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I think someone's got to say it. | 0:00:20 | 0:00:22 | |
We are surrounded by people who should have died. | 0:00:22 | 0:00:24 | |
And by persisting, they are draining the resources of healthy living citizens. | 0:00:24 | 0:00:28 | |
They're calling them overflow camps. | 0:00:28 | 0:00:31 | |
-But what the hell are they up to? -Whatever it is, I bet it ain't good. | 0:00:31 | 0:00:35 | |
And I can understand your pain, all of you. | 0:00:35 | 0:00:38 | |
I understand it because I have suffered the same as you. | 0:00:38 | 0:00:41 | |
Is Oswald Danes now becoming | 0:00:41 | 0:00:43 | |
the one true representative of this miracle age? | 0:00:43 | 0:00:46 | |
-They're building camps to help people. -Overflow camps? | 0:00:46 | 0:00:50 | |
-Aye, that's it. And I got your dad inside the South Wales site. -Just...just get him back! | 0:00:50 | 0:00:56 | |
Gwen, it's too late. | 0:01:00 | 0:01:03 | |
Excuse me. I'm on the medical panels. Where is everybody? | 0:01:19 | 0:01:24 | |
Oh, you didn't get the e-mail? | 0:01:24 | 0:01:26 | |
-Sorry, those are done. -Those are done? How, how are they done? | 0:01:26 | 0:01:29 | |
The report was sent to congress. HHS secretary took it directly to the president. | 0:01:29 | 0:01:33 | |
Now the categories have been finalised it clears the way for a lot of legislation. | 0:01:33 | 0:01:37 | |
-Categories? What categories? -The categories of life. -What does that mean? | 0:01:37 | 0:01:42 | |
Instead of dead or alive, there are now three categories. Here. | 0:01:42 | 0:01:47 | |
It's being rolled out across America and Europe. | 0:01:47 | 0:01:49 | |
The categories become official at midnight. | 0:01:49 | 0:01:52 | |
Dr Juarez, I was right. | 0:02:03 | 0:02:05 | |
-I knew you'd call me back. -I'm doing more than that. | 0:02:05 | 0:02:08 | |
I'm joining the cause. Whatever you're doing to fight this, count me in. | 0:02:08 | 0:02:12 | |
They just took control of life and death. | 0:02:12 | 0:02:14 | |
United Nations has officially sanctioned the new category system with immediate effect, | 0:02:34 | 0:02:39 | |
calling this a radical new start for the health of humanity. | 0:02:39 | 0:02:42 | |
SHE SPEAKS SPANISH | 0:02:42 | 0:02:45 | |
The president said today that categorisation is compulsory. | 0:02:45 | 0:02:48 | |
HE SPEAKS JAPANESE | 0:02:48 | 0:02:51 | |
SHE SPEAKS SPANISH | 0:02:51 | 0:02:54 | |
HE SPEAKS JAPANESE | 0:02:54 | 0:02:55 | |
Under the Emergency Miracle Law anyone designated as Category 1 or Category 2 | 0:02:55 | 0:03:00 | |
must be taken to the new overflow camps. The scheme is already underway | 0:03:00 | 0:03:05 | |
in the United Kingdom, with the Prime Minister declaring this a new age of care and compassion. | 0:03:05 | 0:03:10 | |
Thank you. | 0:03:43 | 0:03:45 | |
-Yvonne Pallister? -Yes, indeed, madam. | 0:03:53 | 0:03:57 | |
I'm your driver. Clearly. | 0:03:57 | 0:03:59 | |
Is there any luggage to pick up? | 0:03:59 | 0:04:01 | |
No, the only thing you'll be picking up is me. | 0:04:01 | 0:04:04 | |
-That'll be a pleasure. -I don't like the tone of your voice. | 0:04:04 | 0:04:06 | |
-And what are you going to do about it? -Many things. | 0:04:06 | 0:04:10 | |
Come on, let's get out of here. | 0:04:15 | 0:04:18 | |
-Who's with Anwen? -No-one. I left her with petrol and a cigarette lighter. | 0:04:18 | 0:04:21 | |
Your mum's there, isn't she? | 0:04:21 | 0:04:23 | |
Oh, great. See, now in America you can legally divorce your own mother. | 0:04:23 | 0:04:27 | |
I get it. They do things better in America, don't they? | 0:04:27 | 0:04:30 | |
Not everything, Mr Sloane. | 0:04:30 | 0:04:32 | |
Well, hello there. Look at you. | 0:04:36 | 0:04:39 | |
Look at you. Have you been good? | 0:04:39 | 0:04:42 | |
Have you missed your mum? | 0:04:42 | 0:04:45 | |
Oh, look at how you've grown so much. Now, have I got a kiss? | 0:04:45 | 0:04:50 | |
She's a very good girl. Sleeps the whole night. | 0:04:50 | 0:04:52 | |
Doesn't fuss at bedtime like some babies I could mention. | 0:04:52 | 0:04:55 | |
Look what you're wearing, huh? | 0:04:55 | 0:04:58 | |
So much pink. | 0:04:58 | 0:05:01 | |
So cute. | 0:05:01 | 0:05:03 | |
-What's all this? -Your latest mission. | 0:05:03 | 0:05:06 | |
For God's sake, Mary, I told you, let her get in. | 0:05:06 | 0:05:08 | |
Let her spend some time with her daughter. | 0:05:08 | 0:05:10 | |
She doesn't need to start work straightaway. | 0:05:10 | 0:05:12 | |
-This is all off the A48? -Two miles outside Cowbridge. Taking in patients from all South Wales. | 0:05:12 | 0:05:19 | |
It looks like old army barracks. | 0:05:19 | 0:05:22 | |
Closed down in 1996. Reopened two days ago. | 0:05:22 | 0:05:24 | |
Designated an official overflow camp. | 0:05:24 | 0:05:28 | |
That's where they've taken your father. | 0:05:28 | 0:05:31 | |
And that's where you're going... | 0:05:31 | 0:05:33 | |
to get him out. | 0:05:33 | 0:05:35 | |
If you're here about an existing claim, step to the right, please. | 0:05:39 | 0:05:43 | |
But my son is in here. They took him and no-one asked me. | 0:05:43 | 0:05:46 | |
Can I see him please? He's 17. | 0:05:46 | 0:05:48 | |
I've written, I've phoned. I've been standing over there for two hours and I was in the wrong place. | 0:05:48 | 0:05:53 | |
I've got money. 5,000 in cash. | 0:05:53 | 0:05:55 | |
No, no, no. Can I remind you all any cars parked by the gates of the module will be towed, no excuses? | 0:05:55 | 0:06:01 | |
Bloody hellfire. | 0:06:01 | 0:06:02 | |
What's the size of this place? | 0:06:02 | 0:06:04 | |
God knows. They've got patients coming in from Bristol. | 0:06:04 | 0:06:07 | |
Hospitals are closing across the southwest cos MRSA is going crazy. | 0:06:07 | 0:06:10 | |
Add the increase in geriatrics and maternity, the NHS | 0:06:10 | 0:06:13 | |
-is going to go bust by the end of the week. -How many camps nationwide? | 0:06:13 | 0:06:17 | |
35. Fair do's, it might be chaos, but at least it works. | 0:06:17 | 0:06:20 | |
Andy, don't be so thick. | 0:06:20 | 0:06:21 | |
-It's nice to have you back. -Well, think about it. | 0:06:21 | 0:06:24 | |
No NHS, who's paying for all this? Phicorp. | 0:06:24 | 0:06:27 | |
You've got health care being run by private business. | 0:06:27 | 0:06:29 | |
That's just the start of your problems. | 0:06:29 | 0:06:31 | |
-Now listen, one at a time. -He's Category 2. | 0:06:31 | 0:06:34 | |
