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This programme contains some violent scenes and some scenes of a sexual nature | 0:00:08 | 0:00:16 | |
'Louis? | 0:00:18 | 0:00:19 | |
'Louis, can you hear that? The flowers - they are singing.' | 0:00:26 | 0:00:33 | |
Henriette? | 0:00:34 | 0:00:36 | |
'Let me bathe in the lake.' | 0:00:36 | 0:00:38 | |
Sire! | 0:00:54 | 0:00:55 | |
Sire, please, go no further. | 0:00:57 | 0:00:59 | |
A bad dream, Your Majesty, that is all. Smelling salts will help. | 0:01:14 | 0:01:20 | |
LOUIS SNIFFS | 0:01:24 | 0:01:25 | |
LOUIS COUGHS | 0:01:25 | 0:01:26 | |
You were sleepwalking, Sire. | 0:01:27 | 0:01:29 | |
Has Fabien returned? Is there news of my son? | 0:01:40 | 0:01:45 | |
He will find him, Sire. | 0:01:45 | 0:01:47 | |
1,000 men have died here, building this. | 0:01:55 | 0:01:58 | |
Thousands more may perish still before the work is done. | 0:02:00 | 0:02:03 | |
Versailles is a wondrous creation, Sire, an artefact for all eternity. | 0:02:04 | 0:02:10 | |
A king will write his epitaph in stone or he will write it in blood. | 0:02:12 | 0:02:15 | |
I wonder what mine will be. | 0:02:17 | 0:02:19 | |
Is Rohan captured? | 0:02:25 | 0:02:27 | |
Nowhere to be seen. | 0:02:27 | 0:02:28 | |
Dauphin! | 0:02:39 | 0:02:40 | |
Monsieur Marchal, the Dauphin! | 0:02:40 | 0:02:43 | |
Your Highness. | 0:02:51 | 0:02:52 | |
It's all right. Hey, hey, hey, hey! | 0:02:55 | 0:02:59 | |
Please... | 0:02:59 | 0:03:00 | |
My name is Fabien Marchal. I serve your father. You're safe. | 0:03:00 | 0:03:04 | |
You're safe. | 0:03:05 | 0:03:07 | |
SOUND OF GUNSHOTS | 0:03:07 | 0:03:08 | |
ROHAN CRIES OUT | 0:03:22 | 0:03:23 | |
ROHAN GRUNTS AND MOANS | 0:03:27 | 0:03:31 | |
Is he alive? | 0:03:37 | 0:03:38 | |
Let's see. | 0:03:38 | 0:03:40 | |
ROHAN GROANS | 0:03:40 | 0:03:41 | |
Yes. | 0:03:41 | 0:03:42 | |
Bind him. | 0:03:44 | 0:03:45 | |
# I'm the king of my own land | 0:03:56 | 0:04:00 | |
# Facing tempests of dust | 0:04:06 | 0:04:09 | |
# I'll fight until the end | 0:04:09 | 0:04:13 | |
# Creatures of my dreams | 0:04:18 | 0:04:20 | |
# Raise up and dance with me | 0:04:20 | 0:04:23 | |
# Now and forever | 0:04:32 | 0:04:34 | |
# I'm your king. # | 0:04:36 | 0:04:40 | |
Our informants in the Kingdom of France grow by the day, Master William. | 0:05:00 | 0:05:04 | |
There is no shortage of courtiers who will talk for money. | 0:05:04 | 0:05:07 | |
I'm all ears. | 0:05:07 | 0:05:09 | |
The King has quashed the rebellion which threatened his son, | 0:05:09 | 0:05:11 | |
the Dauphin, recently rescued from Brittany, I believe. | 0:05:11 | 0:05:16 | |
The French also captured the ring leader who, I'm afraid, | 0:05:16 | 0:05:19 | |
happens to be one of our own agents - the Chevalier de Rohan. | 0:05:19 | 0:05:23 | |
A shame. He was a very promising spy. | 0:05:23 | 0:05:27 | |
A replacement is arranged? | 0:05:27 | 0:05:28 | |
Naturally. | 0:05:28 | 0:05:29 | |
'Versailles grows in stature day by day. | 0:05:32 | 0:05:35 | |
'Exterior works are complete. | 0:05:36 | 0:05:38 | |
'The palace is bursting at the seams with new rules, called etiquette. | 0:05:40 | 0:05:45 | |
'Noble tenants increase in number.' | 0:05:45 | 0:05:47 | |
'And the King's bed?' | 0:05:55 | 0:05:56 | |
'The King is remaining remarkably faithful to his first mistress, | 0:05:56 | 0:06:01 | |
'Madame de Montespan, who is now fully installed as | 0:06:01 | 0:06:05 | |
'the principal favourite in the Royal Household.' | 0:06:05 | 0:06:07 | |
And the brother? | 0:06:12 | 0:06:14 | |
'Prince Philippe enjoys an animated social life away from Versailles | 0:06:14 | 0:06:17 | |
'at his family home in Saint-Cloud | 0:06:17 | 0:06:19 | |
'while his lover, the Chevalier de Lorraine, remains in exile.' | 0:06:19 | 0:06:24 | |
This new spy - tell me more. | 0:06:30 | 0:06:32 | |
Young, very willing, very able. | 0:06:32 | 0:06:34 | |
Let us hope so. | 0:06:37 | 0:06:38 | |
-MONTESPAN: -Why do you need a historian? | 0:06:42 | 0:06:44 | |
I need a writer with a loyal mind and the heart of a poet. | 0:06:44 | 0:06:48 | |
Is that why we're going to the theatre? | 0:06:50 | 0:06:51 | |
Possibly. | 0:06:53 | 0:06:54 | |
I'm cold. | 0:06:58 | 0:06:59 | |
We're going to Paris, Madame. | 0:07:01 | 0:07:02 | |
Breathe the fresh air while you can. | 0:07:04 | 0:07:06 | |
With the King in Paris for the night, we shall focus only on | 0:07:15 | 0:07:17 | |
the preparation of an agenda to present to His Majesty tomorrow on his return. | 0:07:17 | 0:07:22 | |
Louvois, what is the status of the prisoner? | 0:07:22 | 0:07:25 | |
Alive, unrepentant, awaiting His Majesty's decision. | 0:07:25 | 0:07:30 | |
What say you, Monsieur de Reynaud? | 0:07:31 | 0:07:33 | |
Does the Justice Ministry have any report on the interrogation? | 0:07:33 | 0:07:36 | |
Reynaud, did you not hear Colbert addressing you in Council? | 0:07:40 | 0:07:44 | |
REYNAUD CHOKES | 0:07:48 | 0:07:51 | |
REYNAUD GROANS | 0:07:51 | 0:07:52 | |
-Help him! -Call the guard! He's dying! | 0:07:52 | 0:07:56 | |
Guard, quickly! | 0:07:56 | 0:07:57 | |
A full house. How satisfying. | 0:08:13 | 0:08:16 | |
You cannot be that satisfied, with Chevalier still exiled abroad. | 0:08:18 | 0:08:22 | |
How would you keep warm at night? | 0:08:22 | 0:08:24 | |
It's called a blanket - green and full of feathers... | 0:08:24 | 0:08:28 | |
a bit like you. | 0:08:28 | 0:08:30 | |
The King's here. | 0:08:36 | 0:08:37 | |
