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So I think I know the identity of your China girl. She was my GFE. | 0:00:02 | 0:00:06 | |
It's kind of a girlfriend. | 0:00:06 | 0:00:07 | |
What are you...judging me, huh? Staring. | 0:00:07 | 0:00:10 | |
I don't like the way this conversation is... | 0:00:10 | 0:00:12 | |
-Ah! -SHE SCREAMS | 0:00:12 | 0:00:14 | |
-HE GRUNTS -Alex! | 0:00:14 | 0:00:16 | |
Nosy bitch! | 0:00:16 | 0:00:18 | |
You can work beside your sisters, breast to breast, legs wide open. | 0:00:18 | 0:00:22 | |
Can you help me? | 0:00:22 | 0:00:23 | |
# So deep in my heart | 0:00:23 | 0:00:27 | |
# That you're really a part of me. # | 0:00:27 | 0:00:29 | |
Love you. | 0:01:12 | 0:01:13 | |
I have your shoes. | 0:01:15 | 0:01:17 | |
# I love my baby | 0:01:25 | 0:01:33 | |
# I've loved her so long | 0:01:37 | 0:01:45 | |
# I love my baby | 0:01:48 | 0:01:55 | |
# I've loved her... | 0:01:56 | 0:01:57 | |
KNOCK AT DOOR | 0:01:57 | 0:01:59 | |
# ..since she was born | 0:01:59 | 0:02:02 | |
# My sweet baby | 0:02:05 | 0:02:09 | |
PHONE RINGS | 0:02:09 | 0:02:12 | |
# Has gone and done me, oh, so wrong # | 0:02:14 | 0:02:21 | |
Hi. | 0:02:28 | 0:02:29 | |
Mary still sleeping? | 0:02:32 | 0:02:33 | |
She's gone. | 0:02:54 | 0:02:55 | |
Really? | 0:02:56 | 0:02:57 | |
With him? | 0:02:58 | 0:03:00 | |
HE SIGHS | 0:03:03 | 0:03:06 | |
Did she call him or did he call her? | 0:03:07 | 0:03:09 | |
She was calling him. | 0:03:11 | 0:03:13 | |
Off and on all night. | 0:03:13 | 0:03:14 | |
And she's given him your address. | 0:03:20 | 0:03:23 | |
That's worrying. | 0:03:23 | 0:03:25 | |
I'm not worried. | 0:03:25 | 0:03:26 | |
You're not? | 0:03:27 | 0:03:28 | |
How can Mary look at what Puss did to you and still love him? | 0:03:44 | 0:03:47 | |
I need to tell you something. | 0:03:50 | 0:03:51 | |
Last night I picked her up from the underpass. | 0:03:54 | 0:03:57 | |
Yeah? | 0:03:58 | 0:03:59 | |
Hang on, you mean... | 0:04:03 | 0:04:05 | |
You mean the hookers' strip? | 0:04:05 | 0:04:07 | |
Yes. | 0:04:08 | 0:04:09 | |
He's prostituting her? | 0:04:16 | 0:04:18 | |
HE SIGHS | 0:04:20 | 0:04:22 | |
I should do these dishes. | 0:04:30 | 0:04:32 | |
HE SNIFFS | 0:04:38 | 0:04:40 | |
Are you breathing? | 0:04:44 | 0:04:45 | |
Just breathe. | 0:04:46 | 0:04:47 | |
Oh. | 0:04:49 | 0:04:51 | |
How can he want to hurt Mary? | 0:04:55 | 0:04:57 | |
I don't know. | 0:04:57 | 0:04:58 | |
He's made a bad move there. | 0:05:04 | 0:05:05 | |
Mary won't tolerate it. | 0:05:07 | 0:05:09 | |
Prostituting her - it won't compute. | 0:05:09 | 0:05:12 | |
I've thought about arresting him but I can't hold him. | 0:05:12 | 0:05:14 | |
Or I'll kill him. | 0:05:17 | 0:05:18 | |
I'll get him fucked up, I've got contacts. | 0:05:21 | 0:05:23 | |
DOOR BUZZER | 0:05:25 | 0:05:28 | |
Yeah. OK. | 0:05:37 | 0:05:38 | |
-Got your body map? -Yup. | 0:05:40 | 0:05:42 | |
Get him a seat, please. | 0:05:50 | 0:05:52 | |
This is your body map? | 0:06:20 | 0:06:21 | |
Describe the hair length, say what's on your drawing. | 0:06:26 | 0:06:30 | |
Er, black, | 0:06:30 | 0:06:32 | |
fine, one or two inches past the waist. | 0:06:32 | 0:06:35 | |
Check. | 0:06:40 | 0:06:41 | |
Erm... | 0:06:44 | 0:06:45 | |
Two dark, almost black, | 0:06:45 | 0:06:48 | |
even moles under the left breast one centimetre apart. | 0:06:48 | 0:06:52 | |
The furthest left is lower. | 0:06:52 | 0:06:53 | |
Check. | 0:06:58 | 0:06:59 | |
Jesus. | 0:07:02 | 0:07:04 | |
Anything else? | 0:07:04 | 0:07:06 | |
Er... | 0:07:06 | 0:07:07 | |
She always wore a small gold cross, | 0:07:09 | 0:07:11 | |
which she removed before our sessions. | 0:07:11 | 0:07:13 | |
Not here, mate. | 0:07:15 | 0:07:16 | |
Guess she died fucking. | 0:07:16 | 0:07:19 | |
She shave her muff? | 0:07:19 | 0:07:20 | |
Yup. | 0:07:23 | 0:07:24 | |
Close-shaven, one to two millimetres. | 0:07:24 | 0:07:26 | |
Check. | 0:07:36 | 0:07:37 | |
Approach the body, please. | 0:07:40 | 0:07:41 | |
Can you positively identify the body? | 0:07:53 | 0:07:55 | |
HE SOBS | 0:07:57 | 0:07:59 | |
Yes. | 0:08:01 | 0:08:02 | |
I'd like to have a moment to say goodbye. | 0:08:09 | 0:08:12 | |
Yeah, you just had it, buddy. | 0:08:14 | 0:08:17 | |
No. | 0:08:17 | 0:08:19 | |
Cover her. It's inappropriate. You're a customer, | 0:08:19 | 0:08:21 | |
not a family member. PHONE RINGS | 0:08:21 | 0:08:24 | |
Hey, no phones here. | 0:08:24 | 0:08:25 | |
Turn it off. | 0:08:26 | 0:08:28 | |
CAMERA CLICKS Stop right there. | 0:08:30 | 0:08:32 | |
Hey! You just disobeyed a direct order - that's an offence. | 0:08:32 | 0:08:34 | |
-Take that. -I can delete it. -We'll keep that as evidence. | 0:08:34 | 0:08:36 | |
-I can delete it. -Not now you can't. | 0:08:36 | 0:08:38 | |
It's evidence, and even if you trash it, it's retrievable. | 0:08:38 | 0:08:41 | |
What did you want? A souvenir? | 0:08:41 | 0:08:43 | |
Get your bag, Brett. We'll take you home. | 0:08:43 | 0:08:45 | |
See you, buddy. | 0:08:52 | 0:08:53 | |
Hey, so what do you think? | 0:09:01 | 0:09:03 | |
Shall I keep his phone or...? | 0:09:03 | 0:09:05 | |
You decide. | 0:09:05 | 0:09:06 | |
-Do you like him? -Like? | 0:09:07 | 0:09:09 | |
Well...what? | 0:09:10 | 0:09:13 | |
He knows her body by heart, | 0:09:15 | 0:09:16 | |
he paid attention to her. | 0:09:16 | 0:09:18 | |
He cared. | 0:09:18 | 0:09:19 | |
So you think he cared. | 0:09:21 | 0:09:22 | |
I want to know if he killed her. | 0:09:22 | 0:09:25 | |
