Episode 4 The Village


Episode 4

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OLD BERT: Do you know how many weddings I've been to?

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You'll never guess.

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142!

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142 weddings,

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so that's 284 lives coming together. But those two weddings,

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a week apart in the spring of 1924, they were about much more

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than lives coming together.

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There you go. Very handsome.

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Not handsome enough for anyone to marry you.

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Not long, though, eh, Bert?

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Can I go now?

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Oh.

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It's the bride that's supposed to be late, not the best man.

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Only be a minute. There you go.

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See you at chapel.

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A chair, John.

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Thank you.

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Edmund will be the fifth Member of Parliament

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to be married in this chapel.

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OLD BERT: If love is reckless and unstoppable at the same time,

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then perhaps we shouldn't be surprised

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when the world's turned upside down by it.

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But this, this blew all our socks off.

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-Oi! You're trespassing.

-I'm best man. No ring, no wedding.

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Wedding's not till Saturday - and I bet YOU'RE not invited.

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Don't come this way again!

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-I said ten o'clock.

-It's 10.05. Wedding's not for another hour.

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55 minutes.

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Perfect.

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I want you to know, I'll never forget him.

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He'd have wanted you to be happy.

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And I will be.

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So, I'm not going to be your mother-in-law.

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I'm going to be your mother, instead.

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Beautiful.

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-It's for the Big House wedding.

-And for Gilbert and Agnes'?

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He's my son. He's getting married.

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If you can't support them, I'm asking you to be quiet.

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Leave that. We'll be late, John.

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-You go.

-What?

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I promised Hankin I'd make that milk quota, no matter what.

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Weddings, funerals, christenings - they all come second now.

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Monday, I saw three women and children cross the road

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to avoid Agnes and her pram.

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They held their children close in to them,

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so they didn't catch a sight of baby Sophie - the bastard.

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This is more than just another wedding.

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I'm not prepared to lose what we've made on this farm, Grace.

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-Not for nothing.

-And what about our grandson?

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-What are you going to you say to him?!

-Don't talk about that.

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Cross the road, in case you catch something from the bastard?!

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-You're too angry, Grace.

-No, I'm not nearly angry enough!

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Come on, Mary, get your coat.

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CHURCH BELLS PEAL

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-Is Gilbert all right?

-Only two hours early.

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I love this chapel. It's honest.

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I'm so glad we married here.

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Did you get married here?

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21st of June. Hm, long time ago.

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Did you get married here, Margaret?

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I did, sweetheart. May 6, 1899.

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-Last century?

-I'm afraid it was!

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I was baptised here, married here

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and we'll be buried here, the lot of us. Dust to dust.

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If there be any person here who knows of any lawful impediment

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to this marriage, speak now or for ever hold your peace.

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BABY CRIES

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LAUGHTER

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BABY'S CRYING INTENSIFIES

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(I, Gilbert.)

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I, Gilbert Arnold Hankin,

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take you, Agnes Scrivener, to be my...

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Agnes...

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I...love you with all my heart.

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Will you please be my wife?

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I will.

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I, Agnes Scrivener...

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I, Agnes Scrivener...

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..take you, Gilbert Arnold Hankin...

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..take you, Gilbert Arnold Hankin...

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..to be my wedded husband.

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..to be my wedded husband.

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To have and to hold, from this day forward...

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To have and to hold, from this day forward...

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..in plenty and in want...

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..in plenty and in want...

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..in joy and in sorrow...

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..in joy and in sorrow...

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..to love and to cherish...

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..to love and to cherish...

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..as long as we both shall live.

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..as long as we both shall live.

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It is my enormous pleasure to pronounce you husband and wife.

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APPLAUSE

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You MAY kiss the bride!

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You next.

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CHURCH BELLS PEAL

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CHEERING

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Margaret, could I... Could I hold her?

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-Do you know how to hold her?

-Aye!

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Hey, come to Grandad, again. Hey, that's it.

