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This programme contains strong language from the start, | 0:00:02 | 0:00:07 | |
scenes which some viewers may find upsetting | 0:00:07 | 0:00:11 | |
and scenes of sexual violence. | 0:00:11 | 0:00:14 | |
It's 21.09 on 6th August 2008. | 0:00:18 | 0:00:25 | |
I am Detective Constable Jack Harrop. | 0:00:25 | 0:00:28 | |
My colleague is Police Constable Richard Bryan. | 0:00:28 | 0:00:32 | |
Also present is the suspect, Holly Winshaw, | 0:00:32 | 0:00:36 | |
and Holly's father, Jim Winshaw, who is acting as appropriate adult. | 0:00:36 | 0:00:41 | |
You've been arrested on suspicion of criminal damage to a glass counter | 0:00:41 | 0:00:45 | |
and the theft of two cans of pop. | 0:00:45 | 0:00:47 | |
Would you like to tell me what happened? | 0:00:50 | 0:00:52 | |
What are you doing?! | 0:01:12 | 0:01:13 | |
SHE SOBS | 0:01:15 | 0:01:17 | |
The sooner you start telling the truth, Holly, | 0:01:23 | 0:01:25 | |
the sooner these men | 0:01:25 | 0:01:27 | |
can get on with their real work... | 0:01:27 | 0:01:30 | |
stop wasting their time on teenage idiots. | 0:01:30 | 0:01:33 | |
Call Daddy! | 0:01:35 | 0:01:36 | |
Police, please. Some girl's smashed up my shop. | 0:01:38 | 0:01:41 | |
She's robbed some cans. Some cans of drink. | 0:01:42 | 0:01:46 | |
JIM SCOFFS | 0:01:48 | 0:01:49 | |
I didn't take no cans. | 0:01:56 | 0:01:58 | |
SHE PANTS | 0:02:02 | 0:02:04 | |
BELL RINGS | 0:02:11 | 0:02:13 | |
You all right? | 0:02:22 | 0:02:24 | |
Want to come and chill at mine? | 0:02:24 | 0:02:25 | |
-I can't. -Yeah, you can. | 0:02:25 | 0:02:27 | |
Come on, you've never even been round yet! That's just rude, | 0:02:27 | 0:02:30 | |
-that is. -I've got to get home. | 0:02:30 | 0:02:31 | |
Well, come round later, then, yeah? 141, the Wells Estate. | 0:02:31 | 0:02:34 | |
141, the Wells Estate. Have you got it? | 0:02:34 | 0:02:37 | |
Oi! Bell-end! Come back here! | 0:02:39 | 0:02:41 | |
Holly? | 0:03:01 | 0:03:02 | |
-Go and get some rubber gloves, will you? -What? -Clean the bins out. | 0:03:04 | 0:03:07 | |
That waster from next door's been leaving all his crap in ours. | 0:03:07 | 0:03:10 | |
Hey. I don't want you hanging round with folk from here. | 0:03:13 | 0:03:16 | |
You understand? | 0:03:16 | 0:03:17 | |
-WHISPERS: -Fuck's sake! | 0:03:18 | 0:03:19 | |
Do you want a crumpet? | 0:03:19 | 0:03:21 | |
He wants me to have no mates! | 0:03:21 | 0:03:23 | |
He's got no clue what it's like. | 0:03:23 | 0:03:25 | |
What what's like? | 0:03:25 | 0:03:26 | |
Rocking up at a new school. | 0:03:26 | 0:03:27 | |
-What you looking for? -He's told me to clean out t'bins. | 0:03:27 | 0:03:30 | |
Have a crumpet first. | 0:03:30 | 0:03:32 | |
-All right. -Mum! | 0:03:34 | 0:03:35 | |
I thought you were keeping an eye on her for me! | 0:03:35 | 0:03:38 | |
It's not my fault! | 0:03:38 | 0:03:40 | |
Yes, it was. | 0:03:40 | 0:03:41 | |
All right. It's done now. | 0:03:41 | 0:03:43 | |
Hey! | 0:03:47 | 0:03:48 | |
Holly! | 0:03:48 | 0:03:50 | |
MUSIC AND CHATTER | 0:04:14 | 0:04:16 | |
Yes. Yes! Sick! Come in, come in, come in. | 0:04:18 | 0:04:22 | |
You all right? | 0:04:22 | 0:04:23 | |
Yeah, you? This is going to be sick! | 0:04:23 | 0:04:25 | |
You having a party? | 0:04:25 | 0:04:26 | |
No, no, no - it's always like this here. | 0:04:26 | 0:04:28 | |
Come through. I'll show you around. | 0:04:28 | 0:04:30 | |
That's me brother, Luke. | 0:04:33 | 0:04:36 | |
Johnny. Nicky. Megan. | 0:04:36 | 0:04:38 | |
No idea who SHE is. | 0:04:38 | 0:04:40 | |
-And that's me dad. -Hiya. | 0:04:40 | 0:04:42 | |
So this... Through there, that's my dad's room. | 0:04:42 | 0:04:47 | |
That's the girls' room - don't worry about that. | 0:04:47 | 0:04:50 | |
That's the boys' room. And this is the bog. | 0:04:50 | 0:04:53 | |
Can I get changed? Feel a twat in my uniform. | 0:04:53 | 0:04:55 | |
Nah, nah, nah, come here. Come here. | 0:04:55 | 0:04:57 | |
Are you shagging him? | 0:04:59 | 0:05:01 | |
Oh, for God's sake! | 0:05:01 | 0:05:03 | |
You're not shagging him but he's trying to shag you. | 0:05:03 | 0:05:06 | |
These are me cousins. Amber, Ruby. | 0:05:06 | 0:05:09 | |
This is Holly. | 0:05:09 | 0:05:12 | |
You can get changed in here if you want. | 0:05:12 | 0:05:14 | |
No. Don't go in THERE. Stay with me. Stay with me. | 0:05:14 | 0:05:18 | |
You've come to see ME. | 0:05:18 | 0:05:20 | |
I can't do it. | 0:05:31 | 0:05:33 | |
-Why? -Cos your mouth hangin' open. | 0:05:33 | 0:05:35 | |
-It's not! -Yeah, it is. You're like that. | 0:05:35 | 0:05:37 | |
Fuck off. I'll do it meself. | 0:05:37 | 0:05:38 | |
I can't do it if I'm not hanging my mouth open. | 0:05:44 | 0:05:48 | |
It's impossible. | 0:05:48 | 0:05:49 | |
Here y'are. | 0:05:51 | 0:05:53 | |
Thanks. | 0:05:53 | 0:05:54 | |
Do you go to our school? Mine and Elliott's? | 0:05:56 | 0:05:59 | |
I'm at special school. I'm that special, I need me own school, | 0:05:59 | 0:06:02 | |
and me own bus. Special bus comes, and I have to sit | 0:06:02 | 0:06:05 | |
with all the loonies who wave out the window like that. | 0:06:05 | 0:06:08 | |
Oi - can you pick up your knickers, you mingin' cow? | 0:06:08 | 0:06:10 | |
Do you live round here? | 0:06:10 | 0:06:12 | |
Used to. Now we live on the other side of Rochdale. | 0:06:12 | 0:06:16 | |
But we don't know anyone there, though, so we're back here loads. | 0:06:16 | 0:06:19 | |
