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This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
-You are charged with the murder of Mrs Emily French. How do you plead? -Not guilty. | 0:00:06 | 0:00:09 | |
He did it. He was here! It was him. It was Leonard Vole! | 0:00:09 | 0:00:11 | |
My wife - I was at home with Romaine by 9:30. | 0:00:11 | 0:00:14 | |
She can tell them and then all this can be over. | 0:00:14 | 0:00:17 | |
He was with me. | 0:00:17 | 0:00:18 | |
Prepare yourself to hear some difficult things. | 0:00:18 | 0:00:21 | |
That they were lovers. | 0:00:21 | 0:00:22 | |
Hang. | 0:00:24 | 0:00:25 | |
The prosecution's witness now. You stay back. | 0:00:26 | 0:00:29 | |
You're lying. You're sending him to the gallows. | 0:00:29 | 0:00:33 | |
FIRES CRACKLE | 0:00:42 | 0:00:45 | |
BIRDSONG | 0:01:02 | 0:01:05 | |
HE COUGHS | 0:01:59 | 0:02:02 | |
A nice clean shirt for Leonard. | 0:02:08 | 0:02:10 | |
He should look his best. | 0:02:10 | 0:02:12 | |
I'll be back late tonight, so... | 0:02:25 | 0:02:28 | |
don't wait up. | 0:02:28 | 0:02:30 | |
I'll leave a covered plate for you. | 0:02:30 | 0:02:32 | |
-Good luck. -Thank you. | 0:02:35 | 0:02:37 | |
THUD | 0:02:44 | 0:02:46 | |
Hello? | 0:03:00 | 0:03:02 | |
What do you want? | 0:03:02 | 0:03:04 | |
COUGHING | 0:03:04 | 0:03:06 | |
I was frightened. | 0:03:14 | 0:03:16 | |
That night when he came home... | 0:03:19 | 0:03:22 | |
I was frightened. | 0:03:22 | 0:03:24 | |
I knew he had done something. | 0:03:26 | 0:03:28 | |
I knew he had done something. | 0:03:37 | 0:03:39 | |
I knew he had done something. | 0:03:50 | 0:03:52 | |
Fame. Notoriety. Revenge. We all know why she's doing this. | 0:03:57 | 0:04:03 | |
I betrayed her. | 0:04:03 | 0:04:04 | |
It's time to start fighting dirty. | 0:04:04 | 0:04:06 | |
Has she ever been a prostitute? | 0:04:06 | 0:04:08 | |
What? | 0:04:08 | 0:04:10 | |
No! | 0:04:11 | 0:04:12 | |
You don't have to say that she was. | 0:04:17 | 0:04:20 | |
You just have to say that you can't be certain that she wasn't. | 0:04:20 | 0:04:24 | |
Think about it. | 0:04:24 | 0:04:25 | |
DOOR OPENS | 0:04:29 | 0:04:30 | |
I'm not saying something like that. | 0:04:34 | 0:04:36 | |
It's not true. | 0:04:37 | 0:04:38 | |
We need to damage Romaine. | 0:04:47 | 0:04:49 | |
If there's anything... | 0:04:52 | 0:04:54 | |
..anything... | 0:04:55 | 0:04:57 | |
..we can use against her... | 0:04:59 | 0:05:01 | |
..you need to say it now. | 0:05:03 | 0:05:05 | |
She was never even late with the rent. | 0:05:09 | 0:05:11 | |
I knew straightaway. | 0:05:14 | 0:05:16 | |
He gets this look. | 0:05:18 | 0:05:19 | |
This look he gets... | 0:05:21 | 0:05:23 | |
I felt sick, because I knew... | 0:05:33 | 0:05:35 | |
..he had done something terrible. | 0:05:37 | 0:05:39 | |
These marks - animal prints? | 0:05:44 | 0:05:49 | |
That was, er, Mrs French's cat, your honour. | 0:05:49 | 0:05:51 | |
The cat was in the room. It, well... | 0:05:51 | 0:05:54 | |
It walked through the blood. | 0:05:54 | 0:05:57 | |
Detective Breem, how did Mrs French meet her death? | 0:05:57 | 0:06:01 | |
The victim received three blows, one to the side of the head. | 0:06:01 | 0:06:05 | |
This would have stunned Mrs French. | 0:06:05 | 0:06:07 | |
SHE GASPS IN PAIN | 0:06:08 | 0:06:11 | |
The second blow was to the back of the neck. | 0:06:11 | 0:06:15 | |
Likely it was aimed at Mrs French's skull | 0:06:15 | 0:06:18 | |
but the assailant missed his mark. | 0:06:18 | 0:06:20 | |
The third blow was to the back of the skull. | 0:06:22 | 0:06:25 | |
Death, if not instantaneous, would have arrived quickly. | 0:06:25 | 0:06:28 | |
Brain matter was visible. | 0:06:28 | 0:06:31 | |
There was a lot of blood. | 0:06:31 | 0:06:33 | |
I want to be clear. | 0:06:33 | 0:06:34 | |
This means that Mrs French's assailant was standing over her? | 0:06:34 | 0:06:38 | |
-Yes. -So the assailant must have had blood on their person, | 0:06:38 | 0:06:42 | |
-on their clothes. -Yes, er... | 0:06:42 | 0:06:44 | |
Particularly on the arm, the cuffs of a shirt or jacket. | 0:06:44 | 0:06:49 | |
When you arrested Leonard Vole, you searched his home. | 0:06:49 | 0:06:53 | |
What did you find? | 0:06:53 | 0:06:54 | |
A shirt had been burned in the grate. | 0:06:54 | 0:06:57 | |
MURMURING | 0:06:57 | 0:06:58 | |
We know Mrs French was alive | 0:07:00 | 0:07:02 | |
at approximately 9:20 on the night of her death, is that correct? | 0:07:02 | 0:07:06 | |
Yes, she was seen drawing her curtains by a neighbour. | 0:07:06 | 0:07:11 | |
And ten minutes later, she was dead | 0:07:11 | 0:07:14 | |
and Leonard Vole was seen leaving the house. | 0:07:14 | 0:07:18 | |
MURMURING | 0:07:18 | 0:07:20 | |
Clifford Starling. | 0:07:22 | 0:07:24 | |
My firm have acted as legal counsel to the French family | 0:07:24 | 0:07:27 | |
for three generations. | 0:07:27 | 0:07:28 | |