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You want to say hello to Grandma?

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Look at them. They're happy. What else matters?

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Ladies and gentlemen, what's the point of a wedding?

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It's to make private feelings public.

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It's an announcement of love that takes no heed what the world thinks.

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I'm not very articulate with words.

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I do my best, but they never seem enough or feel enough, somehow.

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But I know how we can make it better - our public announcement.

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With dancing!

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CHEERING

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To the dance hall!

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CHEERING AND APPLAUSE

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CROWD CLAP IN TIME WITH MUSIC

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CHEERING AND APPLAUSE

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LIVELY SWING MUSIC

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Get it down you.

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We could...go for a walk.

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I've an article to finish for the morning.

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Do you mind if I stay?

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Not at all... Enjoy yourself.

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Why are we walking so fast?

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I'm sorry.

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Sorry.

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-Talking shop?

-I'm afraid so.

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The children of this village are very lucky to have you two.

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-Um...I have some things that I have to do at school.

-Now?

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When I think of something that has to be done, I know I'll forget.

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So, I have to do it now.

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Such dedication.

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What's wrong?

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-I got this today.

-Who's it from?

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-Ghana Jones.

-What does he say?

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Just, his life outside the village, it's another world.

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You can hear it in the way he writes.

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It's full of hope and excitement and...

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Are you leaving?

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-I didn't...

-Yes...you did.

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You!

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What are you doing? Speak up, lad.

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What were you doing?

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Dirty business, was it? Filthy dirty?

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Talking. It's a conversation that matters. We're doing no harm.

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Let your father be the judge of that.

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CLICKING

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Go on!

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-It couldn't wait?

-No.

-What is it?

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HE CLEARS THROAT

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"Tomorrow and tomorrow and tomorrow.

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"Out, out, brief candle."

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Stay there.

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Bert?

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-What's going on?

-These two belong to you, do they?

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-He's my son.

-Phoebe?

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I found these two intertwining on Allingham land.

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That's what he wanted it to be. Is that right?

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-Were you hoping for something dirty?

-Shut up.

-We were talking.

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Talking? Nobody goes there for talking.

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No crime in that.

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If it's on Allingham land, it is.

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It's called trespass, isn't it, Vicar?

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It's Minister, not Vicar.

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Now you've said your piece, you can be on your way.

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You heard him.

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And don't come back an' all.

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HAMMERING

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So, the sign is at the old bridge?

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What were you and Phoebe REALLY doing?

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They were courting, Mary.

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What does that mean?

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The old bridge is...

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Well, somewhere couples go...

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Well, have always gone, to hold hands and...

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hold conversations.

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Did you and father do intertwining?

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SHE LAUGHS

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-Yes, we did.

-Urrgh!

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Go on!

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Hello?

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Mrs Hankin.

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THEY GIGGLE

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-It sounds silly.

-It isn't silly, though.

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No, it isn't.

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-Is it your first?

-No.

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I love you.

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You shouldn't have had the party.

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-You wouldn't have had the wedding at all.

-No. I wouldn't.

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So, what do you see when you look at them - Gilbert, Agnes and Sophie?

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A fool, a whore

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and a bastard.

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They're a family.

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So, that's a family?

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Then, what are we?!

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I'm back.

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THEY GIGGLE

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After you, Lady Allingham.

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How was Westminster?

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Good to be back on the right side of the House again, where we belong.

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Hmm, I've had a tremendous idea.

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How about we make this moment, right now, the very last reference

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to politics until after the wedding?!

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-Drink?

-Good idea.

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Has it been ghastly?

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On the contrary, I've been having rather a time of it.

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Well, you know what she wants, don't you?

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-She wants the past.

-She wants a fiction.

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I love fiction and I love friction. Plenty of both here.

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Anyway, what about you?

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Apart from the happy return of Conservative bottoms

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-to where they rightfully belong?

-I found some time to enjoy myself.

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Robert well, then, is he?

