
Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:05 | |
This programme contains some scenes of a sexual nature | 0:00:05 | 0:00:10 | |
SOLDIER PANTING | 0:00:10 | 0:00:12 | |
HE COUGHS | 0:00:34 | 0:00:36 | |
HE PANTS | 0:00:42 | 0:00:45 | |
DISTANT EXPLOSIONS | 0:00:45 | 0:00:47 | |
HIGH-PITCHED WHINING | 0:00:50 | 0:00:52 | |
HE SNIFFS | 0:01:36 | 0:01:38 | |
HE KISSES HER | 0:02:10 | 0:02:12 | |
FOOTSTEPS RETREAT | 0:02:16 | 0:02:18 | |
DOOR OPENS | 0:02:20 | 0:02:23 | |
DOOR CLOSES | 0:02:23 | 0:02:25 | |
DOOR LOCKS | 0:02:25 | 0:02:26 | |
BLUES MUSIC | 0:02:33 | 0:02:36 | |
WOMAN SINGS ON RECORDING | 0:02:40 | 0:02:43 | |
HE SNORES | 0:02:43 | 0:02:45 | |
BELL RINGS | 0:02:48 | 0:02:50 | |
BELL RINGS | 0:02:55 | 0:02:57 | |
SHE SIGHS | 0:03:00 | 0:03:02 | |
CAT MEWS | 0:03:04 | 0:03:06 | |
SHE TUTS Mimi! | 0:03:06 | 0:03:07 | |
Saucer? | 0:03:15 | 0:03:18 | |
Is he still down there? | 0:03:18 | 0:03:20 | |
He is. | 0:03:20 | 0:03:22 | |
And there's a lot of mess for me to clear up. | 0:03:22 | 0:03:24 | |
Emily? | 0:03:29 | 0:03:30 | |
Emily! | 0:03:31 | 0:03:32 | |
Get rid of him for me. | 0:03:32 | 0:03:34 | |
I'm going out tonight. | 0:03:41 | 0:03:42 | |
Why can't you just be content? | 0:03:42 | 0:03:44 | |
Come along then, Mr Freddy. Party's over. Come along. | 0:03:49 | 0:03:52 | |
Out you go. | 0:03:52 | 0:03:54 | |
BACKGROUND CHATTER | 0:03:54 | 0:03:56 | |
Come on, beginners on stage. | 0:03:56 | 0:03:57 | |
Don't dilly-dally. | 0:03:57 | 0:03:59 | |
Tits and teeth. Tits and teeth. | 0:03:59 | 0:04:02 | |
Come on, get a move on. | 0:04:02 | 0:04:04 | |
Keep it down. Keep the chatter down. | 0:04:12 | 0:04:14 | |
A girl's got to do what a girl's got to do. | 0:04:14 | 0:04:17 | |
Hello, lovelies. Hello, girls. | 0:04:20 | 0:04:24 | |
You're always my favourite. Give us a kiss, Romaine. | 0:04:24 | 0:04:27 | |
Suit yourself. | 0:04:27 | 0:04:28 | |
Oh, Dora, Dora, you know I adore ya. | 0:04:28 | 0:04:30 | |
-And you, as well, sweetheart. -Not too tight - careful. | 0:04:30 | 0:04:33 | |
-They're ready for you now, Miss Moffat. -All right. | 0:04:38 | 0:04:41 | |
Quiet, please. | 0:04:45 | 0:04:47 | |
Standing by. | 0:04:52 | 0:04:53 | |
Put your brains on it, then. Look lively. | 0:05:10 | 0:05:12 | |
WALTZ MUSIC PLAYS | 0:05:16 | 0:05:18 | |
BACKGROUND CHATTER | 0:05:25 | 0:05:28 | |
-Can I get you anything for -you, madam? No. | 0:05:47 | 0:05:49 | |
Goodnight, Mrs French. | 0:06:03 | 0:06:05 | |
LOUD CLATTER, SMASHING | 0:06:20 | 0:06:22 | |
Excuse me. | 0:06:23 | 0:06:25 | |
Idiot! | 0:06:25 | 0:06:27 | |
He's got my dress. | 0:06:27 | 0:06:29 | |
-I gave you a chance cos I felt sorry for you. -It wasn't my fault. | 0:06:29 | 0:06:32 | |
Nobody here cares. Out. | 0:06:32 | 0:06:34 | |
Clean that up! | 0:06:34 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
DOOR UNLOCKS | 0:06:43 | 0:06:45 | |
DOOR OPENS | 0:06:48 | 0:06:50 | |
FOOTSTEPS | 0:06:50 | 0:06:51 | |
Did you enjoy your evening, Madam? | 0:06:51 | 0:06:53 | |
Come in, then. | 0:06:53 | 0:06:55 | |
This is Mr Vole. He was kind enough to drive me home. | 0:06:55 | 0:06:58 | |
-Is there plenty of ice? -Yes, Madam. | 0:06:58 | 0:07:00 | |
You'll have a drink, Mr Vole. Take his coat. | 0:07:00 | 0:07:03 | |
DOOR CLOSES | 0:07:03 | 0:07:04 | |
CHARLESTON MUSIC STARTS UP | 0:07:12 | 0:07:14 | |
Probably best if you run along now. | 0:07:20 | 0:07:22 | |
Mr Vole? Come and make friends with Mimi. | 0:07:23 | 0:07:27 | |
Ooh! | 0:07:40 | 0:07:42 | |
She likes you. | 0:07:42 | 0:07:43 | |
So after that debacle with the plates and glasses, | 0:07:45 | 0:07:49 | |
what will you do? | 0:07:49 | 0:07:51 | |
I don't know. Try and find something else. | 0:07:52 | 0:07:56 | |
You could work for me. | 0:07:56 | 0:07:58 | |
As a chauffeur? | 0:07:58 | 0:07:59 | |
I could do that. | 0:07:59 | 0:08:00 | |
I was quite good with engines in the army. | 0:08:00 | 0:08:03 | |
No. | 0:08:03 | 0:08:04 | |
I drive my own car. | 0:08:04 | 0:08:06 | |
I didn't really need you to drive me home. | 0:08:09 | 0:08:15 | |
It was a ruse. | 0:08:15 | 0:08:16 | |
A ruse? | 0:08:17 | 0:08:20 | |
Could you hold my drink for me, please, Leonard? | 0:08:20 | 0:08:23 | |
You're really rather beautiful, aren't you? | 0:08:27 | 0:08:29 | |
-I don't think so. -SPLASH | 0:08:31 | 0:08:32 | |
Oh, be careful of the drinks. | 0:08:32 | 0:08:35 | |
I don't want them spilling. | 0:08:35 | 0:08:38 | |
When one is a woman of a certain age, | 0:08:38 | 0:08:41 | |
one becomes subject to all manner of tedious lectures | 0:08:41 | 0:08:45 | |
about what one should and shouldn't be. | 0:08:45 | 0:08:48 | |
I'm supposed to no longer have any particular needs, wants, | 0:08:48 | 0:08:52 | |
or appetites. | 0:08:52 | 0:08:54 | |
My fires are supposed to be out. | 0:08:54 | 0:08:57 | |
But they rage unchecked. | 0:08:57 | 0:08:59 | |
Do you follow? | 0:09:01 | 0:09:02 | |