Well, someone did. | 0:09:25 | 0:09:26 | |
I want to be with you. | 0:09:30 | 0:09:31 | |
And I'm finding this quite upsetting cos I think you've got someone. | 0:09:31 | 0:09:34 | |
Just fucking tell me if you've got someone. | 0:09:34 | 0:09:37 | |
Hey, get the car. | 0:09:37 | 0:09:38 | |
YOU get the car. | 0:09:40 | 0:09:41 | |
Come on, mate. | 0:09:43 | 0:09:44 | |
This is...bullshit. | 0:09:46 | 0:09:48 | |
Look, just so you know, Stall can get a little fixated on women, | 0:09:53 | 0:09:57 | |
so you might want to keep your distance. | 0:09:57 | 0:09:59 | |
You're overseeing our case. | 0:09:59 | 0:10:01 | |
See, there are noes that mean yes. | 0:10:01 | 0:10:04 | |
All of us guys get plenty of yes-noes. | 0:10:06 | 0:10:08 | |
Stally doesn't know a real no from a yes-no. | 0:10:08 | 0:10:12 | |
Here. | 0:10:13 | 0:10:15 | |
Call me if he comes around. | 0:10:15 | 0:10:16 | |
Thanks, mate. | 0:10:20 | 0:10:21 | |
GUNSHOTS | 0:10:24 | 0:10:26 | |
Brett... | 0:10:35 | 0:10:36 | |
Brett... | 0:10:45 | 0:10:46 | |
I'll have dinner at the table tonight. We've got company. | 0:12:08 | 0:12:11 | |
-Oh. -Oh, er, sorry, introductions. | 0:12:11 | 0:12:13 | |
Cinnamon, this is my good mother. | 0:12:13 | 0:12:15 | |
Who is it, dear? | 0:12:21 | 0:12:22 | |
Yeah, well, you're calling it overtime but I call it | 0:12:24 | 0:12:26 | |
effective police work. I need Thommo out there. | 0:12:26 | 0:12:28 | |
China girl before her face was smashed. | 0:12:38 | 0:12:40 | |
Her name? | 0:12:45 | 0:12:46 | |
Cinnamon. Shop name. | 0:12:46 | 0:12:48 | |
So...suspects? | 0:12:48 | 0:12:50 | |
Either of you? | 0:12:56 | 0:12:58 | |
Brett Iles - he's intense. | 0:12:58 | 0:13:00 | |
I'd also look at the shop itself. | 0:13:00 | 0:13:03 | |
There's rumours of a guy who rents a room above it. | 0:13:03 | 0:13:05 | |
Where are you going? | 0:13:09 | 0:13:10 | |
I'm leaving you two alone. | 0:13:10 | 0:13:12 | |
Sit back down. | 0:13:12 | 0:13:13 | |
Just wait. Will you? | 0:13:13 | 0:13:14 | |
You know, you're taking a moment to see your partner's... | 0:13:16 | 0:13:20 | |
Do you see she's upset? | 0:13:20 | 0:13:21 | |
Look, I got your messages. | 0:13:22 | 0:13:25 | |
So what is it? | 0:13:25 | 0:13:26 | |
I can't stop worrying that something's wrong | 0:13:29 | 0:13:31 | |
and the baby's dead. | 0:13:31 | 0:13:32 | |
SHE SOBS | 0:13:32 | 0:13:34 | |
Why? Are you bleeding? | 0:13:34 | 0:13:35 | |
When you miscarry, you bleed. | 0:13:39 | 0:13:41 | |
Ask for an ultrasound. | 0:13:41 | 0:13:43 | |
It's hard to organise. | 0:13:45 | 0:13:47 | |
Hey, but if it's... | 0:13:47 | 0:13:48 | |
..if it stops you from worrying. Mm? | 0:13:49 | 0:13:52 | |
Is she being a bitch? | 0:13:54 | 0:13:56 | |
Yes! | 0:13:56 | 0:13:57 | |
I'm sorry. | 0:13:59 | 0:14:00 | |
I don't see you enough. | 0:14:04 | 0:14:07 | |
I need you. | 0:14:07 | 0:14:08 | |
I get scared, really scared. | 0:14:09 | 0:14:11 | |
I know, I know. | 0:14:11 | 0:14:13 | |
Sylvie! | 0:14:14 | 0:14:16 | |
Oh, God. | 0:14:16 | 0:14:17 | |
THEY LAUGH | 0:14:17 | 0:14:18 | |
That's what I've heard on the grapevine. | 0:14:18 | 0:14:20 | |
Housewives, stuff. | 0:14:20 | 0:14:22 | |
Hi. Robin. | 0:14:22 | 0:14:23 | |
Hey, yeah, I remember. You're back from New Zealand, are you? | 0:14:23 | 0:14:26 | |
-Hi, how are you? -OK. How's Patrick? | 0:14:26 | 0:14:28 | |
-Did he like his panda? -Panda? | 0:14:28 | 0:14:30 | |
-Yeah, the stuffed bear. -No, I think you might be thinking | 0:14:31 | 0:14:34 | |
-about another kid. Patrick doesn't have a panda. -Hey. | 0:14:34 | 0:14:36 | |
-Hey! -Oh, hi. -Where are you going? | 0:14:36 | 0:14:38 | |
-You left your lunch. -Right, OK. | 0:14:38 | 0:14:40 | |
Hey. | 0:14:44 | 0:14:46 | |
SIREN WAILS | 0:14:54 | 0:14:56 | |
Are you blaming me for his wife? | 0:15:07 | 0:15:09 | |
I didn't know she was coming. | 0:15:09 | 0:15:11 | |
No, I blame you for enjoying it. | 0:15:11 | 0:15:13 | |
And attacking me every day relentlessly. Not today - every day. | 0:15:13 | 0:15:19 | |
Do you recognise her? | 0:15:39 | 0:15:40 | |
Hmm... I don't know who she is. | 0:15:41 | 0:15:45 | |
Pixie, we've got to stop this bullshit. | 0:15:45 | 0:15:48 | |
Look at her. | 0:15:48 | 0:15:49 | |
Let me help. | 0:15:51 | 0:15:52 | |
She is not a student, she's a sex worker, Pixie, and she's dead. | 0:15:52 | 0:15:55 | |
Oh, God. | 0:15:58 | 0:15:59 | |
I don't know how I can help. | 0:16:00 | 0:16:02 | |
Are you sure she's a sex worker? | 0:16:03 | 0:16:05 | |
Yes. | 0:16:05 | 0:16:07 | |
Get me a fucking ultrasound. | 0:16:07 | 0:16:10 | |
Pick up the phone, call Dr Chatterjee... | 0:16:10 | 0:16:12 | |
I can't do that, he's away. | 0:16:12 | 0:16:14 | |
-He's away? -Yes. -Fuck you, Pixie! Get someone else to do it! | 0:16:14 | 0:16:17 | |
Hey! PIXIE SQUEALS | 0:16:17 | 0:16:19 | |
That is enough. She has heard you, she will do it. | 0:16:19 | 0:16:21 | |
I want to see you fucking phone! Do something. | 0:16:21 | 0:16:24 | |
-You'll do it, you'll text the appointment time. -Get off me! | 0:16:24 | 0:16:27 | |
-Constable Hilmarson, you have to leave. -No. | 0:16:27 | 0:16:30 | |
It's my baby. | 0:16:30 | 0:16:32 | |
-It's my baby! -It's OK, you've told her, she'll do it. Leave. | 0:16:32 | 0:16:36 | |
Constable... Leave. Leave. | 0:16:36 | 0:16:39 | |
Erm, can we meet up and talk? | 0:16:55 | 0:16:57 | |
Call me one night after seven. | 0:16:57 | 0:16:59 | |
SHE GROANS | 0:17:15 | 0:17:16 | |
We have to have this out. | 0:17:16 | 0:17:17 | |
