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I've only been back two weeks, but I've started work | 0:00:02 | 0:00:04 | |
and I really think that's going to stabilise me. | 0:00:04 | 0:00:06 | |
-I heard you were getting married. -Cinnamon is gone in the night. | 0:00:06 | 0:00:08 | |
She's unhappy. | 0:00:08 | 0:00:09 | |
It's best she goes home. | 0:00:09 | 0:00:11 | |
-You didn't see Cinnamon? -She's not there, she's gone. | 0:00:11 | 0:00:14 | |
"Dear Robin Griffin, birth mum, you gave me the gift of life. | 0:00:14 | 0:00:18 | |
"Thank you for having me." | 0:00:18 | 0:00:19 | |
What's happened to our baby, hmm? | 0:00:19 | 0:00:20 | |
If I'd got in her way, she'd kill me. | 0:00:20 | 0:00:23 | |
Alexander is asking for our permission to marry Mary. | 0:00:23 | 0:00:26 | |
Hello, darling. You want to tell me what you saw? | 0:00:26 | 0:00:29 | |
LOUD SUCKING | 0:01:30 | 0:01:32 | |
'HUMMING' | 0:01:42 | 0:01:44 | |
HE HUMS TO HIMSELF | 0:01:44 | 0:01:46 | |
SHE GIGGLES | 0:01:52 | 0:01:54 | |
I'm getting married. | 0:02:17 | 0:02:18 | |
To me? | 0:02:20 | 0:02:21 | |
Do you want to get married? | 0:02:24 | 0:02:26 | |
-To you? -Mm-hm. | 0:02:26 | 0:02:27 | |
Um, I don't know. | 0:02:29 | 0:02:31 | |
Marriage seems to just fuck things up. | 0:02:31 | 0:02:33 | |
People are not so honest. | 0:02:34 | 0:02:36 | |
Well, I'm telling you, aren't I? | 0:02:38 | 0:02:40 | |
That's honest. | 0:02:40 | 0:02:42 | |
Yes, but who are you marrying? | 0:02:42 | 0:02:44 | |
-A girl. -A girl... | 0:02:46 | 0:02:48 | |
..who I've known... | 0:02:50 | 0:02:51 | |
..since I was a boy. | 0:02:54 | 0:02:55 | |
THUNDER RUMBLES | 0:02:57 | 0:03:00 | |
PHONE RINGS | 0:03:16 | 0:03:18 | |
No, no. | 0:03:20 | 0:03:21 | |
Just relax, we'll get it. | 0:03:21 | 0:03:23 | |
I will. | 0:03:23 | 0:03:24 | |
It's probably the beer. Will you tell them where we are? | 0:03:24 | 0:03:27 | |
Hello? | 0:03:28 | 0:03:30 | |
Johnno? | 0:03:34 | 0:03:36 | |
Do I look like Hansel in these socks? | 0:03:36 | 0:03:37 | |
Can you walk any faster? | 0:03:37 | 0:03:39 | |
-No, not really, the bag is heavy. -Then leave it. -Leave it? | 0:03:39 | 0:03:42 | |
-Yeah, just dump it. I have to be somewhere. -What about the plastic? | 0:03:42 | 0:03:45 | |
Fuck it, I'll get it later, run. | 0:03:45 | 0:03:46 | |
-Can you run? -I'll try. | 0:03:46 | 0:03:48 | |
Johnno. | 0:03:56 | 0:03:57 | |
Johnno! | 0:03:58 | 0:04:00 | |
SIRENS BLARE | 0:04:00 | 0:04:03 | |
SHE SCREAMS | 0:04:07 | 0:04:09 | |
THEY LAUGH, BRIDGE CLANKS | 0:04:09 | 0:04:13 | |
-Who's all this? -I'm his drug and alcohol counsellor. | 0:04:19 | 0:04:22 | |
This is his lawyer and his sister, and... | 0:04:22 | 0:04:24 | |
-Five minutes, you know the drill. -Yeah. -Five. -Yeah, I heard you. | 0:04:25 | 0:04:28 | |
Start the ceremony. | 0:04:32 | 0:04:34 | |
Shall we wait for your fiance to dress? | 0:04:35 | 0:04:37 | |
No. | 0:04:37 | 0:04:39 | |
Just begin. | 0:04:39 | 0:04:41 | |
We are here today to witness and celebrate the marriage | 0:04:43 | 0:04:49 | |
and love vows of Jonathan Brian Mitcham | 0:04:49 | 0:04:52 | |
and Robin Elizabeth Griffin. | 0:04:52 | 0:04:55 | |
Cut to the vows. | 0:04:55 | 0:04:57 | |
Four minutes! | 0:04:57 | 0:04:58 | |
Robin and Johnno have decided to avow themselves to each other... | 0:05:02 | 0:05:05 | |
-Who's she? -What? | 0:05:05 | 0:05:07 | |
..and that is a good thing for them... | 0:05:07 | 0:05:10 | |
The girl in your cell. | 0:05:10 | 0:05:11 | |
..for the community and for the universe. | 0:05:11 | 0:05:14 | |
Hitch-hiker. | 0:05:14 | 0:05:16 | |
I don't know. | 0:05:16 | 0:05:17 | |
Robin, it's just a bit of leaf, nothing. | 0:05:17 | 0:05:20 | |
No street value. | 0:05:20 | 0:05:21 | |
It's legal in America. | 0:05:21 | 0:05:23 | |
-Robin... -And man and woman of the feminine and the masculine... | 0:05:26 | 0:05:33 | |
Robin? | 0:05:35 | 0:05:37 | |
Wait, who's this? | 0:05:42 | 0:05:43 | |
-What? Oh, you... -Who's this whore? | 0:05:43 | 0:05:46 | |
-..slack prick! -Jonathan, you're a show pony! What the fuck?! | 0:05:46 | 0:05:50 | |
-Slut face! -You, Miss Piggy, in your fucking pigtails! | 0:05:50 | 0:05:55 | |
We'll be waiting for you, miss! | 0:05:55 | 0:05:57 | |
Soft-cock Mitcham! | 0:05:57 | 0:05:59 | |
VEHICLES APPROACH | 0:06:04 | 0:06:06 | |
ALL CHATTER | 0:06:06 | 0:06:09 | |
Eat something. | 0:06:25 | 0:06:26 | |
I have to go. | 0:06:39 | 0:06:41 | |
I have to work, I have to... | 0:06:42 | 0:06:44 | |
It's OK. | 0:06:45 | 0:06:46 | |
We hate our boyfriends, too. | 0:06:48 | 0:06:49 | |
-He could be out on Monday. -I'd say sooner. | 0:06:49 | 0:06:52 | |
There's no way they'll hold him, not for leaf. | 0:06:52 | 0:06:55 | |
It's a good thing you didn't have his kid. | 0:06:55 | 0:06:57 | |
-Three. -Yeah. | 0:07:03 | 0:07:04 | |
Nature telling you something? | 0:07:06 | 0:07:08 | |
I have to go. | 0:07:11 | 0:07:12 | |
-Johnno's not even family. -He's not family? | 0:07:40 | 0:07:43 | |
Not even our family. No DNA. His fucking mother cheated on Matt. | 0:07:43 | 0:07:47 | |
-Yeah, poor fucking Matt. -Johnno's mum was disloyal, he's disloyal. | 0:07:47 | 0:07:50 | |
It's bad blood. | 0:07:50 | 0:07:52 | |
He's disloyal, it's his blood! | 0:07:52 | 0:07:53 | |
We shall leave her! | 0:07:53 | 0:07:55 | |
-BOTH: -No blood, no loyalty! | 0:07:55 | 0:07:57 | |
Keep going. OK, yeah, yeah. | 0:08:00 | 0:08:02 | |
Yeah, what do you reckon? | 0:08:02 | 0:08:04 | |
ALL YELL AND HOLLER | 0:08:29 | 0:08:32 | |
INDISTINCT RADIO CHATTER | 0:08:36 | 0:08:39 | |
Homicide. | 0:08:51 | 0:08:52 | |
Do you think they're going to let us run this case? | 0:08:55 | 0:08:57 | |
If the victim is low visibility. | 0:08:57 | 0:08:58 | |
What have you got, badge? | 0:09:03 | 0:09:05 | |
It's not pretty, mate. | 0:09:05 | 0:09:06 | |
HE COUGHS | 0:09:09 | 0:09:11 | |
Fucking hell. | 0:09:11 | 0:09:13 | |
Asian female. | 0:09:13 | 0:09:16 | |
Any missing persons triggered? | 0:09:16 | 0:09:17 | |
No, no-one reporting missing. | 0:09:17 | 0:09:19 | |