Don't look at him! | 0:08:42 | 0:08:43 | |
Have you seen this coat? He should be on stage. | 0:08:51 | 0:08:55 | |
Take it from me - he's never off it. | 0:08:55 | 0:08:59 | |
You must promise me that, when we return, you'll come with me | 0:08:59 | 0:09:01 | |
and let my lady do your cards. | 0:09:01 | 0:09:03 | |
I have heard good things about this young writer. | 0:09:07 | 0:09:10 | |
Your Majesty, my name is Thomas Beaumont, playwright. | 0:09:25 | 0:09:30 | |
The story you are about to see takes place many hundreds of years ago | 0:09:32 | 0:09:37 | |
but, despite what you might have read, | 0:09:37 | 0:09:41 | |
the past is not a prologue. | 0:09:41 | 0:09:44 | |
History offers us not a context, but a lens - | 0:09:44 | 0:09:48 | |
a lesson for our present and a vision of our future. | 0:09:48 | 0:09:51 | |
Sire, there's been a poisoning. You must come with me at once. | 0:09:51 | 0:09:54 | |
And... | 0:10:17 | 0:10:19 | |
although this is a story of the men of yesterday, | 0:10:19 | 0:10:22 | |
doubt not that, in this moment, in this very space, | 0:10:22 | 0:10:27 | |
they live again, reborn, reaching out over the centuries | 0:10:27 | 0:10:32 | |
to show us all that, as the sands of our lives | 0:10:32 | 0:10:35 | |
dwindle and vanish, we are all of us making history, | 0:10:35 | 0:10:40 | |
here and now. | 0:10:40 | 0:10:43 | |
APPLAUSE | 0:10:43 | 0:10:47 | |
-He's clever you know, very sharp. -Who is, Sire? -William of Orange. | 0:10:55 | 0:11:01 | |
He poisons my minister to show what he can do, | 0:11:01 | 0:11:03 | |
to show how close he is to poisoning me. | 0:11:03 | 0:11:06 | |
I'm almost impressed. You realise what is going on, of course, | 0:11:06 | 0:11:10 | |
across Europe, across the world? | 0:11:10 | 0:11:12 | |
Versailles is a shining jewel that glows in the night! She's beauty, | 0:11:12 | 0:11:15 | |
she's power. There can be no doubt of what we symbolise. | 0:11:15 | 0:11:18 | |
So it is, then, that an ambitious upstart in Holland will look over | 0:11:19 | 0:11:23 | |
at his glorious neighbour and the lustrous symbol of his power, | 0:11:23 | 0:11:27 | |
sees it starting to grow. | 0:11:27 | 0:11:30 | |
And what do you do when your enemy's fortunes rise? | 0:11:30 | 0:11:32 | |
Hm? When their fields blossom? | 0:11:32 | 0:11:34 | |
-Poison their well. -Drip by drip. | 0:11:34 | 0:11:36 | |
You take all that is nourishing them and you pollute and defile it with venom. | 0:11:36 | 0:11:41 | |
William knows what he's doing. He has tried to take my son. | 0:11:41 | 0:11:43 | |
Instead, he has taken my love, my peace, my sleep. | 0:11:43 | 0:11:47 | |
Now he takes my minister. But soon I will take his life, | 0:11:47 | 0:11:51 | |
and that will be the end of it! | 0:11:51 | 0:11:53 | |
Did he pay you? When you fought for me in the Spanish Netherlands, | 0:12:00 | 0:12:04 | |
the Dutch came to you. | 0:12:04 | 0:12:06 | |
They made an approach and they gave you money. | 0:12:06 | 0:12:08 | |
ROHAN GROANS | 0:12:18 | 0:12:19 | |
ROHAN PANTS | 0:12:25 | 0:12:27 | |
Something has hurt you. I wonder what. | 0:12:29 | 0:12:33 | |
William of Orange paid you to hurt me, to take my son, | 0:12:33 | 0:12:37 | |
-poison my Minister. -Poison what minister? -You think me a fool. | 0:12:37 | 0:12:43 | |
You believe it is William who hates you? | 0:12:43 | 0:12:46 | |
And, trust me, everybody hates you. | 0:12:46 | 0:12:49 | |
Then know this - | 0:12:53 | 0:12:55 | |
when my scribes lay down the chronicle of my days, I will ensure | 0:12:55 | 0:12:58 | |
that they erase every last nub of you from it. | 0:12:58 | 0:13:00 | |
No drop of ink shall mark your time. | 0:13:03 | 0:13:05 | |
No image nor crest nor lock of hair. | 0:13:07 | 0:13:10 | |
Your worldly goods, your clothes, all burned. | 0:13:10 | 0:13:13 | |
Your lineage disowned, cast out, forgotten. | 0:13:13 | 0:13:17 | |
You will be to history what you are to me at this moment... | 0:13:19 | 0:13:22 | |
..nothing. | 0:13:24 | 0:13:26 | |
Unlike you, Majesty, I do not care how history will paint me. | 0:13:26 | 0:13:30 | |
My astronomers tell me that, one day very soon, | 0:13:35 | 0:13:38 | |
the moon will traverse the sun | 0:13:38 | 0:13:40 | |
and, for a few seconds, our day will become night. | 0:13:40 | 0:13:43 | |
I want you to remember that moment, if you can, | 0:13:43 | 0:13:46 | |
because whatever your fate, it is then, at that instant, | 0:13:46 | 0:13:50 | |
that you shall meet it. | 0:13:50 | 0:13:51 | |
I was worried. | 0:13:59 | 0:14:00 | |
You're burning. | 0:14:05 | 0:14:06 | |
Is the King awake? | 0:14:24 | 0:14:26 | |
His Majesty is not yet risen. | 0:14:26 | 0:14:29 | |
I will wake him for the lever as usual at eight. | 0:14:29 | 0:14:32 | |
Please tell him that I need to see him at once. | 0:14:32 | 0:14:34 | |
When he wakes, Your Majesty, I will inform him, | 0:14:34 | 0:14:37 | |
although you know his many commitments. | 0:14:37 | 0:14:39 | |
I can assure you, I'm acutely aware of those. | 0:14:39 | 0:14:42 | |
MONTESPAN MOANS | 0:14:44 | 0:14:46 | |
MONTESPAN GIGGLES | 0:14:46 | 0:14:47 | |
The more of you I consume, the hungrier I become. | 0:14:50 | 0:14:54 | |
-Then I cannot be very satisfying. -Oh, you stimulate my appetite, Sire. | 0:14:57 | 0:15:02 | |
I'm not ashamed to admit it. | 0:15:02 | 0:15:03 | |
In any case, how else am I going to prevent you from getting up | 0:15:03 | 0:15:06 | |
in the middle of the night and walking to the water? | 0:15:06 | 0:15:09 | |
