Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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-I cut my arm. Look at it. It's not healing. -Do you mean...? | 0:00:20 | 0:00:25 | |
-I'm staying hurt. -Don't you see? The whole world becomes immortal. | 0:00:25 | 0:00:28 | |
And I'm mortal. I don't mend. | 0:00:28 | 0:00:31 | |
I'm normal again. | 0:00:31 | 0:00:33 | |
This, Captain, | 0:00:33 | 0:00:35 | |
fascinates me. | 0:00:35 | 0:00:37 | |
What makes you so different? | 0:00:37 | 0:00:40 | |
-I don't know. -And yet you're the only one left. | 0:00:40 | 0:00:43 | |
The only true human. | 0:00:43 | 0:00:45 | |
So tell me, what did you give them so long ago? | 0:00:45 | 0:00:48 | |
Why would he want you dead? | 0:00:48 | 0:00:50 | |
On the very day that no-one's dying? Wish I knew. | 0:00:50 | 0:00:54 | |
Every time you turn up it always go wrong. | 0:00:54 | 0:00:57 | |
Where are you from? | 0:00:57 | 0:00:59 | |
Long ago and so far away. | 0:00:59 | 0:01:03 | |
Harkness. Anyone? | 0:01:13 | 0:01:15 | |
Jack Harkness. | 0:01:15 | 0:01:18 | |
I'm looking for Jack Harkness. | 0:01:18 | 0:01:20 | |
That's me. | 0:01:20 | 0:01:22 | |
Welcome to America, Mr. Harkness. | 0:01:24 | 0:01:26 | |
There's your visa all stamped. | 0:01:26 | 0:01:28 | |
Grazie. I mean, thank you very much, Inspector. | 0:01:28 | 0:01:31 | |
Hey, wait! Stop that man! | 0:01:31 | 0:01:34 | |
WHISTLES PEEP | 0:01:44 | 0:01:45 | |
Come on now. | 0:01:45 | 0:01:47 | |
-You're not Jack Harkness. The visa's mine. -It's what? | 0:01:48 | 0:01:53 | |
You'll find everything's in order. | 0:01:53 | 0:01:55 | |
The British consulate arranged for my travel through the embassy in Rome. | 0:01:55 | 0:01:58 | |
That visa belongs to me. | 0:01:58 | 0:02:01 | |
Yes, sir. Terribly sorry this happened, sir. | 0:02:01 | 0:02:04 | |
Take him away. Send him back home. | 0:02:05 | 0:02:09 | |
-There you are. -Thank you. | 0:02:09 | 0:02:12 | |
You're still here. Thought you'd be in the city by now. | 0:02:28 | 0:02:31 | |
Time to spare. | 0:02:31 | 0:02:33 | |
Waiting for the next boat to Manhattan. | 0:02:33 | 0:02:35 | |
I also am waiting for a boat. Mine goes all the back to Italy. | 0:02:35 | 0:02:38 | |
Right. | 0:02:38 | 0:02:40 | |
That's what they do with thieves. | 0:02:40 | 0:02:42 | |
An interesting fact is they do it also with people who forge visas. | 0:02:45 | 0:02:51 | |
Good eye. | 0:02:51 | 0:02:54 | |
-Why didn't you tell them? -I wasn't sure. | 0:03:01 | 0:03:04 | |
Until that moment when you said, "Why didn't you tell them?" | 0:03:04 | 0:03:08 | |
I'm on a kind of unofficial official visit, | 0:03:09 | 0:03:12 | |
one part of the government pretending to be another part. | 0:03:12 | 0:03:17 | |
You work for a government? | 0:03:17 | 0:03:18 | |
Look at me. Do I look like a bureaucrat? | 0:03:18 | 0:03:22 | |
Never seen a man like you before. | 0:03:22 | 0:03:25 | |
More like a soldier. | 0:03:25 | 0:03:27 | |
Your English is good. Where did you learn? | 0:03:29 | 0:03:31 | |
We had a schoolmaster in the village. | 0:03:31 | 0:03:35 | |
He taught me. | 0:03:35 | 0:03:37 | |
I went to him every single day | 0:03:37 | 0:03:39 | |
-because I always dreamt of coming here. -What's the village? | 0:03:39 | 0:03:43 | |
You wouldn't know it. No-one ever does. | 0:03:43 | 0:03:46 | |
Tiny place on the Amalfi Coast. | 0:03:46 | 0:03:48 | |
And I mean, for certain, right on the coast, | 0:03:48 | 0:03:51 | |
the whole place is holding its breath on the edge of a clifftop. | 0:03:51 | 0:03:56 | |
You look over, hundreds of feet down to the sea. | 0:03:56 | 0:03:59 | |
Sounds beautiful. | 0:03:59 | 0:04:01 | |
Why'd you ever leave? | 0:04:01 | 0:04:02 | |
New York. | 0:04:02 | 0:04:04 | |
They have buildings here taller than the cliff. | 0:04:04 | 0:04:07 | |
-I wanted to see that. -You wait. | 0:04:07 | 0:04:08 | |
They've only just started building. | 0:04:08 | 0:04:11 | |
Years to come, they're going to have... | 0:04:11 | 0:04:13 | |
What? They're going to have what? | 0:04:13 | 0:04:15 | |
Never mind. What's your name? | 0:04:15 | 0:04:18 | |
Angelo Colasanto. | 0:04:18 | 0:04:21 | |
Angelo Colasanto. | 0:04:21 | 0:04:23 | |
-La magia oscura! -It's not magic. | 0:04:31 | 0:04:34 | |
Technology. Sometimes they're indistinguishable. | 0:04:34 | 0:04:38 | |
Hey, hey, hey. | 0:04:38 | 0:04:40 | |
How does it work? Can I see it? | 0:04:40 | 0:04:42 | |
Hey, over here. | 0:04:45 | 0:04:48 | |
We just found this man's papers. | 0:04:48 | 0:04:50 | |
You can let him go. | 0:04:50 | 0:04:52 | |
We're going to Manhattan. | 0:04:52 | 0:04:54 | |
Who are you? | 0:05:28 | 0:05:30 | |
What do you want? | 0:05:30 | 0:05:33 | |
What do you want?! | 0:05:33 | 0:05:36 | |
PHONE RINGS | 0:05:48 | 0:05:51 | |
Rhys, call me, OK? | 0:05:54 | 0:05:56 | |
Mom, if you can, call me, OK? | 0:05:57 | 0:06:00 | |
'Vera! Vera! Vera!' | 0:06:08 | 0:06:13 | |
How many views have we got now? | 0:06:17 | 0:06:20 | |
Um, over five million. | 0:06:20 | 0:06:21 | |
People are setting up memorial services for her too. | 0:06:24 | 0:06:27 | |
Just random people who didn't even know her. | 0:06:27 | 0:06:30 | |
I just, um... | 0:06:33 | 0:06:35 | |
you got the footage and that's going to make the difference. | 0:06:35 | 0:06:38 | |
But I've been meaning to say I... | 0:06:38 | 0:06:41 | |
I know that that must have been... | 0:06:41 | 0:06:44 | |
I'm sorry. | 0:06:46 | 0:06:47 | |
I got ya. | 0:06:47 | 0:06:50 | |
Really, Rex. | 0:06:50 | 0:06:52 | |
-I really didn't even know her that well, OK? -But you did. | 0:06:52 | 0:06:57 | |
-You must have talked. -Look, she told me about her mother, | 0:06:57 | 0:07:00 | |
