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The story says that it started with three men... | 0:00:19 | 0:00:23 | |
Ablemarch, Costerdane and Frines. They formed an alliance. | 0:00:23 | 0:00:28 | |
Oswald, I... | 0:00:28 | 0:00:30 | |
Run as fast as you can! | 0:00:30 | 0:00:32 | |
You've got the most famous face on the planet. Where are you gonna hide? | 0:00:32 | 0:00:36 | |
Torchwood is defunct. | 0:00:36 | 0:00:38 | |
You will be removed from American soil immediately and God help Great Britain. | 0:00:38 | 0:00:43 | |
Hey, stop. I said stop. | 0:00:43 | 0:00:44 | |
Jack! | 0:00:44 | 0:00:47 | |
Day 61 of the Great Depression. | 0:00:52 | 0:00:54 | |
The government has announced that all medical Overflow Camps will now stay open. | 0:00:54 | 0:00:59 | |
Under the new emergency laws, Category one patients must be taken for disposal. | 0:00:59 | 0:01:03 | |
Campaigners have called this institutional murder. | 0:01:03 | 0:01:08 | |
Go now or I will put a hole in your head. | 0:01:50 | 0:01:52 | |
-Can you spare me some of those metanec things? -What? | 0:01:52 | 0:01:57 | |
Metanec. Just a couple of boxes. | 0:01:57 | 0:01:59 | |
My wife's suffering something wicked with the arthritis. | 0:01:59 | 0:02:03 | |
She's scared to go to the doctors because of the rumours. | 0:02:03 | 0:02:07 | |
They say Huw Jenkins has gone up in smoke | 0:02:07 | 0:02:10 | |
and all he had was a bad back. | 0:02:10 | 0:02:12 | |
Help yourself. Hurry up, we haven't got long. | 0:02:12 | 0:02:15 | |
-Go, get out of here. -Oh, thank you. -Go. | 0:02:15 | 0:02:20 | |
OK, relax. She's back. | 0:03:00 | 0:03:02 | |
She's only been for pizza. | 0:03:02 | 0:03:05 | |
Hey. | 0:03:12 | 0:03:14 | |
Oh, beautiful. Nice one. Right. | 0:03:18 | 0:03:21 | |
That's for the Reynolds and the Llewellyns. | 0:03:21 | 0:03:23 | |
Oh, and Iris Price called by. She was looking for painkillers. | 0:03:23 | 0:03:27 | |
She gets a headache and expects to go to the top of the list. | 0:03:27 | 0:03:30 | |
Tell her she can have them if she pays double. | 0:03:30 | 0:03:32 | |
-That's the same policy as Phicorp. -Thanks for that. Thanks a lot. | 0:03:32 | 0:03:36 | |
Here we are. Careful now. Make yourself useful, you big lump. | 0:03:36 | 0:03:39 | |
So what'd you get? | 0:03:39 | 0:03:41 | |
-Diamorphine. -That'll do the trick. Come on. | 0:03:41 | 0:03:45 | |
OK? | 0:03:45 | 0:03:47 | |
This won't last a week the way he's going through it. | 0:03:47 | 0:03:50 | |
Don't worry. I'll get some more. | 0:03:50 | 0:03:52 | |
You OK, dad? You'll be happy as Larry in a minute now. | 0:03:59 | 0:04:02 | |
Smiling away. | 0:04:02 | 0:04:04 | |
Poor sod. He's missing his bed. | 0:04:04 | 0:04:07 | |
It's too risky upstairs. | 0:04:07 | 0:04:09 | |
I know. | 0:04:09 | 0:04:12 | |
But whenever we went away, the first night back he always used to say | 0:04:12 | 0:04:17 | |
you can't beat your own bed. | 0:04:17 | 0:04:19 | |
Well, we can't be too careful, mam. | 0:04:19 | 0:04:21 | |
Yesterday there was a raid. They took two people away for the ovens. | 0:04:21 | 0:04:26 | |
I used to arrest people for selling that stuff. It's practically heroin. | 0:04:34 | 0:04:38 | |
Strange days, sweetheart. | 0:04:38 | 0:04:40 | |
It's much better. | 0:04:49 | 0:04:51 | |
The infection is almost gone. | 0:04:51 | 0:04:54 | |
Yeah, the gunshot didn't kill me. But I think you will. | 0:04:54 | 0:04:57 | |
I'll go into the village tomorrow, see if I can buy a steak, | 0:04:57 | 0:05:01 | |
get you some iron. | 0:05:01 | 0:05:04 | |
As long as they don't ask questions again. That last guy creeped me out. | 0:05:04 | 0:05:08 | |
If he's still there, I think we should move on. | 0:05:08 | 0:05:11 | |
-We're in Scotland. We can't go much further north. -Yes, we can. | 0:05:11 | 0:05:15 | |
Keep running for as long as it takes. | 0:05:15 | 0:05:18 | |
I remember when you were too scared to leave home. | 0:05:18 | 0:05:22 | |
Yeah, a long time ago. | 0:05:23 | 0:05:25 | |
You were the strong one standing tall. Look at you now. | 0:05:25 | 0:05:31 | |
And now you're a vampire. | 0:05:31 | 0:05:33 | |
More like a gunsmith. Closest thing to a weapon we've got. | 0:05:33 | 0:05:36 | |
Esther, my blood isn't magic. | 0:05:36 | 0:05:38 | |
It didn't make me immortal. | 0:05:38 | 0:05:40 | |
They can't have cloned it or copied it. | 0:05:40 | 0:05:43 | |
All the same, Jack, they took your blood and they keep trying to spill your blood. | 0:05:43 | 0:05:47 | |
Someone wants you dead for a reason. | 0:05:47 | 0:05:49 | |
And I think this stuff is the only hope we've got. | 0:05:49 | 0:05:52 | |
The answer's got to be here somewhere. | 0:05:54 | 0:05:56 | |
The Blessing, page 56 of 12 million. God, I need Esther. | 0:05:58 | 0:06:02 | |
I've had a job offer | 0:06:04 | 0:06:07 | |
driving for Matty Sheldon. | 0:06:07 | 0:06:08 | |
Oh. | 0:06:08 | 0:06:11 | |
That's good, isn't it? | 0:06:11 | 0:06:12 | |
He's got the contract for the Overflow Camps. | 0:06:12 | 0:06:16 | |
I'd be driving Category Ones. | 0:06:16 | 0:06:20 | |
Well, it's not your fault. We need money. | 0:06:24 | 0:06:29 | |
-I won't take them to the ovens, just to the camps. -I know, yeah. | 0:06:29 | 0:06:33 | |
It's funny, isn't it? | 0:06:35 | 0:06:37 | |
When they first opened the camps we all protested. | 0:06:37 | 0:06:40 | |
Second time we're all too busy looking after ourselves. | 0:06:40 | 0:06:42 | |
Aye. All part of the plan... | 0:06:42 | 0:06:45 | |
-..to wear us down. -Yeah, but what is the plan? | 0:06:47 | 0:06:49 | |
What's it all for, Rhys? | 0:06:49 | 0:06:51 | |
Oh, great. | 0:06:51 | 0:06:53 | |
That's just what I needed. That's... | 0:06:53 | 0:06:55 | |
bollocks. | 0:06:55 | 0:06:57 | |
You know, there was | 0:07:01 | 0:07:04 | |
power cuts in the '70s. | 0:07:04 | 0:07:06 | |
Nine months later there was a baby boom... | 0:07:06 | 0:07:08 | |
..cos people took advantage of the dark. Oh, yeah. | 0:07:10 | 0:07:15 | |