I'm first, my mother's Category 1. | 0:06:34 | 0:06:37 | |
-I need to take my father home. -You need to get in the queue. -Back off. | 0:06:37 | 0:06:40 | |
-His name is Geraint Wyn Cooper. -No-one's going out today. -Right, forget you. Who's in charge? | 0:06:40 | 0:06:46 | |
-Admin is over there. Complaint forms are on the desk in yellow. -Right. -But we've been waiting over there. | 0:06:46 | 0:06:51 | |
Excuse me. Excuse me, lieutenant. This won't take long. I need to remove a patient. It's urgent. | 0:07:00 | 0:07:06 | |
-Speak to one of the care workers. They can tell you how to process your claim. -It's not a claim. | 0:07:06 | 0:07:11 | |
-I haven't bumped my car. We're talking about my father. -Sorry, if I could just... | 0:07:11 | 0:07:15 | |
the thing is, the removal of this woman's father is being done under police authority, sir. | 0:07:15 | 0:07:21 | |
Thank you, but we are not under the control of the Welsh police, sergeant. | 0:07:21 | 0:07:25 | |
Look, his name is Geraint Wyn Cooper. | 0:07:25 | 0:07:28 | |
He's had a heart attack, but he's recovering. | 0:07:28 | 0:07:31 | |
So he sounds like a Category 2, which means he'll be safe in here. | 0:07:31 | 0:07:35 | |
-If you'd care to read the definitions... -Oh, I like that. | 0:07:35 | 0:07:38 | |
Yeah, I'll show you definitions. Just have a look at this. Bloody Phicorp logo. | 0:07:38 | 0:07:42 | |
Now listen to me. This country is not under martial law. My father is a taxpayer and a law-abiding citizen. | 0:07:42 | 0:07:48 | |
He is entitled to go home and I am not moving until I take him. | 0:07:48 | 0:07:53 | |
-Have you got that? -Yes, that's perfectly clear. | 0:07:53 | 0:07:55 | |
And I hope it's also clear why I'm now having you arrested. | 0:07:55 | 0:07:58 | |
-Whoa! Hey, sorry, boys. Come on now, Gwen. I think we're leaving. -Not going anywhere. | 0:07:58 | 0:08:02 | |
Given time, we will have this facility open and running like clockwork with access for all. | 0:08:02 | 0:08:08 | |
But right now we have cholera, and dysentery, and swine flu. | 0:08:08 | 0:08:11 | |
And every patient needs immediate definition under the three categories. So it's a lockdown. | 0:08:11 | 0:08:16 | |
No-one is allowed in and no-one is allowed out. | 0:08:16 | 0:08:18 | |
When the situation changes, we'll let you know. Thank you. | 0:08:18 | 0:08:23 | |
Excuse me, please. Excuse me. | 0:08:26 | 0:08:29 | |
Bloody categories. All the things I fought with Torchwood, and what stops me? | 0:08:29 | 0:08:33 | |
-Red tape. -We'll find another way, Gwen. | 0:08:33 | 0:08:35 | |
Yes, and I'll tell you what it is. We break in here, | 0:08:35 | 0:08:38 | |
we find my father, and get him out - tonight. | 0:08:38 | 0:08:40 | |
Do you think I'm useless? | 0:08:50 | 0:08:52 | |
No. I think you're new to all this. | 0:08:52 | 0:08:56 | |
Yeah, but I'm CIA. | 0:08:56 | 0:08:57 | |
So is Rex. | 0:08:57 | 0:08:59 | |
But he's just pretending. | 0:08:59 | 0:09:01 | |
And that's the big secret, Esther. | 0:09:01 | 0:09:04 | |
Times like these, the game goes to the person who speaks with the loudest voice. | 0:09:04 | 0:09:09 | |
But pretty much everyone just wishes their mother was here. | 0:09:09 | 0:09:12 | |
I lost my mum back in 2003. What about you? | 0:09:14 | 0:09:19 | |
I don't know. | 0:09:19 | 0:09:21 | |
Long ago and so far away. | 0:09:21 | 0:09:25 | |
Jack... | 0:09:27 | 0:09:28 | |
Where are you from? | 0:09:30 | 0:09:32 | |
PHONE RINGS | 0:09:32 | 0:09:35 | |
Rex. | 0:09:37 | 0:09:38 | |
Rex. Hmm. The loudest voice. | 0:09:38 | 0:09:42 | |
That's him. | 0:09:42 | 0:09:45 | |
Got to go. World to save, useless Esther. | 0:09:45 | 0:09:48 | |
Vera, this is Jack Harkness. | 0:09:51 | 0:09:53 | |
We keep meeting. It's like destiny. | 0:09:53 | 0:09:56 | |
Yeah, he likes to call himself Captain Jack, but I'm not buying that. | 0:09:56 | 0:09:59 | |
And Esther you've already met, when I got injured. | 0:09:59 | 0:10:02 | |
Dr Juarez, hello again. | 0:10:02 | 0:10:04 | |
You can call me Vera. | 0:10:04 | 0:10:05 | |
I was lucky to get a flight. | 0:10:05 | 0:10:07 | |
Everyone's coming to LA for this event tonight, the Miracle Rally. The plane was full and the AC bust. | 0:10:07 | 0:10:13 | |
I could use a shower. | 0:10:13 | 0:10:15 | |
We're a bit short of room. | 0:10:15 | 0:10:17 | |
-That's OK. -But I suppose you two... | 0:10:17 | 0:10:20 | |
I mean, you're going to share. | 0:10:20 | 0:10:22 | |
Or is that none of my business? I mean, | 0:10:22 | 0:10:25 | |
you're both...didn't you? | 0:10:25 | 0:10:27 | |
I'll sleep on the floor. | 0:10:27 | 0:10:30 | |
Yeah, thanks for nothing. | 0:10:30 | 0:10:33 | |
Sorry, my mistake. Or are you not buying that too? | 0:10:33 | 0:10:37 | |
Let me make one thing clear. | 0:10:46 | 0:10:48 | |
I didn't travel across the country for you. I came here to work. | 0:10:48 | 0:10:51 | |
My patients are held behind a barbed-wire fence which means I need to get this miracle resolved. | 0:10:51 | 0:10:56 | |
And that's all I need from you. Understood? | 0:10:56 | 0:10:59 | |
This is my room. | 0:10:59 | 0:11:01 | |
I know. | 0:11:01 | 0:11:03 | |
And Torchwood is go. | 0:11:10 | 0:11:13 | |
This is everything we've gathered so far. | 0:11:15 | 0:11:17 | |
Got chases updating every 20 seconds, tapping into major newsfeeds, WikiLeaks, | 0:11:17 | 0:11:21 | |
backdoor routes into the CIA and FBI. | 0:11:21 | 0:11:26 | |
What about South Wales? | 0:11:26 | 0:11:29 | |
-Yeah, I'm here. Can you see me? -Clear as daylight, Agent Cooper. | 0:11:29 | 0:11:32 | |
Have you seen the latest? France and Germany have all started overflow camps. | 0:11:32 | 0:11:36 | |
-The whole of Europe is joining in. -China's saying no to the camps and the Pan-African Summit yes. | 0:11:36 | 0:11:41 | |
You researching morphic fields? | 0:11:41 | 0:11:42 | |
-Yeah, that's Jack's favourite subject. -It kept getting mentioned on the medical panels. | 0:11:42 | 0:11:47 | |
But it's only theory. | 0:11:47 | 0:11:50 | |
That's Jilly Kitzinger. | 0:11:50 | 0:11:52 | |
Are you following her? | 0:11:52 | 0:11:54 | |
No, we're following Oswald Danes, but she never leaves his side. | 0:11:54 | 0:11:57 | |
He's connected to the top, even if he doesn't know it yet. | 0:11:57 | 0:12:01 | |
So this name, Torchwood. | 0:12:01 | 0:12:04 | |
You're like...investigators? | 0:12:04 | 0:12:07 | |
More like freedom fighters. | 0:12:07 | 0:12:09 | |
