Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and some scenes of a sexual nature | 0:00:17 | 0:00:25 | |
CLOCK TICKS | 0:00:30 | 0:00:32 | |
TYPING ON KEYBOARD | 0:00:39 | 0:00:41 | |
It's negative, Mrs Morris. | 0:00:46 | 0:00:48 | |
SHE SIGHS Thank God. | 0:00:48 | 0:00:51 | |
Thank you, Dr Gordon. Oh, that is such a relief. | 0:00:51 | 0:00:54 | |
You can go home and get on with your life. | 0:00:54 | 0:00:57 | |
You are so kind to me. | 0:00:57 | 0:00:59 | |
Just doing my job. | 0:00:59 | 0:01:00 | |
Oh, no, no, you're not. | 0:01:00 | 0:01:02 | |
You always go the extra mile with me. I know you do. | 0:01:02 | 0:01:05 | |
I got you these. They're brownies. Your favourites. | 0:01:07 | 0:01:10 | |
No, really, I couldn't... | 0:01:10 | 0:01:12 | |
You can let me have the box back when I see you next time. | 0:01:12 | 0:01:15 | |
I've got one booked in a fortnight. | 0:01:15 | 0:01:16 | |
Mum. | 0:01:16 | 0:01:18 | |
Thank you, again. | 0:01:18 | 0:01:20 | |
I... Oh. | 0:01:23 | 0:01:26 | |
What was that all about? Virtually ran me out of the building. | 0:01:26 | 0:01:30 | |
No, I didn't. I said I've got a big do tonight. | 0:01:30 | 0:01:33 | |
I'm already late. Fine. All about priorities, I suppose. | 0:01:33 | 0:01:36 | |
I was there, wasn't I? | 0:01:36 | 0:01:37 | |
I think most daughters would've been there | 0:01:37 | 0:01:39 | |
under them circumstances, don't you? Red River Fever? | 0:01:39 | 0:01:42 | |
Do you know how many cases there have been of that in Nottingham | 0:01:42 | 0:01:45 | |
in the last year? If you didn't want to come, | 0:01:45 | 0:01:47 | |
you should have just said so! | 0:01:47 | 0:01:48 | |
I'd have found an alternative. | 0:01:48 | 0:01:50 | |
Mum, you don't need to get anyone else. You know that. | 0:01:50 | 0:01:52 | |
I'll come with you whenever, but I've got my own life too, you know. | 0:01:52 | 0:01:55 | |
Have you? Have you, Wendy? That's good to hear. | 0:01:55 | 0:01:58 | |
What's that supposed to mean? What? | 0:02:01 | 0:02:03 | |
You know what. "That's good to hear." | 0:02:03 | 0:02:06 | |
Like there's something wrong with me. | 0:02:06 | 0:02:08 | |
I don't think anyone said wrong with you. | 0:02:08 | 0:02:10 | |
At the same time, | 0:02:10 | 0:02:11 | |
you have rather put the A into alternative, haven't you? | 0:02:11 | 0:02:14 | |
As long as I'm happy doing what I'm doing, that should be enough for you. | 0:02:14 | 0:02:17 | |
It would be, if I thought you really were happy. What? | 0:02:17 | 0:02:21 | |
You're 35 on Wednesday. So? | 0:02:21 | 0:02:23 | |
35 is middle age. No, it's not! | 0:02:23 | 0:02:26 | |
It's the start of middle age, which is bound to make me think - | 0:02:26 | 0:02:31 | |
how long can she keep pretending? | 0:02:31 | 0:02:34 | |
I mean, the truck driving, the clothes, the hair, | 0:02:34 | 0:02:37 | |
the whole thing you've got going. What thing? | 0:02:37 | 0:02:40 | |
Do not shout at me, please! You'll bring a migraine on. | 0:02:40 | 0:02:43 | |
I'm not shouting. I'm just... | 0:02:43 | 0:02:45 | |
You are shouting. It's what you do. It's what you've always done. | 0:02:45 | 0:02:49 | |
You're a very aggressive girl. You can't help it. | 0:02:49 | 0:02:54 | |
Look, I'm your mother. | 0:02:54 | 0:02:56 | |
I can see it, you're like someone who's gone out on a limb | 0:02:56 | 0:03:00 | |
a long time ago and they're too stuck to get back. | 0:03:00 | 0:03:03 | |
But in their hearts, they want to. | 0:03:03 | 0:03:05 | |
They want to wear a dress and have a proper roots touch-up | 0:03:05 | 0:03:10 | |
and be with someone. Oh, no... | 0:03:10 | 0:03:11 | |
I'm thinking of you. | 0:03:11 | 0:03:13 | |
You're thinking of yourself, cos you hate being on your own. | 0:03:13 | 0:03:17 | |
And you think I must n'all. Only I don't. I like it. | 0:03:17 | 0:03:20 | |
Same as I like my job and my clothes and, well, I like my life. | 0:03:20 | 0:03:23 | |
I'm really late. | 0:03:25 | 0:03:27 | |
PEOPLE CHATTER | 0:03:29 | 0:03:31 | |
You are in such trouble. | 0:03:39 | 0:03:40 | |
Why aren't you playing? | 0:03:40 | 0:03:42 | |
I'm still banned. That biting business at the Crown. | 0:03:42 | 0:03:45 | |
Right. Final one for the individuals. English Monarchs. | 0:03:45 | 0:03:50 | |
It's, er, Roy for the Red Lion and, erm, Glen for the Dervish. | 0:03:50 | 0:03:54 | |
Glen? Couldn't start one down. | 0:03:54 | 0:03:57 | |
They waited for you as long as they could. | 0:03:57 | 0:03:58 | |
My best subject at school, History. Shh! | 0:03:58 | 0:04:02 | |
So, Roy... | 0:04:02 | 0:04:04 | |
Of whom, whom was it said in 1264, "His mind seemed not to stand | 0:04:04 | 0:04:10 | |
"on a firm basis, for every sudden accident put him into passion"? | 0:04:10 | 0:04:16 | |
Henry III. Correct. | 0:04:16 | 0:04:19 | |
I think it was after De Montfort defeated him at the battle of Lewes. | 0:04:19 | 0:04:22 | |
Yeah, all right! It's not a bloody thesis. | 0:04:22 | 0:04:24 | |
LAUGHTER | 0:04:24 | 0:04:26 | |
Glen, right. Who succeeded Henry VIII as King of England? | 0:04:26 | 0:04:31 | |
AUDIENCE GROAN Just how they fall, folks. | 0:04:31 | 0:04:34 | |
Henry IX! | 0:04:34 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:37 | |
20, 30, there you go. | 0:04:39 | 0:04:42 | |
Cheers, mate. Cheers. | 0:04:42 | 0:04:43 | |
Mind how you go, lads. See you next season. | 0:04:43 | 0:04:45 | |
Well played. | 0:04:45 | 0:04:47 | |
HE MUTTERS Cocky bastards. | 0:04:47 | 0:04:49 | |
I swear... Wendy, it's fine. You couldn't get here. I understand. | 0:04:49 | 0:04:52 | |
Things happen, and we lose 84-42. Semi-final. | 0:04:52 | 0:04:55 | |
84-42! Not a problem. | 0:04:55 | 0:04:58 | |
Bloody hell! | 0:04:59 | 0:05:01 | |
Sod him! It's a bloody quiz. | 0:05:01 | 0:05:03 | |
He needs to get his priorities right, he does. | 0:05:03 | 0:05:05 | |
Stephen King did not write Twelfth Night, did he? | 0:05:05 | 0:05:08 | |
Just Googled it. It was Shakespeare. | 0:05:08 | 0:05:10 | |
Easy mistake, Glen. | 0:05:10 | 0:05:12 | |
I just thought Friday the 13th. | 0:05:12 | 0:05:14 | |
Well, 12's one of 13. Plus, horror stuff's always done at night, | 0:05:14 | 0:05:17 | |
so I thought, Twelfth Night - Stephen King. | 0:05:17 | 0:05:20 | |
It's a banker. | 0:05:20 | 0:05:21 | |
I can see how you got there. Right, I'm going round Caroline's. | 0:05:21 | 0:05:25 | |
I'm off, too. | 0:05:25 | 0:05:26 | |
Got a couple of things I need to check back at the office. | 0:05:26 | 0:05:29 | |
Don't go there. What you going to manage this time of night? Really? | 0:05:29 | 0:05:33 | |
Get a good night's kip. Sort it first thing. | 0:05:33 | 0:05:35 | |
See you in the morning. | 0:05:37 | 0:05:38 | |
I'll give you a lift, if you like? Brilliant! | 0:05:38 | 0:05:41 | |
HE CLEARS THROAT | 0:05:41 | 0:05:42 | |