her ex-husband, possibly something about a brother or a sister. | 0:07:00 | 0:07:05 | |
I don't know, maybe not. | 0:07:05 | 0:07:06 | |
-The obituary says... -Yeah. But what does it matter? | 0:07:08 | 0:07:10 | |
Hmm? Whoever she was, it's gone. | 0:07:10 | 0:07:12 | |
-I don't even know where she's from. -The news is saying San Antonio. | 0:07:12 | 0:07:17 | |
Well, then, go Spurs(!) | 0:07:17 | 0:07:19 | |
Sorry. | 0:07:21 | 0:07:23 | |
I don't know how to help. | 0:07:23 | 0:07:26 | |
Except that...maybe her death has changed things. | 0:07:26 | 0:07:30 | |
They'll shut down the camps. | 0:07:30 | 0:07:32 | |
No, they paused the camps. | 0:07:32 | 0:07:34 | |
That's all they're saying... | 0:07:34 | 0:07:35 | |
paused. | 0:07:35 | 0:07:37 | |
And while the politicians are all denying everything, | 0:07:37 | 0:07:40 | |
those ovens are still out there waiting to burn. | 0:07:40 | 0:07:43 | |
Jack. | 0:07:43 | 0:07:45 | |
-Gwen, you're back. -Where's Jack? | 0:07:45 | 0:07:47 | |
Sorry about your dad. Did you hear any news? | 0:07:47 | 0:07:48 | |
No, not really. Jack! | 0:07:48 | 0:07:51 | |
-He went outside. -Jack? | 0:07:51 | 0:07:53 | |
Hey, I missed you. | 0:07:53 | 0:07:55 | |
I've been searching through that Blessing stuff. | 0:07:55 | 0:07:57 | |
You've got to come down to the car. I've got to show you something. | 0:07:57 | 0:07:59 | |
Anything good? | 0:07:59 | 0:08:01 | |
No, just stuff from back home. | 0:08:01 | 0:08:04 | |
Souvenir sort of thing. Just you and me. Come on. | 0:08:04 | 0:08:06 | |
All right, stop your nagging. Told you she missed me. | 0:08:06 | 0:08:09 | |
Yeah, today would be good, Jack. | 0:08:09 | 0:08:12 | |
Bad day, Gwen? | 0:08:12 | 0:08:15 | |
All right. OK. | 0:08:26 | 0:08:28 | |
SHE SPEAKS ITALIAN | 0:08:31 | 0:08:35 | |
I'm sorry. My Italian isn't so... | 0:08:57 | 0:08:59 | |
-She's saying there's only one bed. -HE SPEAKS ITALIAN | 0:08:59 | 0:09:04 | |
I said I'll sleep on the floor. | 0:09:04 | 0:09:06 | |
On the floor, yes. He'll sleep on the floor. | 0:09:06 | 0:09:10 | |
Come down to the shop anytime. | 0:09:15 | 0:09:19 | |
Family butcher's is fine food. | 0:09:19 | 0:09:22 | |
And you are family now. | 0:09:22 | 0:09:24 | |
It's a good room. | 0:09:35 | 0:09:37 | |
And it's cheap. | 0:09:37 | 0:09:40 | |
You should save your money, Angelo Colasanto. | 0:09:40 | 0:09:43 | |
Next couple of years, earn as much as you can. | 0:09:44 | 0:09:47 | |
Save it all up | 0:09:47 | 0:09:51 | |
cos you're going to need it. Bad times ahead. | 0:09:51 | 0:09:54 | |
Why, what's going to happen? | 0:09:54 | 0:09:56 | |
Oh, so many things. | 0:09:58 | 0:09:59 | |
Don't worry. It gets better. | 0:09:59 | 0:10:01 | |
Then it gets worse again. | 0:10:03 | 0:10:05 | |
You talk funny. | 0:10:05 | 0:10:07 | |
I'm a very funny man. | 0:10:07 | 0:10:09 | |
Scars. | 0:10:15 | 0:10:17 | |
You been in a lot of fights? | 0:10:17 | 0:10:19 | |
Sometimes you have to defend yourself, you know? | 0:10:21 | 0:10:23 | |
People say things. | 0:10:24 | 0:10:28 | |
Hey, she was right. Not much of a view, huh? | 0:10:29 | 0:10:32 | |
A person could argue. | 0:10:36 | 0:10:37 | |
You like that, don't you? | 0:10:37 | 0:10:39 | |
I like a lot of things. | 0:10:39 | 0:10:41 | |
She's beautiful. | 0:10:45 | 0:10:47 | |
-You like her too? -Of course I do. | 0:10:47 | 0:10:51 | |
What would you like to do to her? | 0:10:53 | 0:10:55 | |
You tell me. | 0:10:59 | 0:11:01 | |
I'd strip off her clothes. | 0:11:08 | 0:11:10 | |
Maybe a little too quickly. | 0:11:13 | 0:11:16 | |
Something might tear. | 0:11:16 | 0:11:18 | |
Girls don't like that. | 0:11:18 | 0:11:20 | |
She's not most girls. | 0:11:20 | 0:11:22 | |
She's strong. | 0:11:24 | 0:11:26 | |
She'd rip open my shirt. | 0:11:28 | 0:11:30 | |
And what then? | 0:11:32 | 0:11:34 | |
I'd move in close | 0:11:38 | 0:11:39 | |
so I can smell her | 0:11:42 | 0:11:45 | |
and she can smell me. | 0:11:45 | 0:11:47 | |
Then what? | 0:11:50 | 0:11:52 | |
Kiss her. | 0:11:52 | 0:11:54 | |
Yeah? | 0:11:56 | 0:11:57 | |
I'm kissing her. | 0:12:01 | 0:12:03 | |
Yeah? | 0:12:03 | 0:12:05 | |
Kissing so deep, | 0:12:05 | 0:12:08 | |
like there's not enough air in the room. | 0:12:08 | 0:12:10 | |
You know what that's like? | 0:12:10 | 0:12:12 | |
When it starts being all teeth and wet and hot. | 0:12:12 | 0:12:16 | |
And you're just breathing them in. | 0:12:19 | 0:12:25 | |
I like New York. | 0:12:56 | 0:12:59 | |
You haven't seen much yet. | 0:12:59 | 0:13:01 | |
What I've seen is, eh, | 0:13:01 | 0:13:04 | |
it's OK. | 0:13:04 | 0:13:07 | |
What are you looking for? | 0:13:07 | 0:13:10 | |
I mean, in America. | 0:13:10 | 0:13:12 | |
Speed, change, new things. | 0:13:15 | 0:13:20 | |
People moving so fast they are not looking at me | 0:13:20 | 0:13:23 | |
so I can move fast on my own, faster than anyone. | 0:13:23 | 0:13:27 | |
Spoken like a true American. | 0:13:27 | 0:13:28 | |
Really? | 0:13:28 | 0:13:30 | |
Turn out the lights. | 0:13:32 | 0:13:34 | |
We can talk till we fall asleep. | 0:13:34 | 0:13:36 | |
-I thought you'd want me to go. -No. | 0:13:36 | 0:13:39 | |
I mean, if you want to stay. | 0:13:39 | 0:13:44 | |
Turn out the lamp. | 0:13:46 | 0:13:47 | |
-You've never done this? -No. | 0:14:04 | 0:14:08 | |
The other part, yes. | 0:14:08 | 0:14:12 | |
This part, no. | 0:14:12 | 0:14:14 | |
What happened to your eye? | 0:14:17 | 0:14:20 | |
I was born with it. | 0:14:20 | 0:14:22 | |
So...who was your first? | 0:14:26 | 0:14:30 | |
A boy from my village. | 0:14:33 | 0:14:35 | |
In secret. | 0:14:35 | 0:14:38 | |
-In the woods, you know? -What about that schoolmaster of yours? | 0:14:38 | 0:14:42 | |
