Episode 1 The Witness for the Prosecution


Episode 1

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Transcript


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This programme contains some strong language

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This programme contains some scenes of a sexual nature

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SOLDIER PANTING

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HE COUGHS

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HE PANTS

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DISTANT EXPLOSIONS

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HIGH-PITCHED WHINING

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HE SNIFFS

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HE KISSES HER

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FOOTSTEPS RETREAT

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DOOR OPENS

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DOOR CLOSES

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DOOR LOCKS

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BLUES MUSIC

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WOMAN SINGS ON RECORDING

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HE SNORES

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BELL RINGS

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BELL RINGS

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SHE SIGHS

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CAT MEWS

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SHE TUTS Mimi!

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Saucer?

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Is he still down there?

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He is.

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And there's a lot of mess for me to clear up.

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Emily?

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Emily!

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Get rid of him for me.

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I'm going out tonight.

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Why can't you just be content?

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Come along then, Mr Freddy. Party's over. Come along.

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Out you go.

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BACKGROUND CHATTER

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Come on, beginners on stage.

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Don't dilly-dally.

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Tits and teeth. Tits and teeth.

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Come on, get a move on.

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Keep it down. Keep the chatter down.

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A girl's got to do what a girl's got to do.

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Hello, lovelies. Hello, girls.

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You're always my favourite. Give us a kiss, Romaine.

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Suit yourself.

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Oh, Dora, Dora, you know I adore ya.

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-And you, as well, sweetheart.

-Not too tight - careful.

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-They're ready for you now, Miss Moffat.

-All right.

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Quiet, please.

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Standing by.

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Put your brains on it, then. Look lively.

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WALTZ MUSIC PLAYS

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BACKGROUND CHATTER

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-Can I get you anything for

-you, madam? No.

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Goodnight, Mrs French.

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LOUD CLATTER, SMASHING

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Excuse me.

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Idiot!

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He's got my dress.

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-I gave you a chance cos I felt sorry for you.

-It wasn't my fault.

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Nobody here cares. Out.

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Clean that up!

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LAUGHTER

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DOOR UNLOCKS

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DOOR OPENS

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FOOTSTEPS

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Did you enjoy your evening, Madam?

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Come in, then.

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This is Mr Vole. He was kind enough to drive me home.

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-Is there plenty of ice?

-Yes, Madam.

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You'll have a drink, Mr Vole. Take his coat.

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DOOR CLOSES

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CHARLESTON MUSIC STARTS UP

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Probably best if you run along now.

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Mr Vole? Come and make friends with Mimi.

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Ooh!

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She likes you.

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So after that debacle with the plates and glasses,

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what will you do?

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I don't know. Try and find something else.

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You could work for me.

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As a chauffeur?

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I could do that.

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I was quite good with engines in the army.

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No.

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I drive my own car.

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I didn't really need you to drive me home.

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It was a ruse.

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A ruse?

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Could you hold my drink for me, please, Leonard?

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You're really rather beautiful, aren't you?

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-I don't think so.

-SPLASH

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Oh, be careful of the drinks.

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I don't want them spilling.

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When one is a woman of a certain age,

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one becomes subject to all manner of tedious lectures

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about what one should and shouldn't be.

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I'm supposed to no longer have any particular needs, wants,

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or appetites.

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My fires are supposed to be out.

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But they rage unchecked.

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Do you follow?

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I don't mean to be rude but I think you might be a little bit drunk.

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Or I am told to find a man my own age.

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Or older. Some bluff old colonel.

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Listening to his war stories,

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pretending to hang on his every word.

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And I don't like old men, Leonard!

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I like young men.

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I like their company.

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I like their skin.

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I like their muscles...

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their musk...

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..their gleam, their vigour,

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their heft....

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and their spring.

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I like to look.

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Would £5 be...

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..agreeable?

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SHE GASPS

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I don't know what I'm supposed to do.

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Just do what you would normally do...Leonard.

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-Goodnight.

-Goodnight.

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Let's get you home.

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Evening, Miss.

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FOOTSTEPS APPROACH

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THEY KISS

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Just give us a moment, sweetheart, would you?

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All I've got to do is click my fingers and you're out of here.

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So you keep your eyes off him, you hear?

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Stay...right...away.

