Episode 2 Undercover


Episode 2

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Transcript


LineFromTo

You can't win trying to save people like me. We have to go big.

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Do you hear me, Maya?

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You don't understand what they're doing there.

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He's not dead?

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There is a drug in there.

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-The doctor says...

-Enough. Call it, Judge.

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Hey, Mummy's home!

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This programme contains some violent scenes.

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-No girlfriend?

-I don't know, Dad, haven't found the right woman.

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It's Dr Elliott, I'm afraid I've got bad news.

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I had another call from the Attorney General's office,

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they want you to interview.

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Why d'you think in a million years

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I'd want to be Director of Public Prosecutions?

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Michael Antwi. There's a new witness.

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It's been 20 years.

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We have shared history.

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-Michael Antwi.

-There is a perfect storm coming.

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We just want you to share with us what she's thinking.

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You remember Carter?

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Welcome back, Detective Sergeant.

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Brogues? Brogues or heels?

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-BOTH:

-Heels.

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Lippy or no lippy?

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-BOTH:

-Lippy.

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RADIO IS ON

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-How do I look?

-Great.

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-Ella?

-Great.

-I don't trust you, you always say that.

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If you find you look terrible, they'll never give you the job

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-in a million years because you look like a hideous old hag.

-Thank you.

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Love you.

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Mwah! Mwah!

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-Oh, thank you.

-Good luck.

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-Go, Mum.

-Leave.

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THEY LAUGH

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-Good luck.

-Good luck.

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DOOR SHUTS

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I want you to know you can talk about any of part of your life with me.

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Which life?

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That's the point.

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It's all one to me, I know everything.

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You can talk about your father, for instance.

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It was simple and very moving.

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What was?

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His funeral.

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We thought you should be represented.

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You were there?

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Here.

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Your father's ashes.

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Who was at the funeral?

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Friends and neighbours.

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And lots of nurses.

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NICK CHUCKLES

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-Was there singing?

-Yes.

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He was a fine man.

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I'm sorry your children didn't know their grandfather.

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We need to talk about Michael Antwi.

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She doesn't know who it is.

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The witness.

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And she'd tell you if she did?

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We tell each other everything.

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She tells me...everything.

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She's not going to stop, you know.

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She will never give up trying to get justice for Michael.

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-Does anyone know who it is?

-Why Michael Antwi after all these years?

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Why the sudden interest?

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You're scared, aren't you?

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She's frightened you all.

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BELL CHIMES

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-Walk with me.

-I know what you're going to say.

-She can't get this.

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-The AG likes her.

-Likes the idea of her.

-It's more than that.

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You're not hearing me properly, she cannot get this job.

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-I'm the baby on the panel.

-Pick a fight with her.

-What?

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Press her buttons - race, sex, class - she'll have a rant

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and then the AG will go off his good idea.

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'She'll come home this evening and tell you all about her interview.'

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Nothing has changed.

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You're the same happy family.

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Think about it.

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With me, you can be yourself.

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-Miss Cobbina.

-Good morning.

-Morning.

-Morning.

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10 years ago, we found out an hour before the press

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that the Attorney General and the Director of Public Prosecutions

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had both been having extramarital affairs.

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The two leading lawyers advising everyone else how to behave

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had become blackmailable overnight.

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We can't allow that to happen again.

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The DPP must be uncorrupted and incorruptible.

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Which is why, I'm afraid...

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this is going to be personal.

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-Tell me about your husband.

-What do you want to know?

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-Do you love him?

-Yes.

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What do you argue about?

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-We don't.

-Really? Nothing?

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Isn't that a bit unusual?

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He had a very ugly childhood. I'm his place of safety.

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What happened to him?

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What are you doing?

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Why don't you ask him yourself?

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RINGING TONE

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PHONE RINGS

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'Hello, it's Nick, I might be writing, but probably not,

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'so please leave a message.'

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Oh, um...hi, it's me.

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Er, they want to know about your unhappy childhood

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and how much you love me,

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so give me a call back and I'll put you on speakerphone. Bye.

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-You've never prosecuted?

-No.

-Why not?

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I came to the criminal bar to represent the dispossessed

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-and the disadvantaged.

-That doesn't include rape victims.

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Or abused children.

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Or victims of racial hatred.

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I have a client on death row in Louisiana called Rudy Jones.

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The last thing he told me before they strapped him

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onto a gurney to try and kill him was that I should go big.

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That's what this is. And why I'm here.

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-That's America.

-And it's not prosecuting, what's the relevance?

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Rudy understands what it's like to be a victim and I get it...

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-with victimhood.

-How long have you represented him?

-20 years.

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-About the same time as you've been representing the family of Michael Antwi.

-Yes, they connect.

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-How?

-Michael put me onto Rudy.

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The State killed one and is trying to kill the other.

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Michael Antwi was killed by Peter Mackie.

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The State had nothing to do with it. The case is closed.

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-You'd have to give up both.

-I can't do that.

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Are you withdrawing your application?