Yes, we do. | 0:17:17 | 0:17:19 | |
Hey. | 0:17:43 | 0:17:45 | |
Yeah, no, thanks. | 0:17:45 | 0:17:47 | |
Wake up, you have a baby. | 0:17:47 | 0:17:49 | |
You need to take care of yourself. | 0:17:49 | 0:17:51 | |
Don't give me that shit. | 0:17:54 | 0:17:56 | |
You don't care about me. | 0:17:57 | 0:17:59 | |
You actually enjoy any opportunity to humiliate me. | 0:17:59 | 0:18:02 | |
What's your excuse? | 0:18:14 | 0:18:15 | |
For this? | 0:18:16 | 0:18:17 | |
For kicking and screaming at the IVF clinic. | 0:18:17 | 0:18:20 | |
One minute you're yelling for an ultrasound, | 0:18:21 | 0:18:23 | |
the next you're smoking and killing your baby's brain cells. | 0:18:23 | 0:18:26 | |
I'm going to make sure you take care of your baby. | 0:18:26 | 0:18:29 | |
I will haunt you. | 0:18:29 | 0:18:31 | |
Oh, you do. | 0:18:31 | 0:18:33 | |
You do. | 0:18:33 | 0:18:34 | |
See, I'm not your partner, | 0:18:34 | 0:18:36 | |
I'm your whipping boy. | 0:18:36 | 0:18:37 | |
And I have to be hopeless | 0:18:38 | 0:18:40 | |
so you can be clever and you can be capable and you can... | 0:18:40 | 0:18:42 | |
What's your point? | 0:18:42 | 0:18:43 | |
You've no idea? | 0:18:45 | 0:18:46 | |
Tell me. | 0:18:46 | 0:18:48 | |
I want to hear. | 0:18:48 | 0:18:49 | |
Go ahead. | 0:18:53 | 0:18:54 | |
It's so, so sad. | 0:18:56 | 0:18:57 | |
Because you are broken-hearted and you don't even realise. | 0:18:58 | 0:19:02 | |
Everybody knows. | 0:19:03 | 0:19:05 | |
Liam knows. Adrian knows. I know. Your daughter knows. | 0:19:05 | 0:19:09 | |
She's reaching out to you. She's trying to heal you. | 0:19:09 | 0:19:11 | |
-Can't you just hold her? -You have no idea about my life. | 0:19:11 | 0:19:13 | |
-I've seen it myself. You're afraid to touch her. -I take care. | 0:19:13 | 0:19:18 | |
I am careful with people. | 0:19:18 | 0:19:19 | |
And I don't? | 0:19:19 | 0:19:21 | |
Like you should be. Why are you fucking around with Liam? | 0:19:21 | 0:19:24 | |
-We're friends. -He's fragile... -We love each other, OK? | 0:19:24 | 0:19:26 | |
-That's it. It's a foreign language to you. -You're careless. | 0:19:26 | 0:19:30 | |
Yeah, I'm the one that cares. | 0:19:30 | 0:19:31 | |
No, I CAN translate - | 0:19:31 | 0:19:33 | |
you're fucking dangerous. | 0:19:33 | 0:19:35 | |
You have no idea how lucky you are. | 0:20:01 | 0:20:03 | |
I've been pregnant... | 0:20:05 | 0:20:07 | |
not just once with Mary. Four times. | 0:20:07 | 0:20:10 | |
Three miscarriages. | 0:20:13 | 0:20:14 | |
So don't you dare say that I don't care. | 0:20:18 | 0:20:20 | |
-What? Is that too close? -Yeah! | 0:20:28 | 0:20:31 | |
But what about this? Huh? | 0:20:31 | 0:20:35 | |
-Yeah, is this better over here? -Yeah. | 0:20:35 | 0:20:38 | |
ROBIN SNIFFLES | 0:20:38 | 0:20:40 | |
I'm not having my baby. | 0:20:42 | 0:20:44 | |
ENGINE RUMBLES OUTSIDE | 0:21:18 | 0:21:20 | |
No, you don't want to know. Just picture that... | 0:21:28 | 0:21:31 | |
You know, it's better for the performance. | 0:21:31 | 0:21:34 | |
Hey, mate, what are you doing? | 0:21:34 | 0:21:36 | |
Hey, what's that thing? Are you making a documentary about me? | 0:21:36 | 0:21:38 | |
The Fuck Wizard Strikes Back? Whoo! Whoo! | 0:21:38 | 0:21:42 | |
Yeah, something like that. | 0:21:42 | 0:21:43 | |
All right, so first it was stand up back stairs, | 0:21:43 | 0:21:46 | |
then I went through all the positions. | 0:21:46 | 0:21:48 | |
You know, I got her onto the bed. | 0:21:48 | 0:21:50 | |
We did some Viennese oyster, | 0:21:50 | 0:21:51 | |
just some nice airy-fairy stuff, and then I fucking shocked her, | 0:21:51 | 0:21:54 | |
turned around, demonic looking straight in her eyes, man. | 0:21:54 | 0:21:57 | |
The Fuck Wizard's here. | 0:21:57 | 0:21:58 | |
How do you remember them all? | 0:21:58 | 0:22:00 | |
Like, I... You know, if I... | 0:22:00 | 0:22:03 | |
Like, I get so involved in the moment, I wouldn't know, | 0:22:03 | 0:22:05 | |
like, which one to do next. | 0:22:05 | 0:22:07 | |
You always get too involved, because you're emotional. | 0:22:07 | 0:22:09 | |
You've got to keep it... | 0:22:09 | 0:22:10 | |
keep it very logical and very scientific, right? | 0:22:10 | 0:22:13 | |
If you... If you get stuck, get her to go through a little dry run. | 0:22:13 | 0:22:16 | |
Get her to go through them. She knows all the positions. | 0:22:16 | 0:22:18 | |
-Stick deep, rodeo... Mate, it really loosens them up. -OK. | 0:22:18 | 0:22:22 | |
Hey, you got a bit of a glow about you. | 0:22:24 | 0:22:26 | |
Have you had a touch of the GFE? | 0:22:26 | 0:22:28 | |
What? Have you been seeing Cinnamon? | 0:22:28 | 0:22:31 | |
-I did. -What's she up to? -Really? Oh, she's back? | 0:22:31 | 0:22:34 | |
At Silk 41? | 0:22:34 | 0:22:35 | |
She must love your little rest-up sessions | 0:22:35 | 0:22:37 | |
when she gets to rest up from sucking all that cock, | 0:22:37 | 0:22:40 | |
just rest the old jaw. | 0:22:40 | 0:22:41 | |
-WHISPERING: -That's really lovely. That's really hot. | 0:22:41 | 0:22:45 | |
I hope you're not putting me on YouTube, Brett. | 0:22:45 | 0:22:48 | |
I'll smash you. | 0:22:48 | 0:22:49 | |
LAUGHTER | 0:22:49 | 0:22:51 | |
-No, this is going to go on the news. -Really? | 0:22:51 | 0:22:54 | |
-Hey. -Hi. | 0:22:56 | 0:22:58 | |
Hey. | 0:22:58 | 0:22:59 | |
-Another coffee? Anything? -You're putting us on the news? | 0:22:59 | 0:23:02 | |
-That'd be good for me, thanks. -Yeah. -Nothing? -Coffee, caffeine... | 0:23:02 | 0:23:06 | |