Where are you? | 0:06:19 | 0:06:20 | |
-Not far. -We were living in Derby but now we're here, | 0:06:20 | 0:06:24 | |
cos my dad lost his business. PHONE RINGS | 0:06:24 | 0:06:27 | |
All right, Zoe. Amber's doing a really long poo. | 0:06:27 | 0:06:30 | |
She says it's really jaggy | 0:06:30 | 0:06:32 | |
so she's got to let it down dead slowly so as not to cut her arse. | 0:06:32 | 0:06:35 | |
That's shite. | 0:06:35 | 0:06:37 | |
We're being held hostage by Ruby's radioactive fucking pants. | 0:06:37 | 0:06:40 | |
LOUD MUSIC PLAYS | 0:06:40 | 0:06:42 | |
-Oi, where are you going? -To get some food. -Oh, I'm starving, | 0:06:46 | 0:06:49 | |
I'll get my jacket and I'll come with you. | 0:06:49 | 0:06:51 | |
She'll bring you summat back. | 0:06:51 | 0:06:52 | |
Oi! Oi. | 0:07:05 | 0:07:07 | |
Hurry up, Zoe. | 0:07:07 | 0:07:09 | |
Wait. | 0:07:09 | 0:07:10 | |
This is Zoe. | 0:07:10 | 0:07:12 | |
MUMBLES | 0:07:12 | 0:07:14 | |
No, no. She was like, sit down, it's not the end of term yet, Ruby. | 0:07:14 | 0:07:17 | |
-What? Yeah, it is. -And I was like, "There's one more day - | 0:07:17 | 0:07:19 | |
"what ya going to teach us in one more day?" | 0:07:19 | 0:07:21 | |
The Lion, The Witch And The Who Gives A Fuck What's In The Wardrobe. | 0:07:21 | 0:07:24 | |
-Here we are, Speedy Kebab. -Have you been here before? | 0:07:25 | 0:07:28 | |
No. | 0:07:28 | 0:07:30 | |
-Yo, yo, yo. Hiya. -You all right, girls? | 0:07:30 | 0:07:34 | |
-Good, thank you. -Yeah. | 0:07:34 | 0:07:36 | |
Can I have a chip? | 0:07:38 | 0:07:39 | |
Who's that? | 0:07:39 | 0:07:41 | |
Tariq. Amber's boyfriend. | 0:07:41 | 0:07:42 | |
-That bloke from Granville Street. -Extra sauce again. | 0:07:42 | 0:07:45 | |
He's a bleeding ball-breaker. | 0:07:45 | 0:07:47 | |
Assalaamu Alaikum, master G. | 0:07:47 | 0:07:49 | |
THEY TALK QUIETLY | 0:07:52 | 0:07:55 | |
-Ruby! -Hiya. | 0:07:55 | 0:07:56 | |
-This is Daddy. -Whose Daddy? | 0:07:56 | 0:07:58 | |
Not MY daddy. Looks like Paki Santa! | 0:07:58 | 0:08:01 | |
This is Holly. | 0:08:01 | 0:08:03 | |
-It's a pleasure to meet you. -Hiya. | 0:08:03 | 0:08:05 | |
Would you like a doner? | 0:08:05 | 0:08:07 | |
Or a drink? | 0:08:07 | 0:08:08 | |
Come on, Pino. You heard the lady. | 0:08:08 | 0:08:10 | |
Crack on. | 0:08:10 | 0:08:11 | |
-All right, what you having? -Can I have some chips, please? | 0:08:11 | 0:08:14 | |
-A slushie. -Can I have a burger? | 0:08:14 | 0:08:15 | |
Yeah, same, please. | 0:08:15 | 0:08:16 | |
THEY LAUGH | 0:08:18 | 0:08:20 | |
LOUD MUSIC PLAYS | 0:08:20 | 0:08:21 | |
All right. Here we are, girls. | 0:08:21 | 0:08:23 | |
Kebabs, chips, naan, garlic mayo. | 0:08:25 | 0:08:29 | |
Enjoy. Get stuck in. | 0:08:31 | 0:08:32 | |
Oi! Thought you didn't like kebabs. | 0:08:34 | 0:08:36 | |
I do when they're free. | 0:08:36 | 0:08:38 | |
Anyway, enjoy. | 0:08:38 | 0:08:39 | |
-Thank you! -Bye! | 0:08:39 | 0:08:41 | |
What's he giving us all this for free for? | 0:08:43 | 0:08:45 | |
He's really nice. He lives with his family in Oldham. | 0:08:45 | 0:08:48 | |
He does the deliveries for Speedy Kebab and Top Curry up the road. | 0:08:48 | 0:08:52 | |
This is absolute heaven. | 0:08:52 | 0:08:54 | |
THEY LAUGH | 0:08:56 | 0:08:58 | |
-Hiya. -Hiya. -Hiya. -All right? | 0:09:02 | 0:09:06 | |
-Hiya, Daddy. -You all right? | 0:09:06 | 0:09:07 | |
# They call me Stacey | 0:09:07 | 0:09:08 | |
# They call me her | 0:09:08 | 0:09:10 | |
# They call me Jane | 0:09:10 | 0:09:12 | |
# That's not my name | 0:09:12 | 0:09:13 | |
# That's not my name | 0:09:13 | 0:09:15 | |
# That's not my name | 0:09:15 | 0:09:17 | |
# That's not my name | 0:09:17 | 0:09:18 | |
# They call me quiet girl | 0:09:18 | 0:09:20 | |
# But I'm a riot | 0:09:20 | 0:09:21 | |
# Mary, Jo, Lisa | 0:09:21 | 0:09:23 | |
-# Always the same... # -Here you are, my lovely girls. | 0:09:23 | 0:09:25 | |
THEY CHEER | 0:09:25 | 0:09:27 | |
Thank you! | 0:09:27 | 0:09:28 | |
Are you not drinking? | 0:09:28 | 0:09:30 | |
Cos of his religion, in't it? | 0:09:30 | 0:09:32 | |
I don't need alcohol. I'm happy to chill with you. | 0:09:32 | 0:09:35 | |
THEY CHUCKLE | 0:09:35 | 0:09:36 | |
-Chill. -Chill. -Chill. | 0:09:36 | 0:09:39 | |
# That's not my name | 0:09:39 | 0:09:41 | |
# That's not my name | 0:09:41 | 0:09:43 | |
# That's not my name | 0:09:43 | 0:09:44 | |
# That's not my name | 0:09:44 | 0:09:46 | |
# They call me quiet girl | 0:09:46 | 0:09:47 | |
# But I'm a riot | 0:09:47 | 0:09:49 | |
# Mary, Jo, Lisa | 0:09:49 | 0:09:51 | |
# Always the same | 0:09:51 | 0:09:52 | |
# That's not my name | 0:09:52 | 0:09:54 | |
# That's not my name | 0:09:54 | 0:09:56 | |
# That's not my name | 0:09:56 | 0:09:57 | |
# That's not my name | 0:09:57 | 0:09:59 | |
# They call me Bell | 0:09:59 | 0:10:01 | |
# They call me Stacey | 0:10:01 | 0:10:02 | |
# They call me her | 0:10:02 | 0:10:04 | |
# They call me Jane | 0:10:04 | 0:10:06 | |
# That's not my name | 0:10:06 | 0:10:07 | |
# That's not my name... # | 0:10:07 | 0:10:10 | |
SONG CONTINUES | 0:10:10 | 0:10:14 | |
Bye, babe! | 0:10:14 | 0:10:16 | |
-Bye! -See you! | 0:10:16 | 0:10:19 | |
Bye! | 0:10:21 | 0:10:23 | |
-Bye! -Bye! Bye! | 0:10:28 | 0:10:31 | |
Why do you do it? | 0:11:04 | 0:11:06 | |
-Do what? -The drinking, the stopping out all the time, | 0:11:06 | 0:11:09 | |
all that effing and blinding at your dad. | 0:11:09 | 0:11:11 | |