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You and Phoebe?

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What?

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Well...

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Do you love her?

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Don't embarrass him, Mother.

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Remember the old bridge, John?

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-Grace.

-Don't embarrass him, Mother.

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It isn't just about Bert and Phoebe, is it?

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-Isn't it?

-No. It's an attack on our history.

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It's telling anyone who has stood on that bridge and held hands

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with a future, that it's not theirs. Our history, chased off at gunpoint.

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They were on their land. That's the end of it.

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DOOR OPENS

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Eh, look who I found on the doorstep?

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We wanted to thank you for the party.

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Aye, best day of our lives.

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BABY CRIES

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I'll have to feed her.

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Right, we'll, er, leave you women to it.

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CRYING CEASES

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When will you tell her?

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-What?

-You know.

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What?

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Her history.

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Arnold went to a lot of expense last night.

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And there's a lot of tidying up to do!

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How did the Shakespeare go?

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Honestly?

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The mistake us teachers make with children and Shakespeare

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is Midsummer Night's Dream, because we think that

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cos it's all full of magic they're all going to love it.

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But they don't. They want Macbeth,

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because it's bloody and it's short and there's more poetry

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in him and her than in all of Bottom and Puck.

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They loved it.

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What are we going to do?

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I don't know.

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Thank you, Portis.

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So...who's coming?

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Oh... Erm, two Mauds.

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Right.

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One Edith and two Ernests.

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-And what are they...

-Like?

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They are bold and fast.

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Actually, one of the Ernests is, eh...

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is eligible.

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Do you remember what you said?

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-She's still a child, in a way.

-Yes, why is that?

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She had some unhappiness.

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And now she needs some fun.

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Here he is - our vicar on a mission.

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I've counted at least three more paths you intend to block off.

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I don't understand your problem. The way the Allinghams see it,

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you can cycle where you like. You're married in, aren't you?

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You're one of them.

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OTHER MEN LAUGH

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Would an Allingham do that?

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-Wouldn't you miss this?

-Yeah.

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But I don't want to look at it every day for the rest of my life.

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These are good.

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Thomas likes his without butter. And Louis won't touch egg.

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I look after them, Bert. I'm the only mother they've known.

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I used to think I couldn't leave, either.

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Not after Joe. Not with the farm how it was.

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But...my father's got Henry now and the farm...

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..it works.

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You can't stay here, can you?

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Then...neither can I.

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BABY CRIES

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Agnes?

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Hey.

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My granddaughter will be needing a feed. Go on.

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This one was only trying to clean up after her own wedding.

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Was she now?

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You've done so much for us. I just... I just wanted to do my bit.

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Your bit in life will be making my son happy,

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not skivvying at a dance hall.

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You're no Cinderella.

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You're not wrong there, Arnold.

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APPROACHING FOOTSTEPS

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Well, he's lucky he's got friends in high places.

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Right, here he is.

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Rest assured, Andrew will be dealt with.

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He can be over-zealous at times, but he works hard.

0:26:090:26:12

We don't have to tell Martha. Nobody need know.

0:26:140:26:17

Is that what you think I want?

0:26:180:26:21

We all make mistakes.

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It wasn't a mistake.

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LIVELY VOCAL SWING MUSIC

0:26:260:26:29

What is that?

0:26:360:26:38

Coon Sanders Original Nighthawk Orchestra, Lady Allingham.

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You'll be familiar with it by the end of the weekend,

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-if Harriet's crowd have any say.

-Well, whatever the music...

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-..it's a good match.

-No question of it.

0:26:520:26:55

Yes, come the next reshuffle, I'm sure Kilmartin will see to it

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that his new son-in-law is in the right place.

0:26:590:27:02

Men can push against a mother's guidance now and again.

0:27:090:27:13

But he sees that you're right and when he's the new Home Secretary,

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he'll see that even more clearly.

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Your assistance in, er, helping him to see it,

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hasn't gone unnoticed.