Mrs French came to see you on the 17th of October, | 0:07:29 | 0:07:33 | |
a mere two weeks before her murder. | 0:07:33 | 0:07:37 | |
What was the purpose of that meeting? | 0:07:37 | 0:07:39 | |
She wanted to change her will. | 0:07:39 | 0:07:41 | |
I want Leonard named my sole inheritor. Everything. | 0:07:41 | 0:07:46 | |
Including Janet's stipend. | 0:07:46 | 0:07:48 | |
-Miss McIntyre? -She doesn't want me to be happy. | 0:07:48 | 0:07:51 | |
She wants me to be miserable and alone and untouched and unloved, | 0:07:52 | 0:07:57 | |
just like her, that's what she wants. | 0:07:57 | 0:08:00 | |
She was always capricious. | 0:08:00 | 0:08:02 | |
Everything left to Leonard Vole? | 0:08:02 | 0:08:05 | |
Was he aware of this meeting? | 0:08:06 | 0:08:08 | |
He wasn't in the room | 0:08:08 | 0:08:09 | |
but I looked out of the window as Mrs French was leaving | 0:08:09 | 0:08:12 | |
and a man was waiting by her motor car. | 0:08:12 | 0:08:16 | |
Is that man in this room? | 0:08:16 | 0:08:18 | |
He is. | 0:08:18 | 0:08:20 | |
MURMURING | 0:08:22 | 0:08:25 | |
It was your diligence in protecting your mistress | 0:08:25 | 0:08:28 | |
that uncovered Mr Vole's deceits - | 0:08:28 | 0:08:31 | |
that he was involved with another woman he called his wife | 0:08:31 | 0:08:34 | |
but he was dallying with Mrs French's affections. | 0:08:34 | 0:08:38 | |
I should have stayed in. Then he'd be dealing with me. | 0:08:38 | 0:08:42 | |
You came home from your meeting at half past nine. | 0:08:42 | 0:08:45 | |
And you saw him. | 0:08:46 | 0:08:48 | |
You know that man well. | 0:08:55 | 0:08:58 | |
I do. I'd recognise him anywhere. | 0:08:58 | 0:09:00 | |
The prosecution calls Romaine Heilger. | 0:09:02 | 0:09:05 | |
Looking really sweaty, Mayhew. Wipe yourself down, chum. | 0:09:07 | 0:09:11 | |
Romaine, please... | 0:09:30 | 0:09:33 | |
-JUDGE: -The prisoner will remain silent. -Please... | 0:09:33 | 0:09:35 | |
Place your left hand on the Bible and speak the oath. | 0:09:37 | 0:09:40 | |
I swear by almighty God that the evidence I shall give | 0:09:40 | 0:09:43 | |
shall be the truth, the whole truth and nothing but the truth. | 0:09:43 | 0:09:45 | |
So help me God. | 0:09:45 | 0:09:47 | |
You are Romaine Heilger, formally known as Romaine Vole? | 0:09:49 | 0:09:53 | |
Yes. I have decided to call myself by my father's name again. | 0:09:53 | 0:09:57 | |
An Austrian national, from Vienna? | 0:09:57 | 0:09:59 | |
I was born there, but when I was quite small, | 0:09:59 | 0:10:02 | |
my parents moved to Liege in Belgium. | 0:10:02 | 0:10:06 | |
And you were there during the invasion of 1914? | 0:10:06 | 0:10:10 | |
Yes, your honour. | 0:10:10 | 0:10:12 | |
There cannot be a man or woman in this court, | 0:10:12 | 0:10:14 | |
or indeed in Britain and her dominions, who does not know of | 0:10:14 | 0:10:17 | |
the slaughter and bloodshed suffered by Belgium during the invasion. | 0:10:17 | 0:10:21 | |
What happened to your parents, Miss Heilger? | 0:10:23 | 0:10:26 | |
They were murdered. | 0:10:27 | 0:10:28 | |
Along with many other friends, neighbours and people in my town. | 0:10:30 | 0:10:35 | |
-UNDER HIS BREATH: -Jesus Christ. | 0:10:35 | 0:10:37 | |
You were spared. | 0:10:37 | 0:10:39 | |
Well, a young girl who can sing the favourite songs | 0:10:39 | 0:10:42 | |
of an invading army is a prize. | 0:10:42 | 0:10:44 | |
Yes, I was spared, although it didn't feel like it at the time. | 0:10:46 | 0:10:50 | |
When did you meet Leonard Vole? | 0:10:50 | 0:10:54 | |
In 1918. | 0:10:54 | 0:10:55 | |
Almost at the end of the war. | 0:10:57 | 0:10:59 | |
I fell in love with him | 0:11:02 | 0:11:04 | |
and I followed him to England after the war, as Mrs Vole. | 0:11:04 | 0:11:09 | |
But you were not married. | 0:11:09 | 0:11:11 | |
No. | 0:11:11 | 0:11:13 | |
Can you tell the court | 0:11:13 | 0:11:15 | |
exactly what happened on the evening of the 28th of October? | 0:11:15 | 0:11:20 | |
I was frightened. | 0:11:39 | 0:11:41 | |
I knew straightaway. | 0:11:44 | 0:11:46 | |
He had this look. | 0:11:53 | 0:11:55 | |
This look he gets. | 0:11:58 | 0:11:59 | |
SHE GASPS | 0:12:01 | 0:12:03 | |
I felt... | 0:12:04 | 0:12:06 | |
..sick, because I knew he had done something. | 0:12:08 | 0:12:11 | |
The defence case rests on two arguments. | 0:12:13 | 0:12:16 | |
The first, that Leonard Vole left Mrs French alive before 9:00 | 0:12:16 | 0:12:20 | |
in order to be at home with you by 9.30. | 0:12:20 | 0:12:22 | |
But he came home at 10:10, covered in blood. | 0:12:22 | 0:12:26 | |
Could you tell us what happened next, please, Miss Heilger? | 0:12:27 | 0:12:31 | |
And then he smiled at me... | 0:12:38 | 0:12:42 | |
..this strange smile... | 0:12:44 | 0:12:46 | |
..and said... | 0:12:53 | 0:12:54 | |
"..I don't need your sticky pennies any more. | 0:12:57 | 0:13:00 | |
"I'm a rich man now." | 0:13:03 | 0:13:05 | |
Not true! | 0:13:05 | 0:13:07 | |