I don't mean to be rude but I think you might be a little bit drunk. | 0:09:02 | 0:09:05 | |
Or I am told to find a man my own age. | 0:09:05 | 0:09:08 | |
Or older. Some bluff old colonel. | 0:09:08 | 0:09:11 | |
Listening to his war stories, | 0:09:11 | 0:09:14 | |
pretending to hang on his every word. | 0:09:14 | 0:09:16 | |
And I don't like old men, Leonard! | 0:09:16 | 0:09:19 | |
I like young men. | 0:09:21 | 0:09:23 | |
I like their company. | 0:09:25 | 0:09:26 | |
I like their skin. | 0:09:28 | 0:09:30 | |
I like their muscles... | 0:09:32 | 0:09:35 | |
their musk... | 0:09:35 | 0:09:36 | |
..their gleam, their vigour, | 0:09:37 | 0:09:40 | |
their heft.... | 0:09:40 | 0:09:41 | |
and their spring. | 0:09:41 | 0:09:44 | |
I like to look. | 0:09:49 | 0:09:50 | |
Would £5 be... | 0:10:01 | 0:10:03 | |
..agreeable? | 0:10:05 | 0:10:06 | |
SHE GASPS | 0:10:24 | 0:10:26 | |
I don't know what I'm supposed to do. | 0:10:48 | 0:10:50 | |
Just do what you would normally do...Leonard. | 0:10:50 | 0:10:54 | |
-Goodnight. -Goodnight. | 0:11:11 | 0:11:13 | |
Let's get you home. | 0:11:16 | 0:11:18 | |
Evening, Miss. | 0:11:21 | 0:11:22 | |
FOOTSTEPS APPROACH | 0:11:25 | 0:11:27 | |
THEY KISS | 0:11:32 | 0:11:34 | |
Just give us a moment, sweetheart, would you? | 0:11:34 | 0:11:36 | |
All I've got to do is click my fingers and you're out of here. | 0:11:43 | 0:11:46 | |
So you keep your eyes off him, you hear? | 0:11:46 | 0:11:49 | |
Stay...right...away. | 0:11:49 | 0:11:52 | |
Pissy German bitch. | 0:11:56 | 0:11:58 | |
I'm Austrian, Christine. Not German - Austrian. | 0:11:58 | 0:12:01 | |
There's a difference. | 0:12:02 | 0:12:03 | |
You don't get to call me Christine. | 0:12:03 | 0:12:06 | |
You're just the chorus. | 0:12:06 | 0:12:07 | |
I'm the principal. | 0:12:07 | 0:12:09 | |
You call me Miss Moffat. | 0:12:09 | 0:12:11 | |
-Who's she? -No-one! | 0:12:17 | 0:12:19 | |
Come and see me tomorrow. | 0:12:24 | 0:12:26 | |
We'll have luncheon and go for a drive. | 0:12:26 | 0:12:29 | |
She gets bored very quickly. | 0:12:40 | 0:12:42 | |
I'll give you two weeks, tops, and then you'll be out on your ear. | 0:12:42 | 0:12:45 | |
Your face! | 0:12:49 | 0:12:50 | |
Your funny little face! | 0:12:51 | 0:12:53 | |
What a crosspatch! | 0:12:53 | 0:12:55 | |
MUSIC STARTS UP | 0:13:01 | 0:13:03 | |
# Easy come, easy go | 0:13:12 | 0:13:17 | |
# That's the way | 0:13:17 | 0:13:19 | |
# If love must have its day | 0:13:19 | 0:13:22 | |
# Then as it came, let it go... # | 0:13:22 | 0:13:29 | |
MUSIC FADES, CREAKING | 0:13:31 | 0:13:34 | |
# No, no remorse, no regrets | 0:13:34 | 0:13:37 | |
# We should part exactly as we met | 0:13:37 | 0:13:41 | |
# Just easy come, easy go... # | 0:13:41 | 0:13:48 | |
MEN WHISPER | 0:14:02 | 0:14:04 | |
COLLAR BELL JINGLES | 0:14:08 | 0:14:09 | |
COLLAR BELL JINGLES | 0:14:23 | 0:14:26 | |
Miss McIntyre? | 0:15:15 | 0:15:16 | |
Miss McIntyre? | 0:15:17 | 0:15:19 | |
We're, er, taking the body away now. | 0:15:22 | 0:15:24 | |
You'll be...coming with us to make your statement. | 0:15:24 | 0:15:27 | |
I already told you who did it. | 0:15:28 | 0:15:30 | |
He was here, I saw him leave, it was him, I saw him. | 0:15:30 | 0:15:33 | |
Why haven't you been and got him yet? | 0:15:33 | 0:15:35 | |
He did it! He did it! | 0:15:35 | 0:15:37 | |
He was here! | 0:15:37 | 0:15:38 | |
I've told you his address! It was him, it was Leonard Vole! | 0:15:38 | 0:15:42 | |
BANGING | 0:15:46 | 0:15:48 | |
SHOUTING | 0:15:48 | 0:15:50 | |
Murdering bastard! | 0:15:51 | 0:15:53 | |
I'll see you tonight? | 0:16:16 | 0:16:18 | |
I expect so. | 0:16:19 | 0:16:20 | |
STREET HUBBUB | 0:16:30 | 0:16:32 | |
BUZZING | 0:16:37 | 0:16:39 | |
COUGHING | 0:16:44 | 0:16:46 | |
THUNDER RUMBLES, RAIN FALLS | 0:16:50 | 0:16:53 | |
Come on, then. | 0:17:02 | 0:17:03 | |
HE COUGHS | 0:17:03 | 0:17:05 | |
BANGING, SHOUTING | 0:17:10 | 0:17:12 | |
You're that one, Sir. | 0:17:12 | 0:17:13 | |
SHOUTING | 0:17:13 | 0:17:16 | |
HE KNOCKS | 0:17:21 | 0:17:22 | |
Good morning, Mr Nelish. My name is John Mayhew. I... | 0:17:24 | 0:17:27 | |
SNORING Mr Nelish? | 0:17:30 | 0:17:33 | |
DISTANT SHOUTING | 0:17:33 | 0:17:34 | |
Good morning, Mr... HE VOMITS | 0:17:38 | 0:17:41 | |
DISTANT SHOUTING | 0:17:41 | 0:17:43 | |
Good morning, Mr Vole. | 0:17:45 | 0:17:47 | |
My name is John Mayhew. I'm here to offer my services | 0:17:47 | 0:17:50 | |
-as your legal representative. -Yes! Yes, please. | 0:17:50 | 0:17:52 | |
I don't understand, they're saying I did it and I didn't do it, I swear. | 0:17:52 | 0:17:55 | |
-I swear I didn't do it. -My initial fee will be ten shillings. | 0:17:55 | 0:17:58 | |
I don't have money - I don't have any money, but, look, I have this. | 0:17:58 | 0:18:01 | |
Please! She gave it to me. | 0:18:01 | 0:18:03 | |
Take this. | 0:18:03 | 0:18:05 | |
-Here. Can you use this? -Out of the way. Stand back. | 0:18:05 | 0:18:07 | |
Please! | 0:18:07 | 0:18:09 | |