Stop it, I said. It's a quiz. It's ridiculous. | 0:05:50 | 0:05:53 | |
I know it is. I just, I should've made it. | 0:05:53 | 0:05:56 | |
I got...embroiled. | 0:05:56 | 0:05:59 | |
What in? | 0:05:59 | 0:06:00 | |
Oh, it's just family stuff. I just should've not. | 0:06:00 | 0:06:03 | |
If you see what I mean. Just forget it. | 0:06:03 | 0:06:05 | |
In the general scheme of things, it honestly ain't that important. | 0:06:05 | 0:06:09 | |
Salut. | 0:06:09 | 0:06:11 | |
Ah! What? | 0:06:11 | 0:06:12 | |
I see where all this is coming from. | 0:06:12 | 0:06:15 | |
I clocked that poster that you put up in the office n'all. | 0:06:15 | 0:06:18 | |
Them two statues snogging. I thought then, "Oh, he's off on one." | 0:06:18 | 0:06:21 | |
It's what it does to you, travel. | 0:06:21 | 0:06:22 | |
You went to France, Steven! | 0:06:22 | 0:06:24 | |
I hate this about you. You're that cynical. What? | 0:06:24 | 0:06:27 | |
No, you are. It stops you from doing stuff. Bollocks. | 0:06:27 | 0:06:31 | |
You get one go at life and you can either do what you've always done | 0:06:31 | 0:06:35 | |
and take pleasure in moaning like buggery about it, | 0:06:35 | 0:06:38 | |
or you can, you know, step out of your misery comfort zone | 0:06:38 | 0:06:41 | |
and help yourself to everything that's on offer. | 0:06:41 | 0:06:44 | |
That's why I went to France. | 0:06:44 | 0:06:45 | |
OK, so where'd you go, then? | 0:06:47 | 0:06:49 | |
Oh, all over! Arc de Triomphe, er, Eiffel Tower... | 0:06:49 | 0:06:53 | |
Like I say, it's not exactly the North Pole, is it? Have you been? | 0:06:53 | 0:06:56 | |
No. No, I haven't. | 0:06:58 | 0:07:01 | |
Well, you should. I think you'd like it. | 0:07:01 | 0:07:05 | |
I like art. I've always... The Louvre! I went there. Massive. | 0:07:07 | 0:07:11 | |
Yeah. I've seen it online. | 0:07:11 | 0:07:13 | |
Did you study it? Art. | 0:07:13 | 0:07:16 | |
Did you do an A-level or something? Do I look like I've got A-levels? | 0:07:16 | 0:07:19 | |
No, I mean, I could've done. | 0:07:19 | 0:07:20 | |
School wanted us to, actually, I just didn't bother. Why not? | 0:07:20 | 0:07:23 | |
I can't remember. Too busy partying, probably. | 0:07:23 | 0:07:26 | |
I'm going... Stephen King! Yeah, he mentioned that. | 0:07:28 | 0:07:33 | |
I love him. He's my son. I can't not. But... | 0:07:33 | 0:07:35 | |
FRUSTRATED LAUGH | 0:07:35 | 0:07:36 | |
I know. Yeah. I should... Nah, don't. Have another Coke. | 0:07:36 | 0:07:40 | |
Or don't you trust yourself? | 0:07:43 | 0:07:44 | |
Can... Can I just say? | 0:07:52 | 0:07:54 | |
I've really enjoyed tonight. What? | 0:07:57 | 0:08:00 | |
Look, I thought you were going to be a nightmare to hang out with. | 0:08:00 | 0:08:04 | |
But then again, I thought you were a lesbian, | 0:08:04 | 0:08:07 | |
when you first got down to the yard, only cos of your hair, you know. | 0:08:07 | 0:08:11 | |
And your clothes. I don't think that now, obviously. | 0:08:11 | 0:08:16 | |
But it's worth remarking on, innit? | 0:08:16 | 0:08:18 | |
You know, how you shouldn't jump to conclusions. | 0:08:18 | 0:08:22 | |
And... And... | 0:08:24 | 0:08:26 | |
it backs up my earlier point that you've got to get out there. | 0:08:26 | 0:08:31 | |
Cos there's a corn... | 0:08:31 | 0:08:33 | |
There's a corn... Cornucopia? | 0:08:33 | 0:08:36 | |
Yeah. Of delights. You know, if you just look. | 0:08:36 | 0:08:41 | |
You're really pissed, aren't ya? Is that a problem? | 0:08:41 | 0:08:45 | |
Not for me. | 0:08:47 | 0:08:48 | |
Whoa, all right, that's unexpected. | 0:08:59 | 0:09:02 | |
Ah, Wendy... | 0:09:02 | 0:09:04 | |
Ah, OK... | 0:09:04 | 0:09:06 | |
Wendy, Wendy, the thing is, yeah... | 0:09:06 | 0:09:09 | |
Oh, Wendy, please... Come on. | 0:09:09 | 0:09:12 | |
Wendy, please... | 0:09:12 | 0:09:13 | |
Oh, shit. Wait there. | 0:09:15 | 0:09:17 | |
No, go on. | 0:09:17 | 0:09:18 | |
I've cum. | 0:09:18 | 0:09:19 | |
No, it doesn't matter. Come on, do it now! | 0:09:19 | 0:09:23 | |
HE MOANS | 0:09:23 | 0:09:25 | |
HE EXHALES | 0:09:30 | 0:09:32 | |
I'll get you a cup of tea in a minute, or a coffee. | 0:09:39 | 0:09:41 | |
And I'll make you a sandwich. | 0:09:41 | 0:09:43 | |
What, right now? | 0:09:43 | 0:09:46 | |
Well, got to keep your strength up. Huh! | 0:09:46 | 0:09:49 | |
Where you going? | 0:09:51 | 0:09:53 | |
South. | 0:09:53 | 0:09:54 | |
Yeah, I know, but why? | 0:09:54 | 0:09:56 | |
Why not? Have you had enough? | 0:09:56 | 0:09:59 | |
No! I mean, no. | 0:09:59 | 0:10:01 | |
Obviously, I could go on all night, but... | 0:10:01 | 0:10:04 | |
You need a bit of a spur, don't you? Or just an intermission. | 0:10:04 | 0:10:07 | |
I've got boots. Leather boots. I could slip them on. | 0:10:07 | 0:10:09 | |
Look, just...just a sandwich! Bacon sandwich. | 0:10:09 | 0:10:13 | |
If you can make me one? What's the matter? | 0:10:13 | 0:10:15 | |
Nothing. There is, I can see it. | 0:10:15 | 0:10:18 | |
I... I'm just a bit...tired, that's all. | 0:10:18 | 0:10:21 | |
Do you really want a sandwich? | 0:10:23 | 0:10:25 | |
No. I'm full up! On all fronts, really. | 0:10:25 | 0:10:31 | |
Look, it's been... It's been brilliant, honestly. | 0:10:31 | 0:10:34 | |
Fine. Good. | 0:10:34 | 0:10:37 | |
See you in the morning, then. What? Where you going? | 0:10:39 | 0:10:44 | |
My bedroom. You're on multi drops tomorrow, aren't ya? | 0:10:44 | 0:10:48 | |
I'll wake you up about 6:00. | 0:10:48 | 0:10:50 | |
No, no, hang on... | 0:10:50 | 0:10:51 | |
What is this, then? | 0:10:51 | 0:10:54 | |
I mean, where we are? Well, this is where I have my sex. | 0:10:54 | 0:10:57 | |
Right. | 0:10:57 | 0:10:59 | |
Morning, then. | 0:10:59 | 0:11:01 | |
Steven! | 0:12:29 | 0:12:31 | |
Avoid the lorry park, will you? There's been some diesel theft. | 0:12:47 | 0:12:52 | |
Steven's gone already, has he? What? | 0:12:52 | 0:12:55 | |
Flippin' heck, Martin! How many's that you've had? | 0:12:55 | 0:12:57 | |
They give me a lift, first thing. | 0:12:57 | 0:12:59 | |
You should have had a couple last night. | 0:12:59 | 0:13:01 | |
What you on about? Name the six major rivers in Africa - | 0:13:01 | 0:13:03 | |
the Nile, the Congo, the Niger, the Zambezi, | 0:13:03 | 0:13:06 | |
the Limpopo and the Senegal. It's basic stuff, Martin. | 0:13:06 | 0:13:09 | |
Ignore him. You did brilliantly. | 0:13:09 | 0:13:12 | |
Excuse me. | 0:13:13 | 0:13:15 | |
You want to get your head down a bit earlier tonight, mate. | 0:13:15 | 0:13:17 | |
You look dreadful. Yeah, he does, doesn't he? | 0:13:17 | 0:13:19 | |
You had a nightmare or something? | 0:13:19 | 0:13:21 | |
Can I help you? | 0:13:24 | 0:13:25 | |
I was just wondering at the disappearing act. That's all. Me?! | 0:13:25 | 0:13:28 | |
I wasn't the one who vanished into thin air, was I? | 0:13:28 | 0:13:30 | |
What you on about? | 0:13:30 | 0:13:32 | |
