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Line | From | To | |
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Anyone designated as Category One | 0:00:20 | 0:00:22 | |
must be taken to the new Overflow Camps. | 0:00:22 | 0:00:24 | |
-Assistance needed, please. Assistance now! -Come on. | 0:00:24 | 0:00:28 | |
He's my dad, OK? He's my father. I need you to look after him. | 0:00:28 | 0:00:32 | |
Sorry, your father's been reclassified to Category One. | 0:00:32 | 0:00:35 | |
-My father is not dead. -Then we have to move him. | 0:00:35 | 0:00:37 | |
All Category Ones go to the module. | 0:00:37 | 0:00:39 | |
We need to get in the camp to find those modules. | 0:00:39 | 0:00:41 | |
Welcome, welcome. My name is Colin Maloney and I'm in charge here. | 0:00:41 | 0:00:45 | |
-Come on, come on! -Get your hands the hell off me! | 0:00:45 | 0:00:49 | |
-GUNSHOT -Ah! -Colin, Jesus! | 0:00:49 | 0:00:51 | |
ALARM BELL RINGS | 0:00:51 | 0:00:53 | |
Oh, shit. | 0:00:58 | 0:01:00 | |
The patients, they're burning them alive. | 0:01:01 | 0:01:03 | |
Vera! | 0:01:03 | 0:01:05 | |
I pulled everything I could find on the Shanghai Deal | 0:01:06 | 0:01:10 | |
and you're due to chair the PhiCorp executive board at four o'clock. | 0:01:10 | 0:01:14 | |
Thanks, Janet. | 0:01:16 | 0:01:17 | |
Stuart, is everything all right? You don't seem happy. | 0:01:17 | 0:01:22 | |
Everything's fine. We're living in miraculous times. | 0:01:22 | 0:01:25 | |
I couldn't be happier. You shouldn't call me Stuart in the office. | 0:01:25 | 0:01:29 | |
Sorry, Mr Owens. | 0:01:29 | 0:01:31 | |
'Of course, suicide is impossible now, | 0:01:35 | 0:01:37 | |
'but people are becoming inventive. | 0:01:37 | 0:01:39 | |
'They're finding ways to get as close to death as possible. | 0:01:39 | 0:01:42 | |
'That's the philosophy of the 45 Club, | 0:01:42 | 0:01:45 | |
'people who believe that jumping from 45 floors up or higher | 0:01:45 | 0:01:50 | |
'is the only guaranteed way to lose consciousness for ever. | 0:01:50 | 0:01:53 | |
'It's sick, but just the same, the 45 Club is catching on.' | 0:01:53 | 0:01:57 | |
'Wai. Who's calling, please?' | 0:02:10 | 0:02:13 | |
It's Stuart Owens. | 0:02:13 | 0:02:14 | |
'How can I help you, sir?' | 0:02:14 | 0:02:16 | |
This must be strictly confidential. My eyes only. | 0:02:16 | 0:02:19 | |
'Is that acceptable?' | 0:02:19 | 0:02:21 | |
Of course. | 0:02:21 | 0:02:22 | |
'In 1999,' | 0:02:22 | 0:02:24 | |
a large parcel of land, near Shanghai Centre, | 0:02:24 | 0:02:27 | |
was purchased by a division of PhiCorp. | 0:02:27 | 0:02:30 | |
That's where the records end. I need to know exactly what's happened to the land since then. | 0:02:30 | 0:02:35 | |
PhiCorp construction? | 0:02:35 | 0:02:37 | |
Not on paper. There are subsidiaries, shell companies. | 0:02:37 | 0:02:41 | |
May I ask what this is about? | 0:02:41 | 0:02:43 | |
Do you need to know? | 0:02:46 | 0:02:47 | |
'It could be of some help.' | 0:02:47 | 0:02:49 | |
Of course, you are aware of the changes going on in the world. | 0:02:50 | 0:02:54 | |
Yes. My uncle was dying. Now he's not. | 0:02:54 | 0:02:59 | |
I'm trying to understand what happened, | 0:02:59 | 0:03:01 | |
whether PhiCorp had anything to do with it. | 0:03:01 | 0:03:04 | |
I believe this construction site is key. | 0:03:04 | 0:03:06 | |
I asked my uncle what happened. | 0:03:06 | 0:03:08 | |
He told me to never question a miracle. | 0:03:08 | 0:03:12 | |
You may not like what you find. | 0:03:12 | 0:03:15 | |
He may be right. | 0:03:15 | 0:03:17 | |
'Call me back in a few hours.' | 0:03:17 | 0:03:18 | |
'Wai?' | 0:04:40 | 0:04:41 | |
It's me. You told me to call back. | 0:04:41 | 0:04:44 | |
-'Yes.' -What did you find? | 0:04:44 | 0:04:46 | |
A dead end. | 0:04:46 | 0:04:48 | |
'What do you mean?' | 0:04:48 | 0:04:49 | |
What are they building? | 0:04:49 | 0:04:51 | |
There's nothing there. I looked. I found nothing, nothing at all. | 0:04:51 | 0:04:56 | |
Goodbye, Mr Owens. | 0:04:56 | 0:04:57 | |
My name is Rex Matheson. I'm with the CIA. | 0:05:59 | 0:06:03 | |
I'm on an operation inside the San Pedro Overflow. | 0:06:03 | 0:06:06 | |
No, strike that. I'm not with the CIA. | 0:06:09 | 0:06:13 | |
or any US Government authority. | 0:06:13 | 0:06:16 | |
I'm with Torchwood. | 0:06:16 | 0:06:17 | |
and we're going to expose everything that's going on here, | 0:06:17 | 0:06:20 | |
everything that I just witnessed. | 0:06:20 | 0:06:23 | |
They're calling them Category Ones, | 0:06:47 | 0:06:49 | |
and from what I've seen, don't ever let them call you that. | 0:06:49 | 0:06:54 | |
The minute you hear Category One, you better get the hell out of dodge | 0:06:54 | 0:06:58 | |
because they are going to burn you. | 0:06:58 | 0:07:00 | |
That's what this place is for... | 0:07:00 | 0:07:03 | |
..incineration. And we all know the drill. | 0:07:07 | 0:07:10 | |
They'll start with the Category Ones, the ones who can't protest. | 0:07:10 | 0:07:14 | |
Then they'll go on to convicted felons or illegal immigrants, | 0:07:14 | 0:07:17 | |
hell, anyone we just don't like, | 0:07:17 | 0:07:20 | |
because everybody gets sick, which means | 0:07:20 | 0:07:22 | |
one day, everybody ends up here. | 0:07:22 | 0:07:24 | |
Those ovens are waiting for all of us. | 0:07:24 | 0:07:27 | |
But I will tell you one thing - | 0:07:29 | 0:07:31 | |
I'm going to find the bastard that killed Vera. | 0:07:31 | 0:07:34 | |
Oh, yeah, and I'm going to burn his ass. | 0:07:35 | 0:07:39 | |
End of shift. We're done. | 0:07:51 | 0:07:54 | |
