Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and some scenes of a sexual nature | 0:00:02 | 0:00:10 | |
'The problem with reflections is that most of them tell the truth.' | 0:00:20 | 0:00:24 | |
God chose me to be king. | 0:00:28 | 0:00:30 | |
And here I stand undermined at every turn. | 0:00:30 | 0:00:32 | |
People do not yet see you as you should be seen, sire. | 0:00:32 | 0:00:35 | |
They will. | 0:00:37 | 0:00:38 | |
What do you wish for from me, Montcourt? | 0:00:55 | 0:00:57 | |
In a downpour, one seeks shelter under the largest tree. | 0:00:58 | 0:01:03 | |
In the north, there is no-one stronger, | 0:01:03 | 0:01:05 | |
no-one more powerful, | 0:01:05 | 0:01:08 | |
no-one more resolute | 0:01:08 | 0:01:09 | |
than the mighty oak Cassel. | 0:01:09 | 0:01:12 | |
I'm a refugee from this royal deluge and I need protection, my lord. | 0:01:12 | 0:01:16 | |
I am your servant. | 0:01:18 | 0:01:19 | |
Servant... | 0:01:19 | 0:01:21 | |
Behold the divine right of kings and its gifts. | 0:01:23 | 0:01:27 | |
This is your king's new law... | 0:01:28 | 0:01:30 | |
Stripping away the dignity of a true noble, | 0:01:31 | 0:01:33 | |
defiling the reputation of a man | 0:01:33 | 0:01:35 | |
whose family forms the bedrock of this country. | 0:01:35 | 0:01:37 | |
Now, once, not long ago, we knew where we stood. | 0:01:37 | 0:01:41 | |
But now we must prove ourselves, now we must sing for our suppers. | 0:01:41 | 0:01:45 | |
Now the king says, "I am France!" | 0:01:45 | 0:01:47 | |
But I say it is we...who are France. | 0:01:47 | 0:01:50 | |
Our dear friend Montcourt's condition is a message. | 0:01:51 | 0:01:54 | |
The king shall have his reply. | 0:01:55 | 0:01:58 | |
This new playground in the woods, the king obsesses over it. | 0:01:58 | 0:02:01 | |
He sees Versailles and nothing else. | 0:02:01 | 0:02:03 | |
He's forgotten who built this country. | 0:02:03 | 0:02:06 | |
Were we to remove this new distraction, | 0:02:06 | 0:02:09 | |
the king might recover himself | 0:02:09 | 0:02:11 | |
and Versailles could return to the weeds, | 0:02:11 | 0:02:13 | |
the king to Paris and we... | 0:02:13 | 0:02:15 | |
to our lands and our lives. | 0:02:15 | 0:02:19 | |
A noble cause, indeed. | 0:02:21 | 0:02:24 | |
-You would persuade the king by force? -He's lost his mind. | 0:02:27 | 0:02:30 | |
No appeal to reason will do. | 0:02:30 | 0:02:32 | |
The future of France lies with its noble families. | 0:02:32 | 0:02:35 | |
You wish my protection, Montcourt? | 0:02:37 | 0:02:40 | |
I serve my lordship with my life. | 0:02:41 | 0:02:44 | |
Indeed, you will. | 0:02:44 | 0:02:46 | |
What kind of man do you think I am? | 0:02:49 | 0:02:51 | |
Sire? | 0:02:51 | 0:02:53 | |
Am I merciful? | 0:02:53 | 0:02:55 | |
If you desire it. | 0:02:55 | 0:02:57 | |
Vengeful? | 0:02:57 | 0:02:58 | |
If conditions merit. | 0:02:58 | 0:02:59 | |
All things, then, to all people? | 0:02:59 | 0:03:01 | |
Equally and without condition. | 0:03:01 | 0:03:03 | |
-As a king. I ask as a man. -You are both. | 0:03:03 | 0:03:07 | |
We cannot separate one from the other. | 0:03:07 | 0:03:09 | |
When I send my brother to war, I do so as a king. | 0:03:11 | 0:03:13 | |
Should he die there, I would mourn him as a man. | 0:03:13 | 0:03:15 | |
It is as a man I would gain favour in the eyes of another. | 0:03:15 | 0:03:18 | |
As a king, I cannot. | 0:03:18 | 0:03:20 | |
You are forever in our favour, sire. | 0:03:20 | 0:03:22 | |
You think Montcourt feels the same? | 0:03:22 | 0:03:24 | |
A king will be resented as much for good deeds as for bad. | 0:03:29 | 0:03:33 | |
The jacket fits well, sire. | 0:03:36 | 0:03:38 | |
I do not like this mirror. | 0:03:38 | 0:03:40 | |
Well, well! Majesty! | 0:04:59 | 0:05:02 | |
-My dear Rohan, you have returned. You see? -I always do what you say. | 0:05:02 | 0:05:06 | |
I've missed you. | 0:05:10 | 0:05:12 | |
And I you. | 0:05:12 | 0:05:13 | |
There are more pretty women here than I remember. | 0:05:13 | 0:05:16 | |
Your memory is failing you, friend. You're getting old. | 0:05:16 | 0:05:18 | |
I can only be myself. | 0:05:18 | 0:05:21 | |
Well, that I already know. | 0:05:21 | 0:05:22 | |
But I have learned my lesson and I return to you atoned, | 0:05:22 | 0:05:25 | |
anew and at your service, sire. | 0:05:25 | 0:05:28 | |
I saw the plans for the stable. | 0:05:30 | 0:05:33 | |
And? | 0:05:33 | 0:05:34 | |
Well, either we're doing a very large amount of hunting, | 0:05:34 | 0:05:37 | |
or you are building something quite different here. | 0:05:37 | 0:05:41 | |
