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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:09 | |
-RADIO DJ: -It's 90 degrees in Baton Rouge and 92 in New Orleans - | 0:00:12 | 0:00:16 | |
a hot day for an execution. | 0:00:16 | 0:00:18 | |
He's been cheating justice for over 20 years | 0:00:18 | 0:00:20 | |
but we think it's the end of the line for Rudy Jones. | 0:00:20 | 0:00:23 | |
Humidity up at 98% in downtown Lafayette | 0:00:27 | 0:00:30 | |
and a record high of 99% in West Monroe. | 0:00:30 | 0:00:33 | |
Now, the only thing about the death penalty is the dumbass lawyers | 0:00:35 | 0:00:39 | |
that say you can keep on appealing right down to the wire. | 0:00:39 | 0:00:42 | |
PHONE RINGS | 0:00:47 | 0:00:48 | |
Shit. | 0:00:52 | 0:00:54 | |
BRAKES SQUEAL | 0:00:54 | 0:00:56 | |
-SEATBELT SENSOR BEEPS -Seatbelt unfastened. | 0:00:58 | 0:01:02 | |
Seatbelt unfastened. | 0:01:07 | 0:01:09 | |
TRUCK SOUNDS HORN | 0:01:10 | 0:01:12 | |
Seatbelt unfastened. | 0:01:14 | 0:01:16 | |
TRUCK SOUNDS HORN | 0:01:16 | 0:01:18 | |
Yes, I'm here. I'm here. How long? | 0:01:18 | 0:01:21 | |
Seat belt unfastened. | 0:01:21 | 0:01:23 | |
Two hours. | 0:01:23 | 0:01:25 | |
-Ready? -Yeah. | 0:01:45 | 0:01:47 | |
-Are you sure? -Erm... | 0:01:47 | 0:01:50 | |
-Dad? -Yeah. Yeah. OK. OK. But slowly. | 0:01:50 | 0:01:52 | |
-WAX STRIP RIPS -OW! Ow. Oh. Aargh! | 0:01:54 | 0:01:56 | |
-SHE LAUGHS ARGH! Aargh! -No! | 0:01:56 | 0:01:59 | |
-HE GRUNTS -No! No! No! No! | 0:01:59 | 0:02:02 | |
Help! Help me, Dad. | 0:02:02 | 0:02:03 | |
Dan! Dan! Come on! Dan! Dan! Dan! Calm down. | 0:02:03 | 0:02:06 | |
She didn't hurt me. She didn't hurt me. She didn't hurt me. | 0:02:06 | 0:02:08 | |
-Come on. -It's OK. -Come on. -Breathe, Dan. | 0:02:08 | 0:02:10 | |
SHE EXHALES It's me, it's your sister. | 0:02:10 | 0:02:12 | |
Look at me, look at me. Are you OK? | 0:02:12 | 0:02:15 | |
-It's OK. -Keep breathing. -I'm all right. I'm all right. I'm all right. | 0:02:17 | 0:02:20 | |
-You all right? -I want Mummy. | 0:02:20 | 0:02:23 | |
# We shall live in peace some day... | 0:02:23 | 0:02:29 | |
# We shall overcome | 0:02:32 | 0:02:35 | |
# We shall overcome... # Not before six. Did you get that? | 0:02:35 | 0:02:40 | |
Answer my question. # We shall overcome... # | 0:02:40 | 0:02:43 | |
Does the government know there's a two-hour stay? | 0:02:43 | 0:02:46 | |
OK. Thanks. # We shall overcome some day | 0:02:46 | 0:02:52 | |
# Oh, deep in my heart... # | 0:02:52 | 0:02:56 | |
Yeah. | 0:02:56 | 0:02:59 | |
We've got two hours, right. | 0:03:00 | 0:03:02 | |
BUZZER SOUNDS | 0:03:03 | 0:03:06 | |
-Maya Cobbina. -Thank you, ma'am. | 0:03:07 | 0:03:10 | |
BUZZER SOUNDS | 0:03:14 | 0:03:16 | |
BUZZER SOUNDS | 0:03:18 | 0:03:20 | |
BUZZER SOUNDS | 0:03:24 | 0:03:26 | |
BUZZER SOUNDS | 0:03:30 | 0:03:32 | |
-It didn't hurt. -But then, why did you scream? | 0:03:38 | 0:03:42 | |
-I was pretending. -Why? | 0:03:42 | 0:03:44 | |
To make it funny. | 0:03:45 | 0:03:47 | |
Look, see? Taking the hair off reduces resistance, | 0:03:49 | 0:03:52 | |
so you go a bit faster. | 0:03:52 | 0:03:54 | |
See? | 0:03:56 | 0:03:58 | |
Why don't we do another practice? | 0:03:58 | 0:04:01 | |
I could really use your help. | 0:04:01 | 0:04:05 | |
-OK. -OK. OK. OK. Come on. | 0:04:05 | 0:04:08 | |
I'm going to go and look at the blog. | 0:04:08 | 0:04:11 | |
Can you do it with me? | 0:04:18 | 0:04:20 | |
-JOURNALIST: -Well, Rudy's lawyer just went inside. | 0:04:30 | 0:04:33 | |
She told us there's two hours. | 0:04:33 | 0:04:35 | |
Two hours till the Supreme Court decision. | 0:04:35 | 0:04:37 | |
# We shall overcome We shall... # | 0:04:37 | 0:04:42 | |
Do we have a decision? | 0:05:21 | 0:05:23 | |
-Rudy? -I've got a first name? | 0:05:25 | 0:05:27 | |
"Rudy"...now that you're about to kill me? | 0:05:29 | 0:05:33 | |
Fried chicken is a popular choice. | 0:05:34 | 0:05:36 | |
You may kill me, but you can't make me eat, | 0:05:36 | 0:05:39 | |
just so the media has something to talk about. | 0:05:39 | 0:05:42 | |
-I'd like a cigarette. -We can't do that. | 0:05:42 | 0:05:45 | |
-Why not? -Health regulations. | 0:05:45 | 0:05:48 | |
HE CHUCKLES | 0:05:48 | 0:05:50 | |
So, two hours means they're reading what we filed. | 0:05:57 | 0:06:02 | |
Still stacked five-four. | 0:06:02 | 0:06:04 | |
And all nine are pissed, because I'm in their family time. | 0:06:04 | 0:06:07 | |
They are Supreme Court judges. They do 100 like this a year. | 0:06:07 | 0:06:11 | |
Galbraith is the one. She will come our way. | 0:06:13 | 0:06:16 | |
Do you like my haircut? | 0:06:23 | 0:06:25 | |
Well... | 0:06:26 | 0:06:28 | |