-Oh, course it's you, lurking about down here. -Where are you taking him? | 0:18:09 | 0:18:12 | |
Hearing. | 0:18:12 | 0:18:14 | |
But I'm going to need time with my client to ascertain the facts. | 0:18:14 | 0:18:17 | |
These are the facts. I've been up all night, the body's barely cold... | 0:18:17 | 0:18:20 | |
Can I have a moment... | 0:18:20 | 0:18:21 | |
..I've already got the commissioner and the press crawling up my arse. | 0:18:21 | 0:18:24 | |
-Detective Breem, I just want a minute, please! -This way. | 0:18:24 | 0:18:28 | |
Detective Breem, leading the investigation. | 0:18:28 | 0:18:30 | |
Double E in the spelling, yeah? Double E. | 0:18:30 | 0:18:32 | |
I'm sick of you bastards getting it wrong. | 0:18:32 | 0:18:34 | |
-Mr Breem, can you give us a bit more information? -Double E. | 0:18:34 | 0:18:36 | |
Why's the commissioner so interested? | 0:18:36 | 0:18:38 | |
This isn't some tuppenny-ha'penny tart | 0:18:38 | 0:18:40 | |
clubbed to death in the back of an alley. | 0:18:40 | 0:18:42 | |
This is a rich lady. Society lady. | 0:18:42 | 0:18:45 | |
-Thank you, sir. -Now her brains are sprayed up the wall. | 0:18:45 | 0:18:49 | |
Vole was seen leaving the house, | 0:18:49 | 0:18:51 | |
the body discovered moments later, blood still steaming. | 0:18:51 | 0:18:54 | |
Where have they taken her? | 0:18:54 | 0:18:56 | |
She's in the morgue, waiting for the coroner. | 0:18:56 | 0:18:59 | |
I need to be with her. She needs to be washed. | 0:18:59 | 0:19:02 | |
-I can make her hair look nice. -Nah. Nah. | 0:19:02 | 0:19:04 | |
They'll do all that, you go in and sit down. She's in safe hands. | 0:19:04 | 0:19:07 | |
No, I have to do it. I have to do it! She's my lady! | 0:19:07 | 0:19:11 | |
I look after her! I take care of her, not strangers! | 0:19:11 | 0:19:16 | |
Not strangers looking after her, looking at her and prodding her! | 0:19:16 | 0:19:21 | |
She's mine! | 0:19:21 | 0:19:22 | |
-Sit down, madam, calm down, madam. -She needs me, she's mine! | 0:19:22 | 0:19:25 | |
She's mine! | 0:19:25 | 0:19:26 | |
Make her a cuppa tea, for God's sake! What's the matter with you? | 0:19:26 | 0:19:29 | |
The maid. She found it all. | 0:19:29 | 0:19:32 | |
-Right mess. -I want to read her statement. | 0:19:32 | 0:19:36 | |
There you are. Knock yourself out. | 0:19:36 | 0:19:37 | |
Your boy is a no-mark chancer. | 0:19:39 | 0:19:42 | |
He hasn't got a pot to piss in. | 0:19:42 | 0:19:45 | |
He meets Mrs Emily French | 0:19:45 | 0:19:46 | |
and, though the maid's not saying, I'm sure there's plenty of... | 0:19:46 | 0:19:50 | |
She's buying him clothes, shoes, whatever he wants. | 0:19:50 | 0:19:53 | |
Within three months, she's made her will, naming him for everything. | 0:19:54 | 0:19:58 | |
That doesn't make him a murderer. | 0:19:59 | 0:20:01 | |
Well, he'd burned a shirt in the grate. | 0:20:01 | 0:20:04 | |
I mean, who burns a shirt unless they've got something to hide? | 0:20:04 | 0:20:08 | |
Like blood. | 0:20:08 | 0:20:09 | |
He opened her skull like a tin of peaches... | 0:20:10 | 0:20:14 | |
and he'll dangle for it. | 0:20:14 | 0:20:16 | |
GAVEL BANGS | 0:20:24 | 0:20:25 | |
The prosecution will show that on the 28th of October, 1923, | 0:20:25 | 0:20:30 | |
at approximately 9.30... | 0:20:30 | 0:20:32 | |
Leonard Vole, of Goldhawk Road, London, did murder Mrs Emily French | 0:20:32 | 0:20:36 | |
-at her home in Holland Park. -(I was at home.) | 0:20:36 | 0:20:38 | |
(I was at home at 9.30, I can prove it!) | 0:20:38 | 0:20:41 | |
There are elements to this case which unequivocally indicate | 0:20:41 | 0:20:44 | |
malicious calculation and premeditation and, as such, | 0:20:44 | 0:20:48 | |
the Crown seeks a jury trial | 0:20:48 | 0:20:51 | |
where we will argue for a capital sentence. | 0:20:51 | 0:20:54 | |
My wife. Romaine. I was with her. | 0:20:55 | 0:20:58 | |
I was with her! She can tell them and all this can be over. | 0:21:00 | 0:21:05 | |
What was your relationship with Mrs French? | 0:21:05 | 0:21:08 | |
Friendly. We're friends. I'm... | 0:21:08 | 0:21:10 | |
I was her companion. | 0:21:10 | 0:21:12 | |
-HE COUGHS Were there.. Intimacies? -Intimacies? | 0:21:12 | 0:21:15 | |
Intercourse, Mr Vole. | 0:21:16 | 0:21:18 | |
No. No. Of course not! | 0:21:18 | 0:21:20 | |
MAYHEW COUGHS | 0:21:20 | 0:21:22 | |
Did you know that the will names you as her sole beneficiary? | 0:21:22 | 0:21:26 | |
No, I had no idea. | 0:21:28 | 0:21:29 | |
So you visited her house that night... | 0:21:31 | 0:21:34 | |
Why are you asking me this? | 0:21:34 | 0:21:36 | |
I've told you already that I was at home with Romaine by 9.30. | 0:21:36 | 0:21:39 | |
Christ, she doesn't know about any of this! | 0:21:39 | 0:21:42 | |
Look, will you tell her that I'm sorry? | 0:21:42 | 0:21:44 | |
Tell her that I'm so, so sorry. | 0:21:44 | 0:21:46 | |
Mr Vole, wives can speak neither for nor against their husbands in court. | 0:21:46 | 0:21:51 | |