You're making all us lives more miserable, Holly, 'specially mine. | 0:11:11 | 0:11:14 | |
Right, well, shall I just fuck off, then, altogether? | 0:11:14 | 0:11:16 | |
FOOTSTEPS ON STAIRS | 0:11:16 | 0:11:18 | |
How many nights is that? | 0:11:19 | 0:11:20 | |
Can you stop going on with yourself? | 0:11:20 | 0:11:22 | |
In fact, can you not even start? | 0:11:22 | 0:11:23 | |
Look at the state of you! | 0:11:23 | 0:11:25 | |
You're a disgrace. Do you know that? | 0:11:25 | 0:11:27 | |
All I'm doing is having a laugh with me mates. | 0:11:27 | 0:11:30 | |
Hiya. Um, could I have some condoms? | 0:11:44 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:48 | |
Is it for sex? | 0:11:48 | 0:11:51 | |
Why you askin' that?! | 0:11:51 | 0:11:52 | |
Because you look the kind who's going to go outside, | 0:11:52 | 0:11:55 | |
fill 'em with water and chuck 'em round the car park. | 0:11:55 | 0:11:57 | |
I'm not. I'm not. | 0:11:57 | 0:11:59 | |
What size you after? | 0:11:59 | 0:12:01 | |
Large. | 0:12:01 | 0:12:02 | |
Now I KNOW you're lying. | 0:12:02 | 0:12:04 | |
-Here you go. -Cheers. | 0:12:05 | 0:12:07 | |
Hiya. Y'all right? | 0:12:11 | 0:12:13 | |
I need some condoms. | 0:12:15 | 0:12:17 | |
Von? | 0:12:17 | 0:12:19 | |
Amber's away. What about you? | 0:12:20 | 0:12:22 | |
She don't need none. She's the blow job queen. | 0:12:22 | 0:12:24 | |
Piss off. | 0:12:24 | 0:12:25 | |
Give her extra-large ones - she only goes with men with big cocks. | 0:12:25 | 0:12:29 | |
Can you sort it? | 0:12:29 | 0:12:30 | |
Here you go, you two. | 0:12:31 | 0:12:33 | |
Hiya. I'm Sara. | 0:12:34 | 0:12:37 | |
Hiya. I'm Holly. | 0:12:37 | 0:12:39 | |
And do YOU need anything? | 0:12:39 | 0:12:41 | |
No. | 0:12:41 | 0:12:43 | |
I want to go on the implant. Does it hurt? | 0:12:43 | 0:12:45 | |
Shouldn't do. Who're you sleeping with? | 0:12:45 | 0:12:48 | |
Pakis! | 0:12:48 | 0:12:50 | |
Oi! | 0:12:50 | 0:12:51 | |
My boyfriend. Tariq. | 0:12:51 | 0:12:54 | |
We're going Top Curry. | 0:12:54 | 0:12:56 | |
Daddy's got vodka. | 0:12:56 | 0:12:57 | |
Who's Daddy? | 0:12:57 | 0:12:59 | |
Ruby's old man. | 0:12:59 | 0:13:01 | |
Me mate. See you. | 0:13:01 | 0:13:02 | |
This "Daddy"... Do we know him? | 0:13:07 | 0:13:11 | |
Well, Zoe, when she was hanging about with Lottie and Isla | 0:13:11 | 0:13:15 | |
and all that, it was all about Saj. Saj and Bilal. | 0:13:15 | 0:13:19 | |
I don't remember a "Daddy". | 0:13:19 | 0:13:21 | |
What about Tariq? | 0:13:21 | 0:13:22 | |
Nah. | 0:13:23 | 0:13:25 | |
Whay, Top Curry! Coochy-coochy coo! | 0:13:27 | 0:13:29 | |
-All right, trouble. -All right. Hiya. | 0:13:32 | 0:13:35 | |
Hello, all my favourite girls! | 0:13:35 | 0:13:38 | |
I am getting absolutely wankered tonight. Like black-out wasted. | 0:13:38 | 0:13:42 | |
Oi! Dylan McBride, year 10! There's a chip in your hood. | 0:13:43 | 0:13:48 | |
Here you are, girls. | 0:13:48 | 0:13:49 | |
Tell you what, girls, going to make some vodka luge tonight, | 0:13:51 | 0:13:54 | |
-what do you say? -What the hell is vodka luge? | 0:13:54 | 0:13:56 | |
Well, you make ice out of vodka, and then you eat it. | 0:13:56 | 0:14:01 | |
Oh, come on, Holly! | 0:14:05 | 0:14:06 | |
Absolutely incredible! | 0:14:07 | 0:14:09 | |
What you doing that for? | 0:14:10 | 0:14:12 | |
Gets you drunk quicker. | 0:14:12 | 0:14:14 | |
MUSIC PLAYS, THEY SQUEAL AND GIGGLE | 0:14:14 | 0:14:19 | |
She's arseholed! | 0:14:20 | 0:14:22 | |
Want some chips? | 0:14:22 | 0:14:24 | |
Stop that! | 0:14:24 | 0:14:26 | |
Oi. What you doing?! Stop it now! | 0:14:29 | 0:14:32 | |
What're you doing, ya mad cow?! | 0:14:34 | 0:14:36 | |
Oh, my God! | 0:14:39 | 0:14:40 | |
HORNS HOOT | 0:14:41 | 0:14:43 | |
Your mate is mental! | 0:14:45 | 0:14:48 | |
I know. She's nuts. | 0:14:48 | 0:14:49 | |
SHE LAUGHS | 0:14:57 | 0:14:59 | |
Summat funny? | 0:14:59 | 0:15:00 | |
Yeah, you. How you stand there like a statue. | 0:15:00 | 0:15:04 | |
A mardy fucking statue. | 0:15:05 | 0:15:07 | |
How long do you think you can get away this for? | 0:15:13 | 0:15:15 | |
With what? | 0:15:15 | 0:15:17 | |
Treating this family, this house, me, with total and utter contempt? | 0:15:17 | 0:15:21 | |
Why do you have to be like that? | 0:15:22 | 0:15:24 | |
Get back in the house! | 0:15:27 | 0:15:29 | |
Why does everything have to be so miserable? | 0:15:29 | 0:15:31 | |
Holly! Get back in the house now! | 0:15:31 | 0:15:33 | |
At me mates', | 0:15:33 | 0:15:34 | |
there's no-one standing at the window waiting to kick off. | 0:15:34 | 0:15:37 | |
Is that right? | 0:15:37 | 0:15:38 | |
Well, if you like it so much, why don't you go and live there, then? | 0:15:38 | 0:15:42 | |
Fine. I will. | 0:15:43 | 0:15:45 | |
Go on! | 0:15:45 | 0:15:47 | |
Coming out to get some breakfast? | 0:16:11 | 0:16:13 | |
Hiya. | 0:16:23 | 0:16:24 | |
-You want some jiggy jiggy? -No! -CHUCKLING | 0:16:30 | 0:16:32 | |
-Oh, come on. -As if. Get off! | 0:16:32 | 0:16:34 | |
Get off! | 0:16:34 | 0:16:36 | |
LAUGHTER | 0:16:36 | 0:16:37 | |
You coming up? | 0:16:53 | 0:16:54 | |
'Come into the other room with me. | 0:17:13 | 0:17:15 | |
'Why? | 0:17:15 | 0:17:16 | |
'I want to talk to you about something.' | 0:17:17 | 0:17:19 | |
Can't you talk to me here? | 0:17:21 | 0:17:22 | |
I want to talk to you in private. | 0:17:22 | 0:17:25 | |
When are you going to let me have sex with you? | 0:17:56 | 0:17:58 | |
