 | |
-She's been replaced. The decision's been taken. -By you? | 0:10:19 | 0:10:24 | |
Agnes worked here for seven years. | 0:10:28 | 0:10:32 | |
Did she ever not finish her work? Ever...complain? | 0:10:34 | 0:10:39 | |
There's nothing I can do. | 0:10:41 | 0:10:44 | |
Right. | 0:10:48 | 0:10:49 | |
Thank you for your time. | 0:10:50 | 0:10:51 | |
Your fellow worker was sacked from her job here | 0:11:03 | 0:11:06 | |
through no fault of her own. | 0:11:06 | 0:11:07 | |
Right now, you are all vulnerable to the same injustice. | 0:11:09 | 0:11:13 | |
He can't make the boots without your labour. YOUR labour... | 0:11:13 | 0:11:17 | |
..to offer... | 0:11:18 | 0:11:20 | |
..or to withhold. | 0:11:22 | 0:11:23 | |
As long as Allingham runs this factory | 0:11:25 | 0:11:28 | |
and speaks for you in Parliament, he can do with you as he wishes. | 0:11:28 | 0:11:32 | |
But you can hold him accountable. WE can hold him accountable... | 0:11:33 | 0:11:38 | |
..if you vote Labour this week. | 0:11:39 | 0:11:41 | |
They listened. | 0:11:48 | 0:11:49 | |
But they won't come out for Agnes. | 0:11:49 | 0:11:52 | |
They're afraid. But there'll be no Hankin or Allingham between them | 0:11:52 | 0:11:56 | |
and the ballot box. Allingham underestimates us. And them. | 0:11:56 | 0:12:00 | |
Sheffield train, Bill. | 0:12:01 | 0:12:03 | |
We show them a better option and they'll take it. | 0:12:03 | 0:12:07 | |
-Lead by example, Grace. -But I'm... -A farmer's wife? And I'm a miner. | 0:12:07 | 0:12:12 | |
And I think we can change the world. | 0:12:14 | 0:12:17 | |
-They're a bit young. -So am I. | 0:12:40 | 0:12:42 | |
Sorry? | 0:12:42 | 0:12:44 | |
2nd of June, 1924. | 0:12:44 | 0:12:46 | |
I'll be 30. | 0:12:46 | 0:12:48 | |
Until then - no vote. So, don't worry, my opinion isn't important | 0:12:48 | 0:12:53 | |
and won't be taken seriously by anybody. | 0:12:53 | 0:12:54 | |
I trust you'll be using your vote to do good? | 0:12:56 | 0:12:59 | |
Good being a vote against your brother-in-law? | 0:13:00 | 0:13:03 | |
I may not have a vote, but I do have my own mind and my own conscience. | 0:13:03 | 0:13:07 | |
And always so sure of them both. | 0:13:10 | 0:13:12 | |
LIGHTER CLICKS | 0:13:23 | 0:13:25 | |
Phoebe. | 0:13:33 | 0:13:34 | |
-Can I ask you something? -Of course. | 0:13:35 | 0:13:39 | |
-Bert Middleton. -Yes? | 0:13:39 | 0:13:41 | |
-Do you trust him? -Yes. | 0:13:41 | 0:13:43 | |
-Then I should? -No. No. Keep him working. | 0:13:44 | 0:13:47 | |
Cos the more he can't have you, the more he'll want you. | 0:13:47 | 0:13:51 | |
LIGHTER CLICKS | 0:13:52 | 0:13:53 | |
There. | 0:14:07 | 0:14:08 | |
Thank you very much. | 0:14:10 | 0:14:11 | |
Eh... Oh, the finest gramophone money can buy. | 0:14:15 | 0:14:19 | |
Hey, Margaret, not seen you at the dance hall yet. | 0:14:21 | 0:14:25 | |
You want to come, give it a try. | 0:14:25 | 0:14:26 | |
What, before or after I serve meself? | 0:14:26 | 0:14:29 | |
If we've money for music, we've money for help. | 0:14:31 | 0:14:33 | |
Shop! | 0:14:33 | 0:14:35 | |
Hankin. | 0:14:38 | 0:14:39 | |
A word. | 0:14:41 | 0:14:42 | |
All I'm saying is, you might want to think twice | 0:14:44 | 0:14:46 | |
-in future before getting... -Night, John. -Good night. | 0:14:46 | 0:14:49 | |
..before you get milk from Rutter. He's had to slaughter his herd. | 0:14:49 | 0:14:52 | |
TB's been set in for months. | 0:14:52 | 0:14:54 | |
This is the first time in your life you've been in this shop. | 0:14:54 | 0:14:58 | |
-What are you after? -You see... | 0:14:58 | 0:14:59 | |
..mine's clean. Open pasture, no risk, no disease. | 0:15:02 | 0:15:06 | |
See? Clean. Milk, straight from Middleton Farm to Hankin's shop. | 0:15:06 | 0:15:11 | |
Me and you, nowt in between. | 0:15:11 | 0:15:13 | |
-Hmm. It's a... It's a risk you're taking. -Can't I trust you? | 0:15:13 | 0:15:18 | |
-You know what I'm saying. -You're a risk taker, aren't you? | 0:15:18 | 0:15:21 | |
