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This programme contains some violent scenes and some strong language | 0:00:11 | 0:00:18 | |
'I wonder what you'll see?' | 0:00:20 | 0:00:21 | |
-How far down does it go? -All the way to the other side of the world. | 0:00:24 | 0:00:27 | |
-Buenos Aires. -Shanghai. -A mission on both sides of the world? | 0:00:27 | 0:00:31 | |
And you're taking me with you. | 0:00:31 | 0:00:33 | |
Oh! | 0:00:33 | 0:00:34 | |
I never knew about that. | 0:00:35 | 0:00:37 | |
I think it's showing us the way. It's the Blessing. | 0:00:40 | 0:00:43 | |
It's somewhere over there, and I think it's calling you, Jack. | 0:00:43 | 0:00:47 | |
When I was about five or six... | 0:00:51 | 0:00:53 | |
..my dad came home from work early. | 0:00:56 | 0:01:00 | |
I knew there was something wrong. | 0:01:00 | 0:01:02 | |
I could hear voices from the kitchen. | 0:01:02 | 0:01:05 | |
So I looked through the door and... | 0:01:05 | 0:01:08 | |
I could see him crying. | 0:01:09 | 0:01:11 | |
It turns out money had gone missing from work | 0:01:14 | 0:01:17 | |
and he'd got the blame. | 0:01:17 | 0:01:19 | |
So I went to get all my pocket money and I put it in his hand. | 0:01:19 | 0:01:24 | |
It must've been about £2.50. | 0:01:25 | 0:01:28 | |
And he looked at me and he said, "It's not about the money." | 0:01:28 | 0:01:32 | |
He said, "I can't stand anyone thinking I'm not an honest man." | 0:01:32 | 0:01:36 | |
And I will always remember that. | 0:01:36 | 0:01:39 | |
Always. | 0:01:42 | 0:01:43 | |
That was the first time in my life anybody had spoken to me | 0:01:46 | 0:01:49 | |
like an adult. | 0:01:49 | 0:01:50 | |
And then we went to the back garden and we played till dark. | 0:01:53 | 0:01:57 | |
So that's my dad. | 0:02:00 | 0:02:02 | |
Geraint Wyn Cooper, the nicest man in the world. | 0:02:04 | 0:02:07 | |
And today's the day that I kill him. | 0:02:09 | 0:02:12 | |
Whoa! | 0:02:43 | 0:02:44 | |
Oh, my God. | 0:02:46 | 0:02:48 | |
Right, that's it. I'm done. | 0:02:48 | 0:02:50 | |
I've seen some crazy shit with Torchwood, | 0:02:50 | 0:02:52 | |
but now I'm at the limit. | 0:02:52 | 0:02:55 | |
So we've got blood heading north-west. | 0:02:55 | 0:02:57 | |
15 degrees, 38 minutes, 39 seconds north. What have you got? | 0:02:57 | 0:03:01 | |
It's heading south-east | 0:03:02 | 0:03:05 | |
-23 degrees, six minutes, four seconds south. -You keep that blood safe. | 0:03:05 | 0:03:09 | |
They've destroyed blood banks in both cities. That's important. | 0:03:09 | 0:03:12 | |
I've got it. It's safe. | 0:03:12 | 0:03:14 | |
-Ah! Damn it! -Who was that? | 0:03:14 | 0:03:17 | |
Is that World War II? What's wrong? | 0:03:17 | 0:03:19 | |
Feels like the blood inside me is trying to get out, | 0:03:19 | 0:03:22 | |
-It's churning. -Tell me about it. | 0:03:22 | 0:03:24 | |
Why? What's wrong with you? | 0:03:24 | 0:03:25 | |
You're not the only one affected by the Miracle. | 0:03:25 | 0:03:28 | |
It saved Rex's life and we don't know what happens next | 0:03:28 | 0:03:31 | |
if we stop this thing. | 0:03:31 | 0:03:33 | |
-Maybe death catches up with him. -Enough of the superstition, back to the mission, | 0:03:33 | 0:03:37 | |
-If both cities are connected, it's like a pole. -A secondary pole. | 0:03:37 | 0:03:41 | |
The magnetic pole goes north to south, | 0:03:41 | 0:03:44 | |
and now this, from Buenos Aires to Shanghai. | 0:03:44 | 0:03:47 | |
What is it? | 0:03:47 | 0:03:49 | |
SHE SPEAKS CHINESE | 0:04:00 | 0:04:02 | |
Forgive me, but according to our contacts, | 0:04:13 | 0:04:15 | |
there are forces moving in, so we're advancing the plan. | 0:04:15 | 0:04:19 | |
Midnight, after we're gone, we're blowing this thing sky high. | 0:04:19 | 0:04:22 | |
Won't that stop the Miracle? | 0:04:25 | 0:04:27 | |
On the contrary. It'll become never-ending. | 0:04:27 | 0:04:30 | |
The Blessing won't be hurt, just buried | 0:04:30 | 0:04:33 | |
so that no-one can ever change it again. | 0:04:33 | 0:04:35 | |
I'm going to follow. | 0:04:37 | 0:04:39 | |
If I keep going 15 degrees, 38 minutes north, I'll find it. | 0:04:39 | 0:04:44 | |
Wait for my call. And Rex, Esther? You take care, OK? | 0:04:44 | 0:04:48 | |
-We might meet in the middle. -I guess there's a first time for everything. | 0:04:48 | 0:04:51 | |
-Good luck. -Hey, you take care. | 0:04:51 | 0:04:55 | |
Don't do those stupid, lame-ass Torchwood things. | 0:04:55 | 0:04:57 | |
-Be professional for once. -Like you taught me, yeah? | 0:04:57 | 0:05:01 | |
-That's right, like I taught you. -See you soon. | 0:05:01 | 0:05:03 | |
When all this is over. | 0:05:03 | 0:05:04 | |
Speaking as a man who's walked to his death, | 0:05:04 | 0:05:07 | |
-can I say I did it with a lot less sentiment? -Just you wait. | 0:05:07 | 0:05:10 | |
If this goes right, murder's coming back. | 0:05:10 | 0:05:14 | |
Jack, listen to me. I've no choice now. | 0:05:17 | 0:05:20 | |
I need to bring in the CIA for backup. | 0:05:20 | 0:05:23 | |
If we find this place, we'll to have to move in and take it fast and hard. | 0:05:23 | 0:05:26 | |
-Don't give away our location. Keep Torchwood a secret. Promise? -Sure. | 0:05:26 | 0:05:31 | |
Hey, let's meet up for drinks afterwards. | 0:05:31 | 0:05:35 | |
You always wanted to be a part of clandestine, didn't you? | 0:05:35 | 0:05:38 | |
Well, you just got promoted. | 0:05:38 | 0:05:40 | |
PHONE DIALS AND RINGS | 0:05:40 | 0:05:42 | |
Yeah, this is Rex Matheson. | 0:05:42 | 0:05:44 | |
Ladies and gentlemen, | 0:05:52 | 0:05:54 | |
as of this moment, clandestine is running this room. | 0:05:54 | 0:05:57 | |
I am declaring special ops, station one, | 0:05:57 | 0:05:59 | |
as designated by field agent Rex Matheson. | 0:05:59 | 0:06:01 | |
Adam, secure linkup. | 0:06:01 | 0:06:03 | |
Charlotte, we need translation. | 0:06:03 | 0:06:05 | |
