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OLD BERT: Do you know how many weddings I've been to? | 0:00:43 | 0:00:47 | |
You'll never guess. | 0:00:47 | 0:00:49 | |
142! | 0:00:49 | 0:00:51 | |
142 weddings, | 0:00:51 | 0:00:54 | |
so that's 284 lives coming together. But those two weddings, | 0:00:54 | 0:00:59 | |
a week apart in the spring of 1924, they were about much more | 0:00:59 | 0:01:04 | |
than lives coming together. | 0:01:04 | 0:01:06 | |
There you go. Very handsome. | 0:01:06 | 0:01:09 | |
Not handsome enough for anyone to marry you. | 0:01:09 | 0:01:12 | |
Not long, though, eh, Bert? | 0:01:12 | 0:01:13 | |
Can I go now? | 0:01:14 | 0:01:16 | |
Oh. | 0:01:16 | 0:01:17 | |
It's the bride that's supposed to be late, not the best man. | 0:01:17 | 0:01:21 | |
Only be a minute. There you go. | 0:01:21 | 0:01:23 | |
See you at chapel. | 0:01:23 | 0:01:24 | |
A chair, John. | 0:01:30 | 0:01:31 | |
Thank you. | 0:01:43 | 0:01:44 | |
Edmund will be the fifth Member of Parliament | 0:01:46 | 0:01:49 | |
to be married in this chapel. | 0:01:49 | 0:01:50 | |
OLD BERT: If love is reckless and unstoppable at the same time, | 0:01:54 | 0:01:57 | |
then perhaps we shouldn't be surprised | 0:01:57 | 0:01:59 | |
when the world's turned upside down by it. | 0:01:59 | 0:02:01 | |
But this, this blew all our socks off. | 0:02:02 | 0:02:05 | |
-Oi! You're trespassing. -I'm best man. No ring, no wedding. | 0:02:06 | 0:02:10 | |
Wedding's not till Saturday - and I bet YOU'RE not invited. | 0:02:10 | 0:02:14 | |
Don't come this way again! | 0:02:14 | 0:02:16 | |
-I said ten o'clock. -It's 10.05. Wedding's not for another hour. | 0:02:21 | 0:02:24 | |
55 minutes. | 0:02:24 | 0:02:26 | |
Perfect. | 0:02:30 | 0:02:31 | |
I want you to know, I'll never forget him. | 0:02:37 | 0:02:40 | |
He'd have wanted you to be happy. | 0:02:43 | 0:02:45 | |
And I will be. | 0:02:46 | 0:02:48 | |
So, I'm not going to be your mother-in-law. | 0:02:51 | 0:02:56 | |
I'm going to be your mother, instead. | 0:02:56 | 0:02:58 | |
Beautiful. | 0:03:02 | 0:03:03 | |
-It's for the Big House wedding. -And for Gilbert and Agnes'? | 0:03:08 | 0:03:11 | |
He's my son. He's getting married. | 0:03:20 | 0:03:23 | |
If you can't support them, I'm asking you to be quiet. | 0:03:23 | 0:03:27 | |
Leave that. We'll be late, John. | 0:03:31 | 0:03:33 | |
-You go. -What? | 0:03:34 | 0:03:36 | |
I promised Hankin I'd make that milk quota, no matter what. | 0:03:36 | 0:03:40 | |
Weddings, funerals, christenings - they all come second now. | 0:03:40 | 0:03:43 | |
Monday, I saw three women and children cross the road | 0:03:43 | 0:03:47 | |
to avoid Agnes and her pram. | 0:03:47 | 0:03:49 | |
They held their children close in to them, | 0:03:49 | 0:03:51 | |
so they didn't catch a sight of baby Sophie - the bastard. | 0:03:51 | 0:03:55 | |
This is more than just another wedding. | 0:03:57 | 0:03:59 | |
I'm not prepared to lose what we've made on this farm, Grace. | 0:04:03 | 0:04:06 | |
-Not for nothing. -And what about our grandson? | 0:04:06 | 0:04:08 | |
-What are you going to you say to him?! -Don't talk about that. | 0:04:08 | 0:04:11 | |
Cross the road, in case you catch something from the bastard?! | 0:04:11 | 0:04:14 | |
-You're too angry, Grace. -No, I'm not nearly angry enough! | 0:04:14 | 0:04:18 | |
Come on, Mary, get your coat. | 0:04:18 | 0:04:19 | |
CHURCH BELLS PEAL | 0:04:35 | 0:04:37 | |
-Is Gilbert all right? -Only two hours early. | 0:04:40 | 0:04:43 | |
I love this chapel. It's honest. | 0:04:44 | 0:04:47 | |
I'm so glad we married here. | 0:04:49 | 0:04:50 | |
Did you get married here? | 0:04:52 | 0:04:54 | |
21st of June. Hm, long time ago. | 0:04:54 | 0:04:59 | |
Did you get married here, Margaret? | 0:04:59 | 0:05:01 | |
I did, sweetheart. May 6, 1899. | 0:05:01 | 0:05:05 | |
-Last century? -I'm afraid it was! | 0:05:05 | 0:05:09 | |
I was baptised here, married here | 0:05:09 | 0:05:12 | |
and we'll be buried here, the lot of us. Dust to dust. | 0:05:12 | 0:05:15 | |
If there be any person here who knows of any lawful impediment | 0:05:18 | 0:05:22 | |
to this marriage, speak now or for ever hold your peace. | 0:05:22 | 0:05:26 | |
BABY CRIES | 0:05:28 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:33 | |
BABY'S CRYING INTENSIFIES | 0:05:33 | 0:05:36 | |
(I, Gilbert.) | 0:05:44 | 0:05:45 | |
I, Gilbert Arnold Hankin, | 0:05:45 | 0:05:47 | |
take you, Agnes Scrivener, to be my... | 0:05:47 | 0:05:53 | |
Agnes... | 0:06:02 | 0:06:03 | |
I...love you with all my heart. | 0:06:05 | 0:06:08 | |
Will you please be my wife? | 0:06:09 | 0:06:11 | |
