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This programme contains some violent scenes | 0:00:02 | 0:00:10 | |
The Parthenays came at my behest, my personal invitation. | 0:00:10 | 0:00:15 | |
They drove their carriage on that road | 0:00:15 | 0:00:18 | |
secure in the knowledge that they were guests of the King, | 0:00:18 | 0:00:21 | |
with the unshakeable guarantee of the King's protection! | 0:00:21 | 0:00:24 | |
If a child of France is not safe on royal lands, | 0:00:27 | 0:00:30 | |
what chance is there for anyone else? | 0:00:30 | 0:00:32 | |
An attack on my roads is an attack on me. | 0:00:35 | 0:00:38 | |
Until their killers are brought before me, I shall not sleep again. | 0:00:38 | 0:00:41 | |
I will pay my respects. Where are they now? | 0:00:43 | 0:00:46 | |
Sire, you are bleeding, you are injured. | 0:00:46 | 0:00:49 | |
More than you can know. | 0:00:49 | 0:00:50 | |
Where are you going? | 0:01:04 | 0:01:05 | |
The siege is broken. We've won this battle. | 0:01:05 | 0:01:08 | |
The price is paid. | 0:01:08 | 0:01:10 | |
The camp lies this way. | 0:01:11 | 0:01:13 | |
I promised our mother we'd bring them home. | 0:01:14 | 0:01:17 | |
Cold lotion, sire. | 0:01:25 | 0:01:27 | |
Made up of egg yolk, oil of roses, and turpentine | 0:01:27 | 0:01:31 | |
to permit drainage. | 0:01:31 | 0:01:33 | |
Why not simply close the skin? | 0:01:33 | 0:01:35 | |
Permissible for battlefield injuries, sire, | 0:01:37 | 0:01:39 | |
but I'm not a tailor. | 0:01:39 | 0:01:40 | |
May I enquire as to the cause of the injury, sire? | 0:01:40 | 0:01:44 | |
A hunting accident. | 0:01:44 | 0:01:45 | |
"We report with joy the success of the King's infantry | 0:01:48 | 0:01:52 | |
"against the troops of the Spanish. | 0:01:52 | 0:01:54 | |
"Siege is now laid to the town of Cambrai." | 0:01:54 | 0:01:58 | |
At last, some good news. | 0:01:58 | 0:02:00 | |
"Most remarkable of all heroes present in the King's name | 0:02:00 | 0:02:04 | |
"is His Majesty's own brother, | 0:02:04 | 0:02:06 | |
"Prince Philippe, the Duke of Orleans, | 0:02:06 | 0:02:09 | |
"who has shown bravery on the battlefield." | 0:02:09 | 0:02:11 | |
That's enough news for now. | 0:02:11 | 0:02:13 | |
"A true and everlasting hero..." | 0:02:13 | 0:02:16 | |
I said enough! | 0:02:16 | 0:02:17 | |
# I'm the king of my own land | 0:02:24 | 0:02:28 | |
# Facing tempests of dust | 0:02:33 | 0:02:37 | |
# I'll fight until it's the end | 0:02:37 | 0:02:41 | |
# Creatures of my dreams, raise up and dance with me | 0:02:45 | 0:02:51 | |
# Now and forever | 0:02:59 | 0:03:03 | |
# I'm your king. # | 0:03:03 | 0:03:11 | |
Let me see Francoise. | 0:03:41 | 0:03:43 | |
He bled, yet she did not. | 0:04:17 | 0:04:19 | |
I believe he was shot with a pistol, sire | 0:04:19 | 0:04:22 | |
and she was shot with a musket, | 0:04:22 | 0:04:24 | |
and those shot with muskets do not bleed so much. | 0:04:24 | 0:04:26 | |
Why? | 0:04:26 | 0:04:27 | |
Well, that is the way the wounds behave, sire. | 0:04:29 | 0:04:32 | |
The wounds themselves are large... | 0:04:32 | 0:04:35 | |
Which would surely produce more blood, not less. | 0:04:35 | 0:04:37 | |
Indeed, sire, but, um, the, er... | 0:04:37 | 0:04:41 | |
What I believe my father is saying is | 0:04:41 | 0:04:44 | |
that the musket shot tends to fragment. | 0:04:44 | 0:04:47 | |
It makes channels twice as large | 0:04:47 | 0:04:49 | |
but also crushes the flesh around the entry wound | 0:04:49 | 0:04:52 | |
so it seals the blood where it sits, and it cannot flow. | 0:04:52 | 0:04:56 | |
I see. Thank you, Masson. | 0:04:56 | 0:05:00 | |
-And Charlotte? -Charlotte? | 0:05:09 | 0:05:13 | |
The Parthenays had two children, and Charlotte is my goddaughter. | 0:05:13 | 0:05:17 | |
-Find Fabien! -At once, sire. | 0:05:17 | 0:05:19 | |
GUNSHOT | 0:05:51 | 0:05:52 | |
BIRDS CAW | 0:06:08 | 0:06:10 | |
HE SIGHS | 0:06:42 | 0:06:44 | |
Can you help...me? | 0:06:54 | 0:06:56 | |
How? | 0:06:58 | 0:06:59 | |
I'm sorry. | 0:07:02 | 0:07:03 | |
But you will not be alone. | 0:07:06 | 0:07:08 | |
I saw angels. | 0:07:08 | 0:07:10 | |
THUNDER ROLLS | 0:07:30 | 0:07:32 | |
SNORING | 0:07:40 | 0:07:41 | |
You came in so drunk last night, | 0:07:43 | 0:07:45 | |
you emptied the contents of your bladder all over my kitchen. | 0:07:45 | 0:07:49 | |
So consider this merely the repayment of that loan. | 0:07:49 | 0:07:52 | |
GUN CLICKS | 0:07:52 | 0:07:53 | |
HE PANTS | 0:07:53 | 0:07:54 | |
-Where is my share? -I have it right here. | 0:07:56 | 0:07:59 | |
Is that enough, or would you like some more? | 0:08:00 | 0:08:04 | |
You murder a noble family on the road and then come to my house. | 0:08:04 | 0:08:09 | |
She recognised my voice. | 0:08:09 | 0:08:11 | |
How is that even possible? | 0:08:11 | 0:08:13 | |
Unlikely, but I could not take the risk. | 0:08:13 | 0:08:17 | |
In any case, you wanted chaos. | 0:08:17 | 0:08:21 | |
Now you have it. | 0:08:21 | 0:08:22 | |