-OK, I've got some calls to make. -Mm-hm. | 0:09:19 | 0:09:22 | |
You ladies want to run this case? | 0:09:24 | 0:09:25 | |
Certainly. | 0:09:25 | 0:09:26 | |
You go with the government contractor and the body? | 0:09:26 | 0:09:29 | |
To the morgue, yes. | 0:09:29 | 0:09:30 | |
Oi! Fetch my jacket, would you? | 0:09:32 | 0:09:34 | |
No, she can't. | 0:09:36 | 0:09:37 | |
What? What's YOUR problem? | 0:09:38 | 0:09:40 | |
Respectfully, it's not her job. | 0:09:40 | 0:09:42 | |
-Do I get the jacket? -Yes, please, I'm getting cold. | 0:09:43 | 0:09:46 | |
You single? | 0:09:52 | 0:09:53 | |
Make it look like we're discussing the case. | 0:09:53 | 0:09:56 | |
-You're new here. Are you single? -That's irrelevant. | 0:09:56 | 0:09:59 | |
Yeah, but are you single? | 0:09:59 | 0:10:01 | |
It's personal. | 0:10:03 | 0:10:04 | |
Yeah, I'm trying to be personal. | 0:10:04 | 0:10:06 | |
Oh, yeah. Thatta girl. | 0:10:06 | 0:10:08 | |
Come on. | 0:10:10 | 0:10:11 | |
-Look, if this blows up... -Yeah, I know. You'll take it back. | 0:10:14 | 0:10:17 | |
-There you go, sweetheart. -Thanks, girlfriend. | 0:10:17 | 0:10:20 | |
See, that's how easy it is. | 0:10:20 | 0:10:22 | |
Be in touch. | 0:10:24 | 0:10:26 | |
'Now, what are you doing back here?' | 0:10:32 | 0:10:34 | |
I thought we'd got rid of you. When was it? Four, five years ago? | 0:10:34 | 0:10:37 | |
Mm-hm. | 0:10:37 | 0:10:39 | |
Put that gown on, keep the whiff out of your clothes. | 0:10:39 | 0:10:42 | |
You know, if I'd have had a bigger penis, | 0:10:44 | 0:10:46 | |
I would've tried to marry you. | 0:10:46 | 0:10:48 | |
Thank you, Ray. | 0:10:48 | 0:10:50 | |
I don't want to get married. | 0:10:50 | 0:10:51 | |
I was trying to solicit sympathy. I just want you to look at me. | 0:10:53 | 0:10:56 | |
Thank you. | 0:10:58 | 0:10:59 | |
Oh, you're sad. | 0:11:02 | 0:11:05 | |
I was sad... | 0:11:05 | 0:11:06 | |
till I turned 50. | 0:11:06 | 0:11:08 | |
What happened at 50? | 0:11:08 | 0:11:10 | |
Changed partners. | 0:11:10 | 0:11:11 | |
He's a guy. | 0:11:13 | 0:11:14 | |
You didn't flinch. | 0:11:15 | 0:11:17 | |
Not bad. | 0:11:17 | 0:11:19 | |
I don't think I'm gay. I'm just a lover. Come on. | 0:11:19 | 0:11:22 | |
Let's check out China Girl. | 0:11:22 | 0:11:26 | |
That's temporary until you come up with an ID. | 0:11:26 | 0:11:29 | |
Should you be taking photographs? | 0:11:35 | 0:11:37 | |
So... | 0:11:40 | 0:11:41 | |
China Girl. | 0:11:41 | 0:11:43 | |
CAMERA BEEPS ON | 0:11:45 | 0:11:46 | |
-You sure she's Asian? -Well, it's really just the hair texture. | 0:11:46 | 0:11:50 | |
The body's been in the water a long time, and by the looks | 0:11:50 | 0:11:53 | |
of the facial damage, she's been dropped in from a height. | 0:11:53 | 0:11:56 | |
There's really too much swelling and discolouration to be sure. | 0:11:56 | 0:12:00 | |
-Is that on? -Yes. | 0:12:00 | 0:12:02 | |
We have - female. | 0:12:04 | 0:12:05 | |
Asian hair-type - length, 57cm approximately. | 0:12:05 | 0:12:11 | |
Age, by skin texture and teeth, early 20s. | 0:12:11 | 0:12:16 | |
Oh, we have a visitor. | 0:12:16 | 0:12:18 | |
Hi. Adrian Butler, my superintendent, | 0:12:18 | 0:12:21 | |
sent me to watch for experience. | 0:12:21 | 0:12:24 | |
I'm Police Constable Miranda Hilmarson. | 0:12:24 | 0:12:26 | |
-I hope that's OK. -That's fine. | 0:12:26 | 0:12:28 | |
Have you signed in? We like that sort of thing around here. | 0:12:28 | 0:12:32 | |
That face is in very bad shape. | 0:12:32 | 0:12:35 | |
Will you make a police identikit using this face? | 0:12:36 | 0:12:38 | |
I don't think that's possible. | 0:12:38 | 0:12:40 | |
Now, possible cause of death... Strangulation. | 0:12:42 | 0:12:45 | |
See the bruising, there? | 0:12:45 | 0:12:48 | |
Could be a gasper. | 0:12:49 | 0:12:52 | |
-Erotic asphyxiation? -Mm. | 0:12:52 | 0:12:54 | |
It's not very common in women. | 0:12:54 | 0:12:56 | |
True. | 0:12:57 | 0:12:58 | |
Scalpel, Bernard. | 0:13:04 | 0:13:06 | |
Adrian didn't say you were coming. | 0:13:07 | 0:13:10 | |
OK. | 0:13:10 | 0:13:11 | |
He wants me to shadow you. | 0:13:11 | 0:13:14 | |
Why? | 0:13:14 | 0:13:16 | |
-I can go. -It's OK. Just... He really should have told me, that's all. | 0:13:16 | 0:13:21 | |
I'll let him know that. | 0:13:21 | 0:13:23 | |
-No, I'll tell him. -Oh, got something here. | 0:13:23 | 0:13:26 | |
She was pregnant. | 0:13:28 | 0:13:30 | |
Oh... | 0:13:34 | 0:13:36 | |
It's a boy. | 0:13:36 | 0:13:38 | |
He's very well-preserved. | 0:13:41 | 0:13:43 | |
That'll be all the salt water. | 0:13:43 | 0:13:45 | |
Um... 17, 20 weeks' gestation. | 0:13:45 | 0:13:49 | |
So... | 0:13:54 | 0:13:55 | |
-Make it a double murder. -Should do. | 0:13:55 | 0:13:58 | |
-How long will it take to get DNA on the baby? -Two, three days. | 0:13:58 | 0:14:01 | |
I'll push it. | 0:14:01 | 0:14:03 | |
What will you do with it after? | 0:14:03 | 0:14:05 | |
Technically, it's still a foetus, so I will sew him back in, | 0:14:05 | 0:14:09 | |
nice and neat, where he belongs. | 0:14:09 | 0:14:11 | |
Yeah. Barbecue Tuesday. | 0:14:13 | 0:14:17 | |
Fancy a steak? | 0:14:17 | 0:14:18 | |
Across the road. Just the two of us. | 0:14:20 | 0:14:21 | |
Ray, I'm working on a case. It's at a vital stage. | 0:14:21 | 0:14:25 | |
15 minutes. | 0:14:25 | 0:14:27 | |
-Another time, I promise. -Well, I tried. Remember that. | 0:14:27 | 0:14:31 | |
Tried what? | 0:14:33 | 0:14:35 | |
Honestly, angel, you are enlivened by dead matter. | 0:14:35 | 0:14:40 | |
OK, Ray. | 0:14:40 | 0:14:42 | |
I've got a case. | 0:14:42 | 0:14:44 | |
-And I care what happened. -I care. | 0:14:44 | 0:14:46 | |
I don't take the corpse home with me. | 0:14:46 | 0:14:48 | |
Who are your loved ones, Robbie? | 0:14:49 | 0:14:51 | |
What is going on? | 0:14:52 | 0:14:54 | |
Am I bleeding from the nose, or blood coming out of my ears? | 0:14:54 | 0:14:58 | |
-What's the matter? -You need someone in this business. Too tough. | 0:14:58 | 0:15:01 | |
Where's your loved one? | 0:15:03 | 0:15:05 | |
Lying. Promising. Fucking up. | 0:15:05 | 0:15:08 | |
I'm all alone, OK? | 0:15:10 | 0:15:12 | |