What do you... What do you think? You took your pleasure, | 0:13:32 | 0:13:35 | |
more than once, and then you legged it. Pleasure? | 0:13:35 | 0:13:38 | |
I mean, you're not supposed to do that. You cuddle up, you... | 0:13:38 | 0:13:41 | |
No, you don't! You cuddle up when you're going out with someone, | 0:13:41 | 0:13:44 | |
when you're being intimate. | 0:13:44 | 0:13:45 | |
We weren't being intimate. We were having sex! | 0:13:45 | 0:13:49 | |
Of course, you know, I mean, | 0:13:49 | 0:13:51 | |
some time in the future, that might have turned into us | 0:13:51 | 0:13:54 | |
being a bit more closer with each other, but not now, I don't suppose. | 0:13:54 | 0:13:58 | |
Now you've made your sprint for freedom. | 0:13:58 | 0:14:00 | |
Oh, no! Oh, no. You're not going to do that! | 0:14:00 | 0:14:02 | |
I know where you're going with this. You're a man hater, aren't you? | 0:14:02 | 0:14:05 | |
Hence the hair and... the checked shirts. | 0:14:05 | 0:14:08 | |
And now you're going to make out like I'm one of those typical blokes | 0:14:08 | 0:14:10 | |
that seduced you, had his fun, then tossed you aside. | 0:14:10 | 0:14:13 | |
Is that how you think I am? You're the one storming off, aren't ya? | 0:14:13 | 0:14:16 | |
All self-righteous and like it's a done deal! | 0:14:16 | 0:14:19 | |
I enjoyed last night. I really enjoyed it. | 0:14:20 | 0:14:23 | |
We got on like a house on fire, and... | 0:14:23 | 0:14:25 | |
And then you cleared off. You cleared off! | 0:14:25 | 0:14:27 | |
Can you not get that into your peroxided, number one'd, DA'd head?! | 0:14:27 | 0:14:31 | |
I was all up for a bit of sleepy, post-shag spooning. | 0:14:31 | 0:14:35 | |
You make it sound dead romantic(!) | 0:14:35 | 0:14:37 | |
Only you put the mockers on it. HORN BLOWS | 0:14:37 | 0:14:40 | |
I mean, Wendy, Christ, what is wrong with you? | 0:14:42 | 0:14:44 | |
Are you deliberately trying to scupper this or something? This? | 0:14:44 | 0:14:47 | |
Us. I mean, if we can just ignore the post-shag etiquette, | 0:14:47 | 0:14:51 | |
the rest of the night was cracking and I just assumed today, | 0:14:51 | 0:14:54 | |
we'd be talking about doing it again. Not rowing. | 0:14:54 | 0:14:56 | |
You try and give someone a good time and it all goes tits up. | 0:14:56 | 0:15:00 | |
Except I'm saying, look, just forget the one bit | 0:15:00 | 0:15:03 | |
that was ropey and concentrate on all the rest and you'll realise... | 0:15:03 | 0:15:07 | |
it wasn't a bad night. | 0:15:07 | 0:15:08 | |
It was a good night and we should do it again. I'd like to. | 0:15:08 | 0:15:11 | |
Yeah. Yeah. | 0:15:13 | 0:15:15 | |
Well, let me think about it. | 0:15:17 | 0:15:19 | |
BRAKES HISS | 0:15:44 | 0:15:46 | |
All yours, mate. | 0:16:04 | 0:16:05 | |
PHONE RINGS | 0:17:22 | 0:17:24 | |
Hello? All right... | 0:17:26 | 0:17:29 | |
'Yeah, I am. Are you?' | 0:17:29 | 0:17:31 | |
No, I'm saying, all right. | 0:17:31 | 0:17:33 | |
What to? | 0:17:33 | 0:17:34 | |
'Going out again.' Eh? | 0:17:34 | 0:17:36 | |
God, Steven, I thought you wanted another date! | 0:17:36 | 0:17:38 | |
Well, I did, but I thought you were... | 0:17:38 | 0:17:41 | |
I was thinking, and I've thought, and I've decided, and it's yes! OK? | 0:17:41 | 0:17:44 | |
Right. Well, OK. Well, when? | 0:17:44 | 0:17:48 | |
Erm, dunno. Tonight. If you're free? | 0:17:48 | 0:17:53 | |
'Well, what do you want to do?' | 0:17:53 | 0:17:55 | |
I'm not fussed. | 0:17:55 | 0:17:56 | |
Well, sound a bit enthusiastic. | 0:17:56 | 0:17:59 | |
Well, I've rung, ain't I?! Right, what about the pictures? | 0:17:59 | 0:18:03 | |
Yeah. Fine. Call for me at 7:00. | 0:18:03 | 0:18:07 | |
All right, 7:00. I'll be there. | 0:18:07 | 0:18:09 | |
Shit a brick! | 0:18:29 | 0:18:30 | |
What? | 0:18:30 | 0:18:32 | |
These. Look at 'em! | 0:18:32 | 0:18:33 | |
Oh, they've arrived, have they? | 0:18:33 | 0:18:35 | |
Well, they're wrong! S apostrophe. | 0:18:35 | 0:18:37 | |
Before, they were apostrophe S. | 0:18:37 | 0:18:39 | |
There shouldn't be any apostrophe. That's why I had 'em done. | 0:18:39 | 0:18:42 | |
I mean, that was my whole raison d'etre. | 0:18:42 | 0:18:45 | |
You know, get us up to speed grammatically. | 0:18:45 | 0:18:47 | |
They'll have to go back. | 0:18:47 | 0:18:51 | |
What? Nothing. I just... You're such a... | 0:18:51 | 0:18:55 | |
Pedant? Perfectionist. | 0:18:55 | 0:18:58 | |
Just had Wendy on. She's got a date. | 0:19:00 | 0:19:02 | |
Jesus, he's brave! It is a he, is it? | 0:19:02 | 0:19:05 | |
Dunno. She didn't say. It's nice though, innit? | 0:19:05 | 0:19:11 | |
There's someone out there for everyone. | 0:19:11 | 0:19:13 | |
Oh... | 0:19:18 | 0:19:19 | |
Yeah. Yeah, I know. | 0:19:19 | 0:19:21 | |
I just dug it out the back of the boiler cupboard. | 0:19:21 | 0:19:23 | |
Trying to find out where the banging's coming from | 0:19:23 | 0:19:25 | |
when you flush. Bloody hell. | 0:19:25 | 0:19:27 | |
It's tramping stuff. Must be one of the lads. | 0:19:27 | 0:19:30 | |
They must have forgot they'd put it in there. | 0:19:30 | 0:19:32 | |
Hmm, does smell a bit musty, doesn't it? | 0:19:32 | 0:19:34 | |
So, anyway, I'm getting a new car. | 0:19:36 | 0:19:38 | |
Eh? I'm picking it up this evening. | 0:19:38 | 0:19:41 | |
Just wondered if maybe I could pop round to yours | 0:19:41 | 0:19:44 | |
and take you out for a bit of a spin? I say spin, | 0:19:44 | 0:19:47 | |
it's a van, so we could drive to a pub, | 0:19:47 | 0:19:51 | |
have a drink and pop you back after! | 0:19:51 | 0:19:53 | |
Well, you can't...come round. I'm out with my boyfriend. | 0:19:53 | 0:20:00 | |
Oh. I... | 0:20:00 | 0:20:01 | |
Yeah. Paul. Oh, we're not out, we're in. We're having friends round. | 0:20:01 | 0:20:06 | |
Takeaway, watch a film. Right. Of course. Sorry, I... | 0:20:06 | 0:20:10 | |
Don't apologise. It's a lovely idea, it's just... | 0:20:10 | 0:20:14 | |
it's not convenient. You know? | 0:20:14 | 0:20:18 | |
Well, another time, maybe, eh? | 0:20:20 | 0:20:21 | |
Hiya! No, no, no, no, no! Not hiya. | 0:20:33 | 0:20:36 | |
Do you want a drink? | 0:20:41 | 0:20:43 | |
I've got coffee, or mango juice, pineapple juice, | 0:20:43 | 0:20:47 | |
cranberry juice, coconut. There's breakfast stuff. | 0:20:47 | 0:20:50 | |
I could do with shifting it. Are you all right? | 0:20:50 | 0:20:53 | |
You seem a bit tense. I'm not tense. I'm excited. Yeah? | 0:20:53 | 0:20:57 | |
Obviously! | 0:20:57 | 0:20:58 | |
OK, great. Well, I hope this is what you're after... | 0:20:58 | 0:21:01 | |
Well, I text you, didn't I? Yeah. You did! | 0:21:01 | 0:21:04 | |
But if I'm honest, "The Sound of Music, | 0:21:04 | 0:21:06 | |
"but not like she's a dirty bitch," isn't as helpful as, | 0:21:06 | 0:21:09 | |
"Dress - black, size eight." Or, "Shoes - patent, size five." | 0:21:09 | 0:21:12 | |