No. | 0:14:42 | 0:14:44 | |
What makes you say that? | 0:14:46 | 0:14:48 | |
He was my teacher. He was my friend. | 0:14:48 | 0:14:51 | |
-OK. I was just joking. -But why? | 0:14:51 | 0:14:56 | |
What's so funny? | 0:14:56 | 0:14:58 | |
I don't understand. | 0:14:58 | 0:15:00 | |
We just did something special. Why do you make it cheap? | 0:15:02 | 0:15:08 | |
I suppose I do sometimes. | 0:15:08 | 0:15:10 | |
I'm sorry. | 0:15:18 | 0:15:20 | |
Really. | 0:15:23 | 0:15:26 | |
I'm sorry, OK? | 0:15:26 | 0:15:30 | |
How did you know? | 0:15:31 | 0:15:33 | |
About me, that I was like this? | 0:15:33 | 0:15:36 | |
Just experience, that's all. | 0:15:38 | 0:15:40 | |
So... | 0:15:40 | 0:15:42 | |
-anyone looking at me, would they know? -No. | 0:15:42 | 0:15:46 | |
Trust me, you're safe. | 0:15:46 | 0:15:49 | |
-OK. -People wouldn't know if you don't want them to know. | 0:15:49 | 0:15:52 | |
-OK. -OK. -OK then. -OK. | 0:15:52 | 0:15:55 | |
But you too mostly. | 0:15:55 | 0:15:57 | |
Most of the time. | 0:15:57 | 0:16:00 | |
Keep your hands down maybe. | 0:16:00 | 0:16:02 | |
I really don't care what people know. | 0:16:05 | 0:16:07 | |
Where are you from? | 0:16:14 | 0:16:17 | |
Italian visa, British passport. | 0:16:17 | 0:16:20 | |
A magical island called Torchwood. | 0:16:20 | 0:16:23 | |
What does that mean? | 0:16:23 | 0:16:25 | |
You keep saying things that don't make sense. | 0:16:25 | 0:16:28 | |
You'll learn to love it. | 0:16:31 | 0:16:32 | |
It makes me more interesting. | 0:16:34 | 0:16:36 | |
FIREWORKS | 0:16:40 | 0:16:43 | |
What's that? | 0:16:43 | 0:16:44 | |
No, really, there are bombs! | 0:16:47 | 0:16:50 | |
Welcome to America, Angelo. | 0:16:54 | 0:16:56 | |
Happy 4th of July. | 0:16:58 | 0:17:00 | |
-RADIO: 'Another non-stop hour of music, weather...' -SWITCHES STATION | 0:17:07 | 0:17:10 | |
'..and allegations continue to surface | 0:17:10 | 0:17:13 | |
'about procedures at the new medical facilities. | 0:17:13 | 0:17:16 | |
'But Oswald Danes has released a statement in which he says | 0:17:16 | 0:17:19 | |
'that a global emergency calls for emergency measures | 0:17:19 | 0:17:23 | |
'and he advocated a swift return to the category policy.' | 0:17:23 | 0:17:27 | |
I'm tied down. | 0:17:27 | 0:17:29 | |
-Why am I tied down? -They're in my eyes. -What? | 0:17:29 | 0:17:32 | |
They're in my eyes. The contacts. They're in my eyes. | 0:17:32 | 0:17:35 | |
Somebody's taken Anwen, Rhys, my mother, the whole bloody family. | 0:17:35 | 0:17:37 | |
And they've said if I bring you, they'll let them go unharmed. | 0:17:37 | 0:17:40 | |
Don't try moving. You'll never get out of those knots. | 0:17:40 | 0:17:44 | |
My hands are asleep. | 0:17:46 | 0:17:49 | |
And my feet. You tied my feet? | 0:17:49 | 0:17:50 | |
Of course I did, stupid. Otherwise you'd get out of the car, | 0:17:50 | 0:17:53 | |
knock me out and turn the car around. | 0:17:53 | 0:17:54 | |
Are you sure they have your family? | 0:17:56 | 0:17:58 | |
I phoned 100 times. | 0:17:58 | 0:17:59 | |
There's no reply. | 0:17:59 | 0:18:02 | |
They've got them. | 0:18:02 | 0:18:04 | |
I want to talk to the lenses. Look at me so I can talk to them. | 0:18:04 | 0:18:06 | |
Why do you always keep thinking you can tell me what to do? | 0:18:06 | 0:18:08 | |
Pull over or look into the rearview. | 0:18:08 | 0:18:11 | |
Just please, let me talk to them. | 0:18:11 | 0:18:13 | |
Don't cock this up, OK? | 0:18:14 | 0:18:16 | |
Listen, whoever you are, there's more than one way to play this. | 0:18:19 | 0:18:23 | |
-Are you listening? -Yeah, there's a cursor. They're there. | 0:18:24 | 0:18:28 | |
You want me? Let her family go and I'll come to you alone. | 0:18:28 | 0:18:33 | |
-Tell them they can have me too. -No, just me. | 0:18:33 | 0:18:36 | |
Let Rhys go, let Anwen go, | 0:18:36 | 0:18:38 | |
let her mother go free. | 0:18:38 | 0:18:40 | |
You guys, you know what? Here I am. You got me. | 0:18:40 | 0:18:44 | |
Nothing. | 0:18:44 | 0:18:46 | |
-Give them a minute. -There's just nothing now. | 0:18:46 | 0:18:48 | |
-Maybe they're thinking about it. -My mother's name is Mary. Mary! | 0:18:48 | 0:18:52 | |
You've known me all this time and you can't remember her name? | 0:18:52 | 0:18:54 | |
All right, I'm sorry, OK? | 0:18:54 | 0:18:56 | |
Yeah. Well, you should be, because this is all your fault. | 0:18:56 | 0:18:58 | |
-They want to kill you, but why do they want to do that? -I don't know. | 0:18:58 | 0:19:02 | |
-What have you done? -I don't know. | 0:19:02 | 0:19:05 | |
Well, you've done something, haven't you? Way back when in that long bloody life of yours. | 0:19:05 | 0:19:08 | |
God, you've lived so long you can't remember half of it. Now you think. | 0:19:08 | 0:19:11 | |
Think! What the hell have you done? | 0:19:11 | 0:19:15 | |
I love this. I love weddings. | 0:19:19 | 0:19:22 | |
I don't believe in marriage. | 0:19:22 | 0:19:23 | |
So young, so handsome and so cynical. | 0:19:23 | 0:19:26 | |
Look at them. | 0:19:28 | 0:19:31 | |
-What are their chances? -That's what makes it so brave and wonderful... | 0:19:31 | 0:19:34 | |
making a promise and going forward. | 0:19:34 | 0:19:37 | |
It doesn't matter what happens in the future. | 0:19:37 | 0:19:39 | |
Right now it's real and it happens and it's true. | 0:19:39 | 0:19:43 | |
You're catholic, right? Do you want to kneel down like that? | 0:19:45 | 0:19:52 | |
He doesn't hear me. | 0:19:52 | 0:19:54 | |
He doesn't hear you? Why? | 0:19:54 | 0:19:58 | |
You know why. | 0:19:58 | 0:19:59 | |
That's our padre. Wait here. | 0:20:04 | 0:20:05 | |
Forgive me, Father, for I have sinned so many times, and that's just today. | 0:20:09 | 0:20:15 | |