A palace, perhaps? | 0:05:43 | 0:05:45 | |
A city. | 0:05:45 | 0:05:47 | |
I wish you luck, gentlemen. | 0:05:53 | 0:05:56 | |
France thanks you. | 0:05:58 | 0:06:00 | |
How is my queen? | 0:06:21 | 0:06:22 | |
Much better, thank you. | 0:06:22 | 0:06:25 | |
Change your clothes. The season for mourning is passed. | 0:06:26 | 0:06:29 | |
You are to resume your official duties. | 0:06:29 | 0:06:31 | |
-I will do as you ask, of course. -We are to receive a guest at court. | 0:06:31 | 0:06:34 | |
You are to host them personally. | 0:06:34 | 0:06:36 | |
Shower your attentions on them with your...customary warmth and grace. | 0:06:36 | 0:06:41 | |
Who is this person, so I might prepare myself with conversation? | 0:06:42 | 0:06:45 | |
Are they Spanish, perhaps? | 0:06:45 | 0:06:47 | |
Prince Aniaba. | 0:06:49 | 0:06:51 | |
You have my word. | 0:06:51 | 0:06:53 | |
I will depend on it. | 0:06:54 | 0:06:56 | |
Sire... | 0:07:04 | 0:07:06 | |
if I may be so bold, | 0:07:06 | 0:07:08 | |
I believe Her Majesty has met our visitor once before. | 0:07:08 | 0:07:13 | |
Yes, in Paris. | 0:07:14 | 0:07:16 | |
Why, then, would you compel the queen | 0:07:17 | 0:07:20 | |
once more into a private audience with him? | 0:07:20 | 0:07:24 | |
The lands of Africa are a locked room | 0:07:26 | 0:07:29 | |
and our Prince Aniaba may hold the key. | 0:07:29 | 0:07:31 | |
We have learned from our missionaries to the Senegal River | 0:07:32 | 0:07:36 | |
there is wealth in these regions beyond all measure. | 0:07:36 | 0:07:39 | |
Its people and its trade will be the foundations of our future | 0:07:39 | 0:07:43 | |
and fund a thousand wars, a hundred palaces. | 0:07:43 | 0:07:47 | |
Then we must win Africa. | 0:07:47 | 0:07:49 | |
And the only question is how. | 0:07:49 | 0:07:52 | |
And the queen? | 0:07:52 | 0:07:54 | |
Is helping us. | 0:07:56 | 0:07:57 | |
How do I look? | 0:08:15 | 0:08:16 | |
I dressed you myself. How do you think I think you look? | 0:08:16 | 0:08:19 | |
Talking of which, who puts a dwarf in a drainpipe? | 0:08:20 | 0:08:23 | |
What are you talking about? | 0:08:23 | 0:08:24 | |
I mean, if the little man was sad, he might have done it himself. | 0:08:24 | 0:08:27 | |
Or do you think the queen tired of him? | 0:08:27 | 0:08:29 | |
Perhaps he was trying to mend the king's fountains | 0:08:29 | 0:08:31 | |
and restore himself to favour and shoved himself in there like a cork, | 0:08:31 | 0:08:35 | |
only to pop up and float and scare the young people. | 0:08:35 | 0:08:39 | |
You have too much time on your hands. | 0:08:41 | 0:08:43 | |
You should come with me to the front. | 0:08:44 | 0:08:46 | |
Are you inviting me... | 0:08:47 | 0:08:49 | |
to a war? | 0:08:49 | 0:08:51 | |
Oh, how romantic(!) | 0:08:51 | 0:08:53 | |
Are you mad? | 0:08:53 | 0:08:54 | |
Not any war. | 0:08:54 | 0:08:56 | |
My war. | 0:08:57 | 0:08:59 | |
Your brother says one thing and does another. | 0:09:00 | 0:09:02 | |
I would not hold your breath. | 0:09:02 | 0:09:04 | |
But if you ever do go, I shall remain here, naturally, | 0:09:04 | 0:09:08 | |
to ensure that your place at court remains assured. | 0:09:08 | 0:09:11 | |
Is that so? | 0:09:11 | 0:09:12 | |
How generous of you to ensure my place! | 0:09:13 | 0:09:16 | |
-You look handsome. -I already told him. | 0:09:19 | 0:09:21 | |
You did not, in fact. | 0:09:21 | 0:09:22 | |
Husband, is there news? | 0:09:24 | 0:09:26 | |
Not yet. | 0:09:26 | 0:09:27 | |
Bontemps! | 0:09:30 | 0:09:32 | |
Bontemps! | 0:09:32 | 0:09:34 | |
I have a sword, armour and a horse. Why the delay? | 0:09:35 | 0:09:39 | |
When will I go to war? | 0:09:39 | 0:09:41 | |
The king has not yet set a date. | 0:09:41 | 0:09:43 | |
What am I supposed to do until then? | 0:09:43 | 0:09:45 | |
Perhaps he will send you instead. | 0:09:47 | 0:09:49 | |
-I would be happy to serve, of course. -Naturally! | 0:09:49 | 0:09:51 | |
Do you really think he does not see you exactly as you are? | 0:09:51 | 0:09:54 | |
Oh, he sees me. And he enjoys it. | 0:09:54 | 0:09:57 | |
That, my dear, is what divides us. | 0:09:57 | 0:09:59 | |
At least when your husband is gone, I'll know where to find you. | 0:09:59 | 0:10:02 | |
-If you come to my rooms, I will not answer. -Naturally. | 0:10:02 | 0:10:05 | |
I would not think to seek you there, | 0:10:05 | 0:10:07 | |
just as I would not seek the king at the chambers of Her Majesty. | 0:10:07 | 0:10:10 | |
I know how very much you enjoy swimming. | 0:10:10 | 0:10:12 | |
I might find you at the pool house, for example. | 0:10:12 | 0:10:16 | |
