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This programme contains strong language from the start, | 0:00:02 | 0:00:09 | |
and scenes which some viewers may find disturbing. | 0:00:09 | 0:00:16 | |
Right, Holly. Shall we start again? | 0:00:17 | 0:00:21 | |
From the beginning. | 0:00:22 | 0:00:24 | |
'At me mates', there's no-one standing at the window | 0:00:28 | 0:00:32 | |
'waiting to kick off.' | 0:00:32 | 0:00:33 | |
If you like it so much, why don't you go live there, then?! | 0:00:33 | 0:00:36 | |
CHEERING | 0:00:36 | 0:00:37 | |
-When are you going to let me have sex with you? -No... No... | 0:00:37 | 0:00:41 | |
-'Don't let them kiss you.' -Get off me! | 0:00:41 | 0:00:43 | |
I don't take my top off, or nothing. | 0:00:43 | 0:00:45 | |
GLASS SMASHES | 0:00:45 | 0:00:47 | |
'You're not safe. | 0:00:47 | 0:00:48 | |
'He's going to kill you.' | 0:00:48 | 0:00:50 | |
THUD | 0:00:50 | 0:00:51 | |
MUFFLED SHOUT | 0:00:51 | 0:00:52 | |
Tell me everything you want the police to know. | 0:00:52 | 0:00:56 | |
Like who? | 0:00:57 | 0:00:59 | |
-I don't know what they're going to do to us. -Who? | 0:00:59 | 0:01:01 | |
The men. | 0:01:01 | 0:01:03 | |
They do nothing to us. | 0:01:03 | 0:01:04 | |
You come back home with us, and we'll sort this. I promise you. | 0:01:04 | 0:01:07 | |
We'll sort it. | 0:01:07 | 0:01:09 | |
You were saying, about Tariq and Amber... | 0:01:22 | 0:01:25 | |
Tariq started taking us places. | 0:01:28 | 0:01:30 | |
He started picking us up and... | 0:01:33 | 0:01:35 | |
..Amber thought that he was her boyfriend. | 0:01:37 | 0:01:39 | |
So, what did you think was going on when he picked you up? | 0:01:41 | 0:01:44 | |
I didn't actually know he was taking us to have sex. | 0:01:47 | 0:01:50 | |
I don't know if she did, but... | 0:01:53 | 0:01:55 | |
So, what did you think was going to happen? | 0:01:55 | 0:01:58 | |
I don't know. | 0:01:59 | 0:02:01 | |
KNOCK ON DOOR | 0:02:11 | 0:02:13 | |
MUSIC BLARES | 0:02:13 | 0:02:16 | |
-What do you want? -Is Amber Bowen at this address? | 0:02:17 | 0:02:20 | |
Amber! | 0:02:21 | 0:02:24 | |
Why, what do you want her for? | 0:02:24 | 0:02:25 | |
Hmm? | 0:02:27 | 0:02:28 | |
Amber Bowen? | 0:02:31 | 0:02:33 | |
Yeah. | 0:02:33 | 0:02:34 | |
We're arresting you on suspicion of inciting girls to prostitution. | 0:02:34 | 0:02:38 | |
Doing what? | 0:02:38 | 0:02:40 | |
She's 15. 15 - in a cell! | 0:02:42 | 0:02:45 | |
-She's being interviewed now. -What for? What for?! | 0:02:45 | 0:02:48 | |
She's got a solicitor with her. | 0:02:48 | 0:02:49 | |
I'm her mum! I should be in there with her. | 0:02:49 | 0:02:51 | |
-I know me fucking rights! -Look, you can either wait here | 0:02:51 | 0:02:54 | |
-or we'll call you when it's concluded. -She's 15! | 0:02:54 | 0:02:57 | |
BANG ON COUNTER | 0:02:57 | 0:02:59 | |
Are you arranging for girls to have sex with men? | 0:03:08 | 0:03:12 | |
No comment. | 0:03:12 | 0:03:14 | |
Are you taking money while other girls have sex with men? | 0:03:17 | 0:03:20 | |
No comment. | 0:03:21 | 0:03:24 | |
Are you a madam, Amber? | 0:03:24 | 0:03:26 | |
No comment. | 0:03:34 | 0:03:36 | |
Your mum's outside having a fag. | 0:03:42 | 0:03:45 | |
What you done? | 0:03:56 | 0:03:58 | |
They wouldn't tell me. | 0:03:58 | 0:04:00 | |
PHONE BEEPS | 0:04:00 | 0:04:02 | |
Is Ruby doing it? | 0:04:02 | 0:04:03 | |
Whatever it is, is Ruby doing it? | 0:04:03 | 0:04:06 | |
-I've got to go. -Where are you going? | 0:04:06 | 0:04:08 | |
Where are you going? | 0:04:09 | 0:04:11 | |
Ruby... | 0:04:37 | 0:04:39 | |
What? What are you doing? | 0:04:39 | 0:04:42 | |
Where do you go, when you're out with them Pakis? What do you do? | 0:04:42 | 0:04:46 | |
Um... | 0:04:47 | 0:04:49 | |
I sit on the settee. | 0:04:50 | 0:04:52 | |
They give me money for sitting on the settee. | 0:04:54 | 0:04:57 | |
Ruby is pregnant. | 0:05:10 | 0:05:12 | |
We'll need more tests to check for STIs. | 0:05:16 | 0:05:19 | |
Are you going to bash my face in? | 0:05:20 | 0:05:23 | |
No...Ruby... | 0:05:24 | 0:05:26 | |
-No. Why would you say that? -Cos that's what you always said. | 0:05:26 | 0:05:30 | |
TEARFULLY: If me or Amber got pregnant before we were 16... | 0:05:30 | 0:05:33 | |
Come here... | 0:05:33 | 0:05:36 | |
RUBY SOBS | 0:05:36 | 0:05:38 | |
Do you know who got you pregnant? | 0:05:41 | 0:05:43 | |
Yeah. | 0:05:43 | 0:05:45 | |
What's he called? | 0:05:46 | 0:05:47 | |
Billy. | 0:05:47 | 0:05:49 | |
Billy what? | 0:05:49 | 0:05:51 | |
Just Billy. | 0:05:51 | 0:05:52 | |
Do you know where he lives? | 0:05:54 | 0:05:56 | |
Havelock Grange. | 0:05:57 | 0:05:59 | |
Right. Come on. | 0:05:59 | 0:06:01 | |
Why? | 0:06:01 | 0:06:03 | |
I don't want him to get into trouble. | 0:06:03 | 0:06:05 | |
It's all right, you just point at his house. | 0:06:05 | 0:06:08 | |
Is that his taxi? | 0:06:23 | 0:06:25 | |
Yeah. | 0:06:25 | 0:06:26 | |
And is that his house? | 0:06:26 | 0:06:28 | |
Yeah. | 0:06:29 | 0:06:31 | |
Can we go now? | 0:06:31 | 0:06:32 | |
SHE WHIMPERS | 0:06:36 | 0:06:38 | |
-Bye. -Bye. -See ya. | 0:06:50 | 0:06:53 | |
Bye. | 0:06:53 | 0:06:55 | |
Bye. | 0:06:55 | 0:06:57 | |
KEYPAD BEEPS | 0:07:06 | 0:07:08 | |
PHONE RINGS | 0:07:08 | 0:07:09 | |
Hello, Rochdale Police. | 0:07:09 | 0:07:11 | |
'13-year-old on the child protection register, | 0:07:11 | 0:07:14 | |
'got a statement of learning needs, | 0:07:14 | 0:07:17 | |
'pregnant by a mid-30s man with a family of his own.' | 0:07:17 | 0:07:20 | |
I can tell you his name, his address, his licence plate. | 0:07:20 | 0:07:24 | |
She's getting a termination tomorrow | 0:07:25 | 0:07:28 | |
at Millfield Road Clinic, 3 o'clock. | 0:07:28 | 0:07:31 | |
DOOR CLOSES | 0:07:39 | 0:07:40 | |
Hello. Ruby Bowen? | 0:07:44 | 0:07:46 | |
Ruby's frightened of needles. | 0:07:47 | 0:07:49 | |
She'll be fine. | 0:07:49 | 0:07:51 | |
-WHISPERS: -It's OK. | 0:08:03 | 0:08:04 | |
He was doing appeasement. | 0:08:36 | 0:08:38 | |
What's that, then? | 0:08:38 | 0:08:40 | |
Like, he was just saying yeah to what Hitler wanted, | 0:08:40 | 0:08:44 | |
-just to, like, keep the peace? -Very good. | 0:08:44 | 0:08:47 | |
-Where was he from? -The Conservatives. | 0:08:47 | 0:08:50 | |
-What part of the world? -Well, that's not in it, is it? | 0:08:50 | 0:08:54 | |
It's a bonus question. | 0:08:54 | 0:08:56 | |
Dad! It's GCSEs not a pub quiz. | 0:08:56 | 0:08:59 | |
Oi, smartarse, how many GCSEs have you got? | 0:08:59 | 0:09:02 | |
-How many have you? -No comment. | 0:09:02 | 0:09:04 | |