It's been about 700 years since my last confession. | 0:20:17 | 0:20:23 | |
Where do I start? | 0:20:23 | 0:20:25 | |
How about the triplets? | 0:20:26 | 0:20:29 | |
Or the naked circus? | 0:20:29 | 0:20:30 | |
Or that Sapphic leapfrog jamboree? | 0:20:30 | 0:20:33 | |
Ahem. No. | 0:20:36 | 0:20:39 | |
Let's just start with the sin of "Father Timothy sent me." | 0:20:40 | 0:20:46 | |
-You're Jack Harkness? -Good to see you, Father. | 0:20:51 | 0:20:54 | |
I believe we're going to talk business. | 0:20:54 | 0:20:56 | |
The Volstead Act makes an exception for sacramental wines. | 0:20:56 | 0:21:00 | |
And the brothers upstate produce more than we can use. | 0:21:00 | 0:21:03 | |
The extra income feeds a lot of widows and orphans, I'm sure. | 0:21:03 | 0:21:08 | |
Yes, I'm doing this entirely for charity, every last cent. | 0:21:08 | 0:21:12 | |
It's not very good. | 0:21:12 | 0:21:14 | |
It's the blood of Christ, Angelo. I'm sure it's good enough. | 0:21:14 | 0:21:17 | |
This is just a sample. | 0:21:17 | 0:21:18 | |
If you make enough profit, we'll start delivering crates. | 0:21:18 | 0:21:22 | |
We should figure out a system. Hey, what are you doing? Who are you? | 0:21:22 | 0:21:27 | |
It's OK. Let them take us, Angelo. It's OK. | 0:21:27 | 0:21:29 | |
Where are they taking us? | 0:21:29 | 0:21:31 | |
I don't know where. Just east. | 0:21:33 | 0:21:35 | |
Did they say get on the 10 going east? | 0:21:35 | 0:21:38 | |
Or on the eastbound 10 Freeway, or what? | 0:21:38 | 0:21:40 | |
If they said highway, they could be from back east. | 0:21:40 | 0:21:45 | |
If their grammar was wrong, it could mean that English is not their first language. | 0:21:45 | 0:21:48 | |
I didn't notice anything wrong with it. | 0:21:48 | 0:21:49 | |
You're Welsh. You wouldn't notice if the vowels were missing. | 0:21:49 | 0:21:51 | |
Button it! | 0:21:51 | 0:21:53 | |
Hey, you've got a gun, haven't you? | 0:21:57 | 0:21:58 | |
-You could smuggle it back here to me. -It's gone. | 0:21:58 | 0:22:01 | |
They made me leave it behind. Just give it up, Jack, with all this planning, OK? | 0:22:01 | 0:22:04 | |
Because if there was a way out of this, I can guarantee you I would have thought of it. | 0:22:04 | 0:22:08 | |
Gwen, I shouldn't... There are reasons I shouldn't even say this... | 0:22:12 | 0:22:16 | |
secrets... | 0:22:16 | 0:22:18 | |
but we could find Anwen. | 0:22:18 | 0:22:21 | |
My wrist strap, it could find her. | 0:22:21 | 0:22:23 | |
-We could save her. -What? | 0:22:23 | 0:22:28 | |
It's coded to my DNA. | 0:22:28 | 0:22:30 | |
And it resonates to anything close to my DNA. | 0:22:30 | 0:22:34 | |
-If you are using my daughter as leverage, I swear to God I will kill you myself. -Listen to me. | 0:22:34 | 0:22:37 | |
If we recode it to your DNA, then Anwen is a close match. | 0:22:37 | 0:22:42 | |
It would respond to her. Like a tracker. | 0:22:42 | 0:22:45 | |
We could save her together. We could rescue her. | 0:22:45 | 0:22:48 | |
-You could do that? You could do that recode thing? -Yes. | 0:22:48 | 0:22:52 | |
A drop of your blood. A single cell would do, but a drop would be easier. | 0:22:52 | 0:22:56 | |
-Let's do it. -Pull over. | 0:22:56 | 0:22:58 | |
OK, let's do it. I'll have to untie you. | 0:22:58 | 0:23:00 | |
One hand for just a second, all right, Gwen? | 0:23:00 | 0:23:04 | |
I'd be saving Anwen. | 0:23:04 | 0:23:06 | |
You bastard. | 0:23:16 | 0:23:18 | |
Nice try. | 0:23:18 | 0:23:19 | |
Oh, mm-hmm. | 0:23:25 | 0:23:27 | |
Whoever this is, they know you. | 0:23:27 | 0:23:31 | |
So, Mr Harkness and his acolyte. | 0:23:38 | 0:23:41 | |
-Yeah, and who are you? -Your friend thinks he's funny. | 0:23:41 | 0:23:44 | |
He doesn't. He isn't. He's sorry. This is Sal Maranzano. | 0:23:44 | 0:23:47 | |
-You were going to undercut my price. -We found some untapped resource. | 0:23:47 | 0:23:50 | |
Rumour is you two are a pair of finocchi. | 0:23:50 | 0:23:53 | |
That's not a rumour. That's a boast. | 0:23:55 | 0:23:57 | |
And if you were really upset about some small-time competition, | 0:23:57 | 0:24:01 | |
it'd already be hailing bullets. | 0:24:01 | 0:24:04 | |
So we're here for another reason. | 0:24:04 | 0:24:05 | |
-I don't think so. Take 'em, kill 'em. -Give us a try, Maranzano. | 0:24:05 | 0:24:10 | |
You need men like us, off the grid. | 0:24:10 | 0:24:14 | |
Men who could never be traced back to you. | 0:24:14 | 0:24:16 | |
So whatever it is you need, Sal, no matter how dangerous it is, | 0:24:16 | 0:24:19 | |
no matter how strange it is, | 0:24:19 | 0:24:21 | |
you just found the right men. | 0:24:21 | 0:24:23 | |
There's a box in a warehouse | 0:24:27 | 0:24:29 | |
that needs to find its way to another warehouse. | 0:24:29 | 0:24:32 | |
You can count on us. | 0:24:32 | 0:24:33 | |
You will not look in the box. | 0:24:35 | 0:24:37 | |
Sure thing. | 0:24:37 | 0:24:39 | |
You will swear on everything that is holy | 0:24:41 | 0:24:47 | |
you will deliver the box, but you will not look inside. | 0:24:47 | 0:24:51 | |
I promise. | 0:24:53 | 0:24:54 | |
Then we got a deal. | 0:24:58 | 0:24:59 | |
Tomorrow night, Gallaco Wharf, Bay Five. | 0:25:03 | 0:25:07 | |
Get going. Get lost. | 0:25:09 | 0:25:12 | |
You're running away? | 0:25:15 | 0:25:18 | |
No. | 0:25:18 | 0:25:20 | |
That's mine. | 0:25:20 | 0:25:22 | |
What are you doing? | 0:25:22 | 0:25:23 | |
You're packing my things! | 0:25:23 | 0:25:25 | |
You need to go now. There's a plan. | 0:25:25 | 0:25:28 | |
And I'm not part of your plan? Look at your hands. Not a scar on them. | 0:25:28 | 0:25:32 | |
I'm tougher than you. | 0:25:32 | 0:25:34 | |
Maranzano's people have stumbled across something | 0:25:34 | 0:25:37 | |