I'm not. | 0:18:01 | 0:18:02 | |
All the things I've given you. | 0:18:04 | 0:18:05 | |
Kebabs, tikka, vodka, | 0:18:08 | 0:18:10 | |
cigarettes. | 0:18:10 | 0:18:12 | |
All for free. | 0:18:13 | 0:18:15 | |
It's part of the deal. | 0:18:15 | 0:18:17 | |
I buy you things and you give me things. | 0:18:18 | 0:18:20 | |
Now it's your turn to give something to me. | 0:18:23 | 0:18:25 | |
We're friends. | 0:18:31 | 0:18:32 | |
Yeah. | 0:18:36 | 0:18:38 | |
And friends do things for each other. | 0:18:39 | 0:18:42 | |
Don't cry. | 0:18:47 | 0:18:48 | |
You are beautiful. | 0:18:50 | 0:18:52 | |
No. No. | 0:18:53 | 0:18:56 | |
SHE CRIES | 0:19:24 | 0:19:26 | |
HE GRUNTS | 0:19:27 | 0:19:30 | |
Look... | 0:20:02 | 0:20:03 | |
You're my bitch now... | 0:20:05 | 0:20:07 | |
..and if you cross me... | 0:20:09 | 0:20:11 | |
..I'll kill you. | 0:20:14 | 0:20:15 | |
KNOCKING | 0:20:39 | 0:20:40 | |
There's someone in. | 0:20:40 | 0:20:42 | |
It's Amber. | 0:20:43 | 0:20:45 | |
DOOR OPENS THEN CLOSES | 0:20:48 | 0:20:50 | |
He stinks, doesn't he? | 0:21:02 | 0:21:03 | |
Like curry. | 0:21:05 | 0:21:07 | |
He's not as bad as Chef, though - he's hanging, he is. | 0:21:08 | 0:21:11 | |
He's always got food in his teeth. | 0:21:11 | 0:21:14 | |
Don't let them kiss you. | 0:21:29 | 0:21:31 | |
I never take my top off or nothing. | 0:21:35 | 0:21:37 | |
No way would I let 'em touch my tits. | 0:21:42 | 0:21:44 | |
Do you know what Rochdale needs? | 0:21:53 | 0:21:56 | |
Another Subway. | 0:21:56 | 0:21:57 | |
Why? There's nowhere to go. | 0:21:57 | 0:22:00 | |
Are you joking? | 0:22:01 | 0:22:03 | |
Subway. Like subs. | 0:22:03 | 0:22:07 | |
Like food. | 0:22:07 | 0:22:08 | |
You're hanging, aren't you? | 0:22:13 | 0:22:14 | |
I need to feed you, like now. | 0:22:14 | 0:22:17 | |
Get in. | 0:22:22 | 0:22:24 | |
We're just going for us breakfast. | 0:22:24 | 0:22:26 | |
Get in. | 0:22:26 | 0:22:27 | |
Don't cross me. | 0:22:27 | 0:22:30 | |
You. Out. | 0:22:45 | 0:22:48 | |
No. I'll come with you. | 0:22:48 | 0:22:50 | |
You, stay. | 0:22:50 | 0:22:51 | |
Amber, out. | 0:22:51 | 0:22:52 | |
It's cool. I'll see you in a bit. | 0:22:59 | 0:23:02 | |
MAN: So we've got one for... | 0:23:32 | 0:23:34 | |
Hey! | 0:23:50 | 0:23:51 | |
Hey. You want some jiggy jiggy? | 0:23:54 | 0:23:57 | |
No. No. | 0:23:57 | 0:23:58 | |
Oh, come on. Let me touch your puddy. | 0:23:58 | 0:24:01 | |
Get off me! Get off me! | 0:24:01 | 0:24:04 | |
-Come on! -Get off me! | 0:24:04 | 0:24:05 | |
Get off me! Get off me! | 0:24:21 | 0:24:24 | |
Call Daddy! | 0:24:27 | 0:24:29 | |
Right. Interview concluded at 10.48pm. | 0:24:38 | 0:24:43 | |
MACHINE CLICKS | 0:24:43 | 0:24:44 | |
You'll get a court summons for the criminal damage charge | 0:24:46 | 0:24:48 | |
through the post. | 0:24:48 | 0:24:50 | |
He raped me. | 0:25:05 | 0:25:06 | |
What? | 0:25:11 | 0:25:12 | |
Who did? | 0:25:14 | 0:25:15 | |
The delivery driver. | 0:25:19 | 0:25:22 | |
Where did he do that to you, Holly? | 0:25:22 | 0:25:24 | |
In Top Curry. | 0:25:26 | 0:25:28 | |
And in a car park. | 0:25:28 | 0:25:30 | |
Do you still have the clothes you were wearing? | 0:25:32 | 0:25:34 | |
Yeah. | 0:25:36 | 0:25:37 | |
The underwear? | 0:25:37 | 0:25:39 | |
Yeah. | 0:25:39 | 0:25:40 | |
That's good. | 0:25:40 | 0:25:41 | |
We need things like that, you see, because they might be evidence. | 0:25:41 | 0:25:44 | |
When did this happen? | 0:25:44 | 0:25:46 | |
Friday. | 0:25:49 | 0:25:50 | |
And then you went home? | 0:25:50 | 0:25:52 | |
No. I was staying with mates. | 0:25:52 | 0:25:55 | |
The car park? You were saying something about a car park? | 0:25:58 | 0:26:01 | |
That were today. | 0:26:01 | 0:26:02 | |
You're going to need to help me. | 0:26:05 | 0:26:07 | |
You're saying someone's raped you on Friday, | 0:26:07 | 0:26:11 | |
you stayed the night with a pal, | 0:26:11 | 0:26:14 | |
and then the same man's raped you again the next day? | 0:26:14 | 0:26:18 | |
How did he get you to the car park? | 0:26:20 | 0:26:22 | |
Car. | 0:26:26 | 0:26:27 | |
Whose car? | 0:26:27 | 0:26:29 | |
His. | 0:26:31 | 0:26:32 | |
So he forced you into his car? | 0:26:35 | 0:26:37 | |
Did he force you into his car, Holly? | 0:26:40 | 0:26:43 | |
No. | 0:26:46 | 0:26:48 | |
I just went. | 0:26:50 | 0:26:51 | |
You're raped... | 0:26:56 | 0:26:58 | |
You're raped once. | 0:27:02 | 0:27:04 | |
You don't walk back into it, do you? | 0:27:05 | 0:27:07 | |
You don't go back for more, do you? | 0:27:11 | 0:27:13 | |
FOOTSTEPS | 0:27:16 | 0:27:19 | |
These are the clothes the police wanted. | 0:27:24 | 0:27:26 | |
Do you understand what you've come to talk to me about today? | 0:27:34 | 0:27:37 | |
Yeah. | 0:27:37 | 0:27:39 | |
OK, and what do YOU think that's about? | 0:27:39 | 0:27:42 | |
About...what happened at... | 0:27:44 | 0:27:47 | |
..with the men at Top Curry. | 0:27:52 | 0:27:55 | |
About what happened with the men at Top Curry. | 0:27:55 | 0:27:59 | |
OK. Obviously, I've got to ask you some questions | 0:27:59 | 0:28:04 | |
about what they actually did to you during the sex, OK? | 0:28:04 | 0:28:08 | |
It hurt, because I didn't want to do it. | 0:28:10 | 0:28:14 | |
Because I'd only, like, had sex | 0:28:16 | 0:28:18 | |
a couple of times before that. | 0:28:18 | 0:28:20 | |
Say again, sorry? | 0:28:22 | 0:28:23 | |
Erm...cos I'd only had sex, like, a couple of times before that. | 0:28:26 | 0:28:32 | |