Here, this could be the one piece of paper that we need. | 0:07:34 | 0:07:37 | |
Come on, focus, people. Let's go, come on. Let's go. | 0:07:37 | 0:07:41 | |
Hey, you been here all night? Don't you have a home to go to? | 0:07:43 | 0:07:47 | |
Not any more. She left me, remember? | 0:07:47 | 0:07:49 | |
Oh, shit. | 0:07:49 | 0:07:51 | |
-Yeah, sorry. -Cos of the hours which you imposed. | 0:07:51 | 0:07:54 | |
I know. I forgot. | 0:07:54 | 0:07:56 | |
If you're gonna be here, why don't you clean this place up? | 0:07:56 | 0:07:59 | |
Empty out some trash bins. | 0:07:59 | 0:08:01 | |
Really? | 0:08:02 | 0:08:04 | |
Sir, I should tell you that smoking is still illegal inside. | 0:08:09 | 0:08:13 | |
It can't kill you. Not any more. | 0:08:13 | 0:08:15 | |
But they still haven't changed the building's insurance. | 0:08:15 | 0:08:19 | |
Insurance companies went bust along with half the western world. | 0:08:19 | 0:08:22 | |
Gas allowances have been halved. You are way over limit. | 0:08:22 | 0:08:26 | |
What do you expect me to do, walk to work? | 0:08:26 | 0:08:28 | |
Hey, don't complain to me. | 0:08:28 | 0:08:29 | |
Recession became depression. | 0:08:29 | 0:08:33 | |
We're all being rationed, even the CIA. | 0:08:33 | 0:08:36 | |
Since you're too busy housekeeping then you won't be interested in this. | 0:08:36 | 0:08:40 | |
What is it? | 0:08:40 | 0:08:41 | |
A lead. | 0:08:41 | 0:08:45 | |
It's 1928. There's a guy hanging in the cellar of the Giordano butcher | 0:08:45 | 0:08:49 | |
and they're selling tickets for 2. | 0:08:49 | 0:08:51 | |
You can watch him get killed and come back to life again. | 0:08:51 | 0:08:55 | |
So who knows, if it's a miracle or he's Harry Houdini? | 0:08:55 | 0:08:59 | |
Either way, it's news. So plenty of people wrote about it. | 0:08:59 | 0:09:01 | |
Yeah, but that's where the records disappear. Ablemarch, Costerdane and Frines... | 0:09:01 | 0:09:06 | |
they went through the archives. They scrubbed them clean. | 0:09:06 | 0:09:09 | |
Look at this place, Rex. We have tried. | 0:09:09 | 0:09:12 | |
According to the census in 1930 the population of Manhattan was 1,867,000. | 0:09:12 | 0:09:19 | |
That's more people than now. Allow for an average of two children | 0:09:19 | 0:09:23 | |
per family across three generations by 2011 we're looking at a potential six million descendants. | 0:09:23 | 0:09:28 | |
That's six million suspects. We have to find and interview six million people. | 0:09:28 | 0:09:32 | |
So do you see? That proves my point. You're looking too close at the facts. | 0:09:32 | 0:09:37 | |
-What else should we be looking at? -Fiction. | 0:09:37 | 0:09:40 | |
I'll trade you six million people for one short story. | 0:09:40 | 0:09:45 | |
Because the London office, they found a story. | 0:09:45 | 0:09:48 | |
It was published in 1935... | 0:09:48 | 0:09:50 | |
"The Devil Within." Now it's just pulp fiction... | 0:09:50 | 0:09:53 | |
it's all blood and Satan and that kinda shit... | 0:09:53 | 0:09:55 | |
but it contains five points of reference identical | 0:09:55 | 0:09:58 | |
to the Harkness case, which is more than a coincidence. | 0:09:58 | 0:10:01 | |
Now I believe the author was in that cellar. | 0:10:01 | 0:10:06 | |
He saw Jack Harkness die, decided to write about it. And his name was | 0:10:06 | 0:10:10 | |
Victor Podesta. | 0:10:10 | 0:10:12 | |
Then we follow the Podesta family. | 0:10:12 | 0:10:15 | |
Oh, sir, this is where it gets interesting. | 0:10:15 | 0:10:18 | |
The Podestas owned a grocery store about ten blocks east | 0:10:18 | 0:10:22 | |
of the butcher shop and they had connections to organized crime. | 0:10:22 | 0:10:25 | |
The youngest son John was stabbed to death back in '27. | 0:10:25 | 0:10:29 | |
Unsolved, mob related. But check this out, now we jump to 1938. | 0:10:29 | 0:10:34 | |
The whole family just disappears. I mean all of them... | 0:10:34 | 0:10:37 | |
mom, pop, Victor, daughter Emmeline. | 0:10:37 | 0:10:40 | |
Just all gone. Look, maybe the Podestas changed their name. | 0:10:40 | 0:10:44 | |
Who knows? Maybe Emmeline married into the three families. | 0:10:44 | 0:10:48 | |
We could look for a marriage license. | 0:10:48 | 0:10:50 | |
And where would we check that? | 0:10:50 | 0:10:53 | |
-The Manhattan Central Repository? -Damn it, every time. | 0:10:53 | 0:10:56 | |
The most effective thing they did was burn that place down. | 0:10:56 | 0:10:59 | |
Yeah, and that was 1965. | 0:10:59 | 0:11:01 | |
Everywhere we turn this conspiracy spans the whole of the 20th century. | 0:11:01 | 0:11:05 | |
People, come on. This is me you're talking to, remember? | 0:11:05 | 0:11:09 | |
You're forgetting about the younger brother, | 0:11:09 | 0:11:11 | |
the murder of John Podesta, unsolved. This is where we got lucky. | 0:11:11 | 0:11:16 | |
The case was bagged, tagged and locked away | 0:11:18 | 0:11:20 | |
just sitting on a shelf collecting dust for almost 90 years. | 0:11:20 | 0:11:23 | |
We still have the murder weapon. | 0:11:25 | 0:11:27 | |
With blood on it? Is that blood? | 0:11:29 | 0:11:31 | |
We have blood. | 0:11:31 | 0:11:33 | |
We have DNA. | 0:11:33 | 0:11:35 | |
-We can trace the family. -All right, everybody. | 0:11:35 | 0:11:38 | |
Let's make a DNA profile and start looking for matches. | 0:11:38 | 0:11:41 | |
Come on, let's go. Let's go! | 0:11:41 | 0:11:43 | |
Group up, start working. | 0:11:43 | 0:11:45 | |
-Uh hey, Rex. -Yeah? | 0:11:45 | 0:11:48 | |
I've got Jordan and Carlyle. They were exceptional with the O'Grady DNA. And they're fast. | 0:11:48 | 0:11:52 | |
-Want me to use them on this? -Sure thing. Do what you've got to do. | 0:11:52 | 0:11:56 | |
Thank you for coming. | 0:12:12 | 0:12:14 | |
This is not the promotion I expected, sitting in a nondescript office distributing for Harry Bosco. | 0:12:20 | 0:12:26 | |
I thought you needed me. | 0:12:26 | 0:12:28 | |
This is for you. | 0:12:37 | 0:12:38 | |
-You've been invited to Shanghai. -Well, that's impossible. | 0:12:46 | 0:12:49 | |
