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Line | From | To | |
---|---|---|---|
-You had to move on. -I'm so sorry, Ivy. | 0:00:02 | 0:00:03 | |
We don't really know each other. | 0:00:03 | 0:00:05 | |
Not any more. | 0:00:05 | 0:00:06 | |
Hopes for finding Phoebe are dimming. | 0:00:06 | 0:00:09 | |
Let her go. Please don't hurt her. | 0:00:09 | 0:00:11 | |
So why take Phoebe? | 0:00:11 | 0:00:12 | |
Maybe he plans to hole up and create what he had with Ivy. | 0:00:12 | 0:00:16 | |
Or he isn't finished with Ivy yet. | 0:00:16 | 0:00:19 | |
He has a ten-year-old girl with him. | 0:00:19 | 0:00:21 | |
Dylan was a 30-year-old man and he was killed. | 0:00:21 | 0:00:23 | |
Phoebe doesn't stand a chance. | 0:00:23 | 0:00:26 | |
-What is it now? -White called the station. | 0:00:26 | 0:00:28 | |
He'll only talk to you, Ivy. | 0:00:28 | 0:00:30 | |
Where is Phoebe? | 0:00:31 | 0:00:32 | |
I've missed you. | 0:00:32 | 0:00:33 | |
Meet me at three at Cabot Circus by the cinema. | 0:00:33 | 0:00:36 | |
Just us. | 0:00:36 | 0:00:37 | |
What about Phoebe? | 0:00:37 | 0:00:38 | |
If you don't come, | 0:00:38 | 0:00:40 | |
I'll kill her. | 0:00:40 | 0:00:41 | |
# Kiss your face | 0:00:47 | 0:00:49 | |
# Turn your cheek | 0:00:50 | 0:00:52 | |
# Lay your head down | 0:00:53 | 0:00:55 | |
# Lay your head down | 0:00:55 | 0:00:57 | |
# Lay your head down | 0:00:59 | 0:01:01 | |
# Lay your head down. # | 0:01:01 | 0:01:03 | |
LOUD HUBBUB | 0:02:04 | 0:02:05 | |
How are you doing, Ivy? | 0:02:25 | 0:02:26 | |
I'm OK. I'm OK. | 0:02:28 | 0:02:30 | |
Head to the second-floor cinema. | 0:02:30 | 0:02:32 | |
When you get there, stay put. | 0:02:32 | 0:02:34 | |
We've eyes on you the whole time. | 0:02:35 | 0:02:37 | |
That's it, Ivy. | 0:02:49 | 0:02:50 | |
Keep going. | 0:02:50 | 0:02:51 | |
If you see anything that worries you, just let us know. | 0:02:51 | 0:02:54 | |
Promise us she'll be safe. | 0:02:58 | 0:03:00 | |
We've over 40 officers inside. | 0:03:00 | 0:03:02 | |
The minute we've got visuals on White, he'll be picked up. | 0:03:02 | 0:03:06 | |
I promise. | 0:03:06 | 0:03:07 | |
Sorry, love. | 0:03:57 | 0:03:58 | |
Well done, Ivy. | 0:04:01 | 0:04:02 | |
It's gone three and there's no sign of White. | 0:04:18 | 0:04:20 | |
I can do this. I can do this. | 0:04:23 | 0:04:25 | |
Ivy, | 0:04:25 | 0:04:27 | |
just try and keep calm. | 0:04:27 | 0:04:28 | |
LOUD CHATTER | 0:04:32 | 0:04:34 | |
I really need you to stay put. | 0:04:46 | 0:04:48 | |
What's happening, Ivy? | 0:04:51 | 0:04:53 | |
Ivy? | 0:04:54 | 0:04:56 | |
I've lost eyes on you. | 0:04:56 | 0:04:57 | |
Speak to me, Ivy. | 0:04:59 | 0:05:00 | |
Alison. | 0:05:06 | 0:05:07 | |
Alison. | 0:05:29 | 0:05:30 | |
Let her go. | 0:05:32 | 0:05:34 | |
Ivy, say something so we know you're OK. | 0:05:52 | 0:05:54 | |
We've found her earpiece, but no Ivy. | 0:06:01 | 0:06:03 | |
Ivy! | 0:06:05 | 0:06:06 | |
-What's she doing? -Ivy? | 0:06:15 | 0:06:16 | |
Somebody give me eyes on Ivy. | 0:06:21 | 0:06:23 | |
LIFT DINGS | 0:06:24 | 0:06:25 | |
Phoebe. | 0:06:28 | 0:06:29 | |
I'm a policeman, all right? | 0:06:29 | 0:06:31 | |
You're safe. | 0:06:31 | 0:06:32 | |
I've got Phoebe, but no sign of White. | 0:06:32 | 0:06:35 | |
SHE GASPS | 0:06:41 | 0:06:42 | |
Something's wrong. | 0:06:56 | 0:06:58 | |
-What's wrong? -She should be back by now. | 0:06:58 | 0:07:01 | |
Tell us what's happening. | 0:07:02 | 0:07:04 | |
-Does anyone have eyes on White? -No, nothing. | 0:07:04 | 0:07:06 | |
Move out of Cabot Circus. | 0:07:10 | 0:07:11 | |
Cut off arterial roads around the area. | 0:07:11 | 0:07:13 | |