Now, obviously that's something that's going to be important | 0:28:34 | 0:28:39 | |
for me to cover. | 0:28:39 | 0:28:40 | |
How many times prior to this... | 0:28:41 | 0:28:45 | |
This is the first time | 0:28:45 | 0:28:47 | |
that anything happened with the people from there, yeah? | 0:28:47 | 0:28:51 | |
How many other times had you had sex before? | 0:28:55 | 0:28:58 | |
I want you to come home, Holly. | 0:29:11 | 0:29:12 | |
Stop here till we get this sorted, will you? | 0:29:15 | 0:29:18 | |
Please. | 0:29:19 | 0:29:21 | |
KNOCKING | 0:29:39 | 0:29:41 | |
Shabir Ahmed? | 0:29:45 | 0:29:46 | |
Yes. | 0:29:46 | 0:29:48 | |
We're arresting you on suspicion of rape. | 0:29:48 | 0:29:50 | |
THEY CHATTER | 0:30:01 | 0:30:04 | |
Right. Who wants a drink? | 0:30:04 | 0:30:06 | |
-Juice, please! -Milk, please. | 0:30:06 | 0:30:08 | |
I'll help you. | 0:30:08 | 0:30:09 | |
RINGING TONE | 0:30:42 | 0:30:44 | |
VIBRATING | 0:30:44 | 0:30:46 | |
BEEPING | 0:30:57 | 0:30:59 | |
'You have one new message. | 0:31:01 | 0:31:04 | |
'Holly, I'm outside your house.' | 0:31:04 | 0:31:07 | |
SHE CLOSES PHONE | 0:31:07 | 0:31:08 | |
Don't come here. | 0:31:24 | 0:31:25 | |
Don't text me or ring me or nothing. Just leave me alone! | 0:31:25 | 0:31:28 | |
Daddy's out. | 0:31:28 | 0:31:30 | |
No, he's not. He got arrested. | 0:31:30 | 0:31:33 | |
Well, he's out on bail now and he knows it was you. | 0:31:33 | 0:31:35 | |
-DADDY: -'That fucking little witch, your friend. | 0:31:35 | 0:31:38 | |
'You tell her I'm coming for her. | 0:31:38 | 0:31:40 | |
'You better tell her I'm coming to her house now, | 0:31:40 | 0:31:42 | |
'and I'm going to drag her out of there and I'm going to kill her.' | 0:31:42 | 0:31:45 | |
You can't stay here. | 0:31:45 | 0:31:47 | |
You can't. | 0:31:47 | 0:31:49 | |
He says he's going to rape your sisters and burn your house down. | 0:31:49 | 0:31:52 | |
Come on, Holly. | 0:31:55 | 0:31:56 | |
We need to sort it. | 0:31:58 | 0:32:00 | |
We're going to sort it. | 0:32:01 | 0:32:03 | |
If you tell the cops you made it up, | 0:32:04 | 0:32:07 | |
they'll drop the charges and he'll leave you alone. | 0:32:07 | 0:32:09 | |
BANGING | 0:32:12 | 0:32:14 | |
Slags! You fucking slags! I know you're fucking in there. | 0:32:14 | 0:32:18 | |
Come out, you fucking slags! | 0:32:18 | 0:32:20 | |
I'm going to kill you! | 0:32:22 | 0:32:23 | |
Daddy's here and he's going mad. Can you come round? | 0:32:26 | 0:32:29 | |
Now. Yeah, now. | 0:32:29 | 0:32:31 | |
You know what these fucking bitches have fucking done? | 0:32:36 | 0:32:39 | |
They have gone to the station and spoken to the police about me. | 0:32:39 | 0:32:42 | |
Calm down. Calm down. | 0:32:42 | 0:32:44 | |
Tariq's told him to fuck right off. | 0:32:48 | 0:32:50 | |
Done. | 0:33:00 | 0:33:01 | |
He practically left skiddies on the road, he ran off so fast. | 0:33:01 | 0:33:04 | |
Don't worry, yeah? | 0:33:04 | 0:33:07 | |
C'mon. Let's do one. | 0:33:07 | 0:33:08 | |
Come on! Holly, it'll be fine. | 0:33:09 | 0:33:12 | |
Come on. | 0:33:12 | 0:33:14 | |
Where we going? | 0:33:20 | 0:33:22 | |
Party. | 0:33:22 | 0:33:24 | |
Where? | 0:33:24 | 0:33:25 | |
Where's Ruby and Zoe? | 0:33:25 | 0:33:27 | |
Dunno. | 0:33:27 | 0:33:29 | |
Well, fucking find out and we'll pick 'em up. | 0:33:29 | 0:33:32 | |
Where are you? We're going to come and get you. | 0:33:35 | 0:33:37 | |
We're with Tariq. | 0:33:37 | 0:33:38 | |
LAUGHTER AND CHATTER | 0:33:54 | 0:33:56 | |
Hiya, Billy. | 0:33:57 | 0:33:58 | |
Are you 'avin' some beer? | 0:33:58 | 0:34:00 | |
-Yeah, OK. -Come and see what there is. | 0:34:00 | 0:34:02 | |
It's quite warm in here, isn't it? | 0:34:02 | 0:34:04 | |
Have summat cold. There you go. | 0:34:06 | 0:34:08 | |
THEY TALK IN DIFFERENT LANGUAGE | 0:34:12 | 0:34:15 | |
Ugh, that is hanging. | 0:34:35 | 0:34:36 | |
THEY CHUCKLE | 0:34:36 | 0:34:37 | |
You're going with him. You're going with him. | 0:34:39 | 0:34:42 | |
Holly, you're going with him. | 0:34:44 | 0:34:46 | |
Amber, you're going with them two. | 0:34:46 | 0:34:48 | |
I'll be back after, yeah? All right? | 0:34:48 | 0:34:51 | |
I'm off. | 0:34:51 | 0:34:52 | |
Cheers, bro. | 0:34:54 | 0:34:56 | |
I'm not going with anyone. | 0:35:00 | 0:35:02 | |
Yeah, you are. You're with him. | 0:35:02 | 0:35:05 | |
You'll be all right with him cos he's good-looking. | 0:35:12 | 0:35:14 | |
No. | 0:35:14 | 0:35:16 | |
I'll go. | 0:35:22 | 0:35:23 | |
No. I want her. | 0:35:23 | 0:35:25 | |
Holly... You have to. | 0:35:29 | 0:35:33 | |
I'm ringing Tariq. | 0:35:34 | 0:35:36 | |
Fuck's sake! Will you just fucking do it? | 0:35:36 | 0:35:38 | |
Go. With him. Now. | 0:35:39 | 0:35:42 | |
She'll do it. | 0:35:51 | 0:35:52 | |
Good girl. | 0:36:34 | 0:36:35 | |
Ruby. Ruby, wake up. | 0:36:37 | 0:36:40 | |
See you. | 0:36:50 | 0:36:52 | |
Holly? | 0:37:22 | 0:37:23 | |
Holly? | 0:37:24 | 0:37:26 | |
KNOCKING, HE BARKS | 0:37:26 | 0:37:28 | |
Holly, love. | 0:37:33 | 0:37:34 | |
Please, sweetheart! | 0:37:36 | 0:37:38 | |
Can you come down? | 0:37:38 | 0:37:40 | |
You're all right - they've gone. | 0:37:55 | 0:37:56 | |
CAR DRIVES AWAY | 0:37:58 | 0:38:00 | |
# Ole! Ole ole ole ole... # | 0:38:02 | 0:38:09 | |
Ruby, can you get down, please, | 0:38:13 | 0:38:16 | |
or else I'm going to have to ask you to leave. | 0:38:16 | 0:38:18 | |
Fuck off. | 0:38:18 | 0:38:19 | |