0:27:260:27:28

One big happy family.

0:27:290:27:31

He is happy, isn't he?

0:27:340:27:36

Oh, yes.

0:27:390:27:40

Ghana Jones. Where's he now?

0:27:430:27:46

Liverpool. They won't let him fight championship bouts,

0:27:460:27:50

-so he's doing something about it.

-What do you mean? What can he do?

0:27:500:27:53

America. He's going to America.

0:27:530:27:56

When we're grey and old, this'll be us -

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drinks in The Lamb and a good woman at home.

0:28:010:28:04

Speaking of which, any deeper "conversations" with Miss Rundle?

0:28:060:28:10

-No!

-Right.

0:28:100:28:11

You're in good company. You and him.

0:28:140:28:17

Arrested, apparently.

0:28:210:28:23

I wonder who he was intertwining with?

0:28:260:28:28

TRIO STIFLE LAUGHTER

0:28:280:28:31

HE CLEARS THROAT TELLINGLY

0:28:320:28:35

HE CLEARS THROAT TELLINGLY AGAIN

0:28:350:28:37

-What?

-A changed man, right enough.

0:28:370:28:39

Ah, you two are lovely and all that, just not as lovely

0:28:390:28:43

as my wife and daughter.

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He's found it, hasn't he?

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It's all he ever wanted.

0:28:500:28:52

And you?

0:28:590:29:00

Hmm? Oh, I'm fine.

0:29:010:29:03

Wedded to teaching.

0:29:050:29:06

I wish I was Ghana Jones.

0:29:090:29:11

Then go, Bert.

0:29:150:29:17

Stop talking about it and act. Leave the village

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and go after whatever it is that you want.

0:29:230:29:26

Cos if you don't then...

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Out.

0:29:330:29:34

He's a good man - Mr Eyre.

0:29:440:29:47

Yes, he is.

0:29:470:29:49

He knows his own mind.

0:29:520:29:53

Yes.

0:29:550:29:56

The kind of man you could take advice from.

0:30:000:30:02

Why are you telling me this?

0:30:020:30:05

And what are you not telling me?

0:30:060:30:08

Is everything all right...

0:30:110:30:13

between you and father?

0:30:130:30:15

Everything's fine. Is that what you've been worrying about?

0:30:160:30:20

The farm is good?

0:30:200:30:22

The farm is good.

0:30:240:30:26

I'm proud of you all.

0:30:360:30:37

And I know that I'll be proud of you all tomorrow.

0:30:380:30:42

The sunshine is coming back.

0:30:450:30:46

The life that was lived here when I was a child is here again.

0:30:490:30:54

You didn't ask.

0:31:220:31:23

What?

0:31:230:31:25

I looked at you and I looked at you and I waited.

0:31:260:31:31

The moment was there, Bert, and you, you didn't take it.

0:31:320:31:35

I can't come with you anyway.

0:31:390:31:41

And it's not just cos of the boys.

0:31:410:31:44

I don't want to leave. You can't be here.

0:31:440:31:48

I can hear it and see it in everything you do and say.

0:31:480:31:53

And I can't be anywhere else.

0:31:530:31:54

But I love you.

0:32:000:32:01

And you love me.

0:32:050:32:06

It's not enough.

0:32:130:32:14

Well, what a delight to have you back in our midst, Lord Kilmartin.

0:32:260:32:31

The pleasure is all mine, Lady Allingham. And if I may?

0:32:310:32:33

-Oh!

-Mm.

0:32:330:32:35

Is your wife joining us?

0:32:360:32:38

Teaching, I'm afraid.

0:32:380:32:40

Martha has a job, Daddy. Impressive, isn't it?

0:32:400:32:43

The modern women.

0:32:430:32:44

Well, a toast. To Eddie and Harry, a modern pair.

0:32:440:32:48

SOME OTHERS: A modern pair.

0:32:480:32:51

And to the union of our two families.

0:32:530:32:56

ALL: Hear, hear!