I'm worried, one day, I shall wake up and find you presenting me with a fish. | 0:15:09 | 0:15:13 | |
Do not eat that! | 0:15:13 | 0:15:14 | |
It's only a biscuit. | 0:15:16 | 0:15:18 | |
It has not yet been tested. Bontemps! | 0:15:18 | 0:15:20 | |
Your man nibbled on it last night, did he not? | 0:15:20 | 0:15:22 | |
And so he must test it again. | 0:15:22 | 0:15:24 | |
Send for the Officier de Bouche and his Esquire to cuisine, | 0:15:24 | 0:15:27 | |
and prepare the room for the lever. | 0:15:27 | 0:15:30 | |
At once, Sire. | 0:15:30 | 0:15:31 | |
Two tasters? | 0:15:33 | 0:15:34 | |
What concern is that of yours? | 0:15:36 | 0:15:38 | |
I would have thought at least three - | 0:15:38 | 0:15:41 | |
one for the hall, one for the kitchen, one for the table. | 0:15:41 | 0:15:43 | |
Who will be next, do you think? | 0:15:51 | 0:15:53 | |
-Next? -Well, now that poor, sweet Henriette's gone, | 0:15:53 | 0:15:57 | |
there is, as it were, a vacancy. | 0:15:57 | 0:16:00 | |
Don't tell me Philippe will not be married again! | 0:16:00 | 0:16:02 | |
It's clear that he must, but to whom? | 0:16:02 | 0:16:05 | |
I have not yet decided. | 0:16:09 | 0:16:10 | |
Well, I can't wait to help you. | 0:16:14 | 0:16:15 | |
Where were you? | 0:16:28 | 0:16:29 | |
In the forest, collecting herbs. | 0:16:29 | 0:16:32 | |
Minister Reynaud died one hour ago - long, great pain, | 0:16:32 | 0:16:36 | |
a swift decline. | 0:16:36 | 0:16:37 | |
Our Princess Henriette was the same. | 0:16:38 | 0:16:40 | |
Identical. | 0:16:40 | 0:16:41 | |
And you need me to examine the body? | 0:16:43 | 0:16:45 | |
I do, | 0:16:45 | 0:16:47 | |
but burn it afterwards. | 0:16:47 | 0:16:48 | |
You must take every precaution. | 0:16:50 | 0:16:52 | |
I appreciate your concern for my safety. | 0:16:52 | 0:16:55 | |
It is the King's safety that concerns me, nothing more. | 0:16:55 | 0:16:58 | |
HORSE WHINNIES | 0:16:58 | 0:16:59 | |
Many stand to benefit from Minister Reynaud's death - | 0:17:04 | 0:17:07 | |
a few enemies in court, Cassel being one of them. | 0:17:07 | 0:17:10 | |
Not to mention the widow herself. | 0:17:10 | 0:17:12 | |
I believe the Reynauds were clients of Cassel | 0:17:13 | 0:17:16 | |
when he held power in his lands in the north. | 0:17:16 | 0:17:19 | |
But now that power has gone, along with much of his lands. | 0:17:19 | 0:17:22 | |
In any case, your investigation must bear fruit, and quickly, Marchal. | 0:17:22 | 0:17:27 | |
That a poisoner had access to the King's own Council Chamber... | 0:17:27 | 0:17:30 | |
There is no evidence the crime occurred here. | 0:17:30 | 0:17:32 | |
We must act quickly to stop the inevitable tidal wave of rumour. | 0:17:32 | 0:17:36 | |
-All communications are being monitored? -Yes. | 0:17:36 | 0:17:39 | |
All letters are being opened and offending material will be adjusted or burned. | 0:17:39 | 0:17:43 | |
What of a successor to the Chancellery? | 0:17:45 | 0:17:48 | |
De Foix is keen, but lacks experience. | 0:17:48 | 0:17:52 | |
His mother is a very good friend of my family. | 0:17:52 | 0:17:54 | |
Lesigny has more. I have known him for many years. | 0:17:54 | 0:17:57 | |
Time is no judge of loyalty. | 0:17:57 | 0:17:59 | |
I wish to meet each candidate in turn. | 0:18:01 | 0:18:03 | |
If I may, Sire... | 0:18:03 | 0:18:05 | |
might Monsieur Colbert address them first, together? | 0:18:05 | 0:18:10 | |
Whatever for? | 0:18:10 | 0:18:11 | |
If they're all with him, Your Majesty, | 0:18:11 | 0:18:15 | |
they will not be in their apartments. | 0:18:15 | 0:18:17 | |
Madame de Reynaud, | 0:18:22 | 0:18:24 | |
do you know of any enemies your husband had as Minister of Justice? | 0:18:24 | 0:18:28 | |
I cannot think of anyone. He was loved equally by all. | 0:18:29 | 0:18:33 | |
Was he a good husband? | 0:18:35 | 0:18:36 | |
We had our disagreements, like all couples do, but he was devoted... | 0:18:39 | 0:18:45 | |
..and I to him. I shall miss him so very much. | 0:18:47 | 0:18:52 | |
It's all I ask of you - your last stop before retiring. | 0:18:59 | 0:19:03 | |
Always. Why do you abandon me? | 0:19:03 | 0:19:05 | |
Should I say a Hail Mary? | 0:19:05 | 0:19:06 | |
The matter of your conscience and your soul is a conversation for another day, Sire. | 0:19:08 | 0:19:13 | |
I talk merely of the commitments between us. | 0:19:13 | 0:19:16 | |
At any rate, I'm glad you are here. | 0:19:16 | 0:19:19 | |
It is good to see you. | 0:19:20 | 0:19:22 | |
Thank you, Sire. It's good to see you, too. | 0:19:22 | 0:19:26 | |
I have a problem, however. I wanted to ask your advice. | 0:19:26 | 0:19:30 | |
I will help if I can. | 0:19:30 | 0:19:32 | |
FOOTSTEPS APPROACH | 0:19:32 | 0:19:33 | |
Oh, there you are. | 0:19:33 | 0:19:36 | |
And three heads is better than two, in this case. | 0:19:36 | 0:19:39 | |
That depends on the heads, of course. Your Majesties. | 0:19:40 | 0:19:44 | |
I'm sure I don't understand. | 0:19:44 | 0:19:46 | |
You are no doubt both aware that my brother requires a new wife. | 0:19:46 | 0:19:50 | |
Since you both know him, and know me... | 0:19:52 | 0:19:54 | |
..it is my feeling that, between us, we will find the perfect choice. | 0:19:55 | 0:19:59 | |
I would rather it was women who were advising me than anyone else, | 0:19:59 | 0:20:03 | |
since it often takes a woman to know another woman. | 0:20:03 | 0:20:06 | |
-Wouldn't you say? -I don't think this is appropriate. | 0:20:06 | 0:20:10 | |