Believe it or not, I'm happy. | 0:15:12 | 0:15:13 | |
Hey, Robbie. | 0:15:52 | 0:15:54 | |
What happened at the morgue? | 0:15:54 | 0:15:55 | |
-He started the autopsy, and we... -No, no, no. I mean with Hilmarson. | 0:15:55 | 0:15:59 | |
Nothing. | 0:16:00 | 0:16:02 | |
I gather differently. | 0:16:02 | 0:16:04 | |
I think I'm probably better off working on my own. | 0:16:04 | 0:16:07 | |
No, you're not. | 0:16:07 | 0:16:09 | |
What's wrong with her? | 0:16:10 | 0:16:12 | |
She's got ideas about me, like she's a fan or something. | 0:16:12 | 0:16:15 | |
-HE LAUGHS -Well, give her a week, | 0:16:15 | 0:16:17 | |
you'll cure her of that. | 0:16:17 | 0:16:19 | |
-Bev, could you get Constable Hilmarson in here? -Yep. | 0:16:19 | 0:16:22 | |
You know no-one else will team up with you two. | 0:16:22 | 0:16:24 | |
You're the leftovers, so, you know, just get on with it. | 0:16:24 | 0:16:27 | |
Constable. | 0:16:29 | 0:16:30 | |
Detective Senior Constable Griffin. | 0:16:30 | 0:16:33 | |
Don't let her go anywhere without you. | 0:16:33 | 0:16:35 | |
Pretty basic stuff. | 0:16:35 | 0:16:37 | |
There's been a complication. | 0:16:37 | 0:16:39 | |
She was pregnant. | 0:16:41 | 0:16:42 | |
The pathologist delivered the baby when I was there. | 0:16:42 | 0:16:45 | |
17 weeks, he thought. | 0:16:45 | 0:16:47 | |
Jesus. | 0:16:47 | 0:16:48 | |
Excuse me. Sorry. | 0:16:51 | 0:16:53 | |
Everything's going to Forensics. ISPR and DAL. | 0:16:57 | 0:17:00 | |
OK. | 0:17:00 | 0:17:02 | |
Can you check on your buddy, yeah? | 0:17:02 | 0:17:04 | |
It's driving me out of my fucking mind. | 0:17:08 | 0:17:11 | |
I can't sleep at night. | 0:17:11 | 0:17:12 | |
I'm going to have to call you back. | 0:17:15 | 0:17:18 | |
-Yeah. OK. Thank you. Bye. -PHONE BEEPS OFF | 0:17:18 | 0:17:21 | |
Everything OK? | 0:17:21 | 0:17:24 | |
Yeah, I'm feeling a bit fragile. Um... | 0:17:24 | 0:17:26 | |
You know, it's hor... It's hormones. | 0:17:28 | 0:17:30 | |
What kind of hormones? | 0:17:32 | 0:17:34 | |
Baby hormones. | 0:17:36 | 0:17:37 | |
I'm pregnant. | 0:17:38 | 0:17:39 | |
18 weeks. The same as the victim's, and it caught me off-guard. | 0:17:40 | 0:17:43 | |
Yeah. OK. | 0:17:45 | 0:17:47 | |
You'll want to give that up. | 0:17:48 | 0:17:50 | |
What? | 0:17:50 | 0:17:52 | |
Oh, yeah. Yes. | 0:17:54 | 0:17:56 | |
Anyway, the homicide detectives are here. | 0:17:56 | 0:17:59 | |
OK. I'll be right up. | 0:17:59 | 0:18:01 | |
Hi. | 0:18:07 | 0:18:08 | |
So, there's a bit of a theory that Carson and I have been discussing. | 0:18:08 | 0:18:12 | |
-Uh-huh? -We think that women want their man to be a calm point, | 0:18:12 | 0:18:14 | |
-so they can spin out emotionally and go chaotic. -That's right. | 0:18:14 | 0:18:19 | |
And when they circle back in, they want to see their man cry. | 0:18:19 | 0:18:22 | |
-Can you turn the screen on? -Mm-hm. | 0:18:22 | 0:18:24 | |
Ironically, we think that's when the men actually go underground, | 0:18:26 | 0:18:29 | |
and they get cunning. | 0:18:29 | 0:18:31 | |
You know - porn, affairs, prostitutes. | 0:18:31 | 0:18:33 | |
Interesting theory. Is that what happened to you? | 0:18:33 | 0:18:36 | |
No, I haven't cried in seven years. | 0:18:36 | 0:18:38 | |
Sarge. | 0:18:38 | 0:18:40 | |
Boss. | 0:18:40 | 0:18:42 | |
Hi. | 0:18:42 | 0:18:43 | |
So, Robin, you lead off and tell us where we are. | 0:18:43 | 0:18:45 | |
Yes. | 0:18:45 | 0:18:47 | |
We're calling this a murder case, | 0:18:47 | 0:18:49 | |
because circumstances indicate that's a high probability. | 0:18:49 | 0:18:51 | |
-There's also the death of the foetus. -That's not murder. | 0:18:51 | 0:18:54 | |
I mean, it should be, but then, uh, the baby has to be born, | 0:18:54 | 0:18:57 | |
"a person in being". | 0:18:57 | 0:18:59 | |
We have a serious problem with identification. | 0:18:59 | 0:19:02 | |
The face is very damaged, | 0:19:02 | 0:19:04 | |
even beyond computer reconstruction imaging. | 0:19:04 | 0:19:06 | |
And nobody's registered a missing Asian female in the last ten days. | 0:19:07 | 0:19:11 | |
We went beyond that to 30 days - still nothing. | 0:19:11 | 0:19:14 | |
So, not likely to be an Asian Australian, then. | 0:19:14 | 0:19:16 | |
What about the DNA? | 0:19:16 | 0:19:17 | |
DNA and fingerprints have been taken and run against our files. | 0:19:17 | 0:19:20 | |
No match. | 0:19:20 | 0:19:21 | |
Immigration came up with nothing, which means that either | 0:19:21 | 0:19:24 | |
she's Australian or she's come in under a false passport. | 0:19:24 | 0:19:27 | |
-We check the suitcase? -What for? A travel tag? | 0:19:27 | 0:19:30 | |
They can be that stupid. | 0:19:30 | 0:19:32 | |
My guess - Asian student working in the sex industry. It's a loophole. | 0:19:32 | 0:19:36 | |
They finance their studies by working in brothels, | 0:19:36 | 0:19:39 | |
ministering to creeps. | 0:19:39 | 0:19:41 | |
Hey, steady on...! | 0:19:41 | 0:19:42 | |
-2%, maybe. -That's 2,000, boss. | 0:19:42 | 0:19:45 | |
I mean, you go to these colleges, there's no-one there. | 0:19:45 | 0:19:47 | |
They never intended to go to school. | 0:19:47 | 0:19:50 | |
Yes, it's a high likelihood. | 0:19:50 | 0:19:53 | |
But what we have here is a crime of passion. | 0:19:53 | 0:19:56 | |
She's from a poor family in Thailand, doesn't know anyone, | 0:19:56 | 0:19:59 | |
can't speak the language. | 0:19:59 | 0:20:01 | |
Hoping to make some money to send back to her family. | 0:20:01 | 0:20:04 | |
She probably arrived on a brothel subsidy with a big debt. | 0:20:04 | 0:20:07 | |
She's had unprotected sex and got herself pregnant. | 0:20:07 | 0:20:10 | |
Some kind of crazy relationship with a customer or a pimp. | 0:20:10 | 0:20:15 | |
Course, the facts give us a lot less than that. | 0:20:16 | 0:20:18 | |
Yeah. Nothing. | 0:20:18 | 0:20:20 | |
No. No, no. Not nothing. | 0:20:20 | 0:20:22 | |
We have the foetus. | 0:20:22 | 0:20:24 | |
A paternal link can be established. | 0:20:24 | 0:20:26 | |
It's never been done, but technically, | 0:20:26 | 0:20:28 | |