You butchered them where they stood. Every single one. | 0:08:22 | 0:08:25 | |
Not quite. | 0:08:25 | 0:08:27 | |
A young girl escaped. | 0:08:27 | 0:08:29 | |
-She ran into the woods. -Wounded. | 0:08:29 | 0:08:31 | |
-You didn't think to follow her? -I didn't think it safe to linger. | 0:08:31 | 0:08:36 | |
Well, return and finish what you started. | 0:08:36 | 0:08:39 | |
My Lord, think a moment. | 0:08:39 | 0:08:41 | |
Noble blood is spilled on the road to Versailles. | 0:08:41 | 0:08:44 | |
Who would follow the Parthenays now? | 0:08:44 | 0:08:47 | |
Soon the King will tire of the project and move back to Paris. | 0:08:47 | 0:08:51 | |
And then we shall own our country again. | 0:08:51 | 0:08:54 | |
He only sketches when he is upset. | 0:09:02 | 0:09:04 | |
Who else delays? | 0:09:28 | 0:09:30 | |
14 families in all. | 0:09:30 | 0:09:33 | |
All wait for assurance of their safety before venturing on the road. | 0:09:33 | 0:09:38 | |
So the nobles of the south stay quiet, the east remain cowards | 0:09:38 | 0:09:41 | |
and the north... | 0:09:41 | 0:09:42 | |
Er, without Cassel, there will be no more cooperation from the north. | 0:09:42 | 0:09:45 | |
He's a man of great influence in the region. | 0:09:45 | 0:09:48 | |
-Perception of influence. Nothing more. -Which is just as dangerous. | 0:09:48 | 0:09:51 | |
Why is it that we are laying siege to Cambrai | 0:09:51 | 0:09:53 | |
and yet it is we who feel surrounded? DOOR OPENS | 0:09:53 | 0:09:56 | |
Monsieur Marchal is here, sire. | 0:09:56 | 0:09:58 | |
DOOR CLOSES | 0:10:02 | 0:10:03 | |
You've failed me, Monsieur Marchal. | 0:10:19 | 0:10:21 | |
Just as you have failed my friends, the Parthenays. | 0:10:21 | 0:10:24 | |
Had your patrols been on the road, they would have arrived safely. | 0:10:24 | 0:10:27 | |
Instead, their deaths will send a message | 0:10:27 | 0:10:29 | |
to the world that travelling to Versailles is not safe. | 0:10:29 | 0:10:32 | |
Your continued presence in this court | 0:10:32 | 0:10:34 | |
demands nothing less than absolution. | 0:10:34 | 0:10:36 | |
You will bring me the men responsible! | 0:10:36 | 0:10:39 | |
May I speak, sire? | 0:10:40 | 0:10:42 | |
I believe a noble may be accountable for this act. | 0:10:44 | 0:10:46 | |
How would you know such a thing? | 0:10:46 | 0:10:49 | |
The musket shot that killed her was fired from horseback. | 0:10:50 | 0:10:53 | |
The angle of the wound tells me that the horse was many hands high. | 0:10:53 | 0:10:56 | |
Almost impossible for the untrained rider. | 0:10:56 | 0:10:59 | |
Only a nobleman, an equerry, perhaps, | 0:10:59 | 0:11:02 | |
a cavalryman could be capable of such a feat. | 0:11:02 | 0:11:05 | |
But most of our men are at the front. | 0:11:05 | 0:11:08 | |
Which leaves suspicion firmly where I say it does, with a noble. | 0:11:08 | 0:11:12 | |
Whoever it is, bring them to me. | 0:11:12 | 0:11:15 | |
I want to see their face. | 0:11:16 | 0:11:17 | |
WHISTLES | 0:11:32 | 0:11:33 | |
SHE MOUTHS Sophie! Listen to me. | 0:11:38 | 0:11:41 | |
What have I done? | 0:11:41 | 0:11:43 | |
Do not make eyes at boys like that. | 0:11:43 | 0:11:45 | |
You only have eyes for the King. | 0:11:45 | 0:11:47 | |
Even if I succeed in marrying you off to a noble, | 0:11:47 | 0:11:50 | |
men in court are to be regarded as a stepping stone - | 0:11:50 | 0:11:52 | |
nothing more and nothing less. | 0:11:52 | 0:11:54 | |
Men like that are the pond scum over which you are walking. | 0:11:54 | 0:11:57 | |
Do you comprehend at all? | 0:11:57 | 0:11:59 | |
I do not think you are telling me everything. | 0:11:59 | 0:12:02 | |
Oh, you are still young. You can be sure of it. | 0:12:02 | 0:12:05 | |
Say it. | 0:12:06 | 0:12:07 | |
Your plan was ill-conceived and badly executed. | 0:12:10 | 0:12:13 | |
A force of 200 would have secured the road. | 0:12:13 | 0:12:16 | |
Drawn from where? Our soldiers are at the front. | 0:12:16 | 0:12:18 | |
And there is your problem. | 0:12:18 | 0:12:20 | |
MY problem? It is a problem we all face and a threat to the King. | 0:12:20 | 0:12:24 | |
Or indeed it may be a solution. | 0:12:24 | 0:12:26 | |
A solution? | 0:12:26 | 0:12:29 | |
I do not yet know. | 0:12:29 | 0:12:30 | |
But one thing we can be sure of, these men will strike again. | 0:12:30 | 0:12:33 | |
PANTING, WHIMPERING | 0:12:46 | 0:12:47 | |
GUNSHOT | 0:12:54 | 0:12:55 | |
But if the court knows she is dead, they can mourn. | 0:13:02 | 0:13:05 | |
They already think she died with them. | 0:13:05 | 0:13:08 | |
The Parthenay family were murdered on the road. | 0:13:08 | 0:13:11 | |
Everyone's talking about it. | 0:13:11 | 0:13:13 | |
Her body was not found there. | 0:13:13 | 0:13:15 | |
Only three people know this information. | 0:13:15 | 0:13:18 | |
Me, you, and the man who meant to kill her. | 0:13:18 | 0:13:22 | |
He will know his shot missed its mark. | 0:13:24 | 0:13:27 | |
And he might yet use that knowledge to make a mistake. | 0:13:27 | 0:13:30 | |
Forgive me. | 0:13:56 | 0:13:57 | |