I mean, that dance hall, that were a shot in the dark, weren't it? | 0:15:21 | 0:15:24 | |
Hmm. There's a businessman in you, after all, John Middleton. | 0:15:29 | 0:15:33 | |
Where you been? | 0:15:42 | 0:15:43 | |
Hankin takes Middleton milk now. | 0:15:43 | 0:15:46 | |
-Mother! -She's gone to see Edmund Allingham speak. | 0:15:48 | 0:15:54 | |
What about dairy? | 0:15:54 | 0:15:55 | |
Finished. No more mad dashes to the station. Those days are gone, Bert. | 0:15:55 | 0:16:00 | |
Change of plan. | 0:16:09 | 0:16:11 | |
CHATTER | 0:16:11 | 0:16:14 | |
Welcome to you all. | 0:16:22 | 0:16:24 | |
Er, I won't be making a speech. Why? | 0:16:24 | 0:16:27 | |
Because I want to hear from you, about your concerns | 0:16:27 | 0:16:30 | |
and what you want. Let's make this a conversation. | 0:16:30 | 0:16:35 | |
So, questions from the floor. | 0:16:35 | 0:16:36 | |
Who's first? | 0:16:38 | 0:16:39 | |
Mrs Middleton. | 0:16:43 | 0:16:44 | |
Yes. | 0:16:45 | 0:16:47 | |
Can the workers in your factory rely on you, Mr Allingham? | 0:16:49 | 0:16:53 | |
Could you repeat the question a little louder, so everyone hears it? | 0:16:53 | 0:16:57 | |
I was wondering whether the workers in your factory can rely on you. | 0:16:59 | 0:17:04 | |
The factory has provided employment for half the village since 1904. | 0:17:05 | 0:17:10 | |
We provided thousands of pairs of boots | 0:17:10 | 0:17:13 | |
for our brave men at the Front and it provided employment for you, | 0:17:13 | 0:17:17 | |
when hard times on your farm meant that you needed the work. | 0:17:17 | 0:17:20 | |
Now that, through his hard work and determination, things are looking | 0:17:20 | 0:17:24 | |
so much better for your husband, well, you don't need the work. | 0:17:24 | 0:17:28 | |
Agnes Scrivener does. | 0:17:28 | 0:17:30 | |
The girl...is an agitator. | 0:17:33 | 0:17:37 | |
Are you an agitator, Mrs Middleton? | 0:17:39 | 0:17:43 | |
-I don't understand what you mean, when... -How much time have you been | 0:17:43 | 0:17:47 | |
spending with Bill Gibby, Mrs Middleton? I think you went | 0:17:47 | 0:17:51 | |
to the factory this morning to agitate with Gibby | 0:17:51 | 0:17:54 | |
and have come here primed to agitate some more. | 0:17:54 | 0:17:57 | |
Is Gibby with you now? Is he behind you, telling you what to say? | 0:17:57 | 0:18:02 | |
Where is your puppet master, Mrs Middleton? | 0:18:02 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
Er, shall we take another question? | 0:18:10 | 0:18:13 | |
-What did he say? -How much he admires you, mostly. | 0:18:24 | 0:18:28 | |
-Why? -What you've done turning the farm around. | 0:18:30 | 0:18:34 | |
Good. | 0:18:35 | 0:18:36 | |
Is it? | 0:18:38 | 0:18:39 | |
Isn't it? | 0:18:40 | 0:18:42 | |
We've done well here, Grace. | 0:18:46 | 0:18:48 | |
Why does it seem like you don't want it? | 0:18:48 | 0:18:51 | |
We need to look outside of ourselves. | 0:18:51 | 0:18:54 | |
I deliver good, fresh, clean milk to the whole village, at a fair price, | 0:18:54 | 0:18:59 | |
and I can do that because I've worked hard. | 0:18:59 | 0:19:01 | |
Read 'em to me. | 0:19:05 | 0:19:06 | |
"Clover, Myrtle, Bracken, Buttercup, Henrietta and Hilda." | 0:19:07 | 0:19:14 | |
-Father said we can name our cows. -What's the name of our grandson? | 0:19:17 | 0:19:22 | |
What's the name of the little baby boy the Allinghams sent away | 0:19:24 | 0:19:27 | |
without even asking us? | 0:19:27 | 0:19:29 | |
They don't care about anybody else other than themselves. | 0:19:30 | 0:19:33 | |
Is that the kind of world you want? | 0:19:33 | 0:19:36 | |
Agnes Scrivner, she's a problem. My factory, my village, | 0:19:39 | 0:19:43 | |
my constituency. It looks bad. | 0:19:43 | 0:19:46 | |
The left love a victim. | 0:19:46 | 0:19:48 | |
They crave victimhood | 0:19:49 | 0:19:51 | |
and, when they get it, they milk it for all it's worth. | 0:19:51 | 0:19:54 | |