if we're holding the father's DNA on our system, we've got a lead. | 0:20:28 | 0:20:32 | |
SHE EXHALES SHAKILY | 0:22:18 | 0:22:20 | |
THEY CHATTER INDISTINCTLY | 0:22:42 | 0:22:45 | |
MAN WHISTLES SLOWLY | 0:22:45 | 0:22:47 | |
What can I get you? | 0:22:47 | 0:22:48 | |
Can I just get a glass of water with some lemon in it, please? | 0:22:48 | 0:22:51 | |
-I'll grab a cappuccino, thanks. -Can I just get a water without lemon? | 0:22:51 | 0:22:54 | |
-Yeah, just waters for everyone, thanks. -OK. All right. -Cheers. | 0:22:54 | 0:22:58 | |
-She keeps coming up to you. It has to be a sign. -It's like a neon sign. | 0:23:01 | 0:23:06 | |
She's over here because she's a waitress. | 0:23:06 | 0:23:08 | |
She gets paid to come visit us. | 0:23:08 | 0:23:09 | |
Right? If you really want to hit on her, | 0:23:09 | 0:23:11 | |
what you've got to do is you go over to her. | 0:23:11 | 0:23:15 | |
Oh... How would that look? | 0:23:15 | 0:23:18 | |
-Want to see? -Yeah. | 0:23:18 | 0:23:20 | |
Is he...actually going to do this? | 0:23:26 | 0:23:29 | |
The Continuing Adventures Of The Fuck Wizard. | 0:23:30 | 0:23:34 | |
She's smiling. | 0:23:34 | 0:23:35 | |
"Get away from me" smiling, or is it "smiling" smiling? | 0:23:35 | 0:23:38 | |
I think it's smiling like, I think... | 0:23:38 | 0:23:39 | |
Here it comes. | 0:23:39 | 0:23:41 | |
-And the conqueror returns... -Pickles, boys. | 0:23:41 | 0:23:44 | |
..with a small tub of gherkins. | 0:23:44 | 0:23:46 | |
What happened? | 0:23:47 | 0:23:48 | |
She likes Vietnamese food. | 0:23:48 | 0:23:50 | |
So, you didn't ask her out? | 0:23:50 | 0:23:53 | |
No, I gave her a bit of masculine bravado, | 0:23:53 | 0:23:55 | |
and she's kind of still thinking about it. | 0:23:55 | 0:23:57 | |
So, you just bought some pickles? | 0:23:57 | 0:23:59 | |
No, what I did was transcended the Friend Zone, mate. | 0:23:59 | 0:24:01 | |
No coins, just talk about adult stuff. "Hey, you look cute. | 0:24:01 | 0:24:05 | |
"What's up?" "Oh, this guy's giving me attention. | 0:24:05 | 0:24:08 | |
"I can feel the pheromones burning. Real hot stuff." | 0:24:08 | 0:24:11 | |
The problem is, Nathan, that you actually can't | 0:24:11 | 0:24:13 | |
-ask a real girl out, can you? -What? | 0:24:13 | 0:24:15 | |
Your problem is you're a little bore-girl. | 0:24:15 | 0:24:18 | |
You bore chicks to death, right? | 0:24:18 | 0:24:19 | |
Probably like that chick found dead at Bondi. | 0:24:19 | 0:24:21 | |
One of your bore victims, mate. | 0:24:21 | 0:24:23 | |
-Which one? -Death by boredom. -What are you talking about? | 0:24:23 | 0:24:26 | |
Don't you watch the news? Come on, get it up. It's been everywhere. | 0:24:26 | 0:24:29 | |
That's probably your GFE, mate. | 0:24:29 | 0:24:32 | |
Have a look. | 0:24:32 | 0:24:33 | |
She's in, like, a bag or something. | 0:24:33 | 0:24:35 | |
Yeah. It's pretty sad, actually. | 0:24:35 | 0:24:36 | |
Have you guys been booking her? | 0:24:36 | 0:24:38 | |
-We tried to, but.. -You gave her such a great rating. | 0:24:38 | 0:24:41 | |
-Long legs, big breasts, dark skin... -"Good noises. She was going for it. | 0:24:41 | 0:24:47 | |
"The best bit was spooning with her afterwards." | 0:24:47 | 0:24:50 | |
ALL TEASE AND LAUGH | 0:24:50 | 0:24:52 | |
Prozzos die if you don't fuck them, mate. They're like plants. | 0:24:52 | 0:24:55 | |
You've got to water them with cock. | 0:24:55 | 0:24:56 | |
THEY LAUGH | 0:24:56 | 0:24:58 | |
Mate, we've just started. Come on, mate. | 0:24:58 | 0:25:00 | |
-We've got business to talk about. We're not finished. -Chill out. | 0:25:00 | 0:25:03 | |
-I just need to check on something. -Are you serious? | 0:25:03 | 0:25:05 | |
-He's actually going. -Don't worry. | 0:25:05 | 0:25:07 | |
INTERCOM BEEPS | 0:25:25 | 0:25:27 | |
INTERCOM BUZZES | 0:25:27 | 0:25:29 | |
She usually sees me for a one-hour GFE. | 0:25:32 | 0:25:34 | |
What? | 0:25:34 | 0:25:36 | |
"Girlfriend experience". | 0:25:36 | 0:25:38 | |
Where you buy this one? | 0:25:38 | 0:25:40 | |
Gardeners Road Chinese. | 0:25:40 | 0:25:43 | |
-No good. Bad food. -Cinnamon likes them, so... | 0:25:43 | 0:25:47 | |
-She had before? -Yeah, she likes them. | 0:25:49 | 0:25:52 | |
OK. I get her. | 0:25:54 | 0:25:57 | |
-Just wait. -Thank you. | 0:25:57 | 0:25:58 | |
Mahlee? | 0:26:06 | 0:26:08 | |
Can I see you, please? | 0:26:08 | 0:26:09 | |
Are you feeling better? | 0:26:17 | 0:26:19 | |
Please. | 0:26:20 | 0:26:22 | |
OK. | 0:26:29 | 0:26:30 | |
Room four. | 0:26:30 | 0:26:31 | |
I take this. | 0:26:33 | 0:26:35 | |
No food in sex room. | 0:26:35 | 0:26:36 | |
You enjoy. | 0:26:43 | 0:26:44 | |
Shower? | 0:26:48 | 0:26:49 | |
Wash your mister. | 0:26:49 | 0:26:51 | |
Is Cinnamon...? | 0:26:51 | 0:26:53 | |
Shower first, yeah? | 0:26:53 | 0:26:55 | |
Mm. | 0:26:55 | 0:26:56 | |
OK. | 0:26:58 | 0:27:00 | |
SHOWER RUNS | 0:27:09 | 0:27:10 | |
Wow. Yeah. OK, good. | 0:27:16 | 0:27:19 | |
You big boy, huh? | 0:27:19 | 0:27:22 | |
Is Cinnamon here? Is she busy? | 0:27:25 | 0:27:27 | |
You like? | 0:27:28 | 0:27:30 | |
Mmm. | 0:27:30 | 0:27:31 | |
Yes. | 0:27:31 | 0:27:32 | |
Um... Uh... | 0:27:34 | 0:27:36 | |
Oh, you funny boy, huh? | 0:27:36 | 0:27:39 | |
No. I'm not trying to be. | 0:27:39 | 0:27:41 | |
You want spank? You can spank. I don't mind. | 0:27:41 | 0:27:45 | |
No, really. I'm just... | 0:27:45 | 0:27:47 | |
-Sorry. -Funny boy. | 0:27:47 | 0:27:49 | |
SHE LAUGHS | 0:27:49 | 0:27:51 | |
-Uh, look. This isn't really working for me. -Why? What wrong? | 0:27:51 | 0:27:55 | |
Hmm? | 0:27:55 | 0:27:57 | |
Hmm? | 0:27:57 | 0:27:59 | |
You like? Hmm? Come. | 0:28:00 | 0:28:03 | |
You like? | 0:28:04 | 0:28:06 | |
-Something wrong? -Yeah. That's not Cinnamon. | 0:28:09 | 0:28:12 | |
-You told me that was Cinnamon. -New Cinnamon. Old Cinnamon away. | 0:28:12 | 0:28:16 | |
There was an Asian girl found on the beach. | 0:28:19 | 0:28:23 | |
No. Gone to Canberra. | 0:28:23 | 0:28:25 | |
You love Cinnamon. | 0:28:26 | 0:28:28 | |
But she is prostitute. You know that. | 0:28:28 | 0:28:30 | |
She blew me without a condom. | 0:28:30 | 0:28:33 | |