None of it is true! She's lying! | 0:13:07 | 0:13:09 | |
-Why are you lying?! -Silence! | 0:13:09 | 0:13:11 | |
CROWD CLAMOURS | 0:13:11 | 0:13:13 | |
Stay back! Thank you. Stay back. Thank you, out of the way. | 0:13:13 | 0:13:15 | |
Out of the way, please! Thank you. | 0:13:15 | 0:13:17 | |
Not answering any questions at this time. Thank you. Thank you! | 0:13:17 | 0:13:20 | |
This way. Thank you. Stay back! | 0:13:20 | 0:13:23 | |
VOLE SHOUTS | 0:13:23 | 0:13:26 | |
Please! I didn't do nothing! | 0:13:26 | 0:13:29 | |
Please! I didn't do anything. I'm innocent. | 0:13:29 | 0:13:32 | |
I didn't do anything! | 0:13:32 | 0:13:34 | |
Get off me! | 0:13:36 | 0:13:38 | |
Get off! | 0:13:38 | 0:13:39 | |
Hold him. | 0:13:39 | 0:13:41 | |
Hold him. Hold him! | 0:13:41 | 0:13:42 | |
Calm down. | 0:13:42 | 0:13:44 | |
HE GASPS | 0:13:44 | 0:13:46 | |
HE BREATHES HEAVILY | 0:13:46 | 0:13:48 | |
Scum! | 0:13:53 | 0:13:55 | |
Can't you put him on the bed? | 0:13:57 | 0:13:59 | |
MAYHEW COUGHS | 0:14:14 | 0:14:17 | |
You were right, she's impressive. | 0:14:20 | 0:14:22 | |
The judge believes her, the jury believes her | 0:14:22 | 0:14:25 | |
and now they've got the whole night | 0:14:25 | 0:14:26 | |
to think about how much they believe her, and I have nothing on her. | 0:14:26 | 0:14:29 | |
There is something, but Leonard won't say. | 0:14:29 | 0:14:32 | |
How helpful(!) Perhaps I should just tie the noose myself | 0:14:32 | 0:14:35 | |
-and save everyone else the time and trouble. -Janet McIntyre... | 0:14:35 | 0:14:38 | |
No-one cares about the fucking maid! | 0:14:38 | 0:14:41 | |
I do. Please, stop! | 0:14:41 | 0:14:42 | |
Sir Charles, I can't... | 0:14:42 | 0:14:44 | |
HE COUGHS | 0:14:44 | 0:14:45 | |
Mrs French always grew bored of the other young men, | 0:14:45 | 0:14:49 | |
none of them lasted, | 0:14:49 | 0:14:50 | |
so Janet McIntyre had her mistress all to herself | 0:14:50 | 0:14:53 | |
until Leonard came along. She was jealous. | 0:14:53 | 0:14:57 | |
This is your contingency plan? | 0:14:57 | 0:14:59 | |
To paint a recently murdered woman as a predatory nymphomaniac | 0:14:59 | 0:15:04 | |
and her maid as a deranged lesbian? | 0:15:04 | 0:15:07 | |
Janet McIntyre had blood on her cuffs. | 0:15:11 | 0:15:15 | |
HE COUGHS | 0:15:20 | 0:15:23 | |
SOFT MUSIC PLAYS, DISTORTED | 0:15:31 | 0:15:34 | |
DISTANTLY ECHOING: # Keep the love light glowing | 0:15:34 | 0:15:39 | |
# In your eyes so true | 0:15:39 | 0:15:46 | |
# Let me call you sweetheart | 0:15:46 | 0:15:52 | |
# I'm in love... # | 0:15:52 | 0:15:56 | |
SHE CHUCKLES BITTERLY | 0:15:56 | 0:15:58 | |
BUZZING | 0:16:07 | 0:16:10 | |
HE COUGHS | 0:16:21 | 0:16:23 | |
CROWD APPLAUDS | 0:16:43 | 0:16:45 | |
SHIP HORN BLOWS | 0:16:56 | 0:16:58 | |
Hello? | 0:18:06 | 0:18:07 | |
Hello? | 0:18:11 | 0:18:13 | |
You've been watching me. | 0:18:25 | 0:18:27 | |
Who are you? | 0:18:27 | 0:18:29 | |
Christine. Christine Moffat. | 0:18:30 | 0:18:34 | |
I was the girl on the moon before her. | 0:18:34 | 0:18:36 | |
Did you bring money? I need money. | 0:18:37 | 0:18:40 | |
I don't know what I'm buying yet. | 0:18:40 | 0:18:44 | |
Or if I want it. | 0:18:44 | 0:18:46 | |
SHE CHUCKLES | 0:18:46 | 0:18:47 | |
Oh, you'll want it. | 0:18:47 | 0:18:48 | |
100 pound. | 0:18:48 | 0:18:50 | |
I don't have anything like that. | 0:18:50 | 0:18:52 | |
But you will. You will when you win. | 0:18:52 | 0:18:54 | |
When you've ruined that pissy German bitch. | 0:18:54 | 0:18:57 | |
Show yourself. | 0:18:59 | 0:19:00 | |
I can't...can't deal with someone whose face I can't see. | 0:19:04 | 0:19:08 | |
She done this to me. | 0:19:18 | 0:19:19 | |
Boiling sugar and water, and she laughed while she done it. | 0:19:21 | 0:19:24 | |
I was beautiful once, | 0:19:24 | 0:19:26 | |
and now I have to hide in this shithole. | 0:19:26 | 0:19:29 | |
But I've been following her. | 0:19:30 | 0:19:33 | |
And I got these. | 0:19:33 | 0:19:35 | |
To her fancy man, what was my man, that she stole from me. | 0:19:35 | 0:19:40 | |
She went to the Cross Keys hotel at Blackfriars with my man. | 0:19:43 | 0:19:48 | |
And her surname isn't Heilger. | 0:19:51 | 0:19:53 | |
That's not her maiden name - it's her husband's name. | 0:19:53 | 0:19:57 | |
You want 'em now, don't you? | 0:19:57 | 0:19:59 | |
This is everything I've got. | 0:20:02 | 0:20:04 | |
That's...that's not enough. | 0:20:04 | 0:20:06 | |
-That's not nearly enough. -No. No. | 0:20:06 | 0:20:08 | |
I can bring more. I...I promise. | 0:20:08 | 0:20:11 | |
Swear. Swear on what you love. | 0:20:13 | 0:20:16 | |
I swear on my wife. | 0:20:18 | 0:20:20 | |
I swear on the memory of my son. | 0:20:26 | 0:20:28 | |
She took my face. | 0:20:36 | 0:20:39 | |
She took my man. | 0:20:39 | 0:20:41 | |
Now you take her. You take her. | 0:20:41 | 0:20:44 | |
Mister! | 0:20:50 | 0:20:52 | |
You will come back with my money, my money to live? | 0:20:53 | 0:20:55 | |