Oh, erm... | 0:07:54 | 0:07:56 | |
Guess we should go. | 0:07:57 | 0:07:58 | |
Damn straight. They don't pay overtime. | 0:07:58 | 0:08:01 | |
And make sure you get paid in cash, not cheques. | 0:08:01 | 0:08:04 | |
I've got 2,000 with the savings expedition. | 0:08:05 | 0:08:08 | |
They said, "You can't remove it." I said, "That's my money." They said, "It's a national emergency." | 0:08:08 | 0:08:13 | |
I said, "If it's an emergency then I'm going to need every cent." | 0:08:13 | 0:08:16 | |
Hey, I, um, I forgot my cell. | 0:08:21 | 0:08:23 | |
You go on ahead. Don't wait for me. | 0:08:23 | 0:08:26 | |
What happened to her? | 0:08:35 | 0:08:37 | |
Not a problem, not any more. | 0:08:37 | 0:08:39 | |
I scrubbed my hands raw. | 0:08:39 | 0:08:40 | |
But you see it on TV. | 0:08:40 | 0:08:42 | |
They still find tiny little flecks of blood under the nails. | 0:08:42 | 0:08:46 | |
What did you do to her? | 0:08:48 | 0:08:50 | |
Always have a fresh shirt, Ralph. | 0:08:50 | 0:08:52 | |
Only brought it in case I had time for badminton... | 0:08:55 | 0:08:59 | |
at the club. The club. That'd be nice right now, a game of badminton... | 0:08:59 | 0:09:03 | |
Colin, that module thing, what happens there? | 0:09:03 | 0:09:06 | |
It's "Mr Maloney". It's "sir". | 0:09:06 | 0:09:08 | |
I'd like to know, sir. What happens in that module? | 0:09:08 | 0:09:11 | |
It's not my fault. It's the...system. | 0:09:11 | 0:09:15 | |
The module was storage. | 0:09:15 | 0:09:17 | |
We were supposed to use it as storage until some senator signs some paperwork and gives the command. | 0:09:17 | 0:09:22 | |
-I just did things a little early, that's all. -But what did you do? | 0:09:22 | 0:09:26 | |
You're kidding me. They didn't tell you? | 0:09:34 | 0:09:36 | |
-Tell me what? -They asked me to stay on. Double shift. | 0:09:36 | 0:09:39 | |
They said to go check in with the categorisation centre, help with processing. | 0:09:39 | 0:09:44 | |
They say one thing and then they say another. | 0:09:44 | 0:09:47 | |
SHE KNOCKS | 0:10:05 | 0:10:06 | |
What is it? | 0:10:08 | 0:10:10 | |
I just, um... I just received these forms. | 0:10:10 | 0:10:13 | |
And I'm new, I don't know what to do, but, um, | 0:10:13 | 0:10:16 | |
I think they're for you. | 0:10:16 | 0:10:17 | |
What forms? | 0:10:17 | 0:10:19 | |
Um, I don't know. Some sort of wage form | 0:10:19 | 0:10:24 | |
in cash. Not sure. | 0:10:24 | 0:10:25 | |
Just leave 'em on the desk. | 0:10:25 | 0:10:27 | |
Badminton. | 0:10:30 | 0:10:32 | |
I'm sorry? | 0:10:32 | 0:10:33 | |
Badminton. | 0:10:33 | 0:10:35 | |
I was sweating profusely. Do you play? | 0:10:35 | 0:10:38 | |
No, sir. | 0:10:38 | 0:10:39 | |
Right. | 0:10:42 | 0:10:44 | |
OK. | 0:10:44 | 0:10:45 | |
So, I was sent to be your liaison. | 0:10:46 | 0:10:49 | |
If there's anything else I can do for you, just ask, anything at all. | 0:10:49 | 0:10:53 | |
I'm fine. | 0:10:53 | 0:10:54 | |
Tea? Coffee? | 0:10:54 | 0:10:55 | |
No, thanks. Fine. | 0:10:55 | 0:10:57 | |
Back to work with you. | 0:10:59 | 0:11:01 | |
Come on, hop, skip, jump. | 0:11:04 | 0:11:07 | |
Yes, sir. | 0:11:07 | 0:11:08 | |
Oh, my God. I did not agree to this. | 0:11:13 | 0:11:16 | |
-Everything will be fine. -But we murdered her! -No, no... | 0:11:16 | 0:11:20 | |
The modules were designed to kill. | 0:11:21 | 0:11:24 | |
-Therefore, death within this compound is legal. -How does THAT work? | 0:11:24 | 0:11:27 | |
Because I say so! | 0:11:27 | 0:11:29 | |
Did you see this day staff? They're illegal immigrants, all of them. | 0:11:29 | 0:11:33 | |
They can't even spell. Look at this. This is wrong... | 0:11:33 | 0:11:35 | |
-We'll get arrested for this. -No. No, we won't. No, no, no. | 0:11:35 | 0:11:39 | |
Cos this is what you're going to do. | 0:11:39 | 0:11:41 | |
This is wrong. This is wrong. | 0:11:41 | 0:11:43 | |
Might make sense in Mexico, but not here. This is wrong! | 0:11:43 | 0:11:47 | |
You'll take her car and drive it into San Pedro. You know that shopping mall? The Constitution Mall? | 0:11:48 | 0:11:54 | |
Drop it off there. It's a huge car park, thousands of cars. | 0:11:54 | 0:11:57 | |
We've got trucks that go past there every half hour | 0:11:57 | 0:11:59 | |
so just authorise yourself to drive back. | 0:11:59 | 0:12:02 | |
She goes missing, it's got nothing to do with us. | 0:12:02 | 0:12:04 | |
Is that going to work? | 0:12:06 | 0:12:07 | |
-Ralph, they'll never find her. She's dust. -Oh, Jesus. | 0:12:07 | 0:12:10 | |
And we put this place on red alert, complete lockdown. | 0:12:13 | 0:12:16 | |
Lockdown means that every member of the staff is logged and noted. It'll give us a perfect alibi. | 0:12:16 | 0:12:22 | |
She disappeared halfway across town while we were on duty all night. | 0:12:22 | 0:12:25 | |
Security, give me the chief. We're going to Condition One. | 0:12:25 | 0:12:30 | |
They're moving men and equipment to the gates. | 0:12:41 | 0:12:43 | |
Something's going on. | 0:12:43 | 0:12:45 | |
Let's go, everybody. Lockdown. | 0:12:49 | 0:12:51 | |
That's right. We're officially in lockdown, folks. | 0:12:54 | 0:12:56 | |
Nobody leaves until further notice. Yes, sir. This is a drill. | 0:12:56 | 0:13:00 | |
We're testing our readiness in case of emergency. | 0:13:00 | 0:13:03 | |
'This site is now in lockdown. | 0:13:03 | 0:13:05 | |
'I repeat, this site is in immediate lockdown.' | 0:13:05 | 0:13:08 | |
It's a lockdown. Yeah. | 0:13:13 | 0:13:15 | |
Look at that. They're closing the gates on the slaughterhouse. | 0:13:16 | 0:13:20 | |