I hear it's very popular for young lovers...of nature. | 0:10:16 | 0:10:20 | |
You are warned, sir. | 0:10:21 | 0:10:23 | |
Constantly, my dear. | 0:10:25 | 0:10:27 | |
Nice house. | 0:10:58 | 0:11:00 | |
GUNSHOTS | 0:11:34 | 0:11:37 | |
Honoured guests of the king... | 0:12:04 | 0:12:06 | |
Aniaba, Prince of Assinie. | 0:12:06 | 0:12:08 | |
Son to the king of Eguafo, | 0:12:08 | 0:12:11 | |
inheritor of the Coast of Ivory and Teeth, | 0:12:11 | 0:12:13 | |
Lord of the Sky. | 0:12:13 | 0:12:15 | |
My brother...Kobina. | 0:12:16 | 0:12:19 | |
Prince Aniaba, you will accompany me, please, er, alone. | 0:12:19 | 0:12:22 | |
Your brother will accompany Monsieur Marchal. | 0:12:22 | 0:12:25 | |
And my friends? | 0:12:26 | 0:12:28 | |
Will bask in the full warmth of the king's hospitality. | 0:12:29 | 0:12:32 | |
CHATTER AND LAUGHTER | 0:12:45 | 0:12:48 | |
Are you sure? | 0:12:48 | 0:12:50 | |
It's beautiful! Thank you! | 0:12:50 | 0:12:52 | |
He's so handsome. | 0:12:54 | 0:12:56 | |
How can he be handsome if he is black? | 0:12:58 | 0:13:00 | |
How can he not? | 0:13:00 | 0:13:02 | |
You are so odd! | 0:13:02 | 0:13:04 | |
I hear his lands have rivers of gold. | 0:13:04 | 0:13:07 | |
How far is it to the trees? | 0:13:20 | 0:13:23 | |
Majesty, as requested, it is done. | 0:13:49 | 0:13:52 | |
Prince Aniaba is suitably ill at ease. | 0:13:52 | 0:13:54 | |
Good! Make him wait. | 0:13:54 | 0:13:56 | |
I received word that my good friends the Parthenays | 0:13:58 | 0:14:00 | |
are riding to Versailles from their estates in the south. | 0:14:00 | 0:14:03 | |
-Little Francoise is coming? -With her husband and family. | 0:14:03 | 0:14:06 | |
How time has flown. | 0:14:06 | 0:14:08 | |
The Parthenays are well-regarded in the south. | 0:14:08 | 0:14:11 | |
As a favour to me, | 0:14:11 | 0:14:12 | |
they are riding here to submit their noble credentials | 0:14:12 | 0:14:14 | |
as an example to the rest. | 0:14:14 | 0:14:16 | |
We will ensure The Gazette reports on this. | 0:14:16 | 0:14:19 | |
-Perhaps also strike a medal, Colbert. -Ah! | 0:14:19 | 0:14:21 | |
The political arithmetic will augur great things to come. | 0:14:22 | 0:14:25 | |
"The great nobles of the south | 0:14:25 | 0:14:27 | |
"submit their credentials to the king." | 0:14:27 | 0:14:29 | |
That would do it. | 0:14:29 | 0:14:30 | |
"The king receives the credentials from the nobles of the south." | 0:14:30 | 0:14:34 | |
That sounds better, don't you think? | 0:14:34 | 0:14:36 | |
That's a lot of shit! | 0:14:38 | 0:14:39 | |
But only the very finest shit from the king's horses in the Louvre. | 0:14:41 | 0:14:45 | |
I, erm... | 0:14:47 | 0:14:48 | |
Speak. What is on your mind? | 0:14:50 | 0:14:51 | |
On my way back here through the woods, | 0:14:53 | 0:14:55 | |
I came across an old man cooking a rat by a stream. | 0:14:55 | 0:14:58 | |
At first, I thought he was just an old tramp, but... | 0:14:59 | 0:15:01 | |
But you recognised him? | 0:15:01 | 0:15:02 | |
From the court of your father. | 0:15:05 | 0:15:07 | |
He fought against him. | 0:15:07 | 0:15:09 | |
During the rebellion? | 0:15:10 | 0:15:12 | |
Yes, well, had they been successful... | 0:15:12 | 0:15:14 | |
You would be dead. | 0:15:14 | 0:15:15 | |
One day, I would very much like to know more about my father. | 0:15:20 | 0:15:23 | |
Good day, Prince Aniaba. | 0:16:13 | 0:16:15 | |
Good day to you... | 0:16:17 | 0:16:19 | |
..highness. | 0:16:21 | 0:16:22 | |
Such a pleasure to see you again. | 0:16:26 | 0:16:28 | |
What's wrong? You're shaking. | 0:16:43 | 0:16:45 | |
Many reasons... | 0:16:47 | 0:16:49 | |
You, us, him... | 0:16:49 | 0:16:52 | |
the Chevalier. | 0:16:52 | 0:16:54 | |
The Chevalier makes you tremble? | 0:16:54 | 0:16:56 | |
He scares me. | 0:16:57 | 0:16:58 | |
The way he looks at me. | 0:16:58 | 0:17:00 | |
The way he talks about you and my husband. | 0:17:00 | 0:17:04 | |
You remember when you were 16? | 0:17:05 | 0:17:06 | |
You stepped on a rose. | 0:17:07 | 0:17:09 | |
Your foot was bleeding. | 0:17:09 | 0:17:10 | |
You kissed my toes. | 0:17:12 | 0:17:13 | |
I took the pain away? | 0:17:14 | 0:17:16 | |
In an instant. | 0:17:16 | 0:17:18 | |
Nothing has changed. | 0:17:22 | 0:17:24 | |
I will always make sure of it. | 0:17:25 | 0:17:27 | |
Your arms protect me now, but when I am alone with him... | 0:17:28 | 0:17:31 | |
You have nothing to worry about | 0:17:31 | 0:17:33 | |
when it comes to the Chevalier | 0:17:33 | 0:17:36 | |
or your husband. | 0:17:36 | 0:17:37 | |
I'm your safe harbour. | 0:17:39 | 0:17:40 | |