Perhaps, but it is necessary. | 0:20:10 | 0:20:12 | |
Sire, while I respect your wishes, of course, | 0:20:12 | 0:20:15 | |
selecting so important a person in court is surely a matter for a king. | 0:20:15 | 0:20:19 | |
Or a queen. | 0:20:21 | 0:20:22 | |
There are so many roles for a queen, Madame. | 0:20:22 | 0:20:24 | |
There are even times when I wonder whether you already perform them, in some way. | 0:20:24 | 0:20:28 | |
I'm sure whatever role I occupy in the King's life holds no candle on your own, Majesty. | 0:20:28 | 0:20:34 | |
I'm happy to say I stopped holding candles many years ago, Madame. | 0:20:34 | 0:20:38 | |
You see? Isn't this fun? | 0:20:38 | 0:20:40 | |
Perhaps if we discussed the candidates? | 0:20:41 | 0:20:44 | |
Are we all gathered? Where is Gaston de Foix? | 0:20:54 | 0:20:59 | |
Is he here? | 0:20:59 | 0:21:00 | |
I am now. | 0:21:06 | 0:21:07 | |
Very well. | 0:21:07 | 0:21:08 | |
Check all the rooms...thoroughly. | 0:21:12 | 0:21:14 | |
Good day, Cassel. | 0:22:01 | 0:22:02 | |
I must teach you how to knock. | 0:22:02 | 0:22:04 | |
It's a useful social tool. | 0:22:04 | 0:22:06 | |
It involves hitting things, so I'm sure you'd enjoy it immensely. | 0:22:06 | 0:22:09 | |
-Our Court Etiquette is quite clear on the subject. -Yes, yes. | 0:22:09 | 0:22:12 | |
I know the King's social handbook favours the pinkie. | 0:22:12 | 0:22:16 | |
Useless method if you ask me. Scratching a door? | 0:22:16 | 0:22:18 | |
How's anyone supposed to hear that? I'm forever breaking my nails. | 0:22:18 | 0:22:22 | |
But where are my manners? | 0:22:23 | 0:22:26 | |
Would you care for... | 0:22:26 | 0:22:27 | |
a rat? | 0:22:27 | 0:22:28 | |
Freshly caught. | 0:22:30 | 0:22:31 | |
I'm investigating the death of Minister Reynaud. | 0:22:31 | 0:22:34 | |
And you wish to secure my advice? | 0:22:37 | 0:22:40 | |
You did not care for him. | 0:22:40 | 0:22:41 | |
No, no. I hated him. | 0:22:41 | 0:22:44 | |
And I think you'll find the person who poisoned him | 0:22:44 | 0:22:46 | |
didn't like him very much either. | 0:22:46 | 0:22:48 | |
-Why did you dislike him so? -Tremendous bore. | 0:22:48 | 0:22:51 | |
Reynaud's family used to petition mine for credit, as I remember. | 0:22:51 | 0:22:55 | |
I, er... | 0:22:55 | 0:22:57 | |
almost set him to work ploughing my fields with his wife's face. | 0:22:57 | 0:23:01 | |
She has a very agricultural jaw. | 0:23:01 | 0:23:03 | |
He took many of your lands, did he not? | 0:23:03 | 0:23:06 | |
After the fall of your house, | 0:23:06 | 0:23:08 | |
they were sold at a substantial discount. | 0:23:08 | 0:23:11 | |
Will you excuse me? I'm late for a game of cards. | 0:23:11 | 0:23:14 | |
It stands to reason I'm a suspect. | 0:23:18 | 0:23:21 | |
You must be desperate to search my quarters. | 0:23:21 | 0:23:24 | |
So, by all means...help yourself. | 0:23:24 | 0:23:26 | |
So, it seems we are down to three. | 0:23:38 | 0:23:40 | |
-Well, it cannot be Montpensier. -No! | 0:23:40 | 0:23:42 | |
I agree. | 0:23:43 | 0:23:44 | |
Quite right. Her time has passed. | 0:23:44 | 0:23:46 | |
The Princess Palatine, how about her? | 0:23:51 | 0:23:53 | |
I don't think she's suited to court life. | 0:23:53 | 0:23:56 | |
Who is before they get here? | 0:23:56 | 0:23:58 | |
-Quite so. -You think she's suitable for my brother? | 0:23:58 | 0:24:01 | |
Well, none of these women will ever live up | 0:24:01 | 0:24:03 | |
to our late-departed Henriette. | 0:24:03 | 0:24:05 | |
Well, then, it must be Caumont. | 0:24:06 | 0:24:08 | |
So it appears. | 0:24:10 | 0:24:11 | |
-She would be a fine choice. -Although... | 0:24:11 | 0:24:13 | |
-Ah...! No, still... It's no matter. -Very well, then. | 0:24:13 | 0:24:16 | |
Wait! | 0:24:18 | 0:24:19 | |
Speak, Madame. What is it? | 0:24:19 | 0:24:21 | |
Well, I do not wish to cast aspersions on her character. | 0:24:22 | 0:24:25 | |
But I couldn't help but overhear | 0:24:25 | 0:24:27 | |
that she'd travelled to Bordeaux recently | 0:24:27 | 0:24:29 | |
in hopes of rekindling a romance with a common man. | 0:24:29 | 0:24:32 | |
-Why would she do that? -Well, for love, or so it appears. | 0:24:32 | 0:24:36 | |
And he has fallen for her. But who can blame him. She's very beautiful. | 0:24:36 | 0:24:40 | |
No surprise a man would find her quite the catch. | 0:24:40 | 0:24:43 | |
I wonder if it would be fair to marry Philippe | 0:24:45 | 0:24:48 | |
to someone who's already in love? | 0:24:48 | 0:24:49 | |
Marriage is not for love. | 0:24:49 | 0:24:51 | |
As much as it is for the State. | 0:24:51 | 0:24:53 | |
-Well, then we have the perfect candidate. -Madame is right. | 0:24:53 | 0:24:56 | |
BOTH: Palatine. | 0:24:56 | 0:24:58 | |
She's certainly the plainest. | 0:25:00 | 0:25:02 | |
And being plain, no doubt has to work very hard at conversation. | 0:25:02 | 0:25:05 | |
She might be fun. | 0:25:05 | 0:25:06 | |
She's young. No doubt fertile. | 0:25:06 | 0:25:08 | |
-Lands in the east. Beyond the Rhine. -Very true. | 0:25:08 | 0:25:12 | |
I mean, if you close your eyes enough, she's almost a man. | 0:25:12 | 0:25:14 | |
KNOCK AT DOOR | 0:25:16 | 0:25:18 | |
Sire... | 0:25:21 | 0:25:23 | |
If I may be so bold... | 0:25:24 | 0:25:26 | |
What would you have done, if they had chosen someone else? | 0:25:26 | 0:25:30 | |
The territory of the Palatinate is an excellent ally | 0:25:30 | 0:25:33 | |
in our coming war with the Dutch. | 0:25:33 | 0:25:35 | |
This way, both ladies now feel like it was THEIR decision, | 0:25:35 | 0:25:38 | |