There's no way they're stopping me. | 0:13:23 | 0:13:25 | |
I will get this evidence out. | 0:13:25 | 0:13:27 | |
I said it's lockdown, Miss... What is it? | 0:13:32 | 0:13:35 | |
Esther. Esther Drummond. Sorry, I just needed to call home. | 0:13:35 | 0:13:39 | |
Well, read the rule book. All exterior calls have to be authorised by me. | 0:13:39 | 0:13:43 | |
What about visitors, sir? | 0:13:46 | 0:13:48 | |
Shouldn't we escort them out? | 0:13:48 | 0:13:51 | |
Isn't that observer still here? The one from Washington... Dr Juarez? | 0:13:51 | 0:13:55 | |
No, she left. She's gone. | 0:13:55 | 0:13:56 | |
Matter of fact, she said I was running an excellent command. Very good indeed. | 0:13:56 | 0:14:02 | |
That's her exact words - "Very good indeed". | 0:14:02 | 0:14:04 | |
Dr Patel? Are you Dr Alicia Patel? | 0:14:20 | 0:14:24 | |
I'm sorry, can it wait? | 0:14:24 | 0:14:25 | |
No, listen, you've got to change this paperwork. There's been a mistake. It's about my father. | 0:14:25 | 0:14:30 | |
Geraint Wyn Cooper, he's been placed in Category One, but he's not that bad, I swear. | 0:14:30 | 0:14:34 | |
-I've seen him, he's just unconscious. -It's debatable. | 0:14:34 | 0:14:37 | |
-There's a fine line between Category One and Two. -But you saw him. You labelled him. | 0:14:37 | 0:14:41 | |
-There's definitely been a mistake. -I'm just following the government guidelines. | 0:14:41 | 0:14:45 | |
-Can you take another look? -If I did that, I'd have to do it for everyone. | 0:14:45 | 0:14:48 | |
-We're under enough pressure as it is. -I understand, but... | 0:14:48 | 0:14:52 | |
Sorry, listen. You... You have to change this, OK? | 0:14:52 | 0:14:56 | |
-They move the Category Ones at 6am. They'll take him to the module. -Sorry, not my department. | 0:14:56 | 0:15:01 | |
Really? Is that so? Do you even know what your department is, Dr Patel? | 0:15:01 | 0:15:05 | |
Do you even know what really happens here? Do you know what happens in the module? | 0:15:05 | 0:15:09 | |
Like I said, I'm rather busy. | 0:15:09 | 0:15:11 | |
They burn people! They burn living people! | 0:15:11 | 0:15:15 | |
The Category Ones, they're still alive, but they're being burnt. | 0:15:15 | 0:15:18 | |
-This place has been built around institutional murder. -I'm not the one who makes the rules. | 0:15:18 | 0:15:24 | |
You knew about this? | 0:15:24 | 0:15:25 | |
Category Ones are dead. That's the law. | 0:15:25 | 0:15:27 | |
Under the emergency rulings for the sake of public health, | 0:15:27 | 0:15:31 | |
dead bodies can be incinerated en masse. | 0:15:31 | 0:15:33 | |
Well, I'm glad you've got the law on your side. | 0:15:33 | 0:15:36 | |
But are you actually there, in the module? | 0:15:36 | 0:15:39 | |
Are you actually throwing the switch? | 0:15:39 | 0:15:42 | |
Well, are you? No, you're here. | 0:15:42 | 0:15:45 | |
You're nice and safe, hidden behind your paperwork. | 0:15:45 | 0:15:48 | |
You haven't got the nerve to actually watch them burn. | 0:15:48 | 0:15:51 | |
Because then you'd have to face the truth. That this isn't a hospital. This is a concentration camp. | 0:15:51 | 0:15:56 | |
If you'll excuse me... | 0:15:56 | 0:15:58 | |
They built a concentration camp here in Britain today and you are one of the staff! | 0:15:58 | 0:16:02 | |
The entire healthcare system is about to collapse. | 0:16:02 | 0:16:06 | |
What else am I supposed to do? | 0:16:06 | 0:16:08 | |
You say no. | 0:16:08 | 0:16:09 | |
You say no, that's what you do. For the love of God, you say no. | 0:16:10 | 0:16:14 | |
-But I can't. -Don't you dare. | 0:16:14 | 0:16:17 | |
Don't you dare. Don't you dare look at me and tell me you're obeying orders. | 0:16:17 | 0:16:21 | |
Don't you bloody dare. | 0:16:21 | 0:16:23 | |
Oh, one more thing. | 0:16:28 | 0:16:30 | |
Don't call yourself a doctor. Not any more. | 0:16:30 | 0:16:35 | |
Shame on you. | 0:16:37 | 0:16:38 | |
-Rhys! -Oh, my God, I was driving them to the module! | 0:16:54 | 0:16:56 | |
-I was driving people into the ovens! -You weren't to know! You were just doing your job. | 0:16:56 | 0:17:00 | |
-I'm not any more. I quit the bastard thing. -Not just yet. | 0:17:00 | 0:17:03 | |
I need you to do one more transfer for me. My dad. We're taking him out. | 0:17:03 | 0:17:07 | |
We can't. The compound's closed down. No more movement orders till 6am. | 0:17:07 | 0:17:10 | |
I know, Rhys! That's when they'll take my father to his death! I need you to steal some keys. | 0:17:10 | 0:17:15 | |
I need you to get a hold of a lorry. I don't... | 0:17:15 | 0:17:17 | |
-I don't know. I just need you to do something. -Of course I will. | 0:17:17 | 0:17:21 | |
The nurses, they change over at 5am. That's our only chance. I'll get my dad, you get a truck, OK? | 0:17:21 | 0:17:26 | |
-OK. -We can do this. We can beat the system. We can beat them all. All right? Go. | 0:17:26 | 0:17:30 | |
PHONE BEEPS | 0:17:38 | 0:17:39 | |
No, Janet, you don't know me, but...I know you. | 0:17:53 | 0:17:57 | |
Yeah? | 0:17:57 | 0:17:59 | |
You work at PhiCorp? | 0:17:59 | 0:18:02 | |
You didn't answer my question. | 0:18:02 | 0:18:04 | |
What are you drinking? | 0:18:05 | 0:18:08 | |
Appletini...? | 0:18:08 | 0:18:09 | |
Your name is Janet Rae Tanner. | 0:18:12 | 0:18:14 | |
You're 27 years old, 5'9", 119 lbs. The youngest daughter of Gerald and Elaine Tanner | 0:18:14 | 0:18:20 | |
of Nantucket, Massachusetts. You moved to California to attend college, | 0:18:20 | 0:18:24 | |
where you earned a bachelor's degree in art history. | 0:18:24 | 0:18:26 | |