You'll protect me from the waves? | 0:17:40 | 0:17:43 | |
Even as they roll over us. | 0:17:43 | 0:17:45 | |
Even as the tide takes me. | 0:17:46 | 0:17:48 | |
-BONTEMPS: -He is ready for you now. | 0:18:12 | 0:18:14 | |
Would you come this way, please? | 0:18:15 | 0:18:17 | |
Prince Aniaba of Assinie, you are welcome at my court. | 0:19:01 | 0:19:05 | |
Versailles is more beautiful than I can imagine. | 0:19:10 | 0:19:13 | |
May I present to you my brother, Philippe, the Duke of Orleans. | 0:19:17 | 0:19:21 | |
His wife, Henriette of England. | 0:19:21 | 0:19:23 | |
Colbert, first minister of my cabinet. | 0:19:23 | 0:19:25 | |
Mademoiselle de la Valliere. | 0:19:25 | 0:19:27 | |
You've already met my wife. | 0:19:31 | 0:19:33 | |
When I hosted a party here a few years ago, | 0:19:44 | 0:19:46 | |
we did not have the room to accommodate my friends. | 0:19:46 | 0:19:49 | |
Most of them had to take rooms in town. | 0:19:49 | 0:19:52 | |
So I am building some myself... | 0:19:52 | 0:19:53 | |
400 apartments, all told. | 0:19:54 | 0:19:57 | |
Where are the workers? | 0:19:57 | 0:19:58 | |
They are currently engaged in the planning stages | 0:19:58 | 0:20:01 | |
of a particularly dangerous part of construction. | 0:20:01 | 0:20:03 | |
We can return tomorrow to see them engaged with the labour. | 0:20:04 | 0:20:08 | |
I would like that very much. | 0:20:08 | 0:20:10 | |
Tell me about the countries of Africa. | 0:20:10 | 0:20:13 | |
When do we negotiate? | 0:20:13 | 0:20:14 | |
Prince Aniaba, in France, we have a different way of doing things. | 0:20:14 | 0:20:18 | |
Perhaps I've made a mistake. | 0:20:18 | 0:20:20 | |
Perhaps I should go and talk to the Dutch, the Spanish, | 0:20:20 | 0:20:23 | |
the English. | 0:20:23 | 0:20:25 | |
All are keen to discuss the future. | 0:20:25 | 0:20:27 | |
You're not enjoying our hospitality? | 0:20:27 | 0:20:29 | |
Hm. There is a great deal of it. | 0:20:29 | 0:20:31 | |
And more besides, as you shall see tonight. | 0:20:32 | 0:20:36 | |
What happens then? | 0:20:36 | 0:20:37 | |
Then...I shall sit down with you. | 0:20:37 | 0:20:39 | |
I have no explanation. | 0:20:44 | 0:20:47 | |
I'm so very sorry, Monsieur Marchal. | 0:20:47 | 0:20:49 | |
Half the shipments lost and four men dead. | 0:20:51 | 0:20:54 | |
HE SIGHS | 0:20:55 | 0:20:57 | |
The king is missing gold... | 0:21:00 | 0:21:03 | |
..marble, stone and wine. | 0:21:04 | 0:21:06 | |
This is becoming a pattern. | 0:21:10 | 0:21:12 | |
DOOR OPENS | 0:21:15 | 0:21:17 | |
FOOTSTEPS APPROACH | 0:21:17 | 0:21:20 | |
Appearance is everything. | 0:21:31 | 0:21:32 | |
Everything! | 0:21:33 | 0:21:35 | |
Do you not understand? | 0:21:35 | 0:21:36 | |
Has anyone been listening to a word I've said? | 0:21:36 | 0:21:38 | |
He's a guest in my house | 0:21:39 | 0:21:41 | |
and so far has shown me more grandeur in his clothing | 0:21:41 | 0:21:43 | |
than I can show him in my palace. | 0:21:43 | 0:21:45 | |
A shipment of marble and stone went missing on the road, sire. | 0:21:45 | 0:21:48 | |
And, naturally, the men cannot work without materials. | 0:21:48 | 0:21:51 | |
Missing? Did this marble dispatch itself into the woods alone? | 0:21:51 | 0:21:54 | |
There are thieves on the road, sire. | 0:21:54 | 0:21:56 | |
There have always been thieves on the road. | 0:21:56 | 0:21:58 | |
You think our man had his pocket picked? This is organised. | 0:21:58 | 0:22:00 | |
-This is sabotage! -The more we build, the more we need. | 0:22:00 | 0:22:03 | |
The more we need, the greater number of goods we transport to Versailles | 0:22:03 | 0:22:06 | |
and the more likely these moments are. | 0:22:06 | 0:22:09 | |
And these moments build to movements. | 0:22:09 | 0:22:11 | |
And, before we know it, our lands are on fire. | 0:22:11 | 0:22:13 | |
We cannot build without foundations! | 0:22:13 | 0:22:15 | |
-Sire... -The king's road is sacrosanct! | 0:22:15 | 0:22:17 | |
Sacred ground! | 0:22:17 | 0:22:19 | |
Protected and secure! | 0:22:19 | 0:22:20 | |
And if it is not, then the fabric of the country is torn | 0:22:20 | 0:22:23 | |
and no-one will know where they are. | 0:22:23 | 0:22:25 | |
Whoever did this is declaring war. | 0:22:26 | 0:22:28 | |
I will take my men and ride to the road, set up patrols. | 0:22:28 | 0:22:31 | |
At once. | 0:22:31 | 0:22:33 | |
Yes, sire. | 0:22:33 | 0:22:35 | |
Wait! | 0:22:41 | 0:22:43 | |
You would countermand His Majesty? | 0:22:44 | 0:22:46 | |
With war upon us, we don't have enough men. | 0:22:51 | 0:22:53 | |
Protecting the king is our priority. | 0:22:53 | 0:22:55 | |