-Yes, sir. What language? -We need experts in Rioplatense Spanish. | 0:06:05 | 0:06:09 | |
Now listen up, everybody. It's 11:09am in DC, | 0:06:09 | 0:06:12 | |
12:09pm in Buenos Aires. | 0:06:12 | 0:06:15 | |
To confirm, this operation is active in Buenos Aires. | 0:06:15 | 0:06:19 | |
Buenos Aires, this is Shanghai. | 0:06:24 | 0:06:26 | |
We're setting detonation at 12 midnight. | 0:06:26 | 0:06:28 | |
Confirm 1pm your location. Over. | 0:06:28 | 0:06:32 | |
One hour post meridian confirmed. | 0:06:32 | 0:06:35 | |
What a beautiful day. Over. | 0:06:35 | 0:06:38 | |
HE SPEAKS SPANISH | 0:06:48 | 0:06:50 | |
Buenos Aires and Shanghai - perfect antipodes, | 0:07:04 | 0:07:09 | |
give or take 100 miles or so. | 0:07:09 | 0:07:11 | |
There's a slight deviation, because the Earth's not a perfect sphere. | 0:07:11 | 0:07:15 | |
-Are you getting all this? -Oh, yes. Every word. | 0:07:15 | 0:07:19 | |
If that runs right through the centre of the Earth, | 0:07:19 | 0:07:22 | |
why isn't this thing a volcano? | 0:07:22 | 0:07:24 | |
Again, no idea. Isn't that wonderful? | 0:07:24 | 0:07:28 | |
The laws of the Blessing are beyond us. | 0:07:28 | 0:07:31 | |
That's why it took so long to work out what it can do. | 0:07:31 | 0:07:33 | |
How did you even find it? | 0:07:33 | 0:07:34 | |
Well, we had to wait until the world grew up, | 0:07:34 | 0:07:37 | |
until the information age | 0:07:37 | 0:07:38 | |
became fast enough, so we could crunch numbers on a massive scale. | 0:07:38 | 0:07:42 | |
Facts became visible that were never visible before, | 0:07:42 | 0:07:45 | |
such as a tiny little statistic, | 0:07:45 | 0:07:47 | |
hidden in the heart of Shanghai Old Town. | 0:07:47 | 0:07:51 | |
The average life expectancy of those living within a two-mile radius | 0:07:51 | 0:07:55 | |
of this point was exactly equal | 0:07:55 | 0:07:57 | |
to the average life expectancy of the world. | 0:07:57 | 0:08:00 | |
And it always had been. | 0:08:00 | 0:08:02 | |
Say in 1998, the average life expectancy | 0:08:02 | 0:08:06 | |
from birth on this planet was 66 years, five months | 0:08:06 | 0:08:10 | |
and 33 days. | 0:08:10 | 0:08:12 | |
In this area in Shanghai, it was 66 years, five months | 0:08:12 | 0:08:16 | |
and 33 days exactly. | 0:08:16 | 0:08:18 | |
Try going back 100 years to 1898. | 0:08:18 | 0:08:21 | |
The average life expectancy was 49 years. | 0:08:21 | 0:08:24 | |
nine months and five days. | 0:08:24 | 0:08:27 | |
Shanghai - 49 years, nine months, five days. | 0:08:27 | 0:08:30 | |
It was as if something on this spot was calibrating a matrix, | 0:08:30 | 0:08:34 | |
subsisting alongside humankind in harmony. | 0:08:34 | 0:08:38 | |
-The Chinese didn't know about it? -We pay them to look the other way. | 0:08:38 | 0:08:41 | |
It does make you seem kind of colonial. | 0:08:41 | 0:08:43 | |
Well, is that such a bad word? | 0:08:43 | 0:08:45 | |
Besides, we changed the whole of the world | 0:08:45 | 0:08:49 | |
and this is just phase one. | 0:08:49 | 0:08:51 | |
Mr Shapiro, sir. | 0:08:56 | 0:08:57 | |
This is Sandra Lopez. She's handling translation. | 0:08:57 | 0:09:00 | |
HE SPEAKS SPANISH | 0:09:00 | 0:09:02 | |
He said, "Good morning," sir. | 0:09:04 | 0:09:07 | |
Listen, Rex. Confirming your request for armed support. Your liaison | 0:09:07 | 0:09:11 | |
is going to be Captain Federico Santos. | 0:09:11 | 0:09:14 | |
He'll need strict ratification. The Argentinean army isn't allowed | 0:09:14 | 0:09:18 | |
to get involved in civil conflicts on their own soil. | 0:09:18 | 0:09:21 | |
These are the three Families, sir. Classify it as a North American incursion. | 0:09:21 | 0:09:25 | |
Oh, and by the way, Esther needs help. | 0:09:25 | 0:09:28 | |
-She's with me. -If you mean Esther Drummond, | 0:09:28 | 0:09:31 | |
-can I point out she's officially on the run from the CIA? -I knew it! | 0:09:31 | 0:09:35 | |
She'd follow him anywhere. | 0:09:35 | 0:09:37 | |
Drummond, remind me to arrest you when this is over. | 0:09:37 | 0:09:39 | |
Yes, sir. Now I need a check on all properties, | 0:09:39 | 0:09:42 | |
residences and businesses | 0:09:42 | 0:09:44 | |
falling in the path of this line. Sending it to you now. | 0:09:44 | 0:09:49 | |
But that's one of the densest populations on Earth. | 0:09:49 | 0:09:52 | |
With a backwards economy, half that information won't be recorded. | 0:09:52 | 0:09:55 | |
Excuse me, but foreign investment's still rare in Argentina. | 0:09:55 | 0:09:59 | |
We've been tracking contract intensive money since 1980. | 0:09:59 | 0:10:02 | |
The information's on file, just waiting to be filtered. | 0:10:02 | 0:10:06 | |
Excellent. Good call. Thank you. | 0:10:08 | 0:10:10 | |
Might be a good time to start that trace. | 0:10:12 | 0:10:14 | |
In the middle of this? It's not tested. | 0:10:14 | 0:10:16 | |
It could bring down the whole system. | 0:10:16 | 0:10:19 | |
I want that line passed through... | 0:10:19 | 0:10:21 | |
Hey, so what's the trace? | 0:10:21 | 0:10:24 | |
Uh, it's new software from the DIA. | 0:10:24 | 0:10:29 | |
So the three Families, they use that vine technology | 0:10:29 | 0:10:31 | |
to piggyback their calls on 50,000 different lines. | 0:10:31 | 0:10:34 | |
But the trace runs backwards, | 0:10:34 | 0:10:36 | |
so it detects vine activity and then follows it back to the source. | 0:10:36 | 0:10:40 | |
If there's a mole in this department, we can find him. | 0:10:40 | 0:10:43 | |
Excellent. Good news. | 0:10:43 | 0:10:46 | |
CHICKENS CLUCK | 0:10:52 | 0:10:54 | |
WOMAN SHOUTS IN CHINESE | 0:10:54 | 0:10:57 | |
Yeah, I know. I'm sorry. I've got to keep going 15 degrees north | 0:10:57 | 0:11:00 | |
and your shop is in the way. So tough, really. | 0:11:00 | 0:11:03 | |
THUMPS ON DOOR | 0:11:03 | 0:11:04 | |
I need to get out. Can I get out? | 0:11:06 | 0:11:08 | |