-JOURNALIST: -His lawyer's in there with him now. They're waiting on... | 0:06:28 | 0:06:31 | |
Don't tell Dan, all right? It'll be OK. Mum's with him. | 0:06:31 | 0:06:35 | |
-Let's go. -Where? | 0:06:43 | 0:06:45 | |
Some place else. Anywhere. | 0:06:45 | 0:06:47 | |
OK. Clem had...had big hair when she was little. | 0:06:55 | 0:07:00 | |
DOG WHINES | 0:07:12 | 0:07:14 | |
-Journalist: -The execution is supposed to be at 6pm... | 0:07:14 | 0:07:17 | |
-Can you set the clock to the time over there? -Ella. -Please? | 0:07:17 | 0:07:20 | |
..still no word. | 0:07:20 | 0:07:22 | |
-Dad. Goggles. -Yeah. | 0:07:30 | 0:07:33 | |
We were in...in hospital for two weeks after she was born. | 0:07:46 | 0:07:49 | |
-Why? -Well, I lost a lot of blood and she...erm... Well, they... | 0:07:49 | 0:07:53 | |
They said there was something wrong with her heart | 0:07:53 | 0:07:56 | |
and that, the only way they could know for sure, was to open her up. | 0:07:56 | 0:08:00 | |
"Open her up," they said, like...like she was... | 0:08:00 | 0:08:03 | |
Anyway, it was very late when they finished | 0:08:04 | 0:08:08 | |
and I was going mad with not knowing. | 0:08:08 | 0:08:10 | |
And they brought her back to me on the ward in the middle of the night. | 0:08:10 | 0:08:14 | |
My fear was that they were...were bringing her back to say goodbye. | 0:08:14 | 0:08:19 | |
And, erm... | 0:08:20 | 0:08:22 | |
It must have been... the way she was lying, | 0:08:25 | 0:08:29 | |
but when I looked at her, big tubes in her little body, | 0:08:29 | 0:08:35 | |
and she...she moved her... her head a little. | 0:08:35 | 0:08:40 | |
-Yes? -And there it was. | 0:08:43 | 0:08:46 | |
Like a little curl. Stuck to the side of her head. | 0:08:48 | 0:08:51 | |
And then, I just knew that everything was going to be fine. | 0:08:53 | 0:08:57 | |
Deep inside. | 0:08:59 | 0:09:01 | |
We have a call from the Supreme Court for Miss Cobbina. | 0:09:08 | 0:09:11 | |
All right. | 0:09:13 | 0:09:15 | |
Phone call. | 0:09:17 | 0:09:19 | |
It'll be fine. Galbraith will come through. | 0:09:21 | 0:09:24 | |
Yes. This is Maya Cobbina. | 0:09:35 | 0:09:38 | |
Yes. I understand. | 0:09:38 | 0:09:41 | |
SHE INHALES SHAKILY | 0:10:26 | 0:10:29 | |
Is her hair still natural? | 0:10:29 | 0:10:31 | |
She relaxed it. | 0:10:36 | 0:10:38 | |
Erm... | 0:10:38 | 0:10:40 | |
She used flat irons for a while and, erm... | 0:10:41 | 0:10:45 | |
..then she had a...erm, a treatment. Erm... | 0:10:47 | 0:10:52 | |
What's it called? I-I can't remember. | 0:10:53 | 0:10:56 | |
-It doesn't matter. -I'll remember tomorrow. | 0:10:56 | 0:10:58 | |
HE LAUGHS | 0:10:58 | 0:11:00 | |
LAUGH TURNS BITTER | 0:11:06 | 0:11:08 | |
And then she went back to being big and wild | 0:11:09 | 0:11:11 | |
and natural and frizzy and completely uncombable. | 0:11:11 | 0:11:16 | |
-That's good. -Yeah, I think so. | 0:11:16 | 0:11:18 | |
-How long has it been, you and me? -20 years, Sunday. | 0:11:22 | 0:11:25 | |
RUEFUL LAUGH | 0:11:25 | 0:11:27 | |
I'll miss our anniversary. | 0:11:28 | 0:11:30 | |
-Where will you be? -Erm, the cottage. | 0:11:35 | 0:11:38 | |
-Have I...have I told you this? -No. | 0:11:38 | 0:11:40 | |
It's St Just. | 0:11:40 | 0:11:42 | |
It is the westernmost town in England | 0:11:42 | 0:11:45 | |
and it is about as close to here as we could be. | 0:11:45 | 0:11:48 | |
What is it like, Maya? | 0:11:49 | 0:11:51 | |
It's...it's honest and it's tough, and the air is fresh and clean. | 0:11:51 | 0:11:58 | |
And it's...it's so wonderful. | 0:11:58 | 0:12:00 | |
-Will you all be there? -All of us. | 0:12:02 | 0:12:05 | |
HE SIGHS | 0:12:05 | 0:12:07 | |
-I don't want you in there. -We've al-... We've always said... | 0:12:26 | 0:12:29 | |
I won't let them dignify what they're doing with good behaviour. | 0:12:29 | 0:12:33 | |
-Rudy. -I'm not going quietly. | 0:12:33 | 0:12:35 | |
And I don't want you seeing me lose again. | 0:12:35 | 0:12:38 | |
The first words you ever said to me was, "I'm your lawyer, | 0:12:42 | 0:12:47 | |
"and I will do everything in my power to help you, | 0:12:47 | 0:12:52 | |
"but all the choices will be yours. | 0:12:52 | 0:12:54 | |
"I am instructed by you." | 0:12:55 | 0:12:57 | |
You can't imagine what that's meant to me. | 0:12:58 | 0:13:01 | |
I don't want you being in there on your own. | 0:13:01 | 0:13:03 | |
The responsibility I'm about to give you | 0:13:05 | 0:13:08 | |
goes a long way past witnessing my death. | 0:13:08 | 0:13:13 | |
-Rudy. -Come close. | 0:13:13 | 0:13:16 | |
Real close. | 0:13:18 | 0:13:20 | |
You can't win trying to save people like me. | 0:13:20 | 0:13:23 | |