I meant proper! Like Julie Andrews. But not pervy proper. | 0:21:12 | 0:21:15 | |
What? I want... | 0:21:15 | 0:21:18 | |
See, that? Oh, that's lovely. That's perfect. | 0:21:19 | 0:21:23 | |
They're dead trendy. Brothel creepers. | 0:21:23 | 0:21:26 | |
What did I just say? I want classical, Michelle. | 0:21:26 | 0:21:29 | |
I don't want trendy. Right. | 0:21:29 | 0:21:32 | |
Hey, they're great, n'all. Oh, and that. | 0:21:32 | 0:21:34 | |
What about my make up? | 0:21:36 | 0:21:38 | |
Oh, you could do it! | 0:21:38 | 0:21:40 | |
You always look nice. Really? | 0:21:40 | 0:21:42 | |
Yeah, you know, virginal nice - | 0:21:42 | 0:21:44 | |
no fun here, but I cook a cracking Yorkshire. | 0:21:44 | 0:21:47 | |
Right, get my lippy. | 0:21:47 | 0:21:49 | |
Wow. There you are. | 0:21:57 | 0:22:00 | |
Yeah. All right? You set? | 0:22:03 | 0:22:05 | |
This isn't the multiplex. Yeah, I know, but I had an idea. | 0:22:12 | 0:22:16 | |
We agreed! We agreed what this evening was going to be! | 0:22:16 | 0:22:18 | |
We discussed it! We did, but this is a cinema... | 0:22:18 | 0:22:21 | |
I know what it is! It's dead alternative, innit? | 0:22:21 | 0:22:24 | |
Don't crunch your popcorn, one cough and you're out! | 0:22:24 | 0:22:26 | |
No. It's just that... Why are we here? | 0:22:26 | 0:22:28 | |
Cos there's something on, it's called Amour. Which means... | 0:22:28 | 0:22:32 | |
Which means love. I'm not stupid. | 0:22:32 | 0:22:34 | |
It's about this couple, in Paris, who are in love | 0:22:34 | 0:22:38 | |
and, well, I don't know much beyond that point, but it's won Oscars. | 0:22:38 | 0:22:42 | |
I just thought, after what we'd talked about in the Dervish, | 0:22:42 | 0:22:45 | |
that it'd be ideal. | 0:22:45 | 0:22:47 | |
Yeah. All right. | 0:22:48 | 0:22:50 | |
What were you thinking?! I actually... | 0:22:53 | 0:22:56 | |
A couple of 80 year olds. One of 'em has a stroke. | 0:22:56 | 0:22:59 | |
Cue four hours of him mopping up her piss! | 0:22:59 | 0:23:03 | |
Which is love, I suppose, on one level, though not at the, er, | 0:23:03 | 0:23:07 | |
you know, setting out weekend in Aya Napa level, admittedly. | 0:23:07 | 0:23:11 | |
But on the other hand, it gives you something to talk about, doesn't it? | 0:23:11 | 0:23:14 | |
I mean, when you think, | 0:23:14 | 0:23:16 | |
because some people do reckon that's fantastic, and how come we don't? | 0:23:16 | 0:23:20 | |
When you come out of the pictures normally, | 0:23:20 | 0:23:23 | |
you're just going, you know, the CGI was dead good, | 0:23:23 | 0:23:25 | |
or it was a load of crap, and that's all. | 0:23:25 | 0:23:27 | |
The seats were comfy. Yeah, they were. | 0:23:32 | 0:23:35 | |
This is nice, the bar. | 0:23:36 | 0:23:39 | |
Can I have two Cokes, mate? | 0:23:41 | 0:23:42 | |
You can have a beer, you know. | 0:23:42 | 0:23:44 | |
No. I'm fine. Keep you company. | 0:23:44 | 0:23:46 | |
How was your day? Eh? Your day at work. How was it? | 0:23:53 | 0:23:57 | |
Yeah, you know, same as. | 0:23:57 | 0:23:59 | |
But did you do anything interesting? Load-wise. Did you tip anything? | 0:23:59 | 0:24:02 | |
You're a trucker. You know exactly what I get up to. All right! | 0:24:02 | 0:24:05 | |
I'm only making conversation. It'd gone a bit quiet! | 0:24:05 | 0:24:08 | |
Quiet's fine. As long as you're comfortable. | 0:24:08 | 0:24:10 | |
Well, I'm not! I like to talk when I'm out. | 0:24:10 | 0:24:13 | |
If I'm with someone and we're getting on, we talk. | 0:24:13 | 0:24:16 | |
That's what's supposed to happen. | 0:24:16 | 0:24:19 | |
OK. | 0:24:20 | 0:24:22 | |
Right, then... | 0:24:49 | 0:24:51 | |
Do you want a coffee? | 0:24:51 | 0:24:52 | |
I'm sorry. It's just... | 0:24:52 | 0:24:55 | |
Have you enjoyed tonight? | 0:24:57 | 0:24:59 | |
I've had a lovely time. | 0:24:59 | 0:25:00 | |
Well, it hasn't seemed like it. What? | 0:25:00 | 0:25:03 | |
Your mood! I mean, you've been all tense and... | 0:25:03 | 0:25:06 | |
You have! The whole evening. | 0:25:06 | 0:25:09 | |
I can't help but thinking that maybe you weren't up for it, after all. | 0:25:09 | 0:25:12 | |
In which case, you know, you should've told me when I pulled up. | 0:25:12 | 0:25:15 | |
Could've saved us tonnes of stress! | 0:25:15 | 0:25:16 | |
I had a great time. Even the film, now it's over. | 0:25:16 | 0:25:20 | |
It didn't start too well. The evening. With my outfit. | 0:25:20 | 0:25:24 | |
I could see that you didn't like that. | 0:25:24 | 0:25:26 | |
No. No. I did. I mean, I mean, I do. It's nice. Nice? | 0:25:26 | 0:25:30 | |
HE CHUCKLES Yeah. | 0:25:30 | 0:25:34 | |
I mean, it's a new look, innit? | 0:25:34 | 0:25:36 | |
I haven't seen you like it before. It's... What?! | 0:25:36 | 0:25:39 | |
I liked it when you looked like a lesbian. | 0:25:41 | 0:25:43 | |
No. I want to go in yours. | 0:26:08 | 0:26:11 | |
Whoa, whoa, whoa, wait. What? | 0:26:28 | 0:26:30 | |
No, come on. | 0:26:30 | 0:26:31 | |
Look, come here. All right. | 0:26:31 | 0:26:34 | |
Lie down. | 0:26:34 | 0:26:36 | |
God, steady on, cowboy! | 0:26:36 | 0:26:38 | |
Yeah. | 0:26:40 | 0:26:41 | |
Oh, OK... Go on, then. | 0:26:41 | 0:26:44 | |
Steven? What? Wait! | 0:26:55 | 0:26:58 | |
What's the matter? | 0:26:58 | 0:26:59 | |
Nothing. I... I thought you wanted to. | 0:26:59 | 0:27:01 | |
I do! That's what I'm doing now. You're rubbing my back. | 0:27:01 | 0:27:04 | |
So? You rub a baby's back. | 0:27:04 | 0:27:06 | |
You wap that in when you're making love. | 0:27:06 | 0:27:08 | |
Good God. | 0:27:08 | 0:27:10 | |
Don't look like that. I'm trying to make it nice for you! | 0:27:10 | 0:27:13 | |
I just thought we might, you know, do what you said in the yard. | 0:27:13 | 0:27:17 | |
About us, you know, getting closer to each other, | 0:27:17 | 0:27:20 | |
and staying in the same bed afterwards. | 0:27:20 | 0:27:22 | |
All the men that have walked through that door downstairs, | 0:27:22 | 0:27:24 | |
not one of them has ever complained about the way I do it. | 0:27:24 | 0:27:27 | |
Well, I am! | 0:27:27 | 0:27:30 | |
You, you, you, you're beautiful, you're funny. | 0:27:30 | 0:27:33 | |
I mean, you're so bloody sexy. | 0:27:33 | 0:27:35 | |
And I haven't ever seen a body like yours. | 0:27:35 | 0:27:38 | |
All right, you've got a bit of timber round the hips, | 0:27:38 | 0:27:40 | |
but I like it. I mean, just like I like your stomach, | 0:27:40 | 0:27:44 | |
and your biceps are amazing, and as for your tits... | 0:27:44 | 0:27:48 | |
I mean, your tits are unbelievable. | 0:27:48 | 0:27:50 | |
I mean, they go up like a ski jump at the end. | 0:27:50 | 0:27:53 | |
All of you is perfect. | 0:27:53 | 0:27:55 | |
But you won't let me anywhere near it. | 0:27:55 | 0:27:57 | |
I mean, you'll shag me. Yeah, you'll shag me. | 0:27:57 | 0:27:59 | |
But it's like a performance or something. And I don't want that. | 0:27:59 | 0:28:03 | |