Well, what about what's in there? Did I do all right? | 0:09:04 | 0:09:06 | |
All right? You got every one. | 0:09:06 | 0:09:09 | |
And for that, Paxo here's going to make you a cup of tea. | 0:09:09 | 0:09:14 | |
One for me, as well, please! | 0:09:14 | 0:09:16 | |
HUBBUB | 0:09:31 | 0:09:33 | |
-What's her name? -She's so cute. | 0:09:33 | 0:09:36 | |
Holly. | 0:09:36 | 0:09:37 | |
I've got yours. | 0:09:37 | 0:09:39 | |
ALL CHATTER | 0:09:39 | 0:09:42 | |
Girls, can we have a minute, please? | 0:09:42 | 0:09:44 | |
Did I pass any? | 0:09:47 | 0:09:48 | |
You passed them all. | 0:09:49 | 0:09:51 | |
Every one. | 0:09:53 | 0:09:55 | |
You can do A levels, Holly. | 0:09:55 | 0:09:57 | |
You can go to university. | 0:09:57 | 0:09:59 | |
You can do whatever you want. | 0:09:59 | 0:10:01 | |
THEY CHUCKLE | 0:10:01 | 0:10:04 | |
Holly'll be back soon. Don't you want to know how she got on? | 0:10:04 | 0:10:06 | |
Course I do. I'm going to go and meet her halfway. | 0:10:06 | 0:10:09 | |
-Tell us! Will you just tell us? -Where's Dad? | 0:10:57 | 0:11:00 | |
Passed 'em all. | 0:11:04 | 0:11:05 | |
Every single one. | 0:11:05 | 0:11:07 | |
That's fantastic, love. | 0:11:07 | 0:11:09 | |
Dad? | 0:11:11 | 0:11:12 | |
What's wrong? | 0:11:12 | 0:11:14 | |
Your case has been dropped. | 0:11:22 | 0:11:24 | |
There's going to be no charges. Against anyone. | 0:11:25 | 0:11:28 | |
Why? | 0:11:30 | 0:11:31 | |
Cos there's an "unrealistic prospect of conviction". | 0:11:31 | 0:11:35 | |
-His DNA's all over your knickers... -Jim! | 0:11:35 | 0:11:37 | |
..and there's an "unrealistic prospect of conviction". | 0:11:37 | 0:11:41 | |
Mum? | 0:11:44 | 0:11:45 | |
What about all the interviews I did, | 0:11:45 | 0:11:47 | |
and picking 'em out of a line-up? | 0:11:47 | 0:11:49 | |
It wasn't the police, Holly. It was CPS. | 0:11:49 | 0:11:51 | |
Why? | 0:11:51 | 0:11:53 | |
I told the truth. | 0:11:53 | 0:11:55 | |
I told 'em everything. | 0:11:56 | 0:11:58 | |
I know. They didn't think a jury would believe you. | 0:11:58 | 0:12:02 | |
Thanks very much, but no thanks. | 0:12:40 | 0:12:42 | |
You don't even know what I'm going to ask you yet. | 0:12:42 | 0:12:44 | |
I know you've got an operation | 0:12:44 | 0:12:45 | |
running into sex abuse by Asian gangs. | 0:12:45 | 0:12:48 | |
What else have you heard? | 0:12:48 | 0:12:50 | |
That there's a foetus been found in a freezer | 0:12:50 | 0:12:53 | |
belonging to a 13-year-old girl. | 0:12:53 | 0:12:55 | |
You've had a 15-year-old locked in a cell for being a madam. | 0:12:55 | 0:12:59 | |
All sorts. | 0:12:59 | 0:13:00 | |
It's not good. | 0:13:00 | 0:13:03 | |
But we've a chance now to put it right. | 0:13:03 | 0:13:05 | |
We can get convictions here, Maggie, if we can re-engage the girls. | 0:13:05 | 0:13:09 | |
I've been here before, Sandy. | 0:13:09 | 0:13:11 | |
2004, 2005 - same story, but Manchester not Rochdale. | 0:13:11 | 0:13:17 | |
I spent over a year getting two 14-year-old girls | 0:13:17 | 0:13:20 | |
to spill their guts to me about what had been done to them, | 0:13:20 | 0:13:23 | |
only for the whole thing to just fade away. | 0:13:23 | 0:13:25 | |
Maggie, you can trust me when I tell you, | 0:13:25 | 0:13:27 | |
there's a fair wind behind this one. | 0:13:27 | 0:13:28 | |
You can have a force-9 gale, | 0:13:28 | 0:13:30 | |
but that won't compel a vulnerable kid into a witness box. | 0:13:30 | 0:13:33 | |
I know that. Which is why I need you. | 0:13:33 | 0:13:37 | |
Come on, Maggie. Let me just show you the file. | 0:13:37 | 0:13:40 | |
File? | 0:13:45 | 0:13:46 | |
All right - FILES. | 0:13:46 | 0:13:49 | |
Amber and Ruby Bowen. | 0:13:50 | 0:13:52 | |
Amber of the jail cell. | 0:13:52 | 0:13:53 | |
Ruby of the foetus. | 0:13:53 | 0:13:56 | |
They're key to this, and we need 'em. Both of 'em. | 0:13:56 | 0:13:59 | |
They're both victims of the same group of men. | 0:13:59 | 0:14:02 | |
But Amber was arrested? | 0:14:02 | 0:14:05 | |
She was, yeah. | 0:14:05 | 0:14:06 | |
Other kids thought she was in control. | 0:14:06 | 0:14:08 | |
Maybe she even thought she was in control but, of course, she wasn't. | 0:14:08 | 0:14:12 | |
-The men were. -She was never charged | 0:14:12 | 0:14:14 | |
-And Ruby? -Well, we've got Forensics with the foetus | 0:14:14 | 0:14:18 | |
that leads us right to the perpetrator... | 0:14:18 | 0:14:21 | |
if we can get her consent for us having it in the first place. | 0:14:21 | 0:14:26 | |
So, she doesn't know that we have it or that it was ever taken? | 0:14:26 | 0:14:30 | |
I'm not going to lie to you, Maggie. It's a mess. | 0:14:30 | 0:14:33 | |
Rochdale's had trouble with on-street grooming going way back, | 0:14:33 | 0:14:36 | |
and even when they had a cracking case - | 0:14:36 | 0:14:39 | |
kid called Holly Winshaw - they never got it to trial. | 0:14:39 | 0:14:42 | |
Now the IPCC are investigating their failings. | 0:14:42 | 0:14:45 | |
How many victims? | 0:14:45 | 0:14:46 | |
47. | 0:14:46 | 0:14:48 | |
They're drowning in it. | 0:14:48 | 0:14:50 | |
My priority is to reopen every one of these cases. | 0:14:50 | 0:14:55 | |
And re-engage the girls. | 0:14:56 | 0:14:58 | |
Adil Khan. | 0:15:01 | 0:15:02 | |
Shabir Ahmed, Abdul Aziz. | 0:15:02 | 0:15:04 | |
Kabeer Hasan. Mohammed Sajid. | 0:15:04 | 0:15:07 | |
Mohammed Amin. Abdul Raulf. | 0:15:07 | 0:15:09 | |
Abdul Qayyum. Hamid Safi. | 0:15:09 | 0:15:12 | |
Anya Miah - we don't need to bother about him, cos he's in jail already. | 0:15:12 | 0:15:15 | |
-What for, sir? -Child abuse charges going back to the 1980s. | 0:15:15 | 0:15:19 | |
He was a fugitive from the law when he did what he did to these girls. | 0:15:19 | 0:15:23 | |
He got 15 years, | 0:15:23 | 0:15:24 | |
so he's out the way. | 0:15:24 | 0:15:27 | |
'I want the rest of these individuals arrested. | 0:15:27 | 0:15:30 | |
'I want them taken to separate police stations to be interviewed, | 0:15:30 | 0:15:33 | |
'and I want their houses searched. | 0:15:33 | 0:15:35 | |
'The press know we've an operation running. | 0:15:35 | 0:15:38 | |
'They've agreed to a news embargo till the new year.' | 0:15:38 | 0:15:41 | |
You don't have to get hold of me. | 0:15:41 | 0:15:44 | |
'If your role is with victims, | 0:15:44 | 0:15:46 | |
'then I want you planning your approach with Peter Boyd,' | 0:15:46 | 0:15:48 | |
who's a specialist interview advisor. | 0:15:48 | 0:15:50 | |
I know Mr Guthrie will have belaboured the point, | 0:15:50 | 0:15:53 | |
but I am going to hammer it home some more. | 0:15:53 | 0:15:56 | |
This entire operation stands and falls | 0:15:56 | 0:15:59 | |