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It would be a condition of me accepting the job

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that I carry on representing both.

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Sorry, so whose side are you on?

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There you have it. In one sentence.

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Everything that is wrong with public life in the 21st century.

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Holding two things in your head at the same time

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whilst deciding which is right, or both are right, or neither,

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is as good a definition of intelligence as I know.

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Holding one thing in your head at the expense of everything else

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is a definition of politics.

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-Balance, surely.

-No, no!

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The opposite.

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Balance sacrifices the pursuit of the one thing

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we should all be after - the truth.

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The journalist who is fearless in his pursuit of balance?

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The DPP who wants to keep everybody happy?

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-Deadly.

-All politics is compromise, it's just naive to think otherwise.

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What, it's just as well the DPP is independent of politics.

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You see, I think...

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this can be the last great independent public office left.

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Isn't that what you want?

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Courage, independence?

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Or do you want balance,

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compromise, moral cowardice?

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Hello.

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'You're someone who speaks your mind.

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'He means you're a dangerous woman.'

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-Thank you.

-He means how do we feel about that?

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He means that when the tabloids come for you, they take you down.

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They take you round the corner and they kill you.

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And then they kill you again.

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And then they kill your family.

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And then they come back and stamp on your dead bodies.

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What are you saying?

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If you want to make this much noise,

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you'd better not have any skeletons in your cupboard.

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My bet is that everybody else you see for this job

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will give you less of who they are.

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You might...flatter yourselves,

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thinking you have read between the lines

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and that's what is unspoken is somehow more profound

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for being unsaid and all that chilly, English, posh bollocks.

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I think as hard as I can.

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I put all my being into articulating exactly what I think.

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Which is always and without exception my best shot at the truth.

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Which is all anyone can ever give or be.

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Take it or leave it.

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# ..Above and afar

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# Like answers to questions

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# On life

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# Love and the longing to survive... #

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This is what we agreed, right?

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-Oh, Jesus Christ!

-It's the amount we talked about.

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-But they upped it, I told you.

-We haven't got it, work it.

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Is it you out there, putting your life on the line? What do you think this is?

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Are you saying you can't work it?

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You can't work it, this whole operation falls apart.

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Put it in the bag, genius.

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Yeah, just pull it, pull it tighter.

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-OK, is that there?

-More.

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-There we go.

-That's it, yeah.

-OK.

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How much does it cost to make me look this cheap?

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No price too high.

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-Here, ciggies.

-Thanks.

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That's it, just hold still.

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Marks & Spencer's. Fresh orange juice, cherry tomatoes, avocados.

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Sorry.

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-I'm sorry.

-It's the difference between living and dying.

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If they frisk you, find that in your pocket,

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it doesn't matter how well I hid your wire.

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Ow, bloody hell!

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I'm running out of space.

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You look terrible.

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Thanks.

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See you on the other side.

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What's the go word?

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-Hallelujah.

-Hallelujah it is.

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Listen, don't be shy, get in fast. Noisy and big, yeah?

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-Nervous?

-Yeah.

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-Where've you been for the last 24 hours?

-Hospital.

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Why?

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It's personal.

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Shit.

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-It's OK, you can do this.

-Shit.

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-Right, can we go again?

-Yeah, sure.

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Where've you been for the last 24 hours?

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-Hospital.

-Why?

-It's personal.

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Spill it, bitch!

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I ain't your bitch! And I'll cut anyone who says I am!

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Nice.

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Are you ready?

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Where've you been, man? We can't keep these people waiting.

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I said do this a week ago.

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I'm going to wire your head to this door. Get over there!

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Don't feel it. Is it warm, mate?

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When I say do something, you do it.

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You all right, Ricky?

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-Where've you been?

-Hospital.

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Look, it was personal, yeah?

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What is it, a boy?

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I don't know.

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Look, they don't tell you.

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Get this sorted.

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All right, come on. I got you a painkiller.

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Huh?

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Sort her out.

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-It's all right, I shouldn't, not when I'm working.

-It's good stuff.

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Hit the pipe.

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-Hit it.

-It's clean.

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Go on.

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-What's the matter with you? Go on, take it.

-Go on.

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Go on.

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Tell me you love me.

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I love you.

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We need to go.

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'Suspect car has arrived. Four occupants, repeat, four occupants.

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-'That's what I like to hear.

-You've brought all your friends, have you?

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'Well, it's a growing business, isn't it?

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-'Undercover officer is with them.

-Why, what are you worried about?'

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Another UC? He knows about her, right?

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-He knows there are two UCs, right?

-He must do.

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-No, not he must do - does he?

-'Where's my gear?

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-'We'll bring it in when we're happy.

-What, you don't trust me?'

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How about I don't trust you? Search these people, man.

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Wait, hold on, bruv.

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-'I'm not your bruv.'

-Who told him?

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Jesus Christ, what's the matter with you people? Does he know her?

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Does he know her?

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Does he know about who?

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This is business and I am frisking you.

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You wouldn't want to do business with me

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unless I was a professional, would you?