I've looked through her patient list and there's a lot of them. | 0:23:08 | 0:23:11 | |
No, it actually shocked me, too. I had no idea. | 0:23:11 | 0:23:14 | |
Well, I honestly believe Pixie's intention was to help, | 0:23:16 | 0:23:18 | |
but we're in a bit of a situation now. | 0:23:18 | 0:23:20 | |
I've got to walk my dog. | 0:23:20 | 0:23:22 | |
Here's Pixie. It's the detective. | 0:23:22 | 0:23:26 | |
I'm so sorry. I was only trying to help. | 0:23:29 | 0:23:31 | |
Just to help the people have their babies... | 0:23:31 | 0:23:34 | |
I wasn't paid. I just passed on a number. | 0:23:34 | 0:23:37 | |
That's all I did. | 0:23:37 | 0:23:38 | |
And people thanked me... Everyone thanked me. | 0:23:38 | 0:23:42 | |
You've got to get them all together. Tell them to come to your place. | 0:23:42 | 0:23:45 | |
Come to my apartment. | 0:23:47 | 0:23:49 | |
I'll invite some couples and I can tell you all what I know. | 0:23:49 | 0:23:52 | |
OK. | 0:23:54 | 0:23:56 | |
That'd be good. | 0:23:56 | 0:23:57 | |
All right, so you'll text me the address? | 0:23:57 | 0:23:59 | |
Bye. | 0:24:02 | 0:24:03 | |
OK, Pixie wants to have us over. | 0:24:05 | 0:24:09 | |
She wants to tell us what she knows. | 0:24:09 | 0:24:11 | |
You'll come? | 0:24:11 | 0:24:13 | |
Of course. | 0:24:13 | 0:24:15 | |
Thank you. | 0:24:15 | 0:24:16 | |
To my one good egg - | 0:24:19 | 0:24:22 | |
my A-grade blastocyst. | 0:24:22 | 0:24:24 | |
To your little... | 0:24:28 | 0:24:31 | |
Rosa. She's a little girl. | 0:24:31 | 0:24:33 | |
To Rosa! | 0:24:33 | 0:24:34 | |
Oh, did you think...? | 0:24:38 | 0:24:39 | |
What? That we should stop drinking? | 0:24:39 | 0:24:41 | |
No. Did you think Cinnamon...? | 0:24:48 | 0:24:51 | |
Yes, I did think. | 0:24:51 | 0:24:52 | |
When I saw the foetus pulled out at the morgue... | 0:24:56 | 0:24:59 | |
..I was scared it was Rosa. | 0:25:01 | 0:25:03 | |
But it was somebody's baby boy. | 0:25:05 | 0:25:08 | |
It's not mine, but it's somebody's. | 0:25:08 | 0:25:10 | |
Did Adrian give your surrogate a panda? | 0:25:14 | 0:25:18 | |
Actually, yes, erm... | 0:25:18 | 0:25:20 | |
Molly had morning sickness. | 0:25:20 | 0:25:23 | |
Why? Tell me. | 0:25:23 | 0:25:24 | |
I saw a panda at Silk 41. | 0:25:25 | 0:25:27 | |
No, she's a student. | 0:25:31 | 0:25:32 | |
You think she's a sex worker. | 0:25:44 | 0:25:46 | |
I think she's had a miscarriage - that's why she's disappeared. | 0:25:49 | 0:25:52 | |
But the worst thing is, perhaps not. | 0:25:57 | 0:26:01 | |
Perhaps our baby will be born and we'll never find her. | 0:26:01 | 0:26:05 | |
We'll never see her. We'll never care for her. | 0:26:05 | 0:26:09 | |
MIRANDA SOBS | 0:26:09 | 0:26:11 | |
Hey. | 0:26:11 | 0:26:12 | |
MIRANDA STILL SOBBING We're going to find your baby. | 0:26:14 | 0:26:17 | |
Hey! OK? | 0:26:17 | 0:26:19 | |
I'm going to find your baby, OK? | 0:26:19 | 0:26:21 | |
I'm a detective, | 0:26:21 | 0:26:25 | |
but I'm also a super detective. | 0:26:25 | 0:26:28 | |
MIRANDA SNIFFLES | 0:26:28 | 0:26:30 | |
OK? | 0:26:31 | 0:26:33 | |
-I know, I know... -I will find her. | 0:26:33 | 0:26:36 | |
Thank you. | 0:26:38 | 0:26:39 | |
You have a really good heart, and I'm sorry for what I said. | 0:26:43 | 0:26:46 | |
ROBIN SOBS | 0:26:50 | 0:26:52 | |
-Oh... -Excuse me. | 0:26:52 | 0:26:54 | |
Oh, no. No, you can howl if you want to. | 0:26:54 | 0:26:58 | |
Oh... Oh... | 0:26:58 | 0:27:01 | |
Excuse me. I'm sorry. | 0:27:06 | 0:27:08 | |
How did this happen? I've been dying to ask. | 0:27:20 | 0:27:24 | |
I know that's not a dog. That's people teeth. | 0:27:24 | 0:27:27 | |
Mary's boyfriend. | 0:27:30 | 0:27:32 | |
He's the German from Silk 41. | 0:27:35 | 0:27:37 | |
Oh, my God. Really? | 0:27:38 | 0:27:41 | |
And that's why you didn't tell Adrian. | 0:27:41 | 0:27:43 | |
Oh, no, poor Mary. She has to leave him. He's so dangerous. | 0:27:46 | 0:27:51 | |
She's in love. | 0:27:51 | 0:27:52 | |
She's really, really in love. | 0:27:54 | 0:27:56 | |
Oh, fuck love. It's a disease. | 0:27:56 | 0:27:59 | |
People die from it. | 0:28:00 | 0:28:03 | |
-SHE EXHALES -No, not her. No, no, no, no. | 0:28:03 | 0:28:05 | |
No, no. | 0:28:05 | 0:28:06 | |
That's it. No, not that one. The big one. Get the big... Up the top! | 0:28:11 | 0:28:15 | |
-Yeah. -That's not my bag. | 0:28:15 | 0:28:16 | |
Yeah, it doesn't matter. Big one is better. | 0:28:16 | 0:28:20 | |
I've paid already for the ad. | 0:28:20 | 0:28:22 | |
Yeah, if you do the search, we're not on the front page. | 0:28:24 | 0:28:26 | |
I'm telling you... | 0:28:26 | 0:28:28 | |
I can e-mail you receipt this time, but I'm telling you, | 0:28:30 | 0:28:34 | |
we made the payment. | 0:28:34 | 0:28:35 | |
-I don't know whose bag that is. -It doesn't matter. That's OK. | 0:28:35 | 0:28:38 | |
You'll come? Awesome. Yes, we have Jade and Joy. | 0:28:38 | 0:28:43 | |
They're both active, passive - whatever you want. | 0:28:45 | 0:28:48 | |
You can make booking, | 0:28:48 | 0:28:49 | |
or you can come in and have a look first if you want. | 0:28:49 | 0:28:52 | |
Where are you going? | 0:28:53 | 0:28:55 | |
I'm leaving for holiday. | 0:28:55 | 0:28:58 | |
No more sex. No more cock. | 0:28:58 | 0:29:01 | |
Where? | 0:29:01 | 0:29:03 | |
-You come. -Yeah. -You come to Thailand when I'm back. | 0:29:03 | 0:29:07 | |
You meet my mother. | 0:29:07 | 0:29:08 | |
Yeah. | 0:29:10 | 0:29:12 | |
Don't go to Canberra. | 0:29:24 | 0:29:25 | |
Where? | 0:29:27 | 0:29:28 | |
You know, Canberra, like Cinnamon. | 0:29:28 | 0:29:31 | |