which tends to be better for everyone, don't you think? | 0:25:38 | 0:25:40 | |
Indeed, Sire. | 0:25:40 | 0:25:42 | |
Hm. | 0:25:42 | 0:25:43 | |
HE PLAYS WISTFUL MELODY | 0:25:48 | 0:25:51 | |
HUSHED CHATTER | 0:25:54 | 0:25:56 | |
The next few days are auspicious, Madame de Foix. | 0:25:59 | 0:26:02 | |
An eclipse in the light tells of great change. | 0:26:02 | 0:26:07 | |
-Do go on. -Of course. -Excuse me a moment, Mother. | 0:26:07 | 0:26:10 | |
I see you are wearing last week's cuffs, Cassel. | 0:26:23 | 0:26:26 | |
Today's fashion favours the sleeve. | 0:26:27 | 0:26:30 | |
I give my advice freely since our grandmothers were second cousins | 0:26:30 | 0:26:33 | |
and that is surely worth a morsel of assistance. | 0:26:33 | 0:26:36 | |
Too kind. I do not claim your encyclopaedic knowledge | 0:26:36 | 0:26:40 | |
of modern etiquette, de Foix, | 0:26:40 | 0:26:42 | |
except when it comes to winning at cards, of course. | 0:26:42 | 0:26:45 | |
Maybe your mother would have better luck. | 0:26:47 | 0:26:49 | |
Or does your family curse span the generations? | 0:26:49 | 0:26:53 | |
A man of youth has plenty of time to recoup his losses, Cassel. | 0:26:53 | 0:26:57 | |
And a man of experience has no need of it, | 0:26:57 | 0:26:59 | |
since he tends to be so much better at cards, de Foix. | 0:26:59 | 0:27:03 | |
Ah, Madame de Reynaud, | 0:27:12 | 0:27:13 | |
such a jolly little thing since her husband died, don't you think? | 0:27:13 | 0:27:17 | |
Inheritance does that to a woman. | 0:27:17 | 0:27:19 | |
Have the apartments of the ministerial candidates | 0:27:28 | 0:27:30 | |
-been searched? -They have. -And was anything found? | 0:27:30 | 0:27:33 | |
Nothing to imply a knowledge of poisoning | 0:27:33 | 0:27:35 | |
or any implements to assist in its creation. | 0:27:35 | 0:27:38 | |
We shall see what the widow's quarters reveal. | 0:27:40 | 0:27:43 | |
Oh... | 0:27:48 | 0:27:49 | |
A gift from the Duc de Cassel. | 0:27:52 | 0:27:55 | |
"With warm wishes for the Feast of the Immaculate Conception." | 0:27:56 | 0:28:00 | |
RAT SQUEAKS | 0:28:00 | 0:28:02 | |
What kind of man gives a rat as a gift? | 0:28:04 | 0:28:06 | |
Cassel... | 0:28:06 | 0:28:08 | |
I need you to be my ears in the salons. | 0:28:14 | 0:28:17 | |
Talk to your friends. I want to know what the rooms are saying. | 0:28:18 | 0:28:21 | |
Well, at the moment the only subject is Reynaud's widow. | 0:28:21 | 0:28:24 | |
She's very young, compared to him. | 0:28:24 | 0:28:26 | |
Will she inherit all of her husband's property? | 0:28:26 | 0:28:28 | |
The will declares it, the King approves of it, his fortune is hers. | 0:28:28 | 0:28:31 | |
She's popular, but doesn't speak much in public. | 0:28:31 | 0:28:34 | |
-It might be useful to discover what she says in private. -I agree. | 0:28:34 | 0:28:37 | |
Then I shall need new clothes. | 0:28:39 | 0:28:41 | |
I must at least appear to be a woman on the rise. | 0:28:44 | 0:28:46 | |
You are doing a good job of that already. | 0:28:55 | 0:28:57 | |
FOOTSTEPS | 0:29:05 | 0:29:07 | |
HE THUDS CANE | 0:29:22 | 0:29:24 | |
Where is Thomas Beaumont? | 0:29:27 | 0:29:29 | |
The playwright. I have been searching for him endlessly. | 0:29:29 | 0:29:32 | |
I wish to make him part of my theatrical troupe. | 0:29:32 | 0:29:35 | |
Will he attend the play tonight? Where might he be found? | 0:29:36 | 0:29:41 | |
Versailles, Your Highness. | 0:29:41 | 0:29:43 | |
The King has given him a position. | 0:29:43 | 0:29:45 | |
He left this morning. | 0:29:45 | 0:29:47 | |
Oh, really? | 0:30:01 | 0:30:02 | |
HE ROARS | 0:30:07 | 0:30:10 | |
HUSHED CHATTER | 0:30:11 | 0:30:13 | |
Oh. Excuse me. | 0:30:23 | 0:30:24 | |
You will detail the life of His Majesty's court here at Versailles. | 0:30:31 | 0:30:34 | |
Focus only on the glory of the King. | 0:30:34 | 0:30:37 | |
He is the light that shines eternally in our hearts. | 0:30:37 | 0:30:41 | |
Yes, Monsieur Colbert. | 0:30:41 | 0:30:42 | |
Sire, may I present Thomas Beaumont, | 0:30:58 | 0:31:03 | |
the court historian you requested. | 0:31:03 | 0:31:05 | |
-MAN: -Ladies and gentlemen, we are about to start. | 0:31:10 | 0:31:13 | |
Your Majesty, when the light of the sun | 0:31:17 | 0:31:20 | |
hits the glass of the mirror, | 0:31:20 | 0:31:21 | |
its particular shape and disposition | 0:31:21 | 0:31:23 | |
entreats the rays of the sun to form a common beam, | 0:31:23 | 0:31:27 | |
a focal point of light with the potential for enormous power. | 0:31:27 | 0:31:30 | |
The mirror, Sire, is you. | 0:31:32 | 0:31:34 | |
The scrap of driftwood, why, that is Holland, of course! | 0:31:34 | 0:31:38 | |
LAUGHTER | 0:31:38 | 0:31:40 | |
Now, should Your Majesty's attention | 0:31:42 | 0:31:45 | |
turn towards the republic of the Dutch, behold! | 0:31:45 | 0:31:48 | |
As Archimedes once roasted Roman ships from a promontory... | 0:32:04 | 0:32:08 | |
FIRE SIZZLES | 0:32:08 | 0:32:09 | |
ALL GASP AND MURMUR | 0:32:09 | 0:32:12 | |
APPLAUSE | 0:32:15 | 0:32:19 | |
While the sun nourishes, protects and warms us, | 0:32:22 | 0:32:24 | |
the sun is also all powerful, | 0:32:24 | 0:32:26 | |
and if he chooses, may decimate his enemies. | 0:32:26 | 0:32:29 | |
I thank you, Villette, for this timely reminder. | 0:32:30 | 0:32:34 | |
DOORS OPEN | 0:32:34 | 0:32:35 | |
-So, will you come? -Sire... -Oh! Let him wait his turn. | 0:32:44 | 0:32:48 | |
So, will you come with me to the cards? | 0:32:50 | 0:32:52 | |