Thank you, Mother. | 0:19:54 | 0:19:56 | |
-So, what do you think? -Well... -Take it away from them. | 0:19:56 | 0:20:00 | |
-Sorry? -Their poor little match-girl martyr. | 0:20:03 | 0:20:07 | |
-What do you mean, take it away? -Give her her job back. Pay her more. | 0:20:08 | 0:20:12 | |
Mmm. Then, Gibby and Labour will have nothing to bleat about. | 0:20:12 | 0:20:17 | |
Have I suddenly acquired a second political advisor? | 0:20:19 | 0:20:23 | |
I haven't got a political bone in my body, darling. | 0:20:23 | 0:20:26 | |
Oh, by the by, and entirely away from politics, | 0:20:31 | 0:20:35 | |
the tremendously glamorous, fabulously well connected | 0:20:35 | 0:20:38 | |
and hitherto unmarried | 0:20:38 | 0:20:40 | |
Harriet Kilmartin is coming to stay. | 0:20:40 | 0:20:43 | |
INDISTINCT CHATTER | 0:20:49 | 0:20:52 | |
So, how is it going on the railways? | 0:21:00 | 0:21:04 | |
Oh, no luck yet? | 0:21:06 | 0:21:07 | |
No. And after next week, no more station visits. | 0:21:07 | 0:21:11 | |
-Why not? -Our dads have got into bed together. | 0:21:11 | 0:21:16 | |
Last milk run to the station, Wednesday. | 0:21:16 | 0:21:20 | |
So, you better make it count. | 0:21:20 | 0:21:23 | |
This man here is giving me lessons in romance. | 0:21:23 | 0:21:26 | |
Phoebe's the one for me, he says. | 0:21:29 | 0:21:31 | |
-Pints? -Mm-hm. | 0:21:34 | 0:21:36 | |
And the first lesson? | 0:21:41 | 0:21:42 | |
Don't go where your teacher would like to tread. | 0:21:44 | 0:21:47 | |
She's a married woman. | 0:21:52 | 0:21:53 | |
You're to give Agnes her job back. | 0:22:15 | 0:22:17 | |
-You told me to get rid of her. -Now I'm telling you to bring her back. | 0:22:19 | 0:22:22 | |
I know why you're doing this. You're using her. | 0:22:24 | 0:22:27 | |
-Does it matter? -It were making her ill. | 0:22:28 | 0:22:31 | |
She won't want to come back. | 0:22:31 | 0:22:32 | |
She will. | 0:22:34 | 0:22:35 | |
FOOTSTEPS | 0:22:51 | 0:22:53 | |
Has this been washed? The collar's all filthy. | 0:23:06 | 0:23:10 | |
Oh, let me see. | 0:23:10 | 0:23:11 | |
They're all like it. I can't go to the dance hall looking like that. | 0:23:12 | 0:23:16 | |
Well, between the shop and the home | 0:23:16 | 0:23:19 | |
and the dance hall, I'm afraid things are starting to slip. | 0:23:19 | 0:23:23 | |
I just don't have the time. | 0:23:23 | 0:23:26 | |
HE SIGHS | 0:23:26 | 0:23:28 | |
If you want to take on a maid, you can. | 0:23:28 | 0:23:32 | |
It's just a case of finding someone suitable. | 0:23:34 | 0:23:37 | |
Mmm. | 0:23:37 | 0:23:38 | |
Norma... | 0:23:42 | 0:23:44 | |
Gilbert explained what happened at the factory. | 0:24:02 | 0:24:04 | |
It's not my place to take sides. | 0:24:10 | 0:24:13 | |
So, I won't. | 0:24:13 | 0:24:15 | |
But it might end up being an excellent opportunity for you. | 0:24:16 | 0:24:21 | |
We're looking for a maid. | 0:24:23 | 0:24:26 | |
I'm offering you the position. | 0:24:31 | 0:24:34 | |
I'm grateful... | 0:24:43 | 0:24:45 | |
..to you and Arnold. | 0:24:46 | 0:24:48 | |
Good. | 0:24:49 | 0:24:50 | |
Mr Hankin and I would like you to start tomorrow. | 0:24:52 | 0:24:56 | |
Looks like rain. | 0:25:11 | 0:25:13 | |
Cows were lying down as I came past. | 0:25:14 | 0:25:17 | |
You believe that old wives' tale? | 0:25:17 | 0:25:19 | |
-I could give you a lift, anyway. -No. Thank you. | 0:25:19 | 0:25:23 | |
CAR BACKFIRES | 0:25:34 | 0:25:36 | |
No driver? | 0:25:45 | 0:25:46 | |
Why let someone else have all the fun? | 0:25:46 | 0:25:49 | |
Thank you so much for this invitation, Lady Allingham. | 0:25:53 | 0:25:56 | |
Oh, Clem, please, I insist, Harriet. | 0:25:56 | 0:25:58 | |
-Harri. -It's such a pity that Lord Kilmartin couldn't come with you. | 0:25:58 | 0:26:03 | |
All is the election for my father, at the moment, I'm afraid. | 0:26:03 | 0:26:06 | |
Ah, yes, well... I, er... I must confess that I'm rather hoping | 0:26:06 | 0:26:11 | |