You have to go big. | 0:13:25 | 0:13:27 | |
Walk away from me now. | 0:13:30 | 0:13:32 | |
Stay brave, be strong, hold your dignity. | 0:13:34 | 0:13:39 | |
-Rudy. -Go big. | 0:13:41 | 0:13:43 | |
It's time. | 0:13:43 | 0:13:45 | |
You hear me? You hear me, Maya? | 0:14:15 | 0:14:18 | |
SHE MOUTHS | 0:14:25 | 0:14:27 | |
-Hear me, Maya. -PRISONERS TAP OUT RHYTHM | 0:14:31 | 0:14:35 | |
HEAR ME, MAYA! | 0:14:38 | 0:14:40 | |
BUZZER SOUNDS | 0:14:54 | 0:14:56 | |
Transport to the chamber. | 0:15:01 | 0:15:03 | |
So, listen, it's one way in there. | 0:15:05 | 0:15:08 | |
The glass. Your man. He can't see you. | 0:15:08 | 0:15:12 | |
My advice is save yourself the nightmares and walk away. | 0:15:14 | 0:15:19 | |
He doesn't want me watching. | 0:15:19 | 0:15:21 | |
# Amazing grace | 0:15:25 | 0:15:30 | |
# How sweet the sound | 0:15:30 | 0:15:36 | |
# That saved a wretch like me | 0:15:36 | 0:15:43 | |
# I once was... # SINGING TRAILS OFF | 0:15:45 | 0:15:47 | |
Erm... | 0:15:49 | 0:15:51 | |
I know nearly all of you and together we have held hands, | 0:15:55 | 0:15:59 | |
sung songs, lit candles, prayed. | 0:15:59 | 0:16:02 | |
We have done everything in our power to help save our friend. | 0:16:02 | 0:16:08 | |
But it hasn't worked. | 0:16:10 | 0:16:12 | |
I...erm... | 0:16:14 | 0:16:17 | |
I... SHE CLEARS THROAT | 0:16:18 | 0:16:21 | |
I want to be dignified now and I want to offer myself and you | 0:16:21 | 0:16:27 | |
some...some solace in speech, some love and hope. | 0:16:27 | 0:16:31 | |
But I don't have it. | 0:16:33 | 0:16:36 | |
All I have is anger. | 0:16:36 | 0:16:39 | |
And, erm, I'm sorry that I can't... I can't give you better. | 0:16:43 | 0:16:46 | |
But I swear to you on the lives of my children | 0:16:50 | 0:16:53 | |
and as you are my witness, this...this...this anger that I feel | 0:16:53 | 0:16:58 | |
here will go to work. | 0:16:58 | 0:17:01 | |
It will not soften, it will not BE softened | 0:17:03 | 0:17:07 | |
until they stop killing brothers and sisters and calling it justice! | 0:17:07 | 0:17:12 | |
That's it, that's it. | 0:17:15 | 0:17:17 | |
Sorry. Sorry. | 0:17:25 | 0:17:27 | |
-RADIO DJ: -He said no to a last meal. He said no to prayer. | 0:17:30 | 0:17:34 | |
So a Godless life will have a Godless end, and a hungry one, too. | 0:17:34 | 0:17:39 | |
He's been speaking with his lawyer, instead of the Lord. | 0:17:39 | 0:17:42 | |
Of course, he has. | 0:17:42 | 0:17:44 | |
We do know they talked about one thing. | 0:17:44 | 0:17:48 | |
Minutes from death and the topic of conversation? | 0:17:48 | 0:17:51 | |
Hair products. | 0:17:51 | 0:17:53 | |
Erm, Dan, could you do the hose for me and the stuff there? | 0:17:54 | 0:17:57 | |
-I'll just take a quick shower, yeah? -OK. -All right, thanks. | 0:17:57 | 0:18:00 | |
-RADIO DJ: -We're minutes away now, folks. | 0:18:05 | 0:18:07 | |
The execution procedure will be by lethal injection. | 0:18:07 | 0:18:10 | |
A humane and painless death, which is more than can be said | 0:18:10 | 0:18:14 | |
for the agony he inflicted | 0:18:14 | 0:18:16 | |
on the esteemed public servant he so brutally murdered. | 0:18:16 | 0:18:20 | |
We're going to play the song we always play | 0:18:24 | 0:18:26 | |
right before the condemned man heads down to hell. | 0:18:26 | 0:18:30 | |
# Fire | 0:18:30 | 0:18:32 | |
# I'll take you to burn... # | 0:18:32 | 0:18:34 | |
# I do believe... # | 0:19:09 | 0:19:11 | |
# Fire | 0:19:11 | 0:19:14 | |
# I'll take you to burn... # | 0:19:14 | 0:19:17 | |
-RADIO DJ: -Let no man say I don't have perfect timing. | 0:19:17 | 0:19:20 | |
That was Arthur Brown and this is the countdown. Join with me. | 0:19:20 | 0:19:25 | |
Ten, nine, eight, seven, six... | 0:19:25 | 0:19:31 | |
..five, four, three, two, one. | 0:19:31 | 0:19:38 | |
SHE GASPS | 0:19:56 | 0:19:57 | |
HIGH-PITCHED WHINE | 0:19:59 | 0:20:01 | |
PHONE RINGS IN DISTANCE | 0:20:16 | 0:20:19 | |
RINGTONE GETS LOUDER | 0:20:20 | 0:20:22 | |
MOBILE PHONE RINGS | 0:20:23 | 0:20:24 | |
PHONE RINGS IN DISTANCE | 0:20:29 | 0:20:31 | |
PHONE CONTINUES TO RING | 0:20:45 | 0:20:47 | |
'Hello, this is Maya Cobbina. Please leave a message.' | 0:20:56 | 0:20:59 | |
It's me. It's us. | 0:21:02 | 0:21:04 | |
We're with you. We all love you. | 0:21:05 | 0:21:08 | |
Maya? | 0:21:08 | 0:21:10 | |
Oh, sweetheart, hold on. | 0:21:10 | 0:21:13 | |
Get home. | 0:21:13 | 0:21:15 | |
SIREN SOUNDS | 0:21:32 | 0:21:34 | |
Miss Cobbina! Miss Cobbina! | 0:21:44 | 0:21:46 | |
-Hey. -No, I-I don't want to know. I don't want to know. | 0:21:49 | 0:21:53 | |
-I don't want to know. -No, you don't understand what they're doing there. | 0:21:53 | 0:21:57 | |