You currently reside in a Westwood apartment. You go to the gym three times a week. | 0:18:26 | 0:18:32 | |
And you drive your Hybrid downtown every day | 0:18:32 | 0:18:34 | |
to an administrative assistant position at PhiCorp industries. | 0:18:34 | 0:18:37 | |
And you're some creepy stalker dude last seen on America's Most Wanted. | 0:18:37 | 0:18:41 | |
I may be wanted, but it's not what you think. | 0:18:41 | 0:18:44 | |
Listen, | 0:18:47 | 0:18:48 | |
I don't know what kind of game you're playing, but I'm meeting someone. | 0:18:48 | 0:18:52 | |
After he has dinner with his wife. | 0:18:52 | 0:18:54 | |
I came across some e-mails from you to your boss, Stuart Owens. | 0:18:56 | 0:19:02 | |
HE SCOFFS | 0:19:02 | 0:19:04 | |
"Can't wait to see you." Nice. | 0:19:04 | 0:19:06 | |
Then "Happy Valentine's Day." Sweet! | 0:19:06 | 0:19:10 | |
Then a little less subtle. | 0:19:10 | 0:19:13 | |
"You can so do me tonight." Ouch! | 0:19:14 | 0:19:17 | |
What do you want? | 0:19:17 | 0:19:19 | |
I want your help, Janet. Right now I've got some friends risking their lives because we think | 0:19:19 | 0:19:23 | |
PhiCorp is doing some very bad things and we need to find out who's behind it. | 0:19:23 | 0:19:29 | |
Please, you can't tell anybody about us. | 0:19:29 | 0:19:31 | |
I won't. I just want some information from your boss. | 0:19:31 | 0:19:35 | |
I wouldn't do anything to hurt him. | 0:19:35 | 0:19:37 | |
Sweet Janet Rae, I wish he felt the same about you. | 0:19:37 | 0:19:40 | |
I'm sending you some more e-mails | 0:19:42 | 0:19:45 | |
from Stuart Owens to the head of PhiCorp human resources, | 0:19:45 | 0:19:49 | |
requesting your transfer to Cincinnati! Whoo-hoo! | 0:19:49 | 0:19:53 | |
He's such a romantic. | 0:19:53 | 0:19:55 | |
Bastard. | 0:19:55 | 0:19:56 | |
I like the bit where he calls you "limited". | 0:19:56 | 0:19:58 | |
"Limited". | 0:19:58 | 0:20:00 | |
So, what do you say, Janet? | 0:20:03 | 0:20:06 | |
We could sit here drinking appletinis and complaining about men all night. | 0:20:06 | 0:20:09 | |
Or we can go get that PhiCorp boss of yours. | 0:20:09 | 0:20:13 | |
What do you say, Janet Rae? | 0:20:13 | 0:20:15 | |
Love the vintage coat! | 0:20:30 | 0:20:32 | |
Thanks. Maybe the three of us should have a drink sometime. | 0:20:32 | 0:20:36 | |
-The three of us? -You, me and the coat. | 0:20:36 | 0:20:40 | |
Well, I suppose I should have the salad. | 0:20:47 | 0:20:50 | |
I'd go for the steak if I were you, with a very large bourbon and a pack of cigarettes. | 0:20:50 | 0:20:54 | |
Why not? We're going to live for ever, right? | 0:20:54 | 0:20:57 | |
-Courtesy of PhiCorp. -Excuse me, I think you're at the wrong table. | 0:20:57 | 0:21:01 | |
You're Stuart Owens, aren't you? | 0:21:01 | 0:21:03 | |
You're the Chief Operating Officer for PhiCorp Industries. | 0:21:03 | 0:21:07 | |
Well, you obviously know who I am or you wouldn't be here. The question is, who are you? | 0:21:07 | 0:21:11 | |
I'm a friend of Janet's. Your secretary? | 0:21:11 | 0:21:15 | |
We met at a bar, the one you were planning on going to after dinner. | 0:21:15 | 0:21:18 | |
(Does your wife know?) | 0:21:18 | 0:21:21 | |
Elizabeth... | 0:21:23 | 0:21:25 | |
Don't go, or we'll hurt her. My associates are holding Janet hostage. | 0:21:25 | 0:21:29 | |
You need proof? | 0:21:29 | 0:21:31 | |
PHONE RINGS | 0:21:31 | 0:21:33 | |
'Hello? Who's there?' | 0:21:33 | 0:21:35 | |
Help. Help me. | 0:21:35 | 0:21:36 | |
Janet, where are you? | 0:21:36 | 0:21:39 | |
I don't know. I'm in a cellar. They've got me tied up. | 0:21:39 | 0:21:41 | |
'They're hurting me, Stuart. Make them stop.' | 0:21:41 | 0:21:44 | |
What exactly do you want? | 0:21:46 | 0:21:47 | |
-I'll let you know when it's safe to release her. -Go get him. | 0:21:47 | 0:21:51 | |
The truth. | 0:21:57 | 0:21:59 | |
About what? | 0:21:59 | 0:22:00 | |
The Miracle. How was it done? Why was it done? | 0:22:00 | 0:22:03 | |
How can it be undone? | 0:22:03 | 0:22:05 | |
Why would I have the answer? | 0:22:06 | 0:22:08 | |
When the day came, PhiCorp was ready. We found warehouses stocked with painkillers | 0:22:08 | 0:22:12 | |
waiting for the Miracle to come along. | 0:22:12 | 0:22:14 | |
-That's your smoking gun? -You're a man in charge. You knew it was coming. | 0:22:14 | 0:22:18 | |
Mr... | 0:22:18 | 0:22:19 | |
Harkness. Captain Jack Harkness. | 0:22:19 | 0:22:22 | |
-Are you with the military? -Freelance. I represent the people who are trying to stop PhiCorp. | 0:22:22 | 0:22:26 | |
-So that security breach on the 33rd floor... -That was us. | 0:22:26 | 0:22:30 | |
It's not me you're after. | 0:22:33 | 0:22:35 | |
In fact, I've been trying to find out the truth just as much as you. | 0:22:35 | 0:22:39 | |
I'm not...a bad man, Mr Harkness. | 0:22:40 | 0:22:43 | |
-Captain. -I'm not a bad man, Captain. | 0:22:43 | 0:22:47 | |
I'm not a good one, either. | 0:22:47 | 0:22:49 | |
I'm a middleman, in every sense of the word. | 0:22:49 | 0:22:51 | |
And faced with the thought of being who I am for God knows how long, | 0:22:51 | 0:22:56 | |
I'm just as keen as you to find out exactly what's going on. | 0:22:56 | 0:22:59 | |
Especially with the stock market threatening to collapse, | 0:22:59 | 0:23:03 | |
a man like me needs insurance. | 0:23:03 | 0:23:05 | |
You don't believe me. | 0:23:07 | 0:23:10 | |
You think I'm the epitome of evil, the devil in a three-piece suit. | 0:23:10 | 0:23:14 | |
In my experience, that's how it works. | 0:23:14 | 0:23:17 | |