on us being able to re-engage these girls. | 0:15:59 | 0:16:02 | |
They were children who were raped and abused, | 0:16:02 | 0:16:05 | |
and when they went to the police nothing was done about it. | 0:16:05 | 0:16:08 | |
What this investigation needs, more than anything, is open minds. | 0:16:08 | 0:16:11 | |
I want you going out there thinking of these girls | 0:16:11 | 0:16:14 | |
as your own kids or grandkids. | 0:16:14 | 0:16:17 | |
Cos if it was your own, you'd be torn to pieces. | 0:16:17 | 0:16:20 | |
Why? | 0:16:24 | 0:16:25 | |
-Why now? -Mr Winshaw is Holly at home? | 0:16:25 | 0:16:29 | |
She's in a mother-and-baby hostel. | 0:16:29 | 0:16:32 | |
I've got three other kids in there, | 0:16:32 | 0:16:33 | |
and I can't have Holly ripping a hole | 0:16:33 | 0:16:36 | |
in the middle of this house. | 0:16:36 | 0:16:37 | |
And do you know who I blame for that? | 0:16:38 | 0:16:41 | |
Whose fault it is that she's in pieces | 0:16:41 | 0:16:43 | |
and seems determined to stay that way? You. | 0:16:43 | 0:16:46 | |
All of you. | 0:16:46 | 0:16:48 | |
KNOCK ON DOOR | 0:16:52 | 0:16:54 | |
I'm Maggie Oliver. I'm a detective with Greater Manchester Police. | 0:16:56 | 0:16:59 | |
This is Detective John Duff. | 0:16:59 | 0:17:00 | |
I'd like to talk to you and the girls. | 0:17:00 | 0:17:02 | |
-They're not here. -Who is it? > | 0:17:02 | 0:17:05 | |
Mum! | 0:17:05 | 0:17:06 | |
Who are you? What are you saying they've done? | 0:17:06 | 0:17:09 | |
We're not saying they've done anything. | 0:17:09 | 0:17:11 | |
Far from it. We need their help. | 0:17:11 | 0:17:12 | |
We're here because they were both victims of offences. | 0:17:12 | 0:17:15 | |
Just fucking answer me when I ask you! Who the fuck are they?! | 0:17:15 | 0:17:18 | |
Stay in the house. | 0:17:18 | 0:17:20 | |
-For fuck's sake, what are you doing? -Get in! -Fuck... | 0:17:20 | 0:17:23 | |
LOCKS CLICK | 0:17:23 | 0:17:25 | |
Greater Manchester Police are reopening an investigation | 0:17:25 | 0:17:28 | |
into what went on. We've come to ask | 0:17:28 | 0:17:29 | |
if they'd be prepared to make statements. | 0:17:29 | 0:17:31 | |
What do you think you're doing, coming to my door now? | 0:17:31 | 0:17:33 | |
I understand you weren't expecting us, but we're... | 0:17:33 | 0:17:36 | |
Expecting you? Why would I be expecting you? | 0:17:36 | 0:17:39 | |
You knew what were going on and what did you do? | 0:17:39 | 0:17:42 | |
Arrest me daughter for being a pimp. | 0:17:42 | 0:17:44 | |
No-one bothered. | 0:17:44 | 0:17:46 | |
Except that Sara at Sexual Health. | 0:17:46 | 0:17:48 | |
None of you... | 0:17:48 | 0:17:50 | |
We want nothing to do with any of you. | 0:17:51 | 0:17:54 | |
So don't come near, cos we are giving you nothing! | 0:17:56 | 0:17:58 | |
-What are you doing? -I'm not doing nothing. | 0:18:02 | 0:18:05 | |
-Why you shouting at me? -I'm not shouting at you! | 0:18:05 | 0:18:07 | |
Just fuck off! Fuck off! Fuck OFF! | 0:18:07 | 0:18:09 | |
CHATTER | 0:18:22 | 0:18:23 | |
Sara... | 0:18:23 | 0:18:25 | |
I'm DC Maggie Oliver. | 0:18:29 | 0:18:31 | |
I'm a detective with Greater Manchester Police. | 0:18:31 | 0:18:34 | |
OK. | 0:18:35 | 0:18:37 | |
GMP's running an operation, Operation Span, | 0:18:37 | 0:18:39 | |
to put right what went wrong at Rochdale | 0:18:39 | 0:18:42 | |
in relation to the grooming of young girls. | 0:18:42 | 0:18:45 | |
I understand that you made several referrals to the police | 0:18:45 | 0:18:49 | |
in relation to two girls in particular, Amber and Ruby Bowen. | 0:18:49 | 0:18:54 | |
So, I'm here in the hope that you might have some | 0:18:54 | 0:18:57 | |
relevant intelligence in relation to them. | 0:18:57 | 0:19:00 | |
I... I've...got the car, so, | 0:19:08 | 0:19:12 | |
um, if there are files, I can take 'em now. | 0:19:12 | 0:19:15 | |
Fuck off. | 0:19:19 | 0:19:20 | |
No, really. | 0:19:23 | 0:19:25 | |
I mean it. | 0:19:25 | 0:19:26 | |
Fuck off! | 0:19:26 | 0:19:28 | |
I've been in here, | 0:19:31 | 0:19:32 | |
sat in here, | 0:19:32 | 0:19:34 | |
for years, | 0:19:34 | 0:19:35 | |
and what you're demanding off me now | 0:19:35 | 0:19:38 | |
I couldn't pay you lot to look at for years. | 0:19:38 | 0:19:42 | |
And what, you swan in here off the street with your Prada handbag | 0:19:42 | 0:19:46 | |
telling me to hand it over like you were asking to check me gas meter? | 0:19:46 | 0:19:50 | |
-I understand... -Oh, no, you don't. | 0:19:50 | 0:19:52 | |
You really, really don't. | 0:19:54 | 0:19:56 | |
What those girls have been telling me for years | 0:19:58 | 0:20:01 | |
I have been powerless to do anything about | 0:20:01 | 0:20:03 | |
BECAUSE you lot didn't want to know. | 0:20:03 | 0:20:06 | |
Well, we want to know now. | 0:20:06 | 0:20:07 | |
This is the biggest operation GMP's running. | 0:20:07 | 0:20:10 | |
What do you think been happening to those girls in the meantime? | 0:20:10 | 0:20:13 | |
Raped, beaten, not believed. Raped, beaten, not believed. | 0:20:13 | 0:20:18 | |
What do you think that does to a kid? | 0:20:20 | 0:20:22 | |
Do you think they're sitting round waiting to do their civic duty | 0:20:24 | 0:20:27 | |
because you lot have got your act together? | 0:20:27 | 0:20:29 | |
If you want documents off me, make an application. | 0:20:30 | 0:20:34 | |
Fill out a form. Do whatever official thing it is you coppers | 0:20:34 | 0:20:37 | |
have to do when you're after evidence. | 0:20:37 | 0:20:40 | |
But don't rock up here after all these years, | 0:20:40 | 0:20:42 | |
acting like you're the saviour of the family! | 0:20:42 | 0:20:46 | |
SHE SNIFFLES | 0:21:06 | 0:21:09 | |
Here's your little bunny. Here you go. | 0:21:09 | 0:21:12 | |
Here he is. | 0:21:12 | 0:21:14 | |
Holly... | 0:21:17 | 0:21:19 | |
when you went to the police about Tariq and Daddy and those other men, | 0:21:19 | 0:21:24 | |
the CPS made a decision not to prosecute. | 0:21:24 | 0:21:26 | |
But now there's a new team of police working on the kind of crime | 0:21:26 | 0:21:31 | |
you were a victim of. | 0:21:31 | 0:21:33 | |
We want to reopen your case and bring these men to trial. | 0:21:33 | 0:21:35 | |
So, you want me to help you? | 0:21:37 | 0:21:39 | |
Yeah, we do. | 0:21:39 | 0:21:41 | |
When you NEVER helped me. | 0:21:42 | 0:21:44 | |
Why would I do that? | 0:21:46 | 0:21:47 | |
Because you come here and you sit, being nice to me baby? | 0:21:50 | 0:21:53 | |
Why don't you try taking me to McDonald's? | 0:21:55 | 0:21:57 | |
Or is it just social workers who do that? | 0:21:58 | 0:22:01 | |