Yeah, and then after, she say, "I don't normally do that." Yeah? | 0:28:33 | 0:28:38 | |
Pretend. | 0:28:38 | 0:28:40 | |
She can't go with you to Gold Coast. | 0:28:40 | 0:28:43 | |
She has to work, have to fuck with customer. | 0:28:43 | 0:28:45 | |
-She has to pay back a lot of money. -To who? How much does she owe? | 0:28:45 | 0:28:49 | |
30,000. | 0:28:49 | 0:28:51 | |
That's 300 guys. | 0:28:53 | 0:28:55 | |
Come. | 0:28:56 | 0:28:57 | |
WOMAN SPEAKS OWN LANGUAGE | 0:29:03 | 0:29:06 | |
Sit. | 0:29:06 | 0:29:07 | |
Sit down. | 0:29:07 | 0:29:09 | |
WOMAN SPEAKS OWN LANGUAGE | 0:29:09 | 0:29:13 | |
Now, which one you want? | 0:29:13 | 0:29:15 | |
You want lady boy? | 0:29:15 | 0:29:16 | |
-Uncut. You try? Very popular. -MOBILE PHONE RINGS | 0:29:16 | 0:29:19 | |
I have a big cock. | 0:29:19 | 0:29:21 | |
No, thanks. | 0:29:21 | 0:29:23 | |
-Hello? How can I help you? -Do you like to holiday? | 0:29:23 | 0:29:27 | |
Cinnamon and I - we're going to go on a holiday. | 0:29:27 | 0:29:30 | |
She gone. | 0:29:30 | 0:29:32 | |
She got upset. | 0:29:32 | 0:29:34 | |
You know she don't understand Puss. | 0:29:34 | 0:29:36 | |
Who? | 0:29:36 | 0:29:37 | |
Puss. He teach us we are victim. | 0:29:37 | 0:29:40 | |
Oppressed. We have to be strong. | 0:29:40 | 0:29:43 | |
Who is this guy? | 0:29:43 | 0:29:44 | |
Puss, he...he very, very good teacher. | 0:29:44 | 0:29:47 | |
Sometime, he too angry. | 0:29:47 | 0:29:49 | |
He hurt us, but he very good teacher. | 0:29:49 | 0:29:52 | |
It is because they want to remind me of... | 0:29:52 | 0:29:54 | |
This one, Puss! ALL CALL OUT | 0:29:54 | 0:29:56 | |
Puss, you hungry? | 0:29:56 | 0:29:58 | |
No, thank you. Who's this? | 0:29:58 | 0:30:00 | |
He in love with Cinnamon. | 0:30:00 | 0:30:01 | |
No, sit down. | 0:30:01 | 0:30:03 | |
-In love with Cinnamon? -Yeah. | 0:30:06 | 0:30:09 | |
You a student? | 0:30:10 | 0:30:13 | |
Yeah. | 0:30:13 | 0:30:14 | |
Philosophy? IT? | 0:30:16 | 0:30:17 | |
Pretty much. | 0:30:18 | 0:30:20 | |
Got a big schlong, yeah? | 0:30:20 | 0:30:23 | |
THEY LAUGH | 0:30:23 | 0:30:25 | |
THEY CHATTER INDISTINCTLY | 0:30:31 | 0:30:36 | |
Hi, Mary. | 0:30:36 | 0:30:37 | |
This woman is part of a sex workers' collective, | 0:30:46 | 0:30:48 | |
and she's pretty anti-cop. | 0:30:48 | 0:30:51 | |
She was defensive on the phone, but we need her help, | 0:30:51 | 0:30:54 | |
so don't scare her. | 0:30:54 | 0:30:57 | |
-Scare her? -Yeah. | 0:30:57 | 0:30:58 | |
-What do you mean? -Just let me do the talking. | 0:30:58 | 0:31:02 | |
Oh, no. No, it's not my talking, is it? | 0:31:02 | 0:31:06 | |
It's this. | 0:31:06 | 0:31:08 | |
Just try listening. | 0:31:10 | 0:31:11 | |
-Yes? -Hello. Eastern Coast police. | 0:31:20 | 0:31:22 | |
Linda, please. | 0:31:22 | 0:31:23 | |
Yeah, if you'd just like to wait over there, | 0:31:23 | 0:31:26 | |
-and I'll send a message through now. -Thank you. | 0:31:26 | 0:31:28 | |
DOG BARKS AND PANTS | 0:31:28 | 0:31:29 | |
Hey! | 0:31:29 | 0:31:31 | |
SHE FUSSES OVER DOG | 0:31:31 | 0:31:33 | |
-Is she friendly? -She's friendly, yeah. | 0:31:33 | 0:31:36 | |
Hello! Hello! | 0:31:36 | 0:31:38 | |
'So what makes you think she's a sex worker?' | 0:31:38 | 0:31:41 | |
It makes me sad that you'd jump to that conclusion. | 0:31:41 | 0:31:44 | |
It's safer to work in a brothel than to walk home at night, | 0:31:44 | 0:31:47 | |
there's always other ladies around, someone to help, | 0:31:47 | 0:31:49 | |
and now that we're legal, we can call the police. | 0:31:49 | 0:31:52 | |
We are checking other avenues, | 0:31:52 | 0:31:54 | |
but at the moment, we want to know of any Asian women who are missing. | 0:31:54 | 0:31:57 | |
We don't have an ID yet. | 0:31:57 | 0:32:00 | |
Even if you did, she'd most likely be working under a false passport. | 0:32:00 | 0:32:04 | |
Criminal networks coach girls with good English to pass | 0:32:04 | 0:32:07 | |
their interviews and get the student visas. | 0:32:07 | 0:32:11 | |
But the photos would be different? | 0:32:11 | 0:32:13 | |
I know one girl who did 26 interviews. | 0:32:13 | 0:32:17 | |
We all look the same to you. | 0:32:17 | 0:32:19 | |
Do we look the same to you? | 0:32:20 | 0:32:21 | |
PHONE BUZZES | 0:32:23 | 0:32:25 | |
I've got to take this. Sorry. | 0:32:31 | 0:32:34 | |
Robin Griffin. | 0:32:38 | 0:32:40 | |
Yes. | 0:32:42 | 0:32:43 | |
Yes, I left it. | 0:32:45 | 0:32:47 | |
I hope that was OK. | 0:32:47 | 0:32:48 | |
Of course. | 0:32:50 | 0:32:52 | |
I can come tomorrow, any time. | 0:32:53 | 0:32:55 | |
Great. | 0:32:57 | 0:32:59 | |
Thanks. Bye. | 0:32:59 | 0:33:00 | |
SHE BREATHES SHAKILY | 0:33:03 | 0:33:05 | |
May I ask... Do you have a photo of her? | 0:33:10 | 0:33:14 | |
Um... | 0:33:14 | 0:33:15 | |
She came in this. | 0:33:18 | 0:33:19 | |
Where's the girl? | 0:33:21 | 0:33:23 | |
You don't want to see it. | 0:33:25 | 0:33:27 | |
Show me. | 0:33:27 | 0:33:29 | |
I'll do what I can. I speak Korean and understand Thai quite well. | 0:33:43 | 0:33:48 | |
MIRANDA SPEAKS NEARBY | 0:33:54 | 0:33:57 | |
I would really like to... | 0:33:59 | 0:34:01 | |
I'd really like to know how many girls you have working here | 0:34:01 | 0:34:04 | |
full-time, part-time... | 0:34:04 | 0:34:06 | |
MUSIC DROWNS OUT SPEECH | 0:34:06 | 0:34:07 | |
MUSIC DROWNS OUT SPEECH | 0:34:31 | 0:34:34 | |
INDISTINCT CHATTER | 0:34:47 | 0:34:50 | |
LAUGHTER AND CHATTER | 0:35:14 | 0:35:21 | |
MUSIC DROWNS OUT SPEECH | 0:35:28 | 0:35:34 | |
Uh, yeah. Oh, sorry. Sorry, I'm just in the middle of something... | 0:35:34 | 0:35:38 | |
I make it six missing or unknown. | 0:35:48 | 0:35:51 | |
Yeah, one girl, Charlie, and not her real name, | 0:35:51 | 0:35:54 | |
from Cheapest Escorts, didn't come in to work this week. | 0:35:54 | 0:35:58 | |
Left a text message, and then her phone went down. | 0:35:58 | 0:36:02 | |
We'll follow her up. | 0:36:02 | 0:36:05 | |
Yeah, there's another five presumed moved or returned home, | 0:36:05 | 0:36:09 | |
but this one from...yeah, Silk 41, is one of them. | 0:36:09 | 0:36:13 | |