Cinnamon? Oh, she... What a stupid girl! | 0:29:31 | 0:29:34 | |
She's too emotional. | 0:29:34 | 0:29:37 | |
She get involved, crying and crying... | 0:29:37 | 0:29:40 | |
Mary... | 0:29:42 | 0:29:43 | |
Do you love Puss? | 0:29:45 | 0:29:46 | |
You tell me, really. | 0:29:46 | 0:29:48 | |
Yes. | 0:29:49 | 0:29:51 | |
I don't think I love anyone. | 0:29:53 | 0:29:55 | |
Maybe you, hmm? | 0:29:58 | 0:30:00 | |
Maybe this... | 0:30:05 | 0:30:09 | |
But I won't do that, even if I feel it profit... | 0:30:14 | 0:30:22 | |
THEY SPEAK OWN LANGUAGE | 0:30:29 | 0:30:31 | |
Give it to me. Come on. | 0:30:31 | 0:30:33 | |
Thank you. | 0:30:33 | 0:30:34 | |
THEY SPEAK OWN LANGUAGE | 0:30:34 | 0:30:36 | |
Hey, off it! Off! | 0:30:51 | 0:30:54 | |
Off. | 0:30:54 | 0:30:55 | |
COMPUTER BEEPS | 0:30:57 | 0:30:59 | |
CAR BOOT CLICKS AND THUMPS | 0:31:18 | 0:31:20 | |
DOOR CREAKS | 0:31:42 | 0:31:44 | |
No, no. Wait in the car. | 0:31:47 | 0:31:49 | |
I want to say goodbye to Kamon. | 0:31:49 | 0:31:51 | |
Why? You've said goodbye already. | 0:31:51 | 0:31:53 | |
DOOR SLAMS | 0:31:56 | 0:31:58 | |
What are you doing in there? | 0:32:12 | 0:32:14 | |
METAL SCREECHES | 0:32:18 | 0:32:20 | |
We are cutting her throat. | 0:32:22 | 0:32:24 | |
What happened to Cinnamon? | 0:32:27 | 0:32:28 | |
Well, who...? Who's been asking? | 0:32:30 | 0:32:32 | |
Your mummy? | 0:32:33 | 0:32:36 | |
Has she been asking questions? | 0:32:36 | 0:32:37 | |
You think that I killed her. | 0:32:40 | 0:32:43 | |
Do you think I would do that?! | 0:32:43 | 0:32:45 | |
Yeah, you go home. You walk home! | 0:32:49 | 0:32:51 | |
Bloody fuck... Shite... | 0:32:54 | 0:32:56 | |
SHE EXHALES | 0:32:58 | 0:33:01 | |
-Yeah, all right. -You can always come back. | 0:33:01 | 0:33:03 | |
-Just take what the fuck you need from upstairs. -Yeah. | 0:33:03 | 0:33:06 | |
KNOCK AT DOOR | 0:33:06 | 0:33:08 | |
MUSIC: Adagio In G Minor by Tomaso Albinoni | 0:33:08 | 0:33:12 | |
KNOCK AT DOOR | 0:33:12 | 0:33:13 | |
DOG WHIMPERS | 0:33:13 | 0:33:15 | |
BARKING | 0:33:18 | 0:33:19 | |
Pixie! | 0:33:19 | 0:33:21 | |
PHONE RINGS | 0:33:26 | 0:33:28 | |
PHONE CONTINUES RINGING | 0:33:38 | 0:33:40 | |
PHONE RINGS LOUDER | 0:33:44 | 0:33:46 | |
Hi. Is she not answering? | 0:33:53 | 0:33:55 | |
Not yet, no. | 0:33:55 | 0:33:56 | |
I can hear music. Maybe she... | 0:33:59 | 0:34:00 | |
I'm just trying now. | 0:34:00 | 0:34:03 | |
Where is she? | 0:34:03 | 0:34:05 | |
I don't know. | 0:34:05 | 0:34:07 | |
Pixie, it's Dr Campbell. Can you please let us in? | 0:34:07 | 0:34:10 | |
We're at your apartment. Thanks. | 0:34:10 | 0:34:12 | |
DOG WHINES | 0:34:16 | 0:34:18 | |
KNOCK AT DOOR | 0:34:20 | 0:34:22 | |
Hi. | 0:34:25 | 0:34:26 | |
There's no response from Pixie's intercom. | 0:34:26 | 0:34:30 | |
Did you try calling her? | 0:34:30 | 0:34:31 | |
Yeah, there's no response. | 0:34:31 | 0:34:33 | |
Are you sure she meant tonight? | 0:34:33 | 0:34:34 | |
Yeah, I'm certain. | 0:34:34 | 0:34:36 | |
DOG BARKS | 0:34:36 | 0:34:38 | |
KNOCK AT DOOR | 0:34:41 | 0:34:43 | |
DOG YAPS | 0:34:45 | 0:34:47 | |
HE TAPS | 0:34:51 | 0:34:53 | |
DOG BARKS | 0:35:02 | 0:35:04 | |
BARKING CONTINUES | 0:35:09 | 0:35:11 | |
-DOG WHINES -Anything? | 0:35:29 | 0:35:32 | |
Not for a while. | 0:35:32 | 0:35:35 | |
Oh, my God. | 0:35:35 | 0:35:37 | |
Has she killed herself? | 0:35:37 | 0:35:38 | |
Yeah, looks like she has. | 0:35:38 | 0:35:41 | |
ISO, we have a deceased at 10B Victoria Avenue in Bellevue. | 0:35:49 | 0:35:53 | |
It appears to be a suicide by drug overdose. | 0:35:55 | 0:35:58 | |
Female, early 40s to mid-40s. | 0:35:59 | 0:36:02 | |
-MIRANDA SIGHS -Next of kin haven't been informed. | 0:36:02 | 0:36:04 | |
There are detectives on site and we need the crime scene here. | 0:36:04 | 0:36:07 | |
Yes, we can stay here. | 0:36:11 | 0:36:14 | |
We'll remain on site and wait for further notice. | 0:36:14 | 0:36:18 | |
You've got my mobile. | 0:36:18 | 0:36:21 | |
I'm so angry with her. | 0:36:21 | 0:36:23 | |
-She was our contact. -Yeah. | 0:36:26 | 0:36:28 | |
That's it. | 0:36:28 | 0:36:29 | |
We're... We're in a void. | 0:36:29 | 0:36:31 | |
Can we turn that music down? Cut it off? | 0:36:34 | 0:36:37 | |
-MUSIC STOPS -All right, well, we've got about an hour before the DOI arrive, so... | 0:36:42 | 0:36:46 | |
it might be best to let the others know that there won't be a meeting. | 0:36:46 | 0:36:49 | |
DOG WHIMPERS | 0:36:53 | 0:36:55 | |
Miri, she left you a letter. | 0:36:55 | 0:36:57 | |
Is she blaming me? | 0:36:59 | 0:37:00 | |
No, no, no, she was being besieged by parents who've lost | 0:37:00 | 0:37:03 | |
contact with their surrogates. | 0:37:03 | 0:37:05 | |
All these people? | 0:37:08 | 0:37:09 | |
It's unbelievable. | 0:37:11 | 0:37:12 | |
Who's organising this? | 0:37:15 | 0:37:17 | |
Well, it's not Pixie. | 0:37:17 | 0:37:20 | |
Her contact was Dr Chatterjee and he's gone back to Bangalore. | 0:37:20 | 0:37:23 | |
I'm really scared. | 0:37:25 | 0:37:27 | |
Hey, our baby's safe, OK? | 0:37:29 | 0:37:34 | |
She's in Mali. | 0:37:34 | 0:37:35 | |
She's safe, OK? She's safe. | 0:37:35 | 0:37:38 | |
All right? And she's a young person. | 0:37:38 | 0:37:40 | |
They don't keep contact. All right? She's bad at it. | 0:37:40 | 0:37:42 | |
-DOG BARKS -Mate... | 0:37:42 | 0:37:44 | |
MIRANDA SOBS | 0:37:44 | 0:37:46 | |
She'll call. She'll want payment. 25K, that's a lot. | 0:37:46 | 0:37:50 | |
That's a lot of money. | 0:37:52 | 0:37:54 | |