Wives are meaningless, useless. | 0:21:51 | 0:21:54 | |
No, but we're not married - not properly. | 0:21:54 | 0:21:57 | |
We call each other husband and wife, she uses my name, | 0:21:57 | 0:21:59 | |
but we're not married. | 0:21:59 | 0:22:01 | |
-MAYHEW COUGHS -Please! | 0:22:01 | 0:22:03 | |
Go and see her. | 0:22:08 | 0:22:10 | |
Ask her, she'll tell you. | 0:22:10 | 0:22:12 | |
And where will I find her? | 0:22:14 | 0:22:16 | |
SHOUTING | 0:22:16 | 0:22:18 | |
JAUNTY MUSIC PLAYS | 0:22:20 | 0:22:22 | |
FOOTSTEPS | 0:22:29 | 0:22:31 | |
Bernie. Don't you knock? | 0:22:32 | 0:22:34 | |
Have you seen the evening edition? | 0:22:34 | 0:22:36 | |
Isn't that, er, your chap? | 0:22:38 | 0:22:40 | |
The management will be thrilled. | 0:22:43 | 0:22:46 | |
Nothing like a scandal to pack the house. | 0:22:46 | 0:22:48 | |
MUSIC PLAYS | 0:22:51 | 0:22:53 | |
Evening Standard! Read all about it! | 0:22:59 | 0:23:02 | |
-Good evening. -Evening. | 0:23:11 | 0:23:13 | |
Could you please ensure Miss Vole gets this card? | 0:23:13 | 0:23:16 | |
-Tell her I'll meet her after the performance. -Sure. | 0:23:16 | 0:23:19 | |
-A ticket? -Oh... | 0:23:21 | 0:23:22 | |
Look, anyway, where have you been, Willy? | 0:23:22 | 0:23:24 | |
-I've been fishing at the end of the pier. -Ooh... | 0:23:24 | 0:23:26 | |
-Yes... I caught crabs. -Caught crabs - you daft thing! | 0:23:26 | 0:23:30 | |
COUGHING | 0:23:30 | 0:23:32 | |
Now listen here. Stop messing about. | 0:23:34 | 0:23:36 | |
I love you. Oh, I do... | 0:23:36 | 0:23:38 | |
-Give us a kiss. -No. | 0:23:38 | 0:23:41 | |
What will it take for you to kiss me? | 0:23:41 | 0:23:43 | |
Chloroform! | 0:23:43 | 0:23:44 | |
LAUGHTER | 0:23:44 | 0:23:46 | |
-I'll give you a kiss... -Will you? | 0:23:46 | 0:23:47 | |
-Yes. Pucker up. -Ahh! -Cheeky! | 0:23:47 | 0:23:50 | |
HORN HONKS | 0:23:50 | 0:23:52 | |
APPLAUSE AND CHEERING | 0:23:52 | 0:23:54 | |
WALTZ MUSIC STARTS | 0:23:54 | 0:23:59 | |
# Let me call you sweetheart | 0:24:03 | 0:24:07 | |
# I'm in love with you | 0:24:07 | 0:24:12 | |
# Let me hear you whisper | 0:24:12 | 0:24:16 | |
# That you love me, too | 0:24:16 | 0:24:22 | |
# Keep the love light glowing | 0:24:22 | 0:24:26 | |
# In your eyes so true | 0:24:26 | 0:24:32 | |
# Let me call you sweetheart | 0:24:32 | 0:24:35 | |
# I'm in love with you | 0:24:35 | 0:24:41 | |
# Let me call you sweetheart | 0:24:44 | 0:24:48 | |
# I'm in love with you | 0:24:48 | 0:24:53 | |
# Let me hear you whisper | 0:24:53 | 0:24:57 | |
# That you love me, too | 0:24:57 | 0:25:04 | |
# Keep the love light glowing | 0:25:04 | 0:25:09 | |
# In your eyes so true | 0:25:09 | 0:25:16 | |
# Let me call you sweetheart | 0:25:16 | 0:25:22 | |
# I'm in love with you. # | 0:25:22 | 0:25:34 | |
DISTANT APPLAUSE | 0:25:46 | 0:25:49 | |
CHATTER | 0:25:57 | 0:26:00 | |
See you in the foyer. | 0:26:03 | 0:26:04 | |
SOBBING | 0:26:21 | 0:26:23 | |
HE SOBS | 0:26:40 | 0:26:43 | |
Mr Mayhew? | 0:26:46 | 0:26:48 | |
Mr Mayhew? | 0:26:49 | 0:26:50 | |
I'm Romaine Vole. | 0:26:53 | 0:26:54 | |
Oh... Of course. | 0:26:56 | 0:26:59 | |
CHATTERING | 0:26:59 | 0:27:02 | |
Were she and Leonard lovers? I think it's best to be direct. | 0:27:02 | 0:27:06 | |
Were they? The paper suggested they were. | 0:27:09 | 0:27:11 | |
Well, that's the newspapers. | 0:27:11 | 0:27:13 | |
He says not. | 0:27:13 | 0:27:14 | |
With your testimony that he was with you at 9.30... | 0:27:18 | 0:27:22 | |
He was with me. | 0:27:22 | 0:27:24 | |
At 9.30. | 0:27:24 | 0:27:25 | |
I left at 10.30. | 0:27:26 | 0:27:29 | |
I was staying near the theatre | 0:27:29 | 0:27:32 | |
because we were rehearsing a new routine early in the morning. | 0:27:32 | 0:27:35 | |
I arrived at my digs about midnight. | 0:27:35 | 0:27:39 | |
I didn't see anybody until the next morning - they'd all gone to bed. | 0:27:39 | 0:27:43 | |
This time last night, | 0:27:47 | 0:27:49 | |
I said to Leonard that I would see him in a couple of days and now... | 0:27:49 | 0:27:52 | |
You the brief? | 0:27:52 | 0:27:53 | |
Dora, this is a private conversation. | 0:27:56 | 0:27:58 | |
Don't be like that. | 0:27:58 | 0:28:01 | |
Did he do it? | 0:28:01 | 0:28:02 | |
No. | 0:28:03 | 0:28:05 | |
Must say, bad enough when your fancy man's knocking another girl | 0:28:06 | 0:28:10 | |
bandy-legged, but when it's some boiler twice your age... | 0:28:10 | 0:28:13 | |
Well, that's really got to sting. | 0:28:14 | 0:28:17 | |
I wish Christine were here to see it. | 0:28:19 | 0:28:22 | |
How she'd laugh! | 0:28:22 | 0:28:23 | |
I'm popular. | 0:28:33 | 0:28:35 | |
-Who is Christine? -Miss Moffat. | 0:28:35 | 0:28:37 | |
The girl who used to sit in the moon before me. | 0:28:37 | 0:28:40 | |
She didn't like me, either. | 0:28:41 | 0:28:44 | |
Leonard must be so frightened. | 0:28:44 | 0:28:47 | |
Miss Vole... | 0:28:47 | 0:28:48 | |