you'll be an antidote to a similar situation here. | 0:26:11 | 0:26:15 | |
I'll try my very best. | 0:26:15 | 0:26:17 | |
Actually, can I call you Lady Allingham? | 0:26:19 | 0:26:21 | |
I do so like Ladies. | 0:26:21 | 0:26:23 | |
Do you know what Edmund stands for? | 0:26:34 | 0:26:36 | |
He's my brother. | 0:26:38 | 0:26:40 | |
It's politics, not family. | 0:26:40 | 0:26:41 | |
One and the same to some. Like my mother. | 0:26:44 | 0:26:49 | |
Is it so awful to be a part of us? | 0:26:55 | 0:26:57 | |
Oh, I trust young Hankin passed on the good news? | 0:27:37 | 0:27:42 | |
I got your job back at the factory. | 0:27:45 | 0:27:47 | |
The Hankins have taken me on as a maid. | 0:27:47 | 0:27:50 | |
-You'll go back to the factory. -This suits me better. | 0:27:53 | 0:27:56 | |
-Ow! You're hurting me! -You'll go back to the factory. | 0:27:59 | 0:28:02 | |
Stop. Just stop! There's a baby! | 0:28:02 | 0:28:06 | |
How long do you think you can hide it from Hankin, eh? | 0:28:13 | 0:28:16 | |
They'll know it's yours. | 0:28:16 | 0:28:18 | |
Go back to the factory and I'll sort out the rest. | 0:28:23 | 0:28:26 | |
Don't - and you're on your own. | 0:28:26 | 0:28:28 | |
It's not me who'll be judged. | 0:28:30 | 0:28:32 | |
I judge you. | 0:28:34 | 0:28:35 | |
-What's happening? -Helping Alf Rutter. | 0:29:02 | 0:29:06 | |
Same thing happened with the outbreak on Edale farm. | 0:29:06 | 0:29:09 | |
Getting it over quickly will help him with it. | 0:29:09 | 0:29:12 | |
Poor beggar. | 0:29:12 | 0:29:14 | |
Have you seen him? | 0:29:16 | 0:29:17 | |
Head stuck in a pint pot in The Lamb. | 0:29:17 | 0:29:20 | |
This can wait. | 0:29:25 | 0:29:26 | |
-Father won't like it. -Father's not here. | 0:29:28 | 0:29:31 | |
Sir Piers Rayment. Wounded at the Battle of Marston Moor in 1644. | 0:29:40 | 0:29:46 | |
His mastiff stood by him for over a day, waiting for him to be rescued. | 0:29:46 | 0:29:52 | |
Marston Moor was over in two hours. | 0:29:52 | 0:29:54 | |
-What kept them? -How do you know it was? -We were there. | 0:29:54 | 0:29:58 | |
The Kilmartin Cavaliers, with Prince Rupert. | 0:29:58 | 0:30:00 | |
-Oh! -And two centuries before that, Agincourt. | 0:30:00 | 0:30:04 | |
Oh, we were at Agincourt. | 0:30:04 | 0:30:06 | |
And just before that, to our eternal shame... | 0:30:06 | 0:30:09 | |
-Bannockburn. -Our family's always been loyal... | 0:30:09 | 0:30:11 | |
..and commanded loyalty. | 0:30:13 | 0:30:15 | |
Even from Mastiffs. | 0:30:16 | 0:30:19 | |
I love dogs. I really love big dogs. | 0:30:19 | 0:30:24 | |
She's, sort of, like a child, isn't she? | 0:30:34 | 0:30:36 | |
My husband's name is, erm, was Allingham, | 0:30:39 | 0:30:43 | |
and it's a line prone to...sensitivity. | 0:30:43 | 0:30:48 | |
-Caro and George are Allinghams. -And Edmund? | 0:30:48 | 0:30:51 | |
Well, I'd like to hear your assessment. | 0:30:53 | 0:30:55 | |
A worthy descendant of Sir Piers. | 0:30:58 | 0:31:00 | |
SHE LAUGHS | 0:31:00 | 0:31:03 | |
Fancy us both being at Agincourt! | 0:31:03 | 0:31:04 | |
SHE LAUGHS | 0:31:04 | 0:31:06 | |
FLIES BUZZ | 0:31:31 | 0:31:34 | |
Why do they burn them? | 0:31:38 | 0:31:40 | |
Fire purifies. It kills the bad left behind. | 0:31:41 | 0:31:45 | |
Father says the Holy Ghost is like a fire that cleans men's souls. | 0:31:45 | 0:31:50 | |
Men can be good. | 0:31:52 | 0:31:55 | |
Not all souls need burning. | 0:31:55 | 0:31:56 | |
I didn't believe him. | 0:31:56 | 0:31:58 | |
Very handsome. | 0:32:18 | 0:32:19 | |
-I know what you're doing, Mother. -I know you know. | 0:32:23 | 0:32:27 | |
Harri Kilmartin is made for you and you are made for her. | 0:32:28 | 0:32:32 | |
# We were made for each other. # | 0:32:33 | 0:32:35 | |
Is this a song we're in? | 0:32:35 | 0:32:36 | |
Even Bairstow thinks you should be married. | 0:32:39 | 0:32:42 | |
Oh, does he? And if I don't want to be? | 0:32:42 | 0:32:45 | |