There's a couple who are desperate to talk, | 0:37:54 | 0:37:56 | |
and they know we're cops. | 0:37:56 | 0:37:57 | |
What about the dummy? Shall we leave it? | 0:37:58 | 0:38:02 | |
MIRANDA BREATHES HEAVILY | 0:38:02 | 0:38:04 | |
Are you OK? | 0:38:04 | 0:38:05 | |
DOG YAPS | 0:38:08 | 0:38:10 | |
What was her name? | 0:38:18 | 0:38:19 | |
Pathma. | 0:38:19 | 0:38:21 | |
We... We met her initially, and then we... | 0:38:21 | 0:38:25 | |
we saw her again when she had the first ultrasound. | 0:38:25 | 0:38:30 | |
And do you know how old she was? | 0:38:30 | 0:38:33 | |
-I think that she said 20... -20. | 0:38:33 | 0:38:36 | |
We arranged to meet with her because I think she was lonely. | 0:38:39 | 0:38:44 | |
Yeah, she was missing her family. | 0:38:44 | 0:38:46 | |
She was here on a student visa. | 0:38:46 | 0:38:49 | |
We wanted her to come and live with us. | 0:38:49 | 0:38:51 | |
And what did she say? | 0:38:51 | 0:38:53 | |
Well, she said it was impossible - that she would get into trouble. | 0:38:53 | 0:38:56 | |
Trouble with who? | 0:38:56 | 0:38:58 | |
Her English wasn't very good, you know? | 0:38:58 | 0:39:02 | |
Actually, Paul and I think that Pathma... | 0:39:02 | 0:39:06 | |
BECCY SIGHS | 0:39:09 | 0:39:11 | |
Can you say? | 0:39:11 | 0:39:13 | |
Yeah, at this moment in time, Beccy and Paul are wondering | 0:39:13 | 0:39:18 | |
if maybe their surrogate is your murdered girl. | 0:39:18 | 0:39:22 | |
We lost contact with her a month ago, | 0:39:24 | 0:39:27 | |
and her phone is disconnected, and she wouldn't do that herself. | 0:39:27 | 0:39:32 | |
Have you got any photographs? | 0:39:32 | 0:39:34 | |
-Yeah. -Yeah, we have a lot of photos. | 0:39:34 | 0:39:38 | |
We have a picture, too. | 0:39:53 | 0:39:56 | |
SHE EXHALES | 0:39:58 | 0:40:00 | |
This is her necklace. | 0:40:01 | 0:40:04 | |
God, I... | 0:40:04 | 0:40:05 | |
How did she die? | 0:40:08 | 0:40:10 | |
According to the pathology report, it was strangulation. | 0:40:11 | 0:40:15 | |
If it's possible, we'd like to bury our child. | 0:40:18 | 0:40:21 | |
Of course, I understand, but if you admit to the surrogacy, | 0:40:21 | 0:40:27 | |
the police could prosecute. | 0:40:27 | 0:40:28 | |
I don't care. | 0:40:28 | 0:40:30 | |
I want my child to be acknowledged. | 0:40:30 | 0:40:33 | |
I want to see my child. | 0:40:33 | 0:40:35 | |
I want my family to see my child. | 0:40:35 | 0:40:38 | |
We have been lying for over a year. | 0:40:38 | 0:40:41 | |
-I'm so sorry... -Oh, I'm going to scream. | 0:40:44 | 0:40:47 | |
I'm just going to scream it out on the streets! | 0:40:47 | 0:40:51 | |
I think we probably should go. | 0:40:51 | 0:40:53 | |
WHISTLING | 0:40:55 | 0:40:57 | |
PUSS WHISTLES | 0:41:02 | 0:41:04 | |
Are you waiting for me? | 0:41:19 | 0:41:21 | |
I... | 0:41:24 | 0:41:25 | |
I've come to apologise for spoiling your beautiful face on the beach. | 0:41:28 | 0:41:32 | |
It's a problem I have had since childhood, | 0:41:34 | 0:41:37 | |
compulsive urges, and... | 0:41:37 | 0:41:40 | |
Well, it doesn't excuse me, and I'm so sorry. | 0:41:40 | 0:41:45 | |
I want you to leave Mary alone. | 0:41:46 | 0:41:48 | |
Like you did for 18 years? | 0:41:48 | 0:41:50 | |
Yeah, well, I understand it must be difficult for the mother, you know? | 0:41:52 | 0:41:56 | |
The daughter fucking some old guy... | 0:41:56 | 0:41:58 | |
I mean, but even with the young guys, it's difficult, | 0:41:58 | 0:42:01 | |
you know, to think about what might happen between them | 0:42:01 | 0:42:05 | |
during the night-time, but, hey, that's...that's life. | 0:42:05 | 0:42:08 | |
So, when are you going to start doing your job? | 0:42:08 | 0:42:13 | |
Mary tells me that Cinnamon is dead. | 0:42:13 | 0:42:15 | |
Why don't you come to the shop, hmm? | 0:42:17 | 0:42:20 | |
Is it because she's Thai? | 0:42:20 | 0:42:21 | |
Is it because she's Asian, and then it doesn't matter? | 0:42:21 | 0:42:24 | |
It matters. | 0:42:24 | 0:42:25 | |
OK. I... | 0:42:27 | 0:42:28 | |
I've been troubled by something I saw maybe four weeks ago. | 0:42:28 | 0:42:32 | |
At the time it was nothing. | 0:42:32 | 0:42:34 | |
It was just a suitcase in the hallway, | 0:42:34 | 0:42:37 | |
but, in the morning, it was gone. | 0:42:37 | 0:42:39 | |
Was it a pink one? | 0:42:41 | 0:42:43 | |
-PUSS LAUGHS -No, it was a green one. | 0:42:43 | 0:42:47 | |
And I...I wonder about that suitcase, you know? | 0:42:47 | 0:42:50 | |
HE EXHALES | 0:42:54 | 0:42:56 | |
You should do your job for the girl, for Pathma. | 0:43:00 | 0:43:05 | |
That was her Thai name, OK? | 0:43:05 | 0:43:07 | |
FOOTSTEPS MOVE AWAY | 0:43:09 | 0:43:11 | |
KEYS JANGLE | 0:43:18 | 0:43:20 | |
So she just never turned up? | 0:43:25 | 0:43:27 | |
That's right. | 0:43:27 | 0:43:29 | |
Yeah, I waited, but I thought she might be here. | 0:43:29 | 0:43:34 | |
No, no, not for a few days. | 0:43:34 | 0:43:37 | |
Well, that makes me feel a little better. | 0:43:37 | 0:43:40 | |
What's all this? | 0:43:40 | 0:43:42 | |
What are you doing? Having a date? | 0:43:43 | 0:43:45 | |
No. | 0:43:45 | 0:43:47 | |
-Come on, Pykey. -No, I... -Yes, you are. | 0:43:47 | 0:43:50 | |
A friend's coming over. | 0:43:50 | 0:43:53 | |
Robin. | 0:43:53 | 0:43:54 | |
She... | 0:43:56 | 0:43:57 | |
She had Mary to stay, so it's payback. | 0:43:57 | 0:44:00 | |
When was that? | 0:44:02 | 0:44:04 | |
Well, she stayed a couple of nights. | 0:44:04 | 0:44:08 | |
-A couple of nights? -Yeah. | 0:44:08 | 0:44:10 | |