I will handle the roads. | 0:22:55 | 0:22:57 | |
Make sure your men are of quality. | 0:22:57 | 0:23:00 | |
I need them as my eyes and ears. | 0:23:00 | 0:23:03 | |
SQUAWKING | 0:23:03 | 0:23:05 | |
My name is Madame de Beauvais. | 0:23:49 | 0:23:52 | |
Your mother sent me. | 0:23:52 | 0:23:53 | |
I'm your new tutor. | 0:23:54 | 0:23:56 | |
What will you teach me, Madame de Beauvais? | 0:23:58 | 0:24:01 | |
Call me Catherine. | 0:24:11 | 0:24:13 | |
Shall I order the workers back to the scaffolding, sire? | 0:24:22 | 0:24:26 | |
Yes. | 0:24:26 | 0:24:27 | |
Yes, of course. | 0:24:27 | 0:24:29 | |
-Even if they pretend to work. -Sire? | 0:24:32 | 0:24:34 | |
Where is my brother? | 0:24:36 | 0:24:38 | |
Our visitor has inspired me. | 0:24:39 | 0:24:41 | |
I think I require more colour. | 0:24:41 | 0:24:43 | |
How does one dress for a war? | 0:24:43 | 0:24:45 | |
The purple one? | 0:24:49 | 0:24:51 | |
-Or the red? -The red, of course. | 0:24:51 | 0:24:53 | |
I like the purple. | 0:24:53 | 0:24:55 | |
Me, too. | 0:24:55 | 0:24:56 | |
That's why I said red. | 0:24:56 | 0:24:57 | |
Philippe, when you do leave... | 0:25:01 | 0:25:03 | |
..please make sure to come back. | 0:25:04 | 0:25:05 | |
I cannot promise that. | 0:25:07 | 0:25:09 | |
Say the words. | 0:25:09 | 0:25:11 | |
If I were to die, your life would be simple, would it not? | 0:25:13 | 0:25:16 | |
My problems will never be solved. You know that. | 0:25:17 | 0:25:20 | |
And, in any case, I would rather you did not die. | 0:25:23 | 0:25:26 | |
You say the sweetest things, poppet. | 0:25:31 | 0:25:33 | |
I mean it. | 0:25:34 | 0:25:36 | |
Since we were small... | 0:25:38 | 0:25:40 | |
..my dream has been war. | 0:25:41 | 0:25:42 | |
Yours has been my brother. | 0:25:44 | 0:25:46 | |
Look how lucky we are. | 0:25:49 | 0:25:51 | |
Perhaps, one day, we will both live our dreams. | 0:25:53 | 0:25:56 | |
-COLBERT: -'We may have war or we may have splendour. | 0:26:14 | 0:26:17 | |
'But I do not believe that we can have both.' | 0:26:17 | 0:26:20 | |
-LOUVOIS: -'Then it must be war.' | 0:26:20 | 0:26:23 | |
-FABIEN: -'All who surround you will smile and they will deal, | 0:26:23 | 0:26:26 | |
'but they would all see you destroyed, sire.' | 0:26:26 | 0:26:29 | |
-BONTEMPS: -'You are the king of our future. | 0:26:30 | 0:26:33 | |
'The only question is what kind shall it be?' | 0:26:34 | 0:26:37 | |
-ANNE OF AUSTRIA: -'You dream of paradise. | 0:26:39 | 0:26:41 | |
'But you must build it for yourself.' | 0:26:43 | 0:26:46 | |
-PHILIPPE: -'I've been dressed like this since I was three months old | 0:26:46 | 0:26:49 | |
'so that I would not be the cloud in front of the sun.' | 0:26:49 | 0:26:53 | |
PRIEST PRAYS IN LATIN | 0:26:56 | 0:26:59 | |
-PRIEST: -Amen. | 0:27:14 | 0:27:15 | |
I thought if I began my departure, you might sanction it. | 0:27:16 | 0:27:19 | |
I think you've blessed me quite enough now. Thank you. | 0:27:19 | 0:27:22 | |
I do not understand. | 0:27:22 | 0:27:24 | |
I await your word, brother. | 0:27:25 | 0:27:27 | |
And when I can await no more, I ask for deliverance from my God. | 0:27:27 | 0:27:30 | |
Which one are you? | 0:27:36 | 0:27:38 | |
I think I might be a horse. | 0:27:40 | 0:27:42 | |
At least that's what I've been told. | 0:27:42 | 0:27:44 | |
Brother... | 0:27:45 | 0:27:47 | |
You want me to be serious. | 0:27:48 | 0:27:50 | |
Stay close to your bodyguard at all times. | 0:27:53 | 0:27:56 | |
You leave today. | 0:27:56 | 0:27:57 | |
I will bring you glory. | 0:27:58 | 0:28:00 | |
I vow it. | 0:28:00 | 0:28:02 | |
May God watch over you and bring you home safely. | 0:28:04 | 0:28:06 | |
Go, then. | 0:28:10 | 0:28:11 | |
Run to her. | 0:28:13 | 0:28:14 | |
You have my blessing. | 0:28:16 | 0:28:18 | |
God knows you don't need a priest for that. | 0:28:20 | 0:28:22 | |
-Sophie, my dear. -Yes? -Your help, if you please. | 0:28:42 | 0:28:45 | |
-A moral quandary. -Mm-hm! | 0:28:45 | 0:28:47 | |
I will do my best. | 0:28:47 | 0:28:49 | |
If someone I adore fucks someone else without my express consent, | 0:28:49 | 0:28:54 | |
is it not right and just for parity to be restored | 0:28:54 | 0:28:57 | |
that I fuck someone of my own choosing? | 0:28:57 | 0:28:59 | |
-Mm-hm. -I tried to ask Bishop Bossuet on the issue, | 0:28:59 | 0:29:02 | |
but he was most unforthcoming. | 0:29:02 | 0:29:04 | |
-I... -Sophie, do not answer. | 0:29:04 | 0:29:06 | |
Oh, she has the answer. Look... | 0:29:06 | 0:29:08 | |
All over her face! | 0:29:08 | 0:29:09 | |
Enough teasing! | 0:29:09 | 0:29:12 | |