Don't you watch the news? First sign of the meltdown, China closed its borders. | 0:12:49 | 0:12:54 | |
Not to us. | 0:12:54 | 0:12:55 | |
This says Lucy Statten Meredith. | 0:12:58 | 0:13:01 | |
You'll be travelling under that name. | 0:13:01 | 0:13:03 | |
In fact, that is your name from now on. | 0:13:03 | 0:13:05 | |
But the families want to meet you in person. | 0:13:05 | 0:13:10 | |
-It's one way? -Yes, yes, it is. | 0:13:17 | 0:13:21 | |
I'm rather jealous. | 0:13:21 | 0:13:24 | |
They're taking you to the Blessing. | 0:13:24 | 0:13:26 | |
Thank you. | 0:13:28 | 0:13:30 | |
We won't meet again. | 0:13:30 | 0:13:32 | |
KNOCKING AT DOOR > | 0:13:43 | 0:13:46 | |
It's them. | 0:13:54 | 0:13:57 | |
They're here. Remember, just do what we said. | 0:14:04 | 0:14:07 | |
Take it upstairs and flush it. | 0:14:11 | 0:14:13 | |
Yes, I'm coming! | 0:14:13 | 0:14:14 | |
If you don't open the door, we're legally empowered to knock it down. | 0:14:17 | 0:14:25 | |
-Mrs. Cooper? -Mm-hmm. -You must be Gwen Cooper. | 0:14:25 | 0:14:28 | |
Ralph Finch. Can we come in? | 0:14:28 | 0:14:30 | |
-Not without a warrant, no. -Not necessary, I'm afraid. | 0:14:30 | 0:14:33 | |
I have reason to suspect you may be illegally harbouring an unsupported Category one deceased person. | 0:14:33 | 0:14:38 | |
According to the Emergency Powers Act, reasonable suspicion is all I need. | 0:14:38 | 0:14:42 | |
You keep an eye on the front. Gentlemen, we're in. | 0:14:42 | 0:14:47 | |
Oh, I'm gonna complain. I'm gonna take this to the top. I used to be with the police. | 0:14:48 | 0:14:53 | |
Very much in the past tense as I understand it. | 0:14:53 | 0:14:55 | |
Up you go, boys. Check the rooms upstairs. | 0:14:55 | 0:14:57 | |
My father is dead. He's gone. | 0:14:57 | 0:15:00 | |
We never said goodbye. No funeral. No chance to mourn him. | 0:15:00 | 0:15:05 | |
For all I know he was just thrown into a furnace still alive. | 0:15:05 | 0:15:08 | |
I can't even have a bit of peace in my own bathroom. | 0:15:08 | 0:15:12 | |
-You allowed to barge in like this anyway? -Husband, Rhys Williams. | 0:15:12 | 0:15:15 | |
You never shared his surname, which says a lot. We're still missing one person. | 0:15:15 | 0:15:20 | |
So where's Mary, Gwen? What's keeping your mother so busy? | 0:15:20 | 0:15:24 | |
Shopping. | 0:15:26 | 0:15:28 | |
-No lights? -Uh, no. | 0:15:41 | 0:15:42 | |
Whole house needs rewiring. | 0:15:42 | 0:15:44 | |
No worries. We've got torches. | 0:15:44 | 0:15:47 | |
Boys, torches down here. | 0:15:47 | 0:15:48 | |
Lend us that, Joe. | 0:15:50 | 0:15:52 | |
All that's down there is rats, so you make yourself at home. | 0:15:52 | 0:15:57 | |
(QUIETLY) Shut up. | 0:16:26 | 0:16:28 | |
VERMIN SQUEAK | 0:17:05 | 0:17:06 | |
It's mice, not rats. | 0:17:13 | 0:17:16 | |
I'd recommend putting down traps. | 0:17:18 | 0:17:20 | |
We'll get rid of the vermin as fast as we can. | 0:17:20 | 0:17:24 | |
Out. | 0:17:24 | 0:17:26 | |
Your father is still unregistered. And I can't leave you alone until I know what happened to him. | 0:17:30 | 0:17:35 | |
So you take care now. | 0:17:35 | 0:17:37 | |
Seriously, your whole family, | 0:17:38 | 0:17:40 | |
you'd better take a great deal of care. | 0:17:40 | 0:17:45 | |
God, that was close. | 0:18:04 | 0:18:06 | |
Never mind. I told you this thing would work. | 0:18:06 | 0:18:09 | |
I had to... to pin him down. | 0:18:10 | 0:18:14 | |
It took all my strength. | 0:18:14 | 0:18:17 | |
It's OK, mom. | 0:18:17 | 0:18:19 | |
It's OK. They've gone. | 0:18:19 | 0:18:22 | |
They've gone. | 0:18:22 | 0:18:23 | |
Bad news. The DNA trace, it came out negative. No leads, nothing. | 0:18:34 | 0:18:38 | |
There's no bloodline from John Podesta on file. I tried everything. | 0:18:38 | 0:18:42 | |
-Shit. -Son of a bitch. | 0:18:42 | 0:18:44 | |
Sorry. I'll keep looking, but... | 0:18:44 | 0:18:48 | |
Hey, Charlotte... | 0:18:52 | 0:18:55 | |
The Podesta Short Story, we have that on digital format? | 0:18:55 | 0:18:58 | |
-Yeah, I think so. Why? -Great, can you send it to me? | 0:18:58 | 0:19:02 | |
It's not worth reading. Like you said, pulp fiction. | 0:19:02 | 0:19:05 | |
I know, but just send it to me. | 0:19:05 | 0:19:07 | |
-You have an idea? -No, no, no. Just send it, OK? | 0:19:07 | 0:19:12 | |
Sure. | 0:19:12 | 0:19:14 | |
It's the shopping. Take it through to the kitchen, will you? | 0:19:56 | 0:20:00 | |
-Hey. -All right, mate? | 0:20:03 | 0:20:05 | |
Oh, you're early. | 0:20:05 | 0:20:07 | |
-Just put it by the fridge. -It is posh getting deliveries, mind. | 0:20:07 | 0:20:11 | |
It's my mother's latest scheme. | 0:20:11 | 0:20:13 | |
She's starting to cook for the club, raising money charging two quid a cake. | 0:20:13 | 0:20:17 | |
Oh, isn't she pretty? | 0:20:17 | 0:20:21 | |
Are you eating that food, honey, or are you wearing it? | 0:20:21 | 0:20:25 | |
Mm, sweet. | 0:20:25 | 0:20:27 | |
So sweet your child. | 0:20:27 | 0:20:29 | |
I realize this might be something of a surprise... | 0:20:29 | 0:20:33 | |
What's going on? | 0:20:33 | 0:20:35 | |
I've been told that you have certain information that I need. | 0:20:35 | 0:20:39 | |
I apologize for the subterfuge, but I do happen to have the most recognizable face on the planet. | 0:20:39 | 0:20:46 | |
Not any more! | 0:20:46 | 0:20:47 | |
-What the hell are you doing? -Look at him, for God's sake! Look at him! | 0:20:50 | 0:20:54 | |
-It's Oswald Danes in our house. -Oh, my god! -You touch my daughter again and I will kill you. | 0:20:54 | 0:21:00 | |
Take her out of here, mom, now. I don't want her to see her mother... | 0:21:00 | 0:21:03 | |
Stop it! Stop, stop, stop. | 0:21:03 | 0:21:06 | |
Stop right there. Hush now. Come on. | 0:21:06 | 0:21:08 | |
-We don't want you arrested for murder. -Thank you, sir. | 0:21:08 | 0:21:11 | |
They can arrest me for that. | 0:21:11 | 0:21:14 | |
Now you tell me. Tell me quickly, you bastard. | 0:21:14 | 0:21:17 | |