JULIA SIGHS | 0:44:13 | 0:44:14 | |
Hi there. | 0:44:14 | 0:44:15 | |
I'm just leaving. | 0:44:17 | 0:44:18 | |
I got stood up by Mary at the Sushi Train. | 0:44:20 | 0:44:24 | |
You haven't heard from her, have you? | 0:44:24 | 0:44:26 | |
Sorry, no. | 0:44:26 | 0:44:27 | |
Pyke said that she stayed with you. | 0:44:27 | 0:44:30 | |
Thanks for that. | 0:44:30 | 0:44:31 | |
It's a little bit awkward right now, so all hands on deck, right? | 0:44:31 | 0:44:35 | |
She's my daughter too. | 0:44:35 | 0:44:36 | |
You think that, do you? | 0:44:39 | 0:44:42 | |
Yes. | 0:44:42 | 0:44:43 | |
-Before she was born, while she was unconscious... -Julia. | 0:44:46 | 0:44:50 | |
What? Come on. | 0:44:50 | 0:44:52 | |
I'm grateful, of course I am, Pyke, | 0:44:52 | 0:44:54 | |
but I'm the one who cared for her every single day, | 0:44:54 | 0:44:57 | |
every single night since she was a baby, so... | 0:44:57 | 0:45:00 | |
Her? | 0:45:01 | 0:45:03 | |
-Nine months. -That's enough. | 0:45:03 | 0:45:05 | |
What, that's enough?! | 0:45:05 | 0:45:07 | |
I am her mother. | 0:45:07 | 0:45:09 | |
Not "too". | 0:45:11 | 0:45:13 | |
Are you going to say anything? | 0:45:21 | 0:45:23 | |
SHE SIGHS | 0:45:23 | 0:45:26 | |
HE CLEARS HIS THROAT | 0:45:34 | 0:45:36 | |
In 20 years, you were never unfaithful to Julia. | 0:45:41 | 0:45:45 | |
I had a passion. | 0:45:45 | 0:45:47 | |
I fell in love with a woman at work, | 0:45:47 | 0:45:50 | |
but I fought it. | 0:45:50 | 0:45:51 | |
That's very contained of you. | 0:45:51 | 0:45:54 | |
No, I was a drama queen, actually. | 0:45:54 | 0:45:56 | |
I took time off work, saw a therapist, | 0:45:56 | 0:46:00 | |
saw a psychic. | 0:46:00 | 0:46:02 | |
I told Julia. | 0:46:02 | 0:46:04 | |
So, what happened? | 0:46:06 | 0:46:08 | |
The psychic told me that Maia was not my true love, | 0:46:08 | 0:46:11 | |
but my awakening. | 0:46:11 | 0:46:13 | |
She said my soul lover was coming. | 0:46:13 | 0:46:15 | |
I suffered. | 0:46:15 | 0:46:17 | |
She suffered. | 0:46:17 | 0:46:18 | |
Finally, Maia couldn't bear it. | 0:46:18 | 0:46:21 | |
She decided to take a job overseas. | 0:46:21 | 0:46:23 | |
She wanted one thing before she left, though. | 0:46:23 | 0:46:26 | |
A kiss. | 0:46:26 | 0:46:28 | |
But it had to be for as long as she wanted. | 0:46:28 | 0:46:30 | |
And you agreed to that? | 0:46:33 | 0:46:35 | |
Yeah. | 0:46:35 | 0:46:37 | |
So, how long was it? | 0:46:38 | 0:46:41 | |
Two minutes? | 0:46:44 | 0:46:45 | |
-Five minutes? -Not even close. | 0:46:47 | 0:46:50 | |
Longer than ten minutes? | 0:46:52 | 0:46:55 | |
It was longer than an hour. | 0:46:55 | 0:46:57 | |
Maybe two. | 0:46:58 | 0:46:59 | |
It was pretty glorious. | 0:47:00 | 0:47:02 | |
What, you don't like kissing? | 0:47:05 | 0:47:07 | |
SHE LAUGHS | 0:47:07 | 0:47:09 | |
I've embarrassed you. | 0:47:10 | 0:47:12 | |
Oh, I've upset you. | 0:47:16 | 0:47:18 | |
No. | 0:47:19 | 0:47:21 | |
I like your story. | 0:47:23 | 0:47:25 | |
We've got a pile of photos. | 0:47:40 | 0:47:42 | |
Videos as well. | 0:47:43 | 0:47:45 | |
From when Mary was small. | 0:47:45 | 0:47:47 | |
This one's worth seeing. | 0:47:49 | 0:47:51 | |
I think she was about three. | 0:47:51 | 0:47:53 | |
I put it together for her 13th birthday. | 0:47:53 | 0:47:56 | |
You know, she grew up in this house. | 0:48:00 | 0:48:02 | |
You want to take a look at her room? | 0:48:04 | 0:48:07 | |
-Can I? -Yeah. | 0:48:09 | 0:48:11 | |
Yeah, go on. | 0:48:11 | 0:48:13 | |
It's second on the left. | 0:48:15 | 0:48:18 | |
Pyke? | 0:49:48 | 0:49:50 | |
-What is that? -A pregnancy test. | 0:49:55 | 0:49:57 | |
Negative. | 0:50:00 | 0:50:02 | |
I'm putting it back. | 0:50:05 | 0:50:07 | |
I shouldn't even be in here. | 0:50:09 | 0:50:12 | |
So she's not using protection? | 0:50:12 | 0:50:14 | |
That's a risk. | 0:50:14 | 0:50:15 | |
Yeah. | 0:50:17 | 0:50:19 | |
That's very good, yes. | 0:50:23 | 0:50:25 | |
I think that's what we've got to have. What's this? | 0:50:25 | 0:50:28 | |
You hold. You film her like this? | 0:50:28 | 0:50:32 | |
No, no, no. No lipstick. | 0:50:32 | 0:50:34 | |
It's supposed to be a poor village person. | 0:50:34 | 0:50:36 | |
No matter! Even poor people dress up for click. | 0:50:36 | 0:50:39 | |
No. No, get out of this, please. | 0:50:39 | 0:50:41 | |
You wear poor village clothes. | 0:50:41 | 0:50:43 | |
I have a film to make here. | 0:50:43 | 0:50:45 | |
Please. I need babies. | 0:50:45 | 0:50:47 | |
Where are the babies? | 0:50:47 | 0:50:49 | |
I need to find the babies. | 0:50:49 | 0:50:50 | |
-Puss! Hey. -Yes. -Sir. | 0:50:50 | 0:50:52 | |
What if we put some lights behind the fronds to back-light them? | 0:50:52 | 0:50:56 | |
I paid 600 for these plants. | 0:50:56 | 0:50:58 | |
I want to see the front of them. | 0:50:58 | 0:51:00 | |
-They look like office plants, though. -Yes. No. It's Thai village. | 0:51:00 | 0:51:03 | |
It's Thai jungle. Get it, man. | 0:51:03 | 0:51:05 | |
OK, hello, everybody. | 0:51:08 | 0:51:10 | |
So, can we get some happy babies inside, please? | 0:51:10 | 0:51:14 | |
CHILDREN SING | 0:51:14 | 0:51:17 | |
Yeah, we actually closed today. You after girl or ladyboy? | 0:51:24 | 0:51:28 | |
Tomorrow? No problem. | 0:51:28 | 0:51:30 | |
10am? | 0:51:30 | 0:51:31 | |
OK. Bootie, do you have the money? OK. | 0:51:36 | 0:51:40 | |
Now, Bootie... | 0:51:40 | 0:51:42 | |
Yeah? | 0:51:42 | 0:51:44 | |
Hey... | 0:51:46 | 0:51:47 | |
Not foreground! This is in the jungle! | 0:51:49 | 0:51:52 | |