I just want you! | 0:28:03 | 0:28:04 | |
You've had me! You've had me, all right? | 0:28:04 | 0:28:07 | |
I can't be no different. This is me. You're just being unreasonable. | 0:28:07 | 0:28:11 | |
I'm being unreasonable?! | 0:28:11 | 0:28:13 | |
Jesus, Wendy! | 0:28:13 | 0:28:15 | |
You got us drunk, brought us back here and made me cum - | 0:28:17 | 0:28:20 | |
prematurely and deliberately, in my opinion, in your hall - | 0:28:20 | 0:28:23 | |
before you indulged in a bout of sexual assertiveness which, | 0:28:23 | 0:28:26 | |
frankly, scared the living daylights out of me. | 0:28:26 | 0:28:29 | |
After which, you systematically wrecked the night out | 0:28:29 | 0:28:32 | |
at the cinema I'd planned for you, and then you drag us | 0:28:32 | 0:28:35 | |
back up here for another bout of Wendy Does The Haulage Trade! | 0:28:35 | 0:28:37 | |
You're calling all the shots. | 0:28:39 | 0:28:41 | |
I just want to do something on my terms. | 0:28:41 | 0:28:44 | |
I mean, that's fair enough, innit? If we're going out. | 0:28:44 | 0:28:46 | |
Which, against my better judgment, I think we probably are now. | 0:28:46 | 0:28:49 | |
You did it three times. | 0:28:52 | 0:28:53 | |
Came prematurely. | 0:28:54 | 0:28:56 | |
Wendy, you're gorgeous. | 0:29:10 | 0:29:13 | |
You seen enough? It is quite cold. | 0:29:15 | 0:29:19 | |
All right? Yeah. What there was of it. | 0:30:01 | 0:30:05 | |
Oh, I think I've got more croissants. I'm joking! It was lovely. | 0:30:05 | 0:30:09 | |
Do you want to meet my mum? | 0:30:23 | 0:30:24 | |
What? | 0:30:24 | 0:30:26 | |
Wendy. | 0:30:32 | 0:30:34 | |
I'm sorry I'm late. I got stuck in a bit of traffic. No. | 0:30:34 | 0:30:37 | |
It's no trouble. I've just got here myself. | 0:30:37 | 0:30:40 | |
Right... It's just over there. | 0:30:41 | 0:30:44 | |
Sit down, Steven. | 0:30:56 | 0:30:58 | |
Oh, Mum. We're going out afterwards for something to eat. | 0:30:58 | 0:31:00 | |
I'm sure you're not, round here? | 0:31:00 | 0:31:03 | |
I mean, where is there decent any more? | 0:31:03 | 0:31:06 | |
It's convenience this and convenience that. | 0:31:06 | 0:31:10 | |
Thank you. | 0:31:11 | 0:31:12 | |
I can't. I've got elevated cholesterol. | 0:31:12 | 0:31:15 | |
Oh. That's a shame. | 0:31:15 | 0:31:16 | |
No, thanks. | 0:31:16 | 0:31:18 | |
I live with it. It's not something you complain about. | 0:31:18 | 0:31:21 | |
Still, shouldn't stop you getting tucked in, my misfortune. | 0:31:21 | 0:31:26 | |
Her doctor's brilliant with her ailments. And she's got a few. | 0:31:26 | 0:31:30 | |
What does that mean? | 0:31:30 | 0:31:32 | |
Nothing. Just that he looks after you so well. | 0:31:32 | 0:31:35 | |
But you make it sound like I'm always there. Well... | 0:31:35 | 0:31:37 | |
you do have a rolling appointment, don't ya? | 0:31:37 | 0:31:40 | |
It's every two weeks. | 0:31:40 | 0:31:41 | |
On the basis that when you're infirm, there is usually | 0:31:41 | 0:31:44 | |
some issue that will have cropped up by then! | 0:31:44 | 0:31:46 | |
No, I think it's good that you go so regular. | 0:31:46 | 0:31:48 | |
I mean, erm, well, prevention's better than cure, innit? Plus... | 0:31:48 | 0:31:51 | |
He's there, Wendy. HE is there for me. | 0:31:51 | 0:31:54 | |
I like your walls. Are they eggshell? | 0:31:59 | 0:32:02 | |
I wasn't being funny, Mum. | 0:32:02 | 0:32:03 | |
Thank you, Steven. | 0:32:05 | 0:32:07 | |
I did them myself. Well, since Wendy's dad went... | 0:32:07 | 0:32:11 | |
Oh, I'm sorry to hear that. | 0:32:11 | 0:32:14 | |
No. It's all right. He isn't dead. He just left. | 0:32:14 | 0:32:16 | |
I'm not sure "just" is exactly the word that you're looking for. | 0:32:16 | 0:32:20 | |
I was... Besides which, those were the vodka years for you, | 0:32:20 | 0:32:23 | |
weren't they? I mean, I'd be surprised if | 0:32:23 | 0:32:26 | |
any of that's very fresh in your mind. | 0:32:26 | 0:32:27 | |
Hasn't she done well, though? | 0:32:27 | 0:32:30 | |
All the AA stuff. I mean, I'm sure she can | 0:32:30 | 0:32:33 | |
still have her moments, eh, Steven? | 0:32:33 | 0:32:36 | |
Oh, she's doing really well... | 0:32:36 | 0:32:38 | |
Mood swings and such. I mean, you've no idea what she used to be like. | 0:32:38 | 0:32:42 | |
Even as a baby. My old doctor, he said that to me, | 0:32:42 | 0:32:46 | |
"Mrs Morris, she's a handful, that one." | 0:32:46 | 0:32:49 | |
But it's not where you start, is it? It's where you finish. | 0:32:49 | 0:32:54 | |
And look how she's turned out now. | 0:32:54 | 0:32:56 | |
So, tell me about you, Steven. Are your parents from England? | 0:32:58 | 0:33:02 | |
Or from some lovely Caribbean island? | 0:33:02 | 0:33:05 | |
Right. Job done. | 0:33:12 | 0:33:14 | |
Wendy! Wait! | 0:33:17 | 0:33:19 | |
Happy birthday! How could I forget that? | 0:33:19 | 0:33:23 | |
Mind you, over 30, who wants to be reminded, hey? | 0:33:23 | 0:33:26 | |
It's body lotion, anti-cellulite. | 0:33:26 | 0:33:30 | |
Hope I see you again, Steven, if, you know, if it all works out. | 0:33:30 | 0:33:34 | |
Just say it, will ya? Bloody hell, Steven, just say it! | 0:33:39 | 0:33:42 | |
Well, they're all the same, aren't they? | 0:33:42 | 0:33:45 | |
My mum's a bit of a challenge. A challenge? | 0:33:45 | 0:33:47 | |
She was fine. | 0:33:49 | 0:33:51 | |
She's not fine! She's mean spirited. That's why my dad left. | 0:33:51 | 0:33:54 | |
I'm sure it is. It weren't for another woman, then? | 0:33:54 | 0:33:56 | |
That's what did it for mine. | 0:33:56 | 0:33:58 | |
I mean, all parents can be a handful sometimes. | 0:33:58 | 0:34:01 | |
Accept it and get on with your life. Especially on your birthday! | 0:34:01 | 0:34:05 | |
I mean, you kept that quiet, didn't ya? | 0:34:05 | 0:34:08 | |
What do you want to do, go and get a meal or a takeaway? | 0:34:08 | 0:34:11 | |
No! What do you mean, no? | 0:34:11 | 0:34:13 | |
I don't like birthdays. I've never... | 0:34:13 | 0:34:14 | |
So this could be the year you change. Steven! What? | 0:34:14 | 0:34:17 | |
Well... | 0:34:18 | 0:34:19 | |
Maybe we'll go out for a drink or...I dunno. | 0:34:21 | 0:34:25 | |
I just don't want to make a big thing out of it. All right? | 0:34:25 | 0:34:29 | |
Sure. I'm parked round the back of the leisure centre. | 0:34:29 | 0:34:31 | |
I'll see you later. I thought we were eating? | 0:34:31 | 0:34:35 | |
Well, I've not got time, I won't get it done. | 0:34:35 | 0:34:37 | |
All right, fine... How old are you? | 0:34:37 | 0:34:41 | |
What? | 0:34:41 | 0:34:42 | |
How old? You got to tell me that, at least. | 0:34:42 | 0:34:44 | |
35. | 0:34:44 | 0:34:46 | |
Ha! Bloody hell! | 0:34:46 | 0:34:48 | |
SHE EXHALES | 0:34:59 | 0:35:01 | |
SHE BREATHES UNSTEADILY | 0:35:03 | 0:35:06 | |
'My name's Wendy. Hi, Wendy.' | 0:35:06 | 0:35:09 | |
Erm, sorry that I missed the start of the meeting. | 0:35:09 | 0:35:12 | |