-It's pathetic. -I just want to talk to you, Holly. | 0:22:02 | 0:22:05 | |
-The police just want to talk to you. -I've talked to 'em. | 0:22:05 | 0:22:09 | |
I've talked to 'em and talked to 'em | 0:22:10 | 0:22:13 | |
and talked to 'em and talked to 'em. | 0:22:13 | 0:22:16 | |
And then they turn round and call me a liar. | 0:22:17 | 0:22:20 | |
-Are you Margaret Oliver? -I am, yeah. | 0:22:27 | 0:22:29 | |
From Sara Rowbotham, Rochdale Sexual Health. | 0:22:32 | 0:22:36 | |
There's two more down the hall. | 0:22:36 | 0:22:39 | |
There aren't 47 girls. | 0:22:52 | 0:22:55 | |
There's hundreds of 'em. | 0:22:55 | 0:22:57 | |
She's got names, addresses, reg plates. | 0:22:57 | 0:23:01 | |
Multiple girls reporting the same perpetrators. | 0:23:01 | 0:23:04 | |
Why the hell didn't Rochdale CID have these files? | 0:23:04 | 0:23:07 | |
Because they didn't want 'em. | 0:23:07 | 0:23:08 | |
What do you mean, they didn't want them? It's bloody evidence. | 0:23:08 | 0:23:11 | |
Not according to them. | 0:23:11 | 0:23:13 | |
Sexual Health made hundreds of referrals to the police | 0:23:13 | 0:23:15 | |
and they got the same response every time. | 0:23:15 | 0:23:17 | |
"This isn't evidence, Sara, it's just intelligence, | 0:23:17 | 0:23:20 | |
"and it's not something for us to do anything about." | 0:23:20 | 0:23:23 | |
No wonder she wiped the floor with me. | 0:23:26 | 0:23:28 | |
Operation Stable Door, this. | 0:23:30 | 0:23:33 | |
The girls will just not talk to us. | 0:23:33 | 0:23:35 | |
We've underestimated how fragile they are | 0:23:35 | 0:23:38 | |
and the level of anger and betrayal they feel towards the police. | 0:23:38 | 0:23:42 | |
Well, because this is a live investigation | 0:23:47 | 0:23:49 | |
for Greater Manchester Police, | 0:23:49 | 0:23:51 | |
detectives are keeping their cards pretty close to their chests, | 0:23:51 | 0:23:53 | |
but what we do know is that nine arrests were made here in Rochdale | 0:23:53 | 0:23:57 | |
just before Christmas over allegations | 0:23:57 | 0:24:00 | |
concerning the sexual exploitation of teenage girls. | 0:24:00 | 0:24:03 | |
Now, we understand that all the men are Asian, | 0:24:03 | 0:24:06 | |
and that all the girls involved are white. | 0:24:06 | 0:24:09 | |
The arrests were made | 0:24:09 | 0:24:11 | |
on suspicion of allowing premises to be used for prostitution, | 0:24:11 | 0:24:14 | |
of inciting child prostitution, | 0:24:14 | 0:24:16 | |
suspicion of rape and sexual activity with a child. | 0:24:16 | 0:24:19 | |
The nine men have been released on bail | 0:24:19 | 0:24:22 | |
while police investigate the allegations. | 0:24:22 | 0:24:25 | |
Hannah, am I right in thinking that these are not new allegations? | 0:24:25 | 0:24:29 | |
Well, these allegations were made to Rochdale police in 2008, | 0:24:29 | 0:24:32 | |
however, the case was dropped | 0:24:32 | 0:24:34 | |
and none of the complaints against these men ever made it to trial. | 0:24:34 | 0:24:37 | |
This is something Greater Manchester Police | 0:24:37 | 0:24:39 | |
is going to have to grapple with as the police's own watchdog, | 0:24:39 | 0:24:42 | |
the Independent Police Complaints Commission | 0:24:42 | 0:24:44 | |
has been brought in to look at what happened. | 0:24:44 | 0:24:47 | |
It's early days yet for that inquiry | 0:24:47 | 0:24:49 | |
but we do know there are concerns within Greater Manchester Police | 0:24:49 | 0:24:53 | |
about the standard and the quality of the earlier investigation. | 0:24:53 | 0:24:57 | |
What do you think you're going to find? | 0:25:04 | 0:25:06 | |
I'm not a total fucking moron. | 0:25:06 | 0:25:08 | |
You know the score, Holly. | 0:25:08 | 0:25:10 | |
Sobriety is a condition of you keeping Ella. | 0:25:10 | 0:25:12 | |
That's why we do these spot checks. | 0:25:12 | 0:25:15 | |
I could be arseholed right now and you lot wouldn't have a clue. | 0:25:15 | 0:25:18 | |
-Are you? -Course I'm fucking not! | 0:25:19 | 0:25:22 | |
You're not helping yourself. Or her. | 0:25:25 | 0:25:28 | |
You're a pointless fucking bitch. Do you know that? | 0:25:28 | 0:25:31 | |
ELLA BABBLES | 0:25:36 | 0:25:39 | |
This is Emily Stone from the CPS, | 0:25:41 | 0:25:43 | |
who'll be working alongside us at Span from here on in. | 0:25:43 | 0:25:46 | |
There's a couple of cases where the evidence is already there. | 0:25:46 | 0:25:50 | |
Holly Winshaw. | 0:25:50 | 0:25:51 | |
Ruby Bowen, Amber Bowen. | 0:25:51 | 0:25:53 | |
They've told us where to go, I know that, | 0:25:53 | 0:25:55 | |
but we need to approach them again. | 0:25:55 | 0:25:57 | |
I just don't think a family like the Bowens | 0:25:57 | 0:25:59 | |
would cooperate with us in a month of Sundays. | 0:25:59 | 0:26:01 | |
-What's the obstacle? -It's that. | 0:26:01 | 0:26:03 | |
It's that, John. It's THAT attitude. | 0:26:05 | 0:26:07 | |
"A family like that." That's the obstacle. | 0:26:07 | 0:26:10 | |
Lorna can smell that off us as soon as look at us | 0:26:10 | 0:26:14 | |
because everyone in authority treats her like that. | 0:26:14 | 0:26:16 | |
It's... | 0:26:16 | 0:26:18 | |
It's not brain surgery, this. | 0:26:18 | 0:26:20 | |
We treat them as human beings, | 0:26:20 | 0:26:22 | |
and we say we're sorry. | 0:26:22 | 0:26:24 | |
'Hello?' | 0:26:27 | 0:26:28 | |
Oh, hi, Lorna. | 0:26:28 | 0:26:30 | |
'Who is this?' | 0:26:30 | 0:26:32 | |
'It's Maggie Oliver, we met a couple of weeks ago | 0:26:32 | 0:26:34 | |
'when I came around your house to talk to you about the girls.' | 0:26:34 | 0:26:37 | |
Hello, can you hear me? | 0:26:37 | 0:26:40 | |
'What do you want? Look, I told you...' | 0:26:40 | 0:26:42 | |
Yep, I know you did. | 0:26:42 | 0:26:44 | |
And I'm not surprised, because if I were you and a copper | 0:26:44 | 0:26:46 | |
'came round to my door, I'd want to hose them off the pavement. But... | 0:26:46 | 0:26:50 | |
'I'd like another chance to talk to you.' | 0:26:50 | 0:26:54 | |
What happened to your girls is a disgrace. | 0:26:54 | 0:26:57 | |
What we LET happen. | 0:26:57 | 0:26:59 | |
But we've got a chance to put it right. | 0:26:59 | 0:27:02 | |
Ring me next week. | 0:27:04 | 0:27:06 | |
Who's ringing you next week? | 0:27:08 | 0:27:10 | |
Just someone from housing. | 0:27:10 | 0:27:12 | |
TV: 'And the lead in the Times says | 0:27:16 | 0:27:18 | |
'a culture of silence that has facilitated the sexual exploitation | 0:27:18 | 0:27:22 | |
'of hundreds of young British girls | 0:27:22 | 0:27:24 | |
'by criminal pimping gangs is exposed by the paper. | 0:27:24 | 0:27:26 | |