We should count our lucky stars. | 0:29:12 | 0:29:14 | |
I mean, so many families are being thrown out of court. | 0:29:14 | 0:29:16 | |
None had papers in place. | 0:29:16 | 0:29:18 | |
Well, even so... | 0:29:18 | 0:29:20 | |
I suppose none of them had anyone to vouch for them. | 0:29:20 | 0:29:22 | |
These are the laws we must all now comply with. | 0:29:22 | 0:29:25 | |
Well, at least we have our Chevalier. | 0:29:25 | 0:29:28 | |
And why are you being so nice to me? | 0:29:29 | 0:29:31 | |
My own folly. I know in my heart | 0:29:31 | 0:29:33 | |
you will use us up and cast us out like all the rest. | 0:29:33 | 0:29:36 | |
Naturally. But I will watch out for you in all this madness. | 0:29:36 | 0:29:40 | |
Have no fear of that. Especially you, my pretty. | 0:29:40 | 0:29:42 | |
Sophie... | 0:29:44 | 0:29:46 | |
-Oh! -Come at once! | 0:29:46 | 0:29:47 | |
-WORKER: -Hand me that trowel! | 0:29:51 | 0:29:53 | |
BANGING | 0:29:53 | 0:29:55 | |
The mixture is too thick. Water it down. | 0:29:55 | 0:29:57 | |
Sophie... | 0:29:57 | 0:29:59 | |
-Her name is Sophie. -Well, that's a death wish. | 0:29:59 | 0:30:01 | |
Better to die for something you believe in, right? | 0:30:03 | 0:30:05 | |
What did you say your name was again? | 0:30:05 | 0:30:08 | |
Benoit, sir. | 0:30:08 | 0:30:10 | |
Jacques. | 0:30:10 | 0:30:11 | |
What's a gardener doing up here? | 0:30:11 | 0:30:13 | |
The view helps me measure the lines of the garden. | 0:30:13 | 0:30:16 | |
-And the girls who walk in it. -You be careful with that business. | 0:30:16 | 0:30:21 | |
Think of your future, huh? | 0:30:21 | 0:30:23 | |
I am. | 0:30:23 | 0:30:24 | |
If your friends, the Parthenays, | 0:30:27 | 0:30:29 | |
prove as meaningful as I believe they might, | 0:30:29 | 0:30:32 | |
once they have visited and shown their loyalty, | 0:30:32 | 0:30:34 | |
we could persuade much of the south to comply. | 0:30:34 | 0:30:36 | |
Leaving who? | 0:30:36 | 0:30:38 | |
The north and east. | 0:30:39 | 0:30:41 | |
Who defies me there? | 0:30:41 | 0:30:43 | |
The Duke of Cassel, sire, to my mind. | 0:30:43 | 0:30:45 | |
He commands great influence in the north and east. | 0:30:45 | 0:30:47 | |
Half the nobility are in his debt. | 0:30:47 | 0:30:49 | |
His family have occupied those lands since before memory. | 0:30:49 | 0:30:52 | |
He is our keystone, then. | 0:30:55 | 0:30:57 | |
If we extract him from the wall, the entire structure is demolished. | 0:30:57 | 0:31:01 | |
If we do not, the collapse shall be ours. | 0:31:01 | 0:31:03 | |
He does not heed our letters, sire. We've had no response. | 0:31:03 | 0:31:07 | |
Send him a gift. | 0:31:07 | 0:31:09 | |
My portrait. | 0:31:09 | 0:31:11 | |
With a messenger, alongside an order to comply with our laws. | 0:31:11 | 0:31:14 | |
He shall supply his proof of nobility | 0:31:14 | 0:31:16 | |
or suffer the consequence, to which all of France shall bear witness. | 0:31:16 | 0:31:20 | |
A messenger from the king. | 0:31:24 | 0:31:26 | |
Bearing gifts. | 0:31:28 | 0:31:30 | |
Hm. | 0:31:34 | 0:31:35 | |
Hm. | 0:31:38 | 0:31:40 | |
How very kind(!) | 0:31:40 | 0:31:42 | |
Would you like some champagne? | 0:31:42 | 0:31:44 | |
Louis the Great commands your presence to court. | 0:31:44 | 0:31:48 | |
You are required by his word to present proof of your nobility. | 0:31:48 | 0:31:51 | |
Really? | 0:31:52 | 0:31:54 | |
LAUGHTER AND CHATTER | 0:31:54 | 0:31:57 | |
I should warn you, Kobina. | 0:31:59 | 0:32:02 | |
The king is throwing an entertainment in our honour, | 0:32:02 | 0:32:05 | |
but we are not here to enjoy ourselves. | 0:32:05 | 0:32:07 | |
For as long as we leave alive, I don't care. | 0:32:13 | 0:32:16 | |
To be sure, | 0:32:20 | 0:32:21 | |
Chevalier indeed possesses more influence than I first thought. | 0:32:21 | 0:32:25 | |
But these chambers are much smaller than our previous ones. | 0:32:25 | 0:32:28 | |
-Do you know what I love most about being here? -No, what? | 0:32:28 | 0:32:31 | |
The noise. All the hustle and bustle of the court. | 0:32:31 | 0:32:34 | |
How do I look? | 0:32:39 | 0:32:41 | |
You're not going out in that, young lady! | 0:32:44 | 0:32:46 | |
Mother, please, do not fuss. | 0:32:54 | 0:32:56 | |
Fuss? | 0:32:56 | 0:32:57 | |
This is not a game. | 0:32:57 | 0:32:59 | |
This is my job, to ensure it is you who catches the king's eye. | 0:32:59 | 0:33:03 | |
Now, look into the glass. | 0:33:05 | 0:33:06 | |
What do you see? | 0:33:06 | 0:33:08 | |
I see me. | 0:33:10 | 0:33:12 | |
This is not a time for women. This is a time for men. | 0:33:13 | 0:33:16 | |