Then you must be strong with yourself | 0:32:45 | 0:32:48 | |
and think about what's best rather than what you want. | 0:32:48 | 0:32:51 | |
She runs with all the best people, my darling boy. | 0:32:55 | 0:32:58 | |
It's not as if you wouldn't have fun. | 0:33:00 | 0:33:02 | |
Hello, Eddie. | 0:33:04 | 0:33:06 | |
Hello, Harri. | 0:33:08 | 0:33:10 | |
I'm angry, Bert. | 0:33:38 | 0:33:39 | |
Lately, this anger, | 0:33:43 | 0:33:44 | |
it rises up so strong, so fast, I... | 0:33:44 | 0:33:47 | |
I wonder how I've hid from myself all this time. | 0:33:50 | 0:33:53 | |
Tell me. | 0:33:53 | 0:33:54 | |
Joe. | 0:33:55 | 0:33:57 | |
And his son. | 0:33:58 | 0:34:00 | |
You couldn't have done anything different. | 0:34:00 | 0:34:03 | |
-You didn't know. -That's... No choice. | 0:34:03 | 0:34:07 | |
They decided and I was left with no part of it. | 0:34:07 | 0:34:10 | |
They assumed they were entitled to do what they did | 0:34:12 | 0:34:15 | |
and no part of him and... | 0:34:15 | 0:34:17 | |
..no part of Joe. | 0:34:19 | 0:34:20 | |
Alongside anger, there's fear, | 0:34:23 | 0:34:25 | |
because I want to do something about it all, like argue, | 0:34:25 | 0:34:28 | |
fight, vote, but I... | 0:34:28 | 0:34:30 | |
I'm scared it will hurt all of us. | 0:34:31 | 0:34:33 | |
You mean Father. | 0:34:35 | 0:34:36 | |
I don't know I can do this to him. | 0:34:36 | 0:34:39 | |
You have to. | 0:34:39 | 0:34:40 | |
You must. | 0:34:43 | 0:34:44 | |
Be kind, Bert. In your life. | 0:34:46 | 0:34:49 | |
DOOR OPENS | 0:35:07 | 0:35:10 | |
Where've you been? | 0:35:16 | 0:35:17 | |
Alf Rutter's farm. | 0:35:20 | 0:35:21 | |
To bed, Mary. | 0:35:24 | 0:35:25 | |
Why? | 0:35:34 | 0:35:35 | |
"Forgive those who trespass against us." | 0:35:37 | 0:35:40 | |
Is that all? | 0:35:42 | 0:35:43 | |
I don't understand. | 0:35:44 | 0:35:46 | |
The way he treated us! | 0:35:46 | 0:35:48 | |
The way his father was! | 0:35:49 | 0:35:50 | |
He'd have trampled us into mud if he had chance. | 0:35:50 | 0:35:52 | |
And he very nearly did. Where does it stop, Grace? | 0:35:52 | 0:35:56 | |
Who are we if no-one is to be judged? | 0:35:56 | 0:35:59 | |
FLOORBOARDS CREAK | 0:36:01 | 0:36:03 | |
Seven year ago, | 0:36:10 | 0:36:12 | |
our daughter, she wanted to name the first cow that we bought | 0:36:12 | 0:36:17 | |
and I laughed at her, I laughed in her face, | 0:36:17 | 0:36:19 | |
because of that man, cos... cos he'd made me hard. | 0:36:19 | 0:36:23 | |
And now we have 30 head of cattle and she's named all of them. | 0:36:23 | 0:36:26 | |
And I'm proud that I've changed enough for that to matter. | 0:36:26 | 0:36:30 | |
What are you saying? | 0:36:31 | 0:36:32 | |
What about me? | 0:36:36 | 0:36:38 | |
Where are you? | 0:36:39 | 0:36:41 | |
Where have you gone? | 0:36:41 | 0:36:43 | |
I'll swap you, a barrel of yours, for one of mine. | 0:37:05 | 0:37:08 | |
Ha-ha! No, sir! Election night, always a big night. | 0:37:08 | 0:37:13 | |
Phoebe. | 0:37:25 | 0:37:27 | |
Bert. | 0:37:27 | 0:37:29 | |
No rain today. | 0:37:29 | 0:37:31 | |
No. | 0:37:31 | 0:37:32 | |
-Parasol? For the sun? -I'll walk. | 0:37:33 | 0:37:37 | |
This is the last time I'm doing this. | 0:37:39 | 0:37:41 | |
What? | 0:37:43 | 0:37:45 | |
We're not delivering milk to the station after today. | 0:37:45 | 0:37:48 | |
Oh. I see. | 0:37:48 | 0:37:51 | |
So, I won't see you. | 0:37:51 | 0:37:53 | |
I'm sorry about my mother. | 0:38:15 | 0:38:17 | |
Why? She's fabulous. | 0:38:17 | 0:38:19 | |
She's, er, a keen interferer. | 0:38:19 | 0:38:23 | |
Of course. She's organising her son's future happiness. | 0:38:23 | 0:38:28 | |
A happiness that apparently can only be realised through a good marriage. | 0:38:28 | 0:38:32 | |
She's right. | 0:38:35 | 0:38:36 | |
What do you mean? | 0:38:41 | 0:38:42 | |
I am sorry. | 0:39:08 | 0:39:10 | |
About the factory. | 0:39:11 | 0:39:12 | |