Miss Heilger - Perhaps you should call me Miss Heilger from now on. | 0:28:48 | 0:28:52 | |
Miss Heilger. | 0:28:52 | 0:28:54 | |
I will seek counsel, | 0:28:54 | 0:28:57 | |
but... | 0:28:57 | 0:28:59 | |
you must prepare yourself to hear some difficult things. | 0:28:59 | 0:29:03 | |
That they WERE lovers. | 0:29:07 | 0:29:09 | |
Well, er... | 0:29:13 | 0:29:16 | |
I'm very used to difficulty, Mr Mayhew. | 0:29:16 | 0:29:20 | |
As, I think, are you. | 0:29:21 | 0:29:23 | |
DOOR OPENS | 0:29:37 | 0:29:39 | |
I'm home. | 0:29:39 | 0:29:40 | |
MUFFLED SHOUTING | 0:29:53 | 0:29:55 | |
HE COUGHS | 0:30:04 | 0:30:06 | |
HE COUGHS | 0:30:11 | 0:30:13 | |
CLOCK TICKS | 0:30:15 | 0:30:18 | |
TICKING GROWS LOUDER | 0:30:19 | 0:30:22 | |
INAUDIBLE | 0:30:22 | 0:30:24 | |
LOUD TICKING | 0:30:24 | 0:30:27 | |
SHE GASPS | 0:30:30 | 0:30:31 | |
So if you could take us through what happened | 0:30:43 | 0:30:45 | |
on night of the murder from the beginning. | 0:30:45 | 0:30:48 | |
I'd gone to a meeting at my church. | 0:30:48 | 0:30:50 | |
We make up parcels for the needy - blankets, jumpers for kiddies. | 0:30:50 | 0:30:54 | |
And she knew by then. | 0:30:54 | 0:30:56 | |
She knew about him. | 0:30:56 | 0:30:58 | |
Everything I'd been telling her was right and now I had proof. | 0:30:58 | 0:31:01 | |
-'He's already married!' -'You're lying! You're lying.' | 0:31:01 | 0:31:05 | |
I followed him! I asked their landlady! | 0:31:05 | 0:31:07 | |
Mr and Mrs Vole! | 0:31:07 | 0:31:09 | |
Are you saying you fought with your mistress about Leonard Vole? | 0:31:09 | 0:31:12 | |
No! Never! | 0:31:12 | 0:31:14 | |
I'd never raise my voice, let alone my hand to her. I know my place - | 0:31:14 | 0:31:17 | |
unlike some. | 0:31:17 | 0:31:19 | |
I stayed behind after the church meeting, packed up the boxes. | 0:31:22 | 0:31:25 | |
Alone? | 0:31:25 | 0:31:26 | |
The other ladies had family to get back to. | 0:31:26 | 0:31:30 | |
And I'd left Mrs French with her supper on a tray - | 0:31:30 | 0:31:33 | |
she wanted a quiet evening after all the upset. | 0:31:33 | 0:31:36 | |
So she was on her own. | 0:31:37 | 0:31:40 | |
With Mimi - the cat. | 0:31:40 | 0:31:41 | |
I locked the church up and walked home. | 0:31:44 | 0:31:47 | |
Madam? | 0:32:01 | 0:32:02 | |
SCREAMS: Madam! | 0:32:06 | 0:32:08 | |
Madam! | 0:32:08 | 0:32:10 | |
Madam... | 0:32:10 | 0:32:12 | |
MADAM! | 0:32:12 | 0:32:14 | |
STATIC FROM RECORD PLAYER | 0:32:18 | 0:32:20 | |
INAUDIBLE | 0:32:22 | 0:32:25 | |
And Vole knew that Mrs French had made her will in his favour. | 0:32:29 | 0:32:34 | |
You heard her tell him so. | 0:32:34 | 0:32:36 | |
And now she knew he was living with this other woman | 0:32:36 | 0:32:40 | |
as husband and wife. | 0:32:40 | 0:32:41 | |
She must have said to him that was it - | 0:32:41 | 0:32:43 | |
he'd been found out. No more money. | 0:32:43 | 0:32:46 | |
And then he did that to her. | 0:32:46 | 0:32:48 | |
Did he seduce Mrs French? | 0:32:48 | 0:32:52 | |
MOANING | 0:32:56 | 0:32:59 | |
GASPING, MOANING | 0:33:02 | 0:33:06 | |
GASPING, MOANING | 0:33:14 | 0:33:20 | |
He had a hold on her. | 0:33:28 | 0:33:31 | |
I knew from the first moment he walked in. | 0:33:31 | 0:33:33 | |
'Mr Vole's hat and coat, Janet.' | 0:33:33 | 0:33:35 | |
You shouldn't watch. | 0:33:55 | 0:33:56 | |
You don't have any say over me. | 0:33:59 | 0:34:02 | |
She'll get bored of you. | 0:34:02 | 0:34:03 | |
What if she gets bored of you first? | 0:34:06 | 0:34:08 | |
Think about that. | 0:34:08 | 0:34:10 | |
'A nasty piece of goods.' | 0:34:13 | 0:34:15 | |
A wrong 'un. Trailing his stink. | 0:34:15 | 0:34:16 | |
He got in between us. | 0:34:18 | 0:34:20 | |
DOOR SLAMS | 0:34:20 | 0:34:21 | |
Try not to be so vindictive. | 0:34:21 | 0:34:24 | |
You don't want the jury to think you have some... | 0:34:24 | 0:34:26 | |
vendetta against him. You need to be more impartial. | 0:34:26 | 0:34:30 | |
I want them to know exactly what he's like! | 0:34:30 | 0:34:32 | |
I want him to hang! | 0:34:32 | 0:34:33 | |
Then we must choose your words carefully. | 0:34:33 | 0:34:37 | |
Do you understand? | 0:34:39 | 0:34:40 | |
I'll say it the way you tell me to say it. | 0:34:48 | 0:34:51 | |
Anything to put that rope round his neck. | 0:34:51 | 0:34:53 | |
DOG BARKS | 0:34:56 | 0:34:59 | |
I'm sorry! | 0:35:03 | 0:35:05 | |
-I'm so sorry! -That's enough of that. | 0:35:07 | 0:35:10 | |
DOOR SLAMS | 0:35:10 | 0:35:11 | |
DOG BARKS | 0:35:26 | 0:35:27 | |
Please, I... | 0:35:27 | 0:35:30 | |
I brought these cigarettes for him. | 0:35:30 | 0:35:33 | |
He'll be glad he's seen you. | 0:35:36 | 0:35:39 | |
Tell him...he's all I'm thinking about. | 0:35:42 | 0:35:45 | |
£5 for your company... | 0:35:56 | 0:35:59 | |
and she paid you other sums. | 0:35:59 | 0:36:01 | |
But it wasn't just your company, was it? | 0:36:05 | 0:36:08 | |
If you lie about this, the jury will wonder what else you're lying about. | 0:36:11 | 0:36:16 | |