That makes you sound like terrorists. | 0:12:09 | 0:12:12 | |
Look, Torchwood's gone, OK? It's just a name these days. | 0:12:12 | 0:12:14 | |
Just kind of works as a codeword to connect us, that's all. | 0:12:14 | 0:12:19 | |
So am I Torchwood now? | 0:12:19 | 0:12:21 | |
Welcome aboard. | 0:12:21 | 0:12:24 | |
Not sure if that's good or bad. | 0:12:24 | 0:12:27 | |
OK, let's figure out how these categories work. | 0:12:27 | 0:12:32 | |
-Esther. -Uh, yeah. | 0:12:34 | 0:12:37 | |
Uh... | 0:12:37 | 0:12:39 | |
Well, they've activated the categories over here. It's officialdom gone mad. | 0:12:40 | 0:12:45 | |
So listen, Category 1 is bad, yes? | 0:12:45 | 0:12:47 | |
Yeah, that's people with no brain function or anyone who would normally have died. | 0:12:47 | 0:12:52 | |
-They're Category 1. -Ordinary people are Category 3. | 0:12:52 | 0:12:55 | |
Right. That's people with no injuries, nothing. They're fine. | 0:12:55 | 0:12:58 | |
Then Category 2 is everyone in-between... | 0:12:58 | 0:13:00 | |
-people who are alive and functioning with an illness or injury that'll persist but not kill. -Like me. | 0:13:00 | 0:13:06 | |
Yes, like you. | 0:13:06 | 0:13:08 | |
Wait a minute, when I got hurt I should have died. I was Category 1. | 0:13:08 | 0:13:13 | |
But now I'm healing so I'm Category 2. | 0:13:13 | 0:13:15 | |
-So which one am I? -That's the point. | 0:13:15 | 0:13:18 | |
People don't fit categories. | 0:13:18 | 0:13:19 | |
Worse than that, this process has given the United Nations | 0:13:19 | 0:13:23 | |
a definition for life, therefore a definition of death. | 0:13:23 | 0:13:26 | |
The government now has the power to decide whether you're dead or alive. | 0:13:26 | 0:13:30 | |
-No-one should have that much control. -Yeah, but I still don't see it though. | 0:13:30 | 0:13:33 | |
I mean, what does Phicorp get out of this? | 0:13:33 | 0:13:35 | |
-How do they profit? -You think they caused the miracle? -They had advance knowledge, | 0:13:35 | 0:13:40 | |
but they deal in pharmaceuticals. It's bigger than that. | 0:13:40 | 0:13:43 | |
-So you're looking for someone behind Phicorp? -Right. | 0:13:43 | 0:13:46 | |
And whoever that is, maybe they need these overflow camps for a reason. | 0:13:46 | 0:13:51 | |
Cos I have been looking into the NORAD satellites and the building specs. | 0:13:51 | 0:13:56 | |
Um, sorry, I've been overlaying documents. | 0:13:56 | 0:14:00 | |
Look, this is our nearest overflow camp in San Pedro. | 0:14:00 | 0:14:05 | |
These are the specs that we got from the Phicorp server. | 0:14:05 | 0:14:09 | |
Spot the difference? | 0:14:09 | 0:14:11 | |
Look at the building on the plans called the module. | 0:14:11 | 0:14:14 | |
But where is it on the photograph? | 0:14:14 | 0:14:15 | |
No module. | 0:14:15 | 0:14:17 | |
There's a module on the plans but not on the photos. It doesn't exist. | 0:14:17 | 0:14:21 | |
No, hang on. I heard somebody refer to the module today. | 0:14:21 | 0:14:24 | |
Exactly, and that's what I've been wanting to show you. | 0:14:24 | 0:14:27 | |
The module's been masked. That's what they do with military installations. | 0:14:27 | 0:14:32 | |
Right, so I went into NORAD and I got the undoctored photographs. | 0:14:32 | 0:14:37 | |
The buildings exist. Half of these are old army camps just being converted. | 0:14:38 | 0:14:42 | |
And now anything labelled the module is hidden from view so the public can't see it. | 0:14:42 | 0:14:47 | |
It's the same for all the sites I've checked. The same thing in Wales too, Gwen. | 0:14:47 | 0:14:51 | |
-Mm-hmm. -So they've taken buildings and sealed them off out of sight? | 0:14:51 | 0:14:56 | |
-What for? -Well, they're gathering all the Category 1s. | 0:14:56 | 0:15:00 | |
The only question is, what are they using the bodies for? | 0:15:00 | 0:15:02 | |
Is it to investigate or to experiment? | 0:15:02 | 0:15:06 | |
Do you mean like dissections? They're dissecting people? | 0:15:06 | 0:15:09 | |
-Vivisections. When they're alive it's vivisections. -My father's in there. | 0:15:09 | 0:15:13 | |
They could be cultivating... | 0:15:13 | 0:15:16 | |
Making diseases to make more customers using Category 1 patients like Petri dishes. | 0:15:16 | 0:15:20 | |
Could explain the rush to strip their human rights. | 0:15:20 | 0:15:23 | |
So we need to get inside the camp to find out what those modules are. | 0:15:23 | 0:15:26 | |
Yeah, already on it this end. Rhys has signed up as a driver and I used the ID software | 0:15:26 | 0:15:30 | |
to get on the medical register. | 0:15:30 | 0:15:32 | |
So Nurse Yvonne Pallister is going on the night shift. | 0:15:32 | 0:15:36 | |
San Pedro needs clerical staff. | 0:15:36 | 0:15:39 | |
If I can get inside the office there's bound to be paperwork on the module. | 0:15:39 | 0:15:43 | |
I could get inside. | 0:15:43 | 0:15:45 | |
-What? -If I use my position on the medical panels, I could go to San Pedro as an inspector. | 0:15:45 | 0:15:51 | |
Vera, this isn't a game, OK? Infiltration is specialised work and this time I'm pulling rank. | 0:15:51 | 0:15:56 | |
I'm the only one that can get to the heart of this Category 1 thing. | 0:15:56 | 0:15:59 | |
And you know why? Because I've got this. | 0:15:59 | 0:16:02 | |
It's this way. He's over here. | 0:16:08 | 0:16:11 | |
His name is Rex. He was injured after Miracle Day. | 0:16:11 | 0:16:14 | |
-We thought he'd be fine but he collapsed. -OK, Rex. We've got you. So what happened? | 0:16:14 | 0:16:18 | |
It's the stairs, you know? I've got this pain in my chest that's killing me. | 0:16:18 | 0:16:22 | |
-Where are you taking him? -We have to take him to the overflow facility in San Pedro. | 0:16:25 | 0:16:29 | |
-Is that OK? -Can I come with him? | 0:16:29 | 0:16:31 | |
I'm sorry, sir. There's no visitors. | 0:16:31 | 0:16:33 | |
Here, dial this number and ask for an update. | 0:16:33 | 0:16:36 | |
You look after him. I love him. | 0:16:38 | 0:16:41 | |
That crazy old boyfriend of mine. | 0:16:41 | 0:16:44 | |
-He's on his way. -Right, I'm going to follow. | 0:16:47 | 0:16:50 | |
-I phoned Washington and pulled a few strings. Got observer status. -Wait a minute. That's why we sent Rex. | 0:16:50 | 0:16:56 | |
I am not a member of Torchwood, so you can't give me instructions. | 0:16:56 | 0:17:00 | |
I need to see that place myself. I was on the panels. | 0:17:00 | 0:17:03 | |