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Pissy German bitch.

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I'm Austrian, Christine. Not German - Austrian.

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There's a difference.

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You don't get to call me Christine.

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You're just the chorus.

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I'm the principal.

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You call me Miss Moffat.

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-Who's she?

-No-one!

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Come and see me tomorrow.

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We'll have luncheon and go for a drive.

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She gets bored very quickly.

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I'll give you two weeks, tops, and then you'll be out on your ear.

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Your face!

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Your funny little face!

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What a crosspatch!

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MUSIC STARTS UP

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# Easy come, easy go

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# That's the way

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# If love must have its day

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# Then as it came, let it go... #

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MUSIC FADES, CREAKING

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# No, no remorse, no regrets

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# We should part exactly as we met

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# Just easy come, easy go... #

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MEN WHISPER

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COLLAR BELL JINGLES

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COLLAR BELL JINGLES

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Miss McIntyre?

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Miss McIntyre?

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We're, er, taking the body away now.

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You'll be...coming with us to make your statement.

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I already told you who did it.

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He was here, I saw him leave, it was him, I saw him.

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Why haven't you been and got him yet?

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He did it! He did it!

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He was here!

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I've told you his address! It was him, it was Leonard Vole!

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BANGING

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SHOUTING

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Murdering bastard!

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I'll see you tonight?

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I expect so.

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STREET HUBBUB

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BUZZING

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COUGHING

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THUNDER RUMBLES, RAIN FALLS

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Come on, then.

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HE COUGHS

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BANGING, SHOUTING

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You're that one, Sir.

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SHOUTING

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HE KNOCKS

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Good morning, Mr Nelish. My name is John Mayhew. I...

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SNORING Mr Nelish?

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DISTANT SHOUTING

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Good morning, Mr... HE VOMITS

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DISTANT SHOUTING

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Good morning, Mr Vole.

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My name is John Mayhew. I'm here to offer my services

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-as your legal representative.

-Yes! Yes, please.

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I don't understand, they're saying I did it and I didn't do it, I swear.

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-I swear I didn't do it.

-My initial fee will be ten shillings.

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I don't have money - I don't have any money, but, look, I have this.

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Please! She gave it to me.

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Take this.

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-Here. Can you use this?

-Out of the way. Stand back.

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Please!

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-Oh, course it's you, lurking about down here.

-Where are you taking him?

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Hearing.

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But I'm going to need time with my client to ascertain the facts.

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These are the facts. I've been up all night, the body's barely cold...

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Can I have a moment...

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..I've already got the commissioner and the press crawling up my arse.

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-Detective Breem, I just want a minute, please!

-This way.

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Detective Breem, leading the investigation.

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Double E in the spelling, yeah? Double E.

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I'm sick of you bastards getting it wrong.

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-Mr Breem, can you give us a bit more information?

-Double E.

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Why's the commissioner so interested?

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This isn't some tuppenny-ha'penny tart

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clubbed to death in the back of an alley.

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This is a rich lady. Society lady.

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-Thank you, sir.

-Now her brains are sprayed up the wall.

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Vole was seen leaving the house,

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the body discovered moments later, blood still steaming.

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Where have they taken her?

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She's in the morgue, waiting for the coroner.

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I need to be with her. She needs to be washed.

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-I can make her hair look nice.

-Nah. Nah.

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They'll do all that, you go in and sit down. She's in safe hands.

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No, I have to do it. I have to do it! She's my lady!

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I look after her! I take care of her, not strangers!

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Not strangers looking after her, looking at her and prodding her!

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She's mine!

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-Sit down, madam, calm down, madam.

-She needs me, she's mine!

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She's mine!

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Make her a cuppa tea, for God's sake! What's the matter with you?

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The maid. She found it all.

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-Right mess.

-I want to read her statement.

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There you are. Knock yourself out.

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Your boy is a no-mark chancer.

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He hasn't got a pot to piss in.

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He meets Mrs Emily French

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and, though the maid's not saying, I'm sure there's plenty of...

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She's buying him clothes, shoes, whatever he wants.

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Within three months, she's made her will, naming him for everything.

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That doesn't make him a murderer.

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Well, he'd burned a shirt in the grate.

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I mean, who burns a shirt unless they've got something to hide?

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Like blood.