I will. | 0:06:14 | 0:06:15 | |
I, Agnes Scrivener... | 0:06:19 | 0:06:21 | |
I, Agnes Scrivener... | 0:06:21 | 0:06:23 | |
..take you, Gilbert Arnold Hankin... | 0:06:23 | 0:06:26 | |
..take you, Gilbert Arnold Hankin... | 0:06:26 | 0:06:30 | |
..to be my wedded husband. | 0:06:30 | 0:06:32 | |
..to be my wedded husband. | 0:06:32 | 0:06:34 | |
To have and to hold, from this day forward... | 0:06:34 | 0:06:37 | |
To have and to hold, from this day forward... | 0:06:37 | 0:06:41 | |
..in plenty and in want... | 0:06:41 | 0:06:43 | |
..in plenty and in want... | 0:06:43 | 0:06:45 | |
..in joy and in sorrow... | 0:06:45 | 0:06:47 | |
..in joy and in sorrow... | 0:06:47 | 0:06:48 | |
..to love and to cherish... | 0:06:50 | 0:06:51 | |
..to love and to cherish... | 0:06:51 | 0:06:54 | |
..as long as we both shall live. | 0:06:54 | 0:06:56 | |
..as long as we both shall live. | 0:06:56 | 0:06:58 | |
It is my enormous pleasure to pronounce you husband and wife. | 0:07:00 | 0:07:06 | |
APPLAUSE | 0:07:06 | 0:07:10 | |
You MAY kiss the bride! | 0:07:12 | 0:07:13 | |
You next. | 0:07:22 | 0:07:23 | |
CHURCH BELLS PEAL | 0:07:40 | 0:07:43 | |
CHEERING | 0:07:54 | 0:07:57 | |
Margaret, could I... Could I hold her? | 0:08:06 | 0:08:08 | |
-Do you know how to hold her? -Aye! | 0:08:08 | 0:08:10 | |
Hey, come to Grandad, again. Hey, that's it. | 0:08:10 | 0:08:14 | |
You want to say hello to Grandma? | 0:08:14 | 0:08:16 | |
Look at them. They're happy. What else matters? | 0:08:16 | 0:08:19 | |
Ladies and gentlemen, what's the point of a wedding? | 0:08:21 | 0:08:26 | |
It's to make private feelings public. | 0:08:26 | 0:08:29 | |
It's an announcement of love that takes no heed what the world thinks. | 0:08:29 | 0:08:34 | |
I'm not very articulate with words. | 0:08:34 | 0:08:38 | |
I do my best, but they never seem enough or feel enough, somehow. | 0:08:38 | 0:08:41 | |
But I know how we can make it better - our public announcement. | 0:08:41 | 0:08:45 | |
With dancing! | 0:08:45 | 0:08:47 | |
CHEERING | 0:08:47 | 0:08:48 | |
To the dance hall! | 0:08:48 | 0:08:50 | |
CHEERING AND APPLAUSE | 0:09:01 | 0:09:04 | |
CROWD CLAP IN TIME WITH MUSIC | 0:09:14 | 0:09:17 | |
CHEERING AND APPLAUSE | 0:09:32 | 0:09:35 | |
LIVELY SWING MUSIC | 0:09:39 | 0:09:42 | |
Get it down you. | 0:09:45 | 0:09:46 | |
We could...go for a walk. | 0:09:59 | 0:10:00 | |
I've an article to finish for the morning. | 0:10:15 | 0:10:17 | |
Do you mind if I stay? | 0:10:18 | 0:10:20 | |
Not at all... Enjoy yourself. | 0:10:20 | 0:10:23 | |
Why are we walking so fast? | 0:10:46 | 0:10:48 | |
I'm sorry. | 0:10:48 | 0:10:49 | |
Sorry. | 0:10:52 | 0:10:53 | |
-Talking shop? -I'm afraid so. | 0:11:07 | 0:11:09 | |
The children of this village are very lucky to have you two. | 0:11:13 | 0:11:17 | |
-Um...I have some things that I have to do at school. -Now? | 0:11:20 | 0:11:26 | |
When I think of something that has to be done, I know I'll forget. | 0:11:28 | 0:11:33 | |
So, I have to do it now. | 0:11:33 | 0:11:35 | |
Such dedication. | 0:11:39 | 0:11:41 | |
What's wrong? | 0:12:06 | 0:12:08 | |
-I got this today. -Who's it from? | 0:12:09 | 0:12:12 | |
-Ghana Jones. -What does he say? | 0:12:12 | 0:12:14 | |
Just, his life outside the village, it's another world. | 0:12:14 | 0:12:19 | |
You can hear it in the way he writes. | 0:12:19 | 0:12:22 | |
It's full of hope and excitement and... | 0:12:22 | 0:12:25 | |
Are you leaving? | 0:12:29 | 0:12:31 | |
-I didn't... -Yes...you did. | 0:12:33 | 0:12:37 | |
You! | 0:12:40 | 0:12:42 | |
What are you doing? Speak up, lad. | 0:12:42 | 0:12:45 | |
What were you doing? | 0:12:45 | 0:12:47 | |
Dirty business, was it? Filthy dirty? | 0:12:51 | 0:12:54 | |
Talking. It's a conversation that matters. We're doing no harm. | 0:12:54 | 0:13:00 | |
Let your father be the judge of that. | 0:13:00 | 0:13:02 | |
CLICKING | 0:13:04 | 0:13:05 | |
Go on! | 0:13:05 | 0:13:06 | |
-It couldn't wait? -No. -What is it? | 0:13:22 | 0:13:25 | |
HE CLEARS THROAT | 0:13:25 | 0:13:27 | |
"Tomorrow and tomorrow and tomorrow. | 0:13:27 | 0:13:31 | |
"Out, out, brief candle." | 0:13:31 | 0:13:33 | |
Stay there. | 0:14:14 | 0:14:16 | |
Bert? | 0:14:19 | 0:14:20 | |
-What's going on? -These two belong to you, do they? | 0:14:23 | 0:14:26 | |
-He's my son. -Phoebe? | 0:14:26 | 0:14:27 | |
I found these two intertwining on Allingham land. | 0:14:27 | 0:14:31 | |
That's what he wanted it to be. Is that right? | 0:14:31 | 0:14:35 | |
-Were you hoping for something dirty? -Shut up. -We were talking. | 0:14:35 | 0:14:38 | |