I'll come back. | 0:20:55 | 0:20:57 | |
I need it, Mister! | 0:20:57 | 0:20:58 | |
HE COUGHS UNCONTROLLABLY | 0:21:00 | 0:21:03 | |
HE CONTINUES COUGHING | 0:21:11 | 0:21:14 | |
You're very hot, John. | 0:21:26 | 0:21:28 | |
I'm going to save us, Alice. | 0:21:33 | 0:21:35 | |
I'm going to save him. | 0:21:36 | 0:21:38 | |
But I'm going to save us. | 0:21:39 | 0:21:40 | |
Not long to go now. Give 'em your best face. | 0:21:45 | 0:21:48 | |
You hear me, son? | 0:21:48 | 0:21:50 | |
-JUDGE: -The defence may proceed. | 0:21:51 | 0:21:54 | |
Sir Charles Carter KC for the defence. Call Romaine Heilger. | 0:21:54 | 0:21:58 | |
This is your contract of employment for the theatre. | 0:22:23 | 0:22:26 | |
Yes. | 0:22:26 | 0:22:28 | |
And this is your handwriting? Your signature? | 0:22:28 | 0:22:32 | |
Yes. | 0:22:32 | 0:22:33 | |
To clarify your testimony, made under oath, | 0:22:33 | 0:22:37 | |
Leonard Vole came home at 10:10, covered in blood, | 0:22:37 | 0:22:41 | |
he burned his bloodstained shirt in the grate | 0:22:41 | 0:22:44 | |
and told you he was a rich man now. | 0:22:44 | 0:22:47 | |
That's correct. | 0:22:47 | 0:22:49 | |
And that is your handwriting. | 0:22:49 | 0:22:51 | |
I said so. | 0:22:51 | 0:22:52 | |
You're a liar, aren't you? | 0:22:54 | 0:22:57 | |
No. | 0:22:58 | 0:22:59 | |
I'm not, sir. | 0:23:01 | 0:23:02 | |
This is your handwriting too, isn't it? | 0:23:02 | 0:23:05 | |
I can't see. Can you bring that closer? | 0:23:05 | 0:23:08 | |
No, I don't think I will. I think I'll just read it out. | 0:23:08 | 0:23:11 | |
"My darling Max... | 0:23:11 | 0:23:14 | |
"..my lover, my flame, my wolf, my brute..." | 0:23:15 | 0:23:20 | |
MURMURING | 0:23:20 | 0:23:21 | |
-"Not long now, my sweetheart..." -Where did you get that? | 0:23:21 | 0:23:24 | |
"Not long now until I'm yours and yours alone, | 0:23:25 | 0:23:29 | |
"not long until Leonard is gone forever, out of my way for good. | 0:23:29 | 0:23:35 | |
"Poor stupid Leonard, as innocent as a lamb. | 0:23:35 | 0:23:40 | |
"Well, lamb was always my favourite meat." | 0:23:40 | 0:23:43 | |
Please, give that to me, it is mine. | 0:23:43 | 0:23:45 | |
"So simple, so easy. My last theatrical role." | 0:23:45 | 0:23:48 | |
I said, please give it to me. | 0:23:48 | 0:23:50 | |
-This will be my... -It is mine! Please give it to me now! | 0:23:50 | 0:23:54 | |
GASPS AND MURMURING | 0:23:54 | 0:23:55 | |
"This will be my greatest performance and soon, my darling, | 0:23:55 | 0:24:00 | |
"soon, my love, I will be free, in your arms. | 0:24:00 | 0:24:04 | |
"Your hands on me, | 0:24:04 | 0:24:07 | |
"your mouth on me. | 0:24:07 | 0:24:09 | |
"Oh, how I burn for you." | 0:24:10 | 0:24:14 | |
Leonard Vole. As innocent as a lamb. | 0:24:16 | 0:24:22 | |
From her own mouth. | 0:24:22 | 0:24:24 | |
You didn't go to theatrical digs that night, did you? | 0:24:24 | 0:24:26 | |
You went to the Cross Keys hotel at Blackfriars to meet your lover. | 0:24:26 | 0:24:31 | |
The night porter will go on oath | 0:24:31 | 0:24:32 | |
that you arrived at one in the morning | 0:24:32 | 0:24:34 | |
and went upstairs to a suite where, he was assured, you were expected. | 0:24:34 | 0:24:39 | |
Why would you want Leonard Vole dead? | 0:24:39 | 0:24:43 | |
Why would you want to send this young man to the gallows | 0:24:43 | 0:24:46 | |
for a murder he did not commit? | 0:24:46 | 0:24:48 | |
Because Leonard Vole is the only person who knows | 0:24:48 | 0:24:51 | |
that if you marry your lover, which you so clearly long to do, | 0:24:51 | 0:24:55 | |
you will be a bigamist. | 0:24:55 | 0:24:57 | |
MURMURING | 0:24:57 | 0:24:58 | |
-JUDGE: -Silence! | 0:24:58 | 0:24:59 | |
Heilger is not the name of your beloved father, | 0:25:04 | 0:25:08 | |
killed with your mother during the invasion of 1914. | 0:25:08 | 0:25:13 | |
That was a lie. | 0:25:13 | 0:25:14 | |
Heilger is the name of the husband you already have. | 0:25:14 | 0:25:18 | |
That is why you and Leonard Vole never married. | 0:25:18 | 0:25:22 | |
And my client, through some... | 0:25:22 | 0:25:25 | |
misguided but honourable chivalry, | 0:25:25 | 0:25:30 | |
chose to keep your shame to himself. | 0:25:30 | 0:25:34 | |
You have lied to the court. You have lied under oath. | 0:25:35 | 0:25:40 | |
There is a penalty for that. | 0:25:40 | 0:25:42 | |
Expect to pay it. | 0:25:43 | 0:25:45 | |
-You men. -Take her down. | 0:25:50 | 0:25:52 | |
You men. | 0:25:53 | 0:25:55 | |
(Congratulations.) | 0:25:58 | 0:25:59 | |
You men. You fucking men! | 0:26:01 | 0:26:04 | |
You fucking men! | 0:26:04 | 0:26:06 | |
-You men! -Order! -You fucking men! -Order! | 0:26:06 | 0:26:10 | |
-You fucking men! -Order! | 0:26:10 | 0:26:12 | |
-FADING INTO DISTANCE: -You fucking men! | 0:26:12 | 0:26:18 | |
DOOR SLAMS | 0:26:18 | 0:26:19 | |
HE CHUCKLES | 0:26:21 | 0:26:23 | |
Are you an expert in lip reading, Mr Starling? | 0:26:24 | 0:26:27 | |