I don't want Romaine to know. | 0:36:20 | 0:36:22 | |
She's guessed. | 0:36:22 | 0:36:24 | |
But... | 0:36:24 | 0:36:26 | |
she came to see you and bought these cigarettes. | 0:36:26 | 0:36:30 | |
It wasn't the same, you know. | 0:36:38 | 0:36:41 | |
With Emily. | 0:36:41 | 0:36:42 | |
It wasn't like...being unfaithful. | 0:36:44 | 0:36:46 | |
It wasn't love. | 0:36:46 | 0:36:47 | |
-And you couldn't say no? -What would she have thought? | 0:36:48 | 0:36:51 | |
Oh, it would have been over, wouldn't it? | 0:36:51 | 0:36:54 | |
No more money. No more presents. | 0:36:54 | 0:36:56 | |
-You sound like the police. -I sound like the prosecution. | 0:36:56 | 0:36:59 | |
Because that's what they're going to say. | 0:36:59 | 0:37:01 | |
That, er, you were doing very nicely out of it. | 0:37:01 | 0:37:04 | |
That's why you didn't tell Mrs French about Romaine, | 0:37:04 | 0:37:07 | |
because that would have been an end to it. | 0:37:07 | 0:37:10 | |
End of your peachy life as a kept man, | 0:37:10 | 0:37:13 | |
as a ponce, a leech. | 0:37:13 | 0:37:15 | |
She made me eat out of her hand - like a dog. | 0:37:15 | 0:37:19 | |
My peachy life? | 0:37:19 | 0:37:22 | |
It was work, is what it was. | 0:37:22 | 0:37:24 | |
So why did you keep going back? | 0:37:24 | 0:37:26 | |
Janet. | 0:37:31 | 0:37:32 | |
Miss McIntyre. | 0:37:34 | 0:37:36 | |
She kept telling me that Emily would get bored, | 0:37:36 | 0:37:39 | |
chuck me over, | 0:37:39 | 0:37:40 | |
and I kept waiting for that to happen - the easy way out. | 0:37:40 | 0:37:45 | |
No-one getting upset. | 0:37:45 | 0:37:47 | |
If Emily wasn't upset and we parted friends | 0:37:47 | 0:37:50 | |
then maybe she'd recommend me as a chauffeur | 0:37:50 | 0:37:52 | |
or working with cars or something. | 0:37:52 | 0:37:54 | |
But she never did chuck me over, so it just went on. | 0:37:54 | 0:37:58 | |
-Did you get on with Miss McIntyre? -She couldn't stand me. | 0:37:58 | 0:38:01 | |
-Why? -Because I'm common, Mr Mayhew. | 0:38:01 | 0:38:04 | |
Why did you burn the shirt? | 0:38:09 | 0:38:11 | |
It was ripped. | 0:38:11 | 0:38:13 | |
It couldn't be mended. | 0:38:13 | 0:38:14 | |
I put it in the fire - I didn't think twice about it. | 0:38:14 | 0:38:17 | |
What did you tell Romaine about the money - | 0:38:17 | 0:38:20 | |
where the money was coming from, the new clothes? | 0:38:20 | 0:38:23 | |
I told her I got a job selling electric carpet sweepers. | 0:38:23 | 0:38:27 | |
That I'd have to be away sometimes. | 0:38:27 | 0:38:29 | |
So you lied. | 0:38:29 | 0:38:31 | |
I hadn't really worked. | 0:38:32 | 0:38:34 | |
Not steady - I couldn't settle to anything. | 0:38:34 | 0:38:37 | |
Not since service. Not since it all being over and coming home. | 0:38:37 | 0:38:41 | |
Romaine was paying for everything, | 0:38:42 | 0:38:44 | |
so she was proud of me for doing so well with my job. | 0:38:44 | 0:38:47 | |
And I liked her being proud of me. | 0:38:47 | 0:38:49 | |
God, what have I done to her? | 0:38:53 | 0:38:55 | |
How am I going to make it up to her? | 0:38:59 | 0:39:01 | |
All I kept thinking was... | 0:39:05 | 0:39:07 | |
play this right and you'll get a job driving cars. | 0:39:07 | 0:39:11 | |
I learned engines in the Army. I'm good with them. | 0:39:13 | 0:39:16 | |
That's all I wanted. | 0:39:18 | 0:39:19 | |
My boy loved engines. | 0:39:28 | 0:39:30 | |
Mad about them. | 0:39:32 | 0:39:33 | |
Army taught him - like you. | 0:39:35 | 0:39:38 | |
He didn't come home. | 0:39:43 | 0:39:45 | |
Gone on the eve of his 17th birthday. | 0:39:48 | 0:39:51 | |
Gas. | 0:39:51 | 0:39:53 | |
HE WRITES | 0:39:54 | 0:39:57 | |
We thought we'd get more, didn't we? | 0:40:00 | 0:40:02 | |
Thought we'd all come home heroes. | 0:40:05 | 0:40:07 | |
Live in a house with roses round the door. | 0:40:10 | 0:40:13 | |
Three meals a day with extra gravy. | 0:40:14 | 0:40:17 | |
Any job you want. | 0:40:21 | 0:40:22 | |
Money falling out of your pockets. | 0:40:23 | 0:40:25 | |
End up getting priced like a side of meat... | 0:40:28 | 0:40:31 | |
..and going along with it to pay the rent. | 0:40:34 | 0:40:37 | |
I never hurt Emily. | 0:40:47 | 0:40:49 | |
And I swear I didn't know anything about the will. | 0:40:51 | 0:40:54 | |
I believe you, Leonard. | 0:40:57 | 0:40:59 | |
I believe you. | 0:41:02 | 0:41:03 | |
HE COUGHS | 0:41:07 | 0:41:09 | |
MAYHEW CONTINUES COUGHING | 0:41:13 | 0:41:16 | |
COUGHING | 0:41:49 | 0:41:52 | |
Young Mr Vole must be hung like a Clydesdale stallion. | 0:41:58 | 0:42:02 | |
Never fails to amaze me how the ladies can utterly | 0:42:04 | 0:42:08 | |
lose their damn minds if a man is even semi-adroit | 0:42:08 | 0:42:12 | |
in the fucking department. | 0:42:12 | 0:42:15 | |
MAYHEW COUGHING | 0:42:15 | 0:42:17 | |
The maid loathes him. Jealous, probably. | 0:42:17 | 0:42:20 | |
Well there's something about Janet McIntyre. Something not right. | 0:42:20 | 0:42:24 | |