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He opened her skull like a tin of peaches...

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and he'll dangle for it.

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GAVEL BANGS

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The prosecution will show that on the 28th of October, 1923,

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at approximately 9.30...

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Leonard Vole, of Goldhawk Road, London, did murder Mrs Emily French

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-at her home in Holland Park.

-(I was at home.)

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(I was at home at 9.30, I can prove it!)

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There are elements to this case which unequivocally indicate

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malicious calculation and premeditation and, as such,

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the Crown seeks a jury trial

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where we will argue for a capital sentence.

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My wife. Romaine. I was with her.

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I was with her! She can tell them and all this can be over.

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What was your relationship with Mrs French?

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Friendly. We're friends. I'm...

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I was her companion.

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-HE COUGHS Were there.. Intimacies?

-Intimacies?

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Intercourse, Mr Vole.

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No. No. Of course not!

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MAYHEW COUGHS

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Did you know that the will names you as her sole beneficiary?

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No, I had no idea.

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So you visited her house that night...

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Why are you asking me this?

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I've told you already that I was at home with Romaine by 9.30.

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Christ, she doesn't know about any of this!

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Look, will you tell her that I'm sorry?

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Tell her that I'm so, so sorry.

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Mr Vole, wives can speak neither for nor against their husbands in court.

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Wives are meaningless, useless.

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No, but we're not married - not properly.

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We call each other husband and wife, she uses my name,

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but we're not married.

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-MAYHEW COUGHS

-Please!

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Go and see her.

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Ask her, she'll tell you.

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And where will I find her?

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SHOUTING

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JAUNTY MUSIC PLAYS

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FOOTSTEPS

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Bernie. Don't you knock?

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Have you seen the evening edition?

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Isn't that, er, your chap?

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The management will be thrilled.

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Nothing like a scandal to pack the house.

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MUSIC PLAYS

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Evening Standard! Read all about it!

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-Good evening.

-Evening.

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Could you please ensure Miss Vole gets this card?

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-Tell her I'll meet her after the performance.

-Sure.

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-A ticket?

-Oh...

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Look, anyway, where have you been, Willy?

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-I've been fishing at the end of the pier.

-Ooh...

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-Yes... I caught crabs.

-Caught crabs - you daft thing!

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COUGHING

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Now listen here. Stop messing about.

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I love you. Oh, I do...

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-Give us a kiss.

-No.

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What will it take for you to kiss me?

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Chloroform!

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LAUGHTER

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-I'll give you a kiss...

-Will you?

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-Yes. Pucker up.

-Ahh!

-Cheeky!

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HORN HONKS

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APPLAUSE AND CHEERING

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WALTZ MUSIC STARTS

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# Let me call you sweetheart

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# I'm in love with you

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# Let me hear you whisper

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# That you love me, too

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# Keep the love light glowing

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# In your eyes so true

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# Let me call you sweetheart

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# I'm in love with you

0:24:350:24:41

# Let me call you sweetheart

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# I'm in love with you

0:24:480:24:53

# Let me hear you whisper

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# That you love me, too

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# Keep the love light glowing

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# In your eyes so true

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# Let me call you sweetheart

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# I'm in love with you. #

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DISTANT APPLAUSE

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CHATTER

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See you in the foyer.

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SOBBING

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HE SOBS

0:26:400:26:43

Mr Mayhew?

0:26:460:26:48

Mr Mayhew?

0:26:490:26:50

I'm Romaine Vole.

0:26:530:26:54

Oh... Of course.

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CHATTERING

0:26:590:27:02

Were she and Leonard lovers? I think it's best to be direct.

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Were they? The paper suggested they were.

0:27:090:27:11

Well, that's the newspapers.

0:27:110:27:13

He says not.

0:27:130:27:14

With your testimony that he was with you at 9.30...

0:27:180:27:22

He was with me.

0:27:220:27:24

At 9.30.

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I left at 10.30.

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I was staying near the theatre

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because we were rehearsing a new routine early in the morning.

0:27:320:27:35

I arrived at my digs about midnight.

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I didn't see anybody until the next morning - they'd all gone to bed.

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This time last night,

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I said to Leonard that I would see him in a couple of days and now...

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You the brief?

0:27:520:27:53

Dora, this is a private conversation.