they're not supposed to have. I've got to stop them. | 0:25:37 | 0:25:40 | |
You made this happen? | 0:25:40 | 0:25:43 | |
You've planned this. | 0:25:45 | 0:25:47 | |
Since when? Since you got on the boat to America? | 0:25:47 | 0:25:50 | |
Just get out town, Angelo. | 0:25:50 | 0:25:51 | |
These people are bad. You don't want to be on their list. | 0:25:51 | 0:25:54 | |
-Get far away. -Who are you doing this for? | 0:25:54 | 0:25:56 | |
The government in England? Or the other thing you said, Torchwood? | 0:25:56 | 0:26:00 | |
For the train. Go to the west coast. | 0:26:00 | 0:26:02 | |
You're handsome enough. Get into the movies. | 0:26:02 | 0:26:05 | |
I'm not letting you send me away. | 0:26:05 | 0:26:07 | |
Why? Because you wouldn't know how to get another man? | 0:26:07 | 0:26:09 | |
-Because you're not brave enough? -You think I'm with you because it's easy? | 0:26:09 | 0:26:12 | |
It's not easy, trust me. | 0:26:12 | 0:26:14 | |
I know. I hear the beads clicking at night, Angelo. | 0:26:14 | 0:26:17 | |
Everything we do, you ask for forgiveness afterwards. | 0:26:17 | 0:26:20 | |
That's just sex. Imagine if it was love. | 0:26:20 | 0:26:23 | |
What would he say then, your God? | 0:26:23 | 0:26:24 | |
What would he say if two men could love? | 0:26:24 | 0:26:26 | |
Oh, but no. No, that's impossible. | 0:26:26 | 0:26:30 | |
And if it's impossible, then you can't stay with me. | 0:26:30 | 0:26:33 | |
You... | 0:26:33 | 0:26:35 | |
you're an ass. | 0:26:35 | 0:26:37 | |
For a man who knows a lot of things, you're not so bright. | 0:26:37 | 0:26:40 | |
Think about it. | 0:26:40 | 0:26:42 | |
I grew up in a village with 200 people. | 0:26:42 | 0:26:45 | |
Only 200. | 0:26:45 | 0:26:47 | |
The sun would rise and the sun would set over the same 200 people. | 0:26:47 | 0:26:52 | |
And that was it. That was my world. | 0:26:52 | 0:26:55 | |
And look at me now. | 0:26:55 | 0:26:58 | |
I'm a bootlegger in New York City with you in my bed. | 0:26:58 | 0:27:03 | |
You think any of your secrets can change my life more than it's already changed? | 0:27:03 | 0:27:07 | |
And yes, I... | 0:27:07 | 0:27:09 | |
I feel guilty about what we do. | 0:27:09 | 0:27:11 | |
It hasn't made me stop doing it. | 0:27:11 | 0:27:15 | |
Besides, I always hoped... | 0:27:37 | 0:27:40 | |
..if God is love, | 0:27:42 | 0:27:44 | |
maybe... | 0:27:44 | 0:27:46 | |
he loves me too. | 0:27:46 | 0:27:48 | |
That's blasphemy. | 0:27:48 | 0:27:50 | |
I think that's Christianity. | 0:27:50 | 0:27:52 | |
You're unpacking my things? | 0:28:13 | 0:28:17 | |
I've got this friend. | 0:28:17 | 0:28:19 | |
He's called The Doctor. | 0:28:21 | 0:28:22 | |
He explores the world... | 0:28:24 | 0:28:26 | |
..with a companion. | 0:28:28 | 0:28:30 | |
It looks nice. | 0:28:33 | 0:28:35 | |
Are you saying that I can stay? | 0:28:38 | 0:28:40 | |
Maybe. | 0:28:42 | 0:28:44 | |
Oh, Dio. | 0:29:13 | 0:29:15 | |
What's all this? | 0:29:15 | 0:29:16 | |
Ammonia refrigeration. Of course! | 0:29:16 | 0:29:19 | |
The best they could do in 1927. | 0:29:19 | 0:29:23 | |
They said, "Don't look in the box." | 0:29:23 | 0:29:25 | |
-Yeah, right. -What is it? What's inside? -Someone... | 0:29:25 | 0:29:29 | |
Someone way above Maranzano, they found something, a weapon. | 0:29:29 | 0:29:33 | |
They told Maranzano to hold it untill after the next state election, then ship it to Albany. | 0:29:33 | 0:29:38 | |
Maranzano doesn't know what he's got, but he's terrified of it. | 0:29:38 | 0:29:43 | |
Can't say I blame him. | 0:29:44 | 0:29:48 | |
No. No, that's... | 0:29:48 | 0:29:51 | |
What? | 0:29:51 | 0:29:52 | |
Er, it's a parasite. Like a bug. | 0:29:53 | 0:29:57 | |
A parasite? | 0:29:57 | 0:30:00 | |
-Tell me more about it. -Good man. | 0:30:00 | 0:30:04 | |
It's a species of brainspawn treated as vermin on more than 150 planets that I know of. | 0:30:04 | 0:30:11 | |
And valued as dinner on one other. | 0:30:11 | 0:30:15 | |
It tastes like oysters. | 0:30:15 | 0:30:16 | |
-You did not. -I had to be polite. | 0:30:16 | 0:30:19 | |
Now this part drills into the brain of the host and deposits its larvae there... | 0:30:22 | 0:30:27 | |
little worms, | 0:30:27 | 0:30:29 | |
sharp as needles, pushing into the brain very slowly. | 0:30:29 | 0:30:34 | |
You go insane, but it takes years. | 0:30:34 | 0:30:37 | |
Franklin Roosevelt, he's going to be elected governor of New York this November. | 0:30:37 | 0:30:42 | |
But he wouldn't start making the really crazy decisions until his second term as president. | 0:30:42 | 0:30:47 | |
Result... America destabilizes, pulls out of the war, Germany rises, | 0:30:47 | 0:30:52 | |
the Third Reich triumphant and there's a whole new history sprawling out. | 0:30:52 | 0:30:57 | |
You mean someone is changing the future? | 0:30:57 | 0:30:59 | |
Destroying it. | 0:30:59 | 0:31:01 | |
Turning order into chaos and feeding off the results. | 0:31:01 | 0:31:04 | |
Who would do such a thing? These people above Maranzano? | 0:31:04 | 0:31:08 | |
They're just being used by someone called The Trickster's Brigade. | 0:31:08 | 0:31:12 | |
Believe me, you don't want to meet them. | 0:31:12 | 0:31:14 | |
What sort of men are they? | 0:31:14 | 0:31:16 | |
They're not men at all. They're not even human. | 0:31:16 | 0:31:21 | |
OK. OK. | 0:31:21 | 0:31:26 | |
Ah, he likes you. | 0:31:26 | 0:31:28 | |
But it's cold, yeah? So it's safe. | 0:31:28 | 0:31:31 | |
-HISSING -Oh, Dio! | 0:31:31 | 0:31:33 | |
Ha! | 0:31:35 | 0:31:36 | |
That'll dissolve it. | 0:31:40 | 0:31:43 | |
-Ah. -So...the mission is complete. | 0:31:43 | 0:31:48 | |
We just saved the world, Angelo. | 0:31:48 | 0:31:50 | |