SPEAKS CHINESE | 0:11:08 | 0:11:09 | |
If you open it, you get rid of me, OK? So door, gone, me bye-bye. | 0:11:11 | 0:11:15 | |
-No door. -No door? Why no door? | 0:11:15 | 0:11:19 | |
Bad place. Many ghost. | 0:11:19 | 0:11:22 | |
OK. Listen, if you open that door, | 0:11:25 | 0:11:28 | |
I will give you all the money in the world. | 0:11:28 | 0:11:30 | |
Yeah? | 0:11:33 | 0:11:34 | |
Very bad, yes? | 0:12:16 | 0:12:18 | |
Very, very bad. | 0:12:20 | 0:12:23 | |
PHONE RINGS | 0:12:23 | 0:12:26 | |
I think I found it. | 0:12:26 | 0:12:28 | |
Oswald, we're moving. | 0:12:28 | 0:12:31 | |
Esther, this is Captain Santos. | 0:12:31 | 0:12:33 | |
Fourth manoeuvre unit, second brigade. | 0:12:33 | 0:12:36 | |
I think they found it. | 0:12:36 | 0:12:37 | |
There's been no paperwork around this site since 2001. | 0:12:37 | 0:12:41 | |
Access is via an alley between South Pacheco Street and Rivadavia. | 0:12:41 | 0:12:45 | |
-What's the alley's name? -That's the point. | 0:12:45 | 0:12:47 | |
It's not designated. It hasn't got a name. | 0:12:47 | 0:12:49 | |
Just like the Families. It's wiped off the map. | 0:12:49 | 0:12:52 | |
All right, that's it. Rex, prepare to mobilise. | 0:12:52 | 0:12:55 | |
Anything you don't need, leave behind. | 0:13:08 | 0:13:11 | |
We're coming back, though, isn't that right? | 0:13:17 | 0:13:19 | |
We're coming back? | 0:13:19 | 0:13:21 | |
I don't know. Are we? | 0:13:21 | 0:13:23 | |
Ah, so much for your death fetish. | 0:13:25 | 0:13:29 | |
When it all gets too real, huh? | 0:13:29 | 0:13:33 | |
Still, that victim of yours, Susie Cabina. | 0:13:33 | 0:13:35 | |
How much choice did she have? | 0:13:35 | 0:13:38 | |
Who are you? | 0:13:43 | 0:13:44 | |
Captain Jack Harkness. | 0:13:50 | 0:13:52 | |
No. | 0:13:55 | 0:13:57 | |
I spent a long time in prison, | 0:13:59 | 0:14:02 | |
and I know the smile of a man who's done terrible things. | 0:14:02 | 0:14:06 | |
And your friends. | 0:14:09 | 0:14:11 | |
I've been watching them. | 0:14:12 | 0:14:14 | |
Sometimes they like you, sometimes they love you | 0:14:15 | 0:14:20 | |
and sometimes, | 0:14:20 | 0:14:21 | |
just once or twice, glittering away in those tiny little gaps... | 0:14:21 | 0:14:26 | |
they fear you. | 0:14:28 | 0:14:30 | |
I'm from the future. | 0:14:38 | 0:14:40 | |
Well, now! | 0:14:42 | 0:14:44 | |
I come from the future. | 0:14:46 | 0:14:49 | |
Then you must know. | 0:15:04 | 0:15:06 | |
Do we make it through this day? | 0:15:12 | 0:15:16 | |
The future can change. | 0:15:19 | 0:15:21 | |
It's being written right now. | 0:15:23 | 0:15:25 | |
But one thing I do know. | 0:15:30 | 0:15:32 | |
I've seen the stars. | 0:15:34 | 0:15:37 | |
I have seen the universe. | 0:15:37 | 0:15:39 | |
I have seen the human race become vast, magnificent and endless. | 0:15:39 | 0:15:44 | |
And I wish you could see it, Oswald. | 0:15:46 | 0:15:49 | |
I wish you could see that too. | 0:15:50 | 0:15:53 | |
Cos then you'd know how small you've made your life. | 0:15:58 | 0:16:01 | |
PHONE DIALS AND RINGS | 0:16:21 | 0:16:23 | |
It's me. Still alive. | 0:16:29 | 0:16:30 | |
You'd better be or there'll be trouble. Anwen says hello. | 0:16:33 | 0:16:36 | |
No, she doesn't. She's tiny. | 0:16:36 | 0:16:38 | |
-She hasn't a clue. -All right, OK! | 0:16:38 | 0:16:41 | |
Sorry. | 0:16:41 | 0:16:42 | |
-Ready? -Yeah, we can get into the camp. | 0:16:44 | 0:16:46 | |
Andy's worked it out. He's here now. | 0:16:46 | 0:16:50 | |
He's got me this police visa. | 0:16:50 | 0:16:52 | |
-That should get me in. -Torchwood calls and here I am. | 0:16:52 | 0:16:55 | |
Tell him thanks. | 0:16:55 | 0:16:57 | |
-She says thanks. -She'll be the death of me. | 0:16:57 | 0:17:00 | |
The trouble is there's only the one visa, | 0:17:00 | 0:17:04 | |
so we can't get your mum in. | 0:17:04 | 0:17:07 | |
I wouldn't go, not to that godforsaken place. | 0:17:07 | 0:17:09 | |
Andy's checked the list and your dad, he's still there. | 0:17:09 | 0:17:13 | |
Category One. He's in one of the wards. | 0:17:13 | 0:17:16 | |
They haven't sent him... | 0:17:16 | 0:17:18 | |
HE SIGHS | 0:17:18 | 0:17:20 | |
They haven't sent him off yet. | 0:17:20 | 0:17:22 | |
Is there anything you want me to say to him, Gwen? | 0:17:22 | 0:17:25 | |
I mean... | 0:17:25 | 0:17:28 | |
I feel like I'm killing him. | 0:17:28 | 0:17:30 | |
If this goes right, the Miracle ends, my father dies. | 0:17:30 | 0:17:34 | |
Well, you know what? Let him die. | 0:17:39 | 0:17:42 | |
I mean, bless the poor bugger. He's had his time. | 0:17:44 | 0:17:48 | |
You just come back alive. You got that? | 0:17:48 | 0:17:51 | |
-She'd better. Tell her for me. -Yeah, you come back | 0:17:51 | 0:17:54 | |
or I will be furious. | 0:17:54 | 0:17:57 | |
All right, will do. Got to go. | 0:17:59 | 0:18:01 | |
Sad girl. | 0:18:07 | 0:18:10 | |
Yes, I am. | 0:18:13 | 0:18:15 | |
Crazy girl. | 0:18:15 | 0:18:17 | |
Yes, that's me. Thank you. Cheers. | 0:18:17 | 0:18:20 | |
..if that happens, the regrouping will go through me. | 0:18:27 | 0:18:31 | |
We'll have to ratify that with Washington... | 0:18:31 | 0:18:34 | |
-I help you, yes? Give it to me. -Thank you. | 0:18:36 | 0:18:38 | |
-Here you go. -We take care. American goods. | 0:18:38 | 0:18:42 | |
And that. | 0:18:43 | 0:18:45 | |
Someone help me up? | 0:18:45 | 0:18:47 | |
Ah! | 0:18:49 | 0:18:51 | |
HE GROANS | 0:18:51 | 0:18:53 | |
-Are you all right? -You OK? What's wrong? | 0:18:59 | 0:19:03 | |
He was injured. | 0:19:03 | 0:19:04 | |
No, no. | 0:19:04 | 0:19:06 | |
No, it's nothing. | 0:19:09 | 0:19:11 | |
It's just an old war wound. | 0:19:11 | 0:19:13 | |
It's getting worse. | 0:19:13 | 0:19:16 | |
SHE SPEAKS SPANISH | 0:19:21 | 0:19:22 | |
HE PRAYS IN SPANISH | 0:19:22 | 0:19:25 | |
MUFFLED RUMBLING | 0:19:43 | 0:19:47 | |