But even the wisest king in the world can be rendered a fool | 0:33:16 | 0:33:18 | |
by something so fair. | 0:33:18 | 0:33:20 | |
You may never be a queen... | 0:33:21 | 0:33:23 | |
-SOPHIE GASPS -..but with that... | 0:33:23 | 0:33:24 | |
you may live like one. | 0:33:24 | 0:33:25 | |
I do believe... | 0:33:30 | 0:33:31 | |
..you are the fairest of them all. | 0:33:32 | 0:33:34 | |
Good luck, everybody! | 0:33:45 | 0:33:47 | |
Hm, I adore your perfume. | 0:33:48 | 0:33:49 | |
I'm not wearing any. | 0:33:49 | 0:33:52 | |
It must be so hard mothering a child by yourself. | 0:33:53 | 0:33:56 | |
I do what I can. | 0:33:56 | 0:33:57 | |
You must find it hard being... | 0:33:57 | 0:33:59 | |
so far away from your husband and children. | 0:33:59 | 0:34:02 | |
I find the absence is not painful unless someone mentions it. | 0:34:02 | 0:34:05 | |
That's a very beautiful dress. | 0:34:07 | 0:34:09 | |
And it's wrapped around quite a lovely creature. | 0:34:09 | 0:34:11 | |
Why, thank you. | 0:34:11 | 0:34:12 | |
The king wished to sit down with me tonight to negotiate. | 0:34:16 | 0:34:19 | |
-And sit you shall. -We negotiate in public? | 0:34:19 | 0:34:21 | |
-You would have us send everyone to bed? -If that's what it takes. | 0:34:22 | 0:34:26 | |
-You have a woman? -My wife lives in Paris. | 0:34:28 | 0:34:31 | |
-With you? -I live with the king. | 0:34:31 | 0:34:33 | |
Now I am confused. | 0:34:34 | 0:34:35 | |
Wherever the king sleeps, I sleep. | 0:34:35 | 0:34:38 | |
Er, this is as far as I go. | 0:34:38 | 0:34:40 | |
His bed must be very crowded. | 0:34:43 | 0:34:45 | |
NOISY LAUGHTER AND CHATTER | 0:34:52 | 0:34:56 | |
ROOM FALLS SILENT | 0:34:59 | 0:35:03 | |
Brother, we're not wanted here. Better if we retire. | 0:35:05 | 0:35:07 | |
Brother... | 0:35:12 | 0:35:13 | |
..the negotiations have just begun. | 0:35:14 | 0:35:17 | |
Please, husband, don't toy with him this way. | 0:35:57 | 0:35:59 | |
I believe I have the measure of this game. | 0:36:15 | 0:36:17 | |
Apparently so! | 0:36:21 | 0:36:23 | |
Alas, fortune at this table does not favour us tonight. | 0:36:27 | 0:36:31 | |
So...let's play. | 0:36:43 | 0:36:45 | |
What are you doing? | 0:36:47 | 0:36:49 | |
Winning. | 0:36:49 | 0:36:50 | |
There is a spring in your step. | 0:36:52 | 0:36:54 | |
And a group of worried faces in my path. | 0:36:54 | 0:36:56 | |
Your Majesty, urgent business requires your immediate attention. | 0:36:57 | 0:37:00 | |
I hope your new-found success carries you quickly to our bed. | 0:37:00 | 0:37:03 | |
Cassel has replied to your message, sire. | 0:37:08 | 0:37:10 | |
"Here is your proof. | 0:37:19 | 0:37:20 | |
"A contribution to your noble project." | 0:37:20 | 0:37:23 | |
May I reply to him in person, sire? | 0:37:26 | 0:37:28 | |
I counsel restraint. | 0:37:28 | 0:37:30 | |
-In the face of insolence? -If I may, sire? | 0:37:30 | 0:37:32 | |
To send troops and arrest him will end your plan as soon as it starts. | 0:37:32 | 0:37:36 | |
If you put Cassel in prison, | 0:37:36 | 0:37:37 | |
you may as well put all of the nobles in jail, | 0:37:37 | 0:37:39 | |
because that would be the end result of it all. | 0:37:39 | 0:37:41 | |
At least, let me bruise his face for this insult he has returned to you. | 0:37:41 | 0:37:45 | |
Cut off one head, another will take its place. | 0:37:45 | 0:37:48 | |
To strike him down is to beg for civil war. | 0:37:48 | 0:37:51 | |
And we saw how well that went for the English. | 0:37:51 | 0:37:53 | |
Husband, I'm not yet ready. | 0:37:58 | 0:38:00 | |
I'm not here in duty, but in gratitude. | 0:38:00 | 0:38:04 | |
For keeping your word to me | 0:38:05 | 0:38:06 | |
and for showing such hospitality to our guest. | 0:38:06 | 0:38:10 | |
You availed yourself very well. And for that, I am grateful. | 0:38:11 | 0:38:14 | |
SHE MOANS | 0:38:24 | 0:38:27 | |
I wish to bestow a gift upon you. | 0:38:36 | 0:38:39 | |
I accept. | 0:38:39 | 0:38:40 | |
The gift is a secret. | 0:38:40 | 0:38:43 | |
So much the better. | 0:38:44 | 0:38:46 | |
Your daughter is alive. | 0:38:47 | 0:38:49 | |
SHE PANTS AND MOANS | 0:38:52 | 0:38:56 | |
DOOR OPENS AND CLOSES | 0:39:24 | 0:39:26 | |
Brother! | 0:39:28 | 0:39:29 | |
Brother, wake up! The king wants to see you. | 0:39:29 | 0:39:32 | |
Tell him to wait. | 0:39:32 | 0:39:33 | |
You can tell him for yourself. | 0:39:35 | 0:39:37 | |
Please, get dressed. We do not have much time. | 0:39:40 | 0:39:43 | |
-Where are we going? -You'll see. | 0:39:43 | 0:39:45 | |