She's very possessive about Mrs French. | 0:42:24 | 0:42:27 | |
"My lady," she kept saying. | 0:42:27 | 0:42:30 | |
"She's mine." | 0:42:30 | 0:42:31 | |
That's how servants speak. "My lady", "My gentleman." | 0:42:31 | 0:42:35 | |
I never knew a valet or a lady's maid who wasn't rabidly possessive. | 0:42:35 | 0:42:40 | |
But it could undermine her testimony. | 0:42:40 | 0:42:42 | |
I'm never too keen on wrong-footing servants. | 0:42:42 | 0:42:45 | |
-It makes us look like bullies. -MAYHEW COUGHING | 0:42:45 | 0:42:47 | |
And if this wasn't already pretty bloody hopeless, | 0:42:47 | 0:42:52 | |
the sole witness for the defence is an actress from Vienna. | 0:42:52 | 0:42:56 | |
Romaine Heilger is not what you'd expect. | 0:42:58 | 0:43:01 | |
When the court hears "actress", they'll think "whore". | 0:43:01 | 0:43:04 | |
When they hear "Vienna"... | 0:43:06 | 0:43:08 | |
Well, we all know what they'll think then. | 0:43:08 | 0:43:10 | |
Miss Heilger will make an impressive witness. | 0:43:11 | 0:43:14 | |
She's restrained. | 0:43:14 | 0:43:15 | |
Composed. Dignified. | 0:43:15 | 0:43:17 | |
Well, there's a first. | 0:43:17 | 0:43:20 | |
And this revue she's in... | 0:43:20 | 0:43:23 | |
What is it - all sauce and thighs and squealing? | 0:43:23 | 0:43:28 | |
It's quite old-fashioned, actually. | 0:43:28 | 0:43:30 | |
Songs. Dances. | 0:43:30 | 0:43:32 | |
Amusing sketches. | 0:43:32 | 0:43:34 | |
Would you let your wife see it? | 0:43:34 | 0:43:36 | |
Yes. | 0:43:37 | 0:43:38 | |
HE SCOFFS, MAYHEW COUGHS | 0:43:38 | 0:43:40 | |
Isn't there something you can take for that? It's rather annoying. | 0:43:40 | 0:43:44 | |
MAYHEW COUGHS | 0:43:44 | 0:43:46 | |
I do apologise, Sir Charles. | 0:43:46 | 0:43:48 | |
Gas damage - there's... | 0:43:48 | 0:43:49 | |
nothing to be done about it. | 0:43:49 | 0:43:51 | |
I see. | 0:43:51 | 0:43:52 | |
Well, never mind. | 0:43:52 | 0:43:53 | |
This isn't for me, Mayhew. | 0:43:55 | 0:43:56 | |
MAYHEW COUGHS | 0:43:56 | 0:43:58 | |
Mrs French's estate includes a cash balance of £185,000, | 0:44:02 | 0:44:08 | |
a townhouse in Holland Park, | 0:44:08 | 0:44:10 | |
furs, jewellery, art, antiques, | 0:44:10 | 0:44:14 | |
a Hispano-Suiza motorcar, | 0:44:14 | 0:44:17 | |
and stocks and shares in, amongst other things, sewing machines, | 0:44:17 | 0:44:20 | |
telephones and mining. | 0:44:20 | 0:44:22 | |
WOMAN SINGS, BAND PLAYS | 0:44:24 | 0:44:28 | |
INDISTINCT CONVERSATIONS | 0:44:33 | 0:44:37 | |
Bernie! Oh, put it away! | 0:44:50 | 0:44:53 | |
'SLOW MUSIC PLAYS' | 0:45:56 | 0:46:00 | |
# Let me call you sweetheart | 0:46:06 | 0:46:10 | |
# I'm in love with you | 0:46:10 | 0:46:15 | |
# Let me hear you whisper | 0:46:15 | 0:46:19 | |
# That you love me, too | 0:46:19 | 0:46:26 | |
# Keep the love light glowing | 0:46:26 | 0:46:31 | |
# In your eyes so true | 0:46:31 | 0:46:39 | |
# Let me call you sweetheart | 0:46:40 | 0:46:45 | |
# I'm in love with | 0:46:45 | 0:46:52 | |
# You. # | 0:46:53 | 0:46:58 | |
APPLAUSE | 0:47:01 | 0:47:05 | |
Hm. | 0:47:35 | 0:47:36 | |
FOOTSTEPS RETREAT | 0:47:44 | 0:47:48 | |
Do you like it? | 0:47:55 | 0:47:56 | |
People in the street are talking about you - about your case. | 0:47:58 | 0:48:03 | |
In the shop, when I go in. | 0:48:05 | 0:48:06 | |
They're all pointing bits out to me | 0:48:06 | 0:48:09 | |
where your name's been written. | 0:48:09 | 0:48:11 | |
They all want to know if he did it. | 0:48:14 | 0:48:16 | |
Tell them no. | 0:48:18 | 0:48:20 | |
I will. | 0:48:21 | 0:48:22 | |
Pretty as a picture. | 0:48:27 | 0:48:29 | |
HE KISSES, SHE MOANS | 0:48:41 | 0:48:43 | |
People will hear - the neighbours! | 0:48:46 | 0:48:49 | |
HE GRUNTS | 0:48:49 | 0:48:52 | |
HE COUGHS | 0:48:57 | 0:49:01 | |
HE CONTINUES COUGHING | 0:49:01 | 0:49:04 | |
Sorry... | 0:49:06 | 0:49:07 | |
I'm so... | 0:49:07 | 0:49:09 | |
-I'm sorry. -It doesn't matter. | 0:49:09 | 0:49:12 | |
HE COUGHS | 0:49:13 | 0:49:16 | |
Doesn't matter. | 0:49:16 | 0:49:18 | |
Court is in session. | 0:49:36 | 0:49:38 | |
Justice Greville Parris presiding. All rise. | 0:49:38 | 0:49:41 | |
Bring him up. | 0:49:56 | 0:49:58 | |
Leonard Vole, you are charged with the murder of Mrs Emily French. | 0:50:21 | 0:50:25 | |
How do you plead? | 0:50:25 | 0:50:28 | |
-SOFTLY: -Not guilty. | 0:50:28 | 0:50:29 | |
Speak up! | 0:50:29 | 0:50:30 | |
-LOUDER: -Not guilty. | 0:50:35 | 0:50:36 | |
I will hear opening statements. | 0:50:37 | 0:50:40 | |
Sir Hugo Meredith for the Crown. | 0:50:40 | 0:50:42 | |
To look at him, standing there, | 0:50:46 | 0:50:48 | |
you'd think there was nothing to Leonard Vole, wouldn't you? | 0:50:48 | 0:50:52 | |
Nothing to him at all. | 0:50:52 | 0:50:54 | |
But Leonard Vole's a dissembler. | 0:50:54 | 0:50:57 | |
A fraud. A thief. A liar. | 0:50:57 | 0:51:00 | |
He lied to Mrs Emily French - | 0:51:00 | 0:51:03 | |
a rich, indulgent, generous widow. | 0:51:03 | 0:51:06 | |