HE SPEAKS SPANISH | 0:19:49 | 0:19:52 | |
No, no, no, no! | 0:19:52 | 0:19:53 | |
We're dead! Don't you get it? We're dead! | 0:19:56 | 0:19:59 | |
We were in that explosion. Come on, let's go. Get up. | 0:19:59 | 0:20:03 | |
Sir...we've lost radio contact. The link with the army just cut dead. | 0:20:04 | 0:20:09 | |
Can't have, get hold of them. | 0:20:09 | 0:20:11 | |
(SPEAKS IN SPANISH) | 0:20:11 | 0:20:15 | |
-That's an explosion. -That's special ops station two, sir. That's Rex and Esther. | 0:20:28 | 0:20:32 | |
All my men. | 0:20:37 | 0:20:39 | |
Captain, snap out of it. On your feet. Now listen to me. | 0:20:39 | 0:20:42 | |
I need you to go to that base, OK? | 0:20:42 | 0:20:44 | |
But I want you to tell them that WE died. Understand that? | 0:20:44 | 0:20:47 | |
Now look, you can try to get another squad, but do not tell them Esther and I are running. | 0:20:47 | 0:20:51 | |
-What are you going to do? -They think that we're already dead. | 0:20:51 | 0:20:55 | |
So now's the perfect time and I'm going in...on my own. | 0:20:55 | 0:20:59 | |
I'm coming with you. | 0:20:59 | 0:21:00 | |
Oh, shit. | 0:21:03 | 0:21:06 | |
All right, yeah, whatever. Come here. | 0:21:06 | 0:21:07 | |
But you've only got handguns. There's two of you, you need more than that! | 0:21:09 | 0:21:13 | |
-Our special weapon went up in smoke. -We had the blood. | 0:21:13 | 0:21:15 | |
-The only mortal blood in the world and it's on that truck. -PHONE RINGS | 0:21:15 | 0:21:19 | |
It's Gwen. | 0:21:19 | 0:21:20 | |
Don't answer it. Everyone needs to think that we're dead, OK? | 0:21:20 | 0:21:24 | |
Now come on, let's go. Let's move! | 0:21:24 | 0:21:27 | |
Somebody betrayed us. | 0:21:28 | 0:21:29 | |
They had information inside the directorate. | 0:21:31 | 0:21:33 | |
Miller, run that trace. | 0:21:35 | 0:21:37 | |
-I need clearance from... -I don't care about the protocols. | 0:21:37 | 0:21:40 | |
I don't care if it brings down the whole pissing system. | 0:21:40 | 0:21:43 | |
Run the trace and find the bastard. | 0:21:43 | 0:21:45 | |
Now let's go! | 0:21:45 | 0:21:47 | |
OK, if there's a vine, this should track it right down to the handset. | 0:21:50 | 0:21:54 | |
-Any luck? -Almost. | 0:22:35 | 0:22:38 | |
I hope you catch that traitor. | 0:22:40 | 0:22:42 | |
-Oh, hey, Sandra. I think Mr Shapiro wanted to see you. -OK, thanks. | 0:22:51 | 0:22:55 | |
-You wanted to see me, sir? -No. What for? | 0:23:01 | 0:23:04 | |
I don't know. The analyst said... | 0:23:04 | 0:23:08 | |
I'm sorry, what's her name? | 0:23:09 | 0:23:12 | |
Charlotte?! | 0:23:13 | 0:23:15 | |
Oh, fuck. | 0:23:15 | 0:23:17 | |
What's going on? What was that? | 0:23:28 | 0:23:30 | |
Was that a bomb? | 0:23:30 | 0:23:32 | |
Ah! | 0:23:36 | 0:23:37 | |
SHE SHOUTS IN CHINESE | 0:23:38 | 0:23:40 | |
OK, what have we got? | 0:23:45 | 0:23:46 | |
Sublink said there was an explosion in Buenos Aires. Special ops. | 0:23:46 | 0:23:51 | |
It's Esther and Rex. | 0:23:51 | 0:23:53 | |
-They're dead? -What do you care? Why don't you just shut it?! -OK. | 0:23:56 | 0:24:01 | |
-I'm sorry, but we can't do this, not now. -This is about you, Jack. | 0:24:01 | 0:24:05 | |
If the Miracle is connected to your blood, then God help them, | 0:24:05 | 0:24:08 | |
but they had the only reserve. The only blood we have now is in you. | 0:24:08 | 0:24:12 | |
-Then I'd better be careful. -(But you could die.) -That's the game. | 0:24:12 | 0:24:16 | |
Yeah. | 0:24:19 | 0:24:21 | |
-Let's go. -Uh-huh. | 0:24:34 | 0:24:36 | |
How do we get down there? | 0:25:23 | 0:25:25 | |
I'm looking, I'm looking. There's got to be stairs somewhere. | 0:25:25 | 0:25:29 | |
You know, you could stay up here if you want. | 0:25:29 | 0:25:31 | |
Oh, I was kinda hoping you wouldn't say that. | 0:25:31 | 0:25:35 | |
I got you in a whole lot of trouble, huh? | 0:25:35 | 0:25:37 | |
-I did that all on my own. -I never did thank you, did I? | 0:25:37 | 0:25:40 | |
-No, you didn't. -Yeah, well, don't expect it now. | 0:25:40 | 0:25:43 | |
There...stairs. West block, hallway. | 0:25:43 | 0:25:47 | |
Right here, come on. | 0:25:47 | 0:25:48 | |
Over here. | 0:25:49 | 0:25:50 | |
There's going to be guards all the way in. | 0:25:53 | 0:25:55 | |
-You can't keep doing this, they'll find us. -Shut up! | 0:25:55 | 0:25:58 | |
-Of all the bastards to bring! -You condemn me? | 0:25:58 | 0:26:01 | |
-You Category One men with your bare hands... -Keep your voice d... | 0:26:01 | 0:26:04 | |
He's got a point. He's got a point. We're just like bandits. | 0:26:04 | 0:26:08 | |
We're just on the perimeter here. How are we meant to get deep inside? PHONE BUZZES | 0:26:08 | 0:26:12 | |
Damn! | 0:26:12 | 0:26:13 | |
It's Rhys, he's found my dad. | 0:26:17 | 0:26:19 | |
Hey...it's me, | 0:26:40 | 0:26:43 | |
the useless article. | 0:26:43 | 0:26:46 | |
I brought you a message. | 0:26:46 | 0:26:48 | |
Gwen sends her love... | 0:26:48 | 0:26:51 | |
Mary sends her love... | 0:26:51 | 0:26:54 | |
We all do. | 0:26:54 | 0:26:55 | |
All of us. | 0:26:57 | 0:26:58 | |
He's the lucky one. | 0:27:00 | 0:27:02 | |
See that girl over there? | 0:27:03 | 0:27:05 | |
She was brought in as Category One. | 0:27:05 | 0:27:08 | |
She must be 15, 16. | 0:27:08 | 0:27:12 | |
No-one's tried to claim her. | 0:27:12 | 0:27:14 | |
We don't even know her name. | 0:27:14 | 0:27:16 | |
Anyway, you've got till the end of the shift and then we're moving this lot. | 0:27:17 | 0:27:21 | |
-They're going to the furnace. -No, I... | 0:27:21 | 0:27:23 | |
I want to spend more time with him, please. | 0:27:23 | 0:27:25 | |
Make the most of it then. | 0:27:25 | 0:27:27 | |
Can't we delay the transport? | 0:27:27 | 0:27:29 | |
This place runs like clockwork now. | 0:27:29 | 0:27:31 | |
You've got ten minutes, then they're gone. | 0:27:31 | 0:27:34 | |