Search the car parks, the side roads, anything. | 0:07:13 | 0:07:16 | |
They've lost Ivy. | 0:07:22 | 0:07:24 | |
Mum! | 0:07:26 | 0:07:27 | |
DOOR HANDLE RATTLES FRANTICALLY | 0:07:37 | 0:07:39 | |
ENGINE TURNS OVER | 0:07:50 | 0:07:51 | |
Elliott, he's got her. | 0:07:57 | 0:08:00 | |
All units, we've Mark White in a blue van, | 0:08:00 | 0:08:03 | |
registration number Oscar Victor 06 Zulu Lima X-Ray, | 0:08:03 | 0:08:07 | |
heading north towards the M32. | 0:08:07 | 0:08:09 | |
-Ivy! -Ivy! | 0:08:35 | 0:08:38 | |
Ivy! | 0:08:38 | 0:08:40 | |
Chris! | 0:08:40 | 0:08:41 | |
Ivy! | 0:08:41 | 0:08:43 | |
Chris! Chris! Chris! | 0:08:43 | 0:08:45 | |
She's not here. | 0:08:45 | 0:08:47 | |
-What are you doing? -Saving Ivy. | 0:09:19 | 0:09:21 | |
-He's not stopping. -He will. | 0:09:21 | 0:09:22 | |
Move the car, Elliott. | 0:09:22 | 0:09:24 | |
Move the fucking car, Elliott! | 0:09:24 | 0:09:26 | |
Elliott... | 0:09:31 | 0:09:33 | |
Lisa? | 0:09:33 | 0:09:35 | |
Elliott? | 0:09:35 | 0:09:36 | |
Talk to me. | 0:09:38 | 0:09:39 | |
Can either of you hear me? | 0:09:39 | 0:09:41 | |
Lisa! | 0:09:41 | 0:09:43 | |
Elliott! | 0:09:43 | 0:09:44 | |
Sir, | 0:09:50 | 0:09:52 | |
it's the commissioner. | 0:09:52 | 0:09:53 | |
Look at me. | 0:10:27 | 0:10:28 | |
It's just us now. | 0:10:31 | 0:10:32 | |
You going to be a good girl? | 0:10:34 | 0:10:36 | |
Alison? | 0:10:52 | 0:10:53 | |
POLICE SIREN BLARES | 0:11:05 | 0:11:07 | |
Agh... | 0:11:37 | 0:11:39 | |
You're hurt. | 0:11:42 | 0:11:44 | |
-I'm fine. -We need to get out of there. | 0:11:44 | 0:11:47 | |
Master of understatement. | 0:11:47 | 0:11:48 | |
Argh! | 0:11:48 | 0:11:51 | |
You can't move, can you? | 0:11:51 | 0:11:53 | |
The cavalry are here, they'll get me out. | 0:11:53 | 0:11:55 | |
You need to go to a hospital. | 0:11:55 | 0:11:56 | |
-I'm not leaving you. -Lisa, don't be so stupid. | 0:11:56 | 0:11:59 | |
Me? Stupid? | 0:11:59 | 0:12:00 | |
After what you just pulled? | 0:12:00 | 0:12:02 | |
We're with the Fire Service. | 0:12:09 | 0:12:11 | |
Stay still. Don't move your neck. | 0:12:11 | 0:12:13 | |
You're getting yourself in a state. | 0:12:16 | 0:12:18 | |
Here. | 0:12:23 | 0:12:24 | |
Drink it. | 0:12:29 | 0:12:30 | |
Here. Let me help you. | 0:12:39 | 0:12:41 | |
They're crisps, Tim. | 0:12:41 | 0:12:42 | |
I think I can just about bear their weight. | 0:12:42 | 0:12:44 | |
You're pissed off, I get it. | 0:12:46 | 0:12:48 | |
No, I'm done with that. | 0:12:48 | 0:12:50 | |
You obviously need time to get your head around | 0:12:50 | 0:12:52 | |
whatever it is you can't get your head around. | 0:12:52 | 0:12:55 | |
Please, Yazz, none of this has been fair on you. | 0:12:56 | 0:13:00 | |
But I want to make it up to you. | 0:13:00 | 0:13:02 | |
You're my wife and this is my home. | 0:13:02 | 0:13:04 | |
SHE SIGHS | 0:13:08 | 0:13:09 | |
HE SOBS | 0:13:42 | 0:13:43 | |
You've found my daughter. Where is she? I need to see her. | 0:14:04 | 0:14:07 | |
We're not just sitting here again. | 0:14:42 | 0:14:44 | |
-We'll look for her ourselves. -But the police said... | 0:14:45 | 0:14:47 | |
The police can do their thing, but she's my daughter. | 0:14:47 | 0:14:51 | |
I gave up on her once. | 0:14:51 | 0:14:53 | |
I won't now. | 0:14:53 | 0:14:54 | |
MUTED CHATTER | 0:15:03 | 0:15:05 | |
Where's Tim? | 0:15:05 | 0:15:06 | |
Tim. | 0:15:07 | 0:15:09 | |
It's Ivy. | 0:15:11 | 0:15:13 | |
Sir, they're ready for us. | 0:15:18 | 0:15:19 | |
You should take the lead in there. | 0:15:21 | 0:15:24 | |
Phoebe seems to like you. | 0:15:24 | 0:15:26 | |