-No. -So when you observed Leonard Vole and Mrs French | 0:26:27 | 0:26:30 | |
through your office window, you can't tell what she said to him? | 0:26:30 | 0:26:34 | |
Whether she told him the purpose of your meeting or not? | 0:26:34 | 0:26:37 | |
No. | 0:26:39 | 0:26:40 | |
Leonard Vole freely admitted he went to visit Mrs French | 0:26:40 | 0:26:44 | |
to take her a present of a cat-shaped brush for her cat. | 0:26:44 | 0:26:48 | |
Did you find such an item in your search of the house? | 0:26:48 | 0:26:51 | |
Yes. | 0:26:51 | 0:26:52 | |
So Leonard Vole, who is as innocent as a lamb, | 0:26:52 | 0:26:57 | |
was telling the truth. | 0:26:57 | 0:26:58 | |
I saw him as bright as day. I saw him leave the house. | 0:26:59 | 0:27:03 | |
But you can't have done, Miss McIntyre, | 0:27:03 | 0:27:05 | |
unless you returned from your church meeting | 0:27:05 | 0:27:08 | |
earlier than you previously stated, | 0:27:08 | 0:27:09 | |
at which point, Mrs French was still alive. | 0:27:09 | 0:27:12 | |
It was half past nine and it was him! | 0:27:12 | 0:27:15 | |
Mr Vole was at home, Miss McIntyre. | 0:27:15 | 0:27:17 | |
Are you trying to say I'm mad? | 0:27:17 | 0:27:19 | |
Are you trying to say I'm seeing...things? | 0:27:19 | 0:27:21 | |
Has the prosecution been coaching you | 0:27:24 | 0:27:27 | |
on your answers, Miss McIntyre? | 0:27:27 | 0:27:29 | |
MURMURING | 0:27:29 | 0:27:31 | |
The murder of Mrs Emily French was a terrible, brutal crime | 0:27:31 | 0:27:37 | |
but it wasn't committed by Leonard Vole. | 0:27:37 | 0:27:40 | |
The evidence here is circumstantial, fuelled by speculation and jealousy. | 0:27:40 | 0:27:47 | |
And the police should have seen through it straightaway. | 0:27:47 | 0:27:50 | |
Yet Leonard Vole has been imprisoned, he has been beaten, | 0:27:50 | 0:27:55 | |
his name, his reputation traduced, | 0:27:55 | 0:27:59 | |
every calumny of the state, the law, visited upon him. | 0:27:59 | 0:28:03 | |
The threat of death by hanging | 0:28:03 | 0:28:06 | |
haunting his every waking moment, an innocent man. | 0:28:06 | 0:28:11 | |
Good God, what world is this? | 0:28:11 | 0:28:14 | |
Gentlemen of the jury, | 0:28:15 | 0:28:17 | |
the greatest contumely that Leonard Vole has endured | 0:28:17 | 0:28:21 | |
is the monstrous, vicious, | 0:28:21 | 0:28:25 | |
infinite, heinous perfidy... | 0:28:25 | 0:28:29 | |
..of women! | 0:28:31 | 0:28:32 | |
Leonard has left the court. | 0:29:00 | 0:29:02 | |
You, however... | 0:29:04 | 0:29:06 | |
HE BREATHES HEAVILY | 0:29:06 | 0:29:07 | |
..will be charged with perjury and go to prison. | 0:29:07 | 0:29:10 | |
HE COUGHS | 0:29:10 | 0:29:12 | |
You've lost your career, such as it was. | 0:29:14 | 0:29:17 | |
You've lost your lover | 0:29:18 | 0:29:20 | |
and the man who - more fool him - loved you. | 0:29:20 | 0:29:23 | |
STRANGLED COUGH | 0:29:27 | 0:29:29 | |
So... | 0:29:32 | 0:29:33 | |
..who's easy to hurt now? | 0:29:35 | 0:29:36 | |
SHE HISSES | 0:29:43 | 0:29:46 | |
HE COUGHS AND SPLUTTERS | 0:29:48 | 0:29:50 | |
You. You! | 0:30:01 | 0:30:04 | |
-What you've done! -All right, all right, come on. | 0:30:04 | 0:30:07 | |
The blood's on your hands! | 0:30:07 | 0:30:09 | |
-Calm down, Ms McIntyre! -Your hands! -Calm down! -Your hands! | 0:30:09 | 0:30:15 | |
Your hands! | 0:30:15 | 0:30:17 | |
LOW, INDISTINCT CONVERSATION | 0:30:21 | 0:30:24 | |
LABOURED BREATHING | 0:30:45 | 0:30:47 | |
MUFFLED MOANING | 0:31:00 | 0:31:02 | |
MUFFLED SCRAPING | 0:31:22 | 0:31:25 | |
-MUFFLED: -John? | 0:31:33 | 0:31:35 | |
John? | 0:31:38 | 0:31:39 | |
GLASS CLINKS | 0:31:42 | 0:31:44 | |
WATER POURS | 0:31:44 | 0:31:46 | |
It's bronchitis, according to the doctor. | 0:31:46 | 0:31:48 | |
He says he doesn't know how you kept going. | 0:31:50 | 0:31:53 | |
I said, "Well, that's John Mayhew for you. He just keeps going." | 0:31:53 | 0:31:56 | |
Here. | 0:31:57 | 0:31:58 | |
How long have I been here? | 0:32:05 | 0:32:07 | |
Four days. | 0:32:08 | 0:32:10 | |
-Four days? -No, no. It's covered. | 0:32:11 | 0:32:14 | |
It's all covered. | 0:32:15 | 0:32:17 | |
For as long as you need. | 0:32:17 | 0:32:19 | |
The bank likes me now. | 0:32:19 | 0:32:21 | |
I'm going abroad. | 0:32:24 | 0:32:26 | |
I don't know if I can stay in England. | 0:32:27 | 0:32:31 | |
It's too much, you know? | 0:32:31 | 0:32:33 | |
I wonder if... | 0:32:33 | 0:32:34 | |
when you're better, you could do something for me. | 0:32:34 | 0:32:38 | |
Sell the house. | 0:32:38 | 0:32:39 | |
I won't live there, I couldn't. | 0:32:39 | 0:32:41 | |
Shall we say 40% commission? | 0:32:43 | 0:32:45 | |
That's too generous. | 0:32:45 | 0:32:47 | |
I owe you my life, John Mayhew. | 0:32:47 | 0:32:49 | |
My life. | 0:32:51 | 0:32:52 | |
There is one thing that's worrying me. | 0:32:54 | 0:32:56 | |
I think I should make a settlement for Janet. | 0:32:58 | 0:33:01 | |
-Financial settlement? -She's lost everything - her home, her job... | 0:33:01 | 0:33:05 | |