But they're still alive. And you're going to burn them? | 0:27:34 | 0:27:37 | |
Yeah, all clear. | 0:28:00 | 0:28:02 | |
Wait a minute. | 0:28:03 | 0:28:04 | |
I was in China for the Boxer Rebellion, | 0:28:04 | 0:28:07 | |
and I know what that lettering means. | 0:28:07 | 0:28:10 | |
HE LAUGHS | 0:28:10 | 0:28:13 | |
Oswald, I've changed my mind. | 0:28:13 | 0:28:16 | |
I'm so glad you're here. | 0:28:18 | 0:28:20 | |
COMPUTER BLEEPS | 0:28:22 | 0:28:24 | |
-I knew it. -What's happening? | 0:28:30 | 0:28:31 | |
You're about to meet the Creator. | 0:28:31 | 0:28:33 | |
It's that soldier. | 0:28:33 | 0:28:35 | |
Hmph. | 0:28:35 | 0:28:37 | |
He's with Oswald? | 0:28:37 | 0:28:41 | |
WOMAN SPEAKS CHINESE | 0:28:50 | 0:28:51 | |
Captain Jack Harkness. | 0:29:01 | 0:29:03 | |
At last. | 0:29:03 | 0:29:04 | |
No, no, no, no, this isn't about Jack. No, ma'am. | 0:29:04 | 0:29:07 | |
Excuse me, but it's not at all. | 0:29:07 | 0:29:09 | |
My name is Oswald Danes. | 0:29:09 | 0:29:14 | |
Well. Hmm. | 0:29:14 | 0:29:17 | |
Good evening, Miss Kitzinger. | 0:29:17 | 0:29:19 | |
You've been promoted. And this is the new empire you're servicing? | 0:29:19 | 0:29:23 | |
My, my, my, my, my, my, my. | 0:29:23 | 0:29:27 | |
With all due respect, Mr Danes, you're a by-product of the Miracle. | 0:29:27 | 0:29:30 | |
Not really relevant at all. | 0:29:30 | 0:29:32 | |
That's what the Captain said. | 0:29:32 | 0:29:35 | |
He tried to tell me that my life has become a very small thing. | 0:29:35 | 0:29:40 | |
Tiny. | 0:29:40 | 0:29:42 | |
And yet right here, right now, at the very end | 0:29:42 | 0:29:46 | |
I would describe myself differently. | 0:29:46 | 0:29:48 | |
I would call myself... | 0:29:48 | 0:29:49 | |
..vital. | 0:29:50 | 0:29:52 | |
Madam, you're a fine woman. | 0:29:54 | 0:29:56 | |
You should be careful now, very careful indeed. | 0:29:56 | 0:30:01 | |
It seems like you've been planning some kind of an explosion, | 0:30:01 | 0:30:05 | |
but I'd love to make sure you're still inside. | 0:30:05 | 0:30:09 | |
Advantage Torchwood. | 0:30:09 | 0:30:10 | |
'Well, I'm afraid we have a major disagreement here in Buenos Aires.' | 0:30:10 | 0:30:15 | |
I'd say advantage Families. | 0:30:15 | 0:30:18 | |
Say hello to your friends. | 0:30:18 | 0:30:21 | |
'What's that supposed to mean?' | 0:30:21 | 0:30:22 | |
-He means us. -'Rex?' | 0:30:24 | 0:30:26 | |
Oh, my God. And Esther? | 0:30:26 | 0:30:28 | |
I'm here. They caught us. | 0:30:28 | 0:30:31 | |
Just glad to hear you're alive. | 0:30:31 | 0:30:33 | |
I'll swap your standoff for my standoff. | 0:30:33 | 0:30:35 | |
Don't you do it. | 0:30:35 | 0:30:38 | |
SAFETY CATCHES CLICK | 0:30:36 | 0:30:38 | |
But nobody dies. | 0:30:38 | 0:30:39 | |
'She'll keep on living -' | 0:30:39 | 0:30:41 | |
just perforated. | 0:30:41 | 0:30:44 | |
Threaten me, you coward, not her. | 0:30:42 | 0:30:44 | |
Rex. Hey, I'm OK. | 0:30:44 | 0:30:48 | |
If you hurt her, we've got explosives here ready to go. | 0:30:48 | 0:30:51 | |
And don't imagine I won't! Whatever happens here tonight, | 0:30:51 | 0:30:54 | |
there's no place on Earth that I can go, | 0:30:54 | 0:30:56 | |
and I wasn't planning on coming out of here alive! | 0:30:56 | 0:30:59 | |
So, who's going to lose their nerve first? | 0:31:03 | 0:31:07 | |
The thing is, we don't need explosives, | 0:31:07 | 0:31:10 | |
or guns or threats, | 0:31:10 | 0:31:12 | |
cos I've got the most powerful thing of all. | 0:31:12 | 0:31:14 | |
It wants me... | 0:31:42 | 0:31:44 | |
mortal blood. | 0:31:44 | 0:31:46 | |
The only one in the whole world. | 0:31:46 | 0:31:48 | |
So I suggest you're very careful with me, OK? | 0:31:49 | 0:31:53 | |
If you fail to take the Captain's advice, you can certainly come to oblivion with me. | 0:31:53 | 0:31:57 | |
Jack, you're the future man. | 0:31:57 | 0:32:00 | |
You've seen wonders beyond this world, | 0:32:00 | 0:32:03 | |
so tell us of these Blessings and Miracles. | 0:32:03 | 0:32:07 | |
GWEN: What the hell is that thing? | 0:32:07 | 0:32:10 | |
Can you feel it? | 0:32:15 | 0:32:16 | |
Yeah. | 0:32:16 | 0:32:18 | |
Oh, yeah. God, I can... OK. God. | 0:32:22 | 0:32:25 | |
-Oh, my God. -It is said that it reflects your own self back at you. | 0:32:25 | 0:32:30 | |
What can you see? | 0:32:33 | 0:32:35 | |
Enough guilt to last me a lifetime. | 0:32:35 | 0:32:37 | |
But that's OK. I'm a working mother. | 0:32:39 | 0:32:40 | |
I don't need the Blessing to tell me that. | 0:32:40 | 0:32:42 | |
And you, Jack? | 0:32:42 | 0:32:44 | |
I've lived so many lives. | 0:32:46 | 0:32:49 | |
And now I can see them all. | 0:32:50 | 0:32:52 | |
Hey. Not so bad. | 0:32:56 | 0:32:59 | |
Well, you might want to question your choice of weapon, soldier. | 0:32:59 | 0:33:03 | |
Let's see. You brought the world's biggest bastard, | 0:33:03 | 0:33:06 | |
wired him up to a bomb then showed him his soul. | 0:33:06 | 0:33:08 | |
Hmm, that's good work. You know, I feel really safe right now. | 0:33:08 | 0:33:12 | |
Oswald? Oswald. | 0:33:12 | 0:33:14 | |
Don't lose it. | 0:33:14 | 0:33:15 | |
Sin. | 0:33:15 | 0:33:17 | |
-The Blessing feels like sin. -Oswald, don't. | 0:33:17 | 0:33:20 | |
I need you. | 0:33:20 | 0:33:22 | |
I guess I'm accustomed to sin. | 0:33:37 | 0:33:40 | |
Thank you. | 0:33:41 | 0:33:43 | |
I still don't get it. | 0:33:45 | 0:33:47 | |
What are we looking at? The Blessing - is it the rock | 0:33:47 | 0:33:50 | |
or is it the edge? What? | 0:33:50 | 0:33:52 | |
It's the gap in between, the nothingness. | 0:33:52 | 0:33:56 | |
The space. | 0:33:56 | 0:33:57 | |
It's alive. | 0:33:57 | 0:33:59 | |
It's like they broke the world. | 0:33:59 | 0:34:03 | |
You're the expert. | 0:34:03 | 0:34:04 | |
-What is it? -The world's been turning for | 0:34:04 | 0:34:08 | |
over four billion years. | 0:34:08 | 0:34:09 | |