I think she'd have been the same with anyone. | 0:15:26 | 0:15:28 | |
Just get her talking. Only she knows who White is. | 0:15:28 | 0:15:31 | |
Any joy with his van? | 0:15:31 | 0:15:33 | |
It's been found abandoned. | 0:15:33 | 0:15:34 | |
-We'll find him, sir. -HE LAUGHS HUMOURLESSLY | 0:15:37 | 0:15:39 | |
We will. | 0:15:39 | 0:15:40 | |
DOOR CLOSES | 0:15:50 | 0:15:52 | |
SHE WHIMPERS | 0:16:04 | 0:16:05 | |
SHE SNIFFS | 0:16:09 | 0:16:10 | |
SHE WHIMPERS AND CRIES | 0:16:10 | 0:16:13 | |
FRONT DOOR OPENS | 0:16:34 | 0:16:37 | |
I'm so sorry I wasn't there. | 0:16:45 | 0:16:47 | |
SHE CRIES, FRONT DOOR CLOSES | 0:16:50 | 0:16:53 | |
DOOR UNLOCKS, OPENS | 0:16:59 | 0:17:02 | |
DOOR CREAKS | 0:17:08 | 0:17:10 | |
Was that a nice rest? | 0:17:15 | 0:17:16 | |
Don't worry, | 0:17:20 | 0:17:22 | |
they're not coming. | 0:17:22 | 0:17:23 | |
Thinking they're clever, | 0:17:25 | 0:17:27 | |
finding things... | 0:17:27 | 0:17:28 | |
..things that weren't meant to be found. | 0:17:30 | 0:17:32 | |
But you know that, | 0:17:33 | 0:17:35 | |
don't you, Alison? | 0:17:35 | 0:17:36 | |
That was... | 0:17:37 | 0:17:38 | |
He was ours. | 0:17:40 | 0:17:41 | |
You're hungry. | 0:17:50 | 0:17:51 | |
That's all, isn't it? | 0:17:51 | 0:17:53 | |
I am, too. | 0:17:53 | 0:17:54 | |
It's been a big day. | 0:17:55 | 0:17:57 | |
DOOR CREAKS DOOR LOCKS FROM OUTSIDE | 0:18:21 | 0:18:25 | |
SHE WHIMPERS | 0:18:25 | 0:18:26 | |
SHE SOBS | 0:18:29 | 0:18:31 | |
KNOCK ON DOOR | 0:18:34 | 0:18:36 | |
Some of us should drive, look for the van, | 0:18:36 | 0:18:39 | |
some of us on foot - retrace our steps. | 0:18:39 | 0:18:41 | |
-FRONT DOOR CLOSES -Hi, I'm so sorry... | 0:18:41 | 0:18:43 | |
You've got a car, yes? | 0:18:43 | 0:18:45 | |
-We're going out to find Ivy. -How? | 0:18:45 | 0:18:47 | |
By looking for her. | 0:18:47 | 0:18:48 | |
Tell us where you need us. | 0:18:48 | 0:18:50 | |
Emma, you've got a recent photo of Ivy, yes? Good. | 0:18:50 | 0:18:52 | |
Text that around. We ask people, show them Ivy's face, | 0:18:52 | 0:18:56 | |
someone will have seen something. | 0:18:56 | 0:18:58 | |
Emma - you come with me. Craig - you take Christina. | 0:18:58 | 0:19:00 | |
-No, I want to go with you. -Better if we split up - double our chances. | 0:19:00 | 0:19:03 | |
We'll be home soon. | 0:19:05 | 0:19:07 | |
All of us. | 0:19:08 | 0:19:09 | |
HOSPITAL MACHINES BEEP | 0:19:17 | 0:19:20 | |
-HE GROANS IN PAIN -Your foot is smashed up pretty bad. | 0:19:25 | 0:19:28 | |
Lisa? | 0:19:30 | 0:19:31 | |
ICU. | 0:19:31 | 0:19:33 | |
-But she's... -They've got her under obs - head injury. | 0:19:33 | 0:19:37 | |
They won't let me see her. | 0:19:37 | 0:19:38 | |
Ivy? | 0:19:40 | 0:19:41 | |
We found a van by Lowman Bridge, | 0:19:41 | 0:19:44 | |
CCTV showed White switching to a Vauxhall Vectra. | 0:19:44 | 0:19:47 | |
No sign since. | 0:19:47 | 0:19:48 | |
HE GROANS WITH EXERTION | 0:19:54 | 0:19:57 | |
SHE YELLS IN FRUSTRATION | 0:20:27 | 0:20:29 | |
DOOR IS UNLOCKED AND OPENED | 0:20:31 | 0:20:34 | |
DOOR IS SHUT AND LOCKED | 0:20:39 | 0:20:41 | |
You've got to be more careful. | 0:20:42 | 0:20:44 | |
You'll hurt yourself. | 0:20:46 | 0:20:47 | |
What do actions have? | 0:21:07 | 0:21:09 | |
HE UNLOCKS THE DOOR AND OPENS IT | 0:21:20 | 0:21:21 | |
Consequences. | 0:21:21 | 0:21:23 | |
DOOR CREAKS AND SLAMS DOOR IS LOCKED FROM THE OUTSIDE | 0:21:24 | 0:21:27 | |
Excuse me, you haven't seen this girl, have you? Ivy Moxam? | 0:21:30 | 0:21:33 | |
-No, sorry. -Sorry, mate. | 0:21:33 | 0:21:35 | |
If you could just remember that face, that was Ivy Moxam, yeah? | 0:21:35 | 0:21:38 | |