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Oh, God.

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-What are we doing?

-Right, get him out, abort now.

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-It's too late. It's in play, he's in, she's in.

-Our man can handle it.

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She's wearing a wire.

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Sounds like it's about your ego.

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-Whatever.

-Right, do it.

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She's dead, he just killed her.

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Don't touch me!

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That's my girl, she's cool.

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-Your girl?

-Mm.

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I'll do it myself.

0:20:050:20:06

I know you.

0:20:230:20:24

I've seen you somewhere before.

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-I don't think so.

-Kentish Town police station.

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I don't get nicked.

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'I do know you.'

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I've got it, Beaver Club. The Beaver Club.

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Oh, yeah.

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I remember.

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'I remember.'

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She's safe.

0:21:010:21:03

I know her.

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You know her or you KNOW her?

0:21:040:21:08

She hit me on the dancefloor, innit? I had to fight her off.

0:21:080:21:10

-HE LAUGHS

-Come on.

0:21:100:21:13

All right.

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What you selling? What you selling?

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It's high-quality gear.

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Round the corner, you and me.

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Why we round here?

0:21:470:21:49

-Didn't want you losing face in front of your people.

-What is this?

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The product is a little disappointing.

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When coke first arrived and it was pure, I was there.

0:21:540:21:57

That shit, man, it would make your gums go numb in five seconds,

0:21:570:22:01

the feeling wouldn't come back for an hour, you get me?

0:22:010:22:03

I'm going to have to go back to the first price on this shit.

0:22:030:22:06

-'The number we talked about.

-We'll go somewhere else.

0:22:060:22:09

'All right, well, go for it. But if you are smart right now,'

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you are one step away from an easy life.

0:22:130:22:15

Cos all you need is one buyer you trust absolutely,

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someone who will take all the risks of distribution away from you.

0:22:190:22:23

Come to me, and only me, you can rest easy for ever.

0:22:230:22:27

You know what this is?

0:22:290:22:30

This is the biggest moment of your professional career.

0:22:300:22:33

You feeling lonely, innit?

0:22:330:22:35

All right, call it in, man. Go ahead, Mark's your number one.

0:22:350:22:39

It's me, listen...

0:22:440:22:46

'Yeah, I know, it's your call, bruv.'

0:22:470:22:49

-All right, I'm bored, man, I'm out.

-All right!

0:22:510:22:54

-All right.

-Are we good?

0:22:590:23:01

I've got this thing, it's about sealing trust.

0:23:020:23:07

My man with the money, you call him in.

0:23:070:23:10

You've got style, brother.

0:23:100:23:12

PHONE RINGS

0:23:130:23:15

Yo.

0:23:170:23:18

'Bring me the money.'

0:23:180:23:20

Here.

0:23:370:23:39

We're good.

0:23:440:23:46

-Hallelujah.

-Go, go, go!

0:23:510:23:53

Police! Police! Armed police!

0:23:550:23:57

SHOUTING

0:23:570:24:00

HELICOPTER WHIRRS

0:24:020:24:04

Try to set me up?

0:24:040:24:05

Bastard!

0:24:070:24:08

All right, mate, another one of these.

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And a port.

0:24:130:24:15

We haven't been introduced.

0:24:200:24:22

I hit on you?

0:24:240:24:26

-Well, you're doing it again.

-Would you do me a favour?

-Are you asking?

0:24:260:24:29

-Cheers.

-Cheers.

0:24:310:24:33

-KEYS JANGLE

-Come on, out.

0:25:040:25:07

So, Ricky, to charge or not to charge.

0:25:110:25:16

Well, the evidence isn't strong.

0:25:160:25:18

In interview, he said he was just passing and we jumped him.

0:25:180:25:21

He's not on the drugs, the drugs are not on him.

0:25:210:25:25

-They can't get us, son!

-Calm down.

0:25:250:25:27

Oi, that's enough!

0:25:280:25:30

Calm down. Take him away.

0:25:300:25:33

It'll be over quick enough. These guys don't hang around.

0:25:350:25:40

We've tails on them. We'll be there, only just not quite in time.

0:25:430:25:47

I'm going to the pub if you fancy a pint.

0:25:490:25:52

Must've been somebody putting us in the frame.

0:25:590:26:02

It looks that way.

0:26:030:26:04

Why did they let you go, Ricky?

0:26:060:26:08

Agh!

0:26:110:26:13

LAUGHTER

0:26:180:26:20

Down.

0:26:230:26:25

I get it, I get it.

0:26:300:26:31

SIRENS WAIL

0:26:310:26:33

Two for the price of one.

0:26:350:26:38

One dead, one in Belmarsh for ever.

0:26:380:26:41

Here's to good, clean justice.

0:26:410:26:43

I'll drink to that. Cheers.

0:26:430:26:45

You are all charged with conspiracy to supply controlled drugs

0:26:560:27:00

of class A, contrary to section 1 of the Criminal Law Act 1977.

0:27:000:27:07

-Are you Mr Trevor Eastman?