Here we go. Come on. No... | 0:51:52 | 0:51:55 | |
CHILDREN CRY | 0:51:55 | 0:51:58 | |
Let me hold this now. | 0:51:58 | 0:51:59 | |
Puss, please be careful. It's the school's. | 0:51:59 | 0:52:02 | |
Sad for the baby, happy for the money! | 0:52:02 | 0:52:04 | |
So, what's the idea? | 0:52:16 | 0:52:18 | |
Well, look, we keep it light. | 0:52:18 | 0:52:20 | |
See if she wants a lift home | 0:52:20 | 0:52:22 | |
or, if not, a coffee. | 0:52:22 | 0:52:24 | |
OK. | 0:52:24 | 0:52:25 | |
We want to check in. | 0:52:25 | 0:52:28 | |
Yeah. | 0:52:28 | 0:52:29 | |
Yeah, good. | 0:52:29 | 0:52:30 | |
Shit. Look who's already there. | 0:52:34 | 0:52:36 | |
Who? | 0:52:36 | 0:52:38 | |
Oh, fuck him. | 0:52:40 | 0:52:42 | |
Want to try another day? | 0:52:42 | 0:52:43 | |
Nah. Here, take this. | 0:52:45 | 0:52:48 | |
Careful. | 0:52:48 | 0:52:49 | |
Pyke! | 0:52:49 | 0:52:51 | |
Hey. Hey! Clear off and leave my daughter alone. | 0:52:55 | 0:53:00 | |
-Mary... -Leave my daughter alone. | 0:53:00 | 0:53:02 | |
-Go on, leave. -Look, Mary is open with her love... | 0:53:02 | 0:53:05 | |
-Dad, what are you doing? -It's a good quality. You should be happy. | 0:53:05 | 0:53:08 | |
Hello, baby. | 0:53:08 | 0:53:09 | |
And you are not her father. | 0:53:09 | 0:53:11 | |
She's not your daughter. | 0:53:11 | 0:53:13 | |
No. I bathed you. I fed you. I held you. I love you. | 0:53:13 | 0:53:15 | |
-I'm your father. -Yes, well... -I'm your father. | 0:53:15 | 0:53:18 | |
Yes, so you have devotion. That's splendid. But let's face the facts. | 0:53:18 | 0:53:21 | |
You will never be her father. | 0:53:21 | 0:53:23 | |
You didn't make her. It's not your spunk. | 0:53:23 | 0:53:25 | |
-No, I am her father. -He just means technically. | 0:53:25 | 0:53:28 | |
-Technically, it's true. -No, it's not technical. I love you. | 0:53:28 | 0:53:31 | |
I will always care for you. | 0:53:31 | 0:53:32 | |
OK? I will always care for you. | 0:53:32 | 0:53:34 | |
Long after he has gone, I will always help you. | 0:53:34 | 0:53:36 | |
You're not getting it. | 0:53:36 | 0:53:38 | |
I'd put my life down for you. | 0:53:38 | 0:53:40 | |
Let's go. | 0:53:40 | 0:53:41 | |
Let's get you a drink. | 0:53:48 | 0:53:49 | |
Come on. | 0:53:51 | 0:53:52 | |
I think this is drink number... | 0:54:03 | 0:54:05 | |
Is it four? | 0:54:05 | 0:54:07 | |
Oh, yeah? Are you counting? | 0:54:07 | 0:54:09 | |
THEY LAUGH | 0:54:09 | 0:54:11 | |
Hello. Yeah. Have a good look. | 0:54:12 | 0:54:15 | |
Hey, to you. | 0:54:18 | 0:54:20 | |
And the love for your daughter. | 0:54:23 | 0:54:25 | |
OUR daughter. | 0:54:25 | 0:54:26 | |
# These arms of mine | 0:54:56 | 0:55:03 | |
# They are lonely | 0:55:03 | 0:55:08 | |
# Lonely and feeling blue | 0:55:08 | 0:55:14 | |
# These arms of mine | 0:55:14 | 0:55:20 | |
# They are yearning | 0:55:20 | 0:55:24 | |
# Yearning and wanting you | 0:55:25 | 0:55:30 | |
# And if you | 0:55:31 | 0:55:36 | |
# Would let them hold you | 0:55:38 | 0:55:42 | |
# Oh, how grateful I will be | 0:55:42 | 0:55:46 | |
# These arms of mine | 0:55:47 | 0:55:52 | |
# They are burning | 0:55:52 | 0:55:56 | |
# Burning from wanting you... # | 0:55:58 | 0:56:02 | |
-Do you have any...? -Frangers? | 0:56:02 | 0:56:04 | |
No, I haven't needed them. | 0:56:04 | 0:56:06 | |
# These arms of mine | 0:56:06 | 0:56:09 | |
# They are wanting... # | 0:56:09 | 0:56:11 | |
Should I go buy some? | 0:56:11 | 0:56:13 | |
No. | 0:56:13 | 0:56:15 | |
Don't go anywhere. | 0:56:15 | 0:56:17 | |
# Wanting to hold you | 0:56:17 | 0:56:20 | |
# And if you | 0:56:20 | 0:56:25 | |
# Would let them hold you | 0:56:27 | 0:56:31 | |
# Oh, how grateful I will be | 0:56:31 | 0:56:36 | |
# Come on, come on, baby | 0:56:40 | 0:56:43 | |
# Just be my lover | 0:56:45 | 0:56:48 | |
# Just be my lover... # | 0:56:48 | 0:56:52 | |
I will restore your honour. | 0:56:52 | 0:56:54 | |
# I need somebody to treat me right... # | 0:56:54 | 0:56:59 | |
Thank you, Brett. | 0:56:59 | 0:57:01 | |
# I need your arms to hold me tight... # | 0:57:04 | 0:57:09 | |
You watch News Hour? | 0:57:31 | 0:57:33 | |
You should watch it tonight. | 0:57:38 | 0:57:40 | |
Why? | 0:57:40 | 0:57:41 | |
Yes, we have room available in 20 minutes. | 0:57:55 | 0:57:58 | |
OK. | 0:57:58 | 0:57:59 | |
Sound good. We see you then. | 0:57:59 | 0:58:01 | |
Customer. You tell the girl. | 0:58:03 | 0:58:05 | |
Anyone. | 0:58:05 | 0:58:06 | |
Anyone? | 0:58:06 | 0:58:08 | |
Yeah. | 0:58:08 | 0:58:09 | |
Did you get anything over five? | 0:58:09 | 0:58:12 | |
-Oh, you're kidding. The majority's over five. -Really? -Yeah. | 0:58:12 | 0:58:16 | |
I'd say so. | 0:58:16 | 0:58:18 | |
They had some micro-brewery here. I think they had one at about 7.6. | 0:58:19 | 0:58:25 | |
-Hmm. -You know, two of those and you're absolutely hammered. | 0:58:25 | 0:58:30 | |
Yes. | 0:58:30 | 0:58:32 | |
Of course, I think there's a system of... | 0:58:32 | 0:58:36 | |
SCREAMING | 0:58:36 | 0:58:38 | |
SCREAMING CONTINUES | 0:58:43 | 0:58:45 | |
Where's Puss? Where's Puss?! | 0:58:47 | 0:58:49 | |
Where is he? | 0:58:49 | 0:58:50 | |
Hey. Hey! Hey, hey, no. | 0:59:04 | 0:59:07 | |
No, we don't have guns in here. | 0:59:07 | 0:59:09 | |
Put the gun down. | 0:59:09 | 0:59:11 | |
No, you put the gun... | 0:59:11 | 0:59:14 | |
SCREAMING | 0:59:14 | 0:59:16 | |
GUNSHOT ECHOES | 0:59:17 | 0:59:19 | |
# I love my baby | 0:59:20 | 0:59:30 | |
# I've loved her so long | 0:59:31 | 0:59:40 | |
# I love my baby... # | 0:59:41 | 0:59:46 |