Um, sire, it's no matter. | 0:13:57 | 0:14:00 | |
You are ill, perhaps? | 0:14:00 | 0:14:02 | |
No, if I feel anything, I feel nervous about this war. | 0:14:02 | 0:14:05 | |
The glory will soon be ours. | 0:14:06 | 0:14:08 | |
You are already glorious, sire, if I may be so bold. | 0:14:08 | 0:14:12 | |
You may, Madame. | 0:14:17 | 0:14:19 | |
Be well. | 0:14:25 | 0:14:26 | |
Majesty! | 0:14:39 | 0:14:40 | |
Lisette told me she begged her husband not to come. | 0:14:48 | 0:14:50 | |
After what happened to the Parthenays, how can you blame her? | 0:14:50 | 0:14:53 | |
But she said with the King's new edict, he told her they had to, | 0:14:53 | 0:14:56 | |
that they must find a sponsor or be doomed. | 0:14:56 | 0:14:58 | |
I heard the real reason was that they can't find their papers. | 0:14:58 | 0:15:01 | |
They had a flood a few years back, if you recall. | 0:15:01 | 0:15:04 | |
What if they washed away? Poor lambs. | 0:15:04 | 0:15:07 | |
There will be a remedy, I'm sure. | 0:15:07 | 0:15:09 | |
That is yet to be seen, is it not? | 0:15:10 | 0:15:12 | |
Not everyone can have such credit with the Chevalier. | 0:15:12 | 0:15:15 | |
As much credit as he is inclined to give is as much as I have. | 0:15:15 | 0:15:18 | |
Well, should your coffers empty, | 0:15:18 | 0:15:20 | |
I'm sure your daughter can offer you some security. | 0:15:20 | 0:15:22 | |
Beauty unlocks many doors. | 0:15:22 | 0:15:25 | |
You of all people should know that first-hand, Madame. | 0:15:25 | 0:15:27 | |
And beauty without wit is merely vanity. | 0:15:27 | 0:15:30 | |
Hm! | 0:15:33 | 0:15:35 | |
Mother, that was unkind. | 0:15:35 | 0:15:36 | |
Have you been paying any attention at all? | 0:15:36 | 0:15:39 | |
When you pass through the doors in this court, | 0:15:39 | 0:15:41 | |
you are not walking into a room, you're entering a marketplace. | 0:15:41 | 0:15:44 | |
And transactions mean contacts. Contacts mean credit. | 0:15:44 | 0:15:48 | |
Credit means power. And power means everything! | 0:15:48 | 0:15:52 | |
Look at Madame de Montespan. | 0:15:53 | 0:15:55 | |
Do you think that attention happens by chance? | 0:15:55 | 0:15:58 | |
-I thought you didn't like her. -Will you keep your voice down? | 0:15:58 | 0:16:01 | |
I saw the King look at her today. | 0:16:01 | 0:16:04 | |
A deep and lingering gaze. | 0:16:04 | 0:16:05 | |
Now, just think what that might be worth! | 0:16:05 | 0:16:08 | |
And what does all this matter to us? | 0:16:08 | 0:16:10 | |
-We have our papers and our lineage. -Not yet! | 0:16:10 | 0:16:13 | |
What can happen to a piece of paper coming from Pau? | 0:16:13 | 0:16:16 | |
Ask the Parthenays! | 0:16:16 | 0:16:18 | |
LAUGHTER | 0:16:27 | 0:16:29 | |
That was when she had the bows in her hair! Do I remember correctly? | 0:16:29 | 0:16:33 | |
Yes, the picnic. Midsummer. | 0:16:33 | 0:16:35 | |
-I was angry at you. -Francoise chose me, | 0:16:35 | 0:16:38 | |
-yet she only had eyes for you. -To make me jealous! | 0:16:38 | 0:16:42 | |
And she was successful. | 0:16:42 | 0:16:43 | |
THEY LAUGH | 0:16:43 | 0:16:45 | |
Thank you, friend, I needed this. | 0:16:46 | 0:16:49 | |
We should celebrate her tonight. | 0:16:49 | 0:16:51 | |
And every night after that. | 0:16:51 | 0:16:53 | |
I shall tie a bow on the next beautiful woman I see | 0:16:53 | 0:16:56 | |
and I shall call her Francoise. | 0:16:56 | 0:16:57 | |
-What about her? -Her, you do not touch. | 0:17:01 | 0:17:05 | |
Shame! | 0:17:10 | 0:17:11 | |
I had a position in mind for you. I was rather hoping you might take it. | 0:17:20 | 0:17:23 | |
The answer is yes. What is it? | 0:17:23 | 0:17:24 | |
As you know, the stables are finished and the hunt needs | 0:17:24 | 0:17:27 | |
-a new master. -I know just the man. | 0:17:27 | 0:17:30 | |
I was hoping you did. | 0:17:30 | 0:17:32 | |
-It would be my pleasure. -Then, please, send me his name | 0:17:32 | 0:17:35 | |
because I need to put him in place while you go to war. | 0:17:35 | 0:17:38 | |
War? | 0:17:38 | 0:17:40 | |
As our war continues, I find that my brother is foremost in my mind. | 0:17:40 | 0:17:43 | |
Of course. | 0:17:43 | 0:17:45 | |
I wish you to go to the front. Be my brother's shadow. | 0:17:45 | 0:17:48 | |
See that no harm comes to him. | 0:17:48 | 0:17:50 | |
I think I understand you. | 0:17:50 | 0:17:52 | |
Well, we have known each other long enough. | 0:17:52 | 0:17:55 | |
I will do as you ask. | 0:17:59 | 0:18:00 | |
That's the Rohan I remember. | 0:18:09 | 0:18:10 | |
You know, misery suits you. You wear it so very well. | 0:18:22 | 0:18:25 | |
What do you want? | 0:18:25 | 0:18:27 | |
Did you read the Gazette? Your husband is glorious. | 0:18:27 | 0:18:30 | |
-It is the King's glory. -Not from what I read. | 0:18:30 | 0:18:33 | |
Here, I will leave you my copy to peruse at your leisure, | 0:18:33 | 0:18:37 | |
as you pine for your absent husband. | 0:18:37 | 0:18:40 | |
How delighted you will be when he returns to claim his prize. | 0:18:40 | 0:18:43 | |