-Yes.

0:27:070:27:10

-Are you Mr Simon Morton?

-Yes.

0:27:100:27:13

Are you Mr...?

0:27:130:27:15

-Are you all right?

-Yeah, yeah, good.

-Yeah?

0:27:200:27:24

So, a screen?

0:27:420:27:43

-And the judge is friendly?

-Hm.

0:27:430:27:46

Oh, good.

0:27:460:27:48

There's some legal argument.

0:27:480:27:50

-What?

-Tail-end Charlie, trying it on, she's almost done.

0:27:500:27:55

Who's for tail-end Charlie?

0:27:550:27:57

Basically, the police were doing a drug deal with themselves.

0:27:570:28:01

One of the arrested gang members was released without charge

0:28:030:28:06

and then murdered.

0:28:060:28:08

I can't see a reason for not charging him on the evidence.

0:28:080:28:11

Which leads me to think he must have been an informant, my Lord,

0:28:110:28:15

there was no other explanation.

0:28:150:28:16

But that hasn't been disclosed to us.

0:28:160:28:18

I think he was a grass and the police knew that he'd been blown,

0:28:180:28:22

and rather than spend money on a new identity and a new life,

0:28:220:28:25

they let him walk out the nick to his death.

0:28:250:28:28

But that's all conjecture on my part because it has to be.

0:28:280:28:31

And that's the problem with this prosecution, there is

0:28:310:28:33

no way of me getting any clearer as to what was going on here.

0:28:330:28:36

So far, we've got two police officers working undercover

0:28:360:28:40

and a grass.

0:28:400:28:41

I'm beginning to wonder if those responsible for the entrapment

0:28:410:28:44

outnumber those being entrapped.

0:28:440:28:47

Is there anyone left who isn't not what they say they are?

0:28:470:28:50

It's a miscarriage of justice waiting to happen.

0:28:500:28:53

It's me trying to defend my client with both hands

0:28:530:28:56

tied behind my back and a gag in my mouth, my Lord.

0:28:560:28:59

And the criminal justice system I work in is so much better than that.

0:28:590:29:02

That's very compelling, Miss Cobbina.

0:29:020:29:05

Shit!

0:29:070:29:09

This is shit! And you know it.

0:29:090:29:12

-All right.

-Nick.

0:29:120:29:14

This is shit! So they're just going to walk?

0:29:140:29:17

Do they know the risks we take when we go out there?

0:29:170:29:19

Look at this woman, right? Look at this.

0:29:190:29:21

-Don't, don't...

-No, no, look at it.

0:29:210:29:23

Look at it. She does this for you and you just...

0:29:230:29:27

Who the hell is she?

0:29:290:29:31

This lawyer, who is she?

0:29:310:29:33

Her name is Maya Cobbina.

0:29:330:29:35

Does she sleep at night?

0:29:350:29:37

Yes!

0:29:450:29:46

One question. Are they guilty? Answer - yes.

0:29:520:29:56

Yes, everybody knows that, their own briefs know that.

0:29:560:29:58

Sorry, sir.

0:30:010:30:02

Look, I'm a police officer. I want it to be better than this.

0:30:020:30:06

Am I out?

0:30:100:30:12

Is that why I'm here?

0:30:120:30:13

Yes.

0:30:150:30:16

You're smart.

0:30:170:30:18

Yeah...

0:30:180:30:20

So I'll bounce back in my new desk job.

0:30:200:30:23

Drugs will always be with us. Drug gangs will always be there.

0:30:230:30:26

I'm sorry, sir, what are you saying?

0:30:260:30:28

Go and build yourself a new life.

0:30:280:30:31

We want you to take a step up.

0:30:310:30:33

Right.

0:30:370:30:39

-Primary school?

-Wycombe Street.

-First teacher?

-Miss Hazel.

0:30:500:30:54

-Age?

-162.

0:30:540:30:57

Well, that's what she told us.

0:30:570:30:59

-Siblings?

-No siblings, got none.

0:31:000:31:02

Any distinguishing features?

0:31:020:31:04

Charm, charisma.

0:31:040:31:05

HE LAUGHS

0:31:050:31:07

-And...a-a birthmark.

-Where?

0:31:070:31:10

Here.

0:31:100:31:11

There it is.

0:31:130:31:14

Ooh! How did you do that?

0:31:140:31:17

I tattooed it. It stung and all.

0:31:170:31:19

-Your first bike?

-I didn't have a bike.

0:31:210:31:23

An early memory?

0:31:230:31:26

I remember the social worker gave me an Action Man

0:31:260:31:30

when they came to take me away.

0:31:300:31:33

My mum was standing at the front door.

0:31:330:31:35

I got in the back of the car.

0:31:350:31:37

The social workers smelt nice.

0:31:380:31:41

His boot came off, the Action Man.

0:31:410:31:45

I bent down to pick it up.

0:31:450:31:47

By the time I looked up again,

0:31:470:31:49

my mum had already gone back inside.