-He's not dead. -I'll take you. | 0:21:58 | 0:22:01 | |
Oh, God. Oh, God. | 0:22:01 | 0:22:03 | |
SIREN SOUNDS | 0:22:03 | 0:22:05 | |
Hello. Hello, Judge Kramer? Yeah, OK. OK. | 0:22:06 | 0:22:09 | |
I'm filing a motion on behalf of Rudy Jones | 0:22:09 | 0:22:11 | |
for an emergency stay of execution. | 0:22:11 | 0:22:13 | |
-Are you the right person? -I'm the right person. | 0:22:13 | 0:22:16 | |
-On what grounds? -On the grounds that...that he's... | 0:22:16 | 0:22:18 | |
he's breathing and... and there's moaning | 0:22:18 | 0:22:21 | |
and there's movement and it's been...it's been... | 0:22:21 | 0:22:24 | |
-Over an hour. -It's been over an hour. It's botched. He's alive. | 0:22:24 | 0:22:27 | |
-He's in terrible pain. -I need the State. | 0:22:27 | 0:22:30 | |
I'm going to have to put you on hold, | 0:22:30 | 0:22:32 | |
once I have him, I'll be back, then we'll be on conference call. | 0:22:32 | 0:22:36 | |
Stand up. Stand up, people. He's alive. He's not dead. | 0:22:41 | 0:22:44 | |
Stand up, please. Get out of the way. | 0:22:44 | 0:22:46 | |
Please give us space! He's alive! | 0:22:46 | 0:22:49 | |
Why is the blind down? Open it. | 0:23:00 | 0:23:02 | |
Open it! | 0:23:02 | 0:23:04 | |
Jesus. What are you doing? Oh, my God. Close that blind now. | 0:23:06 | 0:23:09 | |
-Oh, my God! Close it now. -How do I get in there? How do I get it? | 0:23:09 | 0:23:11 | |
You do not get in there. CLOSE THAT BLIND! | 0:23:11 | 0:23:14 | |
-I'm his lawyer. You can't do... -CLOSE IT NOW! -Oh, my God! | 0:23:14 | 0:23:17 | |
-Close the blind. -How do I get in there? | 0:23:20 | 0:23:23 | |
You do not get into the execution chamber. Do you... | 0:23:23 | 0:23:25 | |
That is not an execution chamber! That is a torture chamber! | 0:23:25 | 0:23:28 | |
PHONE RINGS They don't... | 0:23:28 | 0:23:30 | |
-Listen... -Hello? -Yes. Yes. Yes. Yes. I'm here. | 0:23:30 | 0:23:32 | |
I have the Assistant Attorney General on the call. | 0:23:32 | 0:23:35 | |
You can make the application. | 0:23:35 | 0:23:37 | |
The eighth amendment prohibits cruel and unusual punishment. | 0:23:37 | 0:23:40 | |
If that's not cruel and unusual I don't know what is. | 0:23:40 | 0:23:42 | |
-I have information from the chamber. -Who? -The doctor. | 0:23:42 | 0:23:45 | |
-He says his heartbeat is 40 and falling. -He is breathing. | 0:23:45 | 0:23:48 | |
We don't think his breathing is actual breathing. | 0:23:48 | 0:23:51 | |
It's a kind of snorting. | 0:23:51 | 0:23:53 | |
-That's what the body does when it is short of oxygen. -The doctor says... | 0:23:53 | 0:23:56 | |
You call a man supervising the killing of a human being a doctor? | 0:23:56 | 0:23:59 | |
That is not medicine! There is blood everywhere! | 0:23:59 | 0:24:02 | |
They don't know what they're doing in there. | 0:24:02 | 0:24:04 | |
PHONE BEEPS Shit! My...my...my battery is low. | 0:24:04 | 0:24:07 | |
I don't think we can take what counsel says | 0:24:07 | 0:24:09 | |
as medically-expert, in any kind of way.. | 0:24:09 | 0:24:11 | |
There is a drill in there! What have they got to drill for? | 0:24:11 | 0:24:14 | |
Putting a line into the bone. The execution team are quite happy | 0:24:14 | 0:24:17 | |
ENOUGH! The default position must be - stop, then, argue this. | 0:24:17 | 0:24:21 | |
Stop, first, please. Then, we can be lawyers. | 0:24:21 | 0:24:23 | |
The State contends suspending the execution now | 0:24:23 | 0:24:25 | |
may do more harm than good. | 0:24:25 | 0:24:27 | |
His condition is deteriorating. | 0:24:27 | 0:24:29 | |
Oh! Now, you're killing him, you fight for his right to die?! | 0:24:29 | 0:24:32 | |
What kind of warped argument is that? | 0:24:32 | 0:24:34 | |
What does the protocol say? | 0:24:34 | 0:24:36 | |
I can have my office find a copy in five minutes. | 0:24:36 | 0:24:38 | |
We don't have five minutes. I know it back to front. | 0:24:38 | 0:24:41 | |
I don't think we can take that as any kind of... | 0:24:41 | 0:24:43 | |
"There will be an emergency defibrillator on site." | 0:24:43 | 0:24:45 | |
Expressly stated. That is what it's there for. | 0:24:45 | 0:24:48 | |
Why have it in the protocol, if not to use it? | 0:24:48 | 0:24:50 | |
PHONE BEEPS My...my battery's low. | 0:24:50 | 0:24:53 | |
I am informed from inside the chamber that the heartbeat | 0:24:53 | 0:24:56 | |
is down to 30. | 0:24:56 | 0:24:58 | |
Call it, Judge. Call it now. PHONE BEEPS | 0:24:58 | 0:25:00 | |
-I have a decision. -PHONE BEEPS | 0:25:02 | 0:25:05 | |
BUZZER SOUNDS | 0:25:08 | 0:25:10 | |
BP currently 75/45. | 0:25:18 | 0:25:20 | |
MACHINE BEEPS | 0:25:20 | 0:25:22 | |