There's so much buried under its skin. | 0:34:09 | 0:34:12 | |
The Doctor used to say there's Silurian mythology, | 0:34:14 | 0:34:18 | |
Huon particles, Racnoss energy, | 0:34:18 | 0:34:21 | |
an expansion of their hibernation matrix, maybe... | 0:34:21 | 0:34:26 | |
-You don't bloody know, do you? -No. | 0:34:26 | 0:34:29 | |
It's been here since the Earth began? | 0:34:34 | 0:34:37 | |
-Could be. -Yeah. | 0:34:38 | 0:34:41 | |
Oh, it has. I can feel it. | 0:34:41 | 0:34:42 | |
We're so used to these things being extraterrestrial, | 0:34:42 | 0:34:46 | |
but this might be the most terrestrial thing of them all. Wow. | 0:34:46 | 0:34:50 | |
So, you found the Blessing and you worked out this morphic field. | 0:34:50 | 0:34:55 | |
The Blessing exists in a symbiotic relationship with the human race. | 0:34:55 | 0:35:00 | |
It transmits a morphic field around the planet, binding us together | 0:35:00 | 0:35:03 | |
-like magnetism, like sunlight. -But finding it wasn't enough. | 0:35:03 | 0:35:08 | |
You had to experiment on it. | 0:35:08 | 0:35:10 | |
Oh, we fed it. | 0:35:10 | 0:35:13 | |
We fed it the blood of an immortal. | 0:35:13 | 0:35:15 | |
We had one remarkable artefact. | 0:35:15 | 0:35:18 | |
We found a second remarkable artefact. | 0:35:18 | 0:35:20 | |
The combination was inevitable. | 0:35:20 | 0:35:23 | |
So the Blessing absorbed the blood, copied it like a new template. | 0:35:23 | 0:35:27 | |
So the system changed its setting. | 0:35:27 | 0:35:30 | |
You know why it did that? | 0:35:30 | 0:35:32 | |
I think you hurt it. | 0:35:34 | 0:35:35 | |
It was being attacked, so it took the blood pattern and made it a gift. | 0:35:35 | 0:35:38 | |
It's exerting itself to sustain every person on the planet. | 0:35:38 | 0:35:42 | |
This whole Miracle... | 0:35:42 | 0:35:45 | |
it's trying to be kind. | 0:35:45 | 0:35:46 | |
You've seen immortality. | 0:35:46 | 0:35:48 | |
I'm living it. Why would you want this? | 0:35:48 | 0:35:51 | |
This is only stage one. | 0:35:51 | 0:35:53 | |
But you ruined the world out there! | 0:35:53 | 0:35:55 | |
The Miracle shocked the economy. The economy collapsed. | 0:35:55 | 0:35:58 | |
We tear down in order to rebuild. | 0:35:58 | 0:36:00 | |
And now it's almost within sight... | 0:36:00 | 0:36:01 | |
the new world. | 0:36:01 | 0:36:04 | |
With no room for the poor, the weak or the ones that don't fit in. | 0:36:04 | 0:36:06 | |
That's the way the world works now. We're just making it official. | 0:36:06 | 0:36:10 | |
The Families have just been waiting. | 0:36:10 | 0:36:13 | |
Now we can step in to control the banks. The banks control government. | 0:36:13 | 0:36:16 | |
The government controls people. | 0:36:16 | 0:36:18 | |
Soon we'll be able to decide who lives, how long, where and why. | 0:36:18 | 0:36:23 | |
It's about time! | 0:36:23 | 0:36:25 | |
Oh, great, the world according to Kitzinger, is it? | 0:36:25 | 0:36:28 | |
Listen, you can bleed your liberal heart all over the place, | 0:36:28 | 0:36:31 | |
but are you really going to tell me the world was working before? | 0:36:31 | 0:36:35 | |
Cos I have worked for the rich, and the powerful, and the obese. | 0:36:35 | 0:36:38 | |
I have stared into the high end of Western society and let me tell you, | 0:36:38 | 0:36:42 | |
it is like shovelling an open sewer. | 0:36:42 | 0:36:45 | |
These Families... they want to make the world fitter, more compact, more disciplined. | 0:36:45 | 0:36:51 | |
And I like the sound of that. | 0:36:51 | 0:36:53 | |
That sounds like salvation. | 0:36:53 | 0:36:55 | |
But before you launched this brave new world, you had to deal with one more thing. | 0:36:55 | 0:36:59 | |
Yeah...me. | 0:36:59 | 0:37:02 | |
So as soon as the Miracle happened, you sent the Torchwood email. | 0:37:02 | 0:37:05 | |
His blood endangers the plan. | 0:37:05 | 0:37:07 | |
-We had to draw him out into the open. -Well, you failed. | 0:37:07 | 0:37:10 | |
I got to Shanghai. | 0:37:10 | 0:37:12 | |
I've got the only mortal blood on the planet. | 0:37:12 | 0:37:15 | |
If it gets into the Blessing, | 0:37:17 | 0:37:19 | |
life switches back. | 0:37:19 | 0:37:21 | |
I can make the whole world mortal. | 0:37:21 | 0:37:25 | |
SHE LAUGHS | 0:37:30 | 0:37:33 | |
No. | 0:37:38 | 0:37:39 | |
Oh, no. | 0:37:39 | 0:37:40 | |
Sadly not. | 0:37:40 | 0:37:41 | |
-He's not listening. -He doesn't seem to get it. | 0:37:41 | 0:37:44 | |
No, no, no. | 0:37:44 | 0:37:46 | |
-Polar dynamics, Jack. -Everything on this axis operates | 0:37:46 | 0:37:50 | |
in a polar-dynamic field. | 0:37:50 | 0:37:52 | |
You COULD reset the Blessing, | 0:37:52 | 0:37:54 | |
your blood COULD make the whole world mortal again, | 0:37:54 | 0:37:57 | |
but only by introducing it to both cities at once. | 0:37:57 | 0:38:00 | |
Blood in Buenos Aires... | 0:38:00 | 0:38:02 | |
Blood in Shanghai... | 0:38:02 | 0:38:03 | |
Entering the Blessing simultaneously. | 0:38:03 | 0:38:06 | |
-That's how we fed it. -That's how we made the world immortal. | 0:38:06 | 0:38:10 | |
And for you... I'm sorry, it's impossible. | 0:38:10 | 0:38:12 | |
You did very well, almost worked it out, but all that spare blood | 0:38:12 | 0:38:16 | |
-of yours went up in flames. -So we're just going to have to kill you. | 0:38:16 | 0:38:20 | |
SHE SPEAKS CHINESE | 0:38:20 | 0:38:21 | |
Whoa, whoa, whoa, whoa! | 0:38:21 | 0:38:23 | |
Jack, I know how your mind works. | 0:38:23 | 0:38:25 | |
Even now, you're ferociously calculating | 0:38:25 | 0:38:28 | |
how you can get your blood to the other side of the world. | 0:38:28 | 0:38:31 | |
-But I can't allow that. Absolutely not. -Oh, oh, oh, oh, oh, oh, oh, oh. | 0:38:31 | 0:38:35 | |
-I'm warning you... I'll do it. -Then I'll die. | 0:38:35 | 0:38:38 | |
And that's a shame, | 0:38:38 | 0:38:40 | |
cos you can blast his blood into that wall | 0:38:40 | 0:38:42 | |