Angelique, could you put in another ribbon? | 0:18:43 | 0:18:45 | |
Angelique, I've been meaning to return this to you. | 0:18:45 | 0:18:48 | |
A chambermaid found it in your drawer and removed it by accident. | 0:18:48 | 0:18:50 | |
I'll make sure she's disciplined. | 0:18:50 | 0:18:53 | |
My necklace! | 0:18:55 | 0:18:56 | |
Did you say YOUR necklace? | 0:18:56 | 0:18:59 | |
Yes, it is very dear to me. I thought it lost. | 0:18:59 | 0:19:02 | |
Angelique? | 0:19:03 | 0:19:05 | |
Come now, the maid thought this was yours. | 0:19:05 | 0:19:08 | |
So what was your mistress's necklace doing in your room? | 0:19:08 | 0:19:11 | |
-It was not in my room. -Of course it was, I just told you. | 0:19:11 | 0:19:15 | |
What was it doing in your room? | 0:19:15 | 0:19:17 | |
Madame, I did not take your necklace. | 0:19:17 | 0:19:19 | |
-Tut. -Absolutely, I did not. | 0:19:19 | 0:19:21 | |
-Be quiet! -Madame, please. | 0:19:21 | 0:19:23 | |
Your lady's a thief, Madam. That much is clear. | 0:19:23 | 0:19:26 | |
And I doubt you're in the habit | 0:19:26 | 0:19:27 | |
of employing pickpockets in your household. | 0:19:27 | 0:19:30 | |
You may be sure you have not heard the last of it. | 0:19:30 | 0:19:33 | |
I wish to make peace with God. | 0:19:54 | 0:19:56 | |
A convent near Marly will take me. They've already given their consent. | 0:19:56 | 0:20:01 | |
I beg you, sire, please, release me to God's care. | 0:20:01 | 0:20:05 | |
Have I not given you everything? | 0:20:06 | 0:20:08 | |
I used to think I was a person of quality, | 0:20:08 | 0:20:11 | |
living under God's grace. | 0:20:11 | 0:20:13 | |
The gifts he bestowed upon me, upon both of us. | 0:20:14 | 0:20:18 | |
Now I do not know myself or my place. | 0:20:18 | 0:20:22 | |
I wish only to serve my God. | 0:20:22 | 0:20:25 | |
I love your piety. | 0:20:25 | 0:20:26 | |
I love your spirit in the service of purity. | 0:20:26 | 0:20:30 | |
And I wish to go before you tire of me. | 0:20:30 | 0:20:34 | |
My Lady... | 0:20:37 | 0:20:38 | |
I already see it. | 0:20:44 | 0:20:46 | |
I will soon be gone in your eyes, and I see who is to come after me. | 0:20:46 | 0:20:50 | |
I do not wish to bear witness for myself. | 0:20:50 | 0:20:54 | |
-God wishes us to be together. -Sire, please... | 0:20:54 | 0:20:57 | |
Not as my king, but as the father of my children | 0:20:57 | 0:21:00 | |
and the one yet to be born. | 0:21:00 | 0:21:02 | |
Let me atone for my life. | 0:21:04 | 0:21:06 | |
-Enough. -What if I am to burn for eternity? | 0:21:06 | 0:21:09 | |
What if it is too late for me? | 0:21:09 | 0:21:11 | |
SHE CRIES | 0:21:17 | 0:21:18 | |
CHATTER AND MUSIC | 0:21:22 | 0:21:24 | |
Cousin! You seem in a very good mood. | 0:21:26 | 0:21:29 | |
How can I not be joyful with such gifts around me? | 0:21:29 | 0:21:31 | |
And such beauty! | 0:21:31 | 0:21:33 | |
Talking of which, Henriette's entourage was looking rather tired | 0:21:33 | 0:21:37 | |
so I have made an opportunity for my darling girl. | 0:21:37 | 0:21:40 | |
-With Henriette? -I do not care for your tone. | 0:21:40 | 0:21:44 | |
Should Sophie consign herself to her when Madame de Montespan | 0:21:44 | 0:21:48 | |
grows in stature day by day? | 0:21:48 | 0:21:49 | |
-I confess I saw a gaze from the King... -My decision is made. | 0:21:49 | 0:21:53 | |
And I'm the head of this household. | 0:21:54 | 0:21:56 | |
Unless you've somehow forgotten, cousin. | 0:21:56 | 0:21:59 | |
When will this position become available? | 0:22:00 | 0:22:02 | |
Soon. I hear one of her ladies is rather fond of pilfering. | 0:22:02 | 0:22:06 | |
Come, child! To me. | 0:22:06 | 0:22:08 | |
It is time you learned what to do with those appalling flippers | 0:22:10 | 0:22:13 | |
you appear to call feet! | 0:22:13 | 0:22:14 | |
HE CLAPS | 0:22:17 | 0:22:19 | |
MUSIC BEGINS | 0:22:19 | 0:22:20 | |
A dance is a formalised conversation, my dear Sophie. | 0:22:28 | 0:22:32 | |
Full of rules, restrictions. | 0:22:32 | 0:22:35 | |
It's like that dress you are wearing. | 0:22:35 | 0:22:38 | |
Do you like it? | 0:22:38 | 0:22:39 | |
-Can't you tell? -Oh! | 0:22:39 | 0:22:41 | |
HE GIGGLES | 0:22:41 | 0:22:43 | |
I never asked you, but I'd wager | 0:22:52 | 0:22:54 | |
it's rather important for your time at court. | 0:22:54 | 0:22:56 | |
Are you still...intact? | 0:22:56 | 0:22:58 | |
Intact? | 0:23:00 | 0:23:01 | |
Have your fingers ever been curious? | 0:23:01 | 0:23:04 | |
I don't know what you're talking about. | 0:23:07 | 0:23:10 | |
You will. | 0:23:10 | 0:23:11 | |
Ahh... | 0:23:18 | 0:23:19 | |
When we skimmed stones at the water in Saint-Germain, do you remember? | 0:23:22 | 0:23:26 | |
I declared to everyone that you would make yours bounce five times. | 0:23:28 | 0:23:32 | |
You all laughed that I might declare it so confidently. | 0:23:32 | 0:23:36 | |
And yet, when you launched the stone... | 0:23:36 | 0:23:39 | |
There it was! | 0:23:39 | 0:23:40 | |