-Rudy? -Step back, please. | 0:25:32 | 0:25:35 | |
-Oh, don't be ridiculous. -Step back from the prisoner. | 0:25:35 | 0:25:38 | |
-Take your hand off me. -How we doing here, guys? | 0:25:38 | 0:25:41 | |
-What's happening? -We need to move him. | 0:25:41 | 0:25:43 | |
-The prison can't look after him. -I need to know what's going on. | 0:25:43 | 0:25:46 | |
I'm a doctor, ma'am. My job is keeping people alive. | 0:25:46 | 0:25:49 | |
I can't do that here. They don't have the facilities. | 0:25:49 | 0:25:52 | |
You're his lawyer, right? | 0:25:55 | 0:25:58 | |
I'll bring him back. Now, go home. We'll call you when there's news. | 0:25:58 | 0:26:02 | |
All right, guys, let's go. | 0:26:02 | 0:26:04 | |
Come on! | 0:26:07 | 0:26:09 | |
Mummy's home. HEY! MUMMY'S HOME! | 0:26:40 | 0:26:42 | |
SHE LAUGHS | 0:26:42 | 0:26:45 | |
-I love you. I love you. -Mum, I missed you so much. | 0:26:46 | 0:26:49 | |
Daddy. | 0:26:55 | 0:26:57 | |
-There it is. -It's amazing. | 0:27:04 | 0:27:06 | |
-What? You don't need to make salad. -Ta-da! Pasta a la fromage! | 0:27:06 | 0:27:11 | |
-How many times have you had pasta since I was away? -19. | 0:27:11 | 0:27:15 | |
Oh! | 0:27:15 | 0:27:16 | |
HE MOANS | 0:27:55 | 0:27:57 | |
Aargh! Argh, ow! | 0:28:10 | 0:28:13 | |
-W-w-w-what? -Oh, God! | 0:28:13 | 0:28:15 | |
God! God! It's cramp. It's cramp. | 0:28:15 | 0:28:17 | |
-It's...Aargh! -SHE LAUGHS | 0:28:17 | 0:28:19 | |
-Ow, God. It's not funny. Aargh. -Dad? | 0:28:19 | 0:28:22 | |
-Oh, God, that hurts. -Dad, what's wrong? | 0:28:22 | 0:28:24 | |
Oh, my God. M-Maya! Give me the...give me the... | 0:28:24 | 0:28:27 | |
Give me the pillow. Give me the pillow! | 0:28:27 | 0:28:29 | |
-Why are you shouting, what's going on? -Come in. | 0:28:29 | 0:28:31 | |
-Give me the pillow, at least give me the... -Daddy? | 0:28:31 | 0:28:34 | |
-It's OK. It's all right. -THEY LAUGH | 0:28:34 | 0:28:36 | |
It's all right. It's, erm, it's nothing. | 0:28:36 | 0:28:37 | |
Oh, my God! Dad! What's wrong with you? | 0:28:37 | 0:28:40 | |
-It's disgusting. -Go back to bed. | 0:28:40 | 0:28:42 | |
-Please take Dan and go back to bed. -SHE LAUGHS | 0:28:42 | 0:28:47 | |
-THEY CHANT: -Our rights. Our rights... | 0:29:37 | 0:29:40 | |
-THEY CHANT: -Our rights... | 0:29:41 | 0:29:44 | |
Michael. Michael! | 0:29:57 | 0:29:59 | |
Excuse me, I'm looking for a Michael Antwi. | 0:30:04 | 0:30:07 | |
All right, OK. Hang on. Here we go. | 0:31:32 | 0:31:36 | |
Here we go. | 0:31:37 | 0:31:40 | |
Sorry. | 0:31:42 | 0:31:44 | |
Don't mention it. | 0:31:45 | 0:31:47 | |
I used to change you. | 0:31:48 | 0:31:50 | |
I was way ahead of my time - a man changing a baby's nappies. | 0:31:50 | 0:31:55 | |
There we are. | 0:31:58 | 0:32:01 | |
# Hush little baby Don't say a word | 0:32:02 | 0:32:06 | |
# Papa's going to buy you a mockingbird | 0:32:07 | 0:32:11 | |
# And if that mockingbird don't sing | 0:32:13 | 0:32:17 | |
# Papa's going to buy you a diamond ring | 0:32:19 | 0:32:22 | |
# And if that diamond ring... | 0:32:24 | 0:32:26 | |
# ..turns to brass | 0:32:29 | 0:32:31 | |
# Papa's going to buy you a looking glass... # | 0:32:32 | 0:32:36 | |
-Most of the nurses are after me, obviously. -Well, yeah, obviously. | 0:32:39 | 0:32:42 | |
When they're not treating me like a three-year-old. | 0:32:42 | 0:32:46 | |
I may be dying, but I'm not deaf, I tell them. | 0:32:46 | 0:32:50 | |
Dad, erm... | 0:32:50 | 0:32:52 | |
You all right? | 0:32:54 | 0:32:56 | |
Have I been a good father? | 0:33:00 | 0:33:03 | |
Yeah. Yeah. | 0:33:03 | 0:33:06 | |
-Thank you. -Come on. -Thank you. | 0:33:08 | 0:33:11 | |
-No girlfriend? -I dunno, Dad. You know. | 0:33:13 | 0:33:16 | |
I haven't found the right woman. | 0:33:16 | 0:33:18 | |
HE SOBS | 0:33:59 | 0:34:02 | |
DISTANT POLICE SIREN | 0:35:25 | 0:35:28 | |
Rocco. | 0:35:38 | 0:35:40 | |
Rocco! | 0:35:43 | 0:35:45 | |
Rocco! | 0:35:50 | 0:35:51 | |
Rocco!! | 0:35:56 | 0:35:57 | |
-DOG BARKS -Oh, thank God. | 0:36:17 | 0:36:19 | |
Hey, where have you been? | 0:36:19 | 0:36:21 | |
-Where have you been? -THEY LAUGH | 0:36:21 | 0:36:23 | |
Daddy. | 0:36:31 | 0:36:33 | |
He was stuck in the pond at the edge of the cricket pitch, | 0:36:35 | 0:36:38 | |
so I hauled him out. | 0:36:38 | 0:36:40 | |
-And how did you...? -Rang the vet. They knew Rocco. | 0:36:40 | 0:36:44 | |
Erm, sorry. Tea. | 0:36:47 | 0:36:50 | |
Would you like to stay for some tea? | 0:36:51 | 0:36:53 | |
He doesn't mean it. | 0:36:53 | 0:36:55 | |
He says he wants you to stay for a cup of tea, but he doesn't really. | 0:36:55 | 0:36:58 | |
-Dan. -You taught me that, Dad. | 0:36:58 | 0:37:00 | |