You murdering bastard! | 0:21:17 | 0:21:19 | |
Come on. Tell me before I get the boys round. | 0:21:20 | 0:21:24 | |
Before I shout your name out and fetch the bloody mob, | 0:21:24 | 0:21:27 | |
tell me what do you want? | 0:21:27 | 0:21:29 | |
Jack Harkness. | 0:21:36 | 0:21:38 | |
The men who smuggled me into this country, | 0:21:40 | 0:21:43 | |
they brought Harkness in seven weeks ago and they brought him to you. | 0:21:43 | 0:21:47 | |
And then you in turn found him a haven. | 0:21:47 | 0:21:52 | |
Now I paid good money for your name, Gwen Cooper. | 0:21:52 | 0:21:55 | |
So I really need to see Jack. | 0:21:55 | 0:21:57 | |
And you will do exactly | 0:21:57 | 0:22:02 | |
what I ask. | 0:22:02 | 0:22:03 | |
Why should I? | 0:22:06 | 0:22:08 | |
Because I have a name. | 0:22:08 | 0:22:11 | |
I have the name of a man. | 0:22:11 | 0:22:14 | |
I have the name of the man who created the miracle. | 0:22:16 | 0:22:22 | |
Someone is leaking information - that's got to be true. | 0:22:28 | 0:22:30 | |
Maybe not from here, but from somewhere down the chain. | 0:22:30 | 0:22:34 | |
For the past two months, every move we make, we get blocked. | 0:22:34 | 0:22:37 | |
I wish it were me. Then you could shoot me and I could sleep. | 0:22:37 | 0:22:40 | |
-Yeah, I'd like that very much, sir. -So what did you find? | 0:22:40 | 0:22:44 | |
Victor Podesta. Anyone who writes pulp fiction | 0:22:44 | 0:22:47 | |
is gonna want to keep on writing even if it's under a different name. | 0:22:47 | 0:22:50 | |
So I ran the short story through the pattern recognition software | 0:22:50 | 0:22:54 | |
-identifying key points of similarity in prose styles. -Did you find him? | 0:22:54 | 0:22:59 | |
I found 320. See, it's more difficult with that sort of fiction | 0:22:59 | 0:23:02 | |
because everyone writes the same. And that's only the ones in the database. | 0:23:02 | 0:23:06 | |
Out of that there's around 46 with pronounced similarities scattered all across the world. | 0:23:06 | 0:23:11 | |
22 in the US, nine in the UK, one in Sweden. | 0:23:11 | 0:23:14 | |
We've got Argentina, Germany, Japan. I've got to check them all out. | 0:23:14 | 0:23:18 | |
Well, I think you'd better get started. | 0:23:18 | 0:23:20 | |
Yes, sir. But listen, can we keep this between you and me? | 0:23:20 | 0:23:23 | |
I mean this has to be mine and mine alone. OK? | 0:23:23 | 0:23:27 | |
The latest from the White House is that they're gonna stop all immigration. | 0:23:30 | 0:23:34 | |
China closed its borders, now we're gonna do the same. | 0:23:34 | 0:23:37 | |
Every passing day we are taking one step closer to a dictatorship. | 0:23:37 | 0:23:42 | |
And we don't even know who the real dictators are. | 0:23:42 | 0:23:47 | |
PHONE RINGS | 0:23:47 | 0:23:49 | |
-Hello? -Can you see my car keys? I can't find them anywhere. | 0:23:49 | 0:23:53 | |
Uh, how did you get this number? | 0:23:59 | 0:24:02 | |
Whoever you're working for, it's Jack Harkness they're after. | 0:24:02 | 0:24:05 | |
He wouldn't turn up here in a month of Sundays. | 0:24:05 | 0:24:07 | |
So why not just take the night off? | 0:24:07 | 0:24:09 | |
-Do you think we're stupid? -Yeah. | 0:24:09 | 0:24:13 | |
Now drink this. | 0:24:13 | 0:24:15 | |
It won't harm you. You've had it before. | 0:24:15 | 0:24:18 | |
It's true. I made you drink it. | 0:24:18 | 0:24:21 | |
I need you to have no memory of seeing me, so I can leave you with nowhere to put your hat, | 0:24:21 | 0:24:26 | |
or you can drink it. Option two is better. | 0:24:26 | 0:24:29 | |
Oh, my god. | 0:24:49 | 0:24:51 | |
Oh, my god. | 0:24:51 | 0:24:54 | |
-Oh, my god. -I know. Oh! -Sorry. I thought you were better. | 0:24:54 | 0:24:56 | |
I'm fine. I am, don't worry. | 0:24:56 | 0:24:58 | |
-Thank you for looking after him. -It's so good to see you. | 0:24:58 | 0:25:01 | |
Oh, God, I missed you. I have so missed you. He's through there. | 0:25:01 | 0:25:08 | |
Jack. I was told the correct form of address is captain. | 0:25:17 | 0:25:22 | |
You once asked me for help. | 0:25:22 | 0:25:25 | |
So you can remember that, the rest of you, the captain invited me in. | 0:25:25 | 0:25:31 | |
I want to ask one thing first. | 0:25:38 | 0:25:40 | |
At your trial you said about that girl, "She should have run faster. " | 0:25:40 | 0:25:44 | |
Did you really say that? | 0:25:44 | 0:25:46 | |
Yes, I did. | 0:25:46 | 0:25:48 | |
Right. OK. | 0:25:50 | 0:25:51 | |
Let me tell you, Oswald, I used to be a policewoman and I worked with paedophiles and murderers, | 0:25:51 | 0:25:57 | |
and God help me, I saw men so alone and damned and wretched. But that's not you. | 0:25:57 | 0:26:04 | |
That's nothing like you. | 0:26:04 | 0:26:08 | |
Because for the first time in my life | 0:26:08 | 0:26:11 | |
I've met a monster. Is that clear? | 0:26:11 | 0:26:14 | |
I feel very special. And well said. | 0:26:15 | 0:26:18 | |
-I'm gonna kill him. -Leave it. | 0:26:18 | 0:26:20 | |
OK, everyone, all we need is information. | 0:26:20 | 0:26:24 | |
Tell us what you know. | 0:26:24 | 0:26:26 | |
And what happens to me after that? | 0:26:26 | 0:26:28 | |
Well, then we kill you. There's no murder any more. | 0:26:28 | 0:26:32 | |
So I can make you Category one forever, pal. | 0:26:32 | 0:26:34 | |
I haven't agreed to anything. So you just tell me what you know or we are calling the police now. | 0:26:34 | 0:26:40 | |
You're keeping a few secrets yourself, Gwen. | 0:26:40 | 0:26:42 | |
You had me tied up here all day, and all those whispers, all those looks towards that cellar. | 0:26:42 | 0:26:50 | |
Are you hiding something down there by any chance? | 0:26:50 | 0:26:55 | |
Excuse me. You were gonna call the police. | 0:26:55 | 0:26:58 | |
OK, there may be deals to be made. There may not. | 0:26:58 | 0:27:02 | |
But before we can decide anything, there needs to be a full and fair exchange of information. | 0:27:02 | 0:27:09 | |
Mr Danes, there's no going back. You need to tell us what you know. | 0:27:09 | 0:27:13 | |