-I helped set these things up. -Any trouble, I'll help get her out. | 0:17:03 | 0:17:06 | |
OK, I'm going with you. I don't know, I could be your assistant. | 0:17:06 | 0:17:10 | |
We told you, not a chance. That assassin said that you're too connected. | 0:17:10 | 0:17:14 | |
And besides, you're too fragile, mortal man. | 0:17:14 | 0:17:18 | |
All I get is a kiss? | 0:17:21 | 0:17:22 | |
You look after yourself. | 0:17:22 | 0:17:25 | |
You're unique. You're Category Jack. | 0:17:25 | 0:17:27 | |
So don't you go getting into trouble. | 0:17:27 | 0:17:29 | |
Yes, there are some heavy hitters lined up for today's Miracle Rally | 0:17:39 | 0:17:43 | |
to raise money for the overflow camps. | 0:17:43 | 0:17:44 | |
At 4pm, the vice president will introduce the president, | 0:17:44 | 0:17:47 | |
who will speak live from the Oval Office via satellite. | 0:17:47 | 0:17:51 | |
Then a parade of big-name guests will take the stage. | 0:17:51 | 0:17:54 | |
Jessica MacCauley got here early from Redlands. | 0:17:54 | 0:17:57 | |
-Tell us who you're here to see. -Oswald Danes, the execution guy. | 0:17:57 | 0:18:00 | |
He's just been so amazing since all this happened. | 0:18:00 | 0:18:03 | |
But doesn't it worry you, his criminal record? The things he did? | 0:18:03 | 0:18:06 | |
But you can't have a Miracle day without miracles. And that's Oswald. He really is a miracle. | 0:18:06 | 0:18:11 | |
-I think we have someone. I think we have someone here. -SIRENS WAIL | 0:18:11 | 0:18:17 | |
All right, we've got you on fourth in the running order, | 0:18:19 | 0:18:22 | |
that's 90 minutes before the president. | 0:18:22 | 0:18:24 | |
They wanted clear blue water between you and him, which is understandable. | 0:18:24 | 0:18:27 | |
Here is a first draft of what they want you to say. | 0:18:27 | 0:18:30 | |
The key word is "revelation". You say revelation and the Phicorp logo comes up. And I mean massive. | 0:18:30 | 0:18:35 | |
-Actually, I've put revelation in all caps. -Why was this written out for me? | 0:18:35 | 0:18:39 | |
I'd rather use my own words. | 0:18:39 | 0:18:41 | |
Oh, really? Oswald, that's sweet. | 0:18:41 | 0:18:43 | |
Take it. | 0:18:43 | 0:18:46 | |
CROWD CHANTING: Oswald! Oswald! | 0:18:46 | 0:18:49 | |
And we're walking, Eugene. | 0:18:49 | 0:18:51 | |
Confirm Oswald Danes arriving at Gate 6. | 0:18:51 | 0:18:54 | |
CROWD CHANTING: Oswald! Oswald! | 0:18:56 | 0:18:59 | |
Thank you. Thank you. Thank you. It's very good of you to come. | 0:18:59 | 0:19:03 | |
Great to be here with all of you today. | 0:19:03 | 0:19:05 | |
-Good of all you to come. -You bastard! You bastard, Danes! You killed her! | 0:19:05 | 0:19:11 | |
Go. Trouble. Go, go. Go, go, go, go. | 0:19:11 | 0:19:15 | |
Yeah, it's Gate 6. | 0:19:21 | 0:19:23 | |
I didn't get the ID, but there was a TV camera and they filmed the whole thing. | 0:19:24 | 0:19:29 | |
Now get that footage. I want that footage destroyed. Do you hear me? | 0:19:29 | 0:19:33 | |
No, don't tell me to keep it down. Don't you ever tell me that. You just do it! | 0:19:33 | 0:19:36 | |
20,000 people all here for me? | 0:19:36 | 0:19:38 | |
HE LAUGHS | 0:19:38 | 0:19:42 | |
And remember, you don't know me. | 0:19:54 | 0:19:57 | |
Be careful out there. | 0:19:59 | 0:20:00 | |
You're going to have to show your ID. Hold on. Right here, please. | 0:20:05 | 0:20:09 | |
Let's go. Come on through. | 0:20:11 | 0:20:13 | |
HELICOPTER BLADES WHIRR | 0:20:25 | 0:20:28 | |
SIRENS WAIL | 0:20:28 | 0:20:30 | |
ID? | 0:20:35 | 0:20:37 | |
OK. Hold on. | 0:20:39 | 0:20:41 | |
Go ahead. Next! | 0:20:43 | 0:20:45 | |
OK, what have we got? Positive on respirations. | 0:21:08 | 0:21:10 | |
-Positive on pulse. -Shit, I could have told you that. -Sorry, | 0:21:10 | 0:21:14 | |
procedure. That makes you Category 2, sir. | 0:21:14 | 0:21:18 | |
-And what's that for? -Category 2, rhymes with blue. | 0:21:18 | 0:21:21 | |
Negative. Negative. | 0:21:21 | 0:21:25 | |
Category 1. OK, go ahead and write up the chart | 0:21:25 | 0:21:28 | |
-and I'll peg her. -Wait a minute. | 0:21:28 | 0:21:29 | |
What kind of system is that? This woman is really sick. | 0:21:29 | 0:21:32 | |
She needs more than just a peg. | 0:21:32 | 0:21:34 | |
It's emergency procedure. I've 50 patients to process in an hour. | 0:21:34 | 0:21:37 | |
Got a better system, write a letter. | 0:21:37 | 0:21:39 | |
What happened to Rosanna? | 0:21:49 | 0:21:51 | |
I don't know. They called me in from Central Office. | 0:21:51 | 0:21:55 | |
-My name's Esther. -Rachel. | 0:21:55 | 0:21:58 | |
Sorry, I don't know my way around the system yet. They told me to copy the stats for the module. | 0:21:58 | 0:22:03 | |
Nothing to do with me. Ask Maloney. | 0:22:03 | 0:22:06 | |
Welcome, welcome. | 0:22:11 | 0:22:12 | |
My casa is your casa. | 0:22:12 | 0:22:14 | |
-My name is Colin Maloney and I'm in charge here. -Vera Juarez. | 0:22:14 | 0:22:17 | |
Welcome to Medical Lot 338, Vera. Sorry about the heat. | 0:22:17 | 0:22:21 | |
Suppose you take it better than me, huh? | 0:22:21 | 0:22:23 | |
It's fine. | 0:22:23 | 0:22:25 | |
Let's get started. | 0:22:26 | 0:22:27 | |
Yes. Uh, is the doctor on his way? | 0:22:27 | 0:22:31 | |
-I'm Doctor Vera Juarez. -Oh, | 0:22:31 | 0:22:34 | |
oh. I'm... I thought you were... CHUCKLES | 0:22:34 | 0:22:38 | |
Anywho, I'm not disappointed. | 0:22:38 | 0:22:41 | |
I must have done something very good that they sent me such a beautiful woman. | 0:22:42 | 0:22:46 | |
I'd like to start with the module. | 0:22:46 | 0:22:49 | |
I'm sorry, module's closed, obviously. | 0:22:49 | 0:22:51 | |
You're from Washington. You should know that. | 0:22:51 | 0:22:53 | |
I know my inspection orders mention it specifically. | 0:22:53 | 0:22:56 | |
Wow, a little dynamo, aren't you? Ja wohl. | 0:22:56 | 0:22:59 | |
Anyway, patients first, I think. Don't you? | 0:22:59 | 0:23:01 | |
That's always my motto. Rachel, | 0:23:01 | 0:23:03 | |
pull my cart around for me, would you? I had a little cart customized. | 0:23:03 | 0:23:08 | |
I think you'll find it easier on your feet. | 0:23:08 | 0:23:10 | |
Look at you. You're thin as a twig. | 0:23:10 | 0:23:13 | |
Bet you'd snap easily. | 0:23:13 | 0:23:15 | |
I'm getting there, yeah. | 0:23:15 | 0:23:17 | |
It's, er, Rhys Williams and Nurse Pallister. | 0:23:31 | 0:23:36 | |
Just like the old days. | 0:23:39 | 0:23:42 | |
No, it's not. It's worse. It only ever gets worse. | 0:23:42 | 0:23:45 | |