and it won't make any difference at all. | 0:38:42 | 0:38:44 | |
Listen to me, don't do it. | 0:38:44 | 0:38:45 | |
I'll do it! I'll do it! | 0:38:45 | 0:38:47 | |
Wait a minute. If you need the blood of Jack Harkness | 0:38:47 | 0:38:49 | |
on the other side of the world, then... | 0:38:49 | 0:38:51 | |
-I'll do it! -'Just listen to me! Jack!' | 0:38:51 | 0:38:54 | |
All right. | 0:38:54 | 0:38:57 | |
All right. | 0:38:57 | 0:39:00 | |
As I was saying, if you need Jack's blood, | 0:39:00 | 0:39:05 | |
how about this? | 0:39:05 | 0:39:08 | |
-What was that? What happened? -Rex, what did you do? | 0:39:21 | 0:39:24 | |
That's impossible. No way. There's nothing special about you. | 0:39:24 | 0:39:28 | |
Oh, but there is, when I've got Jack's blood flowing through my veins. | 0:39:28 | 0:39:32 | |
It's inside me. | 0:39:32 | 0:39:33 | |
-What? -Oh, my God. | 0:39:33 | 0:39:36 | |
We knew this blood was important, so as soon as we arrived... | 0:39:36 | 0:39:39 | |
We transfused it into Rex. | 0:39:39 | 0:39:41 | |
We exchanged his blood for Jack's. | 0:39:41 | 0:39:43 | |
On most days it might've killed me. | 0:39:55 | 0:39:58 | |
But we're all living on Miracle Day. | 0:39:58 | 0:40:01 | |
Everyone thought the blood was gone, so no-one suspected. All we did was keep one final bag, | 0:40:01 | 0:40:06 | |
filled the rest with Rex's blood and Jack's mortal blood... | 0:40:06 | 0:40:08 | |
Just walked right in. Hey, Oswald, you want to be a walking bomb? | 0:40:08 | 0:40:12 | |
Get him out of there! | 0:40:12 | 0:40:13 | |
Well, try this. Shoot me! Shoot me! Come on! Shoot me! | 0:40:13 | 0:40:16 | |
-Don't! Don't! Don't! -Pull that trigger! Splatter my blood! | 0:40:16 | 0:40:19 | |
-Shoot me! -Get him out! Get him out! -Nobody move! Huh? | 0:40:19 | 0:40:22 | |
Wow, Rex, you're a genius! | 0:40:22 | 0:40:26 | |
You just shut the hell up. | 0:40:26 | 0:40:28 | |
All right? This shit hurts. | 0:40:28 | 0:40:30 | |
We've got blood on both sides of the world, but... | 0:40:30 | 0:40:33 | |
But they will die. Is that what you want? The Blessing | 0:40:33 | 0:40:35 | |
will take every last drop. You'll both die, gentlemen. | 0:40:35 | 0:40:37 | |
You'll both kill yourselves. | 0:40:37 | 0:40:39 | |
You will die in a pit in Shanghai. | 0:40:39 | 0:40:41 | |
Is that what you want? | 0:40:41 | 0:40:43 | |
I think I've lived long enough. | 0:40:43 | 0:40:46 | |
-You ready, Rex? -Oh, you know I wish I'd never met you, | 0:40:46 | 0:40:49 | |
you World War II idiot. | 0:40:49 | 0:40:52 | |
Good times, huh? | 0:40:59 | 0:41:00 | |
Yeah. | 0:41:01 | 0:41:02 | |
I'll see you. | 0:41:02 | 0:41:04 | |
Just one last thing, Jack. | 0:41:08 | 0:41:09 | |
What is it? | 0:41:09 | 0:41:11 | |
You're never going to be a suicide. | 0:41:11 | 0:41:14 | |
Thank you. | 0:41:19 | 0:41:20 | |
-Bye, then. -Bye. | 0:41:21 | 0:41:23 | |
Face front. | 0:41:23 | 0:41:25 | |
This is it, Rex. | 0:41:29 | 0:41:30 | |
Nothing's going to stop me. | 0:41:33 | 0:41:35 | |
I think this might. | 0:41:35 | 0:41:36 | |
GUNSHOT | 0:41:36 | 0:41:38 | |
No! | 0:41:38 | 0:41:40 | |
No! No! | 0:41:40 | 0:41:42 | |
-What was that?! -Rex, what was that? | 0:41:42 | 0:41:44 | |
You bastard! You son of a bitch! | 0:41:44 | 0:41:46 | |
-Esther, come here. Oh, God. -These are the days of the Miracle, Mr Matheson. | 0:41:46 | 0:41:51 | |
She can't die, and we have infinite resources. | 0:41:51 | 0:41:53 | |
We can help her. We can make her better. | 0:41:53 | 0:41:56 | |
'If the Miracle ends, she dies.' | 0:41:56 | 0:41:58 | |
Is that what you want? | 0:41:58 | 0:42:01 | |
All of you with your fine and noble deaths, do you really want to bring about hers? | 0:42:01 | 0:42:05 | |
Jack, what do I do? | 0:42:05 | 0:42:07 | |
-I don't know. -Oh, God, what do I do? | 0:42:07 | 0:42:10 | |
What do I do? | 0:42:13 | 0:42:14 | |
I'll tell you what you do, Rex - you carry on. | 0:42:15 | 0:42:18 | |
Keep going. Back to the plan. | 0:42:18 | 0:42:21 | |
-We'll kill her. -I know. | 0:42:23 | 0:42:25 | |
This is Esther we're talking about. | 0:42:25 | 0:42:27 | |
Yes, I know it's Esther, and it's my dad | 0:42:27 | 0:42:29 | |
and it's everyone who's ever going to die. | 0:42:29 | 0:42:32 | |
But, Rex, we've got to do this, and I'm going to tell you why. | 0:42:32 | 0:42:36 | |
Because I'm standing here and I'm staring at Oswald Danes. | 0:42:36 | 0:42:40 | |
And he chose when that girl lived and he chose when that girl died. | 0:42:40 | 0:42:45 | |
And no-one should have that power. Not the rich, | 0:42:45 | 0:42:48 | |
-not the mad, not anyone. -You're choosing now. | 0:42:48 | 0:42:51 | |
-Yeah, you watch me. -You'll kill Jack and Rex and that girl Esther... | 0:42:51 | 0:42:56 | |
all of your Torchwood team? You'd kill them all? | 0:42:56 | 0:42:58 | |
Yeah. Yeah. | 0:42:58 | 0:43:01 | |
Oh, you are magnificent. | 0:43:01 | 0:43:04 | |
Ready? | 0:43:05 | 0:43:07 | |
Rex! | 0:43:09 | 0:43:11 | |
I'm sorry. | 0:43:17 | 0:43:18 | |
Yeah. | 0:43:22 | 0:43:24 | |
-I'm so sorry. -Don't do it! | 0:43:24 | 0:43:26 | |
Don't! Don't do it! | 0:43:26 | 0:43:29 | |
You'll kill her! | 0:43:29 | 0:43:30 | |
SHOUTING | 0:43:54 | 0:43:56 | |
GWEN: And that's what I did. | 0:44:03 | 0:44:05 | |
In a pit in Old Shanghai, | 0:44:05 | 0:44:09 | |
I brought death back to the world. | 0:44:09 | 0:44:13 | |
They said it was like a breath... | 0:44:16 | 0:44:18 | |
the breath that went around the whole wide world. | 0:44:18 | 0:44:23 | |
The last breath. | 0:44:38 | 0:44:40 | |
And then no more. | 0:44:44 | 0:44:46 | |
We said goodbye to them then... | 0:44:47 | 0:44:50 | |
the dads and the mums, | 0:44:51 | 0:44:55 | |
the sick and the old, | 0:44:55 | 0:44:58 | |
the friends and the neighbours. | 0:44:58 | 0:45:00 | |
And the people we once met, | 0:45:02 | 0:45:04 | |