Oi! | 0:38:21 | 0:38:23 | |
Oi! Get down from there, and don't speak to Sara like that. | 0:38:24 | 0:38:29 | |
It's Holly, in't it? | 0:38:32 | 0:38:34 | |
Is there a loo here? | 0:38:35 | 0:38:36 | |
Yeah. It's just over there. | 0:38:36 | 0:38:38 | |
Amber, why don't you go in with Yvonne? | 0:38:41 | 0:38:44 | |
Just waiting on Holly. | 0:38:44 | 0:38:46 | |
You go in with Yvonne and Holly can come in with me when she's ready. | 0:38:46 | 0:38:49 | |
No. Where she goes, I go. We're mates. We stick together. | 0:38:49 | 0:38:53 | |
Yvonne, will you have a word? | 0:38:54 | 0:38:57 | |
Oi. You're hyper today. | 0:38:57 | 0:39:00 | |
Why are you hyper? | 0:39:00 | 0:39:02 | |
I'm not. I'm knackered. | 0:39:02 | 0:39:04 | |
Why's that? | 0:39:04 | 0:39:05 | |
Been out. | 0:39:05 | 0:39:07 | |
Where to? | 0:39:07 | 0:39:08 | |
Dunno. I was drunk. | 0:39:08 | 0:39:11 | |
It was dead funny, right, cos Billy videoed me dancing naked | 0:39:11 | 0:39:15 | |
and put it on the internet, and now I'm famous in Pakistan. | 0:39:15 | 0:39:19 | |
Who's Billy? | 0:39:19 | 0:39:21 | |
Me boyfriend. | 0:39:22 | 0:39:25 | |
Billy what? | 0:39:25 | 0:39:26 | |
Dunno. | 0:39:26 | 0:39:28 | |
If he's your boyfriend, do you not think it's a bit strange | 0:39:28 | 0:39:30 | |
you don't know his last name? | 0:39:30 | 0:39:32 | |
RINGING | 0:39:33 | 0:39:35 | |
Assalaamu Alaikum. | 0:39:40 | 0:39:42 | |
Yeah. | 0:39:42 | 0:39:44 | |
Taxi. | 0:39:45 | 0:39:47 | |
Come on, Amber, we're going. | 0:39:47 | 0:39:50 | |
Holly? | 0:39:50 | 0:39:51 | |
Older Asian men, vulnerable young girls. It's happening again. | 0:39:53 | 0:39:59 | |
Well, course it is. Why would it have gone away? | 0:39:59 | 0:40:02 | |
The police and social services have never done a thing about it. | 0:40:02 | 0:40:05 | |
-Do you think Billy's that Bilal from before? -I don't know. | 0:40:05 | 0:40:08 | |
It's all fake names, in't it? He was everyone's boyfriend, wasn't he? | 0:40:08 | 0:40:13 | |
Where are we? Olivia, Megan, Katy, Poppy. | 0:40:13 | 0:40:16 | |
It was all sunshine and presents till | 0:40:16 | 0:40:19 | |
they were getting plastic bags over their heads | 0:40:19 | 0:40:21 | |
while four men fucked them up the arse. | 0:40:21 | 0:40:23 | |
I want us recording what's going on with these girls. | 0:40:24 | 0:40:27 | |
Every name they mention, every address, every physical description. | 0:40:27 | 0:40:31 | |
We are going to be shit hot. | 0:40:31 | 0:40:34 | |
We're going to get all the evidence | 0:40:34 | 0:40:37 | |
and we're telling everyone what we know. | 0:40:37 | 0:40:39 | |
There's a problem in Rochdale, | 0:40:39 | 0:40:41 | |
with kids, with really vulnerable kids, | 0:40:41 | 0:40:44 | |
being groomed for sex by much older men. | 0:40:44 | 0:40:46 | |
We know it's going on because the kids are coming in and telling us. | 0:40:46 | 0:40:50 | |
I've got the girls' names, details of the perpetrators, | 0:40:50 | 0:40:55 | |
and there's a diagram which shows how these cases might link | 0:40:55 | 0:41:01 | |
to past cases of this kind of abuse in Rochdale. | 0:41:01 | 0:41:05 | |
What I would say on behalf of the police is we are aware | 0:41:05 | 0:41:08 | |
of the problem, but it's not an easy one to deal with. | 0:41:08 | 0:41:12 | |
These are girls with chaotic lives. | 0:41:12 | 0:41:15 | |
And when we do go out and pick 'em up from kebab houses and the like, | 0:41:15 | 0:41:18 | |
they don't want to come. They want to stay where they are. | 0:41:18 | 0:41:22 | |
We're talking about 13-, 14-year-old girls, | 0:41:22 | 0:41:25 | |
with men in their 30s, 40s and 50s. | 0:41:25 | 0:41:28 | |
If I can speak to that from a social services point of view... | 0:41:28 | 0:41:33 | |
Unless abuse is taking place within the family, | 0:41:33 | 0:41:36 | |
it's not something we'd get involved in. | 0:41:36 | 0:41:39 | |
Ruby and Amber Bowen are on the child protection register, Sara. | 0:41:39 | 0:41:43 | |
That family's surrounded by workers. | 0:41:43 | 0:41:46 | |
It don't matter if they've got a fleet of staff, does it, | 0:41:46 | 0:41:50 | |
if it's not making any difference to what's going on. | 0:41:50 | 0:41:53 | |
These are streetwise girls, Sara. | 0:41:53 | 0:41:56 | |
Would it make a difference if I told you what kind of sex | 0:41:56 | 0:41:59 | |
they were having? Anal, no condom, no lube. | 0:41:59 | 0:42:03 | |
Giving out blow jobs like sweets. | 0:42:03 | 0:42:06 | |
Plied with vodka, can't remember, so not in a position to give consent. | 0:42:06 | 0:42:12 | |
13-year-old, learning needs, tells me she's famous in Pakistan | 0:42:12 | 0:42:17 | |
because she's been videoed dancing naked | 0:42:17 | 0:42:19 | |
and it's been put on the internet. | 0:42:19 | 0:42:21 | |
And what do you want us to do, Sara? | 0:42:21 | 0:42:25 | |
What it is, Jillian, I'm a sexual health worker. | 0:42:28 | 0:42:34 | |
My job is to offer sex-and-relationship education, | 0:42:34 | 0:42:38 | |
make sure a young person's contraception's sorted, | 0:42:38 | 0:42:40 | |
and to share information if I think a young person's at risk, | 0:42:40 | 0:42:44 | |
so here I am, sharing information, | 0:42:44 | 0:42:46 | |
telling you that there are young people at risk. | 0:42:46 | 0:42:49 | |
And if you think I'm pecking your 'ead, it's cos I am. | 0:42:49 | 0:42:53 | |
Because you're the ones with the statutory power | 0:42:53 | 0:42:56 | |