Talking? Nobody goes there for talking. | 0:14:38 | 0:14:40 | |
No crime in that. | 0:14:43 | 0:14:44 | |
If it's on Allingham land, it is. | 0:14:44 | 0:14:46 | |
It's called trespass, isn't it, Vicar? | 0:14:46 | 0:14:50 | |
It's Minister, not Vicar. | 0:14:50 | 0:14:53 | |
Now you've said your piece, you can be on your way. | 0:14:54 | 0:14:57 | |
You heard him. | 0:14:57 | 0:14:58 | |
And don't come back an' all. | 0:15:08 | 0:15:09 | |
HAMMERING | 0:15:20 | 0:15:23 | |
So, the sign is at the old bridge? | 0:15:31 | 0:15:33 | |
What were you and Phoebe REALLY doing? | 0:15:35 | 0:15:37 | |
They were courting, Mary. | 0:15:37 | 0:15:39 | |
What does that mean? | 0:15:39 | 0:15:41 | |
The old bridge is... | 0:15:41 | 0:15:43 | |
Well, somewhere couples go... | 0:15:43 | 0:15:45 | |
Well, have always gone, to hold hands and... | 0:15:45 | 0:15:50 | |
hold conversations. | 0:15:50 | 0:15:52 | |
Did you and father do intertwining? | 0:15:52 | 0:15:54 | |
SHE LAUGHS | 0:15:54 | 0:15:55 | |
-Yes, we did. -Urrgh! | 0:15:55 | 0:15:57 | |
Go on! | 0:15:57 | 0:15:58 | |
Hello? | 0:16:10 | 0:16:11 | |
Mrs Hankin. | 0:16:25 | 0:16:26 | |
THEY GIGGLE | 0:16:26 | 0:16:29 | |
-It sounds silly. -It isn't silly, though. | 0:16:29 | 0:16:32 | |
No, it isn't. | 0:16:42 | 0:16:44 | |
-Is it your first? -No. | 0:16:49 | 0:16:51 | |
I love you. | 0:16:55 | 0:16:57 | |
You shouldn't have had the party. | 0:17:18 | 0:17:20 | |
-You wouldn't have had the wedding at all. -No. I wouldn't. | 0:17:23 | 0:17:26 | |
So, what do you see when you look at them - Gilbert, Agnes and Sophie? | 0:17:26 | 0:17:31 | |
A fool, a whore | 0:17:33 | 0:17:36 | |
and a bastard. | 0:17:36 | 0:17:37 | |
They're a family. | 0:17:42 | 0:17:44 | |
So, that's a family? | 0:17:46 | 0:17:48 | |
Then, what are we?! | 0:17:50 | 0:17:52 | |
I'm back. | 0:18:06 | 0:18:07 | |
THEY GIGGLE | 0:18:07 | 0:18:10 | |
After you, Lady Allingham. | 0:18:16 | 0:18:18 | |
How was Westminster? | 0:18:18 | 0:18:19 | |
Good to be back on the right side of the House again, where we belong. | 0:18:19 | 0:18:23 | |
Hmm, I've had a tremendous idea. | 0:18:23 | 0:18:25 | |
How about we make this moment, right now, the very last reference | 0:18:25 | 0:18:28 | |
to politics until after the wedding?! | 0:18:28 | 0:18:30 | |
-Drink? -Good idea. | 0:18:30 | 0:18:32 | |
Has it been ghastly? | 0:18:37 | 0:18:39 | |
On the contrary, I've been having rather a time of it. | 0:18:39 | 0:18:41 | |
Well, you know what she wants, don't you? | 0:18:42 | 0:18:45 | |
-She wants the past. -She wants a fiction. | 0:18:45 | 0:18:47 | |
I love fiction and I love friction. Plenty of both here. | 0:18:47 | 0:18:50 | |
Anyway, what about you? | 0:18:50 | 0:18:52 | |
Apart from the happy return of Conservative bottoms | 0:18:52 | 0:18:54 | |
-to where they rightfully belong? -I found some time to enjoy myself. | 0:18:54 | 0:18:59 | |
Robert well, then, is he? | 0:19:01 | 0:19:02 | |
You and Phoebe? | 0:19:10 | 0:19:11 | |
What? | 0:19:13 | 0:19:14 | |
Well... | 0:19:14 | 0:19:15 | |
Do you love her? | 0:19:17 | 0:19:19 | |
Don't embarrass him, Mother. | 0:19:19 | 0:19:20 | |
Remember the old bridge, John? | 0:19:22 | 0:19:24 | |
-Grace. -Don't embarrass him, Mother. | 0:19:27 | 0:19:30 | |
It isn't just about Bert and Phoebe, is it? | 0:19:30 | 0:19:33 | |
-Isn't it? -No. It's an attack on our history. | 0:19:33 | 0:19:36 | |
It's telling anyone who has stood on that bridge and held hands | 0:19:36 | 0:19:39 | |
with a future, that it's not theirs. Our history, chased off at gunpoint. | 0:19:39 | 0:19:45 | |
They were on their land. That's the end of it. | 0:19:45 | 0:19:49 | |
DOOR OPENS | 0:20:03 | 0:20:04 | |
Eh, look who I found on the doorstep? | 0:20:05 | 0:20:08 | |
We wanted to thank you for the party. | 0:20:08 | 0:20:12 | |
Aye, best day of our lives. | 0:20:12 | 0:20:13 | |
BABY CRIES | 0:20:13 | 0:20:17 | |
I'll have to feed her. | 0:20:17 | 0:20:19 | |
Right, we'll, er, leave you women to it. | 0:20:19 | 0:20:21 | |
CRYING CEASES | 0:20:37 | 0:20:40 | |
When will you tell her? | 0:20:40 | 0:20:41 | |
-What? -You know. | 0:20:43 | 0:20:45 | |
What? | 0:20:46 | 0:20:47 | |
Her history. | 0:20:48 | 0:20:49 | |
Arnold went to a lot of expense last night. | 0:20:54 | 0:20:57 | |
And there's a lot of tidying up to do! | 0:20:57 | 0:20:59 | |
How did the Shakespeare go? | 0:21:05 | 0:21:07 | |
Honestly? | 0:21:10 | 0:21:11 | |
The mistake us teachers make with children and Shakespeare | 0:21:12 | 0:21:15 | |
is Midsummer Night's Dream, because we think that | 0:21:15 | 0:21:18 | |