-And no-one will ever know. -Then, did I pass? | 0:31:50 | 0:31:54 | |
Can I stay with you like the doctor? | 0:31:54 | 0:31:57 | |
Learn all the secrets? | 0:31:57 | 0:31:59 | |
ALARM BELL RINGS Here's one of the secrets... | 0:31:59 | 0:32:01 | |
run! | 0:32:01 | 0:32:02 | |
Quick. Come on, up. | 0:32:14 | 0:32:16 | |
-Go. -Hold it! Stop right there! | 0:32:16 | 0:32:18 | |
Take my hand. | 0:32:18 | 0:32:20 | |
Ah! | 0:32:20 | 0:32:21 | |
-Grab my hand! -CAPTAIN JACK PANTS | 0:32:22 | 0:32:25 | |
-GUNSHOT -No! | 0:32:25 | 0:32:26 | |
DOG BARKS | 0:32:32 | 0:32:33 | |
WHISTLING | 0:32:36 | 0:32:39 | |
THEY SHOUT OVER EACH OTHER | 0:32:41 | 0:32:44 | |
All right, get him in there. | 0:32:57 | 0:33:00 | |
Get him up the stairs. Step up. | 0:33:00 | 0:33:02 | |
Jack. | 0:33:02 | 0:33:03 | |
Meat cart is on the way for the other one. | 0:33:06 | 0:33:09 | |
You'd better take the main gate. Off you go. | 0:33:09 | 0:33:12 | |
SIREN WAILS | 0:33:12 | 0:33:14 | |
HE GASPS | 0:33:22 | 0:33:24 | |
-It's me. -What do you mean? | 0:33:48 | 0:33:51 | |
It's me. I caused this. | 0:33:51 | 0:33:53 | |
I made this happen. | 0:33:53 | 0:33:56 | |
I knew Torchwood was toxic | 0:33:57 | 0:33:59 | |
right from the moment I joined up, the very first day, but... | 0:33:59 | 0:34:03 | |
I stayed. | 0:34:03 | 0:34:05 | |
I'm glad you did. | 0:34:08 | 0:34:10 | |
Yeah! Stop being so nice. | 0:34:10 | 0:34:13 | |
We left nice behind 100 miles back. | 0:34:13 | 0:34:15 | |
I'm trying to be honest, OK? | 0:34:15 | 0:34:17 | |
Because do you know what the worst thing is of all? | 0:34:17 | 0:34:21 | |
Out of all the shit we have seen, all the bloodshed, | 0:34:21 | 0:34:24 | |
all the horror, do you know what is worse than all of that? | 0:34:24 | 0:34:28 | |
I loved it. | 0:34:30 | 0:34:32 | |
I bloody loved it. | 0:34:37 | 0:34:40 | |
And I'd keep telling Rhys I was sorry | 0:34:40 | 0:34:43 | |
and I'd say to little Anwen I'm sorry, but I loved it so much. | 0:34:43 | 0:34:49 | |
I knew things no-one else knew and, oh, I felt so special. | 0:34:49 | 0:34:53 | |
And when we lost people, it was so big | 0:34:56 | 0:34:59 | |
and I could say it was worth it, because the bigger it was, | 0:34:59 | 0:35:04 | |
the more important I was. | 0:35:04 | 0:35:06 | |
And the more people we lost, | 0:35:06 | 0:35:09 | |
the more that meant I was a survivor and I was better than them. | 0:35:09 | 0:35:12 | |
My God, this is all my fault. | 0:35:12 | 0:35:13 | |
And now they've got my beautiful little girl | 0:35:13 | 0:35:16 | |
and I wished this on her. | 0:35:16 | 0:35:17 | |
I used to think the same about Torchwood. | 0:35:17 | 0:35:20 | |
Have you got what I'm saying to you, Jack? | 0:35:20 | 0:35:22 | |
What I'm saying is, no more. | 0:35:22 | 0:35:25 | |
Cos I know exactly what you're thinking, Jack Harkness. I know it. | 0:35:25 | 0:35:29 | |
"She won't do this. | 0:35:29 | 0:35:30 | |
"Not really. Not my Gwen. | 0:35:30 | 0:35:32 | |
"No, Gwen, she can't hurt me. | 0:35:32 | 0:35:34 | |
"Gwen loves me. She'd never hand me in." | 0:35:34 | 0:35:37 | |
Well, this is about my daughter. | 0:35:37 | 0:35:40 | |
And I swear, for her sake, I will see you killed like a dog | 0:35:40 | 0:35:44 | |
right in front of me if it means her back in my arms. Understood? | 0:35:44 | 0:35:48 | |
Understood. | 0:35:48 | 0:35:49 | |
And let me tell you, | 0:35:52 | 0:35:54 | |
now that I'm mortal, | 0:35:54 | 0:35:56 | |
I'm going to hang on to this with everything I've got. | 0:35:56 | 0:35:59 | |
I love you, Gwen Cooper, but I will rip your skin from your skull | 0:35:59 | 0:36:02 | |
before I let you take this away from me. | 0:36:02 | 0:36:05 | |
Understood? | 0:36:05 | 0:36:06 | |
Understood. | 0:36:06 | 0:36:08 | |
I feel like I know you now better than I've ever done before. | 0:36:17 | 0:36:20 | |
Yeah. | 0:36:23 | 0:36:25 | |
-Right at the end. -Mmm. | 0:36:26 | 0:36:29 | |
Right at the end. | 0:36:31 | 0:36:32 | |
Nice suit. | 0:36:43 | 0:36:45 | |
Look, it's all right. Don't panic. | 0:36:48 | 0:36:51 | |
-It's me. I'm the same man. -I saw you. | 0:36:51 | 0:36:54 | |
-I saw you get shot. -I got better. | 0:36:54 | 0:36:57 | |
You got shot in the head. | 0:36:57 | 0:37:00 | |
I saw it. I saw the blood. | 0:37:00 | 0:37:02 | |
I saw your body. | 0:37:02 | 0:37:05 | |
-Want to see it again? -Shut up, Jack! | 0:37:05 | 0:37:08 | |
This is so wrong. | 0:37:11 | 0:37:14 | |
Tell me what happened. | 0:37:18 | 0:37:21 | |
You were dead. | 0:37:23 | 0:37:25 | |
Clearly, I wasn't. | 0:37:25 | 0:37:27 | |
I was playing dead. | 0:37:27 | 0:37:30 | |
Then I cleared out. | 0:37:30 | 0:37:32 | |
-I went to Los Angeles. -No, I saw you dead. | 0:37:32 | 0:37:35 | |
But I'm alive. | 0:37:35 | 0:37:37 | |
Feel. | 0:37:40 | 0:37:42 | |
You wanted to learn the secrets? | 0:37:42 | 0:37:44 | |
This is the best secret of all. | 0:37:46 | 0:37:48 | |
You're alive. | 0:37:50 | 0:37:51 | |
I'm alive. | 0:37:54 | 0:37:56 | |
I came back, Angelo. I came back for you. Believe me, I have never done that before. | 0:38:01 | 0:38:06 | |
I-I even got us that same old room. | 0:38:06 | 0:38:09 | |
You came back for me? | 0:38:10 | 0:38:12 | |
Yes. Yes, I did. | 0:38:12 | 0:38:16 | |
You don't know whether to hit me or to kiss me, do you? | 0:38:16 | 0:38:20 | |
Come on, | 0:38:20 | 0:38:22 | |
you can try both. | 0:38:22 | 0:38:24 | |
No scars. | 0:38:30 | 0:38:32 | |
You keep learning. | 0:38:32 | 0:38:34 | |
No. | 0:38:36 | 0:38:38 | |
I don't know what you are. | 0:38:38 | 0:38:40 | |
I'm Jack. | 0:38:42 | 0:38:44 | |
That's not the answer. | 0:38:44 | 0:38:47 | |
It's an answer. | 0:38:47 | 0:38:49 | |