-Five times. -My lucky number. | 0:23:42 | 0:23:44 | |
I want to do this every night so I'll know you'll keep me safe. | 0:23:57 | 0:24:02 | |
Do I not already protect you? | 0:24:02 | 0:24:05 | |
Sadly, where the Chevalier is concerned, | 0:24:05 | 0:24:07 | |
I cannot see how anyone can. | 0:24:07 | 0:24:09 | |
He has caused my lady Angelique great pain. | 0:24:17 | 0:24:20 | |
Is it not enough that I protect you, | 0:24:20 | 0:24:22 | |
that I must now also protect your ladies? | 0:24:22 | 0:24:24 | |
He made up a terrible story and put a problem in my lap. | 0:24:24 | 0:24:27 | |
And now you're sad. | 0:24:31 | 0:24:32 | |
You are perceptive, Madame. | 0:24:33 | 0:24:35 | |
Francoise Parthenay was very dear to you, I know. | 0:24:36 | 0:24:40 | |
I was even jealous of her for a silly minute. | 0:24:40 | 0:24:43 | |
I'm going to war, where it is safe. | 0:24:46 | 0:24:48 | |
-I do not understand. -And you are coming with me. | 0:24:50 | 0:24:52 | |
-Why? -You wish to be somewhere else? | 0:24:52 | 0:24:55 | |
-A new day is coming. -Goodnight, then! | 0:24:57 | 0:25:01 | |
Goodbye. | 0:25:01 | 0:25:02 | |
DOOR CLOSES | 0:25:05 | 0:25:07 | |
I'm a little early for my lesson. | 0:25:12 | 0:25:14 | |
CHEVALIER PANTS | 0:25:17 | 0:25:18 | |
Don't say a word. | 0:25:20 | 0:25:22 | |
PANTING | 0:25:25 | 0:25:26 | |
SLICING, GROANING | 0:25:26 | 0:25:27 | |
-Oh, my God! -Quiet! | 0:25:30 | 0:25:32 | |
Be quiet! | 0:25:32 | 0:25:33 | |
You're an easy man to find, since your infidelity is so constant. | 0:25:33 | 0:25:37 | |
From this moment on, I will tell you what to do. | 0:25:37 | 0:25:41 | |
Deny us, and you will die! | 0:25:41 | 0:25:44 | |
Apply yourself, and your lover will be king. | 0:25:44 | 0:25:48 | |
And you will have the power. | 0:25:48 | 0:25:50 | |
The future is yours, as long as you do exactly what we tell you. | 0:25:50 | 0:25:55 | |
We will talk again. | 0:25:57 | 0:25:59 | |
Maman? | 0:26:26 | 0:26:27 | |
Go back to sleep. | 0:26:29 | 0:26:30 | |
What are you doing? | 0:26:32 | 0:26:33 | |
Writing letters. | 0:26:34 | 0:26:36 | |
Rest, child. | 0:26:55 | 0:26:56 | |
MUSIC PLAYS | 0:27:19 | 0:27:22 | |
The monk from Perignon has brought more wine. | 0:27:30 | 0:27:33 | |
And I am still hungry. | 0:27:33 | 0:27:35 | |
Will you join me? | 0:27:40 | 0:27:42 | |
Always room for one more. | 0:27:42 | 0:27:44 | |
I commend you, Madame, on your excellent appetite. | 0:27:45 | 0:27:49 | |
SHE LAUGHS | 0:27:49 | 0:27:50 | |
Sire, you hardly know me or the scope of my needs. | 0:27:50 | 0:27:55 | |
I know this. | 0:27:58 | 0:27:59 | |
You're still hungry. | 0:28:00 | 0:28:02 | |
How many have you had? | 0:28:05 | 0:28:07 | |
I do not recall. | 0:28:07 | 0:28:09 | |
In which case, why would one more make any difference? | 0:28:09 | 0:28:12 | |
Hard to say without partaking. | 0:28:14 | 0:28:17 | |
Why is that? | 0:28:17 | 0:28:19 | |
Surely, after a certain time, it's just a number, is it not? | 0:28:19 | 0:28:22 | |
It depends on the number. | 0:28:25 | 0:28:27 | |
You received my message? | 0:28:56 | 0:28:57 | |
I've been praying for your lost child every day, Your Majesty. | 0:28:59 | 0:29:02 | |
You are constantly in my thoughts. | 0:29:02 | 0:29:03 | |
You are kind to say such a thing. Bring a chair. | 0:29:03 | 0:29:06 | |
For the child inside you. | 0:29:10 | 0:29:11 | |
'Tis warm. Take off your shawl. | 0:29:23 | 0:29:25 | |
Take it off. | 0:29:25 | 0:29:27 | |
My words to you were not kind. | 0:29:43 | 0:29:45 | |
I said them in a moment, clouded by my own feelings. | 0:29:45 | 0:29:48 | |
I would like us to be friends. | 0:29:48 | 0:29:50 | |
Not because I do not still resent every stolen moment | 0:29:50 | 0:29:54 | |
you have taken away from my husband and me, | 0:29:54 | 0:29:56 | |
but because I sense something in your soul. | 0:29:56 | 0:30:00 | |
I can feel the pain you hold. | 0:30:00 | 0:30:01 | |
Yes. | 0:30:05 | 0:30:06 | |
My concern is not as such for you. You understand? | 0:30:10 | 0:30:14 | |
But the innocent life inside you can feel this pain. | 0:30:14 | 0:30:17 | |
I will join a community of prayer, Majesty, when time permits. | 0:30:19 | 0:30:22 | |
-Do you love the King? -I love God. | 0:30:22 | 0:30:25 | |
But it's not an answer. | 0:30:25 | 0:30:26 | |
I also love the King. | 0:30:28 | 0:30:29 | |
But the price is too much. | 0:30:31 | 0:30:33 | |
What have you done to yourself? | 0:30:33 | 0:30:35 | |
Do you think God will forgive me? | 0:30:35 | 0:30:37 | |
Did you solve the problem? | 0:30:53 | 0:30:55 | |
There are plenty of men on the road with questions. | 0:30:55 | 0:30:57 | |
I would rather not provide them with answers. | 0:30:57 | 0:31:00 | |
Meanwhile, the King gains territory. | 0:31:00 | 0:31:03 | |
Claims the lands of Spain in kind for his unpaid dowry. | 0:31:03 | 0:31:06 | |
It's pretext, naturally, but victory for him is more than land. | 0:31:06 | 0:31:10 | |
It's confidence and power. He must be stopped. | 0:31:10 | 0:31:13 | |