-Where were you when you lost him? -Erm, near the boating lake. | 0:37:06 | 0:37:09 | |
-So, he ran a long way. -Yeah, he's a bolter. | 0:37:09 | 0:37:11 | |
-And you were distracted? -Yes. | 0:37:11 | 0:37:14 | |
Something on your mind. | 0:37:14 | 0:37:16 | |
-Erm, how old is he? -They reckon about two and a half. | 0:37:19 | 0:37:23 | |
-Rescue. -Yeah. | 0:37:23 | 0:37:25 | |
-Do you know his story? -He ate his owner. -What? | 0:37:25 | 0:37:29 | |
86-year-old man died alone in his flat. | 0:37:29 | 0:37:32 | |
Nobody knew for three weeks. | 0:37:32 | 0:37:34 | |
Django was stuck in there, nothing to eat... | 0:37:34 | 0:37:37 | |
He didn't have a choice. | 0:37:39 | 0:37:41 | |
-And how's he being with you? -Loyal, faithful. | 0:37:41 | 0:37:44 | |
Yeah, I wake up in the morning, sometimes, he's sitting | 0:37:46 | 0:37:49 | |
next to my bed, looking up at me. | 0:37:49 | 0:37:51 | |
We should meet for a coffee. | 0:37:51 | 0:37:54 | |
Cafe on Brennan Street in one hour. | 0:37:54 | 0:37:57 | |
You can thank me properly. Come on. | 0:37:57 | 0:38:00 | |
People say you're mad, you know. 20 years and you're still on it. | 0:38:20 | 0:38:24 | |
People can say what the hell they like. | 0:38:24 | 0:38:26 | |
I've booked you a flight back to the US | 0:38:28 | 0:38:31 | |
and I moved your Southwark fixture. | 0:38:31 | 0:38:33 | |
-Thank you. -I'm a gem. | 0:38:33 | 0:38:35 | |
You're a gem. What do you want, Jimmy? | 0:38:35 | 0:38:37 | |
I had another phone call from the Attorney General's office. | 0:38:37 | 0:38:40 | |
They're not taking no for an answer. They want you to interview. | 0:38:40 | 0:38:43 | |
I defend people. | 0:38:43 | 0:38:45 | |
I've spent my entire career taking on the State when it behaves badly. | 0:38:45 | 0:38:48 | |
Why do you think, in a million years, | 0:38:48 | 0:38:50 | |
-I'd want to be the Director of Public Prosecutions? -Michael Antwi. | 0:38:50 | 0:38:53 | |
-There's a new witness -What? | 0:38:58 | 0:39:01 | |
Scared and careful. | 0:39:01 | 0:39:03 | |
Which is a good thing, | 0:39:03 | 0:39:05 | |
because it means whatever they've got to say must be important. | 0:39:05 | 0:39:08 | |
But whether new evidence helps Michael's case | 0:39:08 | 0:39:11 | |
depends on who's looking at it. | 0:39:11 | 0:39:14 | |
The DPP makes the choices. That could be you. | 0:39:14 | 0:39:17 | |
-Jimmy, who the hell is this? -I don't know. | 0:39:17 | 0:39:20 | |
-Well, who did they go to? -The approach was a text. | 0:39:20 | 0:39:23 | |
From a phone that doesn't exist. | 0:39:23 | 0:39:25 | |
You could go big. | 0:39:28 | 0:39:30 | |
-What did you just say? -Rudy wrote to me. | 0:39:31 | 0:39:34 | |
He said he knew I was like a father to you and he wanted me | 0:39:36 | 0:39:40 | |
to show you the way when he's gone. | 0:39:40 | 0:39:41 | |
-He's not dead. -So, he's watching you. | 0:39:42 | 0:39:45 | |
We all are. | 0:39:46 | 0:39:47 | |
-I'm not doing this. -You wouldn't be here if that were true. | 0:40:32 | 0:40:36 | |
It's been 20 years. | 0:40:37 | 0:40:39 | |
There's a perfect storm coming. Your wife is being head-hunted. | 0:40:39 | 0:40:44 | |
The first black Director of Public Prosecutions is a real possibility. | 0:40:44 | 0:40:48 | |
-She wouldn't do it. -She might. -Why? | 0:40:49 | 0:40:51 | |
We have shared history... All of us. | 0:40:53 | 0:40:57 | |
Michael Antwi? | 0:41:00 | 0:41:03 | |
There's a new witness. We don't know who. If she IS the new DPP... | 0:41:03 | 0:41:08 | |
Like I said - a perfect storm. | 0:41:10 | 0:41:12 | |
She still has no idea why you met. Or who you were. | 0:41:14 | 0:41:18 | |
Get out of our lives...and stay out. | 0:41:24 | 0:41:27 | |
If you...if you hurt my brother, all of my brothers are coming for you. | 0:41:44 | 0:41:49 | |
THEY CHEER | 0:41:49 | 0:41:51 | |
-No more! -ALL: No more! | 0:41:51 | 0:41:53 | |
-No more! -ALL: No more! | 0:41:53 | 0:41:54 | |
-No more! -ALL: No more! | 0:41:54 | 0:41:56 | |
CHANT CONTINUES | 0:41:56 | 0:41:59 | |
-No more, I say! -ALL: No more! | 0:41:59 | 0:42:02 | |
THEY CHEER | 0:42:02 | 0:42:03 | |
If you don't move, I'll have you removed. | 0:42:05 | 0:42:07 | |
I'm looking for a Michael Antwi. | 0:42:07 | 0:42:08 | |
Michael, are you all right? | 0:42:09 | 0:42:12 | |
-Yeah? -Fine. -Michael? | 0:42:12 | 0:42:14 | |
THEY SHOUT | 0:42:14 | 0:42:16 | |
-How can Rudy be a vegetable? -They shouldn't say that. | 0:42:45 | 0:42:49 | |
-It says he's a cabbage. -Dan. -This man says he's a guinea pig. | 0:42:49 | 0:42:52 | |
-No, he's not a guinea pig. -It says that he's a guinea pig. | 0:42:52 | 0:42:54 | |