0:27:560:27:58

Don't be like that.

0:27:580:28:01

Did he do it?

0:28:010:28:02

No.

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Must say, bad enough when your fancy man's knocking another girl

0:28:060:28:10

bandy-legged, but when it's some boiler twice your age...

0:28:100:28:13

Well, that's really got to sting.

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I wish Christine were here to see it.

0:28:190:28:22

How she'd laugh!

0:28:220:28:23

I'm popular.

0:28:330:28:35

-Who is Christine?

-Miss Moffat.

0:28:350:28:37

The girl who used to sit in the moon before me.

0:28:370:28:40

She didn't like me, either.

0:28:410:28:44

Leonard must be so frightened.

0:28:440:28:47

Miss Vole...

0:28:470:28:48

Miss Heilger - Perhaps you should call me Miss Heilger from now on.

0:28:480:28:52

Miss Heilger.

0:28:520:28:54

I will seek counsel,

0:28:540:28:57

but...

0:28:570:28:59

you must prepare yourself to hear some difficult things.

0:28:590:29:03

That they WERE lovers.

0:29:070:29:09

Well, er...

0:29:130:29:16

I'm very used to difficulty, Mr Mayhew.

0:29:160:29:20

As, I think, are you.

0:29:210:29:23

DOOR OPENS

0:29:370:29:39

I'm home.

0:29:390:29:40

MUFFLED SHOUTING

0:29:530:29:55

HE COUGHS

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HE COUGHS

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CLOCK TICKS

0:30:150:30:18

TICKING GROWS LOUDER

0:30:190:30:22

INAUDIBLE

0:30:220:30:24

LOUD TICKING

0:30:240:30:27

SHE GASPS

0:30:300:30:31

So if you could take us through what happened

0:30:430:30:45

on night of the murder from the beginning.

0:30:450:30:48

I'd gone to a meeting at my church.

0:30:480:30:50

We make up parcels for the needy - blankets, jumpers for kiddies.

0:30:500:30:54

And she knew by then.

0:30:540:30:56

She knew about him.

0:30:560:30:58

Everything I'd been telling her was right and now I had proof.

0:30:580:31:01

-'He's already married!'

-'You're lying! You're lying.'

0:31:010:31:05

I followed him! I asked their landlady!

0:31:050:31:07

Mr and Mrs Vole!

0:31:070:31:09

Are you saying you fought with your mistress about Leonard Vole?

0:31:090:31:12

No! Never!

0:31:120:31:14

I'd never raise my voice, let alone my hand to her. I know my place -

0:31:140:31:17

unlike some.

0:31:170:31:19

I stayed behind after the church meeting, packed up the boxes.

0:31:220:31:25

Alone?

0:31:250:31:26

The other ladies had family to get back to.

0:31:260:31:30

And I'd left Mrs French with her supper on a tray -

0:31:300:31:33

she wanted a quiet evening after all the upset.

0:31:330:31:36

So she was on her own.

0:31:370:31:40

With Mimi - the cat.

0:31:400:31:41

I locked the church up and walked home.

0:31:440:31:47

Madam?

0:32:010:32:02

SCREAMS: Madam!

0:32:060:32:08

Madam!

0:32:080:32:10

Madam...

0:32:100:32:12

MADAM!

0:32:120:32:14

STATIC FROM RECORD PLAYER

0:32:180:32:20

INAUDIBLE

0:32:220:32:25

And Vole knew that Mrs French had made her will in his favour.

0:32:290:32:34

You heard her tell him so.

0:32:340:32:36

And now she knew he was living with this other woman

0:32:360:32:40

as husband and wife.

0:32:400:32:41

She must have said to him that was it -

0:32:410:32:43

he'd been found out. No more money.

0:32:430:32:46

And then he did that to her.

0:32:460:32:48

Did he seduce Mrs French?

0:32:480:32:52

MOANING

0:32:560:32:59

GASPING, MOANING

0:33:020:33:06

GASPING, MOANING

0:33:140:33:20

He had a hold on her.

0:33:280:33:31

I knew from the first moment he walked in.

0:33:310:33:33

'Mr Vole's hat and coat, Janet.'

0:33:330:33:35

You shouldn't watch.

0:33:550:33:56

You don't have any say over me.