Your experience must be rather simple. | 0:23:17 | 0:23:19 | |
You have a rather archaic view of good versus evil, don't you? | 0:23:19 | 0:23:23 | |
Tell me who's behind this. | 0:23:23 | 0:23:25 | |
I've been trying to find out! | 0:23:25 | 0:23:28 | |
I've sent agents all over the world following the paper trail, | 0:23:28 | 0:23:31 | |
the backroom deals, the holding companies within holding companies. | 0:23:31 | 0:23:35 | |
That's when I came face-to-face with the true face of evil. | 0:23:35 | 0:23:38 | |
-The system itself. -Precisely. | 0:23:40 | 0:23:42 | |
If the schemes and conspiracies are being plotted, | 0:23:42 | 0:23:47 | |
then they must be seen only as patterns, waves... | 0:23:47 | 0:23:51 | |
shifts that are either too small or too vast to be perceived. | 0:23:51 | 0:23:56 | |
Someone is playing the system, right across planet earth, with infinite grace beyond any one person's sight. | 0:23:56 | 0:24:02 | |
No, I'm sorry, Captain, | 0:24:02 | 0:24:04 | |
but PhiCorp isn't controlling this. | 0:24:04 | 0:24:08 | |
Profiting, yes, | 0:24:08 | 0:24:09 | |
but this is part of a much larger design, way beyond any of us. | 0:24:09 | 0:24:14 | |
But how can you be part of it and not know what's going on? | 0:24:14 | 0:24:18 | |
Let me give you an example. These warehouses full of drugs, | 0:24:18 | 0:24:22 | |
no doubt you'd love to uncover an incriminating memo | 0:24:22 | 0:24:26 | |
dated the day before Miracle Day, signed by me, authorising the stockpiling of painkillers. | 0:24:26 | 0:24:32 | |
The truth is, a pattern like that began, say, maybe five years ago | 0:24:32 | 0:24:36 | |
with the systematic increase in production in random factories | 0:24:36 | 0:24:39 | |
around the world, based on market share projections. | 0:24:39 | 0:24:43 | |
Where was the warehouse? | 0:24:43 | 0:24:45 | |
Washington DC, 3rd and Boston. | 0:24:45 | 0:24:47 | |
I'd imagine transportation of the drugs to the 3rd and Boston | 0:24:47 | 0:24:51 | |
was then carried out over a 12-month period by maybe five different haulage companies | 0:24:51 | 0:24:56 | |
outsourced to seven or eight different independent suppliers. | 0:24:56 | 0:25:00 | |
So that means everyone's to blame - everyone and no-one. | 0:25:00 | 0:25:03 | |
Whoever is behind this, they don't show themselves. | 0:25:05 | 0:25:08 | |
Not to me, not to you. | 0:25:08 | 0:25:09 | |
But to play the system like this - | 0:25:09 | 0:25:11 | |
the markets, the politics, industry... | 0:25:11 | 0:25:15 | |
..they had to be planning this for a very long time. | 0:25:16 | 0:25:20 | |
I WISH I knew who they were. | 0:25:20 | 0:25:22 | |
I was told that the Miracle involves geography. | 0:25:25 | 0:25:31 | |
Does that mean anything? | 0:25:31 | 0:25:32 | |
No. But there is one word that my operatives picked up | 0:25:32 | 0:25:37 | |
dating back to the mid-'90s, and then erased. | 0:25:37 | 0:25:41 | |
-What is it? -The Blessing. | 0:25:41 | 0:25:42 | |
What does it mean? | 0:25:44 | 0:25:46 | |
There was a document from Italy from a source inside the Council of Ministers, a contact then deceased. | 0:25:46 | 0:25:53 | |
It simply referred to The Blessing. | 0:25:53 | 0:25:54 | |
It said "They have found The Blessing." | 0:25:57 | 0:25:59 | |
-Excuse me. Could you direct us to Mr Owen's table? -That's his table there. | 0:26:00 | 0:26:04 | |
It seems my wife called the authorities. Hmm. | 0:26:05 | 0:26:07 | |
HELICOPTER WHIRRS OVERHEAD | 0:26:37 | 0:26:40 | |
< CRASHING | 0:27:15 | 0:27:17 | |
What the hell was that? | 0:27:17 | 0:27:18 | |
Check it out. | 0:27:18 | 0:27:21 | |
Sir? Are you all right? | 0:27:31 | 0:27:33 | |
What's a Cat One doing out here? | 0:27:38 | 0:27:41 | |
Sorry. | 0:27:39 | 0:27:41 | |
-RADIO: -'Billy, do you read me?' | 0:27:46 | 0:27:49 | |
-Uh, yeah. Yeah, it's me. -'What's going on?' | 0:27:52 | 0:27:55 | |
-Well, we got new orders. -'New orders?' | 0:27:55 | 0:27:58 | |
Yeah. They need you at the modules. | 0:27:58 | 0:28:00 | |
They need more men at the module. | 0:28:00 | 0:28:03 | |
You'd better get down there pronto. I'm already here. | 0:28:03 | 0:28:05 | |
-'What about the checkpoint?' -I don't know. They said to just leave it. | 0:28:05 | 0:28:09 | |
They said... I don't know what they said. I wasn't listening. | 0:28:09 | 0:28:12 | |
'That sounds like you. I'm on my way.' | 0:28:12 | 0:28:14 | |
'Identify yourself.' | 0:28:30 | 0:28:31 | |
-Uh... -'Identify yourself.' -Just need to get out. | 0:28:31 | 0:28:35 | |
Going out for a smoke. | 0:28:37 | 0:28:39 | |
'Sure, man. Go ahead.' | 0:28:39 | 0:28:40 | |
Who the hell are you? | 0:28:50 | 0:28:52 | |
Someone's breached the compound, someone with a camera. | 0:28:55 | 0:28:59 | |
No, no, no. Nothing's going wrong. | 0:28:59 | 0:29:02 | |
He wants to talk to whoever's in charge. | 0:29:02 | 0:29:04 | |
No, he doesn't. No, no, no. No, he doesn't. | 0:29:04 | 0:29:07 | |
OK. Who is he? | 0:29:08 | 0:29:11 | |
-What's that supposed to mean? -I don't know. He said, "Torchwood." | 0:29:13 | 0:29:17 | |
All right, you wait here. I'll deal with it. | 0:29:17 | 0:29:19 | |
-Mr Maloney, I need your signature on this. -Not now. | 0:29:19 | 0:29:23 | |
-I can walk with you. -I said, "Not now!" | 0:29:23 | 0:29:26 | |
So where's he going? | 0:29:32 | 0:29:34 | |
Where do you think you're going? | 0:29:39 | 0:29:42 | |
Mr Maloney. | 0:29:43 | 0:29:44 | |
How blonde are you? It's a lockdown. | 0:29:44 | 0:29:47 | |
We haven't got clearance. Got to stay at your desk. | 0:29:47 | 0:29:50 | |