They tried new drugs on him and now he's a cabbage. | 0:42:54 | 0:42:56 | |
-Shut up, Dan. -SHE LAUGHS | 0:42:56 | 0:42:59 | |
See you tomorrow. | 0:43:10 | 0:43:11 | |
PHONE RINGS | 0:43:30 | 0:43:33 | |
Hello. | 0:43:37 | 0:43:39 | |
Nick? It's me. Erm, I don't know where you are... | 0:43:56 | 0:44:00 | |
It's Rudy. | 0:44:03 | 0:44:04 | |
Can you come and get me, please? | 0:44:06 | 0:44:08 | |
PHONE VIBRATES | 0:44:14 | 0:44:16 | |
'Nick? It's me. Erm, I don't know where you are... | 0:44:19 | 0:44:23 | |
'It's Rudy. | 0:44:23 | 0:44:25 | |
'Can you come and get me, please?' PHONE VIBRATES | 0:44:25 | 0:44:29 | |
-Hello. -Erm, hello. This is Dr Elliot at the hospital. | 0:44:30 | 0:44:35 | |
-Erm, yes. -It's your father. I think perhaps you should be here. | 0:44:35 | 0:44:39 | |
Maya... Hey. | 0:45:11 | 0:45:13 | |
-I love you so much. -I love you, too. | 0:45:17 | 0:45:20 | |
When did he die? | 0:45:22 | 0:45:24 | |
He's not dead. He's pulling through. | 0:45:28 | 0:45:31 | |
And is that why you wanted me? | 0:45:33 | 0:45:35 | |
It's my birthday... | 0:45:40 | 0:45:42 | |
-..and you've forgotten! -Erm, mmm. | 0:45:44 | 0:45:46 | |
I'll make it up. I'll make it up to you. | 0:45:50 | 0:45:52 | |
SHE SIGHS | 0:45:52 | 0:45:54 | |
Hello? | 0:46:07 | 0:46:09 | |
MANY: SURPRISE! | 0:46:14 | 0:46:16 | |
-Happy birthday, darling! -Did you suspect? -No! | 0:46:18 | 0:46:23 | |
-Happy birthday to us! -Happy birthday! | 0:46:24 | 0:46:26 | |
ALL: Happy birthday! | 0:46:26 | 0:46:29 | |
-Happy birthday, Mummy! -I'm so much younger than you. -Rawr! | 0:46:29 | 0:46:33 | |
-Thank you. -What are best friends for, darling? | 0:46:33 | 0:46:35 | |
-Wrestling with. And racing against. That kind of thing. -Exactly that. | 0:46:35 | 0:46:39 | |
-What are you talking about? -Maybe we could do some wrestling later. | 0:46:39 | 0:46:41 | |
It would go against everything you've done for your entire career. | 0:46:41 | 0:46:45 | |
-What, wrestling? -Yeah, that, too. | 0:46:45 | 0:46:48 | |
No, I just mean being the DPP. Prosecuting people. | 0:46:48 | 0:46:51 | |
First black DPP. That would be really something, wouldn't it? | 0:46:51 | 0:46:55 | |
But Maya doesn't have some kind of duty to all black people... | 0:46:55 | 0:46:58 | |
Stop and search, that would be a good place to start. | 0:46:58 | 0:47:00 | |
Well, maybe the paper you work for could talk about that, Julia? | 0:47:00 | 0:47:03 | |
Daddy let Rocco run away and then a man brought him back | 0:47:06 | 0:47:08 | |
-and then we decided not to tell you. -THEY GASP | 0:47:08 | 0:47:11 | |
What man? Nick? | 0:47:11 | 0:47:13 | |
You know it was, it was practically a kidnapping, all right? | 0:47:13 | 0:47:16 | |
Rocco was out of my sight for 30 seconds. | 0:47:16 | 0:47:19 | |
Well, we should give him chocolates or something. Did you get his name? | 0:47:19 | 0:47:22 | |
-No. -Dad's useless at mum stuff. | 0:47:22 | 0:47:25 | |
-Your father is a wonderful man. -He is. | 0:47:25 | 0:47:28 | |
-SHE RETCHES -Mum. Ella's going to be sick. | 0:47:28 | 0:47:31 | |
-Dan, Dan. -Dan, Dan, I'm not going to be sick. | 0:47:31 | 0:47:33 | |
-Dad, get a bucket. -I'm not going to be sick. | 0:47:33 | 0:47:35 | |
-I'm not going to be sick, calm down. -THEY LAUGH | 0:47:35 | 0:47:38 | |
When we were first together, I'd go to the women's pond, | 0:47:41 | 0:47:44 | |
really early in the morning, before anyone else was there, | 0:47:44 | 0:47:47 | |
and swim out as far as I could and I would just...I would just shout, | 0:47:47 | 0:47:50 | |
as loud as I could. | 0:47:50 | 0:47:52 | |
Well, it wasn't that loud, cos it was really cold, but... | 0:47:52 | 0:47:55 | |
And one day, I got there a bit earlier than usual | 0:47:55 | 0:47:57 | |
and the lifeguard was just arriving and she heard me shouting... | 0:47:57 | 0:48:01 | |
-Don't tell me! -She rescued me! She lifeguarded the hell out of me. | 0:48:01 | 0:48:04 | |
And I couldn't say, "Look, stop. | 0:48:04 | 0:48:07 | |
"Don't worry, don't worry! It's just love." | 0:48:07 | 0:48:09 | |
So, I let myself be saved. | 0:48:09 | 0:48:11 | |
Hey. You know this, erm, this DPP thing? | 0:48:16 | 0:48:19 | |
Mm-hm. | 0:48:19 | 0:48:22 | |
-Is there something you're not telling me? -Yes. | 0:48:22 | 0:48:25 | |
Well? Well, what? | 0:48:25 | 0:48:27 | |
I'm not telling you. | 0:48:28 | 0:48:30 | |
-Oh, come on. You always tell me everything. -Night, Nick. | 0:48:30 | 0:48:34 | |
DISTANT RATTLING | 0:48:36 | 0:48:39 | |
Hey, hold on. | 0:48:41 | 0:48:42 | |
What's up? | 0:48:54 | 0:48:55 | |
What? | 0:48:57 | 0:48:58 | |
Do you know what? | 0:49:14 | 0:49:15 | |
-Why don't we just go now? -It's the middle of the night. | 0:49:18 | 0:49:21 | |