Shop name - Cinnamon, who they believe has gone to Canberra. | 0:36:13 | 0:36:18 | |
She's not responding to phone calls, | 0:36:18 | 0:36:19 | |
and one of the girls has her passport for safekeeping. | 0:36:19 | 0:36:23 | |
This is the photo page. | 0:36:23 | 0:36:25 | |
Probably a fake photo. A fake name. | 0:36:27 | 0:36:29 | |
Oh... | 0:36:31 | 0:36:32 | |
Prada. Look, there's the label, there. | 0:36:36 | 0:36:39 | |
Could be fake. | 0:36:40 | 0:36:41 | |
Fake-real, like from Hong Kong. | 0:36:41 | 0:36:44 | |
No, they're real. | 0:36:44 | 0:36:45 | |
How many guys would that be? | 0:36:46 | 0:36:48 | |
Well, for her? One. | 0:36:48 | 0:36:50 | |
Have you ever thought about being an escort? | 0:36:54 | 0:36:57 | |
No. | 0:36:57 | 0:36:58 | |
Have you? | 0:37:00 | 0:37:01 | |
I've had offers. I think it's my height, you know? I'm a curiosity. | 0:37:03 | 0:37:06 | |
I've thought about it, because the money's so good, but the work... | 0:37:07 | 0:37:13 | |
What? | 0:37:13 | 0:37:14 | |
A bit bleak. | 0:37:15 | 0:37:17 | |
MEN CHUCKLE | 0:37:17 | 0:37:19 | |
-What have we got? -We're on to something. | 0:37:20 | 0:37:23 | |
Well, good. What is it? | 0:37:23 | 0:37:24 | |
Call girls wear Prada. | 0:37:26 | 0:37:27 | |
-You having coffee? -Yeah. | 0:37:29 | 0:37:31 | |
MOBILE PHONE BEEPS | 0:37:31 | 0:37:33 | |
Take a seat. | 0:37:41 | 0:37:43 | |
Panda's gone. | 0:37:43 | 0:37:44 | |
What? | 0:37:45 | 0:37:47 | |
Oh, yeah. I gave that to, uh, Patrick. | 0:37:47 | 0:37:50 | |
-I have to go. I need a couple of hours. -OK. | 0:37:53 | 0:37:56 | |
Hey, Adrian.... | 0:38:02 | 0:38:04 | |
Do you go to brothels? | 0:38:04 | 0:38:06 | |
Yeah. I mean... | 0:38:06 | 0:38:08 | |
Well, I used to. | 0:38:08 | 0:38:09 | |
Is this her? | 0:38:47 | 0:38:49 | |
She's too young, isn't she? | 0:38:49 | 0:38:51 | |
You're putting on your jacket? Why? | 0:38:56 | 0:38:58 | |
Pyke, don't flirt. | 0:38:59 | 0:39:02 | |
-Remember. -Yes. -Please. -Yes. | 0:39:04 | 0:39:07 | |
Robin? | 0:39:17 | 0:39:19 | |
Hi, I'm Pyke, Mary's father. | 0:39:19 | 0:39:22 | |
Please, come in. | 0:39:23 | 0:39:25 | |
Excuse my office. | 0:39:27 | 0:39:28 | |
I think I explained. Mary's not here. | 0:39:40 | 0:39:43 | |
She hasn't read your note yet. | 0:39:45 | 0:39:46 | |
Julia and I thought it best if we met first. | 0:39:46 | 0:39:49 | |
You're really looking at me. | 0:39:52 | 0:39:53 | |
Are we similar? | 0:39:55 | 0:39:56 | |
Um, pardon me, Robin. This is Mary's mother, Julia. | 0:39:57 | 0:40:02 | |
-Hello. -Hello. | 0:40:02 | 0:40:04 | |
-We'd like you to know that we both really... -Pyke, um... | 0:40:07 | 0:40:11 | |
Are you going to have a coffee? Because I'd like one. | 0:40:11 | 0:40:13 | |
-Yes, thank you. Flat white. Are you...? -No. | 0:40:13 | 0:40:19 | |
He has one in the morning. That's it. | 0:40:19 | 0:40:22 | |
Very disciplined. | 0:40:22 | 0:40:24 | |
I'm going to have one. | 0:40:24 | 0:40:26 | |
That's right. I'm having one. | 0:40:26 | 0:40:28 | |
-Good. -OK. -Tell Bettina, then. -Yep. | 0:40:28 | 0:40:31 | |
I'd like to say thank you, for my daughter. | 0:40:40 | 0:40:43 | |
But at the moment, she is a nightmare. | 0:40:44 | 0:40:48 | |
I'd hoped that it would stop, but... | 0:40:50 | 0:40:52 | |
-I think it's actually getting worse. -A nightmare? | 0:40:52 | 0:40:55 | |
She's a teenager. Isn't that the definition... | 0:40:55 | 0:40:57 | |
Don't dissemble, Pyke. You know. You know it is worse than that. | 0:40:57 | 0:41:00 | |
-Did anything happen? -Um... | 0:41:02 | 0:41:04 | |
Well, a while back, | 0:41:04 | 0:41:05 | |
when she was 12, she got very excited about contacting you. | 0:41:05 | 0:41:09 | |
She asked us if we'd mind, and... Particularly me. | 0:41:10 | 0:41:15 | |
We wondered that it might not turn out how she'd hoped, | 0:41:17 | 0:41:20 | |
that the letter might not find you, | 0:41:20 | 0:41:22 | |
but she insisted that she wanted to try. | 0:41:22 | 0:41:23 | |
She didn't care what happened. | 0:41:23 | 0:41:25 | |
Did you receive the letter? | 0:41:27 | 0:41:29 | |
Of course you did. How else would you have our address? | 0:41:30 | 0:41:33 | |
Yes, I did. | 0:41:35 | 0:41:37 | |
And you didn't think it necessary to reply? | 0:41:37 | 0:41:40 | |
It was necessary. | 0:41:42 | 0:41:43 | |
But I couldn't. | 0:41:45 | 0:41:46 | |
You couldn't? | 0:41:47 | 0:41:49 | |
No. | 0:41:50 | 0:41:52 | |
-Julia, she is the mother, as well. -Is she? | 0:41:53 | 0:41:56 | |
This is... This is a bad idea. | 0:41:57 | 0:42:00 | |
You withheld from her. | 0:42:01 | 0:42:04 | |
Mothers don't do that. | 0:42:04 | 0:42:07 | |
They reassure their children. That's what they do. | 0:42:07 | 0:42:09 | |
I... I can't... I need to go. | 0:42:13 | 0:42:16 | |
JULIA SIGHS | 0:42:20 | 0:42:22 | |
As time passed and she didn't get an answer, she thought, | 0:42:22 | 0:42:25 | |
"Oh, well, it must be the wrong address." | 0:42:25 | 0:42:27 | |
But she couldn't let it rest. | 0:42:27 | 0:42:29 | |
She started to think somehow she'd written something off-putting. | 0:42:29 | 0:42:33 | |
-Or something... Something indelicate. -Indelicate, yeah. | 0:42:33 | 0:42:36 | |
That was the word - "indelicate". | 0:42:36 | 0:42:39 | |
She agonised over that letter every single day, | 0:42:39 | 0:42:42 | |
wondering about every little detail. | 0:42:42 | 0:42:45 | |
Why didn't she get a reply? Why? Why? | 0:42:46 | 0:42:49 | |
And then her personality changed. | 0:42:51 | 0:42:52 | |
She started to speak with this sort of American accent, | 0:42:53 | 0:42:56 | |
like she was a newsreader, fakely pleasant. | 0:42:56 | 0:42:59 | |
It was bizarre, painfully bizarre. | 0:42:59 | 0:43:02 | |
Yeah, but that's not happening any more. | 0:43:02 | 0:43:04 | |
No, it's changed now. | 0:43:04 | 0:43:06 | |
It's different again, and now she's rude, and she's sometimes violent. | 0:43:06 | 0:43:10 | |
Julia, it's not always that bad. | 0:43:10 | 0:43:12 | |
-It's not. -Anyway, there's someone waiting for me in the car. | 0:43:13 | 0:43:17 | |
My girlfriend. | 0:43:18 | 0:43:20 | |
I can exaggerate sometimes, but... | 0:43:24 | 0:43:26 | |