cos it's all full of magic they're all going to love it. | 0:21:18 | 0:21:20 | |
But they don't. They want Macbeth, | 0:21:20 | 0:21:23 | |
because it's bloody and it's short and there's more poetry | 0:21:23 | 0:21:27 | |
in him and her than in all of Bottom and Puck. | 0:21:27 | 0:21:30 | |
They loved it. | 0:21:30 | 0:21:32 | |
What are we going to do? | 0:21:37 | 0:21:39 | |
I don't know. | 0:21:40 | 0:21:41 | |
Thank you, Portis. | 0:21:48 | 0:21:50 | |
So...who's coming? | 0:21:52 | 0:21:54 | |
Oh... Erm, two Mauds. | 0:21:54 | 0:21:58 | |
Right. | 0:21:58 | 0:21:59 | |
One Edith and two Ernests. | 0:21:59 | 0:22:01 | |
-And what are they... -Like? | 0:22:03 | 0:22:05 | |
They are bold and fast. | 0:22:05 | 0:22:07 | |
Actually, one of the Ernests is, eh... | 0:22:07 | 0:22:12 | |
is eligible. | 0:22:12 | 0:22:14 | |
Do you remember what you said? | 0:22:20 | 0:22:22 | |
-She's still a child, in a way. -Yes, why is that? | 0:22:22 | 0:22:25 | |
She had some unhappiness. | 0:22:27 | 0:22:29 | |
And now she needs some fun. | 0:22:32 | 0:22:34 | |
Here he is - our vicar on a mission. | 0:23:02 | 0:23:05 | |
I've counted at least three more paths you intend to block off. | 0:23:05 | 0:23:08 | |
I don't understand your problem. The way the Allinghams see it, | 0:23:08 | 0:23:12 | |
you can cycle where you like. You're married in, aren't you? | 0:23:12 | 0:23:16 | |
You're one of them. | 0:23:16 | 0:23:17 | |
OTHER MEN LAUGH | 0:23:20 | 0:23:22 | |
Would an Allingham do that? | 0:23:42 | 0:23:43 | |
-Wouldn't you miss this? -Yeah. | 0:23:49 | 0:23:51 | |
But I don't want to look at it every day for the rest of my life. | 0:23:51 | 0:23:55 | |
These are good. | 0:23:57 | 0:23:58 | |
Thomas likes his without butter. And Louis won't touch egg. | 0:24:00 | 0:24:04 | |
I look after them, Bert. I'm the only mother they've known. | 0:24:06 | 0:24:09 | |
I used to think I couldn't leave, either. | 0:24:14 | 0:24:17 | |
Not after Joe. Not with the farm how it was. | 0:24:17 | 0:24:21 | |
But...my father's got Henry now and the farm... | 0:24:21 | 0:24:26 | |
..it works. | 0:24:29 | 0:24:30 | |
You can't stay here, can you? | 0:24:33 | 0:24:34 | |
Then...neither can I. | 0:24:36 | 0:24:38 | |
BABY CRIES | 0:24:58 | 0:25:01 | |
Agnes? | 0:25:07 | 0:25:09 | |
Hey. | 0:25:12 | 0:25:13 | |
My granddaughter will be needing a feed. Go on. | 0:25:16 | 0:25:19 | |
This one was only trying to clean up after her own wedding. | 0:25:28 | 0:25:31 | |
Was she now? | 0:25:31 | 0:25:33 | |
You've done so much for us. I just... I just wanted to do my bit. | 0:25:34 | 0:25:38 | |
Your bit in life will be making my son happy, | 0:25:40 | 0:25:42 | |
not skivvying at a dance hall. | 0:25:42 | 0:25:44 | |
You're no Cinderella. | 0:25:47 | 0:25:49 | |
You're not wrong there, Arnold. | 0:25:49 | 0:25:50 | |
APPROACHING FOOTSTEPS | 0:25:53 | 0:25:55 | |
Well, he's lucky he's got friends in high places. | 0:25:55 | 0:25:58 | |
Right, here he is. | 0:25:59 | 0:26:00 | |
Rest assured, Andrew will be dealt with. | 0:26:06 | 0:26:09 | |
He can be over-zealous at times, but he works hard. | 0:26:09 | 0:26:12 | |
We don't have to tell Martha. Nobody need know. | 0:26:14 | 0:26:17 | |
Is that what you think I want? | 0:26:18 | 0:26:21 | |
We all make mistakes. | 0:26:21 | 0:26:22 | |
It wasn't a mistake. | 0:26:23 | 0:26:25 | |
LIVELY VOCAL SWING MUSIC | 0:26:26 | 0:26:29 | |
What is that? | 0:26:36 | 0:26:38 | |
Coon Sanders Original Nighthawk Orchestra, Lady Allingham. | 0:26:38 | 0:26:42 | |
You'll be familiar with it by the end of the weekend, | 0:26:44 | 0:26:47 | |
-if Harriet's crowd have any say. -Well, whatever the music... | 0:26:47 | 0:26:51 | |
-..it's a good match. -No question of it. | 0:26:52 | 0:26:55 | |
Yes, come the next reshuffle, I'm sure Kilmartin will see to it | 0:26:56 | 0:26:59 | |
that his new son-in-law is in the right place. | 0:26:59 | 0:27:02 | |
Men can push against a mother's guidance now and again. | 0:27:09 | 0:27:13 | |
But he sees that you're right and when he's the new Home Secretary, | 0:27:14 | 0:27:18 | |
he'll see that even more clearly. | 0:27:18 | 0:27:20 | |
Your assistance in, er, helping him to see it, | 0:27:22 | 0:27:26 | |
hasn't gone unnoticed. | 0:27:26 | 0:27:28 | |
One big happy family. | 0:27:29 | 0:27:31 | |
He is happy, isn't he? | 0:27:34 | 0:27:36 | |
Oh, yes. | 0:27:39 | 0:27:40 | |
Ghana Jones. Where's he now? | 0:27:43 | 0:27:46 | |
Liverpool. They won't let him fight championship bouts, | 0:27:46 | 0:27:50 | |
-so he's doing something about it. -What do you mean? What can he do? | 0:27:50 | 0:27:53 | |