Mr Williams, Miss Pallister, you can head on in. | 0:23:46 | 0:23:49 | |
-Good luck. -OK, see you later. | 0:24:03 | 0:24:05 | |
-You OK? -Yeah. Sure took you long enough. -It's busy out there. | 0:24:32 | 0:24:36 | |
-Yeah. -Your friend Vera is keeping the boss distracted. -What? I told her to stay out of this. | 0:24:36 | 0:24:41 | |
Yeah, well, guess what, Rex? Not everyone listens to you. All right, now quickly, | 0:24:41 | 0:24:45 | |
this makes you dead. | 0:24:45 | 0:24:48 | |
-All right. -I hate this. | 0:24:48 | 0:24:50 | |
Don't go getting sentimental on me. Did you bring the camera? | 0:24:50 | 0:24:53 | |
All right, great. Now you need to categorize me. Get me that red peg. | 0:24:53 | 0:24:59 | |
Go ahead, it's right there. Red peg. | 0:24:59 | 0:25:03 | |
Put it right there. | 0:25:03 | 0:25:05 | |
All right, here. | 0:25:05 | 0:25:06 | |
Here. | 0:25:06 | 0:25:07 | |
Here, keep that in case you need to change categories. | 0:25:07 | 0:25:11 | |
Category 1, there's no coming back. | 0:25:11 | 0:25:14 | |
Don't say that. You're going to be fine. | 0:25:14 | 0:25:16 | |
-Just find out what's inside the module. See you outside. -All right. | 0:25:16 | 0:25:19 | |
Excuse me. | 0:25:24 | 0:25:26 | |
-Hello. Hi. -Excuse me. | 0:25:26 | 0:25:28 | |
This man's in the wrong place. His chart says that he's Category 1. I double-checked with the office. | 0:25:28 | 0:25:32 | |
He's not supposed to be here so we need to get him moved. | 0:25:32 | 0:25:35 | |
Take him to the module, OK? | 0:25:35 | 0:25:37 | |
OK, found you this. | 0:25:41 | 0:25:44 | |
Huh? | 0:25:44 | 0:25:45 | |
And here's a new copy of the speech. | 0:25:47 | 0:25:49 | |
They've added some stuff in about a lifetime of penitence, et cetera. | 0:25:49 | 0:25:53 | |
I understood that I was supposed to have a dressing room. | 0:25:56 | 0:25:58 | |
-Did they run out? -Oh, no. No. | 0:25:58 | 0:26:00 | |
There's plenty of dressing rooms. | 0:26:00 | 0:26:02 | |
I checked. You'd be surprised, genuinely chic. I'd imagined this place to be all concrete. | 0:26:02 | 0:26:07 | |
Where's mine? | 0:26:09 | 0:26:11 | |
Tiny little problem. | 0:26:11 | 0:26:13 | |
Certain other people in certain other dressing rooms, they don't want you anywhere near them. | 0:26:13 | 0:26:17 | |
And we're talking serious names here. | 0:26:17 | 0:26:20 | |
It's a very definite ixnay on the Oswaldway. | 0:26:20 | 0:26:22 | |
But that's your job. | 0:26:22 | 0:26:24 | |
YOU represent ME. You get me a room. | 0:26:24 | 0:26:28 | |
Now don't get angry. | 0:26:28 | 0:26:29 | |
-Careful with the bloodlust. It's showing. -Excuse me...? | 0:26:29 | 0:26:33 | |
Steve, no. I told him no. And you know what? If that little bastard tries to charge me one more time, | 0:26:33 | 0:26:38 | |
so help me God, I'm going to get Ioannidis on him. | 0:26:38 | 0:26:41 | |
Won't be but a minute. No, no, stay here. That's an order. | 0:26:54 | 0:26:58 | |
Take him to the module. | 0:27:47 | 0:27:49 | |
HORN PLAYS: "I Wish I Was In Dixie" | 0:27:59 | 0:28:03 | |
I want you to meet Ralph. He's my personal escort | 0:28:03 | 0:28:05 | |
-while I'm on the lot. Great guy. Great guy. -Good to meet you, Doctor. | 0:28:05 | 0:28:09 | |
You too, Ralph. | 0:28:09 | 0:28:11 | |
This is my first tour, but I think we might get some important people wanting to visit, you know? | 0:28:11 | 0:28:15 | |
-Mm-hm. -We've got a line on Hilary I'm feeling really good about. | 0:28:15 | 0:28:19 | |
Hillary Clinton? | 0:28:19 | 0:28:21 | |
Duff. | 0:28:21 | 0:28:22 | |
Hilary Duff. | 0:28:22 | 0:28:24 | |
All right, this way. | 0:28:26 | 0:28:28 | |
Pearls before swine. | 0:28:33 | 0:28:35 | |
-TV: -'..to help their system and to fund research into the Miracle itself.' | 0:28:35 | 0:28:39 | |
Oh, we're missing it, that Miracle Rally. | 0:28:39 | 0:28:43 | |
I hear rumours of Phil Collins. | 0:28:43 | 0:28:46 | |
This patient is being monitored every hour. That's very good. | 0:28:46 | 0:28:49 | |
Yes, our priority is efficiency. | 0:28:49 | 0:28:52 | |
If a patient is in decline, we monitor them very closely | 0:28:52 | 0:28:55 | |
so that we can move them to Category 1 promptly without wasting any more resources. | 0:28:55 | 0:28:59 | |
Your priority is not efficiency. Your priority is care. | 0:28:59 | 0:29:02 | |
Everybody gets sufficient care, Miss Juarez. Did I say any different? | 0:29:02 | 0:29:06 | |
Category 1 is the same as dead. You're not just downgrading someone's status. | 0:29:06 | 0:29:10 | |
If you move them from Cat 2 to Cat 1 you're letting them die. | 0:29:10 | 0:29:13 | |
Well, there are new triage regulations, Doctor. | 0:29:13 | 0:29:16 | |
-Treat the ones who can recover. -Yes, | 0:29:16 | 0:29:18 | |
and I started those for emergency situations only. | 0:29:18 | 0:29:21 | |
This is an emergency. Everything here is an emergency. We can't give everybody private rooms. | 0:29:21 | 0:29:26 | |
Would you like a private room, George? | 0:29:26 | 0:29:29 | |
Yeah? See, they'd all love private rooms. But it's impossible. | 0:29:29 | 0:29:33 | |
Now you should see the kitchens. They are gleaming. | 0:29:33 | 0:29:36 | |
Gwen? | 0:30:08 | 0:30:10 | |
Oh... Oh, my god, Dad. | 0:30:10 | 0:30:13 | |
I thought that was you. | 0:30:13 | 0:30:15 | |
How are you? How do you feel? | 0:30:15 | 0:30:17 | |
-All the better for seeing you. -Oh, Dad. | 0:30:17 | 0:30:20 | |
What are you wearing? Pyjamas? | 0:30:21 | 0:30:24 | |
No, Dad. | 0:30:24 | 0:30:26 | |
You look good though. It's good to see you. | 0:30:26 | 0:30:29 | |
Yeah, we couldn't come to visit. | 0:30:29 | 0:30:31 | |
They wouldn't let us in. So that's why I've come to get you, all right? | 0:30:31 | 0:30:34 | |
-Get me? -Yeah. | 0:30:34 | 0:30:37 | |
-Oh, Rhys is here. -Hiya, Geraint, all right? I've got the lorry. Ready to go. | 0:30:37 | 0:30:41 | |
Let's go, Dad. What have you got, shoes or just slippers? | 0:30:41 | 0:30:44 | |
-Where are we going? -It's not safe here, Dad, OK? I'm going to take you home. | 0:30:44 | 0:30:48 | |
What do you mean it's not safe? | 0:30:48 | 0:30:49 | |
You know all those things I used to investigate with Torchwood? | 0:30:49 | 0:30:52 | |
This is one. Haven't time to explain. | 0:30:52 | 0:30:54 | |
-But listen, you've got to come with me, Dad, OK? -Yeah. | 0:30:54 | 0:30:57 | |
Right you are then. | 0:30:57 | 0:31:00 | |
OK, that's it. That's it, as fast as we can. | 0:31:00 | 0:31:02 | |