Madame Agathe taught me a love spell and I chant it every night. | 0:32:52 | 0:32:56 | |
I think I have heard it. SHE CHUCKLES | 0:32:56 | 0:32:59 | |
-Very well. I shall hear my fortune. -Sire, I believe... | 0:32:59 | 0:33:02 | |
Oh, Bontemps, I nearly forgot! | 0:33:02 | 0:33:03 | |
I took a bath yesterday and the olive soap was nowhere to be seen. | 0:33:03 | 0:33:08 | |
Would you be an absolute dear and order me some more from Paris? | 0:33:08 | 0:33:11 | |
My ladies just don't seem capable. | 0:33:11 | 0:33:13 | |
Give her what she wants. | 0:33:19 | 0:33:20 | |
DOORS CLOSE | 0:33:20 | 0:33:22 | |
My dear! | 0:34:02 | 0:34:04 | |
Madame Agathe! | 0:34:04 | 0:34:05 | |
You mentioned an extremely important consultation... | 0:34:07 | 0:34:11 | |
..but I did not dare dream it would be here. | 0:34:13 | 0:34:16 | |
Now, I hope you understand how vital it is | 0:34:16 | 0:34:18 | |
that he be inspired by his time with you. | 0:34:18 | 0:34:21 | |
I brought only the best for you, my dear. | 0:34:21 | 0:34:25 | |
In the time of an eclipse, | 0:34:25 | 0:34:27 | |
a deck of great power and prophecy. | 0:34:27 | 0:34:30 | |
You'll speak only of the glories you see, nothing more. | 0:34:30 | 0:34:33 | |
Just the light. | 0:34:33 | 0:34:34 | |
Yes. | 0:34:34 | 0:34:36 | |
But even in the light, | 0:34:36 | 0:34:37 | |
it is our shadows that speak the truth. | 0:34:37 | 0:34:40 | |
The glory. | 0:34:43 | 0:34:45 | |
The glory, as you say. | 0:34:45 | 0:34:46 | |
(I'm glad you understand.) | 0:34:48 | 0:34:49 | |
Just look at you. | 0:34:51 | 0:34:52 | |
-Like the blooming of a winter rose. -FOOTSTEPS APPROACH | 0:34:55 | 0:34:58 | |
Majesty, this is such a great honour. | 0:35:04 | 0:35:08 | |
Well, Sire... | 0:35:09 | 0:35:11 | |
..please approach the table. | 0:35:13 | 0:35:15 | |
And, please... | 0:35:20 | 0:35:21 | |
..split the cards. | 0:35:23 | 0:35:25 | |
Madame Agathe is very talented in divination. | 0:35:25 | 0:35:27 | |
Then she will, no doubt, know exactly what I am about to say. | 0:35:29 | 0:35:33 | |
I cannot see your mind, Sire. | 0:35:33 | 0:35:36 | |
I see only what is on the cards. | 0:35:36 | 0:35:38 | |
I listen only to them. | 0:35:38 | 0:35:40 | |
Only they may speak the truth about your future. | 0:35:41 | 0:35:44 | |
SHE DEALS CARDS | 0:35:49 | 0:35:51 | |
The labyrinth... | 0:36:17 | 0:36:19 | |
-Is something the matter? -What do the cards say? | 0:36:21 | 0:36:24 | |
Perhaps the decks are mixed. | 0:36:24 | 0:36:29 | |
-What do they say? -What glories do you see? | 0:36:29 | 0:36:32 | |
I am told the content of the cards does not reflect their message, | 0:36:32 | 0:36:35 | |
isn't that right, Madame? | 0:36:35 | 0:36:36 | |
In many readings, yes. | 0:36:36 | 0:36:38 | |
But this combination of cards... | 0:36:38 | 0:36:41 | |
I... | 0:36:41 | 0:36:43 | |
I cannot lie to my king. | 0:36:43 | 0:36:46 | |
I see no glory. | 0:36:46 | 0:36:47 | |
Thank you for all the fun(!) | 0:36:52 | 0:36:54 | |
We are leaving. | 0:36:54 | 0:36:56 | |
You have seen Paradise. | 0:36:59 | 0:37:01 | |
And you have built it for yourself. | 0:37:01 | 0:37:03 | |
But now, a scourge is coming, | 0:37:04 | 0:37:07 | |
five points of the same vengeful star. | 0:37:07 | 0:37:10 | |
The well is poisoned. | 0:37:10 | 0:37:12 | |
But still you drink. | 0:37:12 | 0:37:15 | |
Hell will rise, Sire, | 0:37:15 | 0:37:17 | |
and consume all you have built. | 0:37:17 | 0:37:19 | |
The fires are coming, | 0:37:19 | 0:37:21 | |
not just for you, but for all of France. | 0:37:21 | 0:37:24 | |
Terrible things happen to kings. | 0:37:24 | 0:37:27 | |
SHE GASPS | 0:37:27 | 0:37:28 | |
SHE WHIMPERS | 0:37:33 | 0:37:35 | |
If ever, in the future, you see me under the influence of a woman | 0:37:59 | 0:38:01 | |
in matters of state, I want you to tell me directly, | 0:38:01 | 0:38:05 | |
without delay, of your concern. | 0:38:05 | 0:38:07 | |
And I vow to you, whoever that person may be, | 0:38:07 | 0:38:10 | |
she will be gone the next morning. | 0:38:10 | 0:38:11 | |
Do I have your word? | 0:38:14 | 0:38:15 | |
Until my dying day, Sire. | 0:38:17 | 0:38:19 | |
We found this in Madame de Reynaud's apartments. | 0:38:31 | 0:38:34 | |
Good work. | 0:38:34 | 0:38:35 | |
< DOOR OPENS AND CLOSES | 0:38:39 | 0:38:41 | |
This silver phial was found in your rooms. | 0:39:06 | 0:39:08 | |
Can you explain the contents? | 0:39:08 | 0:39:10 | |
I can. | 0:39:11 | 0:39:13 | |
It is powdered Satyrion root, from a rare exotic orchid. | 0:39:13 | 0:39:17 | |
At court, the ladies call it "Fountain of Youth". | 0:39:17 | 0:39:20 | |
Acquired at great expense, I might add. | 0:39:20 | 0:39:22 | |
I gave my husband just a little every day. | 0:39:22 | 0:39:25 | |
To kill him? | 0:39:25 | 0:39:26 | |
To enhance our marriage. | 0:39:26 | 0:39:28 | |
It drives the blood to the organs of pleasure. | 0:39:28 | 0:39:31 | |
Both sexes may benefit. | 0:39:31 | 0:39:33 | |
My husband found it very effective. | 0:39:33 | 0:39:35 | |
His ardour was significantly improved. | 0:39:35 | 0:39:37 | |
Sold in Paris, I presume? | 0:39:40 | 0:39:42 | |
No. I acquired it here, at court. | 0:39:42 | 0:39:44 | |
From whom? | 0:39:46 | 0:39:48 | |
Well, it depends on the circles one evolves in. | 0:39:49 | 0:39:51 | |
Some powders you may find freely available, | 0:39:51 | 0:39:54 | |
on the table, like one may find the salt. | 0:39:54 | 0:39:56 | |