America. He's going to America. | 0:27:53 | 0:27:56 | |
When we're grey and old, this'll be us - | 0:27:56 | 0:28:01 | |
drinks in The Lamb and a good woman at home. | 0:28:01 | 0:28:04 | |
Speaking of which, any deeper "conversations" with Miss Rundle? | 0:28:06 | 0:28:10 | |
-No! -Right. | 0:28:10 | 0:28:11 | |
You're in good company. You and him. | 0:28:14 | 0:28:17 | |
Arrested, apparently. | 0:28:21 | 0:28:23 | |
I wonder who he was intertwining with? | 0:28:26 | 0:28:28 | |
TRIO STIFLE LAUGHTER | 0:28:28 | 0:28:31 | |
HE CLEARS THROAT TELLINGLY | 0:28:32 | 0:28:35 | |
HE CLEARS THROAT TELLINGLY AGAIN | 0:28:35 | 0:28:37 | |
-What? -A changed man, right enough. | 0:28:37 | 0:28:39 | |
Ah, you two are lovely and all that, just not as lovely | 0:28:39 | 0:28:43 | |
as my wife and daughter. | 0:28:43 | 0:28:45 | |
He's found it, hasn't he? | 0:28:49 | 0:28:50 | |
It's all he ever wanted. | 0:28:50 | 0:28:52 | |
And you? | 0:28:59 | 0:29:00 | |
Hmm? Oh, I'm fine. | 0:29:01 | 0:29:03 | |
Wedded to teaching. | 0:29:05 | 0:29:06 | |
I wish I was Ghana Jones. | 0:29:09 | 0:29:11 | |
Then go, Bert. | 0:29:15 | 0:29:17 | |
Stop talking about it and act. Leave the village | 0:29:17 | 0:29:23 | |
and go after whatever it is that you want. | 0:29:23 | 0:29:26 | |
Cos if you don't then... | 0:29:26 | 0:29:28 | |
Out. | 0:29:33 | 0:29:34 | |
He's a good man - Mr Eyre. | 0:29:44 | 0:29:47 | |
Yes, he is. | 0:29:47 | 0:29:49 | |
He knows his own mind. | 0:29:52 | 0:29:53 | |
Yes. | 0:29:55 | 0:29:56 | |
The kind of man you could take advice from. | 0:30:00 | 0:30:02 | |
Why are you telling me this? | 0:30:02 | 0:30:05 | |
And what are you not telling me? | 0:30:06 | 0:30:08 | |
Is everything all right... | 0:30:11 | 0:30:13 | |
between you and father? | 0:30:13 | 0:30:15 | |
Everything's fine. Is that what you've been worrying about? | 0:30:16 | 0:30:20 | |
The farm is good? | 0:30:20 | 0:30:22 | |
The farm is good. | 0:30:24 | 0:30:26 | |
I'm proud of you all. | 0:30:36 | 0:30:37 | |
And I know that I'll be proud of you all tomorrow. | 0:30:38 | 0:30:42 | |
The sunshine is coming back. | 0:30:45 | 0:30:46 | |
The life that was lived here when I was a child is here again. | 0:30:49 | 0:30:54 | |
You didn't ask. | 0:31:22 | 0:31:23 | |
What? | 0:31:23 | 0:31:25 | |
I looked at you and I looked at you and I waited. | 0:31:26 | 0:31:31 | |
The moment was there, Bert, and you, you didn't take it. | 0:31:32 | 0:31:35 | |
I can't come with you anyway. | 0:31:39 | 0:31:41 | |
And it's not just cos of the boys. | 0:31:41 | 0:31:44 | |
I don't want to leave. You can't be here. | 0:31:44 | 0:31:48 | |
I can hear it and see it in everything you do and say. | 0:31:48 | 0:31:53 | |
And I can't be anywhere else. | 0:31:53 | 0:31:54 | |
But I love you. | 0:32:00 | 0:32:01 | |
And you love me. | 0:32:05 | 0:32:06 | |
It's not enough. | 0:32:13 | 0:32:14 | |
Well, what a delight to have you back in our midst, Lord Kilmartin. | 0:32:26 | 0:32:31 | |
The pleasure is all mine, Lady Allingham. And if I may? | 0:32:31 | 0:32:33 | |
-Oh! -Mm. | 0:32:33 | 0:32:35 | |
Is your wife joining us? | 0:32:36 | 0:32:38 | |
Teaching, I'm afraid. | 0:32:38 | 0:32:40 | |
Martha has a job, Daddy. Impressive, isn't it? | 0:32:40 | 0:32:43 | |
The modern women. | 0:32:43 | 0:32:44 | |
Well, a toast. To Eddie and Harry, a modern pair. | 0:32:44 | 0:32:48 | |
SOME OTHERS: A modern pair. | 0:32:48 | 0:32:51 | |
And to the union of our two families. | 0:32:53 | 0:32:56 | |
ALL: Hear, hear! | 0:32:56 | 0:32:58 | |
CAR HORN OUTSIDE | 0:32:58 | 0:33:00 | |
Oh! They're here! | 0:33:00 | 0:33:03 | |
LAUGHTER OUTSIDE | 0:33:04 | 0:33:07 | |
Oh, do you mind if my friends join us for lunch? | 0:33:13 | 0:33:16 | |
Of course not. | 0:33:16 | 0:33:17 | |
Which one is Ernest? | 0:33:21 | 0:33:23 | |
CHILDREN SING | 0:33:39 | 0:33:42 | |
I'm taking your advice. | 0:34:02 | 0:34:04 | |
You're leaving? | 0:34:08 | 0:34:09 | |
I've not told my parents. Not yet. | 0:34:09 | 0:34:12 | |
Well you'll have to. | 0:34:12 | 0:34:14 | |
-Where are you...? -Liverpool. | 0:34:17 | 0:34:19 | |
Ghana. | 0:34:19 | 0:34:20 | |
-He's erm ... -America. | 0:34:22 | 0:34:23 | |
Er... Look, it's not much... | 0:34:27 | 0:34:30 | |
-Oh, no, no. -Take it. | 0:34:30 | 0:34:32 | |
For me. | 0:34:32 | 0:34:34 | |
-Have you told Phoebe? -She told me, really. | 0:34:47 | 0:34:50 | |
Are you all right? | 0:34:52 | 0:34:53 | |
I wanted to thank you. | 0:34:56 | 0:34:57 | |
Why? | 0:34:58 | 0:35:00 | |
You've given me the push I needed. | 0:35:00 | 0:35:02 | |
The right advice from a good man. | 0:35:02 | 0:35:05 | |