I'll say this, Phicorp gave me an assistant, a woman called Jillian Kitzinger. | 0:27:15 | 0:27:23 | |
And in my crate over there I have Miss Kitzinger's laptop. | 0:27:23 | 0:27:27 | |
God's sake, is that it? We raided her file way back. | 0:27:27 | 0:27:31 | |
Wait a minute. As soon as I'd stolen the laptop, good little Jilly did exactly the right things. | 0:27:31 | 0:27:37 | |
She changed the passwords, opened new accounts, deleted the old ones. | 0:27:37 | 0:27:41 | |
But I was watching. | 0:27:41 | 0:27:43 | |
And I know my way around online better than most. | 0:27:43 | 0:27:48 | |
I know how to keep myself hidden. | 0:27:48 | 0:27:49 | |
So I shadowed her, and I've been following Miss Kitzinger these past two months. | 0:27:49 | 0:27:55 | |
Here's a funny thing. | 0:27:55 | 0:27:57 | |
Yesterday at 12:00 midday she disappeared. | 0:27:57 | 0:28:02 | |
Her entire profile online vanished. | 0:28:02 | 0:28:06 | |
Jilly Kitzinger ceased to exist. | 0:28:06 | 0:28:09 | |
You said you had the name of a man. | 0:28:20 | 0:28:23 | |
Soon as I say this, I'll be at your mercy. | 0:28:23 | 0:28:25 | |
-Yes. -Tell us his name. | 0:28:25 | 0:28:28 | |
I'll have to trust you. | 0:28:28 | 0:28:31 | |
Remember that. I'm trusting you. | 0:28:31 | 0:28:33 | |
One man's name keeps reoccurring. | 0:28:33 | 0:28:36 | |
Kitzinger was employed to send him information. | 0:28:36 | 0:28:40 | |
And his name's Harry Bosco. | 0:28:40 | 0:28:43 | |
Harry Bosco? | 0:28:43 | 0:28:45 | |
His name, over and over again. | 0:28:45 | 0:28:49 | |
Esther, Harry Bosco. | 0:28:49 | 0:28:50 | |
-Sorry. -Can't you search him? | 0:28:52 | 0:28:54 | |
You think you're clever, Oswald? | 0:28:58 | 0:29:00 | |
Is that really all you had? | 0:29:00 | 0:29:02 | |
It's a name. | 0:29:02 | 0:29:04 | |
Harry Bosco isn't a man. | 0:29:04 | 0:29:07 | |
Harry Bosco is a process. | 0:29:07 | 0:29:09 | |
It goes back to Vietnam. | 0:29:12 | 0:29:15 | |
It was the first war to be televised, | 0:29:15 | 0:29:17 | |
and the government didn't want US networks taking feed directly from the Vietnamese | 0:29:17 | 0:29:21 | |
cos for the first time, information was beyond their control. | 0:29:21 | 0:29:25 | |
So they put agents in every newsroom, | 0:29:25 | 0:29:27 | |
every major TV network, filtering the output for the public. | 0:29:27 | 0:29:30 | |
Cleverest of them all was a man called... | 0:29:30 | 0:29:34 | |
Harry Bosco. | 0:29:34 | 0:29:35 | |
-What did he do? -He'd alter information. | 0:29:36 | 0:29:39 | |
It was subtle. He did it by mistranslation. | 0:29:39 | 0:29:42 | |
He couldn't censor or change, but he could manipulate the English translation. | 0:29:42 | 0:29:46 | |
Change one word, change the entire meaning. | 0:29:46 | 0:29:48 | |
If you say "victims" instead of "bodies", you influence public opinion. | 0:29:48 | 0:29:52 | |
All the channels Harry Bosco these days. | 0:29:52 | 0:29:55 | |
So that's it? Dead end? Done? | 0:29:55 | 0:29:59 | |
-You finished with him? Can I have him now? -Could you keep your dog on its leash? | 0:29:59 | 0:30:02 | |
-Watch it, pal. -My point still stands. | 0:30:02 | 0:30:06 | |
The name's still important because Kitzinger works in PR. | 0:30:06 | 0:30:11 | |
Why would she be handling this Harry Bosco process? | 0:30:11 | 0:30:15 | |
To be fair, it's a good question. | 0:30:18 | 0:30:19 | |
Why would the families hire Jilly to do all this in the first place? | 0:30:19 | 0:30:23 | |
-What's she translating? -What's she mistranslating? | 0:30:23 | 0:30:26 | |
Cos the three families changed their name, now Jilly's changing words? | 0:30:26 | 0:30:30 | |
Maybe they're connected. | 0:30:30 | 0:30:32 | |
Chicken and chips. Didn't have any fish. Too expensive. | 0:30:34 | 0:30:38 | |
-World gone mad. -And I've got the beers. | 0:30:38 | 0:30:40 | |
-Can I have mine? -Oh, sure. | 0:30:40 | 0:30:43 | |
RHYS LAUGHS | 0:30:46 | 0:30:47 | |
Hey, they've been going great guns, this lot. | 0:30:47 | 0:30:51 | |
-You know, going through someone's email is like reading their diaries. -So what did we find? | 0:30:51 | 0:30:56 | |
Another problem. | 0:30:56 | 0:30:57 | |
Jilly processed this clip from a local news station in Shanghai. | 0:30:57 | 0:31:00 | |
It's got three layers of language. | 0:31:00 | 0:31:02 | |
It's in the local Wu dialect dubbed into Mandarin and then she sent it out for English subtitles. | 0:31:02 | 0:31:07 | |
-How are we supposed to know what's wrong or right? -Nobody speaks Chinese? -Shut it! | 0:31:07 | 0:31:12 | |
What do we do? I can't go down to the takeaway and ask Kenny. | 0:31:12 | 0:31:15 | |
Esther? | 0:31:17 | 0:31:18 | |
Yeah, I know. | 0:31:20 | 0:31:22 | |
PHONE RINGS | 0:31:26 | 0:31:29 | |
What? | 0:31:30 | 0:31:31 | |
'Rex. It's me. It's Esther. | 0:31:31 | 0:31:34 | |
'Don't tell anyone, | 0:31:34 | 0:31:36 | |
'but I need your help. I'm sorry there's no-one else I can turn to, | 0:31:36 | 0:31:41 | |
'but I've got a lead.' | 0:31:41 | 0:31:43 | |
All right, I need this room. Top priority. Come on, clear the room. Let's go. | 0:31:43 | 0:31:47 | |
Where are you? | 0:31:58 | 0:32:00 | |
Can't say, so don't make me. | 0:32:00 | 0:32:03 | |
We're safe. We're fine. We're OK. | 0:32:03 | 0:32:05 | |
-'If that's the plural, I take it World War II didn't die.' -It's going to take more than that! | 0:32:05 | 0:32:10 | |
-I've been trying to kill the silly sod for years. -OK, so that's Gwen, which means you're in Wales. | 0:32:10 | 0:32:15 | |
'So much for undercover work. You know, you're idiots. I didn't even have to trace you.' | 0:32:15 | 0:32:20 | |
-Except you're not tracing us anyway, are you? -No, I'm not. | 0:32:20 | 0:32:24 | |
We need help, Rex. We need the CIA. We need translations specifically. | 0:32:24 | 0:32:30 | |
Oh, shit. Um, OK, I'll try. | 0:32:30 | 0:32:34 | |
-Can't tell them why. -Oh, I know, believe me. This place isn't safe. What's the language? | 0:32:34 | 0:32:38 | |