0:33:590:34:02

She'll get bored of you.

0:34:020:34:03

What if she gets bored of you first?

0:34:060:34:08

Think about that.

0:34:080:34:10

'A nasty piece of goods.'

0:34:130:34:15

A wrong 'un. Trailing his stink.

0:34:150:34:16

He got in between us.

0:34:180:34:20

DOOR SLAMS

0:34:200:34:21

Try not to be so vindictive.

0:34:210:34:24

You don't want the jury to think you have some...

0:34:240:34:26

vendetta against him. You need to be more impartial.

0:34:260:34:30

I want them to know exactly what he's like!

0:34:300:34:32

I want him to hang!

0:34:320:34:33

Then we must choose your words carefully.

0:34:330:34:37

Do you understand?

0:34:390:34:40

I'll say it the way you tell me to say it.

0:34:480:34:51

Anything to put that rope round his neck.

0:34:510:34:53

DOG BARKS

0:34:560:34:59

I'm sorry!

0:35:030:35:05

-I'm so sorry!

-That's enough of that.

0:35:070:35:10

DOOR SLAMS

0:35:100:35:11

DOG BARKS

0:35:260:35:27

Please, I...

0:35:270:35:30

I brought these cigarettes for him.

0:35:300:35:33

He'll be glad he's seen you.

0:35:360:35:39

Tell him...he's all I'm thinking about.

0:35:420:35:45

£5 for your company...

0:35:560:35:59

and she paid you other sums.

0:35:590:36:01

But it wasn't just your company, was it?

0:36:050:36:08

If you lie about this, the jury will wonder what else you're lying about.

0:36:110:36:16

I don't want Romaine to know.

0:36:200:36:22

She's guessed.

0:36:220:36:24

But...

0:36:240:36:26

she came to see you and bought these cigarettes.

0:36:260:36:30

It wasn't the same, you know.

0:36:380:36:41

With Emily.

0:36:410:36:42

It wasn't like...being unfaithful.

0:36:440:36:46

It wasn't love.

0:36:460:36:47

-And you couldn't say no?

-What would she have thought?

0:36:480:36:51

Oh, it would have been over, wouldn't it?

0:36:510:36:54

No more money. No more presents.

0:36:540:36:56

-You sound like the police.

-I sound like the prosecution.

0:36:560:36:59

Because that's what they're going to say.

0:36:590:37:01

That, er, you were doing very nicely out of it.

0:37:010:37:04

That's why you didn't tell Mrs French about Romaine,

0:37:040:37:07

because that would have been an end to it.

0:37:070:37:10

End of your peachy life as a kept man,

0:37:100:37:13

as a ponce, a leech.

0:37:130:37:15

She made me eat out of her hand - like a dog.

0:37:150:37:19

My peachy life?

0:37:190:37:22

It was work, is what it was.

0:37:220:37:24

So why did you keep going back?

0:37:240:37:26

Janet.

0:37:310:37:32

Miss McIntyre.

0:37:340:37:36

She kept telling me that Emily would get bored,

0:37:360:37:39

chuck me over,

0:37:390:37:40

and I kept waiting for that to happen - the easy way out.

0:37:400:37:45

No-one getting upset.

0:37:450:37:47

If Emily wasn't upset and we parted friends

0:37:470:37:50

then maybe she'd recommend me as a chauffeur

0:37:500:37:52

or working with cars or something.

0:37:520:37:54

But she never did chuck me over, so it just went on.

0:37:540:37:58

-Did you get on with Miss McIntyre?

-She couldn't stand me.

0:37:580:38:01

-Why?

-Because I'm common, Mr Mayhew.

0:38:010:38:04

Why did you burn the shirt?

0:38:090:38:11

It was ripped.

0:38:110:38:13

It couldn't be mended.

0:38:130:38:14

I put it in the fire - I didn't think twice about it.

0:38:140:38:17

What did you tell Romaine about the money -

0:38:170:38:20

where the money was coming from, the new clothes?

0:38:200:38:23

I told her I got a job selling electric carpet sweepers.

0:38:230:38:27

That I'd have to be away sometimes.

0:38:270:38:29

So you lied.

0:38:290:38:31

I hadn't really worked.

0:38:320:38:34

Not steady - I couldn't settle to anything.