0:32:560:32:58

CAR HORN OUTSIDE

0:32:580:33:00

Oh! They're here!

0:33:000:33:03

LAUGHTER OUTSIDE

0:33:040:33:07

Oh, do you mind if my friends join us for lunch?

0:33:130:33:16

Of course not.

0:33:160:33:17

Which one is Ernest?

0:33:210:33:23

CHILDREN SING

0:33:390:33:42

I'm taking your advice.

0:34:020:34:04

You're leaving?

0:34:080:34:09

I've not told my parents. Not yet.

0:34:090:34:12

Well you'll have to.

0:34:120:34:14

-Where are you...?

-Liverpool.

0:34:170:34:19

Ghana.

0:34:190:34:20

-He's erm ...

-America.

0:34:220:34:23

Er... Look, it's not much...

0:34:270:34:30

-Oh, no, no.

-Take it.

0:34:300:34:32

For me.

0:34:320:34:34

-Have you told Phoebe?

-She told me, really.

0:34:470:34:50

Are you all right?

0:34:520:34:53

I wanted to thank you.

0:34:560:34:57

Why?

0:34:580:35:00

You've given me the push I needed.

0:35:000:35:02

The right advice from a good man.

0:35:020:35:05

What was it that American President said?

0:35:050:35:07

Which one?

0:35:070:35:09

You told us about it. Ideas shared...

0:35:090:35:11

"He who receives an idea from me receives it without lessening me,

0:35:130:35:19

"as he who lights his candle at mine receives light without darkening me."

0:35:190:35:25

Thomas Jefferson.

0:35:250:35:27

GUNSHOTS

0:35:400:35:42

HE WHIMPERS

0:35:440:35:47

Pull!

0:35:500:35:51

-She's a crack shot.

-Did you teach her to shoot?

0:35:560:35:59

Oh, yes.

0:35:590:36:01

Watch this.

0:36:010:36:02

Pull!

0:36:020:36:03

LAUGHTER

0:36:080:36:10

You bastards! All of you!

0:36:110:36:14

Good shot!

0:36:160:36:18

I'm sorry!

0:36:190:36:21

I'll get you a new one, of course.

0:36:220:36:24

HE LAUGHS

0:36:240:36:26

Well done, girl! Don't wait for the old man!

0:36:260:36:30

Margaret, you got your finery laid out for tomorrow?

0:36:350:36:37

Oh! Lady Allingham is terribly disappointed that I cannot attend(!)

0:36:370:36:42

But I'll tell you what I told her - "Lady Allingham," I said,

0:36:420:36:46

"it's wash day.

0:36:460:36:48

"Even if it were the wedding of the Prince of Wales his-self,

0:36:480:36:51

"my Henry's dirty smalls wait for no man."

0:36:510:36:54

LAUGHTER

0:36:540:36:55

I expect you'll be going though, eh?

0:36:550:36:58

Er, Peter, I'll get this.

0:37:010:37:03

A man jailed for his principles deserves a drink.

0:37:030:37:07

Man needs his lemonade.

0:37:070:37:09

The old bridge is just the start.

0:37:120:37:14

Look.

0:37:170:37:18

Bloody hell.

0:37:180:37:19

-Excuse me, I'm going to have a word.

-I won't stop going. They can keep arresting me.

0:37:190:37:23

BARTENDER: Aye, and they'll keep letting you out and all. The revolving Reverend!

0:37:230:37:27

LAUGHTER

0:37:270:37:28

Let's see.

0:37:280:37:31

The Edge, Snake Pass, the top path to the Chinley Road,

0:37:310:37:35

all to be fenced and gated.

0:37:350:37:37

I drive my sheep over Snake Pass.

0:37:370:37:39

Not this winter.

0:37:390:37:41

Will you be walking that way again?

0:37:410:37:43

Tomorrow.

0:37:430:37:44

-Well, would you like someone to walk alongside you?

-Aye.