'Today a pattern of abuse across the North and the Midlands is...' | 0:27:26 | 0:27:29 | |
-RADIO: -'The Times is pursuing a revelation in the paper | 0:27:29 | 0:27:33 | |
'that there is sexual exploitation of hundreds of young girls...' | 0:27:33 | 0:27:36 | |
-RADIO: -The Times newspaper identified 17 prosecutions | 0:27:36 | 0:27:39 | |
'of street grooming over the past 14 years | 0:27:39 | 0:27:42 | |
'and it said of the 56 convicted in those cases, | 0:27:42 | 0:27:45 | |
'53 were Asian.' | 0:27:45 | 0:27:47 | |
Mags... Mags! A word? | 0:27:51 | 0:27:53 | |
Have you seen the papers? | 0:27:57 | 0:27:58 | |
It's all eyes on us. | 0:27:58 | 0:28:00 | |
The Times is saying the failures in Rochdale happened | 0:28:00 | 0:28:03 | |
because police were scared of upsetting racial sensitivities. | 0:28:03 | 0:28:07 | |
Well, if those men come back off bail | 0:28:08 | 0:28:11 | |
and we can't charge them with anything, | 0:28:11 | 0:28:13 | |
there's going to be riots. | 0:28:13 | 0:28:15 | |
They don't know I'm meeting you, you know. Neither of 'em. | 0:28:30 | 0:28:34 | |
Amber don't like to think about that time. | 0:28:35 | 0:28:38 | |
Does she ever talk about it? | 0:28:38 | 0:28:40 | |
Not to me. | 0:28:40 | 0:28:41 | |
Never. | 0:28:41 | 0:28:43 | |
Lorna... | 0:28:45 | 0:28:46 | |
we've got Ruby's foetus. | 0:28:46 | 0:28:49 | |
When she had the termination, it was seized by the police. | 0:28:51 | 0:28:54 | |
-Why? -So that they could test it | 0:28:57 | 0:29:00 | |
and get a DNA match with the bloke that got her pregnant. | 0:29:00 | 0:29:03 | |
They got the match, but they didn't do any more about it then. | 0:29:03 | 0:29:07 | |
But we can now, if Ruby gives her permission | 0:29:07 | 0:29:11 | |
to let us use those DNA results in court. | 0:29:11 | 0:29:14 | |
Sorry... | 0:29:16 | 0:29:18 | |
There's a real chance that we can get this man put away, | 0:29:20 | 0:29:23 | |
and all the others, | 0:29:23 | 0:29:25 | |
if we can get the girls to talk. | 0:29:25 | 0:29:28 | |
You don't understand. Amber, she knows it were wrong. | 0:29:28 | 0:29:31 | |
But Ruby, she'll never talk to you. | 0:29:31 | 0:29:34 | |
Still thinks them blokes were friends. | 0:29:34 | 0:29:37 | |
If she sees them in the street, she... She waves. | 0:29:37 | 0:29:42 | |
LORNA SOBS | 0:29:42 | 0:29:45 | |
Amber's got to live in 'ere cos of Ruby's anger problems. | 0:29:47 | 0:29:51 | |
She can't be at home wi' me. | 0:29:51 | 0:29:53 | |
KNOCK ON DOOR | 0:29:57 | 0:29:59 | |
BABY CRIES | 0:29:59 | 0:30:01 | |
Hiya. | 0:30:04 | 0:30:05 | |
BABY CRIES | 0:30:05 | 0:30:09 | |
She's not herself today. | 0:30:19 | 0:30:21 | |
Are you? | 0:30:21 | 0:30:23 | |
What's wrong with her? | 0:30:24 | 0:30:26 | |
She's not going to toilet. | 0:30:26 | 0:30:29 | |
If you lie her on a blanket and cycle her legs, | 0:30:29 | 0:30:32 | |
sometimes that can help move things along. | 0:30:32 | 0:30:35 | |
I've never heard of that before. | 0:30:35 | 0:30:38 | |
Have you, Amber? | 0:30:38 | 0:30:39 | |
Worked with my four, and me grandsons - | 0:30:40 | 0:30:43 | |
except for one, who I think holds it in just to spite me. | 0:30:43 | 0:30:46 | |
LORNA CHUCKLES | 0:30:46 | 0:30:48 | |
-You're a cop? -Yeah. | 0:30:51 | 0:30:53 | |
Coming on 20 years now. | 0:30:53 | 0:30:55 | |
When my kids went to school, | 0:30:55 | 0:30:57 | |
I went to uni | 0:30:57 | 0:30:58 | |
and, um, then I joined the force. | 0:30:58 | 0:31:01 | |
I'm not going in any police station. | 0:31:01 | 0:31:04 | |
You wouldn't have to. | 0:31:04 | 0:31:06 | |
There's a special unit in Bury. | 0:31:06 | 0:31:08 | |
It's for victims. | 0:31:08 | 0:31:11 | |
That's what you were. | 0:31:11 | 0:31:14 | |
A victim. | 0:31:14 | 0:31:15 | |
One of many. | 0:31:15 | 0:31:17 | |
And we'd support you, as a victim, all the way through to trial. | 0:31:17 | 0:31:22 | |
They'll kill me if I say owt to police. | 0:31:22 | 0:31:25 | |
They don't know where you live. | 0:31:27 | 0:31:29 | |
Take 'em five seconds to find out. | 0:31:29 | 0:31:32 | |
I see 'em on the streets. | 0:31:32 | 0:31:34 | |
If I go out. | 0:31:34 | 0:31:36 | |
Which I don't. | 0:31:36 | 0:31:37 | |
So, you're stuck in here, in a homeless hostel with a newborn... | 0:31:37 | 0:31:42 | |
..while they're out there, free to go on about their lives. | 0:31:43 | 0:31:46 | |
When did you move out your mum and dad's? | 0:32:05 | 0:32:07 | |
Couple of months ago. | 0:32:07 | 0:32:09 | |
Too much fighting with me dad. | 0:32:09 | 0:32:11 | |
He's just mad at everything. | 0:32:12 | 0:32:15 | |
Mad at me, | 0:32:16 | 0:32:18 | |
mad at the police, mad at CPS. | 0:32:18 | 0:32:21 | |
He joined BNP. | 0:32:21 | 0:32:23 | |
-Did he? -Yeah. Then left it again. | 0:32:23 | 0:32:26 | |
Mad at them, probably. | 0:32:26 | 0:32:29 | |
Anyway, he's right that there's no-one's stood over me, | 0:32:33 | 0:32:37 | |
forcing me to neck a bottle of cider every night. | 0:32:37 | 0:32:42 | |
It's not as simple as that, though, is it? | 0:32:43 | 0:32:46 | |
He was like, "Right, Holly, | 0:32:46 | 0:32:48 | |
"they've washed their hands of you, move on. | 0:32:48 | 0:32:52 | |
"No-one's going to do owt for you." | 0:32:52 | 0:32:55 | |
They didn't then. | 0:32:55 | 0:32:57 | |
But they want to now. | 0:32:57 | 0:32:59 | |
What's the point? | 0:33:01 | 0:33:03 | |
It were years ago. | 0:33:03 | 0:33:05 | |
Does it feel like years ago? | 0:33:05 | 0:33:08 | |
-Sir? -Yeah. | 0:33:16 | 0:33:17 | |
Holly Winshaw's on board. | 0:33:17 | 0:33:20 | |
Thank God for that. Well done, Nina. | 0:33:20 | 0:33:23 | |
Oh, it wasn't me, sir. It was Sara. | 0:33:23 | 0:33:25 | |
Holly trusts her. | 0:33:25 | 0:33:26 | |
Right. | 0:33:26 | 0:33:28 | |
Let's go after these bastards. | 0:33:29 | 0:33:31 | |
At last, we've a number of girls | 0:33:31 | 0:33:33 | |
who've agreed to be interviewed. | 0:33:33 | 0:33:35 | |
But it's the quality of those interviews | 0:33:35 | 0:33:37 | |
that's going to make or break our case with the CPS. | 0:33:37 | 0:33:41 | |
Memory degrades like tape degrades. | 0:33:41 | 0:33:44 | |
They won't, off the tops of their heads, | 0:33:44 | 0:33:47 | |
remember names, addresses - | 0:33:47 | 0:33:50 | |
because they were drunk, yes - | 0:33:50 | 0:33:52 | |
but mainly because they don't want to. | 0:33:52 | 0:33:54 | |
Every time you ask a question, | 0:33:54 | 0:33:56 | |
you are re-traumatising them. | 0:33:56 | 0:33:58 | |
You're bringing them back there. But there's no other way. | 0:33:58 | 0:34:02 | |
-'Because these girls' memories...' -Hiya. -'..That's our crime scene.' | 0:34:02 | 0:34:06 | |