0:31:490:31:51

Full name?

0:31:560:31:57

Nicholas...Johnson.

0:31:590:32:02

I am Nick Johnson.

0:32:020:32:04

Born on 3 November, 1971.

0:32:040:32:07

A Wednesday.

0:32:070:32:09

Nice.

0:32:110:32:13

Job - you need something flexible, unusual hours,

0:32:190:32:22

and something you can do on your own.

0:32:220:32:24

I'm a writer.

0:32:240:32:26

Well, of course you are.

0:32:260:32:28

So, Michael Antwi, 35, political activist - dangerous.

0:32:280:32:32

Get close, make friends, win trust.

0:32:320:32:36

NICK EXHALES

0:32:360:32:38

CHATTER

0:32:410:32:44

OVERLAPPING CONVERSATIONS

0:32:520:32:55

All right, people, round of applause for the speaker.

0:33:150:33:18

I've been in Louisiana, USA.

0:33:260:33:29

I met a man called Rudy Jones.

0:33:290:33:31

He is in prison,

0:33:310:33:34

facing a trial for a murder which he did not commit.

0:33:340:33:39

Is that something which happens in Hackney or Tottenham or Brixton?

0:33:390:33:44

MURMURS OF AGREEMENT

0:33:440:33:47

Why Rudy?

0:33:470:33:48

He is black...

0:33:480:33:50

he is poor...

0:33:500:33:52

and he likes a drink.

0:33:520:33:55

He also has an alibi. But, guess what?

0:33:550:33:58

The alibi witness is black.

0:33:580:34:00

He is poor...and he likes a drink.

0:34:010:34:05

The white cops have been to see him.

0:34:050:34:08

They told him, "We like Rudy for this, and if you help him,

0:34:080:34:13

"we may have to do sweep you up too and charge as an accomplice."

0:34:130:34:18

Nothing like that happens in Hackney or Tottenham or Brixton.

0:34:180:34:23

APPLAUSE

0:34:230:34:26

Should we march again?

0:34:260:34:28

Should we walk down the same streets and sing We Shall Overcome...

0:34:280:34:34

and hand in a list of our names to men who will not read it...

0:34:340:34:38

..men who will never hear our songs of protest...

0:34:400:34:43

who cannot feel our pain?

0:34:430:34:45

Because after decades of singing and polite protest,

0:34:450:34:49

I'm starting to think it might be the time to judge those

0:34:490:34:52

we seek to change - not by the colour of their skin

0:34:520:34:55

but by the content of their character.

0:34:550:34:58

CHEERING AND APPLAUSE

0:34:580:35:00

I ask you this now because I hear a rumbling.

0:35:030:35:06

I hear a long, low note of deep anger.

0:35:060:35:10

Do you hear it?

0:35:100:35:12

-MURMURS OF AGREEMENT

-Do you hear it?

0:35:120:35:14

MURMURS OF AGREEMENT

0:35:140:35:16

It is the sound of a black nation rising.

0:35:160:35:19

It has been a long time coming, but it is coming.

0:35:190:35:22

When I look around at you, my sisters and brothers,

0:35:220:35:26

I feel that pain.

0:35:260:35:28

But I also feel the power inside that pain.

0:35:290:35:33

Now...

0:35:330:35:35

now is the moment in our history where we must say,

0:35:350:35:39

as clear as clear can be,

0:35:390:35:42

"If you hurt me, I will hurt you too."

0:35:420:35:45

CHEERING

0:35:450:35:47

If you...

0:35:490:35:51

if you hurt my brother, all of my brothers are coming for you.

0:35:510:35:55

CHEERING AND APPLAUSE

0:35:550:35:57

-No more!

-ALL: No more!

0:35:580:36:00

-No more!

-No more!

0:36:000:36:02

-No more!

-No more!

0:36:020:36:04

-No more!

-No more!

0:36:040:36:06

No more, I say.

0:36:060:36:07

No more dreams, no more nightmares,

0:36:070:36:11

for we are no longer asleep.

0:36:110:36:14

In Louisiana, we are wide awake.

0:36:140:36:16

In Hackney and Tottenham and Brixton,

0:36:160:36:19

our consciousness is awoken,

0:36:190:36:21

and in this new dawn, there will be action.

0:36:210:36:25

And the consequence of that action is power for our people.

0:36:270:36:31

And in that power is true freedom.

0:36:310:36:37

The time has come for us to stop asking for our freedom

0:36:370:36:40

and to take it.

0:36:400:36:43

CHEERING AND APPLAUSE

0:36:430:36:47

Take it!

0:36:470:36:50

-QUIETLY:

-Thank you.

0:36:530:36:54

Incredibly impressive.

0:37:110:37:13

-Yeah. Fantastic. Do you agree with him?

-100%.

0:37:140:37:19

So you are a danger to society?

0:37:190:37:21

HE CHUCKLES Well...

0:37:210:37:23

So...what do you do?

0:37:260:37:28

Are you chatting me up?

0:37:300:37:32

No, I was...