-Can I just have five minutes..? -Hey, no. No, no, sorry. | 0:21:38 | 0:21:40 | |
-Excuse me, you haven't seen this..? -Not right now. | 0:21:40 | 0:21:43 | |
-Hi, I'm just wondering if I can stop you..? -Watch it! -Dickhead! | 0:21:43 | 0:21:46 | |
HOSPITAL MACHINES BEEP | 0:21:50 | 0:21:54 | |
They wouldn't let me come see you. | 0:22:04 | 0:22:05 | |
Ditto. | 0:22:08 | 0:22:10 | |
I'm impressed. | 0:22:10 | 0:22:11 | |
Ivy? | 0:22:15 | 0:22:16 | |
How are you feeling? | 0:22:20 | 0:22:22 | |
-I want to get back to the station. -Yeah. | 0:22:23 | 0:22:26 | |
You're my pit stop and then I'm there. | 0:22:26 | 0:22:28 | |
Call me with any news on Ivy. | 0:22:28 | 0:22:31 | |
SHE SIGHS | 0:22:32 | 0:22:34 | |
-Lisa? -Mmm. | 0:22:35 | 0:22:38 | |
I'm fine. | 0:22:38 | 0:22:39 | |
SHE GROANS | 0:22:41 | 0:22:42 | |
Can we get a nurse in here, please? | 0:22:42 | 0:22:44 | |
You're not meant to be in here. | 0:22:46 | 0:22:48 | |
She's not feeling well, maybe you should be more concerned by that. | 0:22:48 | 0:22:52 | |
Right, you, out now. | 0:22:53 | 0:22:55 | |
Take it easy, OK? | 0:22:55 | 0:22:56 | |
Get yourself better. I'll be back as soon as I can. | 0:22:57 | 0:23:01 | |
Bearing grapes and... | 0:23:01 | 0:23:02 | |
DOOR IS UNLOCKED AND OPENED | 0:23:08 | 0:23:11 | |
PLATES AND GLASSES CLINK | 0:23:15 | 0:23:17 | |
I don't want to have to do that again. | 0:23:43 | 0:23:45 | |
It's not nice for me. | 0:23:45 | 0:23:47 | |
CUTLERY CLINKS | 0:23:51 | 0:23:52 | |
HELICOPTER ROTOR BLADES WHIR | 0:24:03 | 0:24:05 | |
-RADIO: -Still no sighting of the suspect's Vauxhall Vectra. Over. | 0:24:05 | 0:24:09 | |
Thank you. | 0:24:12 | 0:24:13 | |
Excuse me, love, sorry to bother you. Ivy Moxam - have you seen her? | 0:24:18 | 0:24:22 | |
Ivy Moxam, she's gone missing... | 0:24:27 | 0:24:29 | |
Christina... | 0:24:39 | 0:24:41 | |
Angus will be ringing any minute now to say he's found her. | 0:24:45 | 0:24:48 | |
Then we can get back to normal. | 0:24:50 | 0:24:52 | |
-Come on. -SIRENS BLARE IN BACKGROUND | 0:24:56 | 0:24:58 | |
SIRENS BLARE IN BACKGROUND CUTLERY CLINKS ON A PLATE | 0:25:02 | 0:25:06 | |
What do you say? | 0:25:35 | 0:25:36 | |
-Thank you. -Good girl. | 0:25:38 | 0:25:40 | |
HE OPENS A TIN | 0:25:47 | 0:25:50 | |
You could... | 0:26:02 | 0:26:04 | |
untie me. | 0:26:04 | 0:26:05 | |
You left me. | 0:26:12 | 0:26:13 | |
You made me a promise, after... | 0:26:15 | 0:26:17 | |
..that you'd never try again. | 0:26:18 | 0:26:20 | |
I treated you well - you had everything. | 0:26:21 | 0:26:23 | |
I was scared. | 0:26:26 | 0:26:27 | |
I went outside to find you. | 0:26:29 | 0:26:31 | |
-To find me? -I needed you back. | 0:26:32 | 0:26:35 | |
But the police, they came and they... | 0:26:37 | 0:26:39 | |
I knew you wouldn't leave me. | 0:26:52 | 0:26:54 | |
I wouldn't. | 0:26:55 | 0:26:56 | |
I won't. | 0:26:59 | 0:27:00 | |
HE GRUNTS IN PAIN AND BREATHES HEAVILY | 0:27:17 | 0:27:20 | |
Leonard... | 0:27:29 | 0:27:30 | |
Yes, Alison? | 0:27:35 | 0:27:37 | |
My wrists hurt. | 0:27:38 | 0:27:39 | |
I deserve it. | 0:27:42 | 0:27:44 | |
Never give me a choice, do you? | 0:27:44 | 0:27:46 | |
Do you? | 0:27:50 | 0:27:52 | |
No. | 0:27:52 | 0:27:53 | |
But, now you know I didn't run... | 0:27:56 | 0:27:59 | |
You can trust me. | 0:28:02 | 0:28:03 | |
You've been out there. | 0:28:09 | 0:28:10 | |
All those germs... | 0:28:14 | 0:28:15 | |
..all those people... | 0:28:17 | 0:28:18 | |
..spreading their lies. | 0:28:19 | 0:28:21 | |
I bet you feel a part of it. | 0:28:23 | 0:28:24 | |
Of their world. | 0:28:28 | 0:28:29 | |