What was it that American President said? | 0:35:05 | 0:35:07 | |
Which one? | 0:35:07 | 0:35:09 | |
You told us about it. Ideas shared... | 0:35:09 | 0:35:11 | |
"He who receives an idea from me receives it without lessening me, | 0:35:13 | 0:35:19 | |
"as he who lights his candle at mine receives light without darkening me." | 0:35:19 | 0:35:25 | |
Thomas Jefferson. | 0:35:25 | 0:35:27 | |
GUNSHOTS | 0:35:40 | 0:35:42 | |
HE WHIMPERS | 0:35:44 | 0:35:47 | |
Pull! | 0:35:50 | 0:35:51 | |
-She's a crack shot. -Did you teach her to shoot? | 0:35:56 | 0:35:59 | |
Oh, yes. | 0:35:59 | 0:36:01 | |
Watch this. | 0:36:01 | 0:36:02 | |
Pull! | 0:36:02 | 0:36:03 | |
LAUGHTER | 0:36:08 | 0:36:10 | |
You bastards! All of you! | 0:36:11 | 0:36:14 | |
Good shot! | 0:36:16 | 0:36:18 | |
I'm sorry! | 0:36:19 | 0:36:21 | |
I'll get you a new one, of course. | 0:36:22 | 0:36:24 | |
HE LAUGHS | 0:36:24 | 0:36:26 | |
Well done, girl! Don't wait for the old man! | 0:36:26 | 0:36:30 | |
Margaret, you got your finery laid out for tomorrow? | 0:36:35 | 0:36:37 | |
Oh! Lady Allingham is terribly disappointed that I cannot attend(!) | 0:36:37 | 0:36:42 | |
But I'll tell you what I told her - "Lady Allingham," I said, | 0:36:42 | 0:36:46 | |
"it's wash day. | 0:36:46 | 0:36:48 | |
"Even if it were the wedding of the Prince of Wales his-self, | 0:36:48 | 0:36:51 | |
"my Henry's dirty smalls wait for no man." | 0:36:51 | 0:36:54 | |
LAUGHTER | 0:36:54 | 0:36:55 | |
I expect you'll be going though, eh? | 0:36:55 | 0:36:58 | |
Er, Peter, I'll get this. | 0:37:01 | 0:37:03 | |
A man jailed for his principles deserves a drink. | 0:37:03 | 0:37:07 | |
Man needs his lemonade. | 0:37:07 | 0:37:09 | |
The old bridge is just the start. | 0:37:12 | 0:37:14 | |
Look. | 0:37:17 | 0:37:18 | |
Bloody hell. | 0:37:18 | 0:37:19 | |
-Excuse me, I'm going to have a word. -I won't stop going. They can keep arresting me. | 0:37:19 | 0:37:23 | |
BARTENDER: Aye, and they'll keep letting you out and all. The revolving Reverend! | 0:37:23 | 0:37:27 | |
LAUGHTER | 0:37:27 | 0:37:28 | |
Let's see. | 0:37:28 | 0:37:31 | |
The Edge, Snake Pass, the top path to the Chinley Road, | 0:37:31 | 0:37:35 | |
all to be fenced and gated. | 0:37:35 | 0:37:37 | |
I drive my sheep over Snake Pass. | 0:37:37 | 0:37:39 | |
Not this winter. | 0:37:39 | 0:37:41 | |
Will you be walking that way again? | 0:37:41 | 0:37:43 | |
Tomorrow. | 0:37:43 | 0:37:44 | |
-Well, would you like someone to walk alongside you? -Aye. | 0:37:44 | 0:37:48 | |
Me an' all. | 0:37:48 | 0:37:50 | |
They can't arrest us all, can they? | 0:37:50 | 0:37:52 | |
Here, I thought you said tomorrow were wash day. | 0:37:52 | 0:37:55 | |
Well, it is. But this is important, isn't it? | 0:37:55 | 0:37:57 | |
I'd say it was. | 0:37:58 | 0:38:00 | |
Grace. Grace. | 0:38:03 | 0:38:05 | |
Why are you running away? | 0:38:06 | 0:38:08 | |
11 months! And not a word. | 0:38:08 | 0:38:11 | |
I was in Westminster, Grace. We were trying to stay in power with a minority government. | 0:38:11 | 0:38:16 | |
You made this village matter. | 0:38:16 | 0:38:18 | |
You said you felt at home here, that we were your people. | 0:38:18 | 0:38:23 | |
I was representing you - down there. | 0:38:23 | 0:38:25 | |
It's what I was doing day and night. | 0:38:25 | 0:38:27 | |
-Well, you never came back. Not once. -I'm here now. | 0:38:27 | 0:38:30 | |
Yeah, now it's over! | 0:38:30 | 0:38:31 | |
Now you're not in power anymore. Now you've got time to... | 0:38:31 | 0:38:34 | |
I came to see you. | 0:38:34 | 0:38:36 | |
What? | 0:38:40 | 0:38:41 | |
I came to see you, Grace. Answer me this. One question. | 0:38:41 | 0:38:46 | |
That's all. | 0:38:46 | 0:38:47 | |
Are you pleased to see me? | 0:38:48 | 0:38:50 | |
I've got to get home. | 0:38:53 | 0:38:55 | |
MUFFLED CHAT | 0:39:05 | 0:39:06 | |
DOORBELL | 0:39:10 | 0:39:12 | |
They let Robin out. The trespassing Minister is free to trespass again. | 0:39:15 | 0:39:20 | |
It's a clever move. | 0:39:20 | 0:39:23 | |
The Left love a martyr and a man of God jailed for walking this | 0:39:23 | 0:39:27 | |
green and pleasant land is as good as martyrs get. | 0:39:27 | 0:39:31 | |
Are you drunk, Arnold? | 0:39:31 | 0:39:33 | |
Yes. | 0:39:36 | 0:39:37 | |
You should have more sense. | 0:39:39 | 0:39:41 | |
Men of God, they know what they want and they stick to it. | 0:39:41 | 0:39:45 | |
He's trespassing again tomorrow. The Allinghams have got a fight on with God. | 0:39:45 | 0:39:49 | |
HE LAUGHS | 0:39:49 | 0:39:52 | |
Why's it so funny? I thought you voted Conservative. | 0:39:52 | 0:39:55 | |