0:37:440:37:48

Me an' all.

0:37:480:37:50

They can't arrest us all, can they?

0:37:500:37:52

Here, I thought you said tomorrow were wash day.

0:37:520:37:55

Well, it is. But this is important, isn't it?

0:37:550:37:57

I'd say it was.

0:37:580:38:00

Grace. Grace.

0:38:030:38:05

Why are you running away?

0:38:060:38:08

11 months! And not a word.

0:38:080:38:11

I was in Westminster, Grace. We were trying to stay in power with a minority government.

0:38:110:38:16

You made this village matter.

0:38:160:38:18

You said you felt at home here, that we were your people.

0:38:180:38:23

I was representing you - down there.

0:38:230:38:25

It's what I was doing day and night.

0:38:250:38:27

-Well, you never came back. Not once.

-I'm here now.

0:38:270:38:30

Yeah, now it's over!

0:38:300:38:31

Now you're not in power anymore. Now you've got time to...

0:38:310:38:34

I came to see you.

0:38:340:38:36

What?

0:38:400:38:41

I came to see you, Grace. Answer me this. One question.

0:38:410:38:46

That's all.

0:38:460:38:47

Are you pleased to see me?

0:38:480:38:50

I've got to get home.

0:38:530:38:55

MUFFLED CHAT

0:39:050:39:06

DOORBELL

0:39:100:39:12

They let Robin out. The trespassing Minister is free to trespass again.

0:39:150:39:20

It's a clever move.

0:39:200:39:23

The Left love a martyr and a man of God jailed for walking this

0:39:230:39:27

green and pleasant land is as good as martyrs get.

0:39:270:39:31

Are you drunk, Arnold?

0:39:310:39:33

Yes.

0:39:360:39:37

You should have more sense.

0:39:390:39:41

Men of God, they know what they want and they stick to it.

0:39:410:39:45

He's trespassing again tomorrow. The Allinghams have got a fight on with God.

0:39:450:39:49

HE LAUGHS

0:39:490:39:52

Why's it so funny? I thought you voted Conservative.

0:39:520:39:55

Oh, come on, Norma. Enough deference to the Big House.

0:39:550:39:59

Don't use big words with me, Arnold Hankin.

0:39:590:40:01

We're to be guests at their wedding.

0:40:010:40:04

And you think to sit there accepting their hospitality while all

0:40:040:40:07

the time you're supporting those that would trespass on their land?

0:40:070:40:10

Oh, you sound like the Lord's Prayer.

0:40:100:40:13

Like I said - enough deference.

0:40:130:40:16

What's the answer to my question?

0:40:160:40:18

And you're right. So I won't go...

0:40:210:40:24

to the wedding.

0:40:240:40:26

CHATTER AND LAUGHTER

0:41:060:41:09

-Are they keeping you awake?

-Oh!

0:41:200:41:23

Are you not joining in?

0:41:250:41:27

No, not really my thing.

0:41:300:41:31

CAR HORN

0:41:450:41:47

LAUGHTER AND SHOUTING

0:41:470:41:50

-Robert!

-Yes!

0:41:550:41:57

Oh! Look, darling, it...

0:42:030:42:05

Dear chap!

0:42:130:42:14

How are you?

0:42:140:42:16

Of course. Come in, come in, come in.

0:42:160:42:18

We're off.

0:42:440:42:46

-Where are you going?

-To show Allinghams that their fences won't keep us off the land.

0:42:470:42:51

-I want to show you something.

-Well, won't it wait?

0:42:510:42:54

You've seen sense?

0:43:280:43:29

It's very lovely.

0:43:320:43:33

You look beautiful.

0:43:350:43:36

What is it, Norma? Why are you so angry?

0:43:400:43:42

Don't you listen?

0:43:420:43:44

Yes, but what you're feeling goes beyond what you're saying.

0:43:440:43:47

I'm your husband. You can talk to me.