-Good girl. -That's it. | 0:31:02 | 0:31:04 | |
All right? | 0:31:04 | 0:31:06 | |
-Almost there, Dad. -Easiest to have him in the cab. | 0:31:06 | 0:31:09 | |
-Geraint, can you climb up? We'll give you a hand. -I can do that, don't worry. | 0:31:09 | 0:31:12 | |
-Rhys, go around and pull him up. -OK. -Are they coming? Is it safe? | 0:31:12 | 0:31:17 | |
Dad, don't panic now. Try to stay calm. I've got you. | 0:31:17 | 0:31:21 | |
Hurry up. People are starting to notice. | 0:31:21 | 0:31:24 | |
GERAINT GROANS | 0:31:25 | 0:31:27 | |
-He doesn't look good. -What? Dad? | 0:31:27 | 0:31:29 | |
Gwen. | 0:31:29 | 0:31:31 | |
Dad? Dad! Dad? We need some help, please. | 0:31:31 | 0:31:36 | |
-I need some help. Anyone, please, I need some help. -You're a nurse. -Code 1... assistance needed, please. | 0:31:36 | 0:31:42 | |
-Code 1! I need assistance now! -Come on! | 0:31:42 | 0:31:45 | |
He's my patient. He's already had a heart attack. Look, he's my dad, OK? He's my father. | 0:31:45 | 0:31:50 | |
Now I need you to look after him, please. Is it bad? | 0:31:50 | 0:31:53 | |
I got you. Dad? | 0:31:53 | 0:31:54 | |
All right, | 0:32:11 | 0:32:13 | |
this must be the module. I'm inside. | 0:32:13 | 0:32:16 | |
As you can see, they... | 0:32:16 | 0:32:18 | |
they treat the patients like... | 0:32:18 | 0:32:21 | |
..like objects. | 0:32:23 | 0:32:25 | |
This wall is cold. | 0:32:28 | 0:32:29 | |
I was thinking it might be brick, but... | 0:32:29 | 0:32:32 | |
ceramic maybe. | 0:32:32 | 0:32:34 | |
These people are still alive. | 0:32:36 | 0:32:38 | |
I'm starting to think I'm in a refrigeration unit. | 0:32:38 | 0:32:41 | |
A lot of these patients are injured so I can't tell if they've been experimented on or not. | 0:32:45 | 0:32:49 | |
And just for the record, | 0:32:51 | 0:32:53 | |
this man is warm, which feels strange in this cold place. | 0:32:53 | 0:32:57 | |
I'm going to go outside and see what I can find in this area. | 0:33:00 | 0:33:04 | |
God knows what Phicorp is doing. | 0:33:04 | 0:33:06 | |
But why the hell would they have all these bodies in one place? | 0:33:06 | 0:33:12 | |
I'm sorry, where are you going? | 0:33:35 | 0:33:37 | |
-I want to see inside. -It's just storage. | 0:33:37 | 0:33:39 | |
Every time I want to see anything you turn me away. I'm here to inspect so let me do my job. | 0:33:39 | 0:33:43 | |
Storage? This is storage?! | 0:33:47 | 0:33:50 | |
It's a temporary measure. | 0:33:50 | 0:33:52 | |
-Oh, my god. -We don't have the staff. We don't have the money or the room. -But who are they? | 0:33:52 | 0:33:56 | |
These are the ones without insurance. | 0:33:56 | 0:33:59 | |
Where are the nurses? Have they even been fed? Excuse me. | 0:33:59 | 0:34:03 | |
I'm sorry, but how long have you been here? | 0:34:03 | 0:34:05 | |
Yesterday. | 0:34:05 | 0:34:07 | |
They said...we had to wait. | 0:34:07 | 0:34:10 | |
These people, they're pending. | 0:34:10 | 0:34:12 | |
We've a couple of glitches in the system, that's all. | 0:34:12 | 0:34:15 | |
Just ten days ago I had a job in public housing. | 0:34:15 | 0:34:17 | |
-I think I've adapted very well. -Please, help me. -Holy shit. He's wearing red. | 0:34:17 | 0:34:22 | |
He's got a red peg. | 0:34:22 | 0:34:24 | |
But he can't be, he's conscious. | 0:34:24 | 0:34:26 | |
So we made a mistake. Hundreds of patients, one mistake. | 0:34:26 | 0:34:29 | |
-That's an excellent hit rate. -You made him Category 1. | 0:34:29 | 0:34:31 | |
He's not 1. He's nowhere near 1. | 0:34:31 | 0:34:34 | |
Do you realize what happens when you make somebody 1? | 0:34:34 | 0:34:37 | |
We should step outside. We're disturbing the patients. | 0:34:37 | 0:34:40 | |
What else are you hiding? | 0:34:40 | 0:34:42 | |
Is this laundry? | 0:34:48 | 0:34:50 | |
Are they bed sheets? Oh, God, this place is stinking. | 0:34:50 | 0:34:52 | |
I think you've forgotten America's in crisis. Times like this, somebody's got to take charge. | 0:34:52 | 0:34:57 | |
And in this instance it just happens to be me. | 0:34:57 | 0:35:00 | |
-You think you're doing a good job? -I'm under budget. | 0:35:00 | 0:35:02 | |
You're supposed to spend the money. Oh, for God's sake. That's why a system | 0:35:02 | 0:35:06 | |
like this'll never work because it'll always be run by men like you. | 0:35:06 | 0:35:09 | |
What are you going to do, report me? | 0:35:09 | 0:35:12 | |
I'll do more than that. I'll have you prosecuted. | 0:35:12 | 0:35:14 | |
-Oh, you're so full of it. -You'll be prosecuted for causing harm to people in your care | 0:35:15 | 0:35:19 | |
and YOU will be found guilty as charged. | 0:35:19 | 0:35:21 | |
I guarantee you're going to jail, you STUPID little man. | 0:35:21 | 0:35:25 | |
I'll see you inside a prison cell, you limp-dick little coward. | 0:35:25 | 0:35:29 | |
-Ralph, come on. Come on, arrest me. -Oh, don't be so rid... -This lady wants to arrest me. | 0:35:29 | 0:35:33 | |
-You going to do that? -Maybe you should both cool off. -You should do it, Dr Juarez. You're so clever. | 0:35:33 | 0:35:37 | |
-Come on. Come on, arrest me. -Get your hands the hell off me! | 0:35:37 | 0:35:40 | |
-Give me the gun! -Oh, my god! -Shut up. Both of you shut up! | 0:35:43 | 0:35:47 | |
You are going away forever! Do you hear me? You shot me! | 0:35:47 | 0:35:51 | |
Oh, God! No way! Colin, that's enough now, OK? | 0:35:51 | 0:35:56 | |
Get someone. | 0:35:58 | 0:35:59 | |
WHIMPERS | 0:35:59 | 0:36:00 | |
Colin, think what you're going to say, OK? | 0:36:00 | 0:36:04 | |
Cos someone's going to hear those gunshots. | 0:36:04 | 0:36:07 | |
It was a door. | 0:36:09 | 0:36:12 | |
It was a door. Hear that? Hear that, everybody? It was a door! | 0:36:12 | 0:36:18 | |
It was only the door! | 0:36:18 | 0:36:20 | |
It was the door. It was the door. It was only the door. | 0:36:20 | 0:36:24 | |
-SHE WHIMPERS -Get some... | 0:36:24 | 0:36:27 | |
Get me a car. | 0:36:27 | 0:36:30 | |
Ralph, help me. | 0:36:44 | 0:36:45 | |
Oh, man, there's blood everywhere. We can get her help. | 0:36:49 | 0:36:52 | |
-Colin, she's talking. -Just lift her goddamn feet. | 0:36:54 | 0:36:57 | |
You're an accomplice. Just do what I say. | 0:36:57 | 0:37:01 | |
-On the floor? -She's fine. | 0:37:05 | 0:37:07 | |
Sometimes the floor is fine. | 0:37:07 | 0:37:10 | |
Hey, what is this place? | 0:37:10 | 0:37:12 | |
OK, just take the car. | 0:37:12 | 0:37:15 | |
-I'll walk back. You didn't see anything, OK? -Colin, | 0:37:15 | 0:37:19 | |