Don't lie to me. | 0:28:32 | 0:28:34 | |
I can see it. | 0:28:34 | 0:28:36 | |
They've got in. | 0:28:36 | 0:28:37 | |
In there. | 0:28:38 | 0:28:40 | |
What did they say? | 0:28:43 | 0:28:45 | |
That I was... | 0:28:48 | 0:28:49 | |
wrong? | 0:28:49 | 0:28:50 | |
Bad? | 0:28:52 | 0:28:53 | |
Dirty? | 0:28:56 | 0:28:57 | |
No. | 0:28:57 | 0:28:58 | |
She always says that. | 0:28:59 | 0:29:02 | |
Who? | 0:29:02 | 0:29:03 | |
I looked after you. | 0:29:04 | 0:29:06 | |
I kept you safe. | 0:29:06 | 0:29:07 | |
All of them out there, they're the ones that let you down. | 0:29:07 | 0:29:10 | |
You see, that's the thing - it's only me and you. | 0:29:13 | 0:29:16 | |
Only we know what happened. | 0:29:18 | 0:29:19 | |
Only we have all those years. | 0:29:23 | 0:29:25 | |
You can't ever really be a part of out there. | 0:29:25 | 0:29:27 | |
You'll always be different. | 0:29:29 | 0:29:30 | |
Then I want it to be how it was this last year. | 0:29:34 | 0:29:37 | |
Not like this. | 0:29:42 | 0:29:43 | |
I had to know I could trust you. | 0:29:45 | 0:29:48 | |
You can. | 0:29:48 | 0:29:49 | |
SHE GASPS | 0:30:11 | 0:30:12 | |
Oh. | 0:30:12 | 0:30:13 | |
HE BREATHES IN DEEPLY | 0:30:15 | 0:30:16 | |
She's back. | 0:30:18 | 0:30:19 | |
She's back. | 0:30:21 | 0:30:22 | |
HE EXHALES | 0:30:24 | 0:30:26 | |
Would you like your reward? | 0:30:33 | 0:30:35 | |
Come here. | 0:30:36 | 0:30:38 | |
We can make our home just as it was. | 0:30:55 | 0:30:57 | |
Would you like that? | 0:31:00 | 0:31:01 | |
That's his van. | 0:31:19 | 0:31:20 | |
I don't know. | 0:31:20 | 0:31:22 | |
Wait here. | 0:31:24 | 0:31:25 | |
-Ivy! -HE BANGS ON THE DOOR | 0:31:27 | 0:31:29 | |
-Dad! Dad! -Ivy! | 0:31:29 | 0:31:31 | |
Dad, please. | 0:31:31 | 0:31:33 | |
She's here, I know she is. Is he here? Are you hiding him? | 0:31:33 | 0:31:35 | |
-What are you going on about? -This is his van! I know it is. | 0:31:35 | 0:31:38 | |
Listen, I think you'd better leave. | 0:31:38 | 0:31:39 | |
-CRYING FROM HOUSE -Is that her? | 0:31:39 | 0:31:41 | |
-What are you on about? -I can hear her. -I'm warning you, mate... | 0:31:41 | 0:31:43 | |
-You've got my daughter! -I'm warning you. Listen to me. Back off! | 0:31:43 | 0:31:47 | |
ANGUS GROANS IN PAIN What the fuck's wrong with you? | 0:31:47 | 0:31:49 | |
Oi, get rid of him, all right? | 0:31:49 | 0:31:51 | |
Dad, you're scaring me. | 0:31:53 | 0:31:55 | |
I'm calling Mum. | 0:31:57 | 0:31:58 | |
HER PHONE VIBRATES | 0:32:02 | 0:32:04 | |
You've found her? | 0:32:06 | 0:32:07 | |
HOSPITAL MACHINES BEEP | 0:32:24 | 0:32:26 | |
What are you up to now? | 0:32:28 | 0:32:30 | |
-Leave... -I get that you are not the accepting-help type, | 0:32:30 | 0:32:33 | |
but while you're in here, you've got to learn to. | 0:32:33 | 0:32:36 | |
Take my arm and let's leave this, shall we? | 0:32:36 | 0:32:39 | |
No, no, in case my partner rings, I need... | 0:32:39 | 0:32:41 | |
You don't need anything but to take it easy. | 0:32:41 | 0:32:44 | |
-I'm sure your boyfriend is on his way in now. -No, it's not like that. | 0:32:44 | 0:32:48 | |
I'm a detective. | 0:32:48 | 0:32:50 | |
Right now, you're just my patient. | 0:32:50 | 0:32:52 | |
Come on, love. That's lovely. | 0:32:56 | 0:32:58 | |
CHATTER IN BACKGROUND | 0:33:00 | 0:33:03 | |
Anything from Phoebe? | 0:33:18 | 0:33:20 | |
Well, the poor girl's terrified - barely confirmed her name. | 0:33:20 | 0:33:24 | |
You don't look exactly match fit. | 0:33:25 | 0:33:27 | |
Who's in there with her now? | 0:33:27 | 0:33:29 | |
She's with medical | 0:33:29 | 0:33:31 | |
and then we're to wait until Dr Young says we're OK to proceed. | 0:33:31 | 0:33:34 | |