Yeah, yeah, I know, but it'd be like the good old days, | 0:49:21 | 0:49:24 | |
when the kids were little. | 0:49:24 | 0:49:26 | |
-SHE GRUNTS -Go on. Yes! | 0:49:28 | 0:49:31 | |
-Are you tired? Shall I drive? -No, no, no, I'm fine. | 0:49:45 | 0:49:48 | |
Come on, boy. | 0:49:50 | 0:49:51 | |
All right, all right. | 0:49:55 | 0:49:57 | |
All right. | 0:49:58 | 0:49:59 | |
PHONE RINGS | 0:50:07 | 0:50:09 | |
Hello. | 0:50:12 | 0:50:14 | |
It's Dr Elliot. I'm afraid I've got bad news. | 0:50:14 | 0:50:18 | |
When? | 0:50:19 | 0:50:20 | |
He died a few moments ago. | 0:50:20 | 0:50:22 | |
Are you OK? | 0:50:52 | 0:50:53 | |
Yeah. | 0:50:53 | 0:50:54 | |
-He did do a wee, didn't he? -Yeah. | 0:50:58 | 0:51:00 | |
Who called you? | 0:51:02 | 0:51:03 | |
Oxfam. | 0:51:03 | 0:51:04 | |
Dad, let's do our song. | 0:51:09 | 0:51:12 | |
-Yeah. -Dad? | 0:51:12 | 0:51:14 | |
# Hush, little baby Don't say a word | 0:51:18 | 0:51:22 | |
-# Daddy's... -Gonna buy you a mockingbird | 0:51:22 | 0:51:24 | |
-# And if that... -Mockingbird don't sing | 0:51:24 | 0:51:28 | |
-# Daddy's gonna... -Buy you a diamond ring | 0:51:28 | 0:51:31 | |
-# And if that diamond ring... -Turns brass | 0:51:31 | 0:51:34 | |
-# Daddy's going to buy you... # -SINGING FADES | 0:51:34 | 0:51:37 | |
Oh, yes. Finally! Come on. | 0:51:53 | 0:51:55 | |
-ROCCO BARKS -Wait, Dan. Wait, wait! | 0:51:55 | 0:51:58 | |
Are you faster than me? Do you think you're faster than me? | 0:51:58 | 0:52:00 | |
Come on, Rocco! | 0:52:00 | 0:52:01 | |
Dan, can you wait? Wait for me! | 0:52:03 | 0:52:05 | |
Woo! It's windy! | 0:52:06 | 0:52:07 | |
I told Rudy we'd be here. | 0:52:09 | 0:52:12 | |
Keratin! | 0:52:15 | 0:52:17 | |
What? | 0:52:17 | 0:52:18 | |
-The word. The word I couldn't remember. -Oh. | 0:52:18 | 0:52:21 | |
Thank you. | 0:52:33 | 0:52:34 | |
For what? | 0:52:35 | 0:52:36 | |
You know I do the work I do because you make it possible. | 0:52:38 | 0:52:41 | |
Stop running! | 0:52:43 | 0:52:45 | |
From now on, no wasting time, no wasted words, | 0:52:46 | 0:52:50 | |
no friends I don't like. And you better watch out, Nicholas Johnson, | 0:52:50 | 0:52:54 | |
because I am going to love you very bloody hard. | 0:52:54 | 0:52:57 | |
Hello, Rocco. | 0:53:56 | 0:53:58 | |
-Argh! -It's all right. It's going to be all right. | 0:54:23 | 0:54:29 | |
THEY BREATHE HEAVILY | 0:54:30 | 0:54:32 | |
You can't have me back. You can't. | 0:54:50 | 0:54:53 | |
I love my family too much. And Maya... | 0:54:53 | 0:54:55 | |
She matters more than anything in the world. | 0:54:55 | 0:54:58 | |
I know that. And that's fine. | 0:55:00 | 0:55:03 | |
We just want you to share with us what she's thinking. | 0:55:06 | 0:55:10 | |
You know the beauty of this? | 0:55:10 | 0:55:11 | |
20 years of normal life makes for very deep cover. | 0:55:11 | 0:55:15 | |
Beauty? Beauty? | 0:55:15 | 0:55:17 | |
It's 20 years since you left us...for love. | 0:55:17 | 0:55:21 | |
Now, I would call what you've made in those years | 0:55:22 | 0:55:24 | |
something pretty close to happiness. We would hate to destroy that. | 0:55:24 | 0:55:28 | |
We really would. | 0:55:30 | 0:55:32 | |
-I don't...I don't have to do this. -No. -No, no, I can just tell her. | 0:55:34 | 0:55:38 | |
Sure. | 0:55:38 | 0:55:39 | |
After 20 years of lying... | 0:55:40 | 0:55:42 | |
..do you think any of you would survive that? | 0:55:44 | 0:55:47 | |
Cos that's the only question, isn't it? | 0:55:49 | 0:55:51 | |
Maya? | 0:55:51 | 0:55:53 | |
Clem? | 0:55:54 | 0:55:55 | |
Ella? | 0:55:55 | 0:55:57 | |
And what would it do to Dan? | 0:55:57 | 0:55:59 | |
You mean everything to that boy. | 0:56:01 | 0:56:03 | |
I'm sorry. | 0:56:09 | 0:56:10 | |
Oi, oi, oi! Come, come, come, come, come. Thank you, thank you. | 0:56:18 | 0:56:22 | |
-All right, you get the box. -It depends, is it too heavy? | 0:56:22 | 0:56:25 | |
No, it's light. Use your mucles. There you go. | 0:56:25 | 0:56:28 | |
-Mucles! -Mucles. | 0:56:28 | 0:56:30 | |
Don't leave your bags in the hallway! | 0:56:30 | 0:56:32 | |
PHONE RINGS | 0:56:35 | 0:56:37 | |
Hello. | 0:56:40 | 0:56:41 | |
Right, OK. Well, just...just give me five minutes, Jimmy. | 0:56:44 | 0:56:47 | |
Bye. | 0:56:49 | 0:56:50 | |
Nick...they want to interview me. | 0:56:52 | 0:56:55 | |
And they need an answer. | 0:56:55 | 0:56:57 | |
-Right. -I'm not going to do it, unless you agree. | 0:56:58 | 0:57:00 | |
We have to decide this together. | 0:57:02 | 0:57:04 | |
Do it. | 0:57:06 | 0:57:07 | |
You remember Carter. | 0:58:12 | 0:58:14 | |
Welcome back, Detective Sergeant. | 0:58:20 | 0:58:22 |