Mandarin. We think there's something in Shanghai. | 0:32:38 | 0:32:41 | |
Morning. Guess you're my breakfast meeting. | 0:32:55 | 0:32:59 | |
I'm Jilly Kitzinger. | 0:32:59 | 0:33:00 | |
No, you're Lucy Statten Meredith. | 0:33:00 | 0:33:02 | |
Congratulations, you failed the test. | 0:33:02 | 0:33:04 | |
OK, I keep wondering, why me? | 0:33:19 | 0:33:22 | |
You're a storyteller. | 0:33:22 | 0:33:24 | |
-Thank you. -Look at you. | 0:33:25 | 0:33:27 | |
The nails, the coat, the lipstick. | 0:33:27 | 0:33:29 | |
From the moment you walk through the door, you tell a story. | 0:33:29 | 0:33:33 | |
You might have noticed we're kind of good at keeping quiet. So we need you. | 0:33:33 | 0:33:37 | |
We need experts. | 0:33:37 | 0:33:38 | |
So what's your story? | 0:33:42 | 0:33:43 | |
I'm the latest chapter in an epic. | 0:33:46 | 0:33:48 | |
Once upon a time, there were three wise families. | 0:33:50 | 0:33:53 | |
Then they went out into the world. | 0:33:53 | 0:33:55 | |
One family took politics, one family took finance and one family took media. | 0:33:55 | 0:34:00 | |
But that's all in the past. | 0:34:02 | 0:34:04 | |
The stories yet to come, they're the best. | 0:34:04 | 0:34:07 | |
So does that mean there's a story about to break? With the miracle? | 0:34:07 | 0:34:11 | |
Not for me to say. | 0:34:11 | 0:34:12 | |
You want me to what? Prepare a statement? Mount a campaign? | 0:34:14 | 0:34:19 | |
That's kind of small, don't you think? | 0:34:19 | 0:34:21 | |
Then what? | 0:34:23 | 0:34:25 | |
We need you to write history. | 0:34:26 | 0:34:28 | |
I can do that. | 0:34:36 | 0:34:38 | |
Good. | 0:34:38 | 0:34:40 | |
Nice recovery. | 0:34:42 | 0:34:44 | |
Your hair is a work of art. | 0:34:44 | 0:34:46 | |
If you ever come here at night, | 0:34:46 | 0:34:48 | |
try the mitten crab. It's a local delicacy. | 0:34:48 | 0:34:50 | |
So what do you want me to do next? | 0:34:50 | 0:34:53 | |
Stay in your hotel and wait. | 0:34:53 | 0:34:56 | |
When we're ready, you'll be taken to the Blessing. | 0:34:56 | 0:34:59 | |
-I hope you survive. -I'm sorry, what do you mean by that? | 0:34:59 | 0:35:03 | |
Well, some people die. | 0:35:03 | 0:35:06 | |
The Blessing, it kills them. | 0:35:06 | 0:35:08 | |
Good luck. You won't see me again. | 0:35:10 | 0:35:12 | |
MAN WAILS | 0:35:18 | 0:35:21 | |
This is pre-miracle. | 0:35:29 | 0:35:31 | |
He died two days later. But he went crazy, burned down a hospital, got caught in his own fire. | 0:35:31 | 0:35:36 | |
-This guy should win the Darwin Award. -"Godsend", you got that, Rex? | 0:35:36 | 0:35:39 | |
Yeah, yeah. I saw it first. | 0:35:39 | 0:35:41 | |
I knew it. The English isn't "godsend". | 0:35:41 | 0:35:43 | |
The actual phrase is "It's a blessing my life was saved." | 0:35:43 | 0:35:47 | |
"Blessing." | 0:35:47 | 0:35:48 | |
It doesn't mean anything. We'd all say that. He survived a fire. | 0:35:48 | 0:35:52 | |
'Hold on, hold on. Would somebody shut the husband up, please?' | 0:35:52 | 0:35:55 | |
That's the Mandarin. But the original Wu dialect is different. Are you ready for this? | 0:35:55 | 0:35:59 | |
He didn't say, "It's a blessing my life was saved." He said, "The Blessing saved my life." | 0:35:59 | 0:36:04 | |
They mistranslated it on purpose. "The Blessing saved my life." | 0:36:04 | 0:36:08 | |
-It's in Shanghai. -The Blessing's in Shanghai. -How do we get to Shanghai? | 0:36:09 | 0:36:12 | |
Oh, for God's sake. You're not serious! | 0:36:12 | 0:36:15 | |
They hid the word Blessing, Rhys. | 0:36:15 | 0:36:18 | |
It wasn't hidden from the Chinese! They saw it and there's enough of them! | 0:36:18 | 0:36:21 | |
It was only transmitted once then scrubbed off the record. | 0:36:21 | 0:36:25 | |
Just cos he said "Blessing" doesn't mean it's in Shanghai! I could say "Jesus", but I'm not in Jerusalem. | 0:36:25 | 0:36:30 | |
Why did they hide that clip? Hush, OK? Just a minute. Getting into Shanghai is going to be impossible. | 0:36:30 | 0:36:36 | |
They've closed the borders, withdrawn from the UN. The whole of China is a no-go area. | 0:36:36 | 0:36:40 | |
No way I can get in without posting it as a mission. And that's going to leak. | 0:36:40 | 0:36:44 | |
-By the time we'd get there they'd be gone. -You could take a slow boat. -Shut it! | 0:36:44 | 0:36:48 | |
-Wait a minute, who was that? Who else is there? -Just... | 0:36:48 | 0:36:51 | |
just Rhys. Never mind. | 0:36:51 | 0:36:53 | |
Esther, is there anything within mainland China? | 0:36:55 | 0:36:58 | |
Any open ports? Anything? | 0:36:58 | 0:37:00 | |
No, but...wait. | 0:37:00 | 0:37:02 | |
I knew a man once, way back, worked out of Hunan Province. | 0:37:02 | 0:37:06 | |
Wait, wait, wait, just listen. | 0:37:06 | 0:37:08 | |
OK, think about it. | 0:37:08 | 0:37:10 | |
Who burns down a hospital? Who does that? Why would he do that? | 0:37:10 | 0:37:13 | |
Turns out we've got another mistranslation. | 0:37:13 | 0:37:16 | |
The Mandarin says "medical facility", | 0:37:16 | 0:37:19 | |
but I looked up the address. It was a blood bank. | 0:37:19 | 0:37:23 | |
-Blood again. -It's always about blood. Why is that? -Wait, wait. | 0:37:23 | 0:37:27 | |
OK. Run a check on that, but reference it with Kitzinger. | 0:37:27 | 0:37:30 | |
'She has a second clip in Spanish.' | 0:37:30 | 0:37:33 | |
There's a second blood bank in Buenos Aires. | 0:37:33 | 0:37:35 | |
A blood bank destroyed by fire 24 hours before Shanghai, five days before the miracle. | 0:37:35 | 0:37:40 | |
Wait a minute. Wait a minute. | 0:37:40 | 0:37:43 | |
I had Argentina. Right there. | 0:37:43 | 0:37:45 | |
John Forester, died age 76 in La Boca. I think he was in the cellar with Jack. | 0:37:45 | 0:37:49 | |
-But that man said "miracle in Shanghai", yes? -And why'd they burn down a blood bank in Buenos Aires? | 0:37:49 | 0:37:54 | |
Why burn down a blood bank at all? We don't even know what the Blessing is. | 0:37:54 | 0:37:57 | |
Maybe it's some sort of ritual. Maybe it happens in both cities at once. | 0:37:57 | 0:38:01 | |