Sire, we received word the Parthenay family will arrive this morning. | 0:39:51 | 0:39:56 | |
-And will my goddaughter Charlotte be with them? -Yes, sire. | 0:39:56 | 0:39:59 | |
A little ray of sunshine. | 0:40:00 | 0:40:02 | |
Are we nearly there, Maman? | 0:40:03 | 0:40:05 | |
You, stay here. | 0:40:23 | 0:40:25 | |
How did you enjoy my wine? | 0:40:46 | 0:40:48 | |
What would you offer me? | 0:41:12 | 0:41:13 | |
The Dutch do not have your hospitality, of course... | 0:41:15 | 0:41:18 | |
..but they do have money. | 0:41:19 | 0:41:21 | |
Where are we? | 0:41:34 | 0:41:36 | |
A brief stop. | 0:41:37 | 0:41:39 | |
My gardener chanced upon this man. | 0:41:56 | 0:41:58 | |
He was a noble who fought against my family during the uprising. | 0:42:00 | 0:42:03 | |
MAN GASPS | 0:42:04 | 0:42:06 | |
He thought himself safe... | 0:42:06 | 0:42:08 | |
..out here in the woods. | 0:42:09 | 0:42:11 | |
MAN GASPS FOR BREATH | 0:42:11 | 0:42:13 | |
MAN WHEEZES AND GROANS | 0:42:20 | 0:42:22 | |
MAN'S GROANS GROW FAINTER | 0:42:26 | 0:42:29 | |
MAN FALLS SILENT | 0:42:31 | 0:42:33 | |
Oh, my God...! | 0:43:04 | 0:43:06 | |
Your valuables, if you so please. | 0:43:06 | 0:43:09 | |
I know that voice! Montcourt! | 0:43:11 | 0:43:13 | |
Don't! Please...don't! | 0:43:24 | 0:43:26 | |
GUNSHOT | 0:43:26 | 0:43:27 | |
-MONTCOURT: -Kill her. | 0:43:30 | 0:43:32 | |
-TOMAS: -Or I will. | 0:43:32 | 0:43:34 | |
SHE WHIMPERS AND PANTS | 0:43:34 | 0:43:37 | |
GUNSHOT | 0:43:40 | 0:43:42 | |
MAN KNOCKS ON DOOR | 0:44:11 | 0:44:12 | |
-MAN: -Hey, we have to move! | 0:44:47 | 0:44:49 | |
Montcourt, come on! | 0:44:49 | 0:44:51 | |
-It will be dark soon! -She's gone. | 0:44:51 | 0:44:53 | |
She'll die! Let's go! | 0:44:53 | 0:44:55 | |
Why are we here? | 0:45:20 | 0:45:22 | |
The Dutch do have money, but no power. | 0:45:29 | 0:45:31 | |
We have both. | 0:45:32 | 0:45:34 | |
BABY COOS | 0:45:34 | 0:45:36 | |
Why have you brought me here? | 0:45:41 | 0:45:43 | |
To finish our negotiation. | 0:45:43 | 0:45:44 | |
-We have not even started yet. -Aniaba, we have been negotiating | 0:45:44 | 0:45:47 | |
since the moment you stepped off your coach. | 0:45:47 | 0:45:49 | |
You leave me little choice. | 0:45:55 | 0:45:57 | |
I offer you security and a fair stake in revenue. | 0:45:57 | 0:46:00 | |
I also offer you a gunboat to secure your port. | 0:46:01 | 0:46:04 | |
You've been away from home for a long time | 0:46:04 | 0:46:06 | |
and your enemies are moving on your capital. | 0:46:06 | 0:46:08 | |
My father will deal with them. | 0:46:08 | 0:46:09 | |
BABY COOS | 0:46:09 | 0:46:11 | |
Do you see this loud little life before you? | 0:46:13 | 0:46:16 | |
A close friend told me that God himself | 0:46:18 | 0:46:20 | |
brought this child to me for a reason. | 0:46:20 | 0:46:22 | |
Only now do I understand. | 0:46:23 | 0:46:25 | |
Her very existence begs a question because, in any other country, | 0:46:29 | 0:46:32 | |
in England, Spain, the Republics of the Dutch, | 0:46:32 | 0:46:35 | |
she would be long dead and her mother, too. | 0:46:35 | 0:46:38 | |
And yet, here she is. | 0:46:40 | 0:46:42 | |
And here you are. | 0:46:42 | 0:46:44 | |
You can be sure of one thing. | 0:46:45 | 0:46:46 | |
You may make a deal with the Dutch, the English, the Spanish. | 0:46:46 | 0:46:49 | |
Rest assured, they will smile and agree. | 0:46:49 | 0:46:51 | |
Then they will bring their armies, burn your lands, | 0:46:51 | 0:46:54 | |
kill your families | 0:46:54 | 0:46:56 | |
and take everything you hold dear. Of that, you can be sure. | 0:46:56 | 0:47:00 | |
-You would do the same. -Not I. | 0:47:00 | 0:47:02 | |
And I suggest you decide quickly. | 0:47:02 | 0:47:04 | |
A country with no king will eat itself in war. | 0:47:04 | 0:47:07 | |
King? | 0:47:08 | 0:47:09 | |
BABY STARTS TO CRY | 0:47:09 | 0:47:12 | |
We received word that your father is dead. | 0:47:13 | 0:47:16 | |
You are king now. | 0:47:16 | 0:47:18 | |
My condolences, Your Majesty. | 0:47:22 | 0:47:24 | |
BABY CRIES LOUDLY | 0:47:24 | 0:47:27 | |
BABY CONTINUES TO CRY | 0:47:38 | 0:47:41 | |
Majesty... | 0:47:48 | 0:47:49 | |
Bless me, father, for I have sinned. | 0:47:54 | 0:47:57 | |
BABY CRIES | 0:48:01 | 0:48:04 | |
We're going. | 0:48:37 | 0:48:40 | |
The Venetians have been working hard on a new glass, sire. | 0:49:13 | 0:49:17 | |
They hope this one will be more to your liking. | 0:49:17 | 0:49:19 | |
Better. | 0:49:31 | 0:49:32 | |
FIRE SPITS AND CRACKLES | 0:49:40 | 0:49:43 | |
HE CLICKS HIS FINGERS | 0:49:48 | 0:49:49 | |
Burn him. | 0:49:50 | 0:49:52 |