I don't usually come to this one, but I've just been with someone | 0:35:12 | 0:35:16 | |
and they whip us up and they always do that and, well, | 0:35:16 | 0:35:19 | |
I just wanted to say... | 0:35:19 | 0:35:20 | |
Oh, erm, I'm a recovering alcoholic, obviously, | 0:35:20 | 0:35:25 | |
or I wouldn't have pulled up. | 0:35:25 | 0:35:27 | |
But what I wanted to say was, well, I'm grateful you're here cos, | 0:35:27 | 0:35:31 | |
you know, in the past, when I've got stressed and if I've got | 0:35:31 | 0:35:37 | |
worked up, I've, you know, I've had a drink, and now I don't. | 0:35:37 | 0:35:42 | |
And it's five years that I haven't touched it, | 0:35:43 | 0:35:47 | |
and I'm really thankful for the Fellowship and for you all. | 0:35:47 | 0:35:52 | |
GROUP: Thanks, Wendy. | 0:35:52 | 0:35:55 | |
Anyone else want to share? | 0:35:55 | 0:35:57 | |
OK. Mike. | 0:35:57 | 0:35:59 | |
Can you lead us in the serenity prayer, please? | 0:35:59 | 0:36:02 | |
GROUP: God, grant me the serenity to accept the things I cannot change, | 0:36:06 | 0:36:11 | |
courage to change the things I can, and wisdom to know the difference. | 0:36:11 | 0:36:16 | |
Mum. Have you forgotten something? | 0:36:25 | 0:36:28 | |
No. I need to talk to ya. But I'm meeting Kendra. Five minutes. | 0:36:28 | 0:36:31 | |
Why are you so horrid to me, Mum? What? | 0:36:36 | 0:36:39 | |
Your attitude! You never support me. You never praise me. | 0:36:39 | 0:36:43 | |
You just, you chip away. I... You did it in there at dinner time! | 0:36:43 | 0:36:46 | |
As soon as Steven sat down, you started. Wendy... | 0:36:46 | 0:36:49 | |
And I won't put up with it any more! | 0:36:49 | 0:36:51 | |
I don't know what you think you're doing... | 0:36:51 | 0:36:52 | |
You should've thought he was lovely! That's what should've happened. | 0:36:52 | 0:36:56 | |
You should've put all your efforts into warming to this fella | 0:36:56 | 0:36:59 | |
and bigging up your daughter! Only not you. Oh, no. | 0:36:59 | 0:37:04 | |
Which is how it's always been, just year, after year, | 0:37:04 | 0:37:08 | |
after year of me never saying a word and you, you just get on, | 0:37:08 | 0:37:11 | |
sniping away and undermining me. | 0:37:11 | 0:37:14 | |
And you know the reason I haven't said anything is because | 0:37:14 | 0:37:17 | |
the whole time I keep telling myself - she'll change, | 0:37:17 | 0:37:20 | |
she'll come round, she's bound to. | 0:37:20 | 0:37:23 | |
Only you won't, will ya? | 0:37:23 | 0:37:25 | |
You won't ever alter and it's me, it's me that needs to change. | 0:37:25 | 0:37:28 | |
It's me that needs to say how this relationship is going to be, | 0:37:28 | 0:37:32 | |
because the simple fact is, you're not like other mums. | 0:37:32 | 0:37:34 | |
Because you're not like other daughters! | 0:37:34 | 0:37:37 | |
What?! | 0:37:37 | 0:37:39 | |
You say these things to me, you have a go at me, | 0:37:39 | 0:37:41 | |
and yet after all you've done... I've done?! | 0:37:41 | 0:37:43 | |
Yeah, your dad didn't just up and leave for no reason, you know. | 0:37:43 | 0:37:47 | |
What are you talking about? People don't do that. They have cause. | 0:37:47 | 0:37:50 | |
Well, it's nothing to do with me! Wasn't it to do with you? | 0:37:50 | 0:37:53 | |
He couldn't stand all your wild ways, the drinking and the fellas! | 0:37:53 | 0:37:59 | |
Christ, the fellas! | 0:37:59 | 0:38:01 | |
He used to say that to me all the time. | 0:38:01 | 0:38:03 | |
"Why can't she just get one bloke, instead of acting like | 0:38:03 | 0:38:06 | |
"she should be stood on some street corner?" | 0:38:06 | 0:38:08 | |
He never said that! He never said that! | 0:38:08 | 0:38:10 | |
You have no idea. God, you have no idea. | 0:38:10 | 0:38:14 | |
I haven't failed you, Wendy. | 0:38:14 | 0:38:16 | |
I have risen to the challenge of being your mother. | 0:38:16 | 0:38:19 | |
A challenge which, quite frankly, no-one else would've even tried. | 0:38:19 | 0:38:23 | |
Faced with a nature like yours! | 0:38:24 | 0:38:27 | |
What? | 0:38:27 | 0:38:29 | |
The clothes, the hair, the job. | 0:38:29 | 0:38:31 | |
Only it goes deeper than that, doesn't it? That abrasiveness. | 0:38:31 | 0:38:36 | |
It was there from the day you were born. | 0:38:36 | 0:38:38 | |
From the moment I held you in my arms | 0:38:38 | 0:38:41 | |
and I tried to give you my breast, | 0:38:41 | 0:38:43 | |
you were contrary and awkward and hard to love. | 0:38:43 | 0:38:47 | |
And you still are! | 0:38:49 | 0:38:51 | |
SHE SOBS | 0:39:38 | 0:39:40 | |
PHONE RINGS | 0:39:53 | 0:39:55 | |
Hello? 'It's me.' | 0:40:05 | 0:40:07 | |
Yeah? | 0:40:07 | 0:40:08 | |
'Let's have an early doors.' | 0:40:08 | 0:40:10 | |
Eh? | 0:40:10 | 0:40:12 | |
'Tonight. Let's just meet down the Dervish straight after work. | 0:40:12 | 0:40:15 | |
'Then if we want to go on, we can organise it there. | 0:40:15 | 0:40:18 | |
'Your birthday.' | 0:40:18 | 0:40:19 | |
Yeah. Yeah. That sounds good. | 0:40:19 | 0:40:21 | |
I've got to go. I'm just tipping something. | 0:40:23 | 0:40:26 | |
Here she is! CHEERING AND APPLAUSE | 0:41:05 | 0:41:08 | |
Happy birthday! | 0:41:08 | 0:41:11 | |
Happy birthday! | 0:41:11 | 0:41:13 | |
Many happy returns, love. | 0:41:13 | 0:41:15 | |
I'd get straight after him, if I was you. | 0:41:15 | 0:41:17 | |
Steven's put a load of money behind the bar. | 0:41:17 | 0:41:19 | |
He'll have drunk the lot before you can say, "Mine's a Coke." | 0:41:19 | 0:41:23 | |
You're a sly one. Have a good 'un. | 0:41:23 | 0:41:25 | |
I put 20 quid in there, you know, like a little bonus. | 0:41:25 | 0:41:28 | |
Happy birthday, then! | 0:41:38 | 0:41:40 | |
I'm sorry, sorry. Back on message. So what do you reckon? | 0:41:42 | 0:41:48 | |
You had no idea, did ya? What did I say? Eh? | 0:41:48 | 0:41:51 | |
About no fuss. Everyone says that. No, I meant it! | 0:41:51 | 0:41:54 | |
Oh, come on! Look, it's a party. That's all. | 0:41:54 | 0:41:57 | |
It isn't even that, you know, it's a bit of food and the crew, | 0:41:57 | 0:42:00 | |
who were dead excited about coming. | 0:42:00 | 0:42:03 | |
You've put cash behind the bar. | 0:42:03 | 0:42:04 | |
Everyone wants to mark the occasion. I want to mark the occasion. | 0:42:04 | 0:42:07 | |
Just don't say things like that. Just don't! | 0:42:07 | 0:42:11 | |
We've had a couple of dates that've gone all right, | 0:42:11 | 0:42:13 | |
but that doesn't mean you can say that sort of stuff. | 0:42:13 | 0:42:15 | |
Wendy! We should call it off. What?! It's a mistake. | 0:42:15 | 0:42:18 | |
I mean, it's always perfect, innit, the first few days? | 0:42:18 | 0:42:20 | |
Perfect? Jesus, what... It's just, I don't want you wasting your time! | 0:42:20 | 0:42:24 | |
This is ridiculous. Look, I understand it's early days | 0:42:24 | 0:42:27 | |