Whoa, hang on a minute. | 0:38:01 | 0:38:04 | |
SHOUTING | 0:38:04 | 0:38:06 | |
Rhys, my dad! | 0:38:06 | 0:38:08 | |
SHOUTING CONTINUES | 0:38:10 | 0:38:12 | |
-< Come on! -Copy that! | 0:38:13 | 0:38:17 | |
-All clear! All clear! -Hello? | 0:38:20 | 0:38:22 | |
-Hello there, Gwen. -Hello. | 0:38:30 | 0:38:33 | |
Got company? | 0:38:33 | 0:38:35 | |
Yeah, we're just visiting from London. | 0:38:35 | 0:38:38 | |
Don't worry. Anyone who can leave the house under their own steam is of no interest to me. | 0:38:38 | 0:38:43 | |
What's going on? | 0:38:46 | 0:38:48 | |
Been busy down there, Rhys? | 0:38:48 | 0:38:50 | |
No. | 0:38:50 | 0:38:52 | |
Well, you won't mind if I take a look, then. | 0:38:53 | 0:38:56 | |
In the old days, to find a dead body you'd use a sniffer dog. But they've gone the way of the miner's budgie. | 0:38:56 | 0:39:02 | |
HE CHUCKLES | 0:39:02 | 0:39:03 | |
Brand new app... Thermal imaging. | 0:39:03 | 0:39:06 | |
Brilliant, it is. | 0:39:06 | 0:39:09 | |
-Sorry, hold up there. -This is my house. | 0:39:16 | 0:39:18 | |
My name is Mary Cooper and I live here. | 0:39:18 | 0:39:22 | |
For God's sake, let me in! | 0:39:22 | 0:39:24 | |
This is good. I'm the most wanted man on the face of the earth, but they want someone else. | 0:39:29 | 0:39:34 | |
-One more word out of you and I'm handing you over. -But you can't. | 0:39:34 | 0:39:39 | |
Because then they'll wonder who you are. | 0:39:39 | 0:39:42 | |
We've got him! | 0:39:53 | 0:39:55 | |
Over there, boys. Behind the wall. | 0:39:58 | 0:40:00 | |
Pull it down. | 0:40:00 | 0:40:02 | |
He's not dead! | 0:40:23 | 0:40:24 | |
He's not dead. Feel him, he's still warm. He's...he's warm. Feel him. | 0:40:25 | 0:40:29 | |
Not as warm as he's going to be. | 0:40:29 | 0:40:31 | |
Oh, you bastard! | 0:40:31 | 0:40:34 | |
Please don't, OK? Please don't! | 0:40:34 | 0:40:36 | |
-This man is Category One. -Please! -It is my duty to take him from this place | 0:40:36 | 0:40:40 | |
and deliver him into safe keeping until such time | 0:40:40 | 0:40:43 | |
as he can be disposed of according to the laws of the land. | 0:40:43 | 0:40:47 | |
(Please don't.) | 0:40:49 | 0:40:51 | |
I'm sorry for your loss. | 0:41:05 | 0:41:07 | |
Goodbye, my love. | 0:41:24 | 0:41:26 | |
-What do you want to do? -Go to Shanghai. | 0:41:49 | 0:41:52 | |
I don't care if we have to walk. | 0:41:52 | 0:41:54 | |
I will travel the whole bloody world to put this right, Jack. | 0:41:54 | 0:41:58 | |
I need your permission to go off grid, sir. | 0:42:05 | 0:42:08 | |
Failing permission, I'm going anyway. And I need to go now. | 0:42:08 | 0:42:12 | |
OK. What if you need backup? | 0:42:13 | 0:42:15 | |
Well, then and only then will I contact you, sir. | 0:42:15 | 0:42:18 | |
Minimum notice. Because if we've got a mole, I can't risk anyone finding this out. | 0:42:18 | 0:42:22 | |
But this could be it, sir. This could be the Blessing. | 0:42:22 | 0:42:27 | |
Good luck. | 0:42:27 | 0:42:28 | |
I think I can get us in. Back in the old days, Torchwood tracked down a black market trade | 0:42:30 | 0:42:34 | |
in alien artifacts coming out of China. Skullion metal and coins, things like that. | 0:42:34 | 0:42:39 | |
We closed it down but the route stayed open...for arms dealing. | 0:42:39 | 0:42:42 | |
-We're going to trust arms dealers? -I don't care. I'll do it. | 0:42:42 | 0:42:45 | |
OK, OK, wait. What about Buenos Aires? | 0:42:45 | 0:42:48 | |
I don't know. Which city is it? | 0:42:48 | 0:42:51 | |
It's both, you bunch of...nuts. | 0:42:51 | 0:42:54 | |
You can't see for looking, can you? | 0:42:54 | 0:42:57 | |
Here, look. | 0:42:57 | 0:42:59 | |
Right, Shanghai... | 0:42:59 | 0:43:01 | |
Buenos Aires. | 0:43:01 | 0:43:04 | |
Buenos Aires... | 0:43:04 | 0:43:06 | |
Shanghai. | 0:43:06 | 0:43:07 | |
Opposite sides of the world. | 0:43:07 | 0:43:09 | |
Quite literally, opposite sides of the earth, yeah? | 0:43:09 | 0:43:12 | |
So whatever's going on, there's got to be something connecting them. | 0:43:12 | 0:43:18 | |
Are you kidding me? Is that right? | 0:43:18 | 0:43:20 | |
They're antipodes. They're the antipodes of each other. | 0:43:20 | 0:43:23 | |
Two massive population centres balanced on either side of the planet. | 0:43:23 | 0:43:27 | |
As the old saying goes, "Count your blessings," cos it turns out there's two of them. | 0:43:27 | 0:43:31 | |
-But what does it mean? -Look at the Phicorp logo. | 0:43:31 | 0:43:34 | |
The letter Phi, a circle with a line through it. It's been staring us in the face all this time. | 0:43:34 | 0:43:38 | |
A line through the world? | 0:43:38 | 0:43:40 | |
The Blessing. The miracle. | 0:43:40 | 0:43:42 | |
-Mm-hmm. -But what is it? | 0:43:42 | 0:43:44 | |
We need to find out. | 0:43:44 | 0:43:45 | |
We can get into Argentina, no problem. | 0:43:45 | 0:43:47 | |
Maybe we need to get into both, Jack. | 0:43:47 | 0:43:50 | |
-Maybe you should go one way. -And you the other. | 0:43:50 | 0:43:52 | |
-Buenos Aires. -Shanghai. | 0:43:54 | 0:43:55 | |
So this is what we're doing? A mission on both sides of the world? | 0:43:55 | 0:44:00 | |
-Biggest mission yet. -Suppose it is, yeah. -And you're taking me with you. | 0:44:00 | 0:44:04 | |
-No way. -No, no, no. I've got better plans for you, bub. | 0:44:04 | 0:44:08 | |
And that's your problem, isn't it, Gwen? You can't let me walk free. | 0:44:08 | 0:44:12 | |
Not a man with my desires. | 0:44:12 | 0:44:13 | |
And you can't have me arrested. | 0:44:13 | 0:44:16 | |
Not now that I know all about your little plans. | 0:44:16 | 0:44:19 | |
-They can leave you here with me. -That's just it, you joyous man. | 0:44:20 | 0:44:24 | |
You've just trapped your wife completely. | 0:44:24 | 0:44:27 | |
Leave me here with him and I actually think he would. Your husband would kill me. | 0:44:27 | 0:44:31 | |
He'd make me Category One with his own bare hands. | 0:44:31 | 0:44:35 | |
You would kill me, wouldn't you? | 0:44:35 | 0:44:38 | |