We don't have that kind of time. | 0:33:34 | 0:33:35 | |
Yeah, I hear you. | 0:33:35 | 0:33:37 | |
How is Lisa doing? | 0:33:38 | 0:33:39 | |
Back to work soon. | 0:33:43 | 0:33:44 | |
You should be at the hospital. | 0:33:53 | 0:33:55 | |
Let me interview Phoebe. | 0:33:55 | 0:33:57 | |
Absolutely not, you're not going anywhere near her. | 0:33:57 | 0:33:59 | |
I know the case better than anyone. | 0:33:59 | 0:34:01 | |
Let me talk to Phoebe. | 0:34:03 | 0:34:04 | |
Save your cockup | 0:34:05 | 0:34:07 | |
and once we know where Ivy is... | 0:34:07 | 0:34:09 | |
You'll be the one to save her? | 0:34:09 | 0:34:10 | |
I am not the only one who has made mistakes. | 0:34:12 | 0:34:15 | |
It's just like it was, isn't it? | 0:34:59 | 0:35:01 | |
Just you to get ready now. | 0:35:03 | 0:35:04 | |
In front of me. | 0:35:11 | 0:35:13 | |
Alison... | 0:35:53 | 0:35:55 | |
Everything. | 0:35:57 | 0:35:59 | |
But I don't... I don't have any... | 0:36:02 | 0:36:04 | |
My Alison. | 0:37:14 | 0:37:16 | |
This is pointless. | 0:37:53 | 0:37:54 | |
SIRENS BLARE | 0:38:06 | 0:38:08 | |
There are a number of leads we have on White's car | 0:38:14 | 0:38:16 | |
and the police helicopter is still up in the air. | 0:38:16 | 0:38:19 | |
We are doing everything we can to find Ivy. | 0:38:19 | 0:38:21 | |
The best thing you can do is sit tight and, as I say, | 0:38:21 | 0:38:24 | |
anything that should be done is being done. | 0:38:24 | 0:38:27 | |
DOOR CLOSES | 0:38:38 | 0:38:40 | |
You're full of shit. | 0:38:40 | 0:38:41 | |
Excuse me, Detective Inspector? | 0:38:43 | 0:38:44 | |
We should be in there right now with Phoebe and we shouldn't leave | 0:38:44 | 0:38:47 | |
until we get some sort of a lead. That's doing everything. | 0:38:47 | 0:38:51 | |
Consider this your last warning. | 0:38:51 | 0:38:53 | |
Come here. | 0:39:17 | 0:39:19 | |
"Perfect takes time" - that's what you always said. | 0:39:21 | 0:39:24 | |
-See? -Alison. | 0:39:24 | 0:39:26 | |
WATER SPLOSHES | 0:39:34 | 0:39:36 | |
I want us to try again. | 0:39:58 | 0:39:59 | |
To start a family. | 0:40:02 | 0:40:03 | |
Fine. | 0:40:11 | 0:40:12 | |
I'd like that. | 0:40:14 | 0:40:15 | |
A chance for us to start over. | 0:40:19 | 0:40:20 | |
Don't be scared. | 0:40:25 | 0:40:26 | |
It will be OK this time. | 0:40:28 | 0:40:29 | |
I know it will. | 0:40:30 | 0:40:31 | |
Let's get clean first. | 0:40:46 | 0:40:48 | |
Bath time. | 0:40:49 | 0:40:51 | |
FRONT DOOR SLAMS | 0:40:55 | 0:40:57 | |
I'll see what I can cobble together from the fridge. | 0:40:59 | 0:41:01 | |
Whatever hour they get home, they'll need food. | 0:41:01 | 0:41:04 | |
What you did was idiotic. You endangered yourself, our daughter... | 0:41:19 | 0:41:23 | |
I took charge. | 0:41:23 | 0:41:24 | |
I thought that's what you wanted, but now... | 0:41:25 | 0:41:27 | |
Stop, both of you! It's just like the first time. | 0:41:27 | 0:41:30 | |
And it didn't bring her back then, did it? | 0:41:32 | 0:41:34 | |
DOOR SHUTS | 0:41:38 | 0:41:40 | |
Eyes, or they'll sting. HE CHUCKLES | 0:41:53 | 0:41:55 | |
Time to wash off. | 0:42:00 | 0:42:01 | |
-Alison? -I have to go. | 0:42:22 | 0:42:24 | |
I don't want to use it, I don't want to hurt you. | 0:42:27 | 0:42:30 | |
-You are hurting me. -13 years! | 0:42:30 | 0:42:32 | |
Wasted. | 0:42:35 | 0:42:36 | |
Everyone out there has changed and I thought it was them - | 0:42:39 | 0:42:43 | |
their fault - but it's yours. | 0:42:43 | 0:42:45 | |
It's time to let me go. | 0:42:48 | 0:42:50 | |
You can't. | 0:42:51 | 0:42:52 | |
We're starting a family. | 0:42:52 | 0:42:55 | |