0:37:320:37:33

-Hey...

-No, I'm a lawyer. It's OK, I'm a lawyer.

0:37:330:37:36

Is it all right? All right.

0:37:360:37:38

-Well, what kind?

-Crime.

-All right.

0:37:380:37:41

-You?

-A writer.

-Oh.

-I'm a writer.

0:37:410:37:45

-What kind of crime?

-Legal aid.

0:37:460:37:49

Oh, should I have heard of you something?

0:37:490:37:50

Oh, no. No, sorry. Nick.

0:37:500:37:53

-Nick Johnson.

-What kind of writing?

0:37:530:37:55

Crime. SHE LAUGHS

0:37:550:37:58

Yeah, I know.

0:37:580:37:59

-Maya Cobbina.

-Miss Cobbina.

0:37:590:38:03

So what is the answer to my question?

0:38:030:38:05

-What, am I chatting you up?

-Mm.

0:38:050:38:06

Do you want to see my birthmark?

0:38:060:38:09

This as my boyfriend.

0:38:090:38:11

Ray, this is Nick.

0:38:110:38:14

I'm going to go and talk to Michael.

0:38:140:38:16

What do you want?

0:38:160:38:18

I want to stop waking up every morning and thinking to myself,

0:38:180:38:22

-"Oh, I'm black".

-Weren't you listening?

0:38:220:38:25

That's what they want us for do.

0:38:250:38:28

We should be waking up every morning saying the exact opposite.

0:38:280:38:32

-"I'm black. I'm fighting back."

-I hear you. Hear you.

0:38:320:38:36

You are a lucky man.

0:38:380:38:40

What?

0:38:400:38:41

So...is she good in court?

0:38:450:38:47

'I think he is angry.'

0:38:590:39:00

'Who?'

0:39:000:39:01

-Nick.

-About what?

-The police.

0:39:010:39:04

It's good, what you're doing.

0:39:100:39:13

What?

0:39:130:39:14

I know it is not easy being a black UC.

0:39:140:39:18

-I have been working on a good route in.

-Who is he?

0:39:200:39:22

She. She is a lawyer.

0:39:220:39:24

-Do you like her?

-No.

-Does she like you?

0:39:240:39:27

Hmm...

0:39:290:39:30

Then she will want to trust you.

0:39:320:39:34

Yes.

0:39:350:39:37

It is a good route in.

0:39:370:39:39

-GROANING OK, thank you.

-Thank you.

0:39:390:39:43

Any other questions?

0:39:430:39:47

Sir?

0:39:470:39:48

What kind of car have you got?

0:39:480:39:50

BMW.

0:39:530:39:54

How many times have you been stopped and searched?

0:39:560:39:58

I'm a police officer.

0:39:590:40:01

Yeah, but what is the answer to my question?

0:40:010:40:03

Seven times this year.

0:40:070:40:10

GASPING

0:40:100:40:12

Excuse me, Officer, what about you?

0:40:120:40:14

I haven't been stopped.

0:40:160:40:18

What, this year?

0:40:180:40:20

Ever.

0:40:220:40:24

EXASPERATED MURMURS

0:40:240:40:26

Have there ever been reasonable grounds for stopping you?

0:40:260:40:29

-No.

-Have you ever been arrested as a result of being stopped?

0:40:290:40:32

-No.

-So, are you a drug dealer? Did you steal your BMW?

0:40:320:40:35

Very funny.

0:40:350:40:36

How the hell can you afford to pay for a car like that, nigger?

0:40:360:40:38

-LAUGHTER

-OK! OK, OK.

0:40:380:40:40

-OK, good joke.

-Oh, what, so it's funny?!

0:40:400:40:44

There is something funny about this?

0:40:440:40:45

-What-what kind of a joke is it?

-Look...

0:40:450:40:47

Listen, listen, I don't know how you can live with yourself, mate.

0:40:470:40:50

I want to hear you admit it, right here, right now.

0:40:500:40:52

Tell us that the Metropolitan Police Force is racist.

0:40:520:40:55

MURMURS OF AGREEMENT Go on, can you do that?

0:40:550:40:58

Because if you can do that, then maybe we can all start something.

0:40:580:41:02

Go on.

0:41:030:41:04

Thank you. Thank you very much.

0:41:110:41:12

GROANING

0:41:120:41:14

-Drink?

-Yeah, man, yeah.

0:41:200:41:23

You had him in there.

0:41:250:41:27

You had him bending down on the table

0:41:270:41:29

with your face right up his arse.

0:41:290:41:31

LAUGHTER

0:41:310:41:33

-Where you learn to talk like that to police?

-I write crime novels.

0:41:340:41:38

Is the hero black?

0:41:380:41:40

Sometimes.

0:41:400:41:42

-Black police?

-Yeah, sometimes.

0:41:420:41:46

I hate that.

0:41:460:41:48

-What?

-When a brother puts the uniform on.

0:41:480:41:51

It's a betrayal.

0:41:510:41:53

It's unforgivable.