and the people whose names we never knew. | 0:45:08 | 0:45:11 | |
We said goodbye to them all | 0:45:24 | 0:45:27 | |
on the day that death came back. | 0:45:27 | 0:45:32 | |
Jesus Christ Almighty! | 0:45:34 | 0:45:36 | |
No! No. | 0:45:57 | 0:45:58 | |
Ah! No! | 0:45:58 | 0:46:01 | |
I'm giving you this one chance. | 0:46:02 | 0:46:06 | |
I'll give you estates! I'll give you places to hunt! | 0:46:06 | 0:46:10 | |
Hold that lift! | 0:46:21 | 0:46:25 | |
Hey! | 0:46:29 | 0:46:30 | |
Guess what...death came back. | 0:46:30 | 0:46:33 | |
-No! -HE SCREAMS | 0:46:33 | 0:46:36 | |
He changed back! He's immortal again! | 0:46:47 | 0:46:49 | |
Wait! | 0:46:53 | 0:46:54 | |
SCREAMS | 0:46:54 | 0:46:56 | |
At last! A Miracle! | 0:47:11 | 0:47:13 | |
How much bloody lipstick can you wear? | 0:47:15 | 0:47:24 | |
Better run, Torchwood! | 0:47:32 | 0:47:33 | |
I'm taking this thing with me! The whole thing! | 0:47:33 | 0:47:36 | |
Please! For God's sake, help me! Help me! | 0:47:36 | 0:47:41 | |
Oh, soon I'll see her! | 0:47:45 | 0:47:47 | |
You won't see anybody! You're going to hell, Danes! | 0:47:47 | 0:47:50 | |
But that's where they go! | 0:47:50 | 0:47:52 | |
All the bad little girls, they run straight to hell, and I'm following! | 0:47:52 | 0:47:57 | |
Come on! | 0:47:58 | 0:48:00 | |
Susie, keep running! | 0:48:02 | 0:48:05 | |
I'm coming to get you! | 0:48:05 | 0:48:08 | |
Run! Faster! | 0:48:09 | 0:48:12 | |
Faster! | 0:48:14 | 0:48:16 | |
Jilly! | 0:48:17 | 0:48:20 | |
Get 'em out! | 0:48:34 | 0:48:36 | |
Get 'em out! | 0:48:41 | 0:48:44 | |
Get them out! | 0:48:44 | 0:48:45 | |
Esther and Rex, did I just kill them? | 0:49:04 | 0:49:07 | |
CHURCH ORGAN PLAYS | 0:49:41 | 0:49:43 | |
# The day Thou gavest, Lord, is ended | 0:49:45 | 0:49:53 | |
# The darkness falls at Thy behest | 0:49:53 | 0:49:59 | |
# To Thee our mourning hymns ascended | 0:49:59 | 0:50:07 | |
# Thy praise shall sanctify our rest | 0:50:07 | 0:50:14 | |
# We thank Thee that Thy church unsleeping | 0:50:14 | 0:50:21 | |
# While Earth rolls onward into light | 0:50:21 | 0:50:29 | |
# Through all the world her watch is keeping | 0:50:29 | 0:50:37 | |
# And rest not now by day nor night | 0:50:37 | 0:50:45 | |
# As o'er each continent and island... # | 0:50:45 | 0:50:51 | |
We meet again. | 0:51:00 | 0:51:03 | |
I have been coming here every day for weeks, | 0:51:13 | 0:51:18 | |
waiting for you. | 0:51:19 | 0:51:21 | |
We tend not to repeat patterns of behaviour. | 0:51:21 | 0:51:24 | |
But...just this once. | 0:51:24 | 0:51:26 | |
I've got nothing. | 0:51:29 | 0:51:31 | |
What the hell am I supposed to do? | 0:51:31 | 0:51:34 | |
I had to buy my way out of that godforsaken country. | 0:51:34 | 0:51:37 | |
I had to sell my own jewellery! | 0:51:37 | 0:51:38 | |
I can't go home. I've got the CIA watching out for me, | 0:51:38 | 0:51:42 | |
the FBI, everyone. | 0:51:42 | 0:51:43 | |
What do I do now? | 0:51:43 | 0:51:47 | |
You start again. | 0:51:47 | 0:51:49 | |
With who? | 0:51:49 | 0:51:51 | |
Us. | 0:51:51 | 0:51:53 | |
Why would I do that, | 0:51:58 | 0:52:00 | |
after everything you have put me through? | 0:52:00 | 0:52:02 | |
Because we very nearly succeeded. | 0:52:02 | 0:52:05 | |
As trial runs go, | 0:52:05 | 0:52:08 | |
it was good. | 0:52:08 | 0:52:10 | |
Trial runs for what? | 0:52:10 | 0:52:12 | |
Plan B. | 0:52:12 | 0:52:14 | |
Interested? | 0:52:16 | 0:52:17 | |
I'm sorry, Rex. She was more than a colleague. I'd like to think she was a friend. | 0:52:40 | 0:52:44 | |
Thanks. Appreciate it. | 0:52:44 | 0:52:46 | |
Lucky she got a full service. | 0:52:50 | 0:52:52 | |
There's ten funerals every hour these days... | 0:52:52 | 0:52:54 | |
-catching up with the backlog. -Well, that's made us all feel better. | 0:52:54 | 0:52:58 | |
You think if that Blessing was so kind, | 0:52:58 | 0:53:00 | |
it could've shown some sort of...grace. | 0:53:00 | 0:53:03 | |
Esther died right in front of it. | 0:53:03 | 0:53:05 | |
That morphic field could've reached out and saved one last life. Why not? | 0:53:05 | 0:53:08 | |
We'll never know. | 0:53:08 | 0:53:09 | |
UNIT's sealed those sites up forever. | 0:53:09 | 0:53:11 | |
-Let that thing stay buried. -Yeah. | 0:53:11 | 0:53:14 | |
What about you two, this Torchwood team? You reunited or what? | 0:53:14 | 0:53:17 | |
Say no, please. | 0:53:17 | 0:53:19 | |
Dunno. You staying? | 0:53:19 | 0:53:20 | |
-You want me to stay? -Please say no. | 0:53:20 | 0:53:23 | |
BEEPING | 0:53:23 | 0:53:25 | |
Oh, boy. Whoa, whoa, whoa. | 0:53:25 | 0:53:27 | |
Anything wrong? | 0:53:27 | 0:53:29 | |
It's about Noah. You know, the analyst who died with Shapiro? | 0:53:29 | 0:53:32 | |
They just retrieved his software from the explosion. | 0:53:32 | 0:53:35 | |
He told me his password because it's the same place | 0:53:35 | 0:53:38 | |
I used to go for doughnuts. | 0:53:38 | 0:53:40 | |
His last job was to look for that leak. | 0:53:40 | 0:53:42 | |
What is it? What's it say? | 0:53:44 | 0:53:46 | |
Shit. | 0:53:45 | 0:53:46 | |
Charlotte! | 0:53:51 | 0:53:53 | |
CHARLOTTE | 0:53:53 | 0:53:55 | |
Charlotte! | 0:53:56 | 0:53:58 | |
-Get help! Clear the area! There might be more! -Oh, no! | 0:54:05 | 0:54:08 | |
Come on. No, no, not after everything he's gone through. No! | 0:54:08 | 0:54:13 | |
There's nothing we can do. I'm... | 0:54:13 | 0:54:15 | |
I'm sorry, Gwen. | 0:54:15 | 0:54:19 | |
I am so sorry. | 0:54:19 | 0:54:20 | |
He's dead. | 0:54:21 | 0:54:24 | |
-What? -What? | 0:54:30 | 0:54:31 | |
What? | 0:54:31 | 0:54:33 | |
What?! | 0:54:38 | 0:54:40 | |
What the hell? | 0:54:40 | 0:54:42 | |
That's impossible. | 0:54:42 | 0:54:44 | |
You, World War II, | 0:54:44 | 0:54:46 | |
what the hell did you do to me? | 0:54:46 | 0:54:49 | |
Subtitles by Red Bee Media Ltd | 0:55:45 | 0:55:48 |