I could help her. | 0:33:06 | 0:33:08 | |
Anonymously, of course. | 0:33:08 | 0:33:10 | |
No. | 0:33:12 | 0:33:13 | |
Well, I'll be guided by you. | 0:33:16 | 0:33:18 | |
I think you're going to be very busy. | 0:33:21 | 0:33:23 | |
You've become rather famous. | 0:33:23 | 0:33:25 | |
I've left something for you. | 0:33:26 | 0:33:28 | |
Goodbye, John. | 0:33:30 | 0:33:32 | |
Thank you. | 0:33:32 | 0:33:33 | |
HE COUGHS | 0:33:39 | 0:33:41 | |
WATCH TICKS RAPIDLY | 0:33:52 | 0:33:54 | |
DOOR OPENS | 0:34:06 | 0:34:08 | |
Alice. | 0:34:13 | 0:34:14 | |
I saved him. | 0:34:20 | 0:34:22 | |
REMOVAL MEN CHATTER | 0:34:33 | 0:34:36 | |
-REMOVAL MAN: -Take these first? | 0:34:45 | 0:34:46 | |
No, take the ones upstairs, they need to go first. | 0:34:46 | 0:34:49 | |
SHOUTING MUTED | 0:35:58 | 0:36:01 | |
THUNDER RUMBLES | 0:36:03 | 0:36:05 | |
The cat walks through the crime scene. | 0:36:09 | 0:36:12 | |
Its paw prints are photographed. | 0:36:13 | 0:36:15 | |
And then it's gone. | 0:36:16 | 0:36:18 | |
At the police station, Janet McIntyre's hands are clean... | 0:36:18 | 0:36:23 | |
..but the white cuffs on her dress are stained with blood. | 0:36:24 | 0:36:28 | |
A dead cat isn't evidence of murder. | 0:36:29 | 0:36:32 | |
It's evidence of Miss McIntyre's state of mind. | 0:36:32 | 0:36:35 | |
This happened right under your nose, Detective Breem. | 0:36:38 | 0:36:42 | |
It's all been right under your nose. | 0:36:43 | 0:36:46 | |
Well... | 0:36:46 | 0:36:48 | |
congratulations. | 0:36:48 | 0:36:49 | |
You've just solved the murder of Emily French. | 0:36:51 | 0:36:54 | |
You can thank me later when you get promoted. | 0:36:58 | 0:37:00 | |
-BELL RINGS MAN: -Good morning, Mr Mayhew. | 0:37:04 | 0:37:06 | |
-Good day. -Sir. | 0:37:06 | 0:37:08 | |
-Hello, sir. -Hello. | 0:37:08 | 0:37:09 | |
-Mr Mayhew. -Good to see you. | 0:37:15 | 0:37:16 | |
INDISTINCT CONGRATULATIONS | 0:37:18 | 0:37:20 | |
Thank you, thank you. | 0:37:20 | 0:37:22 | |
Ms McIntyre. | 0:37:28 | 0:37:29 | |
You have to come with us now. | 0:37:31 | 0:37:33 | |
-There you are, sir. -Jolly good. | 0:37:35 | 0:37:38 | |
LOUD TYPING | 0:37:38 | 0:37:40 | |
-Morning, Beryl. -Good morning, Mr Mayhew. | 0:37:40 | 0:37:43 | |
-Morning, sir. -Morning. | 0:37:43 | 0:37:44 | |
Ah, welcome. | 0:37:45 | 0:37:47 | |
-QUIETLY: -Hail Mary, full of grace... | 0:37:52 | 0:37:54 | |
And two weeks before Leonard Vole's trial, | 0:37:54 | 0:37:58 | |
Ms McIntyre came to you for advice, didn't she? | 0:37:58 | 0:38:02 | |
What advice did she want? | 0:38:02 | 0:38:04 | |
She...she wanted to know what would happen to Mrs French's will | 0:38:04 | 0:38:08 | |
when Leonard Vole was convicted of her murder. | 0:38:08 | 0:38:10 | |
I said there was a strong case to argue | 0:38:12 | 0:38:14 | |
that it revert to its previous iteration. | 0:38:14 | 0:38:17 | |
The version which contained a generous stipend for Ms McIntyre? | 0:38:17 | 0:38:21 | |
Yes. | 0:38:24 | 0:38:25 | |
She was licking the blood, Mimi, the cat. | 0:38:30 | 0:38:33 | |
Erm, licking the blood. | 0:38:35 | 0:38:37 | |
She wasn't even sorry. She wasn't sad. | 0:38:39 | 0:38:41 | |
-She was licking the blood. I just snapped. -You just snapped? | 0:38:41 | 0:38:45 | |
Did you snap with Mrs French, arguing about the will? | 0:38:47 | 0:38:51 | |
You were jealous, weren't you? | 0:38:53 | 0:38:55 | |
She was yours. | 0:38:55 | 0:38:57 | |
And Mrs French wouldn't believe anything you said | 0:38:57 | 0:39:00 | |
about Leonard Vole. | 0:39:00 | 0:39:02 | |
SHE GRUNTS | 0:39:02 | 0:39:03 | |
Perhaps she didn't care | 0:39:03 | 0:39:06 | |
and now she'd given him your money. | 0:39:06 | 0:39:08 | |
You came back from church earlier than you stated, | 0:39:11 | 0:39:14 | |
you argued with Mrs French and you snapped. | 0:39:14 | 0:39:17 | |
SHE GRUNTS AND GASPS | 0:39:18 | 0:39:20 | |
You don't understand, I loved her! | 0:39:22 | 0:39:25 | |
I loved her... | 0:39:27 | 0:39:29 | |
-..so much! -Too much. | 0:39:31 | 0:39:33 | |
Much too much. | 0:39:35 | 0:39:36 | |
STRANGLED YELP | 0:39:38 | 0:39:39 | |
HE STARTS AND GASPS | 0:40:07 | 0:40:09 | |
HE PANTS | 0:40:09 | 0:40:10 | |
What's the matter? | 0:40:11 | 0:40:13 | |
Nothing. | 0:40:16 | 0:40:17 | |
HE GASPS | 0:40:17 | 0:40:18 | |
Nothing. Nothing. | 0:40:18 | 0:40:21 | |
Go back to sleep. | 0:40:21 | 0:40:23 | |
I love you. | 0:40:28 | 0:40:30 | |
I love you. | 0:40:30 | 0:40:31 | |
Alice? | 0:40:43 | 0:40:45 | |
We'll miss the train. | 0:40:56 | 0:40:57 | |
SHE EXHALES | 0:41:08 | 0:41:09 | |
How pretty you are. | 0:41:12 | 0:41:14 | |
Thank you. | 0:41:14 | 0:41:15 | |
No, not today, thank you, it's not convenient, not today. | 0:41:25 | 0:41:30 | |
Not today, thank you, not today, not today, not today. | 0:41:30 | 0:41:35 | |
Not today, not today, thank you, it's not convenient, | 0:41:35 | 0:41:39 | |
no, no, no, no. | 0:41:39 | 0:41:43 | |