I'm telling you right now, you're making a big mistake. | 0:30:07 | 0:30:11 | |
You're going to all be implicated, all of you. | 0:30:11 | 0:30:14 | |
All right, leave us alone. Go to Jackson on the West Gate. | 0:30:18 | 0:30:21 | |
He's got new allocations for you. | 0:30:21 | 0:30:24 | |
Who the hell are you? | 0:30:25 | 0:30:27 | |
I'll ask the questions. | 0:30:27 | 0:30:29 | |
I need to know who you are. | 0:30:30 | 0:30:32 | |
I told them already, Rex Matheson. Now, who the hell are you? | 0:30:32 | 0:30:36 | |
Colin Maloney, thank you, director of the San Pedro Facility. | 0:30:36 | 0:30:39 | |
Director, hmm. | 0:30:39 | 0:30:41 | |
There's going to be hell to pay cos you're the man in charge. | 0:30:41 | 0:30:44 | |
What do you mean? | 0:30:44 | 0:30:46 | |
Look, just call the police, OK? | 0:30:46 | 0:30:48 | |
Go ahead, call them. Arrest me. I want to make a statement. | 0:30:48 | 0:30:51 | |
I'm going to expose everything that's going on here, | 0:30:51 | 0:30:54 | |
what you guys are doing to the patients | 0:30:54 | 0:30:57 | |
-and what you did to Vera. -What they did to who? -You built ovens! | 0:30:57 | 0:31:00 | |
You're the director so you know that. | 0:31:00 | 0:31:03 | |
I'm not in charge of policy. | 0:31:06 | 0:31:08 | |
We had instructions that got sent out nationwide, worldwide. | 0:31:08 | 0:31:13 | |
We had orders from above not to say anything. I just did as I was told. | 0:31:13 | 0:31:18 | |
OK. | 0:31:18 | 0:31:20 | |
All right, you're the middleman. I get it. | 0:31:20 | 0:31:22 | |
But I'm telling you right now you need to listen. | 0:31:22 | 0:31:25 | |
You're caught in the middle of this thing like me. | 0:31:25 | 0:31:28 | |
Things are happening here that are way out of control. | 0:31:28 | 0:31:30 | |
Someone's using this place to bring back murder! | 0:31:30 | 0:31:35 | |
There was a Dr Juarez on this site, right? Yeah? | 0:31:36 | 0:31:40 | |
Well, someone burned her alive. | 0:31:40 | 0:31:43 | |
-No, no, no, no, no. Couldn't happen. -You've got the chance now... | 0:31:43 | 0:31:47 | |
Look at me. Look at me. | 0:31:47 | 0:31:50 | |
You've got the chance to make yourself a hero | 0:31:51 | 0:31:54 | |
because we could tell the world. | 0:31:54 | 0:31:56 | |
Yeah, I'd be a hero? | 0:31:57 | 0:31:59 | |
When this thing blows wide open, people will stand trial | 0:31:59 | 0:32:03 | |
for crimes against humanity. But you... | 0:32:03 | 0:32:05 | |
you could be standing right by me, right by my side. | 0:32:05 | 0:32:10 | |
I suppose, uh... it's my duty to help. | 0:32:11 | 0:32:15 | |
If we could find the one to blame... Must be one of the staff, one of the guards. | 0:32:15 | 0:32:20 | |
I've got evidence. It's right there. Go ahead, take a look. | 0:32:20 | 0:32:26 | |
They took it off me. I taped it. I taped everything. You can see it. | 0:32:26 | 0:32:31 | |
It's proof that someone's using the modules for murder, and not just the Category Ones. | 0:32:31 | 0:32:35 | |
I don't know. I shouldn't. | 0:32:36 | 0:32:38 | |
Do you want proof, hmm? | 0:32:38 | 0:32:41 | |
Then look at it. Take a look at it. | 0:32:41 | 0:32:44 | |
Play the tape, damn it, and you'll see why you need to let me go. | 0:32:44 | 0:32:48 | |
I don't know. I shouldn't. | 0:32:48 | 0:32:49 | |
Yeah, play it. | 0:32:53 | 0:32:55 | |
I'm sorry. Mr Maloney just called about that Torchwood man. | 0:33:02 | 0:33:08 | |
Sorry, I'm new to all this. | 0:33:08 | 0:33:09 | |
But he wanted me to ask, is his name Rex Matheson? | 0:33:09 | 0:33:13 | |
Yeah. | 0:33:13 | 0:33:15 | |
OK. I'll call him back. Oh, um, what extension was he on? | 0:33:16 | 0:33:20 | |
I don't know. Generator room. | 0:33:20 | 0:33:23 | |
That was it. Yeah, thanks. | 0:33:23 | 0:33:27 | |
I told you, you can't go out in a lockdown. | 0:33:30 | 0:33:33 | |
I said you're not allowed outside. I'm reporting you! | 0:33:33 | 0:33:36 | |
I'm sorry. I knew you had to see that. | 0:33:49 | 0:33:53 | |
-You OK? -Oh, yeah. -So now do you see? | 0:33:54 | 0:33:57 | |
Why you need to release me, right? | 0:33:57 | 0:33:59 | |
Come on, we should go to the police together right now. | 0:33:59 | 0:34:02 | |
I don't know, it's a... | 0:34:14 | 0:34:15 | |
I haven't got anything I can... | 0:34:16 | 0:34:19 | |
You hurt yourself? | 0:34:20 | 0:34:22 | |
Oh, yeah. It's a long story. Come on... | 0:34:23 | 0:34:27 | |
how about we get out of here, huh? | 0:34:27 | 0:34:30 | |
I wonder... What can I use? | 0:34:30 | 0:34:33 | |
They gave you the keys. | 0:34:33 | 0:34:36 | |
-Yeah, but what can I use? -You have the keys. | 0:34:36 | 0:34:39 | |
Just can't focus, can't think. | 0:34:39 | 0:34:42 | |
I've never been too practical. I'm more of an ideas man. | 0:34:43 | 0:34:47 | |
I'm very good at badminton. | 0:34:47 | 0:34:50 | |
Yeah, all right. | 0:34:51 | 0:34:53 | |
Say, how about you unlock me now? | 0:34:53 | 0:34:56 | |
It'll have to do. | 0:35:08 | 0:35:10 | |
What are you doing? | 0:35:10 | 0:35:12 | |
Colin, look at me. | 0:35:12 | 0:35:14 | |
Colin, what are you doing? Look at me in my eyes. | 0:35:14 | 0:35:17 | |
Colin, what are you doing? Don't do that. | 0:35:17 | 0:35:20 | |
Look at me. Look at me in my eyes. | 0:35:20 | 0:35:22 | |
Look at me. | 0:35:22 | 0:35:24 | |
Colin. Colin! | 0:35:24 | 0:35:26 | |
Don't do it. Argh! | 0:35:26 | 0:35:29 | |
HE SCREAMS IN AGONY | 0:35:29 | 0:35:32 | |
It was you! | 0:35:36 | 0:35:38 | |
I'm sorry. | 0:35:38 | 0:35:39 | |
You killed her! | 0:35:39 | 0:35:40 | |
I'm very sorry. It's just been such a long day. | 0:35:40 | 0:35:44 | |