0:38:340:38:37

Not since service. Not since it all being over and coming home.

0:38:370:38:41

Romaine was paying for everything,

0:38:420:38:44

so she was proud of me for doing so well with my job.

0:38:440:38:47

And I liked her being proud of me.

0:38:470:38:49

God, what have I done to her?

0:38:530:38:55

How am I going to make it up to her?

0:38:590:39:01

All I kept thinking was...

0:39:050:39:07

play this right and you'll get a job driving cars.

0:39:070:39:11

I learned engines in the Army. I'm good with them.

0:39:130:39:16

That's all I wanted.

0:39:180:39:19

My boy loved engines.

0:39:280:39:30

Mad about them.

0:39:320:39:33

Army taught him - like you.

0:39:350:39:38

He didn't come home.

0:39:430:39:45

Gone on the eve of his 17th birthday.

0:39:480:39:51

Gas.

0:39:510:39:53

HE WRITES

0:39:540:39:57

We thought we'd get more, didn't we?

0:40:000:40:02

Thought we'd all come home heroes.

0:40:050:40:07

Live in a house with roses round the door.

0:40:100:40:13

Three meals a day with extra gravy.

0:40:140:40:17

Any job you want.

0:40:210:40:22

Money falling out of your pockets.

0:40:230:40:25

End up getting priced like a side of meat...

0:40:280:40:31

..and going along with it to pay the rent.

0:40:340:40:37

I never hurt Emily.

0:40:470:40:49

And I swear I didn't know anything about the will.

0:40:510:40:54

I believe you, Leonard.

0:40:570:40:59

I believe you.

0:41:020:41:03

HE COUGHS

0:41:070:41:09

MAYHEW CONTINUES COUGHING

0:41:130:41:16

COUGHING

0:41:490:41:52

Young Mr Vole must be hung like a Clydesdale stallion.

0:41:580:42:02

Never fails to amaze me how the ladies can utterly

0:42:040:42:08

lose their damn minds if a man is even semi-adroit

0:42:080:42:12

in the fucking department.

0:42:120:42:15

MAYHEW COUGHING

0:42:150:42:17

The maid loathes him. Jealous, probably.

0:42:170:42:20

Well there's something about Janet McIntyre. Something not right.

0:42:200:42:24

She's very possessive about Mrs French.

0:42:240:42:27

"My lady," she kept saying.

0:42:270:42:30

"She's mine."

0:42:300:42:31

That's how servants speak. "My lady", "My gentleman."

0:42:310:42:35

I never knew a valet or a lady's maid who wasn't rabidly possessive.

0:42:350:42:40

But it could undermine her testimony.

0:42:400:42:42

I'm never too keen on wrong-footing servants.

0:42:420:42:45

-It makes us look like bullies.

-MAYHEW COUGHING

0:42:450:42:47

And if this wasn't already pretty bloody hopeless,

0:42:470:42:52

the sole witness for the defence is an actress from Vienna.

0:42:520:42:56

Romaine Heilger is not what you'd expect.

0:42:580:43:01

When the court hears "actress", they'll think "whore".

0:43:010:43:04

When they hear "Vienna"...

0:43:060:43:08

Well, we all know what they'll think then.

0:43:080:43:10

Miss Heilger will make an impressive witness.

0:43:110:43:14

She's restrained.

0:43:140:43:15

Composed. Dignified.

0:43:150:43:17

Well, there's a first.

0:43:170:43:20

And this revue she's in...

0:43:200:43:23

What is it - all sauce and thighs and squealing?

0:43:230:43:28

It's quite old-fashioned, actually.

0:43:280:43:30

Songs. Dances.

0:43:300:43:32

Amusing sketches.

0:43:320:43:34

Would you let your wife see it?

0:43:340:43:36

Yes.

0:43:370:43:38

HE SCOFFS, MAYHEW COUGHS

0:43:380:43:40

Isn't there something you can take for that? It's rather annoying.

0:43:400:43:44

MAYHEW COUGHS

0:43:440:43:46

I do apologise, Sir Charles.

0:43:460:43:48

Gas damage - there's...

0:43:480:43:49

nothing to be done about it.

0:43:490:43:51

I see.

0:43:510:43:52

Well, never mind.