This is better. | 0:39:14 | 0:39:15 | |
Thank you. | 0:39:25 | 0:39:26 | |
And thank you for the, er... | 0:39:29 | 0:39:31 | |
I'm not very good at fighting. | 0:39:35 | 0:39:37 | |
Then, thank you even more. | 0:39:38 | 0:39:40 | |
Would you like to go dancing with me again? | 0:39:44 | 0:39:46 | |
I'm sorry. | 0:39:51 | 0:39:52 | |
DOOR CLOSES | 0:39:54 | 0:39:55 | |
Don't you have your own work to concern you, Gilbert? | 0:39:59 | 0:40:02 | |
Once you've finished that, you're to go to the post office. | 0:40:09 | 0:40:12 | |
I have been invited to tea by Lady Allingham. | 0:40:13 | 0:40:18 | |
Of course... | 0:40:18 | 0:40:20 | |
..Mrs Hankin. | 0:40:21 | 0:40:22 | |
Why are you following me? | 0:40:45 | 0:40:47 | |
So I'm there when you finally decide to talk to me. | 0:40:48 | 0:40:52 | |
And what would you like to talk about, Bert? | 0:40:52 | 0:40:55 | |
Flowers. | 0:40:57 | 0:40:58 | |
I want to take their pictures and you know all the names. | 0:41:01 | 0:41:04 | |
You have to address the flower by its name before taking the photograph? | 0:41:04 | 0:41:08 | |
Well, it's only polite. | 0:41:08 | 0:41:10 | |
You can drop me at the butchers. | 0:41:13 | 0:41:15 | |
Thank you. | 0:41:22 | 0:41:23 | |
Ready? | 0:41:27 | 0:41:28 | |
Come on, Molly. | 0:41:28 | 0:41:30 | |
MAN: It's your last chance to make your vote count. | 0:41:37 | 0:41:39 | |
Bill Gibby, vote Labour. Labour puts health and happiness first. | 0:41:39 | 0:41:43 | |
Madam, Bill Gibby, for the sake of our children, madam. | 0:41:43 | 0:41:47 | |
Vote Bill Gibby. Vote Labour. | 0:41:47 | 0:41:51 | |
-WOMAN: -Edmund Allingham, madam. | 0:41:51 | 0:41:52 | |
Could we interest you in safety, prosperity? | 0:41:52 | 0:41:55 | |
May we have your vote for Edmund Allingham? | 0:41:55 | 0:41:57 | |
Norma Hankin has always had ideas above her station. | 0:42:07 | 0:42:11 | |
I have to starch the linen twice. | 0:42:13 | 0:42:15 | |
Oh! As if she isn't stiff enough already. | 0:42:15 | 0:42:17 | |
SHE SOBS | 0:42:21 | 0:42:23 | |
Oh, come on now, our Paul wouldn't want to see this. | 0:42:23 | 0:42:28 | |
I loved him, you know. | 0:42:33 | 0:42:35 | |
I know. | 0:42:36 | 0:42:38 | |
I'm in trouble, Margaret. | 0:42:40 | 0:42:42 | |
Please don't hate me. | 0:42:48 | 0:42:50 | |
Mr Hankin is quite the moderniser, Harriet. | 0:43:02 | 0:43:05 | |
He's, er, he's recently opened a dance hall. | 0:43:05 | 0:43:08 | |
Oh! I love dancing. | 0:43:08 | 0:43:11 | |
But I expect you'll find it a little more provincial | 0:43:12 | 0:43:15 | |
than what you're accustomed to in London. | 0:43:15 | 0:43:18 | |
DOOR OPENS | 0:43:19 | 0:43:20 | |
We're leaving. | 0:43:22 | 0:43:23 | |
-Big day. -Mrs Hankin! | 0:43:23 | 0:43:26 | |
I take it we can count on you at the ballot box? | 0:43:26 | 0:43:29 | |
I went first thing this morning. | 0:43:29 | 0:43:31 | |
Edmund, of course. | 0:43:31 | 0:43:33 | |
CLEM: Best of luck, darling. Not that you need it. | 0:43:33 | 0:43:37 | |
Oh, I hear you've taken on Agnes Scrivener. Very generous of you. | 0:43:39 | 0:43:44 | |
Well, we've taken on one of the local girls as a maid. | 0:43:44 | 0:43:47 | |
Whether she'll turn out to be suitable or not... | 0:43:47 | 0:43:50 | |
There's so much one needs to teach them. | 0:43:50 | 0:43:52 | |
Still, it's a great kindness... | 0:43:52 | 0:43:54 | |
..given her condition. | 0:43:55 | 0:43:56 | |
Well, excuse me, ladies. | 0:43:58 | 0:44:00 | |
Can't keep Sheffield waiting. | 0:44:00 | 0:44:02 | |
CLEM: So are you a great exponent of this new Charleston, Harriet? | 0:44:10 | 0:44:14 | |
-Oh, yes! -Good! | 0:44:14 | 0:44:17 | |
Any of those booths over there. | 0:44:17 | 0:44:19 | |
-And your name? -George Allingham. | 0:44:20 | 0:44:23 | |
-There you go. -Thank you. -And your name? | 0:44:23 | 0:44:25 | |
It doesn't matter. | 0:44:25 | 0:44:26 | |
-How long would you have... -For ever. | 0:45:00 | 0:45:02 | |