But for powders of this quality, one has to ask. | 0:39:56 | 0:39:59 | |
Money passes through numerous hands, and the powders arrive. | 0:39:59 | 0:40:02 | |
RAT SCREECHES | 0:40:02 | 0:40:03 | |
You believe it is poison. I can see your doubt. | 0:40:03 | 0:40:06 | |
It is poison that killed your husband. | 0:40:12 | 0:40:15 | |
Of that I am sure. | 0:40:15 | 0:40:16 | |
Don't be ridiculous! | 0:40:18 | 0:40:20 | |
It's perfectly harmless. | 0:40:20 | 0:40:22 | |
I don't understand. | 0:40:27 | 0:40:29 | |
The Fountain of Youth, indeed(!) | 0:40:29 | 0:40:31 | |
I arrest you, Madame de Reynaud, in the name of the King. | 0:40:31 | 0:40:34 | |
Take your hands off of me! | 0:40:34 | 0:40:36 | |
Madame... | 0:40:47 | 0:40:49 | |
You may leave His Majesty and I alone. | 0:40:49 | 0:40:51 | |
DOOR OPENS AND CLOSES | 0:40:58 | 0:41:01 | |
How did you know it was me? | 0:41:01 | 0:41:04 | |
I sensed you, Sire. | 0:41:05 | 0:41:07 | |
As always. | 0:41:07 | 0:41:08 | |
If I may, before you begin... | 0:41:10 | 0:41:13 | |
The behaviour of Madame Agathe was beyond reproach. | 0:41:14 | 0:41:17 | |
The moment was only meant to temporarily divert you | 0:41:17 | 0:41:20 | |
from your troubles, just for a moment. | 0:41:20 | 0:41:23 | |
Instead, well, I feel it's driven a wedge between us. | 0:41:23 | 0:41:26 | |
Now, I know there's no way to atone for what's been done. | 0:41:27 | 0:41:32 | |
I want to offer you my sincere apologies... | 0:41:32 | 0:41:35 | |
with all of my heart, and my soul, | 0:41:35 | 0:41:38 | |
and my body... | 0:41:38 | 0:41:39 | |
..and my mind. | 0:41:41 | 0:41:43 | |
I feel a draught. You must be cold. | 0:41:45 | 0:41:47 | |
Perhaps you would care to join me? | 0:41:47 | 0:41:49 | |
Breathe the fresh air while you can, Your Majesty. | 0:41:54 | 0:41:56 | |
Now, what was it you wanted to tell me? | 0:42:02 | 0:42:06 | |
I forget. | 0:42:09 | 0:42:10 | |
DOOR OPENS | 0:42:16 | 0:42:19 | |
DOOR CLOSES | 0:42:20 | 0:42:21 | |
Is it too much? I wasn't sure. | 0:42:24 | 0:42:26 | |
Many ladies tell me of a popular volume read at court - | 0:42:35 | 0:42:38 | |
The Pleasures Of Venus. | 0:42:38 | 0:42:41 | |
It's an instruction book to help improve the quality | 0:42:41 | 0:42:43 | |
of amorous congress. HE CLEARS HIS THROAT | 0:42:43 | 0:42:46 | |
But there is a new edition that strongly advocates | 0:42:46 | 0:42:48 | |
the use of stimulants and aphrodisiacs. | 0:42:48 | 0:42:51 | |
The Widow Reynaud mentioned the same. | 0:42:51 | 0:42:54 | |
Where is she now? | 0:42:55 | 0:42:57 | |
-Under arrest. -She poisoned him? | 0:42:57 | 0:42:59 | |
Either that... | 0:43:00 | 0:43:01 | |
or someone wishes very strongly for us to believe so. | 0:43:01 | 0:43:05 | |
I have been thinking about your brother. | 0:43:15 | 0:43:17 | |
Not recently, I hope! | 0:43:18 | 0:43:20 | |
Have you spoken to Philippe? | 0:43:22 | 0:43:24 | |
Does he have the happy news of his bride? | 0:43:24 | 0:43:27 | |
He remains at Saint-Cloud. | 0:43:28 | 0:43:30 | |
And when does he return home to Versailles? | 0:43:32 | 0:43:35 | |
I wanted to speak to you about that. | 0:43:40 | 0:43:42 | |
What about Gaspard? | 0:43:53 | 0:43:55 | |
Guillaume? | 0:43:55 | 0:43:57 | |
De Busseys? | 0:43:58 | 0:44:00 | |
Is no-one coming? Where is everyone? | 0:44:01 | 0:44:03 | |
Versailles. | 0:44:04 | 0:44:05 | |
You're not everyone. | 0:44:10 | 0:44:11 | |
It's time for you to come home. | 0:44:13 | 0:44:14 | |
I AM home. | 0:44:16 | 0:44:17 | |
This is my home. You are sitting in my home. | 0:44:18 | 0:44:20 | |
Why can't you announce yourself like a person of quality | 0:44:20 | 0:44:23 | |
or just say "bonjour" like a normal person? | 0:44:23 | 0:44:26 | |
The King has sent me to your soiree in his stead. | 0:44:27 | 0:44:30 | |
You did send him an invitation, did you not? | 0:44:31 | 0:44:33 | |
It appears I did. | 0:44:39 | 0:44:40 | |
Well... | 0:44:42 | 0:44:43 | |
..help yourself to some drinks. | 0:44:45 | 0:44:47 | |
I will find a blanket and hide until this is over. | 0:44:47 | 0:44:49 | |
Enough is enough, don't you think? | 0:44:49 | 0:44:51 | |
The past has gone. | 0:44:52 | 0:44:54 | |
Has it? | 0:44:56 | 0:44:57 | |
I believe so. | 0:44:59 | 0:45:01 | |
Has yours? | 0:45:01 | 0:45:03 | |
Tell me. | 0:45:03 | 0:45:04 | |
How is your husband? | 0:45:04 | 0:45:06 | |
-Please...! -How is the old goat? | 0:45:06 | 0:45:08 | |
-Still a drunken lunatic? -He remains in his lands, Your Highness. | 0:45:08 | 0:45:13 | |
-I do not see him. -Last I heard, he held a funeral for you. | 0:45:13 | 0:45:16 | |
Buried you in the back garden. | 0:45:16 | 0:45:18 | |
You're looking very well, considering. | 0:45:19 | 0:45:21 | |
Our shadows walk alongside us, do they not? | 0:45:23 | 0:45:27 | |
Versailles has changed. Believe me. I have had a hand in it. | 0:45:29 | 0:45:32 | |
You tell yourself that. | 0:45:32 | 0:45:35 | |
Your brother listens to opinions. | 0:45:35 | 0:45:37 | |
Does he cock his ear, like so? | 0:45:39 | 0:45:41 | |
-Fixes you with his eyes? -He hears me. | 0:45:42 | 0:45:44 | |
No. He makes you THINK that. | 0:45:46 | 0:45:48 | |
Which is, as you will find out, what makes him so very kingly | 0:45:48 | 0:45:52 | |
and it is not the same thing. At all. | 0:45:52 | 0:45:54 | |
He sent a rider to Rome two weeks ago. | 0:45:56 | 0:45:58 | |
He's agreed to make the necessary arrangements | 0:45:59 | 0:46:01 | |
for the Chevalier de Lorraine returns to France. | 0:46:01 | 0:46:04 | |