Oh, come on, Norma. Enough deference to the Big House. | 0:39:55 | 0:39:59 | |
Don't use big words with me, Arnold Hankin. | 0:39:59 | 0:40:01 | |
We're to be guests at their wedding. | 0:40:01 | 0:40:04 | |
And you think to sit there accepting their hospitality while all | 0:40:04 | 0:40:07 | |
the time you're supporting those that would trespass on their land? | 0:40:07 | 0:40:10 | |
Oh, you sound like the Lord's Prayer. | 0:40:10 | 0:40:13 | |
Like I said - enough deference. | 0:40:13 | 0:40:16 | |
What's the answer to my question? | 0:40:16 | 0:40:18 | |
And you're right. So I won't go... | 0:40:21 | 0:40:24 | |
to the wedding. | 0:40:24 | 0:40:26 | |
CHATTER AND LAUGHTER | 0:41:06 | 0:41:09 | |
-Are they keeping you awake? -Oh! | 0:41:20 | 0:41:23 | |
Are you not joining in? | 0:41:25 | 0:41:27 | |
No, not really my thing. | 0:41:30 | 0:41:31 | |
CAR HORN | 0:41:45 | 0:41:47 | |
LAUGHTER AND SHOUTING | 0:41:47 | 0:41:50 | |
-Robert! -Yes! | 0:41:55 | 0:41:57 | |
Oh! Look, darling, it... | 0:42:03 | 0:42:05 | |
Dear chap! | 0:42:13 | 0:42:14 | |
How are you? | 0:42:14 | 0:42:16 | |
Of course. Come in, come in, come in. | 0:42:16 | 0:42:18 | |
We're off. | 0:42:44 | 0:42:46 | |
-Where are you going? -To show Allinghams that their fences won't keep us off the land. | 0:42:47 | 0:42:51 | |
-I want to show you something. -Well, won't it wait? | 0:42:51 | 0:42:54 | |
You've seen sense? | 0:43:28 | 0:43:29 | |
It's very lovely. | 0:43:32 | 0:43:33 | |
You look beautiful. | 0:43:35 | 0:43:36 | |
What is it, Norma? Why are you so angry? | 0:43:40 | 0:43:42 | |
Don't you listen? | 0:43:42 | 0:43:44 | |
Yes, but what you're feeling goes beyond what you're saying. | 0:43:44 | 0:43:47 | |
I'm your husband. You can talk to me. | 0:43:49 | 0:43:53 | |
Not that tie. Wear the blue one. | 0:43:59 | 0:44:01 | |
Oh, lost your way, Robert? | 0:44:58 | 0:45:01 | |
Just wanted to wish the groom good luck. | 0:45:01 | 0:45:04 | |
Oh! Of course. | 0:45:04 | 0:45:06 | |
-Darling... -Oh! Mother! | 0:45:14 | 0:45:16 | |
Do you enjoy embarrassing me, Edmund? | 0:45:27 | 0:45:29 | |
I'm not sure what you mean. | 0:45:33 | 0:45:35 | |
I've only ever wanted to secure your future. | 0:45:36 | 0:45:39 | |
The future of this family. | 0:45:42 | 0:45:43 | |
You have. I'm marrying Harriet. | 0:45:45 | 0:45:48 | |
You do still want it, don't you? | 0:45:51 | 0:45:53 | |
Yes, but you have to do it properly! | 0:45:53 | 0:45:55 | |
You, you and Harriet... You... | 0:45:56 | 0:46:02 | |
You have to BE married. | 0:46:02 | 0:46:04 | |
You mean you want grandchildren. | 0:46:06 | 0:46:07 | |
-Well... -And homo sex won't give you one. | 0:46:09 | 0:46:11 | |
I don't believe you have to be an invert! | 0:46:11 | 0:46:14 | |
I... I think that...you can conquer it. | 0:46:17 | 0:46:22 | |
Harry's a cure(!) A good dose of wife, will sort out the queer in me(?) | 0:46:25 | 0:46:30 | |
This house, this family, this line. | 0:46:30 | 0:46:38 | |
You'll only know what it means when it's left to you to protect it. | 0:46:39 | 0:46:43 | |
And you'll only understand me... when I'm gone. | 0:46:44 | 0:46:48 | |
It's a good turnout. | 0:47:04 | 0:47:06 | |
Looks like there's more coming. | 0:47:07 | 0:47:09 | |
It's Bill Gibby. | 0:47:11 | 0:47:13 | |
FOOTSTEPS | 0:47:17 | 0:47:22 | |
Guests are arriving. | 0:47:22 | 0:47:24 | |
You never married, Mr Bairstow? Why is that? | 0:47:28 | 0:47:32 | |
Never had the need. | 0:47:36 | 0:47:37 | |
I'm not a queer. In case you were asking. | 0:47:40 | 0:47:43 | |
I married here myself, you know. An unseasonably cold day in June. | 0:47:48 | 0:47:54 | |
Even at 19, I knew it wasn't for love. | 0:47:59 | 0:48:04 | |
The future Home Secretary is about to get a wife. | 0:48:08 | 0:48:11 | |
And the sun is shining. | 0:48:13 | 0:48:15 | |
What's in the bag? | 0:48:28 | 0:48:29 | |
Clothes. | 0:48:29 | 0:48:31 | |
Why? | 0:48:32 | 0:48:34 | |
I'm going to carry on walking, Mother. | 0:48:35 | 0:48:37 | |
-What? -I'm with you for this and then... I'm the other way down Chinley Road. | 0:48:39 | 0:48:46 | |
Why? | 0:48:48 | 0:48:50 | |
I'm leaving. | 0:48:50 | 0:48:51 | |
Bert... | 0:48:53 | 0:48:55 | |
Liverpool. | 0:48:55 | 0:48:56 | |
Ghana's going to be there next week and the way he speaks, Mother, | 0:48:56 | 0:49:02 | |
about his life... | 0:49:02 | 0:49:04 | |
-Bert, I... -Grace. | 0:49:07 | 0:49:09 | |
Bert Middleton, the boxer. How are you, son? | 0:49:11 | 0:49:13 | |
I'm... I'm just say going to say hello to Mr Eyre. | 0:49:13 | 0:49:17 | |
-I thought you'd like some support. -We appreciate it. Thank you. | 0:49:19 | 0:49:24 | |