..your baby has been loved by me very much, and now she hates me. | 0:43:27 | 0:43:33 | |
There are other reasons for Mary's behaviour. | 0:43:49 | 0:43:51 | |
We're getting a divorce. | 0:43:53 | 0:43:55 | |
Oh. | 0:43:55 | 0:43:56 | |
Julia fell in love with the French teacher at her school. | 0:43:56 | 0:43:59 | |
Was he married too? | 0:44:01 | 0:44:02 | |
He is actually a she, and, yeah, yeah, she was married too. | 0:44:02 | 0:44:06 | |
Mary is angry on my behalf. | 0:44:07 | 0:44:10 | |
She attacked Julia over it, the whole...lesbian aspect. | 0:44:10 | 0:44:14 | |
At five years old, and I think she was about eight... | 0:44:25 | 0:44:30 | |
And this... This was her first pony, Sovereign. | 0:44:30 | 0:44:34 | |
The saddle went underneath his stomach. She broke her arm. | 0:44:34 | 0:44:38 | |
We wanted you to know the situation. | 0:44:45 | 0:44:47 | |
Last week, we met her boyfriend. He's 42. She's 17. | 0:44:47 | 0:44:52 | |
How old was she when you brought her home for the first time? | 0:44:57 | 0:44:59 | |
She was two days old. | 0:45:01 | 0:45:03 | |
Two days? | 0:45:05 | 0:45:06 | |
That was the last time I saw her. | 0:45:10 | 0:45:12 | |
I was 16. | 0:45:16 | 0:45:17 | |
I don't... I don't think I can help. | 0:45:24 | 0:45:27 | |
I'm not her mother. | 0:45:29 | 0:45:30 | |
I just... I gave birth to her. That's all. | 0:45:30 | 0:45:33 | |
Personally, I think she needs to meet you. | 0:45:35 | 0:45:37 | |
LAUGHTER AND CHATTER | 0:46:00 | 0:46:04 | |
-Hi. -Hi. -See you later. -Yeah, I'd love that. | 0:46:07 | 0:46:10 | |
Thought I'd cook dinner for you. | 0:46:13 | 0:46:17 | |
Thanks. It's nice of you. | 0:46:17 | 0:46:20 | |
Listen, I hope you don't mind. I asked your friend to dinner. | 0:46:20 | 0:46:24 | |
Oh. She's not a friend, but OK. | 0:46:24 | 0:46:27 | |
We work together. | 0:46:27 | 0:46:29 | |
So, Miranda, I take it you're in the law enforcement trade, too? | 0:46:33 | 0:46:36 | |
Yeah. Oh, have you got an ashtray? | 0:46:38 | 0:46:40 | |
I am giving these up. | 0:46:42 | 0:46:44 | |
Yeah, use this. | 0:46:45 | 0:46:47 | |
So, um, what do you do when you're not cooking green chicken curry? | 0:46:51 | 0:46:57 | |
I do energy work. I do massage. I do Chinese massage. | 0:46:57 | 0:47:02 | |
I, basically, open people up, you know, | 0:47:02 | 0:47:06 | |
to new levels within themselves. | 0:47:06 | 0:47:08 | |
OK. I like the odd massage, but, you know... | 0:47:08 | 0:47:12 | |
For most people, I'm too much. | 0:47:13 | 0:47:15 | |
If you want to give it a try, it'll only take a few minutes. | 0:47:18 | 0:47:21 | |
It's just about being shown the door, really. Here, try this. | 0:47:23 | 0:47:26 | |
-It's good? -Mm-hm. -Yeah. | 0:47:28 | 0:47:30 | |
Once that's done, you can step through any time you like. | 0:47:30 | 0:47:34 | |
What about dinner? | 0:47:36 | 0:47:38 | |
Can you watch the chook, Rob? | 0:47:42 | 0:47:43 | |
Sure. | 0:47:43 | 0:47:45 | |
Just turn it down a touch. | 0:47:45 | 0:47:47 | |
OK, let's show me the door. | 0:47:47 | 0:47:49 | |
SHE GIGGLES | 0:47:55 | 0:47:57 | |
Slowly, slowly, approach the door, and open it. | 0:47:59 | 0:48:05 | |
-It's not coming open. It's locked and bolted. -Hey, that's OK. | 0:48:07 | 0:48:11 | |
-So, reach into your pocket. -My pocket... But I'm a leopard. | 0:48:11 | 0:48:18 | |
Right. | 0:48:18 | 0:48:19 | |
Now, reach into your leopard-skin... | 0:48:19 | 0:48:22 | |
..to find a key. | 0:48:24 | 0:48:25 | |
Now, take that key... | 0:48:27 | 0:48:29 | |
It's opening. | 0:48:40 | 0:48:42 | |
Now move through... | 0:48:42 | 0:48:44 | |
into this other world. | 0:48:44 | 0:48:46 | |
SHE SOBS | 0:48:51 | 0:48:53 | |
Shhh... | 0:48:53 | 0:48:54 | |
SHE CRIES LOUDLY | 0:48:57 | 0:49:00 | |
MOBILE RINGS | 0:49:02 | 0:49:05 | |
This is Robin. | 0:49:16 | 0:49:17 | |
Yes. | 0:49:21 | 0:49:22 | |
Yes, I can tell by your voice. | 0:49:25 | 0:49:28 | |
Yes, whenever you like. | 0:49:31 | 0:49:33 | |
OK. | 0:49:35 | 0:49:36 | |
Oh, hey. Take it easy. Relax. | 0:49:43 | 0:49:45 | |
Here. | 0:49:45 | 0:49:47 | |
You are going to remember this moment for the rest of your life, | 0:49:47 | 0:49:49 | |
OK? | 0:49:49 | 0:49:51 | |
So concentrate. You're beautiful. | 0:49:51 | 0:49:53 | |
I believe we share a gene pool. | 0:50:08 | 0:50:10 | |
Yes. | 0:50:14 | 0:50:16 | |
It's true. We do. | 0:50:16 | 0:50:18 | |
You can call me Baby. Not Mary. I don't like Mary. | 0:50:18 | 0:50:22 | |
-I want to say I'm sorry that I didn't reply... -No, I... | 0:50:25 | 0:50:30 | |
I mean, it was an adolescent fantasy. I was 12. | 0:50:30 | 0:50:33 | |
I mean, I thought you were going to ride over the hilltop | 0:50:33 | 0:50:36 | |
and take me away to live a wild life amongst the gipsies. | 0:50:36 | 0:50:39 | |
I know what I want, so if you want to look at the menu... | 0:50:39 | 0:50:43 | |
Yes, I already looked. | 0:50:44 | 0:50:45 | |
You would have had to fight Julia for me, you know? | 0:50:47 | 0:50:49 | |
The child thief. The interloper. | 0:50:49 | 0:50:51 | |
Blood is thicker than water, though. | 0:50:51 | 0:50:54 | |
-What do you want? -I'll have a strawberry milkshake, thank you. | 0:50:56 | 0:51:00 | |
Uh, iced tea, please. | 0:51:00 | 0:51:02 | |
-Nice. Um, I might not stay very long. -OK. | 0:51:04 | 0:51:07 | |
So, you're a policewoman? That's hilarious. | 0:51:09 | 0:51:13 | |
Well, I'm not really laughing. | 0:51:13 | 0:51:15 | |
-I'm just wondering if I'm doing anything illegal. -Oh... | 0:51:15 | 0:51:18 | |
Yes, I'm a detective. | 0:51:20 | 0:51:23 | |
So, what do you wear? How do you know what to wear? | 0:51:23 | 0:51:25 | |
Is there a dress code? | 0:51:25 | 0:51:27 | |
Uh, slacks, suit... This. | 0:51:27 | 0:51:29 | |
What are slacks? | 0:51:29 | 0:51:30 | |
Smart casual trousers. These. | 0:51:30 | 0:51:33 | |
Oh, yeah. Yeah, I know about slacks. | 0:51:33 | 0:51:35 | |
I'm still sorry. | 0:51:40 | 0:51:42 | |
-I'm sorry I didn't write back. -It's OK. You found me. | 0:51:43 | 0:51:47 | |
I think you followed me in your car. | 0:51:49 | 0:51:52 | |