0:43:520:43:53

This isn't for me, Mayhew.

0:43:550:43:56

MAYHEW COUGHS

0:43:560:43:58

Mrs French's estate includes a cash balance of £185,000,

0:44:020:44:08

a townhouse in Holland Park,

0:44:080:44:10

furs, jewellery, art, antiques,

0:44:100:44:14

a Hispano-Suiza motorcar,

0:44:140:44:17

and stocks and shares in, amongst other things, sewing machines,

0:44:170:44:20

telephones and mining.

0:44:200:44:22

WOMAN SINGS, BAND PLAYS

0:44:240:44:28

INDISTINCT CONVERSATIONS

0:44:330:44:37

Bernie! Oh, put it away!

0:44:500:44:53

'SLOW MUSIC PLAYS'

0:45:560:46:00

# Let me call you sweetheart

0:46:060:46:10

# I'm in love with you

0:46:100:46:15

# Let me hear you whisper

0:46:150:46:19

# That you love me, too

0:46:190:46:26

# Keep the love light glowing

0:46:260:46:31

# In your eyes so true

0:46:310:46:39

# Let me call you sweetheart

0:46:400:46:45

# I'm in love with

0:46:450:46:52

# You. #

0:46:530:46:58

APPLAUSE

0:47:010:47:05

Hm.

0:47:350:47:36

FOOTSTEPS RETREAT

0:47:440:47:48

Do you like it?

0:47:550:47:56

People in the street are talking about you - about your case.

0:47:580:48:03

In the shop, when I go in.

0:48:050:48:06

They're all pointing bits out to me

0:48:060:48:09

where your name's been written.

0:48:090:48:11

They all want to know if he did it.

0:48:140:48:16

Tell them no.

0:48:180:48:20

I will.

0:48:210:48:22

Pretty as a picture.

0:48:270:48:29

HE KISSES, SHE MOANS

0:48:410:48:43

People will hear - the neighbours!

0:48:460:48:49

HE GRUNTS

0:48:490:48:52

HE COUGHS

0:48:570:49:01

HE CONTINUES COUGHING

0:49:010:49:04

Sorry...

0:49:060:49:07

I'm so...

0:49:070:49:09

-I'm sorry.

-It doesn't matter.

0:49:090:49:12

HE COUGHS

0:49:130:49:16

Doesn't matter.

0:49:160:49:18

Court is in session.

0:49:360:49:38

Justice Greville Parris presiding. All rise.

0:49:380:49:41

Bring him up.

0:49:560:49:58

Leonard Vole, you are charged with the murder of Mrs Emily French.

0:50:210:50:25

How do you plead?

0:50:250:50:28

-SOFTLY:

-Not guilty.

0:50:280:50:29

Speak up!

0:50:290:50:30

-LOUDER:

-Not guilty.

0:50:350:50:36

I will hear opening statements.

0:50:370:50:40

Sir Hugo Meredith for the Crown.

0:50:400:50:42

To look at him, standing there,

0:50:460:50:48

you'd think there was nothing to Leonard Vole, wouldn't you?

0:50:480:50:52

Nothing to him at all.

0:50:520:50:54

But Leonard Vole's a dissembler.

0:50:540:50:57

A fraud. A thief. A liar.

0:50:570:51:00

He lied to Mrs Emily French -

0:51:000:51:03

a rich, indulgent, generous widow.

0:51:030:51:06

A lonely woman,

0:51:060:51:08

susceptible to his hollow charms.

0:51:080:51:12

She was so besotted with him,

0:51:120:51:14

she changed her will in his favour

0:51:140:51:17

and told him.

0:51:170:51:20

And when it all came crashing down,

0:51:200:51:23

when Mrs French discovered the despicable truth, he killed her!

0:51:230:51:28

He beat her to death!

0:51:280:51:31

A defenceless woman in her own home.

0:51:310:51:34

And then, he went home and he went to bed.

0:51:340:51:38

When he was arrested, he was sleeping like a baby.

0:51:380:51:42

This depraved abomination is a cold-blooded killer

0:51:440:51:48

and only the harshest penalty will suffice.

0:51:480:51:51

Sir Charles Carter KC for the defence.

0:51:550:51:57

Gentlemen of the jury, Leonard Vole is guilty.