Our baby'd be 3½ years now. | 0:42:55 | 0:42:57 | |
You cried for so long. | 0:42:58 | 0:43:00 | |
-I wasn't sad. -I was there. | 0:43:00 | 0:43:02 | |
-I saw you, I helped... -I was relieved! | 0:43:02 | 0:43:04 | |
To bring a baby into that place with you as a father - | 0:43:07 | 0:43:10 | |
-that is why I ran from you. -You don't mean that. | 0:43:10 | 0:43:13 | |
I'm a good man. | 0:43:13 | 0:43:14 | |
I would never hurt my baby, I'd never hurt you, | 0:43:14 | 0:43:16 | |
-I'd never hurt anyone. -What about Dylan? -I forgave you. | 0:43:16 | 0:43:21 | |
-I know you didn't mean it, it was an accident. -You killed him. | 0:43:21 | 0:43:25 | |
-But it was your fault. -It wasn't. | 0:43:25 | 0:43:27 | |
The only good part of you and you killed him. | 0:43:28 | 0:43:33 | |
All those years I spent hating myself, | 0:43:37 | 0:43:41 | |
thinking my family would never forgive me. | 0:43:41 | 0:43:43 | |
That was a lie. | 0:43:45 | 0:43:46 | |
Your lie. | 0:43:48 | 0:43:49 | |
My mum - | 0:43:51 | 0:43:53 | |
-she forgives me. -She doesn't, she is tricking you. | 0:43:53 | 0:43:56 | |
But yours... | 0:43:56 | 0:43:57 | |
-You'll never get her forgiveness. -Don't talk about her. | 0:43:59 | 0:44:01 | |
She has been dead for years and you pretended all that time! | 0:44:01 | 0:44:05 | |
Put the gun down. | 0:44:09 | 0:44:10 | |
Alison. | 0:44:20 | 0:44:22 | |
-Put the gun down. -No! | 0:44:26 | 0:44:28 | |
SHE SCREAMS | 0:44:34 | 0:44:35 | |
It was never loaded. | 0:44:39 | 0:44:41 | |
You're meant to love me. | 0:44:45 | 0:44:46 | |
SHE SOBS | 0:44:49 | 0:44:51 | |
SHE GASPS | 0:44:51 | 0:44:52 | |
I'll grab another tea towel. | 0:45:53 | 0:45:54 | |
Shit, sorry. | 0:45:55 | 0:45:57 | |
Do you know what I think? | 0:45:58 | 0:46:00 | |
I don't think life is cruel enough | 0:46:02 | 0:46:04 | |
to take any more from this family, from Ivy. | 0:46:04 | 0:46:07 | |
I think she'll be safe and home and get a chance to have her own life. | 0:46:07 | 0:46:11 | |
Yazz... | 0:46:15 | 0:46:17 | |
Thank you. | 0:46:19 | 0:46:20 | |
I bet you're better at drawing than me. | 0:46:38 | 0:46:40 | |
Is this about right? | 0:46:42 | 0:46:44 | |
OK. | 0:46:45 | 0:46:46 | |
Now what about outside the house? | 0:46:46 | 0:46:49 | |
What could you see out there? | 0:46:49 | 0:46:51 | |
Could you see trees | 0:46:53 | 0:46:55 | |
or other buildings? | 0:46:55 | 0:46:57 | |
What about a bridge? | 0:46:59 | 0:47:00 | |
Or a church? | 0:47:01 | 0:47:03 | |
Anything? | 0:47:04 | 0:47:06 | |
Yeah? | 0:47:08 | 0:47:09 | |
Could you draw it for me? | 0:47:11 | 0:47:12 | |
What's that? Is that a chimney? | 0:47:27 | 0:47:29 | |
THE DOOR OPENS | 0:47:31 | 0:47:33 | |
DI Carne, a word. | 0:47:33 | 0:47:35 | |
I'm getting somewhere. | 0:47:35 | 0:47:36 | |
Phoebe's doing really well. | 0:47:36 | 0:47:38 | |
With more than a little persuasion. | 0:47:38 | 0:47:40 | |
Interview suspended. | 0:47:40 | 0:47:42 | |
Have you, erm, found her? | 0:47:43 | 0:47:44 | |
Not as yet, | 0:47:45 | 0:47:47 | |
but we are hopeful. | 0:47:47 | 0:47:49 | |
Excuse us. | 0:47:49 | 0:47:50 | |
You've given me no choice, Elliott. | 0:48:06 | 0:48:08 | |
That's Purdown BT Tower. | 0:48:08 | 0:48:10 | |
-The house is in Lockleaze. -ELLIOTT'S PHONE RINGS | 0:48:11 | 0:48:15 | |
Let whoever it is leave you a message. | 0:48:15 | 0:48:16 | |
Chasing up those grapes, are you, Lisa? I've good news. | 0:48:16 | 0:48:19 | |
I'm coming. | 0:48:26 | 0:48:27 | |
You're not going anywhere other than my office. | 0:48:27 | 0:48:29 | |
-TO HIMSELF: -She was OK when I left her. | 0:48:29 | 0:48:31 | |