0:43:490:43:53

Not that tie. Wear the blue one.

0:43:590:44:01

Oh, lost your way, Robert?

0:44:580:45:01

Just wanted to wish the groom good luck.

0:45:010:45:04

Oh! Of course.

0:45:040:45:06

-Darling...

-Oh! Mother!

0:45:140:45:16

Do you enjoy embarrassing me, Edmund?

0:45:270:45:29

I'm not sure what you mean.

0:45:330:45:35

I've only ever wanted to secure your future.

0:45:360:45:39

The future of this family.

0:45:420:45:43

You have. I'm marrying Harriet.

0:45:450:45:48

You do still want it, don't you?

0:45:510:45:53

Yes, but you have to do it properly!

0:45:530:45:55

You, you and Harriet... You...

0:45:560:46:02

You have to BE married.

0:46:020:46:04

You mean you want grandchildren.

0:46:060:46:07

-Well...

-And homo sex won't give you one.

0:46:090:46:11

I don't believe you have to be an invert!

0:46:110:46:14

I... I think that...you can conquer it.

0:46:170:46:22

Harry's a cure(!) A good dose of wife, will sort out the queer in me(?)

0:46:250:46:30

This house, this family, this line.

0:46:300:46:38

You'll only know what it means when it's left to you to protect it.

0:46:390:46:43

And you'll only understand me... when I'm gone.

0:46:440:46:48

It's a good turnout.

0:47:040:47:06

Looks like there's more coming.

0:47:070:47:09

It's Bill Gibby.

0:47:110:47:13

FOOTSTEPS

0:47:170:47:22

Guests are arriving.

0:47:220:47:24

You never married, Mr Bairstow? Why is that?

0:47:280:47:32

Never had the need.

0:47:360:47:37

I'm not a queer. In case you were asking.

0:47:400:47:43

I married here myself, you know. An unseasonably cold day in June.

0:47:480:47:54

Even at 19, I knew it wasn't for love.

0:47:590:48:04

The future Home Secretary is about to get a wife.

0:48:080:48:11

And the sun is shining.

0:48:130:48:15

What's in the bag?

0:48:280:48:29

Clothes.

0:48:290:48:31

Why?

0:48:320:48:34

I'm going to carry on walking, Mother.

0:48:350:48:37

-What?

-I'm with you for this and then... I'm the other way down Chinley Road.

0:48:390:48:46

Why?

0:48:480:48:50

I'm leaving.

0:48:500:48:51

Bert...

0:48:530:48:55

Liverpool.

0:48:550:48:56

Ghana's going to be there next week and the way he speaks, Mother,

0:48:560:49:02

about his life...

0:49:020:49:04

-Bert, I...

-Grace.

0:49:070:49:09

Bert Middleton, the boxer. How are you, son?

0:49:110:49:13

I'm... I'm just say going to say hello to Mr Eyre.

0:49:130:49:17

-I thought you'd like some support.

-We appreciate it. Thank you.

0:49:190:49:24

-They're not going to be able to ignore us now, eh, Grace?

-Yeah.

0:49:240:49:27

Please be upstanding for the bride.

0:49:290:49:31

MUSIC: "Bridal Chorus" by Wagner

0:49:310:49:36

Please be seated.

0:50:000:50:01

Dearly beloved...

0:50:050:50:06

They're the thieves.

0:50:060:50:08

This is our land and we'll walk on it when we want to. What do you say?

0:50:080:50:12

ALL: Yes!

0:50:120:50:13

Bill, I don't usually go that way. Besides, it overlooks Allingham Hall.

0:50:130:50:17

What's the point of a protest if no-one sees it! Let's go!

0:50:170:50:22

-Mother...

-Let's not speak about it.

0:50:220:50:26

I want our last hours together to be good ones. Come on.

0:50:260:50:32

MUSIC: "Wedding March" by Mendelssohn

0:50:390:50:44

I will make him happy.

0:50:500:50:52

For better or for worse.