Not today. | 0:41:43 | 0:41:45 | |
No, no, no, not today... | 0:41:45 | 0:41:48 | |
-PRIEST: -I know that my redeemer liveth, | 0:41:48 | 0:41:50 | |
and that he shall stand at the latter day upon the Earth | 0:41:50 | 0:41:54 | |
and though after my skin worms destroy this body, | 0:41:54 | 0:41:56 | |
yet in my flesh shall I see God, | 0:41:56 | 0:41:59 | |
whom I shall see for myself and mine eyes shall behold... | 0:41:59 | 0:42:02 | |
..nothing into this world, | 0:42:04 | 0:42:05 | |
and it is certain we can carry nothing out. | 0:42:05 | 0:42:07 | |
The Lord gave and the Lord hath taken away. | 0:42:07 | 0:42:10 | |
CELL DOORS SLIDE AND BANG | 0:42:11 | 0:42:13 | |
CREAK AND THUD | 0:42:15 | 0:42:17 | |
LAUGHTER AND CHATTER | 0:42:29 | 0:42:32 | |
GIRLS GIGGLE | 0:42:51 | 0:42:53 | |
HE CHUCKLES | 0:42:53 | 0:42:55 | |
HE INHALES DEEPLY | 0:43:25 | 0:43:27 | |
CAR HORN HOOTS | 0:43:38 | 0:43:40 | |
LOW CONVERSATION IN FRENCH | 0:44:06 | 0:44:09 | |
HE KNOCKS ON DOOR | 0:44:28 | 0:44:30 | |
CLOCK TICKS | 0:44:30 | 0:44:32 | |
Hello, Leonard. | 0:44:40 | 0:44:41 | |
John. | 0:44:41 | 0:44:43 | |
No, no, no. Sh! | 0:44:54 | 0:44:57 | |
No noise, don't make a fuss, | 0:44:57 | 0:45:00 | |
-we can't have that. -JOHN GRUNTS | 0:45:00 | 0:45:03 | |
MUFFLED GRUNTING CONTINUES | 0:45:05 | 0:45:07 | |
Leonard, leave him alone. | 0:45:07 | 0:45:09 | |
It'll go everywhere now, John, it's all shaken up. | 0:45:14 | 0:45:16 | |
We're celebrating. We're having champagne. | 0:45:16 | 0:45:18 | |
CORK POPS | 0:45:18 | 0:45:19 | |
Told you. | 0:45:20 | 0:45:22 | |
You're... | 0:45:22 | 0:45:23 | |
-You're in prison. -I was. Time has gone by. | 0:45:23 | 0:45:27 | |
You probably didn't notice, so busy being a success. | 0:45:29 | 0:45:32 | |
You deserve it, John. | 0:45:34 | 0:45:35 | |
And you look well, so much better than you did. | 0:45:36 | 0:45:40 | |
Being rich suits you. | 0:45:40 | 0:45:42 | |
She wanted you hanged. | 0:45:43 | 0:45:44 | |
-Christ. -John. | 0:45:44 | 0:45:47 | |
What jury would believe a besotted woman? | 0:45:47 | 0:45:50 | |
She'll say night is day to save her man. | 0:45:52 | 0:45:54 | |
But a vicious, scheming bitch, | 0:45:59 | 0:46:01 | |
lying through her foreign teeth to put a noose around his neck... | 0:46:01 | 0:46:05 | |
..well, they'll disbelieve her... | 0:46:08 | 0:46:11 | |
and find that man innocent, won't they? | 0:46:11 | 0:46:13 | |
No. | 0:46:13 | 0:46:15 | |
No. | 0:46:15 | 0:46:17 | |
I went to see Christine Moffat. | 0:46:17 | 0:46:19 | |
I saw what you've done to her. | 0:46:19 | 0:46:22 | |
You honestly believe that I threw boiling water | 0:46:22 | 0:46:24 | |
and sugar in a girl's face? | 0:46:24 | 0:46:26 | |
What do you take me for? | 0:46:26 | 0:46:28 | |
Christine was pregnant. | 0:46:30 | 0:46:33 | |
-WARDROBE MISTRESS: -Breathe in. | 0:46:34 | 0:46:36 | |
Ow! Careful! | 0:46:36 | 0:46:38 | |
STAGE MANAGER: We're ready for you now, Ms Moffat. | 0:46:42 | 0:46:45 | |
'She went off to have her baby.' | 0:46:45 | 0:46:46 | |
Did you go back to see her? | 0:46:48 | 0:46:50 | |
Give her the money? | 0:46:50 | 0:46:52 | |
I'm guessing not. | 0:46:52 | 0:46:53 | |
And you swore you would. | 0:46:56 | 0:46:58 | |
You swore on your wife... | 0:47:02 | 0:47:06 | |
..and on the memory of your son, you swore. | 0:47:08 | 0:47:10 | |
Mister. | 0:47:13 | 0:47:14 | |
Make-up. | 0:47:18 | 0:47:19 | |
Lighting. The stage was all set. Performance. | 0:47:21 | 0:47:24 | |
It was all just pretending, John. | 0:47:24 | 0:47:26 | |
Here, John, | 0:47:26 | 0:47:28 | |
have a drink before you pass out. | 0:47:28 | 0:47:30 | |
It was all lies. | 0:47:33 | 0:47:35 | |
I told the truth, on oath. | 0:47:35 | 0:47:37 | |
Leonard came home at ten past ten. | 0:47:41 | 0:47:44 | |
There were a few little untruths. | 0:47:49 | 0:47:52 | |
I've never been married before. | 0:47:52 | 0:47:55 | |
Heilger is my father's name. | 0:47:56 | 0:47:58 | |
And I burned the shirt. | 0:48:00 | 0:48:02 | |
Oh, God. | 0:48:05 | 0:48:06 | |
Oh, God, dear Janet. | 0:48:08 | 0:48:11 | |
Oh, God, oh, God... | 0:48:11 | 0:48:13 | |
John. | 0:48:16 | 0:48:17 | |
Get your murdering hands off me. | 0:48:17 | 0:48:19 | |
Murder? | 0:48:19 | 0:48:21 | |
Just one life after so many. | 0:48:21 | 0:48:23 | |
You're a monster. | 0:48:23 | 0:48:25 | |
You monsters! | 0:48:25 | 0:48:28 | |
We are what happens when you butcher the young, | 0:48:28 | 0:48:31 | |
when you cheat us, you lie to us, | 0:48:31 | 0:48:32 | |
you expect us to be grateful just for being alive. | 0:48:32 | 0:48:35 | |
And you are no different from us, John. | 0:48:35 | 0:48:38 | |
You went after Janet. | 0:48:38 | 0:48:40 | |
I wanted to give her money. You wanted her dead. | 0:48:42 | 0:48:44 | |
You have a ruthless streak in you, John. | 0:48:44 | 0:48:47 | |
What you'll do to win, how far you'll go. | 0:48:47 | 0:48:50 | |