and you can get ahead of yourself, but we're a good fit, | 0:42:27 | 0:42:30 | |
and that's not based on some blissful view of the past | 0:42:30 | 0:42:33 | |
48 hours, believe me. | 0:42:33 | 0:42:35 | |
God, Wendy, you're like the crack cocaine of dating, you are. | 0:42:35 | 0:42:38 | |
I mean, you might be irresistible, but it isn't without cost. | 0:42:38 | 0:42:41 | |
I'm sorry about this. | 0:42:43 | 0:42:44 | |
It was stupid, yeah? | 0:42:44 | 0:42:46 | |
Only you can't let this blow us out the water. | 0:42:46 | 0:42:49 | |
So please, look, if you can suffer it a bit longer, | 0:42:49 | 0:42:52 | |
from here on in, I promise, it'll never happen again. | 0:42:52 | 0:42:56 | |
Yeah? It'll just be you and me, and that's it. | 0:42:56 | 0:42:59 | |
SHE BREATHES UNSTEADILY | 0:43:19 | 0:43:22 | |
DANCE MUSIC PLAYS | 0:43:30 | 0:43:33 | |
Hey! Happy birthday! How you doing? | 0:43:43 | 0:43:46 | |
Good. Is that a 12-incher you've got there? Eh? | 0:43:46 | 0:43:50 | |
I was making a penis joke. Oh. Oh! 12-incher! Nice. | 0:43:50 | 0:43:55 | |
Will you have a look at my rig? What? My cab. | 0:43:55 | 0:43:59 | |
I want to get a new sound system. | 0:43:59 | 0:44:01 | |
Only your dad said the ones they come with take some beating, so... | 0:44:01 | 0:44:04 | |
You're joking? Speakers are shite. Never mind the amp. | 0:44:04 | 0:44:07 | |
See, this is it. I knew you'd know. | 0:44:07 | 0:44:10 | |
You want to take a look in mine. State of the art. | 0:44:10 | 0:44:14 | |
And they'd fit, would they, in my cab? | 0:44:14 | 0:44:17 | |
Yeah, of course they would! They're like... | 0:44:17 | 0:44:20 | |
Will you check? Just to make sure? Yeah. No sweat. | 0:44:20 | 0:44:23 | |
No, now! Well, it's only outside. | 0:44:23 | 0:44:26 | |
All right, fine. | 0:44:28 | 0:44:30 | |
All right, let's have a little look. Now, what you got here? | 0:44:34 | 0:44:38 | |
Yeah, this model, it's completely standard. Which means you... | 0:44:38 | 0:44:42 | |
Glen. What are you doing? | 0:44:42 | 0:44:44 | |
I'm just going through your configuration. I think you... | 0:44:44 | 0:44:47 | |
You really aren't the sharpest tool in the box, are ya? What? | 0:44:47 | 0:44:51 | |
And speaking of box... | 0:44:51 | 0:44:53 | |
I want to muck about with you, Glen. I want to... What you doing? | 0:44:53 | 0:44:57 | |
You can see what I'm doing. Is there a problem? | 0:44:57 | 0:45:00 | |
This isn't funny, Wendy... | 0:45:00 | 0:45:01 | |
It's not supposed to be funny. It's supposed to be sexy! But... | 0:45:01 | 0:45:05 | |
But what? I'm offering it up to you on a plate! | 0:45:05 | 0:45:07 | |
This is a joke, innit? All right, where's the camera? | 0:45:10 | 0:45:14 | |
Glen! Stop being stupid and just do it, will ya?! | 0:45:17 | 0:45:20 | |
No! I'm going out with Caroline. | 0:45:24 | 0:45:26 | |
It's got nothing to do with Caroline! It's just a fuck, Glen. | 0:45:26 | 0:45:29 | |
It's just a bit of fun. Don't tell me you don't want to! | 0:45:29 | 0:45:32 | |
I can see it in your eyes. | 0:45:32 | 0:45:34 | |
And it isn't going to affect anything. | 0:45:34 | 0:45:36 | |
It's just you and me and now. | 0:45:36 | 0:45:38 | |
And after that, well, we never say another word. | 0:45:38 | 0:45:41 | |
MUSIC STOPS | 0:45:56 | 0:45:58 | |
PEOPLE GRUMBLE | 0:45:58 | 0:46:00 | |
Boo, come on! Somebody drop a phat one! | 0:46:02 | 0:46:06 | |
MUSIC RESTARTS | 0:46:10 | 0:46:12 | |
We've already had this one. | 0:46:12 | 0:46:15 | |
If you want something different, put it on yourself. | 0:46:15 | 0:46:17 | |
Well, I can't move. I can throw a few shapes, | 0:46:17 | 0:46:19 | |
but my legs have basically lost all perambulatory function. | 0:46:19 | 0:46:23 | |
That's cause you drank all the bleedin' kitty. | 0:46:23 | 0:46:25 | |
MALACHI LAUGHS | 0:46:25 | 0:46:27 | |
Oi, where's he gone? He nipped out about ten minutes ago. | 0:46:27 | 0:46:30 | |
Yeah? It's not like him to desert his post. | 0:46:30 | 0:46:33 | |
He was with Wendy. Beyond that, I dunno. | 0:46:33 | 0:46:36 | |
MALACHI MUMBLES | 0:46:36 | 0:46:38 | |
All right? Oi! | 0:47:00 | 0:47:02 | |
Leave him! Steven! | 0:47:04 | 0:47:06 | |
That's enough! | 0:47:09 | 0:47:11 | |
Are you all right? | 0:47:11 | 0:47:12 | |
Get off me! | 0:47:12 | 0:47:14 | |
How could you?! How could you do that?! | 0:47:19 | 0:47:21 | |
There's something wrong with you. | 0:47:26 | 0:47:28 | |
PHONE RINGS | 0:48:19 | 0:48:21 | |
Mum... | 0:48:40 | 0:48:42 | |
There's nothing wrong with you. | 0:48:45 | 0:48:47 | |
Well, ring the doctor, then. | 0:48:50 | 0:48:52 | |
No! I can't. I... | 0:48:54 | 0:48:56 | |
Mum, I can't talk to you at the minute. I'm just... | 0:49:03 | 0:49:05 | |
Mum... | 0:49:08 | 0:49:10 | |
Mum?! | 0:49:12 | 0:49:13 | |
Mum! | 0:49:21 | 0:49:23 | |
Oh, God! | 0:49:23 | 0:49:25 | |
Mum, I'm here. | 0:49:25 | 0:49:26 | |
Ambulance. No, no, I'll take ya. | 0:49:26 | 0:49:29 | |
JUDY MOANS | 0:49:29 | 0:49:31 | |
It's all right, Mum, come on. | 0:49:31 | 0:49:34 | |
You're a good girl. I'm sorry I wasn't very nice to you earlier. | 0:49:34 | 0:49:38 | |
It's all right, Mum, get up, come on. | 0:49:38 | 0:49:41 | |
Oh... You're all right, you're all right, won't be long. | 0:49:41 | 0:49:43 | |
SHE WHIMPERS | 0:49:47 | 0:49:49 | |
Wendy! I'm all right. I'm fine. I can go. | 0:50:02 | 0:50:07 | |
I don't even have to stay in. | 0:50:07 | 0:50:09 | |
Well, what was it? Dyspepsia. They said I was 100% right to come in. | 0:50:09 | 0:50:14 | |
Indigestion? | 0:50:14 | 0:50:16 | |
You can't take chances with chest pains. | 0:50:16 | 0:50:19 | |
When they make you vomit, when they're that bad, | 0:50:19 | 0:50:22 | |
you've got to be sure! | 0:50:22 | 0:50:23 | |
Wendy, if you're going to be like that, I'll just get a taxi home. | 0:50:23 | 0:50:27 | |
SHE BELCHES | 0:50:33 | 0:50:35 | |
Oh, so sorry. | 0:50:35 | 0:50:37 | |
They did say that they thought some of it | 0:50:37 | 0:50:40 | |
might even have been the journey in. | 0:50:40 | 0:50:42 | |
You know, the car being thrown about, you know? | 0:50:42 | 0:50:45 | |
Oh, it's not your fault. Don't worry. | 0:50:45 | 0:50:47 | |
I said, "I'm sure she thought she was only doing her best." | 0:50:47 | 0:50:50 | |
They said I should make an appointment to see Dr Gordon. | 0:50:57 | 0:51:01 | |
They need close monitoring, these things, apparently. | 0:51:01 | 0:51:04 | |
Wendy, I've said I'm grateful. | 0:51:09 | 0:51:11 | |
I don't know what else you want me to do. | 0:51:11 | 0:51:14 | |
You haven't, actually. You said I was a good girl | 0:51:14 | 0:51:16 | |
and you were sorry. But you were dying then, | 0:51:16 | 0:51:18 | |
so I'm not sure that counts. | 0:51:18 | 0:51:20 | |
Look, I've had to put up with one of your outbursts already today, | 0:51:20 | 0:51:23 | |