0:41:530:41:56

So, Nick, who are you?

0:41:560:42:00

What do you mean?

0:42:020:42:03

Where did you go to school?

0:42:040:42:06

-Tufnell Park.

-Oh, yeah?

0:42:060:42:08

I know Tufnell Park. My mum was a TA in a primary school there.

0:42:080:42:11

Yeah, well, not in my school, not in my time.

0:42:110:42:14

Drink up, you are getting behind.

0:42:140:42:17

You lot...

0:42:170:42:19

'Somebody is running a data check on the Nick Johnson.'

0:42:240:42:27

It's not a problem, we don't need to panic.

0:42:290:42:31

An organisation that monitors police action

0:42:320:42:35

is bound to be paranoid about police infiltration.

0:42:350:42:37

Well, they've got that right.

0:42:370:42:39

Did you know, right, that every prisoner in Stokie nick is black?

0:42:420:42:47

What do you think about that?

0:42:470:42:49

We could pull you out if you think you have made a mistake.

0:42:510:42:53

I have made no mistakes.

0:42:530:42:55

In Louisiana today, now,

0:43:330:43:35

you can still see black men in chains working in sugar plantations,

0:43:350:43:38

-Guarded by white horsemen with guns.

-Jesus.

0:43:380:43:41

Do you know what they do for jury selection?

0:43:410:43:44

They ask you if you are against the death sentence.

0:43:440:43:47

If the answer is yes - you're out.

0:43:470:43:49

They won't let you serve as a juror.

0:43:490:43:52

-That's terrible.

-Rudy Jones.

0:43:520:43:55

He had a drunk idiot who had never worked a captive case before

0:43:550:43:57

defending him.

0:43:570:43:59

He's on death row?

0:43:590:44:00

He has no-one to make his appeal,

0:44:020:44:04

so what are you going to do about it?

0:44:040:44:06

I don't know... What were you trying to say to me?

0:44:070:44:09

I hear you are a very good lawyer.

0:44:090:44:11

It's time.

0:44:150:44:16

OK. See you.

0:44:290:44:32

Michael.

0:44:330:44:34

You are going to need a bodyguard at the march tomorrow.

0:44:340:44:37

-You think?

-Yeah.

0:44:370:44:39

The police are a little slow to provide protection

0:44:390:44:41

for mouthy black folk.

0:44:410:44:42

MICHAEL CHUCKLES

0:44:420:44:43

Are you offering?

0:44:430:44:45

-It would be a privilege.

-Thank you.

0:44:450:44:47

Stay in...

0:44:480:44:49

PHONE RINGS

0:45:020:45:04

Hello.

0:45:080:45:10

Hey, are you all right?

0:45:100:45:13

Yeah... All... Yeah, I know where it is, I know where it is.

0:45:140:45:19

OK.

0:45:190:45:20

I can't stop.

0:45:520:45:55

I don't know how to stop.

0:45:550:45:57

I don't want to stop. It's everything to me.

0:45:580:46:03

-I'm terrified the top floor is going to find out.

-Yeah.

0:46:030:46:06

It's so hard.

0:46:060:46:08

I'm pretending that I'm three people all at once.

0:46:080:46:12

Who am I?

0:46:160:46:18

You're OK, you're all right.

0:46:180:46:20

All right.

0:46:200:46:21

I'm going to help you.

0:46:230:46:24

-All right?

-Yeah.

-I'm going to help you.

-Yeah.

0:46:260:46:29

All right.

0:46:290:46:31

SHE SOBS

0:46:310:46:33

-Who is it?

-No. No, I'm not doing this.

0:46:450:46:48

But you've come to me, so you know you have to.

0:46:480:46:51

You have to tell us for everyone's safety.

0:46:510:46:54

All right, but just...

0:47:000:47:02

..don't tell her it was me.

0:47:040:47:05

CHANTING: Our rights! Black rights! Our rights! Black rights!

0:47:070:47:11

-CHANTING:

-Coons go home! Coons go home! Coons go home!

0:47:210:47:26

-Our rights!

-Black rights!

-Our rights!

-Black rights!

0:47:300:47:33

-Our rights!

-Black rights!

0:47:330:47:36

OVERLAPPING CHANTING

0:47:440:47:47

Kill the coons! Kill the coons! Kill the coons!

0:47:470:47:51

Excuse me, excuse me.

0:47:540:47:55

Why aren't you making arrests? You're just standing there.

0:47:550:47:58

Why aren't you making arrests?

0:48:020:48:03

Threats to kill, or section four or five of the Public Order Act.

0:48:030:48:06

Our rights!

0:48:060:48:09

OVERLAPPING CHANTING

0:48:090:48:11

Are you even listening to me?

0:48:110:48:12

INDISTINCT SHOUTING

0:48:170:48:19

Michael? Michael! Michael!

0:48:520:48:54

SIRENS WAIL

0:49:110:49:14

Listen, I'm undercover. I'm an undercover officer.

0:49:170:49:20

Of course you are, mate.