Here's to John Mayhew. | 0:48:51 | 0:48:53 | |
Fellow monster. | 0:48:53 | 0:48:55 | |
You have made it all possible. | 0:48:56 | 0:48:58 | |
You and your guilt. | 0:49:00 | 0:49:02 | |
It wasn't Leonard you wanted to be innocent. | 0:49:04 | 0:49:07 | |
It was you. | 0:49:08 | 0:49:09 | |
MUFFLED APPLAUSE | 0:49:20 | 0:49:22 | |
CHEERING | 0:49:28 | 0:49:30 | |
-WOMAN SINGS: -# Let me call you sweetheart | 0:50:01 | 0:50:05 | |
# I'm in love with you | 0:50:05 | 0:50:12 | |
# Let me hear you whisper | 0:50:12 | 0:50:16 | |
# That you love me too | 0:50:16 | 0:50:22 | |
# Keep the love light glowing | 0:50:24 | 0:50:29 | |
# In your eyes so true | 0:50:29 | 0:50:37 | |
# Let me call you sweetheart | 0:50:38 | 0:50:44 | |
# I'm in love | 0:50:46 | 0:50:51 | |
# With... # | 0:50:51 | 0:50:52 | |
WATCH TICKS | 0:51:00 | 0:51:02 | |
-Did you have a nice walk? -Mm. | 0:51:03 | 0:51:05 | |
I love you. | 0:51:18 | 0:51:20 | |
Yes... | 0:51:20 | 0:51:22 | |
you're always telling me. | 0:51:22 | 0:51:25 | |
You never say it back. | 0:51:25 | 0:51:26 | |
Mmm. | 0:51:30 | 0:51:32 | |
Everything I've done was for you, everything. | 0:51:32 | 0:51:35 | |
All of it... | 0:51:35 | 0:51:37 | |
..to make you happy. | 0:51:38 | 0:51:39 | |
-I love you. -Hm. | 0:51:42 | 0:51:45 | |
Please say it back. | 0:51:45 | 0:51:46 | |
No. Stop! | 0:51:48 | 0:51:50 | |
The windows are open, someone will hear. | 0:51:50 | 0:51:52 | |
Let them. | 0:51:52 | 0:51:53 | |
-No! -Alice! Say it back. | 0:51:55 | 0:51:59 | |
-John... -Please. | 0:51:59 | 0:52:01 | |
-John, st...! -Alice. | 0:52:01 | 0:52:05 | |
Stop! | 0:52:05 | 0:52:06 | |
Alice, please! | 0:52:06 | 0:52:08 | |
St...! | 0:52:10 | 0:52:12 | |
Stop... | 0:52:12 | 0:52:14 | |
-it! -No! | 0:52:14 | 0:52:16 | |
Stop it! | 0:52:16 | 0:52:17 | |
Argh! | 0:52:17 | 0:52:18 | |
Argh! | 0:52:19 | 0:52:20 | |
Everything I've done! | 0:52:20 | 0:52:22 | |
Everything! | 0:52:22 | 0:52:24 | |
Every single thing was for you, all of it! | 0:52:24 | 0:52:28 | |
Every single thing was to make you love me! | 0:52:28 | 0:52:34 | |
Now say it back so that I know that that was worth it! | 0:52:34 | 0:52:37 | |
You don't want to be loved! | 0:52:37 | 0:52:41 | |
You want to be forgiven and I don't! | 0:52:41 | 0:52:44 | |
I don't, I don't forgive you! | 0:52:44 | 0:52:47 | |
SHE YELPS | 0:52:48 | 0:52:51 | |
No! | 0:52:51 | 0:52:52 | |
Because you came home and he didn't! | 0:52:54 | 0:52:58 | |
Did you think all it would take was a holiday and some new clothes? | 0:53:02 | 0:53:06 | |
I didn't want him to go. | 0:53:08 | 0:53:10 | |
He was too young... | 0:53:11 | 0:53:13 | |
..and you let him lie about his age so you could go off together. | 0:53:14 | 0:53:18 | |
Father and son. | 0:53:19 | 0:53:21 | |
And I've tried to forgive you... | 0:53:24 | 0:53:26 | |
..and I've tried to love you and I can't. | 0:53:27 | 0:53:30 | |
Because you came home... | 0:53:32 | 0:53:34 | |
-SOBBING: -..and he didn't. | 0:53:36 | 0:53:38 | |
I will always look after you... | 0:53:56 | 0:53:59 | |
cook for you, clean your house. | 0:53:59 | 0:54:02 | |
I'll stand by your side. | 0:54:02 | 0:54:04 | |
I will be proud when you do well, | 0:54:04 | 0:54:07 | |
but love you? | 0:54:07 | 0:54:09 | |
I can't. | 0:54:10 | 0:54:11 | |
And the way you paw at me, I... | 0:54:14 | 0:54:18 | |
I can't bear it. | 0:54:18 | 0:54:19 | |
I won't endure it. You'll have to go elsewhere for your needs. | 0:54:20 | 0:54:24 | |
You can afford a mistress now. | 0:54:26 | 0:54:28 | |
I don't want anyone but you. | 0:54:36 | 0:54:38 | |
You came home. | 0:54:42 | 0:54:44 | |
Now we have to carry on. | 0:54:46 | 0:54:48 | |
It's...better to be honest, for both of us. | 0:54:50 | 0:54:54 | |
No false hope. | 0:54:56 | 0:54:58 | |
I'm going to have a bath now. | 0:55:02 | 0:55:04 | |
Then we can have dinner... | 0:55:05 | 0:55:06 | |
..knowing each other better. | 0:55:09 | 0:55:11 | |
Everything... | 0:55:14 | 0:55:16 | |
..all of it... | 0:55:20 | 0:55:22 | |
..everything was for you. | 0:55:24 | 0:55:26 | |
Then it really wasn't worth it. | 0:55:28 | 0:55:30 | |
I... I think we can be happier now. | 0:55:34 | 0:55:37 | |
Don't you? | 0:55:39 | 0:55:40 | |
I expect so. | 0:55:50 | 0:55:51 | |
BELL RINGS | 0:56:01 | 0:56:02 | |
Now you can inherit, | 0:56:06 | 0:56:09 | |
I was thinking what would happen if you got tired of me? | 0:56:09 | 0:56:12 | |
THEY CHUCKLE | 0:56:12 | 0:56:14 | |
Then don't be tiresome, Leonard. | 0:56:16 | 0:56:18 | |
Merci, Monsieur. | 0:56:27 | 0:56:29 | |
-Au revoir. -Au revoir. | 0:56:29 | 0:56:31 | |
# Let me hear you whisper | 0:58:04 | 0:58:08 | |
# That you love me too | 0:58:08 | 0:58:14 | |
# Keep the love light glowing | 0:58:15 | 0:58:20 | |
# In your eyes so true | 0:58:20 | 0:58:25 | |
# Let me call you sweetheart | 0:58:29 | 0:58:32 | |
# I'm in love with | 0:58:34 | 0:58:40 | |
# You. # | 0:58:40 | 0:58:42 |