you've just got to stop and think. This is murder. | 0:37:19 | 0:37:23 | |
No, it can't be. Don't you get that? It's a brand-new world, Ralph. | 0:37:23 | 0:37:26 | |
A world with no more death, which means there is no more murder. | 0:37:26 | 0:37:30 | |
Now go. | 0:37:32 | 0:37:34 | |
Go. | 0:37:34 | 0:37:35 | |
Leave me my jacket. | 0:37:38 | 0:37:40 | |
DOOR CLANGS SHUT | 0:37:42 | 0:37:43 | |
Ladies and gentlemen and children of the world, | 0:37:43 | 0:37:48 | |
this is Los Angeles... | 0:37:48 | 0:37:51 | |
-CHEERING AND WHOOPING -..and this is the Miracle Rally! | 0:37:51 | 0:37:55 | |
Ah. OK. | 0:37:59 | 0:38:02 | |
You're on in five minutes. They've cut you down to 90 seconds. | 0:38:02 | 0:38:06 | |
-But here's the new draft. -Oh, goddamn it. | 0:38:06 | 0:38:08 | |
And the keyword is still revelation. | 0:38:08 | 0:38:11 | |
You got that? Hmm? | 0:38:11 | 0:38:14 | |
You've got to say "revelation". | 0:38:14 | 0:38:16 | |
Miss Kitzinger? | 0:38:27 | 0:38:29 | |
Can I help you? | 0:38:32 | 0:38:33 | |
Just wanted to say you're doing a very good job. | 0:38:35 | 0:38:40 | |
Thank you. | 0:38:40 | 0:38:42 | |
And you are? | 0:38:42 | 0:38:43 | |
Oh, this isn't about me. | 0:38:43 | 0:38:46 | |
You're the one being noticed. | 0:38:46 | 0:38:48 | |
By whom? | 0:38:49 | 0:38:51 | |
The right people. | 0:38:51 | 0:38:53 | |
Good. | 0:38:55 | 0:38:56 | |
Excellent. | 0:38:58 | 0:38:59 | |
We should talk. | 0:39:00 | 0:39:03 | |
We'll see. | 0:39:04 | 0:39:06 | |
CHEERING AND WHOOPING | 0:39:10 | 0:39:13 | |
He was fine. | 0:39:19 | 0:39:22 | |
Then I sweep in like I'll solve everything. And then I cause this. | 0:39:22 | 0:39:27 | |
You didn't CAUSE anything. | 0:39:27 | 0:39:28 | |
-He had a heart attack because I made him get up and your phone won't stop buzzing. -It's the supervisor. | 0:39:28 | 0:39:33 | |
I'm supposed to be at work, remember? | 0:39:33 | 0:39:35 | |
Go to work. Don't let them sack you - we might still need the lorry. | 0:39:35 | 0:39:39 | |
Go on, I'll call you when I know something. I promise. | 0:39:40 | 0:39:43 | |
Excuse me. Hi. Don't want to bother you, but the man who had a heart attack, Geraint Cooper, he's my dad. | 0:39:54 | 0:40:00 | |
-Sorry, your father's being reclassified. He's Category 1. -Um... | 0:40:00 | 0:40:04 | |
no, no, no, I read the definitions. | 0:40:04 | 0:40:06 | |
-Category 1 is like death. -Well, your father is unconscious. His heart is failing. | 0:40:06 | 0:40:10 | |
-But that's not Category 1. -I'm sorry, | 0:40:10 | 0:40:12 | |
-the doctor decides, not me. -Right. But where is this doctor? Because I need a word. OK? | 0:40:12 | 0:40:16 | |
-Because my father is not dead. -Well, you've got till tomorrow morning cos then we have to move him. | 0:40:16 | 0:40:20 | |
Those are the instructions, I'm afraid. All Category 1s go to the module. | 0:40:20 | 0:40:24 | |
And what happens there? | 0:40:24 | 0:40:25 | |
Sorry, it's not my area. Try asking admin. | 0:40:25 | 0:40:28 | |
Wheel him out. Store him with the rest of the Cat 1s. | 0:40:28 | 0:40:31 | |
I just got a call that Maloney's golf cart is sitting outside the west block. | 0:40:36 | 0:40:40 | |
Is he still on that tour? | 0:40:40 | 0:40:42 | |
I guess not. | 0:40:42 | 0:40:44 | |
-He called for a car. -He did? | 0:40:44 | 0:40:46 | |
So that woman, Dr Juarez, is she still here? | 0:40:46 | 0:40:50 | |
All right, I've searched the perimeter. | 0:41:05 | 0:41:08 | |
This place is sealed off. | 0:41:08 | 0:41:10 | |
There are three buildings in this module. | 0:41:10 | 0:41:12 | |
But the capacity is small. | 0:41:12 | 0:41:14 | |
There's no way in hell that they'll be able to accommodate all the Category 1 patients coming in. | 0:41:14 | 0:41:19 | |
It's impossible. | 0:41:19 | 0:41:21 | |
Mr Jack Harkness. | 0:41:40 | 0:41:43 | |
I could accuse you of having an obsession with me. | 0:41:44 | 0:41:48 | |
What happens afterward, Oswald, | 0:41:48 | 0:41:50 | |
when the fever dies down and the world wakes up to the fact that a murderer is standing centre stage? | 0:41:50 | 0:41:56 | |
Somewhere out there those men are waiting for you in the dark. | 0:41:58 | 0:42:02 | |
I can smell them. | 0:42:04 | 0:42:05 | |
Their pits are soaked with sweat and bile. | 0:42:05 | 0:42:08 | |
But what if... you became a hero instead? | 0:42:08 | 0:42:12 | |
Oh, my, yeah. | 0:42:12 | 0:42:15 | |
Certainly that would be good. | 0:42:15 | 0:42:17 | |
You're about to go out onstage | 0:42:20 | 0:42:23 | |
and talk to the world | 0:42:23 | 0:42:25 | |
with a happy little Phicorp speech, yeah? | 0:42:25 | 0:42:27 | |
But you could use this moment, Oswald. | 0:42:30 | 0:42:33 | |
Here's your speech. | 0:42:36 | 0:42:38 | |
Say those words instead. | 0:42:38 | 0:42:40 | |
Phicorp knew about the Miracle. | 0:42:40 | 0:42:42 | |
They've been ready for years. | 0:42:42 | 0:42:45 | |
That's the proof all written down ready for everyone to hear it. | 0:42:45 | 0:42:49 | |
You want my help? | 0:42:51 | 0:42:54 | |
I want anyone's help. | 0:42:54 | 0:42:56 | |
I've never dealt with anything like this. | 0:42:56 | 0:42:59 | |
It's way beyond me. | 0:42:59 | 0:43:01 | |
But you, | 0:43:01 | 0:43:02 | |
you could expose Phicorp live on air | 0:43:02 | 0:43:06 | |
and help ME change the world. | 0:43:06 | 0:43:08 | |
-We'd be partners? -Mmm. | 0:43:12 | 0:43:16 | |
And what would I get out of it? | 0:43:16 | 0:43:17 | |
End the Miracle... | 0:43:19 | 0:43:21 | |
then you can die. | 0:43:22 | 0:43:25 | |
You're cursed with intelligence. | 0:43:25 | 0:43:27 | |
Clever enough to know who you are and wise enough to want it to end. | 0:43:28 | 0:43:33 | |
You help me and I promise... | 0:43:36 | 0:43:39 | |
I will help YOU to die. | 0:43:39 | 0:43:41 | |
Oswald. Oswald, they've been looking for you. You're on in 30 seconds. | 0:43:45 | 0:43:48 | |
Yeah, sure. Certainly. | 0:43:48 | 0:43:50 | |
Do the right thing, Oswald. | 0:43:50 | 0:43:52 | |
-I'm sorry, who are you? -You've got one chance. Take it. -One chance for what? | 0:43:52 | 0:43:56 | |
What exactly did you just say to him? | 0:43:56 | 0:43:57 | |
Maybe you're about to find out. | 0:43:57 | 0:43:59 | |
Who are you? | 0:44:00 | 0:44:01 | |
Don't miss the speech. | 0:44:01 | 0:44:03 | |
One more thing, soldier. | 0:44:04 | 0:44:06 | |
We're ready to bring him out now. OK. | 0:44:08 | 0:44:10 | |