All I want to do is go home. | 0:35:44 | 0:35:46 | |
But you can't kill me. Don't do it. I can't die. | 0:35:46 | 0:35:48 | |
You can't kill me. Colin, don't you see? I won't die. | 0:35:48 | 0:35:52 | |
Argh! | 0:35:54 | 0:35:57 | |
Mr Maloney? | 0:36:02 | 0:36:03 | |
Mr Maloney. | 0:36:18 | 0:36:21 | |
I'm here. | 0:36:22 | 0:36:24 | |
What is it? | 0:36:30 | 0:36:31 | |
Uh, there's a phone call for you, sir. | 0:36:34 | 0:36:37 | |
Very important. | 0:36:37 | 0:36:39 | |
I could take over for you here. | 0:36:39 | 0:36:41 | |
A phone call? Who is it? | 0:36:41 | 0:36:44 | |
Um...Dr Juarez. | 0:36:45 | 0:36:49 | |
She said it's urgent. | 0:36:49 | 0:36:51 | |
She said that, um, she needs the population of the camp. | 0:36:51 | 0:36:54 | |
Dr Juarez? | 0:36:54 | 0:36:56 | |
When did she call? | 0:36:57 | 0:36:59 | |
Just now. | 0:36:59 | 0:37:01 | |
Did you speak to her? | 0:37:01 | 0:37:03 | |
Yes, yes, I did. | 0:37:05 | 0:37:08 | |
And this was when? When exactly was just now? | 0:37:08 | 0:37:12 | |
Five minutes ago. | 0:37:12 | 0:37:13 | |
-Esther! Esther! -Rex? | 0:37:15 | 0:37:18 | |
Esther, just run! He killed Vera! | 0:37:18 | 0:37:21 | |
Esther! | 0:37:24 | 0:37:25 | |
Leave her alone, damn it! | 0:37:32 | 0:37:33 | |
Aaargh! | 0:37:38 | 0:37:39 | |
SHE SCREAMS | 0:37:44 | 0:37:46 | |
Esther! | 0:38:06 | 0:38:08 | |
What happened? | 0:38:40 | 0:38:41 | |
-I killed... I killed him. -No. | 0:38:43 | 0:38:46 | |
Oh, my God, I killed him, Rex. | 0:38:46 | 0:38:48 | |
No, no. You didn't, OK? Nobody dies, remember? | 0:38:48 | 0:38:52 | |
He's just a Category One now. Look, stay with me. | 0:38:52 | 0:38:55 | |
Come on, look at me. Look at me. | 0:38:55 | 0:38:58 | |
-I need you to go in his pocket and get the keys. -No. | 0:38:58 | 0:39:02 | |
Esther, we've got to get out of here. Come on, stay focused. | 0:39:02 | 0:39:05 | |
Get the keys. Go get the key. | 0:39:06 | 0:39:09 | |
GUNSHOT | 0:39:54 | 0:39:56 | |
This has got to stop. | 0:39:57 | 0:40:00 | |
Thank you! | 0:40:02 | 0:40:04 | |
Bloody hell! | 0:40:31 | 0:40:33 | |
-What do you think you're doing? -My job, isn't it? | 0:40:34 | 0:40:37 | |
-Don't scare a man like that. -Patient transfer at this time of night? | 0:40:37 | 0:40:40 | |
-I just do what I'm told. -Exactly what were you told? | 0:40:40 | 0:40:43 | |
-Patient transfer, 5am. -Who told you this? -My supervisor, who else? | 0:40:43 | 0:40:48 | |
What's his name? | 0:40:48 | 0:40:49 | |
Well, he's got more authority than you, mate. He's a captain. | 0:40:51 | 0:40:54 | |
Captain Jack Harkness. He ordered me. | 0:40:54 | 0:40:58 | |
That's a bit odd. I don't see a Harkness on our roster. | 0:41:03 | 0:41:06 | |
I'd better make some calls. | 0:41:06 | 0:41:08 | |
Oh, God! | 0:41:12 | 0:41:14 | |
Typical. | 0:41:17 | 0:41:18 | |
Not long now, Dad, I promise. | 0:41:21 | 0:41:23 | |
Hell to pay, Rhys Williams, if you don't show. Hell to pay. | 0:41:26 | 0:41:30 | |
-Can I go now? -I don't understand. | 0:41:45 | 0:41:48 | |
They've stopped movement orders until 6am, | 0:41:48 | 0:41:52 | |
but you've been given special instructions. Why's that, then? | 0:41:52 | 0:41:56 | |
Yeah, well, this Captain Harkness must have taken a shine to me. | 0:41:56 | 0:42:00 | |
He had that look about him, if you know what I mean. | 0:42:01 | 0:42:04 | |
Not that there's anything wrong with that. | 0:42:04 | 0:42:07 | |
-Oh, look at the time. I'm late enough as it is. -I need to make another call. | 0:42:07 | 0:42:11 | |
A boatload of Category Twos arrived in Cardiff last night. | 0:42:18 | 0:42:22 | |
One of those cruise ships full of British citizens from abroad. | 0:42:22 | 0:42:25 | |
-All sick as dogs? -Hell of a state. | 0:42:25 | 0:42:28 | |
-Expelled from Europe like boat people. -Last thing we need is more patients. | 0:42:28 | 0:42:32 | |
Come on, we've got to get these Cat Ones ready for transport. | 0:42:32 | 0:42:36 | |
All right, Dad, I'm getting you out of here now. | 0:42:36 | 0:42:40 | |
Bless you. | 0:43:36 | 0:43:37 | |
Where the hell were you? | 0:43:44 | 0:43:46 | |
I was on time, only this officious bastard held me up. | 0:43:46 | 0:43:49 | |
-Why didn't you just run him over? -I'm not the run-over type. You know that. | 0:43:49 | 0:43:53 | |
I drove off when the silly bugger was on the phone. | 0:43:53 | 0:43:56 | |
-He's probably followed me. -One, two, three. | 0:43:56 | 0:43:58 | |
OK, let's get him. Gently now. | 0:44:02 | 0:44:05 | |
-OK, I got you. -Ready, one, two, three. OK. | 0:44:05 | 0:44:08 | |
Get going, then. Take Dad home. | 0:44:13 | 0:44:15 | |
There's something I've got to do here before I go to the States. | 0:44:15 | 0:44:18 | |
You're going back to America? | 0:44:18 | 0:44:20 | |
We've got to find out what's behind all of this and put a stop to it. | 0:44:20 | 0:44:24 | |
Before I do, I haven't finished with this place yet. | 0:44:24 | 0:44:27 | |
That's him! That's him! | 0:44:27 | 0:44:29 | |
Hey, hey, hey. Where's my goodbye kiss, you big fool? | 0:44:29 | 0:44:33 | |
Get going. | 0:44:39 | 0:44:41 | |
Now you hold it right there! | 0:44:41 | 0:44:43 | |
Get me the south gate. | 0:44:45 | 0:44:48 | |
Here we go. | 0:44:52 | 0:44:54 | |
Hey you! | 0:44:54 | 0:44:56 | |
Hey! | 0:44:56 | 0:44:58 | |
GUNFIRE | 0:44:59 | 0:45:01 | |
Fire! | 0:45:05 | 0:45:07 | |
I just hope someone's listening. | 0:45:18 | 0:45:21 | |
'Hello. Anybody home?' | 0:45:39 | 0:45:42 | |
You're a sight for sore eyes. | 0:45:47 | 0:45:48 | |