Hiya. | 0:34:07 | 0:34:09 | |
You all right? | 0:34:09 | 0:34:11 | |
Hiya, little girl. | 0:34:11 | 0:34:13 | |
Oh! | 0:34:15 | 0:34:17 | |
Ohh! | 0:34:17 | 0:34:18 | |
Aren't you sweet! | 0:34:18 | 0:34:21 | |
Cameras, so we've got your evidence to play at court. | 0:34:23 | 0:34:26 | |
I know. I've been here before. | 0:34:26 | 0:34:28 | |
Course you have. | 0:34:28 | 0:34:30 | |
SHE CLEARS HER THROAT So... | 0:34:40 | 0:34:42 | |
What I want you to do now, Holly, | 0:34:42 | 0:34:45 | |
is start right at the beginning. | 0:34:45 | 0:34:47 | |
Tell me, in as much detail as you can, | 0:34:47 | 0:34:51 | |
everything that's happened. | 0:34:51 | 0:34:53 | |
Amber... | 0:34:57 | 0:34:59 | |
In the files, back at the office, | 0:35:02 | 0:35:05 | |
there was this, um, | 0:35:05 | 0:35:07 | |
list of names that you wrote out for Gregory, | 0:35:07 | 0:35:11 | |
that social worker that you saw for a bit last year. | 0:35:11 | 0:35:14 | |
Do you remember telling him about those names? | 0:35:14 | 0:35:17 | |
Your mum said that he left shortly after that. | 0:35:17 | 0:35:20 | |
You must have felt very let down. | 0:35:24 | 0:35:27 | |
Thing is, those names. | 0:35:29 | 0:35:31 | |
They're a really important piece of evidence, and, um... | 0:35:31 | 0:35:35 | |
..maybe we can build on it. | 0:35:37 | 0:35:39 | |
Maybe you and me, | 0:35:40 | 0:35:42 | |
we can make something of it. | 0:35:42 | 0:35:44 | |
He said, "Don't cry." | 0:36:13 | 0:36:14 | |
And he said, "You're beautiful." | 0:36:17 | 0:36:19 | |
And when he was on top of you, | 0:36:20 | 0:36:23 | |
what was you doing? | 0:36:23 | 0:36:25 | |
I were trying to move, but... | 0:36:25 | 0:36:28 | |
..I just gave up. | 0:36:29 | 0:36:31 | |
Cos what's the point in trying? | 0:36:32 | 0:36:34 | |
DC Margaret Oliver interviewing Amber Bowen. | 0:37:13 | 0:37:17 | |
Amber... | 0:37:19 | 0:37:21 | |
..can you tell me about when you went to the kebab shops? | 0:37:22 | 0:37:26 | |
Everything that bitch did, she did free willingly. | 0:37:31 | 0:37:35 | |
That fucking sket Holly Winshaw. | 0:37:35 | 0:37:38 | |
Lying fucking bitch. | 0:37:39 | 0:37:41 | |
The list that you gave Gregory, | 0:37:44 | 0:37:47 | |
the social worker who was around for a while, | 0:37:47 | 0:37:49 | |
that was a list of lots of men, wasn't it? | 0:37:49 | 0:37:53 | |
Addresses of lots of different flats. | 0:37:54 | 0:37:57 | |
They never touched me. | 0:37:58 | 0:38:00 | |
They actually never touched me unless I wanted them to touch me. | 0:38:04 | 0:38:08 | |
Will you be all right on your own? | 0:38:31 | 0:38:34 | |
Me mum's bringing Yasmin back in a minute. | 0:38:34 | 0:38:37 | |
First one's the hardest | 0:38:39 | 0:38:41 | |
because you're opening up that box that's locked in your head. | 0:38:41 | 0:38:45 | |
It'll get easier. | 0:38:45 | 0:38:47 | |
BABY CRIES | 0:39:25 | 0:39:27 | |
No... No! | 0:39:31 | 0:39:34 | |
BABY CRIES | 0:39:35 | 0:39:38 | |
Can you let me in please, Holly? > | 0:39:42 | 0:39:44 | |
KNOCK AT DOOR | 0:39:44 | 0:39:46 | |
DOOR OPENS | 0:39:48 | 0:39:50 | |
BABY CRIES | 0:39:50 | 0:39:52 | |
It's jackboot tactics, is what it is. | 0:39:58 | 0:40:01 | |
She's safe and happy here. | 0:40:01 | 0:40:04 | |
Come and have a look at her. | 0:40:04 | 0:40:06 | |
She's safe and happy in this house with me and my wife. | 0:40:06 | 0:40:10 | |
Holly was fully aware that this would be the outcome | 0:40:10 | 0:40:13 | |
if she carried on the way she was. | 0:40:13 | 0:40:15 | |
This isn't about Holly now, is it? | 0:40:15 | 0:40:18 | |
It's about Ella. | 0:40:18 | 0:40:20 | |
My granddaughter. | 0:40:20 | 0:40:22 | |
I am perfectly capable | 0:40:25 | 0:40:26 | |
and my wife is perfectly capable of looking after our own. | 0:40:26 | 0:40:30 | |
This is temporary. At the moment, it's temporary. | 0:40:30 | 0:40:32 | |
She'll be in foster care for the next few weeks, | 0:40:32 | 0:40:35 | |
I'm sorry, but we have to enforce the order. | 0:40:35 | 0:40:38 | |
No... | 0:40:46 | 0:40:48 | |
Holly. | 0:40:50 | 0:40:51 | |
SHE SNIFFLES | 0:40:51 | 0:40:52 | |
Please don't. | 0:40:52 | 0:40:53 | |
SHE SOBS | 0:40:53 | 0:40:54 | |
-I'll do better. I'll change. -We have to, Holly. | 0:40:54 | 0:40:58 | |
I'm sorry! | 0:41:01 | 0:41:02 | |
Dad, please! | 0:41:04 | 0:41:06 | |
They've got to take the baby. | 0:41:06 | 0:41:09 | |
HOLLY SOBS | 0:41:09 | 0:41:11 | |
Come on. | 0:41:13 | 0:41:14 | |
No. | 0:41:39 | 0:41:40 | |
No. | 0:41:42 | 0:41:44 | |
No. | 0:41:46 | 0:41:47 | |
Daddy. | 0:41:49 | 0:41:51 | |
No. | 0:41:54 | 0:41:55 | |
No. | 0:41:58 | 0:41:59 | |
I can't do no more. | 0:42:11 | 0:42:13 | |
SHE SOBS | 0:42:29 | 0:42:31 | |
I can't do no more. | 0:42:31 | 0:42:33 | |
You're helping other kids by doing this. You know that, don't you? | 0:42:35 | 0:42:39 | |
Making sure that what happened to you never happens to them. | 0:42:39 | 0:42:43 | |
Imagine how you'd feel if they ever went near Yasmin. | 0:42:44 | 0:42:49 | |
They never could. | 0:42:49 | 0:42:51 | |
They never would, cos I'd wouldn't let them. | 0:42:52 | 0:42:55 | |
Yeah, but what if she didn't have someone like you? | 0:42:55 | 0:42:58 | |
What about those kids who don't have anyone to protect them? | 0:43:00 | 0:43:03 | |
-SOFTLY: -I can't do no more. | 0:43:10 | 0:43:12 | |
You can. | 0:43:13 | 0:43:14 | |
I know you can. | 0:43:17 | 0:43:19 | |
-OK. -All right. Go on, then. | 0:43:28 | 0:43:31 | |
Go in there, give it another go. | 0:43:32 | 0:43:34 | |
SHE EXHALES | 0:43:34 | 0:43:37 | |
Our star witness looking like she's too vulnerable to proceed. | 0:44:38 | 0:44:41 | |
How's Holly doing? | 0:44:41 | 0:44:43 | |
I don't know. It's too early to say. She's still in hospital, | 0:44:43 | 0:44:46 | |
but I do know her parents don't want us coming anywhere near. | 0:44:46 | 0:44:50 | |
Maggie? | 0:44:56 | 0:44:57 | |
The boss wants to see you. | 0:44:57 | 0:45:00 | |
I've heard Amber's first interview, Maggie. | 0:45:06 | 0:45:08 | |
She's calling Holly every name under the sun. | 0:45:08 | 0:45:11 | |
I know that first interview with Amber wasn't what we needed, | 0:45:11 | 0:45:14 | |
but she's done hours more since then. | 0:45:14 | 0:45:17 | |
She's given us names, places, phone numbers, taxi firms. | 0:45:17 | 0:45:20 | |
We need Ruby. | 0:45:20 | 0:45:21 | |
But Ruby's a different kettle of fish altogether. | 0:45:21 | 0:45:25 | |
We need to start thinking like prosecutors now. | 0:45:25 | 0:45:27 | |
There's forensics with Ruby - the foetus. | 0:45:27 | 0:45:30 | |