so, er... Do you want to know what happened to me tonight, Mum? | 0:51:23 | 0:51:27 | |
My bit of drama? | 0:51:27 | 0:51:28 | |
What? I fucked my boyfriend's best mate | 0:51:29 | 0:51:33 | |
so I could shit all over my own relationship. | 0:51:33 | 0:51:36 | |
Then I went to the offy, to get a bottle of vodka, | 0:51:36 | 0:51:39 | |
and I was about to get stuck into that, only you called. | 0:51:39 | 0:51:41 | |
You know how you always call? And I came. | 0:51:41 | 0:51:44 | |
How I always come. And now you're all right. | 0:51:44 | 0:51:48 | |
How you're always all right. | 0:51:48 | 0:51:50 | |
We're going to wind things up the way we always do, | 0:51:50 | 0:51:52 | |
with you making me feel like a piece of dirt who gets everything | 0:51:52 | 0:51:56 | |
she deserves. Wendy... | 0:51:56 | 0:51:57 | |
No, we can't be fixed. Can we? | 0:51:57 | 0:52:00 | |
I mean, I've just assumed there must be some love there, | 0:52:00 | 0:52:04 | |
between a mother and a daughter, and it's just a matter of | 0:52:04 | 0:52:08 | |
working things out somehow. | 0:52:08 | 0:52:09 | |
But between you and me, there isn't any. | 0:52:09 | 0:52:15 | |
That's... That's the truth! | 0:52:15 | 0:52:17 | |
It isn't there, Mum. | 0:52:17 | 0:52:19 | |
And I'm buggered if I'm going to search for it any longer! | 0:52:19 | 0:52:23 | |
I'm leaving you. | 0:52:23 | 0:52:25 | |
And don't worry, I'll do my duty still. I'll fill in. | 0:52:27 | 0:52:31 | |
But I won't let you hurt me any more. | 0:52:31 | 0:52:35 | |
Wendy, stop it, Wendy, you're being... | 0:52:35 | 0:52:37 | |
I'm being serene, Mum! I'm recognising what I can do... | 0:52:37 | 0:52:43 | |
and what I can't. | 0:52:43 | 0:52:45 | |
Hey? | 0:53:00 | 0:53:01 | |
What are you doing here? | 0:53:01 | 0:53:03 | |
What are you? | 0:53:03 | 0:53:05 | |
I asked first. | 0:53:05 | 0:53:06 | |
I...wanted to pick some stuff up, er... | 0:53:08 | 0:53:12 | |
I live here. | 0:53:14 | 0:53:16 | |
What? I got thrown out of home. | 0:53:17 | 0:53:20 | |
I haven't got anywhere else to go. | 0:53:22 | 0:53:24 | |
Is this recent? | 0:53:28 | 0:53:30 | |
Well, depends how you'd define recent. | 0:53:30 | 0:53:35 | |
Two years. | 0:53:37 | 0:53:38 | |
What about your boyfriend, Paul? Can't he...? | 0:53:43 | 0:53:46 | |
There isn't a Paul. I made him up... | 0:53:46 | 0:53:49 | |
..so you wouldn't think... | 0:53:51 | 0:53:53 | |
..any of this might be me. | 0:53:55 | 0:53:57 | |
Look, I'm sorry. | 0:53:58 | 0:54:00 | |
I know it's a breach of Health and Safety. I just... | 0:54:00 | 0:54:03 | |
No, no, no, it's fine, it's fine! | 0:54:03 | 0:54:05 | |
I'm really sorry that things aren't great at home. | 0:54:06 | 0:54:10 | |
Shame Paul's not real... | 0:54:11 | 0:54:13 | |
Well, there you have it, you've no choice, have you? | 0:54:17 | 0:54:21 | |
No. | 0:54:21 | 0:54:23 | |
Right, well, I'll leave you to it, then. Erm... | 0:54:29 | 0:54:32 | |
I think I've got a camp bed at home. | 0:54:39 | 0:54:41 | |
I could bring that in for you tomorrow. | 0:54:41 | 0:54:44 | |
Right. Well, I'll see you then, then. | 0:54:47 | 0:54:50 | |
You've got a bloody nerve. | 0:55:21 | 0:55:23 | |
I'm sorry. I didn't think we should go out. | 0:55:23 | 0:55:27 | |
I'm not making excuses. I'm just telling you what I was doing. | 0:55:27 | 0:55:31 | |
I saw what you were doing. | 0:55:31 | 0:55:32 | |
I'm 35, Steven, and I've never had a boyfriend for more than six weeks. | 0:55:32 | 0:55:38 | |
Six weeks! | 0:55:38 | 0:55:39 | |
And the thing is, I've always had this horrible feeling, deep down, | 0:55:39 | 0:55:45 | |
it's cos there was something in me that was, I dunno, | 0:55:45 | 0:55:49 | |
rotten or bad, or I couldn't be loved, no matter how hard I tried. | 0:55:49 | 0:55:54 | |
Only you came along and you made me feel better about myself. | 0:55:54 | 0:55:58 | |
I see, you wanted to say thank you? You know, just listen to me, please! | 0:55:58 | 0:56:01 | |
You made me think I could change how I usually was. | 0:56:01 | 0:56:04 | |
Only this whole load of shit happened, which made me think | 0:56:04 | 0:56:08 | |
I was exactly the person I always thought, | 0:56:08 | 0:56:11 | |
right from the start, and there was no point going on with you. So... | 0:56:11 | 0:56:14 | |
What shit? Just, it was with my mum... | 0:56:14 | 0:56:18 | |
It was her fault? It was all your mum's fault, was it?! | 0:56:18 | 0:56:21 | |
So it's her I should go round to now | 0:56:21 | 0:56:22 | |
and give a bloody good bollocking to, | 0:56:22 | 0:56:24 | |
with her sodding prawn sandwiches and her anti-cellulite cream, | 0:56:24 | 0:56:28 | |
and her, "Do your parents come from the bastard Caribbean"?! | 0:56:28 | 0:56:31 | |
It was your mum that shagged Glen, was it?! | 0:56:31 | 0:56:33 | |
Don't say those things, Steven, she's, that's how she is | 0:56:33 | 0:56:39 | |
and she can't help it. | 0:56:39 | 0:56:40 | |
And that's her. And I'm me. | 0:56:40 | 0:56:44 | |
And I want a second chance. | 0:56:46 | 0:56:48 | |
A what? | 0:56:48 | 0:56:49 | |
You can't make things if you don't know what they look like! | 0:56:49 | 0:56:52 | |
Anything. Especially love. | 0:56:52 | 0:56:54 | |
And, well, God, I wasn't facing the right way earlier | 0:56:54 | 0:56:59 | |
and I did something stupid, and I wish I hadn't, | 0:56:59 | 0:57:02 | |
and I would never do it again because I really, really, | 0:57:02 | 0:57:05 | |
really like you and I want another chance, please. | 0:57:05 | 0:57:08 | |
Please? | 0:57:09 | 0:57:11 | |
What happened to your eye? | 0:57:19 | 0:57:20 | |
I just caught it. In the Dervish. | 0:57:22 | 0:57:25 | |
Well... | 0:57:31 | 0:57:32 | |
You should let me take a look at it. | 0:57:34 | 0:57:35 | |
It's all right. It's just a graze. Wendy! I'm asking you in. | 0:57:35 | 0:57:40 | |
And trying to keep my dignity, all at the same bleedin' time. | 0:57:40 | 0:57:45 | |
What's wrong? Us! | 0:57:59 | 0:58:01 | |
The looks. The atmosphere. | 0:58:01 | 0:58:02 | |
You've got to get over it. | 0:58:02 | 0:58:04 | |
Just want you happy in bed, Michelle. | 0:58:04 | 0:58:06 | |
You know, so you're productive. | 0:58:06 | 0:58:07 | |
Honesty's the best policy? Right from the kick-off. | 0:58:07 | 0:58:10 | |
So I should tell Caroline about Wendy? | 0:58:10 | 0:58:12 | |
I said honesty, not suicide. What is the matter with you?! | 0:58:12 | 0:58:14 | |
You're not breaking up with me, are ya? | 0:58:14 | 0:58:16 | |
No. Will you marry me? Andrea. | 0:58:16 | 0:58:18 | |
It's my own fault. What you on about? | 0:58:18 | 0:58:20 | |
You! And Little Miss...Melty Tits! | 0:58:20 | 0:58:23 | |
You see the world like it's a U certificate. | 0:58:23 | 0:58:26 | |
Whereas, in fact, the world is an 18. | 0:58:26 | 0:58:29 | |
It contains scenes of an upsetting nature. | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 |