0:50:550:50:57

Get yourself up the Big House.

0:51:080:51:10

CHATTER AND LAUGHTER

0:51:200:51:24

White Russian.

0:51:400:51:41

Rescued from the Bolsheviks?

0:51:430:51:45

Hmm!

0:51:480:51:49

HE CHUCKLES

0:51:490:51:51

Excuse me.

0:51:590:52:00

Oh, for God's sake!

0:52:010:52:03

Was he laughing at me? Did I say something wrong?

0:52:050:52:08

Nothing.

0:52:080:52:09

Oh, come on, Norma.

0:52:090:52:11

People have been laughing at me for years.

0:52:130:52:15

No. They haven't.

0:52:150:52:18

And do you know why?

0:52:190:52:21

Because I want to be something more, something better.

0:52:220:52:26

I want this.

0:52:310:52:32

What is wrong with that?

0:52:320:52:35

Is that it? Is that all?

0:52:360:52:39

Then why have you been so angry with Gilbert and Agnes?

0:52:400:52:43

Because I am jealous. Because I want what they have.

0:52:470:52:50

I want a child. I want a baby, Arnold.

0:52:520:52:55

I know.

0:52:570:52:59

Stop them looking. Stop them laughing at me.

0:53:040:53:07

-Come on, George, you're a soldier, finish your milk.

-Go.

0:53:160:53:20

You can't come through here.

0:53:400:53:42

And what are you going to do? Arrest all of us?

0:53:440:53:47

How much are you paid for your work?

0:53:470:53:49

Is it enough for this? Where does your loyalty lie, man?

0:53:490:53:53

Your employer or your class? Come on!

0:53:530:53:56

From one small protest.

0:54:020:54:04

Grows a movement.

0:54:040:54:05

What are you doing?

0:54:120:54:14

Come on, George, you're not a pansy, are you?

0:54:140:54:18

What's wrong with you?

0:54:180:54:19

HE PANTS

0:54:220:54:25

Turn around.

0:54:270:54:29

No, we're going for a walk.

0:54:290:54:30

You've been told once. We won't go easy a second time.

0:54:300:54:34

It's a peaceful protest.

0:54:340:54:36

Take it elsewhere. You're not coming through here.

0:54:360:54:39

CLAMOUR

0:54:390:54:42

And you three intend to stop us?

0:54:420:54:44

We do.

0:54:440:54:45

You can't stop us.

0:54:470:54:49

And neither will that.

0:54:490:54:51

CLAMOUR

0:54:510:54:54

GUNSHOT

0:54:540:54:56

SILENCE

0:54:570:54:59

A FEW VOICES

0:55:040:55:08

Bill...

0:55:100:55:11

Now! Come on!

0:55:240:55:26

ROAR

0:55:260:55:30

GUNSHOTS

0:55:330:55:39

Listen to me! I suggest you all go home!

0:55:470:55:51

-Bert!

-Or my next shot will be more than a warning.

0:55:510:55:55

Bolsheviks!

0:55:580:55:59

GUNSHOT

0:56:020:56:04

HE PANTS

0:56:070:56:11

GUNSHOT

0:56:110:56:13

HE WHIMPERS AND SOBS

0:56:180:56:20

SHOUTING

0:56:290:56:31

Bert!

0:56:310:56:32

Grace!

0:56:520:56:54

John! John!

0:57:170:57:19

John!

0:57:200:57:21

John! John!

0:57:270:57:29

Go on. Keep going. Keep going. John! John!

0:57:330:57:38

John, John, can you hear me? John, it's Grace.

0:57:410:57:47

John, John.

0:57:470:57:49

Come on, John. John, listen to me. John.

0:57:490:57:53

John. Can you hear me, John?

0:57:550:57:56

John.

0:57:580:58:00

HE WHIMPERS AND SCREAMS

0:58:000:58:03

John, John. Come on. John.

0:58:050:58:09

John!

0:58:090:58:11

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