In a few days from now, the roads will be ours again. | 0:31:13 | 0:31:17 | |
-So you're ready to work? -I'm at your service. | 0:31:17 | 0:31:21 | |
Protocol does not permit us to own or run a business. | 0:31:21 | 0:31:23 | |
I administer my affairs by proxy. | 0:31:23 | 0:31:25 | |
30 companies run under my control. | 0:31:25 | 0:31:29 | |
My most trusted man has a brother in a royal depot in Paris. | 0:31:29 | 0:31:34 | |
He told me about a shipment that will soon make its way | 0:31:34 | 0:31:36 | |
to Versailles. It'll be heavily guarded | 0:31:36 | 0:31:38 | |
and, from what I know, they will fight to the end to defend it. | 0:31:38 | 0:31:41 | |
You raised me from the dead, my Lord, | 0:31:41 | 0:31:43 | |
I will lay down my life for you. | 0:31:43 | 0:31:45 | |
Good. | 0:31:45 | 0:31:46 | |
Because, from what I hear, this is a cargo worth dying for. | 0:31:46 | 0:31:49 | |
I would speak with the King. | 0:31:59 | 0:32:01 | |
Perhaps your hearing is suspect. | 0:32:03 | 0:32:06 | |
The King is not to be disturbed. He's in private conference. | 0:32:06 | 0:32:09 | |
With whom? | 0:32:12 | 0:32:13 | |
The House of Hapsburg has tried to remain indifferent | 0:32:17 | 0:32:19 | |
to your war in the Spanish Netherlands, | 0:32:19 | 0:32:22 | |
but the Spanish grow impatient and wish us to intervene. | 0:32:22 | 0:32:24 | |
You have claim by inheritance. We have claim by law. | 0:32:24 | 0:32:28 | |
We need not fight each other for the prize. | 0:32:28 | 0:32:30 | |
Though many in your counsel might benefit from war, I'm sure. | 0:32:30 | 0:32:33 | |
Circles are divided. | 0:32:33 | 0:32:34 | |
But if our present discussions were to establish a policy between us... | 0:32:34 | 0:32:38 | |
Your Prince Hapsburg might yet find his cardinal's hat. | 0:32:38 | 0:32:41 | |
Indeed, Majesty. | 0:32:41 | 0:32:43 | |
Let us move, then, in secret, to a treaty between the kingdoms | 0:32:43 | 0:32:46 | |
of France and the House of Hapsburg. | 0:32:46 | 0:32:48 | |
To divide the territory on the death of the Spanish king. | 0:32:48 | 0:32:51 | |
The health of the ruler is paramount to the security of state. | 0:32:51 | 0:32:54 | |
Your Majesty. | 0:32:54 | 0:32:57 | |
Your face. | 0:32:57 | 0:32:58 | |
Get a doctor. Quickly! | 0:33:08 | 0:33:09 | |
Did you not hear me, man?! | 0:33:09 | 0:33:11 | |
I will fetch Masson. | 0:33:17 | 0:33:18 | |
Not that doctor. The other one. | 0:33:18 | 0:33:21 | |
So, we are agreed? | 0:33:25 | 0:33:27 | |
I believe so. | 0:33:29 | 0:33:30 | |
No-one must enter. | 0:33:39 | 0:33:40 | |
Come, quickly. | 0:34:02 | 0:34:04 | |
Not you. Her. | 0:34:04 | 0:34:05 | |
Your father's mess. | 0:34:17 | 0:34:18 | |
Fix it! | 0:34:18 | 0:34:20 | |
Please. | 0:34:23 | 0:34:24 | |
It will have to be stitched. | 0:34:29 | 0:34:31 | |
The hot needle and thread. | 0:34:31 | 0:34:33 | |
It will hurt. | 0:34:33 | 0:34:35 | |
Good. | 0:34:36 | 0:34:37 | |
You may go. | 0:34:41 | 0:34:42 | |
I will bring you glory. I vow it. | 0:34:53 | 0:34:56 | |
We are far inside the line. | 0:34:59 | 0:35:01 | |
We're in great danger here. | 0:35:01 | 0:35:03 | |
-I promised your brother. -Promised him what? | 0:35:03 | 0:35:05 | |
That I would ensure your safety. | 0:35:05 | 0:35:07 | |
DISTANT GUNFIRE | 0:35:13 | 0:35:15 | |
What a surprise to find you here. | 0:35:58 | 0:36:00 | |
I wanted to talk to you, away from the usual ears. | 0:36:00 | 0:36:03 | |
Very well. | 0:36:03 | 0:36:05 | |
What the Chevalier did to poor Angelique - | 0:36:07 | 0:36:10 | |
he is beyond reproach. | 0:36:10 | 0:36:12 | |
He is being himself, unfortunately. Now I have a new lady. | 0:36:12 | 0:36:15 | |
Ah, the new girl. Mademoiselle Clermont. | 0:36:15 | 0:36:19 | |
Sophie. She's pleasant enough. | 0:36:19 | 0:36:20 | |
Well, I have a scheme that will bring delicious revenge | 0:36:20 | 0:36:23 | |
on the Chevalier. Might you consider it? | 0:36:23 | 0:36:26 | |
No, thank you. | 0:36:26 | 0:36:27 | |
Might I ask why? | 0:36:27 | 0:36:29 | |
I already know what it is you want, and I cannot help you get it. | 0:36:32 | 0:36:35 | |
I'm sure I do not know what you mean. | 0:36:35 | 0:36:37 | |
Think a while. You'll get there in the end. | 0:36:39 | 0:36:41 | |
I suppose I will. | 0:36:44 | 0:36:46 | |
Take her to her family. | 0:36:50 | 0:36:52 | |
-Where did you find her? -In the woods near Chaville. | 0:37:07 | 0:37:11 | |
-Where is she now? -Buried with her family. | 0:37:11 | 0:37:14 | |
Without a sermon? Beneath dignity. | 0:37:14 | 0:37:16 | |
A full sermon might attract attention. | 0:37:16 | 0:37:19 | |
And what would be wrong with that? | 0:37:19 | 0:37:21 | |
You let me live in hope, and then you break my heart again. | 0:37:21 | 0:37:25 | |
Why did you hide this from me? | 0:37:25 | 0:37:26 | |
Hide HER from me? | 0:37:26 | 0:37:29 | |
Because you have armed me, sire. | 0:37:29 | 0:37:31 | |
Not just with weapons, but with choices. | 0:37:31 | 0:37:34 | |