No, it's OK. I like it. | 0:51:52 | 0:51:53 | |
So, I'm too much, right? | 0:51:55 | 0:51:57 | |
Too intense, too needy. | 0:51:57 | 0:51:59 | |
Too direct. | 0:51:59 | 0:52:00 | |
It's OK. I can take it. | 0:52:00 | 0:52:02 | |
I think you're amazing. | 0:52:04 | 0:52:05 | |
Amazing? | 0:52:06 | 0:52:08 | |
Why? | 0:52:09 | 0:52:11 | |
Because you're alive. | 0:52:11 | 0:52:13 | |
So alive. | 0:52:16 | 0:52:18 | |
So beautiful. | 0:52:20 | 0:52:21 | |
I'm not beautiful. I have facial and body irregularities. | 0:52:23 | 0:52:27 | |
My nose on the right side is less good than the left, | 0:52:27 | 0:52:31 | |
and my thighs rub together at the top, | 0:52:31 | 0:52:32 | |
and my breasts are small and flat. | 0:52:32 | 0:52:34 | |
You probably thought about aborting me. | 0:52:36 | 0:52:38 | |
That's OK. I mean, you didn't, so, yay. | 0:52:38 | 0:52:42 | |
So, do you know what you want to do? | 0:52:45 | 0:52:48 | |
With my life? | 0:52:50 | 0:52:51 | |
I want to be a wife. | 0:52:52 | 0:52:54 | |
I'm getting married. Did they tell you that? | 0:52:54 | 0:52:57 | |
Dad really likes him, and, yes, Julia is outraged, | 0:52:57 | 0:53:01 | |
but, you know, she's a new lesbian, and sort of political, | 0:53:01 | 0:53:05 | |
so it's bonding for her and Isidore to be outraged together, | 0:53:05 | 0:53:10 | |
especially about "finishing your education", but honestly, | 0:53:10 | 0:53:13 | |
school is so feeble. | 0:53:13 | 0:53:14 | |
Do you love him? | 0:53:14 | 0:53:16 | |
Alexander? | 0:53:16 | 0:53:18 | |
Yes, I adore him. | 0:53:18 | 0:53:20 | |
He, too, wants me educated, but differently. | 0:53:20 | 0:53:23 | |
He's tender and he's caring, | 0:53:23 | 0:53:25 | |
and he lives an actual life in a real world, and he has ideals. | 0:53:25 | 0:53:29 | |
You know, something that my parents strenuously avoid. | 0:53:29 | 0:53:33 | |
I'm going to go, though, because I'm feeling edgy, | 0:53:35 | 0:53:37 | |
and I just wanted to say thank you for having me, | 0:53:37 | 0:53:42 | |
and, you know, thank you for not aborting me. | 0:53:42 | 0:53:45 | |
-So, I might call you again? -OK. Call me any time. -OK. | 0:53:47 | 0:53:52 | |
-OK. Um... -Thanks. | 0:53:52 | 0:53:55 | |
-I'll stay because it's wasteful, and... -Take it with you. | 0:53:57 | 0:54:00 | |
I know why you didn't contact me. | 0:54:02 | 0:54:03 | |
Do you? | 0:54:07 | 0:54:08 | |
You know I do. | 0:54:08 | 0:54:10 | |
It's OK. | 0:54:12 | 0:54:14 | |
I mean, it's not OK for you, | 0:54:14 | 0:54:16 | |
but it is OK for me. | 0:54:16 | 0:54:18 | |
I'll wear his jeans better than he did. | 0:54:21 | 0:54:25 | |
I'll even kill him for you if you like. | 0:54:25 | 0:54:27 | |
Born to revenge. | 0:54:29 | 0:54:31 | |
My daddy was a rapist, then I shot him and he was dead. | 0:54:31 | 0:54:34 | |
I like you. | 0:54:40 | 0:54:41 | |
I smoke, so... I'm sorry. I just... | 0:54:50 | 0:54:53 | |
That's OK. I smoke, too. | 0:54:53 | 0:54:55 | |
-Really? -Yeah. | 0:54:55 | 0:54:57 | |
-Do you want to have a cigarette together? -Yeah. -All right. Cool. | 0:54:57 | 0:55:01 | |
Yes, I was raped... | 0:55:12 | 0:55:14 | |
..and you should know that it wasn't one perpetrator. | 0:55:15 | 0:55:20 | |
OK? | 0:55:22 | 0:55:23 | |
There were three. | 0:55:26 | 0:55:27 | |
Mum and dads... | 0:55:32 | 0:55:33 | |
Shall we do a photo? | 0:55:40 | 0:55:41 | |
Yeah, OK. | 0:55:44 | 0:55:46 | |
-Yeah. -Yeah? | 0:55:46 | 0:55:47 | |
Baby, if you need to see me again... | 0:56:03 | 0:56:06 | |
If you're ever in trouble, just call me. | 0:56:06 | 0:56:10 | |
Call me, OK? | 0:56:10 | 0:56:11 | |
Hey, you know, you wouldn't believe it, | 0:56:11 | 0:56:13 | |
but I have Asian friends who have never been to the beach, | 0:56:13 | 0:56:16 | |
and I was going to take them and teach them to swim, | 0:56:16 | 0:56:18 | |
so if you can swim... | 0:56:18 | 0:56:20 | |
I can swim. | 0:56:20 | 0:56:22 | |
Cool. | 0:56:22 | 0:56:23 | |
Oh, Rob, you didn't need to come in. | 0:56:50 | 0:56:52 | |
Just wanted to speak to you about a strange result. | 0:56:52 | 0:56:55 | |
Come on in. | 0:56:56 | 0:56:58 | |
This is Andy, who I live with. | 0:56:58 | 0:57:00 | |
Hi. | 0:57:00 | 0:57:02 | |
Hi. | 0:57:02 | 0:57:04 | |
Yes, we had a little bit of a problem with the sample. | 0:57:04 | 0:57:07 | |
Couldn't get a true result. | 0:57:07 | 0:57:09 | |
-How do you mean? -Well, the foetus's DNA wasn't matching China Girl's. | 0:57:09 | 0:57:13 | |
-Really? -Really. | 0:57:14 | 0:57:16 | |
I suspected contamination, so I took another sample, | 0:57:16 | 0:57:19 | |
sent it off to two labs. | 0:57:19 | 0:57:21 | |
Same results. | 0:57:22 | 0:57:25 | |
I mean, I don't know. You were there. | 0:57:25 | 0:57:27 | |
We both saw this little guy growing in her womb. | 0:57:27 | 0:57:31 | |
Never seen anything like it. | 0:57:33 | 0:57:34 | |
Ray. | 0:57:37 | 0:57:38 | |
I met my daughter today for the first time. | 0:57:40 | 0:57:43 | |
Oh! | 0:57:43 | 0:57:45 | |
She's 17. | 0:57:45 | 0:57:47 | |
HE LAUGHS | 0:57:49 | 0:57:52 | |
My darling, you never told me. | 0:57:52 | 0:57:54 | |
She's completely precious. | 0:57:54 | 0:57:57 | |
Look at that. | 0:57:57 | 0:57:58 | |
She didn't grow up with me. | 0:57:58 | 0:58:00 | |
Ah, well... | 0:58:00 | 0:58:03 | |
There's your wound, Robbie. | 0:58:03 | 0:58:05 | |
I don't know. | 0:58:08 | 0:58:09 | |
I don't feel anything. | 0:58:09 | 0:58:11 | |
No, no. Well, you wouldn't. | 0:58:11 | 0:58:14 | |
Not now. | 0:58:15 | 0:58:17 | |
But you wait, and you will FEEL it! | 0:58:17 | 0:58:21 | |
Ray. | 0:58:45 | 0:58:46 | |
Ray! | 0:58:46 | 0:58:48 | |
Hmm? | 0:58:48 | 0:58:51 | |
China Girl's a surrogate. | 0:58:51 | 0:58:52 | |
That's why there's no match. | 0:58:52 | 0:58:55 | |
-She's a surrogate. -Course. | 0:58:55 | 0:58:57 | |
She's a surrogate! | 0:58:57 | 0:58:59 | |
Good Lord. Didn't even think of it. | 0:59:00 | 0:59:03 | |
Shit. Modern times, eh? | 0:59:05 | 0:59:08 | |
Come and have a glass, eh, Robbie? | 0:59:11 | 0:59:13 | |
I'm working, Ray. | 0:59:15 | 0:59:17 |