0:49:200:49:21

Hey, hey, hey, hit me and then let me go.

0:49:240:49:26

Do it.

0:49:260:49:27

Racist pigs!

0:49:300:49:32

-Excuse me. I'm looking for a Michael Antwi.

-Sorry, who are you?

0:49:420:49:46

-I'm looking for a Michael Antwi...

-I've no idea who he is.

0:49:460:49:49

Are you a solicitor or what?

0:49:490:49:50

No, I'm a legal observer for the march.

0:49:500:49:52

-Look, you've got no status here.

-Has he been brought in?

0:49:520:49:54

Look, if you don't leave, I'll have you removed. Out!

0:49:540:49:57

-Michael! Are you all right?

-Yeah.

-Are you sure?

-I'm fine.

0:49:570:50:01

-Out!

-Ring me at home!

0:50:010:50:02

CLAMOURING

0:50:070:50:09

SIREN WAILS

0:50:160:50:18

Oi, you! Back!

0:50:250:50:26

You OK?

0:51:050:51:07

-This should be cold.

-Oh, thanks. Cheers.

0:51:150:51:18

Who's this?

0:51:230:51:25

Oh, that's my dad. He was a teacher.

0:51:250:51:30

-He looks like a wise soul.

-Hmm.

0:51:300:51:33

When I was 12 I bunked off school to march against apartheid.

0:51:330:51:37

The whole of the sixth form and me, this year seven kid,

0:51:370:51:40

like a regimental goat. I didn't feel like a goat, I felt brilliant.

0:51:400:51:45

More importantly, I felt grown-up.

0:51:450:51:48

The police, they held us down this cul-de-sac for six hours -

0:51:480:51:52

no water, no peeing, freezing cold.

0:51:520:51:56

-Oh, God, that's outrageous.

-I loved it!

0:51:560:51:59

I was so pleased with my martyrdom I think it warmed me up.

0:51:590:52:02

Ten minutes later when I wet myself, I really wasn't that cold any more.

0:52:020:52:05

SHE CHUCKLES

0:52:050:52:08

Sorry, was that too much information?

0:52:080:52:11

Never.

0:52:110:52:13

You're a good listener.

0:52:170:52:19

I'm sorry, what has this got to do with your dad?

0:52:260:52:29

Oh! Yeah.

0:52:290:52:31

When I came back, he was waiting for me,

0:52:310:52:33

and he said, "You know, I'll support you not going to school,

0:52:330:52:36

"I'll even argue with your head teacher about your right to bunk off

0:52:360:52:40

"on one condition - you tell me what apartheid is."

0:52:400:52:43

I said, "Well, it's, um...

0:52:430:52:45

"it's being horrible to black people."

0:52:450:52:48

"No, it isn't", he said.

0:52:500:52:52

In the silence that followed, I made a vow.

0:52:550:52:59

Don't jerk your knee, know what you're talking about.

0:52:590:53:02

What do your parents do?

0:53:060:53:08

Cocaine.

0:53:080:53:09

Sometimes hash.

0:53:100:53:12

-No...

-Yeah, they did.

0:53:120:53:16

Did lots of drugs. They're both long gone now.

0:53:160:53:19

I'm sorry.

0:53:200:53:22

Would you like a bath?

0:53:320:53:33

Em...yeah.

0:53:360:53:39

WATER SLOSHES

0:53:400:53:42

-Maya?

-Yes?

0:53:420:53:44

Can I ask you something?

0:53:440:53:46

Yes.

0:53:470:53:48

Can I have a towel?

0:53:500:53:52

MAYA CHUCKLES

0:53:520:53:53

Yeah.

0:53:530:53:55

-There you go.

-Thanks.

0:54:010:54:02

Maya?

0:54:090:54:11

Maya?

0:54:150:54:16

I got into bed.

0:54:400:54:41

HE GROANS

0:55:120:55:13

-Sorry.

-That's all right.

0:55:130:55:16

INAUDIBLE

0:55:460:55:47

-ALARM BLARES

-Jesus Christ!

0:56:220:56:25

ALARM CONTINUES

0:56:350:56:37

Hold it! Hold it.

0:56:470:56:49

Not safe in there. We wait for shields and helmets.

0:56:490:56:53

Go, go. Just get in there. Get him out.

0:56:560:56:58

CLAMOURING

0:57:000:57:03

CLAMOURING CONTINUES

0:57:140:57:16

Stop struggling. Lay still. Stop struggling!

0:57:200:57:24

MUSIC: Visionary Mountains by Joan Armatrading

0:57:320:57:35

# Tonight

0:57:350:57:39

# Tonight... #

0:57:390:57:41

MUSIC FADES

0:57:410:57:43

PHONE RINGS

0:57:430:57:44

Hello.

0:57:520:57:54

Yes. Yes.

0:57:560:57:58

Sure.

0:57:590:58:00

Thank you.

0:58:000:58:02

Thank you, bye.

0:58:020:58:04

I'm going big.

0:58:110:58:12

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