to do something about it. | 0:42:56 | 0:42:58 | |
MUSIC: Dance Wiv Me by Dizzee Rascal ft Calvin Harris | 0:43:02 | 0:43:05 | |
Eh, here she comes. | 0:43:13 | 0:43:14 | |
Is that your jumper on her, knobhead? | 0:43:17 | 0:43:20 | |
You look lovely, don't you, Georgie-Pie? | 0:43:20 | 0:43:23 | |
-You ready for school tomorrow? -Yeah. | 0:43:23 | 0:43:25 | |
-VOICES FADE -Do us a favour, actually.... | 0:43:28 | 0:43:33 | |
-KNOCK -Get that for me, will you? | 0:43:35 | 0:43:37 | |
We're going to have strawberry and... | 0:43:37 | 0:43:40 | |
Hiya. | 0:43:44 | 0:43:45 | |
My God, Holly, look at you. | 0:43:56 | 0:43:58 | |
I need my uniform. School starts tomorrow. | 0:43:58 | 0:44:01 | |
Get up them stairs. I don't want the little 'uns seeing you. | 0:44:01 | 0:44:04 | |
Get up there now. Go on, get in the bath or something. | 0:44:06 | 0:44:09 | |
Do you want me to get naked for you, Dad? | 0:44:09 | 0:44:11 | |
What did you say? | 0:44:13 | 0:44:15 | |
What did you say to me? | 0:44:16 | 0:44:17 | |
Hiya, Holly. | 0:44:17 | 0:44:19 | |
-Hiya. -Holly. | 0:44:19 | 0:44:21 | |
-Go upstairs and get her uniform. -Is she going to school like that? | 0:44:24 | 0:44:27 | |
Do as you're told! | 0:44:27 | 0:44:29 | |
Shall I do a prossie dance for you? | 0:44:38 | 0:44:40 | |
Look. | 0:44:41 | 0:44:43 | |
What are you doing? | 0:44:47 | 0:44:49 | |
What are you doing?! | 0:44:50 | 0:44:52 | |
Jim! Jim, Jim, Jim! Get off! | 0:44:52 | 0:44:55 | |
Holly! Holly, please. Holly, please. Please don't go. | 0:44:55 | 0:44:59 | |
Holly, do not go back there, please. Holly! Holly! | 0:44:59 | 0:45:05 | |
SHE SOBS | 0:45:05 | 0:45:06 | |
Read the question. | 0:45:13 | 0:45:16 | |
Sounds obvious, but it's the number one thing | 0:45:16 | 0:45:19 | |
that even the most well-prepared candidates fail to do. | 0:45:19 | 0:45:22 | |
80 marks for the whole paper. | 0:45:22 | 0:45:25 | |
40 marks for section A. | 0:45:25 | 0:45:27 | |
Here y'are. | 0:46:06 | 0:46:08 | |
Where's Zoe? | 0:46:08 | 0:46:10 | |
Zoe don't live in Rochdale no more. | 0:46:10 | 0:46:12 | |
Well, who else, then? Ring some others. Hurry up. | 0:46:12 | 0:46:14 | |
Like who? | 0:46:14 | 0:46:15 | |
"Like who?" | 0:46:17 | 0:46:18 | |
Like who? Like I don't fucking know who. Like fucking younger. | 0:46:19 | 0:46:25 | |
Like not a fucking skank. Hurry the fuck up. | 0:46:25 | 0:46:28 | |
Right. Fuck it. | 0:46:33 | 0:46:35 | |
INAUDIBLE | 0:47:35 | 0:47:37 | |
I'm meant to get more money. | 0:48:19 | 0:48:21 | |
Good one. Right. | 0:48:21 | 0:48:24 | |
No, for Tariq. You've got to give me more money. | 0:48:24 | 0:48:27 | |
Fuck off. | 0:48:28 | 0:48:29 | |
Give it me. | 0:48:31 | 0:48:32 | |
Give it me or I'll tell - I'll tell on the lot of you! | 0:48:32 | 0:48:35 | |
Fucking slag! | 0:48:35 | 0:48:36 | |
Where the fuck are we? | 0:48:48 | 0:48:50 | |
I can't walk no more. | 0:48:50 | 0:48:52 | |
Is it Tariq? | 0:48:55 | 0:48:57 | |
See that? | 0:49:02 | 0:49:04 | |
You tell anyone, I'll come to Rochdale | 0:49:04 | 0:49:06 | |
and I'll fucking kill you. | 0:49:06 | 0:49:07 | |
Bradford. | 0:49:17 | 0:49:19 | |
We're in fucking Bradford. | 0:49:20 | 0:49:22 | |
Holly Winshaw's pregnant. | 0:49:55 | 0:49:57 | |
Yeah, well, I'm going to tell her to go home tonight and talk to | 0:49:57 | 0:50:00 | |
her family and we'll go round in morning | 0:50:00 | 0:50:03 | |
and help her explain things to her mum and dad. | 0:50:03 | 0:50:05 | |
Yeah, w... How're you fixed for ten? | 0:50:05 | 0:50:09 | |
My name's Caroline Wallace and this is my colleague. | 0:50:12 | 0:50:16 | |
You know why we're here, Holly? | 0:50:18 | 0:50:20 | |
About the baby. | 0:50:22 | 0:50:23 | |
The baby, yes. And about your lifestyle choice. | 0:50:23 | 0:50:28 | |
Lifestyle choice? What are you talking about? | 0:50:30 | 0:50:32 | |
We've had information from Sexual Health | 0:50:32 | 0:50:35 | |
that Holly has been working as a prostitute. | 0:50:35 | 0:50:38 | |
No, I haven't. | 0:50:38 | 0:50:40 | |
Dad, I haven't. | 0:50:42 | 0:50:43 | |
If that carries on, I have to tell you that we'd need | 0:50:43 | 0:50:47 | |
to do a pre-birth assessment, | 0:50:47 | 0:50:48 | |
and that could mean us taking the baby into care as soon as it's born. | 0:50:48 | 0:50:53 | |
-Why did you do it? -What? -Why did you tell 'em that I'm a prostitute? | 0:50:58 | 0:51:02 | |
Tell 'em what?! Hey, wait a min... Who's told 'em that? | 0:51:02 | 0:51:06 | |
He's calling me a slag. I'm never coming back here. | 0:51:06 | 0:51:08 | |
Who are you? | 0:51:08 | 0:51:10 | |
SHE SIGHS | 0:51:10 | 0:51:11 | |
What you come to tell me now? | 0:51:11 | 0:51:13 | |
Sorry, I'm a little bit confused by what's gone on here. | 0:51:13 | 0:51:17 | |
I was meant to meet a colleague here at ten o'clock. | 0:51:17 | 0:51:21 | |
Well, you missed 'er. She's been and gone. | 0:51:21 | 0:51:23 | |
Could I come in, please? | 0:51:27 | 0:51:28 | |
She's not a prostitute. | 0:51:35 | 0:51:37 | |
We don't know what to think. We don't know who to believe. | 0:51:41 | 0:51:45 | |
Listen to me. | 0:51:45 | 0:51:47 | |
Holly is categorically not a prostitute. | 0:51:48 | 0:51:53 | |
Is not now and never has been. | 0:51:53 | 0:51:56 | |
Cos there's no such thing as a child prostitute. | 0:51:56 | 0:51:59 | |
What there is is a child who's being abused. | 0:51:59 | 0:52:02 | |
By who? | 0:52:04 | 0:52:06 | |