If she gives us consent to use it. And right now... | 0:45:30 | 0:45:33 | |
Right now, she's our best chance of successful prosecution. | 0:45:33 | 0:45:37 | |
I've spent months building a relationship with Amber | 0:45:39 | 0:45:42 | |
because that's what it's taken to get her to trust the police. | 0:45:42 | 0:45:45 | |
She was scared at first, Sandy, | 0:45:45 | 0:45:47 | |
but then she's really started to open up. | 0:45:47 | 0:45:51 | |
We're not talking about Amber. | 0:45:51 | 0:45:53 | |
I'd like you to engage Ruby. | 0:45:53 | 0:45:55 | |
Sir. | 0:45:57 | 0:45:59 | |
Amber wanted to see you today. | 0:46:01 | 0:46:03 | |
The little one's teething. | 0:46:03 | 0:46:05 | |
Any tips? | 0:46:05 | 0:46:07 | |
Well, I just wanted a chat to Ruby today on our own. | 0:46:07 | 0:46:12 | |
I'm not going to lie to you, Ruby. | 0:46:15 | 0:46:16 | |
I want you to tell me what happened to you. | 0:46:16 | 0:46:19 | |
You went through a terrible time, | 0:46:19 | 0:46:22 | |
and we want to make sure that that never happens to other children. | 0:46:22 | 0:46:26 | |
It wasn't a terrible time. | 0:46:33 | 0:46:35 | |
It was one of the best times. It were mint. | 0:46:36 | 0:46:40 | |
You were 13 years old, | 0:46:40 | 0:46:42 | |
and he was a married man of nearly 40 with children of his own, | 0:46:42 | 0:46:46 | |
and he got you pregnant. That's not right. | 0:46:46 | 0:46:48 | |
You don't know anything. | 0:46:48 | 0:46:50 | |
I know you were the victim of somebody who was older... | 0:46:50 | 0:46:54 | |
We was having a relationship. | 0:46:54 | 0:46:56 | |
He loved me. | 0:46:56 | 0:46:59 | |
I wasn't a victim of anything. | 0:46:59 | 0:47:01 | |
RUBY SIGHS | 0:47:03 | 0:47:05 | |
DOOR BANGS | 0:47:05 | 0:47:07 | |
I told you you'd have no chance with Ruby. | 0:47:09 | 0:47:11 | |
It's OK. She's just got to work it out in her own head. | 0:47:11 | 0:47:15 | |
DOOR OPENS | 0:47:22 | 0:47:25 | |
INAUDIBLE CONVERSATION | 0:47:30 | 0:47:32 | |
THEY CHATTER | 0:47:35 | 0:47:37 | |
She's asleep. | 0:47:43 | 0:47:45 | |
Fine, OK. | 0:47:45 | 0:47:47 | |
Do you want to come in? | 0:47:47 | 0:47:49 | |
She's got nothing to live for now. | 0:47:53 | 0:47:55 | |
No focus, | 0:47:55 | 0:47:57 | |
no purpose. | 0:47:57 | 0:47:59 | |
And it's maddening, cos she played right into their hands | 0:48:00 | 0:48:04 | |
and did the exact thing that gave them the power to take Ella off her. | 0:48:04 | 0:48:07 | |
You lot egged her on... | 0:48:07 | 0:48:09 | |
to get involved with this. | 0:48:09 | 0:48:12 | |
You can all go home, can't you, at the end of the day. | 0:48:12 | 0:48:15 | |
It's her that's left with it going round and round in her head. | 0:48:15 | 0:48:19 | |
Yeah. | 0:48:20 | 0:48:21 | |
I did egg her on... | 0:48:22 | 0:48:25 | |
because I thought it would help her. | 0:48:25 | 0:48:27 | |
HE SCOFFS | 0:48:27 | 0:48:28 | |
Oh, it's done her the power of good, ain't it? | 0:48:28 | 0:48:31 | |
And I still think that this is important, psychologically, | 0:48:31 | 0:48:35 | |
for her to get the chance to stand up and say what happened. | 0:48:35 | 0:48:41 | |
She's been standing up for years. | 0:48:41 | 0:48:43 | |
Yeah, she has, but now, finally... | 0:48:43 | 0:48:46 | |
..there's people listening. | 0:48:47 | 0:48:49 | |
Did it look like a baby? | 0:48:53 | 0:48:56 | |
I don't know. | 0:48:59 | 0:49:00 | |
How big was it? | 0:49:08 | 0:49:10 | |
Was it tiny? | 0:49:13 | 0:49:14 | |
I don't know. | 0:49:16 | 0:49:18 | |
Why did they freeze it? | 0:49:27 | 0:49:30 | |
I think so then it won't go off. | 0:49:31 | 0:49:34 | |
So they can do tests on it if they wanted to. | 0:49:34 | 0:49:38 | |
But they can't do owt with the results unless you say they can. | 0:49:38 | 0:49:42 | |
OK. | 0:49:45 | 0:49:47 | |
It's a shame for it. | 0:49:52 | 0:49:55 | |
What happened to it. | 0:49:57 | 0:49:59 | |
In't it? | 0:50:01 | 0:50:02 | |
-LORNA KISSES -Yeah. | 0:50:04 | 0:50:06 | |
It won't always be like this. | 0:50:21 | 0:50:24 | |
Yeah, it will. | 0:50:24 | 0:50:26 | |
We can apply for guardianship of her. | 0:50:38 | 0:50:41 | |
Me and your mum. | 0:50:42 | 0:50:44 | |
If you want that. | 0:50:44 | 0:50:46 | |
I don't know why I did it. | 0:50:46 | 0:50:49 | |
I don't... | 0:50:50 | 0:50:51 | |
Sara came to see you. | 0:50:55 | 0:50:57 | |
Sounds like the coppers, this time round, | 0:50:57 | 0:51:00 | |
they're night and day from the other lot. | 0:51:00 | 0:51:03 | |
You don't have to have anything to do with 'em, | 0:51:06 | 0:51:09 | |
but if you want to carry on with this... | 0:51:09 | 0:51:11 | |
..your mum and me, we... | 0:51:13 | 0:51:15 | |
we'll be right behind you. | 0:51:15 | 0:51:17 | |
Come on, Ruby. | 0:51:26 | 0:51:28 | |
They pass you round like a ball. | 0:51:30 | 0:51:33 | |
They, like, get your number | 0:51:35 | 0:51:37 | |
and then there's, like, | 0:51:37 | 0:51:39 | |
50 people you don't know who are ringing you. | 0:51:39 | 0:51:43 | |
What do you mean, they pass you round like a ball, Ruby? | 0:51:45 | 0:51:49 | |
They'd be in a flat in, like, a massive circle... | 0:51:52 | 0:51:57 | |
..and then they'd put the white girl in the middle. | 0:51:58 | 0:52:01 | |
Then you'd get sent off with one of them, | 0:52:01 | 0:52:04 | |
and then you'd come back and, like, get passed and passed again. | 0:52:04 | 0:52:07 | |
And where was the flat? | 0:52:09 | 0:52:11 | |
There weren't one. | 0:52:11 | 0:52:13 | |
There were loads. | 0:52:13 | 0:52:15 | |
I didn't feel anything. | 0:52:15 | 0:52:18 | |
Why do you think you felt like that? | 0:52:20 | 0:52:23 | |
Because it had been going on for so long. | 0:52:23 | 0:52:26 | |
'It hurt... | 0:52:30 | 0:52:31 | |
'..because I didn't want to do it. | 0:52:33 | 0:52:35 | |
'And I'd only had sex, like, | 0:52:37 | 0:52:39 | |
'a couple of times before that, as well. | 0:52:39 | 0:52:42 | |
-MAN: -'Say again. Sorry? | 0:52:42 | 0:52:44 | |
'Cos I'd only had sex, like, a couple of times before that. | 0:52:50 | 0:52:54 | |
'Amber thought that he was her boyfriend. | 0:52:55 | 0:52:57 | |
'So, what did you think was going to happen when he picked you up? | 0:52:59 | 0:53:02 | |
'I didn't actually know he was taking us to have sex. | 0:53:04 | 0:53:08 | |
MAGGIE: 'What was you doing? | 0:53:08 | 0:53:10 | |
'I were trying to move. | 0:53:10 | 0:53:12 | |
'But I just gave up. | 0:53:12 | 0:53:14 | |
'Because what's the point in trying?' | 0:53:17 | 0:53:20 | |
The problem is the witness Holly Winshaw. | 0:53:22 | 0:53:25 | |