My choice was to protect the truth. | 0:37:34 | 0:37:36 | |
Which is that Charlotte Parthenay | 0:37:36 | 0:37:39 | |
did not die with her family on the road. | 0:37:39 | 0:37:42 | |
This knowledge gives us something her killers do not possess - | 0:37:42 | 0:37:46 | |
certainty. Which means they will make a mistake. | 0:37:46 | 0:37:49 | |
Did she suffer? | 0:37:52 | 0:37:53 | |
A great deal. | 0:37:55 | 0:37:56 | |
I hope it did not last too long. | 0:37:58 | 0:38:00 | |
She was in considerable pain for an extended period. | 0:38:02 | 0:38:06 | |
You do not seek my approval in any way, do you? | 0:38:06 | 0:38:09 | |
I seek only to protect your life. | 0:38:10 | 0:38:13 | |
Your honesty is also a weapon, Monsieur Marchal. | 0:38:19 | 0:38:22 | |
If you say so, sire. | 0:38:25 | 0:38:26 | |
GUNSHOT | 0:38:29 | 0:38:30 | |
GUNSHOT | 0:38:33 | 0:38:34 | |
No, please! | 0:38:40 | 0:38:42 | |
-It's your turn, Moncourt. -No, please, no! | 0:38:42 | 0:38:44 | |
-I know you. -You USED to know me. | 0:38:49 | 0:38:51 | |
Nobles don't dig. I have a better idea. | 0:38:56 | 0:38:59 | |
DOOR OPENS | 0:39:02 | 0:39:03 | |
We are surrounded. | 0:39:06 | 0:39:07 | |
By conspirators. By criticism. | 0:39:08 | 0:39:11 | |
By wilderness and danger. | 0:39:13 | 0:39:14 | |
Defence is no longer our option. | 0:39:20 | 0:39:21 | |
We must break the siege, we must attack. | 0:39:21 | 0:39:23 | |
-Arrange a force for the roads. -They're assembled, sire. | 0:39:23 | 0:39:26 | |
Make their clothing uniform, make their presence felt | 0:39:26 | 0:39:28 | |
to deter and reassure as we now do in Paris. | 0:39:28 | 0:39:31 | |
Purge the road and police it. And contact every noble who defies me. | 0:39:31 | 0:39:35 | |
I wish to understand their concerns. | 0:39:35 | 0:39:37 | |
And they in turn shall be informed of our intent. | 0:39:37 | 0:39:40 | |
Their king is going to war. | 0:39:40 | 0:39:42 | |
Father! | 0:40:06 | 0:40:08 | |
I'm making potage for supper. | 0:40:08 | 0:40:09 | |
Celery, carrots, potatoes, salt. Very simple. | 0:40:09 | 0:40:13 | |
Father, please, let me. | 0:40:13 | 0:40:14 | |
Sit. | 0:40:16 | 0:40:18 | |
Rest. | 0:40:18 | 0:40:19 | |
You've had a full day of it at work, after all. | 0:40:19 | 0:40:22 | |
You are not saying what you mean, and I don't like it. | 0:40:23 | 0:40:26 | |
Would you make a mockery of your father? | 0:40:26 | 0:40:27 | |
-I don't know what you're talking about. -Where have you been? | 0:40:27 | 0:40:30 | |
I am not at liberty to say. | 0:40:33 | 0:40:34 | |
Your silence speaks for you, then. | 0:40:36 | 0:40:38 | |
My work is rushed - simplistic, too, perhaps. But my own daughter. | 0:40:39 | 0:40:42 | |
Of course, he would seek to ruin my reputation. | 0:40:44 | 0:40:47 | |
-Your reputation... -In tatters now. | 0:40:47 | 0:40:49 | |
..remains intact. Father, you are jealous. | 0:40:49 | 0:40:52 | |
I'm scared, child. | 0:40:53 | 0:40:55 | |
Scared for you. | 0:40:55 | 0:40:57 | |
This not a place of warmth and trust. | 0:40:57 | 0:41:00 | |
This is a cold, venal, brutal circle of lies. | 0:41:00 | 0:41:04 | |
They may use me and cast me aside. | 0:41:04 | 0:41:06 | |
But while there is still breath in my lungs | 0:41:06 | 0:41:08 | |
I will not permit them to do the same to you. | 0:41:08 | 0:41:11 | |
The King has his favourites. And then one day he tires of them. | 0:41:11 | 0:41:15 | |
And we don't see them any more. | 0:41:16 | 0:41:17 | |
RAIN LASHES, THUNDER RUMBLES | 0:41:22 | 0:41:23 | |
(Oh, Monsieur Fabien.) | 0:41:41 | 0:41:43 | |
-Madame, what are you doing here? -I'm so scared. | 0:41:43 | 0:41:47 | |
The war, the night. Would you walk with me to my apartment? | 0:41:49 | 0:41:52 | |
The news must have come as a shock. | 0:41:57 | 0:41:59 | |
-The news? -Your friends. | 0:42:00 | 0:42:03 | |
-What about my friends? -The Parthenays. | 0:42:04 | 0:42:07 | |
They lived close to your family, did they not, in Pau? | 0:42:07 | 0:42:10 | |
Known to me, yes. | 0:42:10 | 0:42:11 | |
A tragedy. | 0:42:13 | 0:42:14 | |
Can't bear to think of it. | 0:42:14 | 0:42:16 | |
Perhaps we can walk a while again in the garden during the day, | 0:42:17 | 0:42:20 | |
and talk about dear things. | 0:42:20 | 0:42:22 | |
I'd like that very much. | 0:42:23 | 0:42:24 | |
SNORING | 0:42:41 | 0:42:43 | |
DOOR OPENS | 0:42:43 | 0:42:45 | |
Bless me, Father, for I have sinned. | 0:42:50 | 0:42:53 | |
What is your reconciliation? | 0:42:53 | 0:42:54 | |
The mortal sins of envy and wrath. | 0:42:56 | 0:42:59 | |
Remember, sire, some transgressions by the state are necessary. | 0:42:59 | 0:43:03 | |
-Whereas if committed by man... -Do not address me so! | 0:43:03 | 0:43:07 | |
In this moment, I'm man alone, burdened by sin, | 0:43:07 | 0:43:09 | |
doing my penance under God. | 0:43:09 | 0:43:11 | |
I sent my own brother to war. | 0:43:13 | 0:43:16 | |
Now, how shall I repent? | 0:43:16 | 0:43:19 | |
Acts of contrition may take many forms. | 0:43:19 | 0:43:22 | |