0:52:000:52:05

He is guilty of lying.

0:52:050:52:07

He is guilty of leading a double life.

0:52:080:52:11

He is guilty of enjoying presents and gifts.

0:52:110:52:14

He is guilty of lacking good judgment.

0:52:140:52:17

But he is not guilty of murder.

0:52:170:52:20

Leonard Vole did not kill Emily French. He can't have done -

0:52:210:52:25

he wasn't there.

0:52:250:52:26

And despite my learned friend's thrilling rhetorical bombast,

0:52:260:52:31

it overlooks the basic law of physics -

0:52:310:52:35

a man cannot be in two places at the same time.

0:52:350:52:38

It's impossible.

0:52:380:52:40

Leonard Vole was a foolish young man.

0:52:400:52:44

He is most emphatically not a murderer.

0:52:440:52:48

And you will find him innocent of the charge.

0:52:480:52:52

I will hear witnesses for the Crown at ten o'clock tomorrow morning.

0:52:520:52:57

Court adjourned.

0:52:570:52:59

All rise.

0:52:590:53:00

'You only have a few minutes.'

0:53:030:53:05

I just want to see him.

0:53:050:53:07

Well, we have to make sure nothing's said that leads the witness.

0:53:100:53:13

MAYHEW COUGHS

0:53:130:53:15

DOOR IS UNLOCKED

0:53:180:53:20

Romaine, I...

0:53:310:53:33

I don't know what to say.

0:53:350:53:36

I don't know what to say to make this better.

0:53:390:53:41

I've done...

0:53:440:53:45

Leonard...

0:53:520:53:53

Hang.

0:54:010:54:02

Romaine!

0:54:070:54:09

-Romaine!

-The prosecution's witness now. You stay back.

0:54:090:54:13

You stay right back.

0:54:130:54:14

-Romaine!

-Wait! Please wait.

0:54:140:54:17

He wasn't there when he said he was. He came in later.

0:54:170:54:19

Much later. And guess what?

0:54:190:54:22

He was covered in blood.

0:54:220:54:23

LEONARD SHOUTS

0:54:230:54:26

Hey, Mayhew. Your boy?

0:54:260:54:29

HE IMITATES CHOKING

0:54:300:54:32

Why are you doing this?! Please!

0:54:320:54:35

You shouldn't be here.

0:54:580:55:00

Why?

0:55:030:55:04

Because justice has to be served.

0:55:040:55:06

You told me he was with you at 9.30.

0:55:060:55:09

No - you said that, John.

0:55:090:55:11

I just said he was with me, and he was.

0:55:110:55:14

But not until much later.

0:55:150:55:17

You're lying.

0:55:170:55:19

-This is revenge.

-I have to go to work.

0:55:200:55:23

SHE GASPS

0:55:230:55:24

You're hurting me, Mr Mayhew.

0:55:280:55:30

You're sending him to the gallows...

0:55:320:55:34

..and he loves you.

0:55:350:55:38

Oh...

0:55:400:55:41

You are a romantic.

0:55:460:55:47

Of course you are.

0:55:500:55:53

Weeping over a sentimental song.

0:55:530:55:55

Crying and crying as though your heart would break.

0:55:550:55:58

No, it's so much worse than that.

0:56:000:56:02

You are crying and crying as if your broken heart...

0:56:020:56:06

could heal.

0:56:060:56:07

As though...

0:56:120:56:14

there's hope.

0:56:140:56:15

As if there really is such a thing as love.

0:56:170:56:19

You have the look of a guilty man, John.

0:56:340:56:37

And it makes you so very easy to hurt.

0:56:380:56:41

Go home.

0:56:460:56:48

Scandal of the decade!

0:56:490:56:51

Showgirl turns the tables on her murdering lover!

0:56:520:56:55

VENDORS SHOUT

0:56:580:57:01

RUSTLING PAPERS

0:57:120:57:14

HE COUGHS

0:57:200:57:22

HE COUGHS

0:57:310:57:33

HE COUGHS, CHOKES

0:57:380:57:40

HE BREATHES HEAVILY

0:57:440:57:46

HE COUGHS

0:58:120:58:15

HE COUGHS

0:58:220:58:25

SOFT MUSIC PLAYS

0:58:430:58:45

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