She was seen as unreliable then and, arguably, | 0:53:25 | 0:53:27 | |
she's even less likely to convince a jury now, | 0:53:27 | 0:53:30 | |
given the troubles she's had in the meantime. | 0:53:30 | 0:53:33 | |
-Chaotic. -Chaotic. | 0:53:33 | 0:53:35 | |
That is exactly the kind of person who's affected by this crime. | 0:53:35 | 0:53:38 | |
The girl that no-one's looking out for, who's on the streets at night, | 0:53:38 | 0:53:42 | |
out of control of the parents. | 0:53:42 | 0:53:44 | |
-That quality made her a victim in the first place. -Agreed. | 0:53:44 | 0:53:47 | |
So, if it's also the quality that keeps her out the witness box, | 0:53:47 | 0:53:50 | |
isn't she doubly damned? | 0:53:50 | 0:53:52 | |
But to be ultra-pragmatic for a moment, | 0:53:52 | 0:53:55 | |
what is the point in subjecting a girl like Holly to a trial | 0:53:55 | 0:53:58 | |
if a jury is not going to believe she's telling the truth? | 0:53:58 | 0:54:02 | |
If a jury's not going to believe her? | 0:54:02 | 0:54:04 | |
Why are we making that assumption? | 0:54:04 | 0:54:06 | |
I watched her interviews... | 0:54:08 | 0:54:09 | |
..and I believed her. | 0:54:10 | 0:54:13 | |
And in court, how do we deal with the fact | 0:54:13 | 0:54:16 | |
that it's on record that we DIDN'T believe her? | 0:54:16 | 0:54:19 | |
We put our hand up and we say we got it wrong. | 0:54:21 | 0:54:24 | |
It went well. | 0:54:26 | 0:54:28 | |
CPS have agreed the charges we want to go for in respect of Ruby. | 0:54:28 | 0:54:31 | |
-Really good work, Maggie. -Well done. | 0:54:31 | 0:54:34 | |
And the Chief Prosecutor himself has given us the green light on Holly. | 0:54:34 | 0:54:38 | |
We're going to trial. | 0:54:38 | 0:54:40 | |
Emily, can I have a word? | 0:54:55 | 0:54:57 | |
Yeah, of course. | 0:54:57 | 0:54:59 | |
It's about Amber. | 0:54:59 | 0:55:00 | |
Look, I'm sorry, Maggie, but we cannot put her in a witness box. | 0:55:02 | 0:55:05 | |
No. I don't believe it. | 0:55:07 | 0:55:09 | |
-No. -She's just too volatile. | 0:55:09 | 0:55:11 | |
She's been through what the other girls have gone through, and more. | 0:55:11 | 0:55:15 | |
I know, but a jury... | 0:55:15 | 0:55:16 | |
A jury can see a damaged person when there's one in front of them. | 0:55:16 | 0:55:20 | |
She will not go down well with a jury. | 0:55:20 | 0:55:22 | |
So, Holly's the right kind of victim, but Amber... | 0:55:24 | 0:55:28 | |
Isn't this the kind of attitude towards young girls | 0:55:28 | 0:55:31 | |
that created this mess in the first place? | 0:55:31 | 0:55:33 | |
This is not a value judgment. | 0:55:33 | 0:55:36 | |
It's just a statement of fact about what the legal system demands. | 0:55:36 | 0:55:40 | |
We need to be strategic about calling witnesses | 0:55:40 | 0:55:43 | |
so we can get those convictions. | 0:55:43 | 0:55:45 | |
We cannot have two kids | 0:55:45 | 0:55:47 | |
contradicting and blaming each other. | 0:55:47 | 0:55:50 | |
The jury's heads will pop, and we will go away with nothing. | 0:55:50 | 0:55:53 | |
Let's credit the jury with some intelligence! | 0:55:53 | 0:55:55 | |
Both of these girls were victims! | 0:55:55 | 0:55:57 | |
Amber was the kind of kid whose basic human needs - | 0:55:57 | 0:56:02 | |
um, warmth, shelter, food, drink - | 0:56:02 | 0:56:05 | |
were being met by a kebab shop, | 0:56:05 | 0:56:07 | |
and if she WAS in charge, if she was getting the other girls | 0:56:07 | 0:56:10 | |
to dish out blow jobs, it was so she didn't have to do them all herself! | 0:56:10 | 0:56:14 | |
Maggie, stop it. You're getting too emotional. | 0:56:14 | 0:56:16 | |
Yeah, but isn't that exactly why I was put on this job? | 0:56:16 | 0:56:19 | |
Because I'm older, I'm a mum, I'm a gran... | 0:56:19 | 0:56:21 | |
Oh, I'm so bloody domestic, the girls will forget that I'm a copper | 0:56:21 | 0:56:24 | |
and they'll trust me and they'll open up to me, | 0:56:24 | 0:56:26 | |
and that's exactly what Amber did. | 0:56:26 | 0:56:28 | |
Do you know what it cost her to do that? And for what?! | 0:56:28 | 0:56:30 | |
So I can go back to her and say, | 0:56:30 | 0:56:32 | |
"No-one's going to court for what they did to you, | 0:56:32 | 0:56:35 | |
"because you're coarse and you swear and you're unsympathetic." | 0:56:35 | 0:56:38 | |
Sandy guaranteed that this wouldn't happen again! | 0:56:38 | 0:56:41 | |
It is the job of the CPS | 0:56:44 | 0:56:46 | |
to decide what we present at trial. | 0:56:46 | 0:56:49 | |
Not everybody gets their day in court, Maggie. | 0:56:50 | 0:56:53 | |
They're not using Amber, but they're going to use Ruby. | 0:56:53 | 0:56:56 | |
I'm not using anyone. | 0:56:59 | 0:57:01 | |
'Nine men have been charged over allegations of grooming | 0:57:19 | 0:57:22 | |
'and committing sexual activity with teenage girls in Rochdale. | 0:57:22 | 0:57:25 | |
'The men have been charged with offences including rape, | 0:57:25 | 0:57:28 | |
'paying for the sexual services of a child, | 0:57:28 | 0:57:30 | |
'trafficking a child and controlling child prostitution, | 0:57:30 | 0:57:34 | |
'going back to 2008.' | 0:57:34 | 0:57:36 | |
Shabir Ahmed, you are charged with conspiracy | 0:57:36 | 0:57:38 | |
to have sexual activity with a child, | 0:57:38 | 0:57:41 | |
conspiring with others to sexually touch a child, | 0:57:41 | 0:57:44 | |
multiple counts of trafficking, | 0:57:44 | 0:57:46 | |
multiple counts of rape. | 0:57:46 | 0:57:48 | |
Nine not-guilty pleas, which means nine cross-examinations, | 0:57:48 | 0:57:53 | |
which means nine different barristers telling these girls | 0:57:53 | 0:57:57 | |
that every word they're saying's a lie. | 0:57:57 | 0:57:59 | |
Are they up to it? | 0:58:01 | 0:58:03 | |
'Innocent white victims. Dark-skinned abusers.' | 0:58:05 | 0:58:09 | |
-'It's uncomfortable, isn't it?' -CROWD CHANTS | 0:58:09 | 0:58:12 | |
The whole bloody country's waiting on this trial | 0:58:12 | 0:58:14 | |
and she's up there having a lie-in! | 0:58:14 | 0:58:17 | |
Where is she? | 0:58:17 | 0:58:18 | |
How dare you show your face here again?! | 0:58:18 | 0:58:21 | |
If they didn't want me to be a witness, | 0:58:21 | 0:58:23 | |
why did they beg me to do it in the first place? | 0:58:23 | 0:58:26 | |
This incident did not happen, did it, Holly? | 0:58:26 | 0:58:28 | |
Yeah, it did. | 0:58:28 | 0:58:30 | |
MAGGIE: It was me you trusted. | 0:58:30 | 0:58:32 | |
It was me you poured your heart out to and I'm sorry. | 0:58:32 | 0:58:35 | |
-SARA: -You're just going to carry on doing | 0:58:35 | 0:58:37 | |
what you've been doing for years. Telling the truth. | 0:58:37 | 0:58:40 |