Leonardo da Vinci. | 0:45:06 | 0:45:07 | |
-What? -As well as Michelangelo. | 0:45:12 | 0:45:14 | |
-Erm... -Left-handers. | 0:45:17 | 0:45:20 | |
You can kiss me if you like. | 0:45:28 | 0:45:30 | |
INDISTINCT CHATTER | 0:45:51 | 0:45:54 | |
FOOTSTEPS | 0:46:13 | 0:46:15 | |
Agnes! | 0:46:15 | 0:46:17 | |
Did you think I wouldn't find out? | 0:46:18 | 0:46:20 | |
Ah! No! Please, Norma! | 0:46:20 | 0:46:22 | |
THEY GASP AND WHISPER | 0:46:26 | 0:46:29 | |
The shame of it! Absolute shame. | 0:46:31 | 0:46:34 | |
Stop that now. | 0:46:34 | 0:46:35 | |
She's pregnant! | 0:46:36 | 0:46:37 | |
I'm warning you, leave her alone. | 0:46:37 | 0:46:41 | |
She took employment under false pretences. | 0:46:41 | 0:46:44 | |
Remember who you are. | 0:46:46 | 0:46:48 | |
Both your mother and hers were workhouse babies - do you think that | 0:46:48 | 0:46:51 | |
you can speak to her like that just because you married a shopkeeper? | 0:46:51 | 0:46:55 | |
Go on, get out. | 0:46:57 | 0:46:58 | |
OUT! | 0:47:00 | 0:47:02 | |
Do not come back to my house. | 0:47:07 | 0:47:09 | |
I voted. | 0:47:31 | 0:47:33 | |
I wouldn't want to pass comment on that, Mr Eyre. | 0:47:35 | 0:47:37 | |
Lest I seem too sure of my opinions. | 0:47:37 | 0:47:40 | |
I'm sorry if I've... | 0:47:45 | 0:47:46 | |
You've taken against me, I have a right to know why. | 0:47:46 | 0:47:49 | |
It's just always about you. | 0:47:52 | 0:47:53 | |
Your opinions and your rights and hang the effect on anybody else. | 0:47:54 | 0:48:00 | |
What effect? | 0:48:00 | 0:48:02 | |
On who? On you? | 0:48:02 | 0:48:04 | |
And now you say nothing! You're a coward. | 0:48:06 | 0:48:09 | |
And you are a hypocrite! | 0:48:14 | 0:48:17 | |
You preach about socialism and then you go home to George Allingham. | 0:48:17 | 0:48:22 | |
You know nothing of my marriage! | 0:48:22 | 0:48:24 | |
I know that you've martyred yourself to it! | 0:48:24 | 0:48:26 | |
-Are you all right, Margaret? -Yes, yes, yes... | 0:48:52 | 0:48:55 | |
No. | 0:48:57 | 0:48:58 | |
-Well, what is it? -It's our Agnes. She's gone. | 0:48:58 | 0:49:01 | |
Gone? | 0:49:03 | 0:49:04 | |
Sheffield. Henry's taking her to the station now. | 0:49:04 | 0:49:08 | |
Come on. | 0:49:12 | 0:49:13 | |
Come on, Molly! | 0:49:20 | 0:49:21 | |
Agnes! | 0:49:35 | 0:49:36 | |
Agnes! | 0:49:39 | 0:49:40 | |
When I asked you and when you said no, was that because of the baby? | 0:49:43 | 0:49:48 | |
Was it just the baby? | 0:49:50 | 0:49:52 | |
I'm sorry. | 0:49:54 | 0:49:56 | |
I'm so sorry, Gilbert. | 0:49:57 | 0:49:59 | |
TRAIN DROWNS HIM OUT | 0:50:00 | 0:50:01 | |
HE SHOUTS: Marry me, Agnes! | 0:50:03 | 0:50:05 | |
Yes! | 0:50:08 | 0:50:09 | |
Grace Middleton. | 0:50:12 | 0:50:13 | |
OK. | 0:50:13 | 0:50:15 | |
Take one of these and go to the booth at the end, please. | 0:50:17 | 0:50:20 | |
Thank you. | 0:50:20 | 0:50:21 | |
And then the world froze. | 0:51:12 | 0:51:16 | |
The votes were counted and nobody won. | 0:51:16 | 0:51:20 | |
The Conservatives had the most seats, | 0:51:20 | 0:51:22 | |
but not enough to form a government on their own. | 0:51:22 | 0:51:25 | |
So we waited, while down in Westminster they talked | 0:51:25 | 0:51:30 | |
and negotiated. | 0:51:30 | 0:51:32 | |
The whole country waited for 40 days and 40 nights... | 0:51:32 | 0:51:36 | |
..which makes it sound biblical. | 0:51:38 | 0:51:40 | |
In a way, in terms of how much it mattered, what turned on it, it was. | 0:51:40 | 0:51:44 | |
And then, 40 days later, a clear decision. | 0:51:45 | 0:51:49 | |
No coalition, one party in power. | 0:51:50 | 0:51:53 | |
I like to think that our village, | 0:51:54 | 0:51:57 | |
after the King, | 0:51:57 | 0:51:59 | |
was the first to know. | 0:51:59 | 0:52:01 | |
I wanted you to hear it first. | 0:52:22 | 0:52:24 | |
'Eyes like lions after slumber | 0:52:28 | 0:52:32 | |
'in unvanquishable number. | 0:52:32 | 0:52:34 | |