In exchange for what? | 0:46:08 | 0:46:10 | |
Oh... | 0:46:13 | 0:46:14 | |
May I just say, the King has made his list of replacements, | 0:46:16 | 0:46:19 | |
and my son's is the only credible name upon it. | 0:46:19 | 0:46:23 | |
Prepare yourselves for pleasant news. | 0:46:25 | 0:46:28 | |
I have it on good authority that the new minister's apartments | 0:46:29 | 0:46:32 | |
are nothing short of lavish. | 0:46:32 | 0:46:34 | |
ALL CHUCKLE | 0:46:34 | 0:46:36 | |
Pardon my ignorance, but isn't Monsieur de Foix | 0:46:36 | 0:46:39 | |
-a little young to be a candidate for a ministry? -MAN: -The King! | 0:46:39 | 0:46:42 | |
His family stretches back to the time of Clovis. | 0:46:42 | 0:46:44 | |
Please, continue. | 0:46:51 | 0:46:53 | |
MAN CHUCKLES | 0:47:07 | 0:47:09 | |
COINS JINGLE | 0:47:09 | 0:47:11 | |
There was a time when you could have bet all night | 0:47:14 | 0:47:16 | |
and not made a dent in your fortune, Cassel. | 0:47:16 | 0:47:19 | |
Alas, Sire, those days are long gone. | 0:47:20 | 0:47:22 | |
I am doomed to remain here... | 0:47:23 | 0:47:26 | |
..enjoying the fruits of your glory. | 0:47:27 | 0:47:30 | |
You do not miss your lands in the north? | 0:47:30 | 0:47:33 | |
Every day, Sire. Though I must admit, | 0:47:33 | 0:47:36 | |
the flowers are much prettier here. | 0:47:36 | 0:47:39 | |
Come to my apartments after my promenade. | 0:47:44 | 0:47:47 | |
There is a matter that I wish to discuss with you. | 0:47:47 | 0:47:50 | |
MURMURING | 0:47:50 | 0:47:53 | |
The smell of failure. | 0:47:59 | 0:48:02 | |
-Hard to wash off. Poor fellow! -HE LAUGHS | 0:48:02 | 0:48:05 | |
MUFFLED CRIES | 0:48:07 | 0:48:10 | |
His Majesty entrusted me | 0:48:13 | 0:48:15 | |
with devising an appropriate punishment for you. | 0:48:15 | 0:48:18 | |
But what kind of pain, I asked myself, | 0:48:21 | 0:48:23 | |
would be fitting for a man who betrayed | 0:48:23 | 0:48:26 | |
the King's trust and friendship, | 0:48:26 | 0:48:29 | |
abducted his first-born, | 0:48:29 | 0:48:30 | |
and killed the woman he loved most in this world? | 0:48:30 | 0:48:34 | |
And...it struck me. | 0:48:34 | 0:48:36 | |
We are all graced by the King's favour. | 0:48:38 | 0:48:42 | |
We are blessed, every day, | 0:48:43 | 0:48:46 | |
to witness the grandeur of his creation. | 0:48:46 | 0:48:49 | |
We truly live every day in Paradise. | 0:48:49 | 0:48:52 | |
But imagine...to live under the sun | 0:48:55 | 0:48:58 | |
and not feel its warmth. | 0:48:58 | 0:49:00 | |
To know the breathless beauty of this world, | 0:49:01 | 0:49:04 | |
but not be able to look upon it ever again. | 0:49:04 | 0:49:09 | |
That... | 0:49:09 | 0:49:10 | |
That would be far from Paradise. | 0:49:10 | 0:49:13 | |
That would be pain everlasting. | 0:49:16 | 0:49:18 | |
METALLIC TAPS | 0:49:18 | 0:49:20 | |
That would be Hell. | 0:49:20 | 0:49:22 | |
HE PANTS | 0:49:28 | 0:49:30 | |
May you live long in hellfire. | 0:49:40 | 0:49:42 | |
The King's favour is no longer upon you. | 0:49:45 | 0:49:47 | |
You are no longer worthy to gaze upon his glory. | 0:49:54 | 0:49:58 | |
MUFFLED CRIES | 0:50:00 | 0:50:02 | |
HE SCREAMS | 0:50:02 | 0:50:06 | |
SIZZLING | 0:50:09 | 0:50:10 | |
HE SCREAMS IN AGONY | 0:50:10 | 0:50:11 | |
HISSING | 0:50:11 | 0:50:14 | |
-SLAP! -Do I not bring you money, | 0:50:32 | 0:50:35 | |
and clients and riches? | 0:50:35 | 0:50:36 | |
And you defy my word before my king? | 0:50:36 | 0:50:38 | |
Do not doubt my gratitude, Madame... | 0:50:39 | 0:50:42 | |
SHE CATCHES ARM | 0:50:42 | 0:50:43 | |
I gave you a king! | 0:50:43 | 0:50:46 | |
And I have given you more. | 0:50:46 | 0:50:48 | |
Much more. | 0:50:50 | 0:50:51 | |
Once, those cards helped you win your king. | 0:50:52 | 0:50:56 | |
Showed you the way to his bed. | 0:50:57 | 0:51:00 | |
Did you doubt me then, dear heart? | 0:51:00 | 0:51:03 | |
Don't you love him now? | 0:51:04 | 0:51:06 | |
Don't you want to keep him safe? | 0:51:09 | 0:51:10 | |
What I saw in his cards could not be silenced. | 0:51:13 | 0:51:17 | |
What I saw... | 0:51:17 | 0:51:19 | |
..was a sentinel of warning. | 0:51:20 | 0:51:22 | |
And it will help you keep your king. | 0:51:22 | 0:51:25 | |
Please tell me what to do. | 0:51:29 | 0:51:31 | |
So many questions. | 0:51:33 | 0:51:34 | |
Luckily... | 0:51:34 | 0:51:36 | |
..I have a few answers. | 0:51:38 | 0:51:40 | |
SHE CLEARS HER THROAT | 0:51:42 | 0:51:44 | |
To calm your nerves, dear. | 0:51:44 | 0:51:46 | |
FOOTSTEPS APPROACH | 0:51:52 | 0:51:55 | |
I am bringing forward my invasion of Holland. | 0:52:12 | 0:52:15 | |
I will henceforth view any opposition to my plans of war | 0:52:15 | 0:52:18 | |
as an act of treason, | 0:52:18 | 0:52:20 | |
and they will be dealt with swiftly by my new Minister For Justice... | 0:52:20 | 0:52:24 | |
..the Duc de Cassel! | 0:52:25 | 0:52:27 | |
FOOTSTEPS APPROACH | 0:52:27 | 0:52:29 | |
A blessing, Bossuet, if you please. | 0:52:42 | 0:52:45 | |
BOSSUET CLEARS HIS THROAT | 0:52:45 | 0:52:48 | |
HE READS BLESSING IN LATIN | 0:52:53 | 0:52:57 | |
Amen. | 0:53:12 | 0:53:13 | |
ALL: Amen. | 0:53:13 | 0:53:15 | |
ROHAN COUGHS | 0:53:43 | 0:53:45 | |
HE GASPS | 0:53:47 | 0:53:49 | |
INAUDIBLE BLESSING | 0:53:51 | 0:53:53 | |
HE WHIMPERS | 0:53:53 | 0:53:55 | |
In case I don't see you, have a lovely Christmas. | 0:53:55 | 0:53:58 | |
HE PANTS | 0:54:00 | 0:54:02 | |
HE ROARS, WET SLICING | 0:54:05 | 0:54:06 | |
BODY SLUMPS | 0:54:06 | 0:54:07 | |
CROWS CAW | 0:54:07 | 0:54:09 |