By men who pick on vulnerable girls. | 0:52:07 | 0:52:10 | |
The scum she hangs round with - | 0:52:10 | 0:52:12 | |
they're vulnerable, | 0:52:12 | 0:52:14 | |
they might need food and attention, but Holly... | 0:52:14 | 0:52:16 | |
We... We lost our house. | 0:52:20 | 0:52:22 | |
What's that got to do with anything? | 0:52:22 | 0:52:24 | |
We haven't been in a good state, really. | 0:52:26 | 0:52:29 | |
Rachel's fine. Rachel's fantastic. | 0:52:29 | 0:52:31 | |
They're all four very different, Jim, | 0:52:31 | 0:52:33 | |
but Holly's the shyest and most sensitive of the lot. | 0:52:33 | 0:52:38 | |
She's the brightest an' all, so I expect more. | 0:52:38 | 0:52:40 | |
I can't take this in. | 0:52:46 | 0:52:48 | |
You're saying she's been abused. | 0:52:51 | 0:52:54 | |
Being abused. | 0:52:56 | 0:52:57 | |
She's still in it. | 0:52:59 | 0:53:01 | |
Why didn't she just come home? | 0:53:01 | 0:53:03 | |
Cos she's ashamed and she's confused | 0:53:06 | 0:53:10 | |
and because she's bloody terrified. | 0:53:10 | 0:53:13 | |
The men who do this, they have total control over these kids. | 0:53:14 | 0:53:18 | |
The baby... | 0:53:18 | 0:53:20 | |
Whose...? Is it one of theirs? | 0:53:22 | 0:53:25 | |
She doesn't know. | 0:53:26 | 0:53:28 | |
Do you know how it works with young people? Trust takes time. | 0:53:40 | 0:53:43 | |
-This is not appropriate. -I'll tell you what's not appropriate - | 0:53:43 | 0:53:47 | |
telling Holly Winshaw's family that she's a prostitute. | 0:53:47 | 0:53:50 | |
How does that help that kid? | 0:53:50 | 0:53:52 | |
By making sure it's not left with an unsuitable mother. | 0:53:52 | 0:53:55 | |
Eh? | 0:53:55 | 0:53:57 | |
I'm talking about Holly! | 0:53:57 | 0:54:00 | |
Not the baby. Not the unborn baby, | 0:54:00 | 0:54:03 | |
but the 15-year-old kid - Holly. | 0:54:03 | 0:54:06 | |
Ah, do you know, it's like one of them Magic Eye posters. | 0:54:08 | 0:54:12 | |
Me and you, we're looking at the same thing, | 0:54:12 | 0:54:15 | |
but where I am seeing kids being turned inside out by abusers, | 0:54:15 | 0:54:18 | |
all you lot are seeing is slags who bring it on themselves. | 0:54:18 | 0:54:23 | |
OK, Holly. | 0:54:40 | 0:54:41 | |
Holly, I want you to go to the police. | 0:54:49 | 0:54:51 | |
No way. | 0:54:52 | 0:54:53 | |
Let's stop this. | 0:54:55 | 0:54:57 | |
You and me. | 0:54:57 | 0:54:59 | |
Now. | 0:54:59 | 0:55:00 | |
I'm not going to the police. | 0:55:02 | 0:55:05 | |
Cos you're scared of what they said they might do to you? | 0:55:05 | 0:55:08 | |
Cos I done it already. | 0:55:09 | 0:55:11 | |
Nothing happened. | 0:55:12 | 0:55:14 | |
Just got worse. | 0:55:15 | 0:55:17 | |
Tell ME. Tell me everything you want the police to know. | 0:55:17 | 0:55:22 | |
I want you to read that. | 0:55:28 | 0:55:30 | |
If you're happy it's what you've told me, | 0:55:30 | 0:55:33 | |
I want you to sign every page. | 0:55:33 | 0:55:36 | |
I'll run you home. | 0:56:00 | 0:56:02 | |
I'm not going home. | 0:56:02 | 0:56:04 | |
I CAN'T go home. | 0:56:05 | 0:56:06 | |
DOOR OPENS | 0:56:10 | 0:56:12 | |
Where've you been? | 0:56:21 | 0:56:23 | |
To get some clean clothes. | 0:56:23 | 0:56:25 | |
Where are they, then? | 0:56:28 | 0:56:30 | |
Go and put 'em on. | 0:56:33 | 0:56:34 | |
BEEPING | 0:56:38 | 0:56:39 | |
Go and get changed. Tariq's on his way. | 0:56:42 | 0:56:44 | |
I'm not going out. | 0:56:44 | 0:56:46 | |
Yeah, you are. | 0:56:53 | 0:56:54 | |
KNOCKING | 0:56:56 | 0:56:58 | |
Yeah, you fucking are. | 0:56:59 | 0:57:01 | |
I'll get battered if you don't. | 0:57:01 | 0:57:02 | |
-JIM: -Please, love, I just want to speak to you. | 0:57:02 | 0:57:05 | |
Fucking town crier's back. | 0:57:05 | 0:57:08 | |
Here, mate, will you fuck off? | 0:57:08 | 0:57:10 | |
She's not here. | 0:57:10 | 0:57:12 | |
Please, love. I'll hold me hands up, Holly. | 0:57:12 | 0:57:17 | |
I was wrong from start to finish. | 0:57:17 | 0:57:20 | |
I'm sorry. | 0:57:21 | 0:57:22 | |
Please. | 0:57:22 | 0:57:24 | |
Holly! | 0:57:28 | 0:57:29 | |
I can't talk here. | 0:57:45 | 0:57:46 | |
I want you to come home. | 0:57:46 | 0:57:49 | |
Please. | 0:57:49 | 0:57:51 | |
I've gone to the police. | 0:57:51 | 0:57:53 | |
I don't know what they're going to do to us. | 0:57:53 | 0:57:55 | |
Who? Who? | 0:57:55 | 0:57:58 | |
The men. | 0:57:58 | 0:58:00 | |
They'll do nothing to us. You hear me? They'll do nothing. | 0:58:00 | 0:58:04 | |
Come home with us and we'll sort this, I promise you. | 0:58:04 | 0:58:08 | |
We'll sort it. | 0:58:09 | 0:58:11 | |
We're arresting you on suspicion of inciting girls to prostitution. | 0:58:54 | 0:58:58 | |
She's 15. | 0:58:58 | 0:58:59 | |
15 in a cell. | 0:58:59 | 0:59:00 | |
How many victims? | 0:59:00 | 0:59:01 | |
47. We're drowning in it. | 0:59:01 | 0:59:04 | |
This entire operation stands and falls | 0:59:04 | 0:59:07 | |
on us being able to re-engage these girls. | 0:59:07 | 0:59:10 | |
This is the biggest operation GMP's running. | 0:59:10 | 0:59:12 | |
What do you think's been happening to those girls in the meantime? | 0:59:12 | 0:59:15 | |
He loved me. | 0:59:15 | 0:59:16 | |
You're a pointless fucking bitch, do you know that? | 0:59:16 | 0:59:19 | |
What's so different about you? | 0:59:19 | 0:59:21 | |
I've talked to them and talked to them, | 0:59:21 | 0:59:22 | |
and then they turn round and call me a liar. | 0:59:22 | 0:59:25 |