'Shake your chains to earth like dew.' | 0:52:34 | 0:52:38 | |
Which in sleep had fallen on you. | 0:52:39 | 0:52:43 | |
Ye are many... | 0:52:45 | 0:52:47 | |
..they are few. | 0:52:51 | 0:52:53 | |
SHE LAUGHS | 0:52:53 | 0:52:56 | |
Woo-hooo! | 0:52:56 | 0:53:00 | |
-You came home? -Yes. | 0:53:24 | 0:53:26 | |
-Is it bad? -Yes, it's bad. | 0:53:29 | 0:53:32 | |
It's a little early for whisky. | 0:53:35 | 0:53:37 | |
Only if one has slept. | 0:53:37 | 0:53:38 | |
Well, what's done is done. | 0:53:44 | 0:53:46 | |
Lady Macbeth and no hint of irony. | 0:53:46 | 0:53:48 | |
You've come a long way since Jane Austen. | 0:53:48 | 0:53:50 | |
We dropped our guard. | 0:53:53 | 0:53:54 | |
People have no idea what they've done. | 0:54:00 | 0:54:02 | |
Socialism is a cancer. It's stupid, wrong and dangerous | 0:54:02 | 0:54:05 | |
and I fought it with a narrow, parochial campaign. | 0:54:05 | 0:54:07 | |
Darling, your campaign... | 0:54:07 | 0:54:09 | |
Was too small. These are such important times. | 0:54:09 | 0:54:12 | |
I, I should have shouted it out. | 0:54:12 | 0:54:15 | |
Do you know what is happening to people in Russia | 0:54:15 | 0:54:17 | |
in the name of socialism? Do you have any idea what becomes | 0:54:17 | 0:54:21 | |
of a society, when character and personality is crushed by duty | 0:54:21 | 0:54:25 | |
to the state? | 0:54:25 | 0:54:26 | |
Bigger next time. | 0:54:29 | 0:54:31 | |
-Hmm? -I can hear it. | 0:54:33 | 0:54:35 | |
-Hear what? -The fight that's still left in you. | 0:54:35 | 0:54:39 | |
We will come back from this. | 0:54:41 | 0:54:43 | |
YOU...will come back from this. | 0:54:44 | 0:54:47 | |
INDISTINCT CHATTER | 0:54:53 | 0:54:54 | |
Bill, say a few words. | 0:54:54 | 0:54:56 | |
I've been your member of parliament for 40 days. | 0:55:05 | 0:55:08 | |
CHEERING | 0:55:08 | 0:55:10 | |
Now, today, I am here to tell you | 0:55:10 | 0:55:12 | |
that I'm a member of your new government! | 0:55:12 | 0:55:14 | |
CHEERING | 0:55:14 | 0:55:17 | |
I wanted to make my first speech here because this village has | 0:55:17 | 0:55:22 | |
come to mean so much to me during this campaign. | 0:55:22 | 0:55:25 | |
I'm humbled and privileged to represent you | 0:55:26 | 0:55:28 | |
and I make this promise to you now - we will not rest | 0:55:28 | 0:55:32 | |
until working people like you have proper wages, | 0:55:32 | 0:55:36 | |
safe working lives and a clear understanding | 0:55:36 | 0:55:40 | |
that you are equal in every way | 0:55:40 | 0:55:42 | |
to those who have always felt themselves superior to you. | 0:55:42 | 0:55:45 | |
I am of you, for you and I am with you, every single step of the way. | 0:55:47 | 0:55:53 | |
CHEERING AND APPLAUSE | 0:55:53 | 0:55:56 | |
DOOR OPENS | 0:56:06 | 0:56:08 | |
Abandoning me already? | 0:56:08 | 0:56:10 | |
There's no point now, is there? | 0:56:11 | 0:56:13 | |
What do you mean? | 0:56:14 | 0:56:15 | |
Losing wasn't part of the deal. | 0:56:17 | 0:56:19 | |
I wasn't aware that we'd finalised the terms. | 0:56:19 | 0:56:22 | |
People are never simple, Edmund. | 0:56:26 | 0:56:29 | |
We all have our secrets. | 0:56:31 | 0:56:32 | |
Our complications. | 0:56:34 | 0:56:35 | |
Marriage needn't be seen as restricting. | 0:56:38 | 0:56:41 | |
Ours could offer us more freedom than we've ever had. | 0:56:41 | 0:56:44 | |
Are you asking me to marry you? | 0:56:47 | 0:56:49 | |
I'm asking you to ask me to marry you. | 0:56:51 | 0:56:54 | |
-I'll drive. -Where are we going? | 0:57:05 | 0:57:08 | |
Who knows? | 0:57:08 | 0:57:09 | |
Exciting, isn't it? | 0:57:10 | 0:57:12 | |
What the hell is wrong with you? | 0:57:50 | 0:57:51 | |
-What's his name? -Sorry? | 0:57:51 | 0:57:55 | |
Give me my grandson's name! | 0:57:55 | 0:57:57 | |
The matter is closed. | 0:58:01 | 0:58:02 | |
That's my final word. | 0:58:03 | 0:58:05 | |
Yours is not the final word on anything any more. | 0:58:05 | 0:58:08 |