A lonely woman, | 0:51:06 | 0:51:08 | |
susceptible to his hollow charms. | 0:51:08 | 0:51:12 | |
She was so besotted with him, | 0:51:12 | 0:51:14 | |
she changed her will in his favour | 0:51:14 | 0:51:17 | |
and told him. | 0:51:17 | 0:51:20 | |
And when it all came crashing down, | 0:51:20 | 0:51:23 | |
when Mrs French discovered the despicable truth, he killed her! | 0:51:23 | 0:51:28 | |
He beat her to death! | 0:51:28 | 0:51:31 | |
A defenceless woman in her own home. | 0:51:31 | 0:51:34 | |
And then, he went home and he went to bed. | 0:51:34 | 0:51:38 | |
When he was arrested, he was sleeping like a baby. | 0:51:38 | 0:51:42 | |
This depraved abomination is a cold-blooded killer | 0:51:44 | 0:51:48 | |
and only the harshest penalty will suffice. | 0:51:48 | 0:51:51 | |
Sir Charles Carter KC for the defence. | 0:51:55 | 0:51:57 | |
Gentlemen of the jury, Leonard Vole is guilty. | 0:52:00 | 0:52:05 | |
He is guilty of lying. | 0:52:05 | 0:52:07 | |
He is guilty of leading a double life. | 0:52:08 | 0:52:11 | |
He is guilty of enjoying presents and gifts. | 0:52:11 | 0:52:14 | |
He is guilty of lacking good judgment. | 0:52:14 | 0:52:17 | |
But he is not guilty of murder. | 0:52:17 | 0:52:20 | |
Leonard Vole did not kill Emily French. He can't have done - | 0:52:21 | 0:52:25 | |
he wasn't there. | 0:52:25 | 0:52:26 | |
And despite my learned friend's thrilling rhetorical bombast, | 0:52:26 | 0:52:31 | |
it overlooks the basic law of physics - | 0:52:31 | 0:52:35 | |
a man cannot be in two places at the same time. | 0:52:35 | 0:52:38 | |
It's impossible. | 0:52:38 | 0:52:40 | |
Leonard Vole was a foolish young man. | 0:52:40 | 0:52:44 | |
He is most emphatically not a murderer. | 0:52:44 | 0:52:48 | |
And you will find him innocent of the charge. | 0:52:48 | 0:52:52 | |
I will hear witnesses for the Crown at ten o'clock tomorrow morning. | 0:52:52 | 0:52:57 | |
Court adjourned. | 0:52:57 | 0:52:59 | |
All rise. | 0:52:59 | 0:53:00 | |
'You only have a few minutes.' | 0:53:03 | 0:53:05 | |
I just want to see him. | 0:53:05 | 0:53:07 | |
Well, we have to make sure nothing's said that leads the witness. | 0:53:10 | 0:53:13 | |
MAYHEW COUGHS | 0:53:13 | 0:53:15 | |
DOOR IS UNLOCKED | 0:53:18 | 0:53:20 | |
Romaine, I... | 0:53:31 | 0:53:33 | |
I don't know what to say. | 0:53:35 | 0:53:36 | |
I don't know what to say to make this better. | 0:53:39 | 0:53:41 | |
I've done... | 0:53:44 | 0:53:45 | |
Leonard... | 0:53:52 | 0:53:53 | |
Hang. | 0:54:01 | 0:54:02 | |
Romaine! | 0:54:07 | 0:54:09 | |
-Romaine! -The prosecution's witness now. You stay back. | 0:54:09 | 0:54:13 | |
You stay right back. | 0:54:13 | 0:54:14 | |
-Romaine! -Wait! Please wait. | 0:54:14 | 0:54:17 | |
He wasn't there when he said he was. He came in later. | 0:54:17 | 0:54:19 | |
Much later. And guess what? | 0:54:19 | 0:54:22 | |
He was covered in blood. | 0:54:22 | 0:54:23 | |
LEONARD SHOUTS | 0:54:23 | 0:54:26 | |
Hey, Mayhew. Your boy? | 0:54:26 | 0:54:29 | |
HE IMITATES CHOKING | 0:54:30 | 0:54:32 | |
Why are you doing this?! Please! | 0:54:32 | 0:54:35 | |
You shouldn't be here. | 0:54:58 | 0:55:00 | |
Why? | 0:55:03 | 0:55:04 | |
Because justice has to be served. | 0:55:04 | 0:55:06 | |
You told me he was with you at 9.30. | 0:55:06 | 0:55:09 | |
No - you said that, John. | 0:55:09 | 0:55:11 | |
I just said he was with me, and he was. | 0:55:11 | 0:55:14 | |
But not until much later. | 0:55:15 | 0:55:17 | |
You're lying. | 0:55:17 | 0:55:19 | |
-This is revenge. -I have to go to work. | 0:55:20 | 0:55:23 | |
SHE GASPS | 0:55:23 | 0:55:24 | |
You're hurting me, Mr Mayhew. | 0:55:28 | 0:55:30 | |
You're sending him to the gallows... | 0:55:32 | 0:55:34 | |
..and he loves you. | 0:55:35 | 0:55:38 | |
Oh... | 0:55:40 | 0:55:41 | |
You are a romantic. | 0:55:46 | 0:55:47 | |
Of course you are. | 0:55:50 | 0:55:53 | |
Weeping over a sentimental song. | 0:55:53 | 0:55:55 | |
Crying and crying as though your heart would break. | 0:55:55 | 0:55:58 | |
No, it's so much worse than that. | 0:56:00 | 0:56:02 | |
You are crying and crying as if your broken heart... | 0:56:02 | 0:56:06 | |
could heal. | 0:56:06 | 0:56:07 | |
As though... | 0:56:12 | 0:56:14 | |
there's hope. | 0:56:14 | 0:56:15 | |
As if there really is such a thing as love. | 0:56:17 | 0:56:19 | |
You have the look of a guilty man, John. | 0:56:34 | 0:56:37 | |
And it makes you so very easy to hurt. | 0:56:38 | 0:56:41 | |
Go home. | 0:56:46 | 0:56:48 | |
Scandal of the decade! | 0:56:49 | 0:56:51 | |
Showgirl turns the tables on her murdering lover! | 0:56:52 | 0:56:55 | |
VENDORS SHOUT | 0:56:58 | 0:57:01 | |
RUSTLING PAPERS | 0:57:12 | 0:57:14 | |
HE COUGHS | 0:57:20 | 0:57:22 | |
HE COUGHS | 0:57:31 | 0:57:33 | |
HE COUGHS, CHOKES | 0:57:38 | 0:57:40 | |
HE BREATHES HEAVILY | 0:57:44 | 0:57:46 | |
HE COUGHS | 0:58:12 | 0:58:15 | |
HE COUGHS | 0:58:22 | 0:58:25 | |
SOFT MUSIC PLAYS | 0:58:43 | 0:58:45 |