Wait a minute, Oswald. What did that man say to you? | 0:44:10 | 0:44:13 | |
-Revelation. -Oswald Danes! | 0:44:15 | 0:44:19 | |
CHEERING AND WHOOPING | 0:44:19 | 0:44:21 | |
That's the keyword. Stick to the script, OK? Say revelation. | 0:44:21 | 0:44:25 | |
Kind of hard to see. | 0:44:46 | 0:44:47 | |
What do I want? | 0:44:53 | 0:44:54 | |
That's the question. | 0:44:55 | 0:44:58 | |
All these years on this earth, | 0:45:00 | 0:45:03 | |
what do I really want? | 0:45:03 | 0:45:05 | |
-HECKLER: -Children, you bastard! | 0:45:05 | 0:45:07 | |
No. | 0:45:09 | 0:45:11 | |
Because that's my curse. I'm cursed with the knowledge | 0:45:11 | 0:45:15 | |
of that deep down in my soul, sir. | 0:45:15 | 0:45:18 | |
And that's my tragedy. | 0:45:20 | 0:45:22 | |
It's who I am. | 0:45:22 | 0:45:24 | |
-HECKLER: -You're a loser! | 0:45:25 | 0:45:27 | |
All these... | 0:45:27 | 0:45:30 | |
All right. | 0:45:31 | 0:45:33 | |
All these fancy words, they're no help to me. And these... These... | 0:45:33 | 0:45:38 | |
..these won't help me either. | 0:45:41 | 0:45:43 | |
The truth is I know what I am. | 0:45:46 | 0:45:49 | |
And I know what you are too. | 0:45:52 | 0:45:54 | |
Yes, I do. Each and every one of you. | 0:45:54 | 0:46:01 | |
Because I know for certain what has happened | 0:46:01 | 0:46:06 | |
to the human race. | 0:46:06 | 0:46:08 | |
I know because this has happened before. | 0:46:08 | 0:46:13 | |
50,000 years BC. | 0:46:16 | 0:46:20 | |
what's called the Great Leap Forward. | 0:46:20 | 0:46:24 | |
Human beings suddenly, | 0:46:24 | 0:46:28 | |
we started to bury our dead. | 0:46:28 | 0:46:31 | |
We created art and money | 0:46:31 | 0:46:35 | |
and love. | 0:46:35 | 0:46:37 | |
They loved. They learned to love. | 0:46:37 | 0:46:41 | |
We made a leap from animal | 0:46:41 | 0:46:45 | |
to human. And now, right now, | 0:46:45 | 0:46:49 | |
in our very own lifetimes... | 0:46:49 | 0:46:51 | |
..it has happened again. | 0:46:53 | 0:46:55 | |
The next Great Leap. | 0:46:55 | 0:46:59 | |
We have made it from animal to human | 0:47:01 | 0:47:05 | |
to what? | 0:47:05 | 0:47:07 | |
This is the question. After Miracle Day... | 0:47:08 | 0:47:12 | |
what are we now? | 0:47:13 | 0:47:15 | |
I know. | 0:47:15 | 0:47:16 | |
This is something I know because I am the man... | 0:47:16 | 0:47:22 | |
who has lost heaven forever. | 0:47:23 | 0:47:25 | |
So I can feel the truth of it. | 0:47:25 | 0:47:28 | |
I'm telling you... | 0:47:30 | 0:47:31 | |
man has risen again! | 0:47:33 | 0:47:38 | |
CHEERING | 0:47:38 | 0:47:39 | |
Now he has a new name. | 0:47:39 | 0:47:42 | |
And his name... | 0:47:43 | 0:47:45 | |
is... | 0:47:47 | 0:47:50 | |
WHISPERS: Angel. | 0:47:50 | 0:47:52 | |
Angel. | 0:47:56 | 0:47:57 | |
Angel. | 0:47:58 | 0:48:00 | |
-AUDIENCE CHANTS: -Oswald! Oswald! | 0:48:00 | 0:48:02 | |
We are angels. | 0:48:02 | 0:48:05 | |
-Oswald! Oswald! -We have been elevated. He have been purified. | 0:48:09 | 0:48:16 | |
We have been given life...unending. | 0:48:16 | 0:48:22 | |
We are the first angels on Earth. | 0:48:22 | 0:48:26 | |
APPLAUSE | 0:48:26 | 0:48:28 | |
And I promise you this | 0:48:28 | 0:48:31 | |
there are even those who have been planning for this, | 0:48:31 | 0:48:38 | |
the agents of angels in this brand-new world. | 0:48:38 | 0:48:42 | |
I'm telling you right now, THEY stand amongst us. | 0:48:44 | 0:48:50 | |
Yes! | 0:48:50 | 0:48:52 | |
For this is MY... | 0:48:52 | 0:48:58 | |
revelation! | 0:48:58 | 0:49:00 | |
CHEERING | 0:49:00 | 0:49:02 | |
RAPTUROUS APPLAUSE AND CHEERING | 0:49:02 | 0:49:08 | |
-Yeah! Ha, ha, ha! -Oswald! Oswald! | 0:49:08 | 0:49:14 | |
AUDIENCE CHEERS AND CHANTS | 0:49:14 | 0:49:20 | |
ALARM RINGS, LOCKS CLUNK | 0:49:34 | 0:49:37 | |
SYSTEMS POWER UP | 0:49:44 | 0:49:47 | |
HE SOBS | 0:49:47 | 0:49:50 | |
-Oh, my god. -Holy shit. Vera, what happened? Can you stand? | 0:49:57 | 0:50:03 | |
Help. | 0:50:05 | 0:50:06 | |
Vera, come on. I can't open it. | 0:50:06 | 0:50:09 | |
SOBS AND WHIMPERS | 0:50:09 | 0:50:12 | |
MOBILE RINGS | 0:50:18 | 0:50:20 | |
MOBILE KEYPAD BEEPS, DIALS OUT | 0:50:25 | 0:50:28 | |
-Rhys. -On my way back. They had me running patients to the burn centre. | 0:50:28 | 0:50:33 | |
Burn centre?! | 0:50:33 | 0:50:35 | |
Yeah, that's what the driver said the modules are for - burns victims. | 0:50:35 | 0:50:38 | |
All done now though. Be there soon, OK? | 0:50:38 | 0:50:41 | |
WHIMPERS AND GASPS | 0:50:46 | 0:50:50 | |
You've got to get out of there. It's an oven, baby. Vera! Vera! | 0:50:50 | 0:50:54 | |
Vera! | 0:50:54 | 0:50:56 | |
Vera! | 0:50:56 | 0:50:57 | |
Vera! | 0:51:00 | 0:51:01 | |
-THEY CHANT: -Oswald! Oswald! Oswald! Oswald! Oswald... | 0:51:01 | 0:51:06 | |
Vera! | 0:51:06 | 0:51:08 | |
..Oswald! Oswald... | 0:51:08 | 0:51:10 | |
Vera... | 0:51:10 | 0:51:11 | |
ADULATORY CHANTS CONTINUE | 0:51:30 | 0:51:35 | |
They've built ovens. | 0:51:35 | 0:51:37 | |
'What do you mean?' | 0:51:37 | 0:51:39 | |
They built ovens all over the world. | 0:51:39 | 0:51:41 | |
That's what the modules are, they're ovens. They're burning them. | 0:51:41 | 0:51:46 | |
The patients, they're burning them alive. | 0:51:46 | 0:51:49 | |
CHEERING | 0:51:51 | 0:51:53 | |
They burn people. | 0:51:57 | 0:51:59 | |
They burn living people. | 0:51:59 | 0:52:00 | |
I'm not the one who makes the rules. | 0:52:00 | 0:52:02 | |
This isn't a hospital. It's a concentration camp. | 0:52:02 | 0:52:05 | |
-But what did you do? -They'll never find her. She's dust. | 0:52:05 | 0:52:08 | |
Oh, Jesus. | 0:52:08 | 0:52:09 | |
Tell me who's behind this. | 0:52:09 | 0:52:11 | |
You think I'm the epitome of evil, the devil in a three-piece suit. | 0:52:11 | 0:52:16 | |
There was a Dr Juarez on this site, right? | 0:52:16 | 0:52:18 | |
Well, someone burned her alive. | 0:52:18 | 0:52:20 | |
People will stand trial for crimes against humanity. What're you doing? | 0:52:20 | 0:52:25 | |
Look at me. Colin, what are you doing? | 0:52:25 | 0:52:28 | |
What are you doing? Don't do that. | 0:52:28 | 0:52:30 | |
Look at me. Look me in the eye. Don't. Don't you see? I won't die. | 0:52:30 | 0:52:34 | |
SCREAMING | 0:52:34 | 0:52:35 | |
SHE SCREAMS AND YELLS | 0:52:38 | 0:52:42 | |
Come on. That'll take my father to his death. | 0:52:49 | 0:52:51 | |
Never question a miracle. | 0:52:51 | 0:52:52 | |
Subtitles by Red Bee Media Ltd. | 0:53:49 | 0:53:53 | |
E-mail [email protected] | 0:53:53 | 0:53:56 |