First of many. | 0:38:49 | 0:38:51 | |
Come on. | 0:38:51 | 0:38:53 | |
You've been locked away for a year. | 0:38:53 | 0:38:55 | |
I know you like this. | 0:38:55 | 0:38:58 | |
I can feel that you like this. | 0:39:01 | 0:39:03 | |
Grab my hand! No! | 0:39:11 | 0:39:13 | |
DOG BARKS, SIRENS WAIL | 0:39:14 | 0:39:17 | |
What the hell, Angelo?! | 0:39:26 | 0:39:28 | |
What did you do? | 0:39:28 | 0:39:31 | |
Il diavolo! | 0:39:31 | 0:39:32 | |
I am not the devil. | 0:39:32 | 0:39:34 | |
It's the only way. The devil seduces with confidence. | 0:39:34 | 0:39:38 | |
No. No! | 0:39:38 | 0:39:41 | |
Stay away from me, devil! | 0:39:43 | 0:39:46 | |
Ah! | 0:39:46 | 0:39:48 | |
God! | 0:39:48 | 0:39:50 | |
HE GASPS, SHE SCREAMS | 0:40:10 | 0:40:13 | |
-Il diavolo! -Jack. | 0:40:13 | 0:40:17 | |
Il diavolo! | 0:40:17 | 0:40:19 | |
Ah! | 0:40:19 | 0:40:20 | |
I don't understand. Angelo, I don't understand. What did he do? | 0:40:22 | 0:40:26 | |
-We can show you. -E'un miracolo. -A miracle? | 0:40:26 | 0:40:31 | |
I want to see. Do it again. | 0:40:31 | 0:40:35 | |
HE SPEAKS ITALIAN | 0:40:36 | 0:40:39 | |
No. | 0:40:46 | 0:40:47 | |
No. | 0:40:48 | 0:40:50 | |
SHE SPEAKS ITALIAN | 0:41:01 | 0:41:05 | |
HE GASPS | 0:41:05 | 0:41:06 | |
-CROWD GASPS -Diavolo! | 0:41:06 | 0:41:08 | |
Angelo! | 0:41:08 | 0:41:11 | |
Angelo! | 0:41:12 | 0:41:14 | |
Don't go! | 0:41:15 | 0:41:17 | |
JACK SCREAMS | 0:41:32 | 0:41:34 | |
I don't know. | 0:41:40 | 0:41:41 | |
I just don't know what it is. | 0:41:44 | 0:41:46 | |
Hmm. How much is the butcher asking? | 0:41:46 | 0:41:49 | |
10,000. Not too much for something with so much potential. | 0:41:49 | 0:41:55 | |
And we'd own him...together? | 0:41:55 | 0:41:58 | |
A partnership. What do you say? | 0:41:58 | 0:42:03 | |
Agreed. | 0:42:08 | 0:42:10 | |
Agreed. | 0:42:10 | 0:42:12 | |
Agreed. | 0:42:12 | 0:42:14 | |
This is it. | 0:42:28 | 0:42:31 | |
It's been a long time coming. | 0:42:31 | 0:42:34 | |
All those years. | 0:42:34 | 0:42:36 | |
What's the most beautiful thing you've ever seen? Not just on Earth. | 0:42:37 | 0:42:41 | |
I'm not giving final speeches. | 0:42:41 | 0:42:43 | |
Just tell me, anywhere in the universe. | 0:42:43 | 0:42:46 | |
I saw a firebird once... | 0:42:53 | 0:42:54 | |
a tiny little thing, | 0:42:54 | 0:42:56 | |
even smaller than a hummingbird. | 0:42:56 | 0:42:58 | |
-Oh, yeah? -Literally made of fire. | 0:42:58 | 0:43:01 | |
It only lives for a minute. | 0:43:04 | 0:43:05 | |
It blazes different colours and sings. | 0:43:05 | 0:43:09 | |
It gets so bright you have to close your eyes. | 0:43:12 | 0:43:15 | |
And when you open them, it's gone. | 0:43:17 | 0:43:19 | |
Oh. | 0:43:19 | 0:43:20 | |
But the image stays behind your eyelids for longer than it was alive. | 0:43:23 | 0:43:28 | |
Tell me another one. | 0:43:28 | 0:43:30 | |
-I've said enough. -No, go on, tell me. Just tell me about your life, all the things that you've never said. | 0:43:30 | 0:43:36 | |
How many children did you have, Jack? | 0:43:36 | 0:43:38 | |
I've lived a lot of lifetimes. I can't tell you everything. | 0:43:38 | 0:43:40 | |
A lot of lifetimes. That's a consolation, isn't it? Is it? | 0:43:40 | 0:43:44 | |
When you've had more lives than anyone? | 0:43:44 | 0:43:46 | |
It's not enough. | 0:43:46 | 0:43:48 | |
-I don't want to die. -I know. | 0:43:51 | 0:43:53 | |
I'm so sorry, Jack. | 0:43:57 | 0:43:59 | |
It just... | 0:43:59 | 0:44:01 | |
It went crazy, like bloodlust. | 0:44:01 | 0:44:03 | |
-I was so scared. -Aren't you going to take the wrist strap? | 0:44:05 | 0:44:10 | |
I'm a good thief. I could have taken it any night. | 0:44:10 | 0:44:12 | |
You'd better clean up. | 0:44:12 | 0:44:14 | |
We've got to go. Can you stand? | 0:44:16 | 0:44:18 | |
Give me a minute. | 0:44:18 | 0:44:20 | |
I bought some inattention from Nico, | 0:44:31 | 0:44:34 | |
the guy who's supposed to be watching you, | 0:44:34 | 0:44:36 | |
but it won't last forever. | 0:44:36 | 0:44:38 | |
You can put these on. | 0:44:38 | 0:44:39 | |
Who were the three men? | 0:44:41 | 0:44:44 | |
What men? | 0:44:44 | 0:44:45 | |
There were three men. | 0:44:45 | 0:44:48 | |
Like they were making... | 0:44:48 | 0:44:51 | |
an agreement. | 0:44:51 | 0:44:53 | |
I don't know. Hurry up. | 0:44:53 | 0:44:55 | |
Hurry, there's a train out tonight! | 0:45:04 | 0:45:06 | |
Train where? Where are we going? | 0:45:06 | 0:45:08 | |
Like you said, we'll go to the west coast, Los Angeles, together. | 0:45:08 | 0:45:12 | |
Jack! | 0:45:15 | 0:45:19 | |
Jack! | 0:45:20 | 0:45:22 | |
Where are you going? | 0:45:25 | 0:45:27 | |
I left something here. | 0:45:27 | 0:45:28 | |
You left something in a vent on a roof? | 0:45:31 | 0:45:33 | |
Ha! Never go far without it. | 0:45:34 | 0:45:38 | |
OK, but now we go. | 0:45:45 | 0:45:47 | |
I'm going, yeah. Time to move on. | 0:45:47 | 0:45:50 | |
But not with you. | 0:45:51 | 0:45:53 | |
I'm sorry. | 0:45:58 | 0:45:59 | |
I was terrified, Jack. They said you were the devil, | 0:46:01 | 0:46:03 | |
but other people said you were a blessing. | 0:46:03 | 0:46:06 | |
Something happened to me once, | 0:46:06 | 0:46:08 | |
a long way away. | 0:46:08 | 0:46:10 | |
Time itself changed me to a fixed point. And now I can't die. | 0:46:10 | 0:46:16 | |
I suffer and I perish, | 0:46:16 | 0:46:20 | |
but I always come back. | 0:46:20 | 0:46:22 | |
I've lived through a lot of Earth's past and a lot of its future. | 0:46:22 | 0:46:27 | |
And I'll keep on living this life forever. | 0:46:27 | 0:46:30 | |
-In the future, are we together? -What does it matter? -Are we together? | 0:46:30 | 0:46:33 | |