'Jack, is that you?' | 0:45:50 | 0:45:52 | |
In the flesh. You OK? | 0:45:53 | 0:45:55 | |
Yes... | 0:45:55 | 0:45:57 | |
I know, Jack. I'll be there soon. I'm coming back to the fight. | 0:45:59 | 0:46:03 | |
-'..to the fight.' -We need you. | 0:46:03 | 0:46:06 | |
But first, there's something I've got to show you. | 0:46:06 | 0:46:09 | |
'Record it for me, Jack.' | 0:46:10 | 0:46:14 | |
Oh, lovely. | 0:46:30 | 0:46:32 | |
Jack, you watching? | 0:46:44 | 0:46:46 | |
I'm here. | 0:46:46 | 0:46:48 | |
And I've opened up the radio link. Make your message. | 0:46:48 | 0:46:51 | |
This is the truth for the whole world to see. | 0:46:52 | 0:46:55 | |
We let our governments build concentration camps. | 0:46:55 | 0:47:00 | |
They built ovens for people in our names. | 0:47:00 | 0:47:02 | |
Now I don't care if the whole of society bends over | 0:47:02 | 0:47:05 | |
and takes this like a dog, I'm saying, "No." | 0:47:05 | 0:47:08 | |
That's my girl. | 0:47:22 | 0:47:25 | |
SIRENS WAIL | 0:47:37 | 0:47:39 | |
Well, all the guards are gone. The regular army is coming in. | 0:47:44 | 0:47:49 | |
They'll shut it down. | 0:47:49 | 0:47:52 | |
It was sanctioned... by the government... | 0:47:52 | 0:47:55 | |
..and they've got my name. | 0:47:56 | 0:47:58 | |
They've got my name. I was on staff as Esther Drummond. | 0:47:59 | 0:48:02 | |
Esther, listen, stop it, OK? Just stop it. You saved me. | 0:48:02 | 0:48:06 | |
I spent all that time wanting a job like yours. | 0:48:10 | 0:48:14 | |
Look at me now. | 0:48:14 | 0:48:16 | |
OK. | 0:48:16 | 0:48:17 | |
It's OK, you... you're allowed to feel like this. | 0:48:19 | 0:48:22 | |
Come here. | 0:48:22 | 0:48:23 | |
Listen to me. | 0:48:29 | 0:48:31 | |
This is not over, not for Torchwood. | 0:48:31 | 0:48:35 | |
-And I need you in this fight. -OK. | 0:48:35 | 0:48:38 | |
So get it together and do it fast. | 0:48:38 | 0:48:41 | |
OK. I'm fine. | 0:48:41 | 0:48:45 | |
I'm... I'm ready. | 0:48:45 | 0:48:47 | |
Yeah. Me too. | 0:48:49 | 0:48:53 | |
'Flesh can burn. That's the stark truth facing the world today. | 0:49:00 | 0:49:04 | |
'We've known since Miracle day that flesh can still burn. | 0:49:04 | 0:49:07 | |
'But today there's outrage...' | 0:49:07 | 0:49:09 | |
We did it. We're whistle-blowers. | 0:49:09 | 0:49:12 | |
Every major news organisation. | 0:49:12 | 0:49:16 | |
The world knows the truth now. | 0:49:16 | 0:49:17 | |
Let the outrage begin. | 0:49:17 | 0:49:19 | |
You really think it's that easy? | 0:49:19 | 0:49:21 | |
'The death of Vera Juarez demands a full investigation, | 0:49:24 | 0:49:27 | |
'but there will be no apology for the Category One process. | 0:49:27 | 0:49:31 | |
'We exist in a permanent state of emergency. | 0:49:31 | 0:49:34 | |
'The White House stands by our disaster response | 0:49:34 | 0:49:37 | |
'as appropriate and as sanctioned by Congress. | 0:49:37 | 0:49:40 | |
'This is exactly what we would do in times of a famine | 0:49:40 | 0:49:44 | |
-'or a plague or pestilence...' -You see that? | 0:49:44 | 0:49:46 | |
They should be shutting those camps now. They're just talking about it. | 0:49:46 | 0:49:50 | |
At least we made it public. | 0:49:50 | 0:49:52 | |
Torchwood wasn't designed to fight politicians. | 0:49:52 | 0:49:56 | |
If we really want to stop this happening, | 0:49:56 | 0:49:59 | |
we need to look at the bigger picture, find out what The Blessing is. | 0:49:59 | 0:50:03 | |
'Hello, I'm not available, | 0:50:10 | 0:50:13 | |
'but leave your name and number and I'll call you as soon as I can.' | 0:50:13 | 0:50:18 | |
Rhys, it's me again. I've landed. I'm back in LA. | 0:50:18 | 0:50:21 | |
Where are you, you bloody fool? | 0:50:21 | 0:50:23 | |
Why aren't you picking up the phone? Call me back. | 0:50:23 | 0:50:27 | |
TANNOY: 'Gwen Cooper to the white courtesy phone. Gwen Cooper, you have a call. | 0:50:27 | 0:50:32 | |
'Gwen Cooper to the white courtesy phone. Gwen Cooper, you have a call.' | 0:50:33 | 0:50:38 | |
This is Gwen Cooper. | 0:50:40 | 0:50:42 | |
Hello, this is Gwen Cooper. You said I had a message. | 0:50:43 | 0:50:47 | |
'Lenses.' | 0:50:47 | 0:50:49 | |
What? What did you just say? | 0:50:49 | 0:50:51 | |
'Lenses.' | 0:50:55 | 0:50:57 | |
No. | 0:51:32 | 0:51:33 | |
W-Who... | 0:51:36 | 0:51:38 | |
Who are you? | 0:51:39 | 0:51:41 | |
What do you want? | 0:51:42 | 0:51:44 | |
What do you want?! | 0:51:44 | 0:51:46 | |
Why am I tied down? | 0:52:01 | 0:52:03 | |
Somebody's taken Anwen, Rhys, my mother, the whole bloody family. | 0:52:03 | 0:52:06 | |
They said if I bring you, they'll let them go unharmed. | 0:52:06 | 0:52:09 | |
-They want to kill you, but why do they want to do that? -I don't know. | 0:52:09 | 0:52:13 | |
You've done something way back when in your long bloody life! | 0:52:13 | 0:52:16 | |
Now, you think. Think! | 0:52:16 | 0:52:18 | |
-Harkness! I'm looking for Jack Harkness! -That's me! | 0:52:18 | 0:52:23 | |
-Welcome to America, Mr Harkness. -Thank you very much, Inspector. | 0:52:23 | 0:52:27 | |
Hey, wait! Stop that man! | 0:52:27 | 0:52:29 | |
Where are you from? | 0:52:42 | 0:52:44 | |
A magical island called Torchwood. | 0:52:44 | 0:52:47 | |
Whatever you do, don't look in the box. | 0:52:47 | 0:52:49 | |
I know exactly what you're thinking, Jack Harkness. I know it. | 0:52:51 | 0:52:54 | |
This is about my daughter. | 0:52:54 | 0:52:57 | |
And I swear, for her sake, I will see you killed. | 0:52:57 | 0:53:00 | |
Subtitles by Red Bee Media Ltd | 0:53:04 | 0:53:07 | |
E-mail [email protected] | 0:53:07 | 0:53:09 |