Is that what you want? | 0:44:38 | 0:44:40 | |
No. I'm coming with you. | 0:44:40 | 0:44:43 | |
There's no choice. | 0:44:43 | 0:44:45 | |
There's not a choice in the whole of the world. | 0:44:45 | 0:44:49 | |
Over here! | 0:45:11 | 0:45:12 | |
Hurry up! | 0:45:16 | 0:45:19 | |
Hup! Let's go. | 0:45:19 | 0:45:20 | |
-It made it. -Yeah. | 0:45:50 | 0:45:51 | |
The only way to get this stuff through was in the diplomatic bag. | 0:45:51 | 0:45:55 | |
-Oh, man. Don't start with that hugging shit. -Shut up. | 0:45:55 | 0:45:59 | |
Come on. Look, the only problem is I had to sign for the case. | 0:45:59 | 0:46:03 | |
Now, I'm running this thing undercover, but if anyone checks the embassy notifications, we're screwed. | 0:46:03 | 0:46:09 | |
You must feel terrible. | 0:48:06 | 0:48:08 | |
No, I'm fine. | 0:48:10 | 0:48:11 | |
No, I mean you really must. | 0:48:11 | 0:48:14 | |
That's what the Blessing does to you, the closer you get. | 0:48:14 | 0:48:18 | |
You're scared. Am I right? | 0:48:18 | 0:48:20 | |
Your skin's a little too tight. | 0:48:20 | 0:48:22 | |
There's something just out of the corner of your eye you can't quite see. | 0:48:22 | 0:48:27 | |
Hmm? | 0:48:27 | 0:48:28 | |
Yes. | 0:48:29 | 0:48:31 | |
You never get used to it. | 0:48:31 | 0:48:32 | |
Come this way, Miss Kitzinger. | 0:48:32 | 0:48:34 | |
It's Miss Meredith. | 0:48:35 | 0:48:38 | |
I don't really care. | 0:48:38 | 0:48:40 | |
The men enjoy those sorts of games. | 0:48:41 | 0:48:43 | |
But the feeling, it started as soon as we dug deep enough. | 0:48:45 | 0:48:49 | |
I think it's the Blessing's attempt to communicate. | 0:48:49 | 0:48:52 | |
Then it's a living thing? | 0:48:57 | 0:48:59 | |
Oh, we have no idea. | 0:48:59 | 0:49:01 | |
But certainly the Blessing sends some sort of impact back at the onlooker. | 0:49:01 | 0:49:05 | |
We have a theory. | 0:49:10 | 0:49:12 | |
We say the Blessing shows you to yourself. | 0:49:12 | 0:49:15 | |
I've seen people look upon the Blessing and end their lives. | 0:49:35 | 0:49:39 | |
There's a brilliant truth about that, | 0:49:39 | 0:49:42 | |
because each and every time, that person was hiding something vile. | 0:49:42 | 0:49:46 | |
Isn't that wonderful? | 0:49:46 | 0:49:48 | |
It's exhilarating, the damage it does. | 0:49:48 | 0:49:52 | |
I wonder what you'll see. | 0:49:54 | 0:49:56 | |
What can you see? | 0:50:33 | 0:50:35 | |
What does the Blessing tell you about yourself? | 0:50:35 | 0:50:38 | |
That I'm right. | 0:50:45 | 0:50:47 | |
How far down does it go? | 0:50:59 | 0:51:01 | |
All the way to the other side of the world. | 0:51:02 | 0:51:05 | |
PHONE RINGS | 0:51:17 | 0:51:19 | |
Hey. Guess what. | 0:51:21 | 0:51:23 | |
Same old glamour here. We're in some kind of warehouse. | 0:51:23 | 0:51:26 | |
Well, I'm stuck in a hovel owned by gun runners, with Oswald Danes as a roommate. | 0:51:26 | 0:51:32 | |
-Not the best day in my life, I'll tell you. -Still, it's a good phone line. | 0:51:32 | 0:51:35 | |
Yeah, considering the distance, it is. | 0:51:35 | 0:51:38 | |
Just started looking for that Blessing. God help us. We're in two of the biggest cities on earth. | 0:51:38 | 0:51:43 | |
Try starting with the family of that arsonist. | 0:51:43 | 0:51:46 | |
-'I'm going to go to local libraries.' -Look after that weapon. Jack's blood's got to be important. | 0:51:46 | 0:51:51 | |
-It's safe. Got it here. -'Find anything, call me.' | 0:51:51 | 0:51:54 | |
You too. | 0:51:54 | 0:51:56 | |
Good luck. | 0:51:56 | 0:51:57 | |
Bye. | 0:51:57 | 0:51:59 | |
Ooh! | 0:52:01 | 0:52:03 | |
Idiot. | 0:52:03 | 0:52:04 | |
-You idiot. You told me that was healed. You're not better at all, are you? Let me see. -Sorry. -It's OK. | 0:52:04 | 0:52:09 | |
I got you. OK, I got you. I got you. | 0:52:09 | 0:52:12 | |
Argh! I'm so sorry. | 0:52:12 | 0:52:15 | |
It's all right. Don't be sorry. I've got you. | 0:52:15 | 0:52:20 | |
Let me take a look. | 0:52:20 | 0:52:21 | |
Oh, honestly! | 0:52:21 | 0:52:24 | |
Oh, God. | 0:52:27 | 0:52:28 | |
-Gwen. -If I had known it was this bad, Jack, | 0:52:28 | 0:52:32 | |
you'd never have come. | 0:52:32 | 0:52:34 | |
It got worse when we arrived. | 0:52:34 | 0:52:36 | |
-Ah! -I'm sorry. I'm sorry. | 0:52:36 | 0:52:39 | |
Fine place to die, in old Shanghai. | 0:52:47 | 0:52:50 | |
You're not dying. Don't say that. | 0:52:50 | 0:52:53 | |
I'm tired, Gwen. | 0:52:53 | 0:52:55 | |
This mortal life, | 0:52:57 | 0:53:00 | |
it hurts so much. | 0:53:00 | 0:53:01 | |
Well, now. | 0:53:03 | 0:53:04 | |
Can't say I've been to China before, so I'm not well versed in their customs. | 0:53:04 | 0:53:08 | |
But I've got to say... | 0:53:10 | 0:53:12 | |
I never knew about that. | 0:53:17 | 0:53:20 | |
Whoa. | 0:53:35 | 0:53:36 | |
Whoa, whoa, whoa. | 0:53:38 | 0:53:40 | |
It's your blood. No wonder it's killing you. I think... | 0:53:46 | 0:53:49 | |
I think it's showing us the way! | 0:53:50 | 0:53:52 | |
It's the Blessing. | 0:53:57 | 0:53:58 | |
It's somewhere over there. | 0:53:58 | 0:54:01 | |
And I think whatever it is, it's calling you, Jack. | 0:54:01 | 0:54:05 | |
We've changed the whole of the world. | 0:54:12 | 0:54:14 | |
-This is just Phase One. -These are the days of the miracle. | 0:54:14 | 0:54:18 | |
It's like they broke the world. | 0:54:18 | 0:54:21 | |
-Why would you want this? -We tear down in order to rebuild. | 0:54:21 | 0:54:25 | |
Somebody betrayed us. | 0:54:25 | 0:54:27 | |
The world's been turning for over four billion years. | 0:54:27 | 0:54:31 | |
-I'll see you. -So much buried under its skin. | 0:54:33 | 0:54:36 | |
What the hell is that thing? | 0:54:36 | 0:54:39 | |
-You're about to meet the creator. -Who are you? | 0:54:39 | 0:54:42 | |
I come from the future. | 0:54:42 | 0:54:44 | |
Then you must know. | 0:54:45 | 0:54:48 | |
Do we make it through this day? | 0:54:51 | 0:54:54 | |
Subtitles by Red Bee Media Ltd | 0:54:55 | 0:54:58 | |
E-mail [email protected] | 0:54:58 | 0:55:00 |