We can't be, cos one day you're going to die and I won't. | 0:46:33 | 0:46:36 | |
Then we forget the future. | 0:46:36 | 0:46:39 | |
We make the moment now. | 0:46:39 | 0:46:41 | |
We make a promise and we go forward. | 0:46:41 | 0:46:44 | |
-Angelo, don't. -What? You're lonely, too. | 0:46:44 | 0:46:47 | |
-You said you want a companion. -Don't make me do this. -You're not going without me! | 0:46:47 | 0:46:50 | |
-Just let me go. -But you can't! I'm never going to let you go. | 0:46:50 | 0:46:54 | |
I could travel this whole wide world, but where would I find another man like you? | 0:46:54 | 0:46:59 | |
Please, don't leave me on my own. | 0:46:59 | 0:47:03 | |
I'm sorry, Angelo, | 0:47:06 | 0:47:08 | |
but this is the story of my life. | 0:47:08 | 0:47:12 | |
It always ends the same way. | 0:47:12 | 0:47:15 | |
You kill me. | 0:47:18 | 0:47:20 | |
Men like you... | 0:47:29 | 0:47:30 | |
..you kill me. | 0:47:32 | 0:47:33 | |
No! | 0:47:35 | 0:47:37 | |
No! No! | 0:47:42 | 0:47:44 | |
No, Jack! | 0:47:44 | 0:47:47 | |
-Know her? -No. | 0:48:25 | 0:48:26 | |
-OK. -Thank you. | 0:48:26 | 0:48:28 | |
You followed the instructions, as far as I can tell. | 0:48:28 | 0:48:32 | |
Captain Harkness, | 0:48:32 | 0:48:34 | |
the last mortal man. | 0:48:34 | 0:48:37 | |
It has been a long journey. | 0:48:37 | 0:48:39 | |
-GUNSHOT -What the hell?! | 0:48:44 | 0:48:46 | |
Find out who that is! | 0:48:46 | 0:48:47 | |
-It's on you. -Who is it? | 0:48:47 | 0:48:50 | |
What the hell are they doing?! | 0:48:50 | 0:48:53 | |
GUN COCKS | 0:48:53 | 0:48:55 | |
Gotcha. | 0:48:55 | 0:48:56 | |
Bad day, Gwen? | 0:48:56 | 0:48:59 | |
BEEPING | 0:49:00 | 0:49:02 | |
-Rex. -Yeah? | 0:49:16 | 0:49:18 | |
Rex, you gotta see this. I was just checking the cache on the I-5s. | 0:49:18 | 0:49:22 | |
Look what it says. | 0:49:22 | 0:49:23 | |
-Can we track them? -Yes. | 0:49:24 | 0:49:27 | |
Oh, Gwen! | 0:49:27 | 0:49:28 | |
You ready? | 0:49:28 | 0:49:29 | |
I'm ready. | 0:49:29 | 0:49:31 | |
Must be Rex and Esther. | 0:49:31 | 0:49:33 | |
-She's still got Anwen. -Not for long. | 0:49:33 | 0:49:35 | |
Uh, you've got a little something on you there. | 0:49:35 | 0:49:39 | |
Now unless you want to be diagnosed Category One... | 0:49:39 | 0:49:44 | |
Put your guns down. | 0:49:44 | 0:49:46 | |
OK, get back! Get back! Back! | 0:49:48 | 0:49:51 | |
-Her hands are up. -Yes. | 0:49:54 | 0:49:56 | |
Go, go, go! | 0:49:56 | 0:49:59 | |
All right, go, go, go! THEY SHOUT ORDERS | 0:50:00 | 0:50:02 | |
Rhys, I can't believe it. We got you, don't worry. You're all right. | 0:50:11 | 0:50:14 | |
Took your bloody time! | 0:50:14 | 0:50:16 | |
Hello, Mrs Cooper. It's been frantic. | 0:50:16 | 0:50:18 | |
We got this call. I was off duty... | 0:50:18 | 0:50:19 | |
Gun, gun! | 0:50:19 | 0:50:21 | |
I've never shot anyone before. | 0:50:26 | 0:50:28 | |
Where's Gwen? | 0:50:28 | 0:50:30 | |
Andy! What's happened to Gwen? | 0:50:30 | 0:50:33 | |
It's OK. It's OK. Your family and baby, they're safe. | 0:50:39 | 0:50:43 | |
Next time, just ask for help. I'm sick of Torchwood acting like amateur clowns. | 0:50:43 | 0:50:47 | |
Oh, you did it! Thank you! | 0:50:47 | 0:50:49 | |
Got it? | 0:50:49 | 0:50:50 | |
Thank you. And you, you're going to live. | 0:50:50 | 0:50:52 | |
-It's a talent of mine. -I meant every word I said. -So did I. -Good. | 0:50:52 | 0:50:56 | |
As for you, you'd better pray that death comes back to this planet by the time I'm finished with you. | 0:50:56 | 0:51:01 | |
So tell us who you are, before I let her loose. | 0:51:01 | 0:51:03 | |
I don't see that anything's changed. | 0:51:03 | 0:51:07 | |
You're still coming with me. | 0:51:07 | 0:51:09 | |
-Why would I do that? -You want to come with me. | 0:51:09 | 0:51:11 | |
Because I can take you to the one man who knows how the miracle began. | 0:51:11 | 0:51:16 | |
-Who's that? -Angelo. | 0:51:16 | 0:51:18 | |
Angelo Colasanto. | 0:51:18 | 0:51:21 | |
He's waiting for you, Jack. | 0:51:21 | 0:51:23 | |
He's been waiting for such a very long time. | 0:51:26 | 0:51:28 | |
They don't exist. | 0:51:36 | 0:51:38 | |
-Shit. -What is it, Rex? | 0:51:40 | 0:51:41 | |
Everybody, stay where you are! Back down. | 0:51:41 | 0:51:44 | |
OK, OK, all right. | 0:51:44 | 0:51:45 | |
Leave me alone with him. | 0:51:48 | 0:51:50 | |
-Goddamn it! -Shit. | 0:51:55 | 0:51:58 | |
'While you're wasting time,' | 0:51:58 | 0:51:59 | |
Mr Shapiro, we've got the names of the people who are responsible for causing the miracle. | 0:51:59 | 0:52:04 | |
I suggest we get to work. | 0:52:04 | 0:52:05 | |
He's preaching hellfire and salvation, which makes Oswald Danes | 0:52:05 | 0:52:08 | |
the most popular man in the world right now. | 0:52:08 | 0:52:11 | |
Get me a girl. | 0:52:11 | 0:52:13 | |
How old? | 0:52:13 | 0:52:15 | |
Mr. Danes? | 0:52:15 | 0:52:17 | |
I can act all kinds of innocent. | 0:52:17 | 0:52:21 | |
Don't presume to know me. I am capable of far more than my reputation. | 0:52:21 | 0:52:25 | |
SHE GIGGLES | 0:52:25 | 0:52:27 | |
I said, don't presume. | 0:52:27 | 0:52:31 | |
Actually, if you don't mind, I think I'd like to go. | 0:52:31 | 0:52:35 | |
Don't! Don't you dare! | 0:52:35 | 0:52:37 | |
It's just like the whole world is changing | 0:52:38 | 0:52:42 | |
and we're just so tiny. | 0:52:42 | 0:52:44 | |
There's a reason why Torchwood was secret. | 0:52:44 | 0:52:46 | |
We kept things hidden from the human race. | 0:52:46 | 0:52:48 | |
This technology is a science the world should never know. | 0:52:48 | 0:52:54 | |
This thing would be the end of us. | 0:52:54 | 0:52:56 | |
Subtitles by Red Bee Media Ltd | 0:52:58 | 0:53:01 | |
E-mail [email protected] | 0:53:01 | 0:53:04 |