Elliott! | 0:48:31 | 0:48:33 | |
That is where Ivy is - Lockleaze. | 0:48:37 | 0:48:39 | |
Ivy is going to come back to us, I know she is. | 0:48:53 | 0:48:56 | |
But I can't do this on my own again. | 0:49:04 | 0:49:05 | |
TAP RUNS | 0:49:41 | 0:49:43 | |
HE SIGHS | 0:49:49 | 0:49:51 | |
-Come here. -SHE GROANS | 0:49:52 | 0:49:54 | |
That's it. | 0:49:54 | 0:49:55 | |
-Come on. -SHE GROANS | 0:49:58 | 0:50:00 | |
That's it. | 0:50:00 | 0:50:01 | |
It's everyone else... | 0:50:16 | 0:50:17 | |
..getting to you. | 0:50:19 | 0:50:20 | |
I know you don't mean it. | 0:50:22 | 0:50:24 | |
I know you love me. | 0:50:27 | 0:50:28 | |
SHE WHIMPERS | 0:50:31 | 0:50:32 | |
SHE SOBS | 0:50:33 | 0:50:35 | |
Don't do that. | 0:50:39 | 0:50:41 | |
Then please let me go. | 0:50:42 | 0:50:43 | |
Please. | 0:50:47 | 0:50:48 | |
The police will be coming. | 0:50:52 | 0:50:53 | |
Elliott, he'll be coming. | 0:50:55 | 0:50:57 | |
-SHE CRIES -It doesn't matter now. | 0:51:00 | 0:51:03 | |
HELICOPTER ROTOR BLADES WHIR | 0:51:04 | 0:51:06 | |
Sir, Elliott was on the money with Lockleaze - | 0:51:08 | 0:51:10 | |
the chopper's got White's Vectra there on Enville Drive. | 0:51:10 | 0:51:14 | |
DOOR OPENS | 0:51:15 | 0:51:16 | |
DOOR SHUTS | 0:51:18 | 0:51:20 | |
We have a strong lead on Ivy's location. | 0:51:20 | 0:51:22 | |
We're despatching units as we speak. | 0:51:22 | 0:51:24 | |
Can you take us there? | 0:51:24 | 0:51:25 | |
We will be a proper family. | 0:51:56 | 0:51:59 | |
Mother, Dylan, our baby, me... | 0:51:59 | 0:52:02 | |
-..you. -What do you mean? | 0:52:04 | 0:52:06 | |
DOOR OPENS | 0:52:24 | 0:52:25 | |
Is she OK? | 0:52:25 | 0:52:27 | |
We've managed to stop the bleed, but she is still unconscious. | 0:52:27 | 0:52:30 | |
What does that mean? Is that good news, bad news, what? | 0:52:30 | 0:52:33 | |
It's wait-and-see news. | 0:52:33 | 0:52:35 | |
The brain, it's a complicated beast. | 0:52:35 | 0:52:37 | |
Do her family know? | 0:52:42 | 0:52:44 | |
You're the one she put down as the point of contact. | 0:52:45 | 0:52:48 | |
Why don't you come in and sit with her? | 0:52:51 | 0:52:53 | |
HOSPITAL MACHINES BEEP | 0:53:02 | 0:53:05 | |
I've fucked everything up. | 0:53:29 | 0:53:30 | |
HE SNIFFS | 0:53:35 | 0:53:37 | |
SHE COUGHS | 0:53:43 | 0:53:44 | |
-Sorry. -Good girl. | 0:53:46 | 0:53:48 | |
HELICOPTER ROTOR BLADES WHIR | 0:53:55 | 0:53:57 | |
HOSPITAL MACHINES BEEP | 0:54:09 | 0:54:11 | |
Lisa? | 0:54:14 | 0:54:15 | |
Lisa? | 0:54:21 | 0:54:22 | |
Lisa. | 0:54:23 | 0:54:25 | |
SHE SCREECHES | 0:55:01 | 0:55:03 | |
SHE GASPS | 0:55:03 | 0:55:06 | |
SHE COUGHS | 0:55:06 | 0:55:07 | |
SHE COUGHS | 0:55:12 | 0:55:14 | |
Alison? | 0:55:16 | 0:55:18 | |
Alison! | 0:55:19 | 0:55:20 | |
SIRENS BLARE | 0:56:04 | 0:56:06 | |
MUSIC: Out Of The Black by Billie Marten | 0:56:12 | 0:56:15 | |
# How did it feel | 0:56:17 | 0:56:20 | |
# When it came alive and took you? | 0:56:20 | 0:56:23 | |
# Out of the black | 0:56:24 | 0:56:27 | |
# It broke your skin and shook through | 0:56:27 | 0:56:30 | |
# Every part of me | 0:56:30 | 0:56:33 | |
# Every part of you | 0:56:33 | 0:56:36 | |
# You made a fool out of me | 0:56:43 | 0:56:45 | |
# And took the skin off my back Running | 0:56:45 | 0:56:48 | |
# So don't breathe when I talk | 0:56:50 | 0:56:52 | |
# Cos you haven't been spoken to | 0:56:52 | 0:56:54 | |
# I've got a gun for a mouth | 0:56:57 | 0:56:59 | |
# And a bullet with your name on it | 0:56:59 | 0:57:02 | |
# Pull the trigger for a heart | 0:57:04 | 0:57:05 | |
# Beating blood from an empty pocket. # | 0:57:05 | 0:57:10 |