-They're not going to be able to ignore us now, eh, Grace? -Yeah. | 0:49:24 | 0:49:27 | |
Please be upstanding for the bride. | 0:49:29 | 0:49:31 | |
MUSIC: "Bridal Chorus" by Wagner | 0:49:31 | 0:49:36 | |
Please be seated. | 0:50:00 | 0:50:01 | |
Dearly beloved... | 0:50:05 | 0:50:06 | |
They're the thieves. | 0:50:06 | 0:50:08 | |
This is our land and we'll walk on it when we want to. What do you say? | 0:50:08 | 0:50:12 | |
ALL: Yes! | 0:50:12 | 0:50:13 | |
Bill, I don't usually go that way. Besides, it overlooks Allingham Hall. | 0:50:13 | 0:50:17 | |
What's the point of a protest if no-one sees it! Let's go! | 0:50:17 | 0:50:22 | |
-Mother... -Let's not speak about it. | 0:50:22 | 0:50:26 | |
I want our last hours together to be good ones. Come on. | 0:50:26 | 0:50:32 | |
MUSIC: "Wedding March" by Mendelssohn | 0:50:39 | 0:50:44 | |
I will make him happy. | 0:50:50 | 0:50:52 | |
For better or for worse. | 0:50:55 | 0:50:57 | |
Get yourself up the Big House. | 0:51:08 | 0:51:10 | |
CHATTER AND LAUGHTER | 0:51:20 | 0:51:24 | |
White Russian. | 0:51:40 | 0:51:41 | |
Rescued from the Bolsheviks? | 0:51:43 | 0:51:45 | |
Hmm! | 0:51:48 | 0:51:49 | |
HE CHUCKLES | 0:51:49 | 0:51:51 | |
Excuse me. | 0:51:59 | 0:52:00 | |
Oh, for God's sake! | 0:52:01 | 0:52:03 | |
Was he laughing at me? Did I say something wrong? | 0:52:05 | 0:52:08 | |
Nothing. | 0:52:08 | 0:52:09 | |
Oh, come on, Norma. | 0:52:09 | 0:52:11 | |
People have been laughing at me for years. | 0:52:13 | 0:52:15 | |
No. They haven't. | 0:52:15 | 0:52:18 | |
And do you know why? | 0:52:19 | 0:52:21 | |
Because I want to be something more, something better. | 0:52:22 | 0:52:26 | |
I want this. | 0:52:31 | 0:52:32 | |
What is wrong with that? | 0:52:32 | 0:52:35 | |
Is that it? Is that all? | 0:52:36 | 0:52:39 | |
Then why have you been so angry with Gilbert and Agnes? | 0:52:40 | 0:52:43 | |
Because I am jealous. Because I want what they have. | 0:52:47 | 0:52:50 | |
I want a child. I want a baby, Arnold. | 0:52:52 | 0:52:55 | |
I know. | 0:52:57 | 0:52:59 | |
Stop them looking. Stop them laughing at me. | 0:53:04 | 0:53:07 | |
-Come on, George, you're a soldier, finish your milk. -Go. | 0:53:16 | 0:53:20 | |
You can't come through here. | 0:53:40 | 0:53:42 | |
And what are you going to do? Arrest all of us? | 0:53:44 | 0:53:47 | |
How much are you paid for your work? | 0:53:47 | 0:53:49 | |
Is it enough for this? Where does your loyalty lie, man? | 0:53:49 | 0:53:53 | |
Your employer or your class? Come on! | 0:53:53 | 0:53:56 | |
From one small protest. | 0:54:02 | 0:54:04 | |
Grows a movement. | 0:54:04 | 0:54:05 | |
What are you doing? | 0:54:12 | 0:54:14 | |
Come on, George, you're not a pansy, are you? | 0:54:14 | 0:54:18 | |
What's wrong with you? | 0:54:18 | 0:54:19 | |
HE PANTS | 0:54:22 | 0:54:25 | |
Turn around. | 0:54:27 | 0:54:29 | |
No, we're going for a walk. | 0:54:29 | 0:54:30 | |
You've been told once. We won't go easy a second time. | 0:54:30 | 0:54:34 | |
It's a peaceful protest. | 0:54:34 | 0:54:36 | |
Take it elsewhere. You're not coming through here. | 0:54:36 | 0:54:39 | |
CLAMOUR | 0:54:39 | 0:54:42 | |
And you three intend to stop us? | 0:54:42 | 0:54:44 | |
We do. | 0:54:44 | 0:54:45 | |
You can't stop us. | 0:54:47 | 0:54:49 | |
And neither will that. | 0:54:49 | 0:54:51 | |
CLAMOUR | 0:54:51 | 0:54:54 | |
GUNSHOT | 0:54:54 | 0:54:56 | |
SILENCE | 0:54:57 | 0:54:59 | |
A FEW VOICES | 0:55:04 | 0:55:08 | |
Bill... | 0:55:10 | 0:55:11 | |
Now! Come on! | 0:55:24 | 0:55:26 | |
ROAR | 0:55:26 | 0:55:30 | |
GUNSHOTS | 0:55:33 | 0:55:39 | |
Listen to me! I suggest you all go home! | 0:55:47 | 0:55:51 | |
-Bert! -Or my next shot will be more than a warning. | 0:55:51 | 0:55:55 | |
Bolsheviks! | 0:55:58 | 0:55:59 | |
GUNSHOT | 0:56:02 | 0:56:04 | |
HE PANTS | 0:56:07 | 0:56:11 | |
GUNSHOT | 0:56:11 | 0:56:13 | |
HE WHIMPERS AND SOBS | 0:56:18 | 0:56:20 | |
SHOUTING | 0:56:29 | 0:56:31 | |
Bert! | 0:56:31 | 0:56:32 | |
Grace! | 0:56:52 | 0:56:54 | |
John! John! | 0:57:17 | 0:57:19 | |
John! | 0:57:20 | 0:57:21 | |
John! John! | 0:57:27 | 0:57:29 | |
Go on. Keep going. Keep going. John! John! | 0:57:33 | 0:57:38 | |
John, John, can you hear me? John, it's Grace. | 0:57:41 | 0:57:47 | |
John, John. | 0:57:47 | 0:57:49 | |
Come on, John. John, listen to me. John. | 0:57:49 | 0:57:53 | |
John. Can you hear me, John? | 0:57:55 | 0:57:56 | |
John. | 0:57:58 | 0:58:00 | |
HE WHIMPERS AND SCREAMS | 0:58:00 | 0:58:03 | |
John, John. Come on. John. | 0:58:05 | 0:58:09 | |
John! | 0:58:09 | 0:58:11 |