One may atone in kind by practising | 0:43:22 | 0:43:23 | |
the sins' corresponding virtues in their stead. | 0:43:23 | 0:43:26 | |
The sin of envy, for example, mirrors virtue, | 0:43:27 | 0:43:31 | |
of humanitas. Or kindness. | 0:43:31 | 0:43:33 | |
The sin of wrath is mirrored by the virtue of patience. | 0:43:33 | 0:43:37 | |
We are at war, where wrath has its station. | 0:43:37 | 0:43:40 | |
And war is no place for kindness. | 0:43:40 | 0:43:42 | |
Bravo! The look is yours. | 0:44:20 | 0:44:22 | |
-I believe you are mistaken, Madam. -You are upset. | 0:44:22 | 0:44:25 | |
I cannot reach him. | 0:44:25 | 0:44:27 | |
I feel like a sack of flour to him. | 0:44:29 | 0:44:31 | |
-Can you help me? -With what? | 0:44:35 | 0:44:37 | |
I am boring and you are funny. | 0:44:37 | 0:44:39 | |
Perhaps when he returns you might put him in a good mood for me. | 0:44:39 | 0:44:42 | |
Talk to him, make him laugh. | 0:44:42 | 0:44:44 | |
If he's in a good humour, I might just have a chance. | 0:44:44 | 0:44:47 | |
-Would you do that? -I suppose I could try. | 0:44:47 | 0:44:50 | |
CROWD CHEER | 0:44:50 | 0:44:52 | |
-Do you miss England? -I miss you. | 0:44:59 | 0:45:02 | |
The summer of our lives has been full of blossom. | 0:45:04 | 0:45:07 | |
But the nights are drawing in. | 0:45:07 | 0:45:10 | |
And in the growing darkness we must remind ourselves | 0:45:10 | 0:45:12 | |
that life is more than love. | 0:45:12 | 0:45:15 | |
And marriage more than duty. | 0:45:16 | 0:45:18 | |
My plan is very simple. | 0:45:33 | 0:45:35 | |
Here, if we were simply to pull our line into this valley... | 0:45:36 | 0:45:39 | |
Then they would follow our retreat. | 0:45:39 | 0:45:41 | |
Allowing our cavalry to ride in from the east. Closing the circle. | 0:45:41 | 0:45:44 | |
-They would have nowhere to run. -MAN: The King! | 0:45:45 | 0:45:48 | |
-Brother, wonderful news. -Indeed, the war is over. | 0:45:55 | 0:45:59 | |
Negotiations for a ceasefire will begin this day at Tournois. | 0:46:01 | 0:46:04 | |
We've battled hard for this moment. Many men have died to attain it. | 0:46:04 | 0:46:08 | |
We will maintain our line but no more. | 0:46:08 | 0:46:10 | |
In a day, perhaps two, hostilities will cease. | 0:46:10 | 0:46:13 | |
For what? | 0:46:16 | 0:46:17 | |
We can win, brother. Here. Today. | 0:46:19 | 0:46:22 | |
The odds are not with us. | 0:46:22 | 0:46:24 | |
We have lost too much to stop now! | 0:46:24 | 0:46:26 | |
I would speak with my brother. | 0:46:26 | 0:46:27 | |
Alone. | 0:46:35 | 0:46:36 | |
-I'm here to bring you home. -And I came here to fight. | 0:46:42 | 0:46:46 | |
This ceasefire, I was wondering... | 0:46:48 | 0:46:50 | |
Will it just so happen to be announced upon your return? | 0:46:50 | 0:46:53 | |
All hail, King Louis, who went to war and won the peace! | 0:46:53 | 0:46:57 | |
Our spies report there is a price on your head. | 0:46:59 | 0:47:02 | |
The Spanish have engaged a battalion of mercenaries | 0:47:02 | 0:47:04 | |
to seek you out on the field. | 0:47:04 | 0:47:06 | |
They wish to make an example of you, to use you against me. | 0:47:06 | 0:47:09 | |
-I will not countenance the risk. -This is about the porridge. | 0:47:09 | 0:47:12 | |
You remember, don't you? I can't recall where we were. | 0:47:15 | 0:47:18 | |
Saint-Germain, I expect. | 0:47:18 | 0:47:19 | |
You flicked some porridge at me over breakfast, | 0:47:19 | 0:47:23 | |
I threw some back at you. | 0:47:23 | 0:47:24 | |
Soon we were at each other. You tipped the bowl over my head | 0:47:25 | 0:47:28 | |
so I pissed on you. You pissed right back. | 0:47:28 | 0:47:30 | |
There we are, rolling on the floor, pissing on one another. | 0:47:30 | 0:47:32 | |
Well, you started it! | 0:47:32 | 0:47:34 | |
You flicked the porridge. | 0:47:34 | 0:47:36 | |
But guess who got the blame. | 0:47:38 | 0:47:39 | |
You pissed on your brother. | 0:47:42 | 0:47:44 | |
But I pissed on the King! | 0:47:45 | 0:47:47 | |
-You will come with me! -Without me, those men may die! | 0:47:48 | 0:47:52 | |
This will be the last battle, I will not have it be your last act. | 0:47:52 | 0:47:55 | |
On a field there are no kings. No nobles, no peasants. | 0:47:57 | 0:48:01 | |
Every man is equal, fighting to survive another day. | 0:48:02 | 0:48:04 | |
Tomorrow I will have more in common with the enemy | 0:48:04 | 0:48:06 | |
than with my own brother! | 0:48:06 | 0:48:08 | |
Henriette! Where is my wife! | 0:48:10 | 0:48:12 | |
I envy your brotherhood. | 0:48:14 | 0:48:15 | |
For me there is only solitude, the likes of which you have never known. | 0:48:15 | 0:48:18 | |
Tomorrow, I will be with my brothers. | 0:48:18 | 0:48:21 | |
They mean to seek you out and kill you. | 0:48:24 | 0:48:26 | |
Well, then. | 0:48:27 | 0:48:28 | |
I'd better wear something fun | 0:48:30 | 0:48:32 | |
or they might not know who I am. | 0:48:32 | 0:48:34 | |
Miss you, my darling. | 0:48:39 | 0:48:41 | |
YELLING | 0:49:27 | 0:49:29 |